Winters And Coffee Quotes

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You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.
Rosemarie Urquico
Seasons flow in a cycle. Life too, passes through difficult winters. But after any winter, spring will follow.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
We kiss. Her hands are freezing on my face, and she tastes like coffee and the smell of the onion is still stuck in my nose, and my lips are all dry from the endless winter. And it's awesome.
John Green (Will Grayson, Will Grayson)
The seasonal urge is strong in poets. Milton wrote chiefly in winter. Keats looked for spring to wake him up (as it did in the miraculous months of April and May, 1819). Burns chose autumn. Longfellow liked the month of September. Shelley flourished in the hot months. Some poets, like Wordsworth, have gone outdoors to work. Others, like Auden, keep to the curtained room. Schiller needed the smell of rotten apples about him to make a poem. Tennyson and Walter de la Mare had to smoke. Auden drinks lots of tea, Spender coffee; Hart Crane drank alcohol. Pope, Byron, and William Morris were creative late at night. And so it goes.
Helen Bevington (When Found, Make a Verse of)
The Winter Woman is as wild as a blizzard, as fresh as new snow. While some see her as cold, she has a fiery heart under that ice-queen exterior. She likes the stark simplicity of Japanese art and the daring complexity of Russian literature. She prefers sharp to flowing lines, brooding to pouting, and rock and roll to country and western. Her drink is vodka, her car is German, her analgesic is Advil. The Winter Woman likes her men weak and her coffee strong. She is prone to anemia, hysteria, and suicide.
Christopher Moore (Bloodsucking Fiends (A Love Story, #1))
Always choose the adventure ... unless, it's chilly outside and there's a cup of warm coffee resting near a book and comfy sofa.
Barbara Brooke
People should fall in love more. Fall in love with the way your coffee swirls as soon as you pour the milk in. Fall in love with the look your dog gives you when you wake up. Fall in love with the rare moment when your cat doesn’t ignore you. Fall in love with the person who tells you to have a good day. Fall in love with the waiter who gives you extra chili fries. Fall in love with sweaters in winter and cold lemonade in summer. Fall in love with the moment your head hits the pillow. Fall in love with talking to someone until 4 a.m. Fall in love with the days you can hit the snooze button over and over again. Fall in love when a lover stares at you for five hours. Fall in love with the stars when they look at you. Fall in love with the sound of someone breathing. Fall in love with the bus if it’s on time or the train if it comes early. Fall in love with everything possible.
Courtney Peppernell (Pillow Thoughts)
And he is enchanted by the beauty of small things: hot coffee, wind through an open window, the tapping of rain, a passing bicycle, the desolation of snow on a winter's day.
Simon Van Booy (Everything Beautiful Began After)
People tend to feel happy when spring arrives, especially after a cold winter. When spring begins, however, cannot be pinpointed to one particular moment. There is no one day that clearly marks when winter ends and spring begins. Spring hides inside winter. We notice it emerging with our eyes, our skin, and other senses. We find it in new buds, a comfortable breeze and the warmth of the sun. It exists alongside winter.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
People tend to feel happy when spring arrives, especially after a cold winter.
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
Randy knew he wasn't an alcoholic because an alcoholic craved liquor. He never craved it. He just drank for pleasure and the most pleasurable of all drinks was the first one on a crisp winter morning. Besides, when you took it with coffee that made it part of breakfast, and therefore not so depraved.
Pat Frank (Alas, Babylon (Perennial Classics))
This is how the soul heals. it thaws out bit by bit, the way the ground warms after a hard winter. you notive the sun or hear the whippoorwill calling across the flats. You sweep your porch, go drink coffee in the shade of the trumpet vines. You have days where you want to lay down and die, but what you learn is this: As long as there's somebody left on this earth who loves you, it's reason enough to stay alive. You don't give in to your broke heart-- you just let the wide, cracked space fill up again.
Michael Lee West (American Pie)
I am fine with coffee in the coldest night; I don't need wine to make the dark more romantic.
Wrushank Sorte
It could be negative twenty, and I’ll hold an iced coffee in my hand while I wear my winter gloves.
Liz Tomforde (The Right Move (Windy City, #2))
People should fall in love more. Fall in love with the way your coffee swirls as soon as you pour the milk in. Fall in love with the look your dog gives you when you wake up... Fall in love with the person who tells you to have a good day... Fall in love with sweaters in winter and cold lemonade in summer. Fall in love with the moment your head hits the pillow. Fall in love with talking to someone until 4 a.m... Fall in love with the stars when they look at you. Fall in love with the sound of someone breathing... Fall in love with everything possible.
Courtney Peppernell (Pillow Thoughts (Pillow Thoughts, #1))
It's early on a beautiful winter morning. The house is quiet. The sun is shining. I'm thankful. I'm happy. My cup runneth over. Now there's coffee everywhere.
Mindy Levy
WHAT THE LIVING DO Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there. And the Drano won't work but smells dangerous, and the crusty dishes have piled up waiting for the plumber I still haven't called. This is the everyday we spoke of. It's winter again: the sky's a deep, headstrong blue, and the sunlight pours through the open living-room windows because the heat's on too high in here and I can't turn it off. For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking, I've been thinking: This is what the living do. And yesterday, hurrying along those wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve, I thought it again, and again later, when buying a hairbrush: This is it. Parking. Slamming the car door shut in the cold. What you called that yearning. What you finally gave up. We want the spring to come and the winter to pass. We want whoever to call or not call, a letter, a kiss--we want more and more and then more of it. But there are moments, walking, when I catch a glimpse of myself in the window glass, say, the window of the corner video store, and I'm gripped by a cherishing so deep for my own blowing hair, chapped face, and unbuttoned coat that I'm speechless: I am living. I remember you.
Marie Howe (What the Living Do: Poems)
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened. One day the two came upon each other on the corner of a street. “This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.” “And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.” They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle. As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily? And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?” “Yes,” she said, “that is exactly what we should do.” And so they parted, she to the east, and he to the west. The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully. One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank. They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love. Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty. One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew: She is the 100% perfect girl for me. He is the 100% perfect boy for me. But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever. A sad story, don’t you think?
Haruki Murakami (The Elephant Vanishes)
Hugging her feels as comforting as a warm cup of coffee on a cold Boston winter night.
Evie Sterling (Protective Billionaire Boss)
Life, too, passes through difficult winters. But after any winter, spring will follow...
Toshikazu Kawaguchi (Tales from the Café (Before the Coffee Gets Cold, #2))
I remember moving through the world the way you move through air. I remember striding into this coffee shop, a winter coat wrapped tight around me or a sundress billowing at the knees; I remember brushing against people, smiling at them, talking to them.
A.J. Finn (The Woman in the Window)
April is the cruelest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain. Winter kept us warm, covering Earth in forgetful snow, feeding A little life with dried tubers. Summer surprised us, coming over the Starnbergersee With a shower of rain; we stopped in the colonnade, And went on in sunlight, into the Hofgarten, And drank coffee, and talked for an hour. Bin gar keine Russin, stamm' aus Litauen, echt deutsch. And when we were children, staying at the arch-duke's, My cousin's, he took me out on a sled, And I was frightened. He said, Marie, Marie, hold on tight. And down we went. In the mountains, there you feel free. I read, much of the night, and go south in the winter.
T.S. Eliot
He longed for it to be winter. A cold wind would blow, the sea would pound, and he would rise cheerful and fit from a delicious sleep beneath warm blankets. Then would come days in which he would write his great novel. The kettle would boil and hot coffee would froth in his cup. In the garden the citron would flower beneath a brilliant moon, its branches dripping fragrance. The starry sky would sweeten the soft silence and Hemdat would pour the dew of his soul into the sea-blue night.
S.Y. Agnon (A Book that Was Lost)
Of course, fall isn't just about preparing for winter. It's also about sitting on the patio in a worn wool sweater and warming your hands over the swirl of steam rising from a coffee cup. It's about walking across a darkened yard and seeing a flight of geese cross the face of a full moon. It's about settling in, relishing sights and sensations of a world slowing down.
Brent Olson
He holds up two blue enamel coffee cups. “It could be worse. It could be winter.” Or I could be stuck in the wilderness, miles away from civilization, with the boy who crushed my heart in the palm of his hand. Oh, wait. I am.
Jenn Bennett (Starry Eyes)
I don’t know.” I shake my head slowly, look out the window at the parking lot, lift my cup of coffee for one final sip. “I feel like I wasn’t made for these times.” “I don’t know, kid,” she says. “I think maybe you’re the only person who was.
Ben H. Winters (The Last Policeman (Last Policeman, #1))
translates as “cozy” but is much, much more; hygge is sitting on a dark winter’s night with friends or family, the room candlelit, everyone knitting or crocheting sipping coffee or beer, eating pastry or smørrebrød talking, talking, listening, talking, enjoying the pleasure of kindred spirits with the winds howling outside
Laurie Halse Anderson (Shout)
The history of Immanuel Kant's life is difficult to portray, for he had neither life nor history. He led a mechanical, regular, almost abstract bachelor existence in a little retired street of Königsberg, an old town on the north-eastern frontier of Germany. I do not believe that the great clock of the cathedral performed in a more passionless and methodical manner its daily routine than did its townsman, Immanuel Kant. Rising in the morning, coffee-drinking, writing, reading lectures, dining, walking, everything had its appointed time, and the neighbors knew that it was exactly half-past three o'clock when Kant stepped forth from his house in his grey, tight-fitting coat, with his Spanish cane in his hand, and betook himself to the little linden avenue called after him to this day the "Philosopher's Walk." Summer and winter he walked up and down it eight times, and when the weather was dull or heavy clouds prognosticated rain, the townspeople beheld his servant, the old Lampe, trudging anxiously behind Kant with a big umbrella under his arm, like an image of Providence. What a strange contrast did this man's outward life present to his destructive, world-annihilating thoughts! In sooth, had the citizens of Königsberg had the least presentiment of the full significance of his ideas, they would have felt far more awful dread at the presence of this man than at the sight of an executioner, who can but kill the body. But the worthy folk saw in him nothing more than a Professor of Philosophy, and as he passed at his customary hour, they greeted him in a friendly manner and set their watches by him.
Heinrich Heine
What are you doing?" I twisted around to see Tai looking at me as he sipped coffee, standing behind me. "Just —looking through the chocolate," I said as casual as I could. "You never looked through them all before," Tai said suspiciously. I swallowed, struggling to find something to say. It must've shown on my face, because one of Tai's eyebrows lifted slightly.
Lucy Gold (Bias)
At first he told them that everything was just the same, that the pink snails were still in the house where he had been born, that the dry herring still had the same taste on a piece of toast, that the waterfalls in the village still took on a perfumed smell at dusk. They were the notebook pages again, woven with the purple scribbling, in which he dedicated a special paragraph to each one. Nevertheless, and although he himself did not seem to notice it, those letters of recuperation and stimulation were slowly changing into pastoral letters of disenchantment. One winter night while the soup was boiling in the fireplace, he missed the heat of the back of his store, the buzzing of the sun on the dusty almond trees, the whistle of the train during the lethargy of siesta time, just as in Macondo he had missed the winter soup in the fireplace, the cries of the coffee vendor, and the fleeting larks of springtime. Upset by two nostalgias facing each other like two mirrors, he lost his marvelous sense of unreality and he ended up recommending to all of them that they leave Macondo, that they forget everything he had taught then about the world and the human heart, that they shit on Horace, and that wherever they might be they always remember that the past was a lie, that memory has no return, that every spring gone by could never be recovered, and that the wildest and most tenacious love was an ephemeral truth in the end.
Gabriel García Márquez
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
Joseph Brodsky
The first time Ree kissed a man it was not a man, but Gail acting as a man, and as the kissing progressed and Gail acting as a man pushed her backwards onto a blanket of pine needles in shade and slipped her tongue deep into Ree's mouth, Ree found herself sucking on the wiggling tongue of a man in her mind, sucking that plunging tongue of the man in her mind until she tasted morning coffee and cigars and spit leaked from between her lips and down her chin. She opened her eyes then and smiled, and Gail yet acting the man roughed up her breasts with grabs and pinches, kissed her neck, murmuring and Ree said, "Just like that! I want it to be just like that!" There came three seasons of giggling and practice, puckering readily anytime they were alone, each being the man and the woman, each on top and bottom, pushing for it with grunts or receiving it with signs. The first time Ree kissed a boy who was not a girl his lips were soft and timid on hers, dry and unmoving, until finally she had to say it and did, "Tongue, honey, tongue," and the boy she called honey turned away saying, "Yuck!
Daniel Woodrell (Winter's Bone)
Dear Patton: I've been feeling blue lately but I wasn't sure if it had anything to do with the amount of rain we've had over the last few weeks. What are your thoughts on that? Ms. Diller Cary, NC Dear Ms. Diller: Rain can have a profound effect on someone inclined toward melancholy. I live in Los Angeles, and, as of this writing, we've just experienced three weeks of unending late-winter storms. The sky has been a limitless bowl of sludgy, hopeless gray. The ground, soaked and muddy, emits burbly, hissing spurts with every step, which sound like a scornful parent who sees no worth, hope, or value in their offspring. The morning light through my bedroom window promises nothing but a damp, unwelcoming day of thankless busywork and futile, doomed chores. My breakfast cereal tastes like being ostracized. My morning coffee fills my stomach with dread. What's the point of even answering this question? The rain--it will not stop. Even if I say something that will help you--which I won't, because I'm such a useless piece of shit--you'll eventually die and I'll die and everyone we know will die and this book will turn to dust and the universe will run down and stop, and dead dead dead dead dead. Dead. Read Chicken Soup for the Soul, I guess. Dead. Dead dead. Patton
Patton Oswalt
You know what I’m doing right now?” I say, watching the muddy liquid rush toward the edge of the table. “I’m thinking: Oh no! The coffee’s going to spill onto the floor! I’m so worried! Let’s keep talking about it!” And then the coffee waterfalls over the side of the desk, splashing on Andreas’s shoes and pooling on the ground beneath the desk. “Oh, look at that,” I say. “It happened anyway.” *
Ben H. Winters (The Last Policeman (Last Policeman, #1))
It didn’t look like a house they’d just moved into. There were LEGO robots on the stairs and two cats sleeping on the sofa in the living room. The coffee table was stacked with magazines, and a little kid’s winter coat was spread on the floor. The whole house smelled like fresh-baked chocolate-chip cookies. There was jazz music coming from the kitchen. It seemed like a messy, happy kind of home—the kind of place that had been lived in forever.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
He meditated resentfully on the physical texture of life. Had it always been like this? Had food always tasted like this? He looked round the canteen. A low-ceilinged, crowded room, its walls grimy from the contact of innumerable bodies; battered metal tables and chairs, placed so close together that you sat with elbows touching; bent spoons, dented trays, coarse white mugs; all surfaces greasy, grime in every crack; and a sourish, composite smell of bad gin and bad coffee and metallic stew and dirty clothes. Always in your stomach and in your skin there was a sort of protest, a feeling that you had been cheated of something that you had a right to. It was true that he had no memories of anything greatly different. In any time that he could accurately remember, there had never been quite enough to eat, one had never had socks or underclothes that were not full of holes, furniture had always been battered and rickety, rooms underheated, tube trains crowded, houses falling to pieces, bread dark-coloured, tea a rarity, coffee filthy-tasting, cigarettes insufficient -- nothing cheap and plentiful except synthetic gin. And though, of course, it grew worse as one's body aged, was it not a sign that this was not the natural order of things, if one's heart sickened at the discomfort and dirt and scarcity, the interminable winters, the stickiness of one's socks, the lifts that never worked, the cold water, the gritty soap, the cigarettes that came to pieces, the food with its strange evil tastes? Why should one feel it to be intolerable unless one had some kind of ancestral memory that things had once been different?
George Orwell (1984)
I've always preferred the city at night. I believe that San Judas, or any city, belongs to the people who sleep there. Or maybe they don't sleep - some don't - but they live there. Everybody else is just a tourist. Venice, Italy, for instance, pulls in a millions tourists for their own Carnival season but the actual local population is only a couple of hundred thousand. Lots of empty canals and streets at night, especially when you get away from the big hotels, and the residents pretty much have it to themselves when tourist season slows during the winter. Jude has character - everybody agrees on that. It also has that thing I like best about a city: You can never own it, but it you treat it with respect it will eventually invite you in and make you one of its true citizens. But like I said, you've got to live there. If you're never around after the bars close, or at the other end of the night as the early workers get up to start another day and the coffee shops and news agents raise their security gates, then you don't really know the place, do you?
Tad Williams (The Dirty Streets of Heaven (Bobby Dollar, #1))
I drink hot coffee in the summer, and iced coffee in the winter. I’m a contrarian, and contrary to popular belief I'm not a sellout. I rent.
Jarod Kintz (This Book is Not for Sale)
I knocked a cup of coffee over one day and took it up with a knife. It was frozen solid before I could reach a mop. [In her kitchen in central Wisconsin in winter.]
Frances Hamerstrom (My Double Life: Memoirs of a Naturalist)
Warraner looked pleasantly surprised at the question, like a Mormon who had suddenly found himself invited into a house for coffee, cake, and a discussion of the wit and wisdom of Joseph Smith.
John Connolly (The Wolf in Winter (Charlie Parker, #12))
Think of all the requirements writers imagine for themselves: A cabin in the woods A plain wooden table Absolute silence A favorite pen A favorite ink A favorite blank book A favorite typewriter A favorite laptop A favorite writing program A large advance A yellow pad A wastebasket A shotgun The early light of morning The moon at night A rainy afternoon A thunderstorm with high winds The first snow of winter A cup of coffee in just the right cup A beer A mug of green tea A bourbon Solitude Sooner or later the need for any one of these will prevent you from writing. Anything you think you need in order to write— Or be “inspired” to write or “get in the mood” to write— Becomes a prohibition when it’s lacking. Learn to write anywhere, at any time, in any conditions, With anything, starting from nowhere. All you really need is your head, the one indispensable
Verlyn Klinkenborg (Several Short Sentences About Writing)
If she’d been quizzed as to His Grace’s eye color, she would’ve had to reply simply that they were dark. Which they were. Very dark, nearly black, but not quite. The Duke of Wakefield’s eyes were a deep, rich brown, like coffee newly brewed, like walnut wood oiled and polished, like seal fur shining in the light, and even though they were rather lovely to look at, they were as cold as iron in winter. One touch and her very soul might freeze.
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
It's worth getting out of bed some mornings. And it's a pleasure, especially if the pale winter sun is out and shining, to delight with your lover in the urban gift of your favorite café. Fresh coffee, steaming croissants, and the Sunday papers. Ah! All the way to ours, Alice and I talked about love and how many people don't get any while others get a lot, and how that unfairness probably accounts for the federal deficit and crooked contracting practices, and so on.
Andrei Codrescu (New Orleans, Mon Amour: Twenty Years of Writings from the City)
Okay, so what’s your favorite color, your favorite ice cream flavor, and your favorite season? “Blue, coffee, and winter.” “Winter. No one likes winter.” “It gets dark early, I like that.” “Why?” Because that means the day has ended. I like checking days off a calendar—
Gillian Flynn (Sharp Objects)
At the bakery it's just me. It's a small place. Just me and the raspberry horns and the tourtiere pies and my cigarette going in the ashtray near the black sink. Every once in a while a car passes through the dark street outside the storefont windows, but that's pretty much all I see of people while I'm there, until the end of my shift at eight when Monica shows up to open the store for the day. A solid twelve hours by myself, nothing but the radio to keep me company, and I like it just fine, being alone. It's even better in the winter, during a storm, when the snow piles up outside and no cars come by at all. Inside the bakery it's warm and there's plenty to keep my hands busy. Times like that, for all I can tell I'm the only person left on earth. I could go on making pies and watching the snow pile up until the end of time, so long as there was enough coffee on hand. I don't need company like some people seem to.
Ron Currie Jr. (Everything Matters!)
I’ll take you like this. In the morning, before coffee, I fuck you. At night, I fuck you harder. In our bedroom, our living room, our kitchen, I’ll love you in every room. Amore mio, I’ll break you with my love and put you back together. And when I retire, you still call me Capo because you’re mine. Always mine.
Pepper Winters (Take Me: Twelve Tales of Dark Possession)
They was some of em wound up just livin in the woods like animals. And that was a cold winter, too. People would see em crossin the road at night in the carlights. Whole families. Carryin blankets. Pots and pans. People tried to find em. Take em some flour and meal. Coffee. Maybe a little sidemeat. I think about those children. I do yet.
Cormac McCarthy (The Passenger (The Passenger #1))
Whose sleeve do I have to grip, to tell my story to? It used to be Bet. Now, sleeveless. And I am sure I gripped her sleeve many a time too many. In my own parlance, 'feasting' on her energy, and giving nothing back. Well, maybe. We had most excellent days. We were the king and queen of coffee in the morning, in the dark of winter, in the early morning sun of summer that came right in our windows, right in, to wake us. Ah, yes, small matters. Small matters, that we call sanity, or the cloth that makes sanity. Talking to her in those times made - no, God preserve me from sentimentality. Those days are over. Now we are two foreign countries and we simply have our embassies in the same house. Relations are friendly but strictly diplomatic. There is an underlying sense of rumour, of judgement, of memory, like two peoples that have once committed grave crimes against each other, but in another generation. We are a statelet of the Baltics. Except, blast her, she has never done anything to me. It is atrocity all one way.
Sebastian Barry (The Secret Scripture (McNulty Family))
She was so ridiculously happy that most days she didn't know how to contain it. Every morning before dawn she would unwrap her long limbs reluctantly from those of her husband, drink the coffee he insisted on making for her, then walk down to open the library and get the stove going, ready for the others to arrive. Despite the cold and the brutal hour, she was almost always to be found smiling. If Peggy Van Cleve's friends chose to remark that Alice Guisler had let herself go something awful since she'd started up at that library, what with her un-set hair and her mannish outfits (and to think her so refined and well-dressed when she came, and all!), then Fred couldn't have noticed less. He was married to the most beautiful woman in the world, and every night after they had each finished work, and put away the dishes side by side, he made sure to pay homage. In the still air of Split Creek it was not unusual for those who were walking past in the darkness to shake an amused head at the breathless and joyous sounds emanating from the house behind the library. In Baileyville, in winter, there was not much to do after the sun went down, after all.
Jojo Moyes (The Giver of Stars)
coffee. The sky is low and woolen out the window, and while the coffee brews she goes and places her forehead on the glass. Gradually the mist of her breath hides the college from view: the trees turn soft, the Old Library a heavy cloud. Students crossing Front Square in winter coats, arms folded, disappear into smudges and then disappear entirely. Marianne is neither admired nor reviled anymore. People have forgotten about her.
Sally Rooney (Normal People)
Christmas time is here. You see it everywhere. Wreaths hanging on doors. Lights hanging on every house and porch. It’s that time of year, Where families gather for Christmas cheer. Having eggnog And loving God. Everybody loves it, Christmas is special To you and me As you can see. I love Christmas so much. Celebrating Jesus’ birth. He was born in a stable on that cold winter’s night. He changed the world on that night, bright.
Rachel Nicole Wagner (Yesterday's Coffee)
We all need relationships that give us the feeling of ecstasy we get from life's simple moments—the first sip of coffee, the smell of fresh laundry, a hot shower in the winter, a movie with a good ending, and a glass of water after an intense workout. Sometimes, we can't describe the type of people we need in our lives through a list of attributes. Sometimes, it’s simply the vibrations they give us—ones that make every cell in our body dance.
Nida Awadia
She flung a mental lifeline to that physical self, and tried to recall the feeling of being in it: all the sensations that made up being alive. The exact touch of her friend Atal’s soft-tipped trunk caressing her neck. The taste of bacon and eggs. The triumphant strain in her muscles as she pulled herself up a rock face. The delicate dancing of her fingers on a computer keyboard. The smell of roasting coffee. The warmth of her bed on a winter night.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
On December 9, 1531, the Blessed Virgin Mary appeared to an Indian named Juan Diego. A carpet of roses blossoming in the dead of winter and a Madonna with a coffee-colored face appearing on Juan Diego’s robe were enough further evidence to convince the local bishop to erect a shrine to Our Lady of Guadalupe. There are those who say Guadalupe is Tonantzin, an Aztec goddess who existed years before Juan Diego came along. The Spanish missionaries, knowing that she had quite a local following,
Jodi Picoult (Vanishing Acts)
She got home, piled the bags on the counter, checked the message light (nothing), the dishwasher (needed emptying), the trash bags (needed changing), let the dogs out (needed to pee), and then started unloading. As usual, she had bought several of something she already had several of, and forgotten to buy several things she had none of. You would think after four-plus decades on the planet she’d be able to remember the difference between a kitchen roll and a toilet roll, but she invariably had none of one and enough of the other for a nuclear winter. She also tended to either have four tons of pasta or half a packet of elbows, three tins of anchovies or artichoke hearts or capers—none of which she used very much—and no tuna at all, which she used once or twice a week. She would run out of coffee filters one painful morning then keep buying them every time she went to the store, until eventually she had four large boxes and finally understood that she Had Enough. Then she’d assume she had enough of them forever, would stop buying them completely, and would eventually run out again at the worst possible moment. Why was this so hard?
Abbi Waxman (Other People's Houses)
Sunday Morning I Complacencies of the peignoir, and late Coffee and oranges in a sunny chair, And the green freedom of a cockatoo Upon a rug mingle to dissipate The holy hush of ancient sacrifice. She dreams a little, and she feels the dark Encroachment of that old catastrophe, As a calm darkens among water-lights. The pungent oranges and bright, green wings Seem things in some procession of the dead, Winding across wide water, without sound. The day is like wide water, without sound, Stilled for the passing of her dreaming feet Over the seas, to silent Palestine, Dominion of the blood and sepulchre. II Why should she give her bounty to the dead? What is divinity if it can come Only in silent shadows and in dreams? Shall she not find in comforts of the sun, In pungent fruit and bright, green wings, or else In any balm or beauty of the earth, Things to be cherished like the thought of heaven? Divinity must live within herself: Passions of rain, or moods in falling snow; Grievings in loneliness, or unsubdued Elations when the forest blooms; gusty Emotions on wet roads on autumn nights; All pleasures and all pains, remembering The bough of summer and the winter branch. These are the measures destined for her soul. III Jove in the clouds had his inhuman birth. No mother suckled him, no sweet land gave Large-mannered motions to his mythy mind He moved among us, as a muttering king, Magnificent, would move among his hinds, Until our blood, commingling, virginal, With heaven, brought such requital to desire The very hinds discerned it, in a star. Shall our blood fail? Or shall it come to be The blood of paradise? And shall the earth Seem all of paradise that we shall know? The sky will be much friendlier then than now, A part of labor and a part of pain, And next in glory to enduring love, Not this dividing and indifferent blue. IV She says, "I am content when wakened birds, Before they fly, test the reality Of misty fields, by their sweet questionings; But when the birds are gone, and their warm fields Return no more, where, then, is paradise?" There is not any haunt of prophecy, Nor any old chimera of the grave, Neither the golden underground, nor isle Melodious, where spirits gat them home, Nor visionary south, nor cloudy palm Remote on heaven's hill, that has endured As April's green endures; or will endure Like her remembrance of awakened birds, Or her desire for June and evening, tipped By the consummation of the swallow's wings
Wallace Stevens
She sat and watched the dockhand when it was sunny and she sat and watched him when it rained. Or when it was foggy, which is what it was nearly every morning at eight o’clock. This morning was none of the above. This morning was cold. The pier smelled of fresh water and of fish. The seagulls screeched overhead, a man’s voice shouted. Where is my brother to help me, my sister, my mother? Pasha, help me, hide in the woods where I know I can find you. Dasha, look what’s happened. Do you even see? Mama, Mama. I want my mother. Where is my family to ask things of me, to weigh on me, to intrude on me, to never let me be silent or alone, where are they to help me through this? Deda, what do I do? I don’t know what to do. This morning the dockhand did not go over to see his friend at the next pier for a smoke and a coffee. Instead, he walked across the road and sat next to her on the bench. This surprised her. But she said nothing, she just wrapped her white nurse’s coat tighter around herself, and fixed the kerchief covering her hair. In Swedish he said to her, “My name is Sven. What’s your name?” After a longish pause, she replied. “Tatiana. I don’t speak Swedish.” In English he said to her, “Do you want a cigarette?” “No,” she replied, also in English. She thought of telling him she spoke little English. She was sure he didn’t speak Russian. He asked her if he could get her a coffee, or something warm to throw over her shoulders. No and no. She did not look at him. Sven was silent a moment. “You want to get on my barge, don’t you?” he asked. “Come. I will take you.” He took her by her arm. Tatiana didn’t move. “I can see you have left something behind,” he said, pulling on her gently. “Go and retrieve it.” Tatiana did not move. “Take my cigarette, take my coffee, or get on my barge. I won’t even turn away. You don’t have to sneak past me. I would have let you on the first time you came. All you had to do was ask. You want to go to Helsinki? Fine. I know you’re not Finnish.” Sven paused. “But you are very pregnant. Two months ago it would have been easier for you. But you need to go back or go forward. How long do you plan to sit here and watch my back?” Tatiana stared into the Baltic Sea. “If I knew, would I be sitting here?” “Don’t sit here anymore. Come,” said the longshoreman. She shook her head. “Where is your husband? Where is the father of your baby?” “Dead in the Soviet Union,” Tatiana breathed out. “Ah, you’re from the Soviet Union.” He nodded. “You’ve escaped somehow? Well, you’re here, so stay. Stay in Sweden. Go to the consulate, get yourself refugee protection. We have hundreds of people getting through from Denmark. Go to the consulate.” Tatiana shook her head. “You’re going to have that baby soon,” Sven said. “Go back, or move forward.” Tatiana’s hands went around her belly. Her eyes glazed over. The dockhand patted her gently and stood up. “What will it be? You want to go back to the Soviet Union? Why?” Tatiana did not reply. How to tell him her soul had been left there? “If you go back, what happens to you?” “I die most likely,” she barely whispered. “If you go forward, what happens to you?” “I live most likely.” He clapped his hands. “What kind of a choice is that? You must go forward.” “Yes,” said Tatiana, “but how do I live like this? Look at me. You think, if I could, I wouldn’t?” “So you’re here in the Stockholm purgatory, watching me move my paper day in and day out, watching me smoke, watching me. What are you going to do? Sit with your baby on the bench? Is that what you want?” Tatiana was silent. The first time she laid eyes on him she was sitting on a bench, eating ice cream. “Go forward.” “I don’t have it in me.” He nodded. “You have it. It’s just covered up. For you it’s winter.” He smiled. “Don’t worry. Summer’s here. The ice will melt.” Tatiana struggled up from the bench. Walking away, she said in Russian, “It’s not the ice anymore, my seagoing philosopher. It’s the pyre.
Paullina Simons (Tatiana and Alexander (The Bronze Horseman, #2))
When I read the news, no,” she said. “When I see small children, yes. When I listen to talk radio, no. When I fly on a plane, yes. When I take Amtrak and go through North Philadelphia and see how people have to live, no. When I sit in my kitchen in the winter with coffee and watch the sunrise, yes. When I volunteered at Memorial Sloan Kettering in the children’s unit, no. When I see the parents who sleep next to their children for weeks at a time in that unit, yes. When I make the horrible mistake of glancing at the New York Post, no. When I see some tough-looking kid on the subway who I’ve mentally judged based on how he looks give his seat up for an elderly woman, yes.
John Kenney (I See You've Called in Dead)
Sparkling fair weather like that makes me think up outside work to do—work that didn’t seem strictly necessary the day before, during a snowstorm. On those days, I’ll sometimes pack up a lunch, fix a thermos of coffee and drive around to my beeyards to see how the bees are wintering. It is good to assure myself that all the telescoping covers are tightly in place, and to check whether cows have knocked over any hives. But the truth is I just miss the bees, and I want to see them. The snow has drifted up against the hives, and I stoop to brush it away from the entrances. In one yard, a tree limb has fallen across a hive, knocking the cover askew. I haul off the limb, adjust the cover.
Sue Hubbell (A Book of Bees)
We rode in a darling neighborhood of little bungalows cuddled together. I love the gray-green-putty colors against the leafless cherry trees and Japanese maples. I could feel the crocus, daffodil, and tulip bulbs underground, gaining strength, patiently enduring our winter, waiting to burst forth for another glorious Seattle spring. I held my hand out and whooshed it through the thick, healthy air. What other city has given birth to the jumbo jet, the Internet superstore, the personal computer, the cellular phone, online travel, grunge music, the big-box store, good coffee? Where else could somebody like me ride bikes alongside the man with the fourth-most-watched TEDTalk? I started laughing.
Maria Semple (Where'd You Go, Bernadette)
ten years of living alone in the staff quarters and playing tour guide to the infrequent potential buyers who arrived by water taxi, a decade of weekly trips to Port Hardy for supplies, cleaning the hotel, mowing the grass, meeting with repairmen when necessary, reading in the afternoons, teaching himself to play piano on the abandoned Steinway in the lobby, walking to the village of Caiette for coffee with Melissa; ten years of wandering by himself in the forest, watching the first pale flowers push through dark earth in the springtime, swimming by the pier in the hottest days of summer and reading on a balcony under blankets in the clear autumn light, sitting alone in the lobby with the lights out for the thrill of winter storms.
Emily St. John Mandel (The Glass Hotel)
I remembered the taste of good Italian coffee in my London flat, brewed at the expense of time and a good deal of mess, compared to the sort that came out of machines in the office at the press of a button. I remembered walking to art school, through the windy winter, over hills and heaths: how much gladder I was to reach the rich warmth and to toast my hands on a radiator, than if I had gone by car. I remembered the nickels my father gave me as a child for being good: how much more I valued them than I would a dollar bill given all at once for no reason. Of course God as the ultimate parent could give happiness for the asking, just as my father could have given a handful of dollar bills, but at the age of five would I have known its value, or would it have looked to me just like a wad of grubby green paper?
Sumangali Morhall (Auspicious Good Fortune: One woman's inspirational journey from Western disillusionment to Eastern spiritual fulfilment)
More proof that Lynn is still meant to continue with the government programme occurred during the winter of 2000, when she was sitting at a cafeteria table at the area college. It was later in the afternoon when a few people congregated there with books spread out so they could study while drinking coffee or snacking. Many tables were empty, yet after Lynn had been sitting for a few moments, an elderly man sat down across from her. The old man seemed familiar to Lynn, though, at first, she pretended to ignore him. He said nothing, just sat there as someone might when all the tables are filled and it is necessary to share space with a stranger. His presence made her uncomfortable, yet there was nothing specific that alerted her. A short while later, Mac, the man who had been Lynn's handler in Mexico, came out of the shadows and stopped at the table. He was younger than the old man. His clothes were military casual, the type of garments that veteran students who have military experience might recognise, but not think unusual. He leaned over Lynn and kissed her gently on the forehead, spoke quietly to her, and then said 'Wake up, Sleeping Beauty.' Those were the code words that would start the cover programme of which she was still part. The words led to her being switched from the control of the old man, a researcher she now believes may have been part of Dr Ewen Cameron's staff before coming to the United States for the latter part of his career, to the younger man. The change is like a re-enlistment in an army she never willingly joined. In a very real way, she is a career soldier who has never been paid, never allowed to retire and never given a chance to lead a life free from the fear of what she might do without conscious awareness.
Lynn Hersha (Secret Weapons: How Two Sisters Were Brainwashed to Kill for Their Country)
Meet Me In Toyland by Stewart Stafford Santa handed me the keys to Toyland, And, placing them squarely in the palm of my hand, He bid me go and have lots of fun, With all kinds of everyone. I skipped across the gingerbread bridge, Yuletide coffee flowing down from the ridge, To a Christmas tree consisting of mint, Lit all around by falling star glint. At the frosting gates of Castle St Nicholas, Silver snake tinsel began to hiss, As polar bears to a clockwork orchestra danced, With elves as their partners gleefully entranced. Multitudes of children whooped and cheered, Forgetting all their doubts and fears, Celebrating their gifts of toys, With every kind of girl and boy. Alas, our midwinter joy came to an end, And I tearfully bid adieu to all my new friends, And took a shooting star comet home, Across the Northern Lights in the sky’s dome. © Stewart Stafford, 2021. All rights reserved.
Stewart Stafford
Little Moments that bloom in Christmas hue. How beautiful the night shines in the hue of dreams, as if lulling along a distant breeze, wrapped in a cold warmth of a solitary winter's eve! To me, Christmas is always about a bunch of happy moments, simple yet ornate in a colour of joy, something that connects our hearts to all that is pure and pristine, all that is beautifully simple and soulfully happy. And if we look closely, we can find those moments, every day in our regular lives, from sipping on our early morning coffee to munching on our midnight snack, from taking a moment to gaze at the sunset to simply sitting silent listening to our soul, beautiful unfiltered unadulterated moments that often go unnoticed yet remain forever warmed up in the cold embrace of our heart, frozen in a niche of a dream called Life. After all, Life is a beautiful dream. La vie est un beau rêve Stay in Love.
Debatrayee Banerjee
When Sam and I were living in Australia, one winter weekend we rented a cottage in the countryside. We toured local wineries by day and at sunset we wrapped ourselves up in blankets on the porch overlooking the valley below, tucking into our bounty of wine and local cheese. I can’t remember who initiated it (OK, fine, probably me), but we decided that during this magic hour while day turned to night we could ask each other anything. This moment in our relationship changed everything. I got to ask all my questions and so did Sam. We also had to answer them. I think for both of us it’s the night we tipped over from infatuation to falling in love. Even now, the phrase ‘wine and cheese hour’ is shorthand for this safe space, when we need to sit down and reconnect. This is so bougie and painful to admit, especially because I don’t even like wine and this is now far more likely to be ‘coffee and Jaffa cake hour’. (Vodka and Pringles works, too.)
Jessica Pan (Sorry I'm Late, I Didn't Want to Come: An Introvert's Year of Living Dangerously)
Melinda Pratt rides city bus number twelve to her cello lesson, wearing her mother's jean jacket and only one sock. Hallo, world, says Minna. Minna often addresses the world, sometimes silently, sometimes out loud. Bus number twelve is her favorite place for watching, inside and out. The bus passes cars and bicycles and people walking dogs. It passes store windows, and every so often Minna sees her face reflection, two dark eyes in a face as pale as a winter dawn. There are fourteen people on the bus today. Minna stands up to count them. She likes to count people, telephone poles, hats, umbrellas, and, lately, earrings. One girl, sitting directly in front of Minna, has seven earrings, five in one ear. She has wisps of dyed green hair that lie like forsythia buds against her neck. There are, Minna knows, a king, a past president of the United States, and a beauty queen on the bus. Minna can tell by looking. The king yawns and scratches his ear with his little finger. Scratches, not picks. The beauty queen sleeps, her mouth open, her hair the color of tomatoes not yet ripe. The past preside of the United States reads Teen Love and Body Builder's Annual. Next to Minna, leaning against the seat, is her cello in its zippered canvas case. Next to her cello is her younger brother, McGrew, who is humming. McGrew always hums. Sometimes he hums sentences, though most often it comes out like singing. McGrew's teachers do not enjoy McGrew answering questions in hums or song. Neither does the school principal, Mr. Ripley. McGrew spends lots of time sitting on the bench outside Mr. Ripley's office, humming. Today McGrew is humming the newspaper. First the headlines, then the sports section, then the comics. McGrew only laughs at the headlines. Minna smiles at her brother. He is small and stocky and compact like a suitcase. Minna loves him. McGrew always tells the truth, even when he shouldn't. He is kind. And he lends Minna money from the coffee jar he keeps beneath his mattress. Minna looks out the bus window and thinks about her life. Her one life. She likes artichokes and blue fingernail polish and Mozart played too fast. She loves baseball, and the month of March because no one else much likes March, and every shade of brown she has ever seen. But this is only one life. Someday, she knows, she will have another life. A better one. McGrew knows this, too. McGrew is ten years old. He knows nearly everything. He knows, for instance, that his older sister, Minna Pratt, age eleven, is sitting patiently next to her cello waiting to be a woman.
Patricia MacLachlan (The Facts and Fictions of Minna Pratt)
They sat islanded in their foreignness, irrelevant now that the holiday season had ended, anachronistic, outstaying their welcome, no longer necessary to anyone's plans. Priorities had shifted; the little town was settling down for its long uninterrupted hibernation. No one came here in the winter. The weather was too bleak, the snow too distant, the amenities too sparse to tempt visitors. And they felt that the backs of the residents had been turned on them with a sigh of relief, reminding them of their transitory nature, their fundamental unreality. And when Monica at last succeeded in ordering coffee, they still sat, glumly, for another ten minutes, before the busy waitress remembered their order. 'Homesick,' said Edith finally. 'Yes.' But she thought of her little house as if it had existed in another life, another dimension. She thought of it as something to which she might never return. The seasons had changed since she last saw it; she was no longer the person who could sit up in bed in the early morning and let the sun warm her shoulders and the light make her impatient for the day to begin. That sun, that light had faded, and she had faded with them. Now she was as grey as the season itself. She bent her head over her coffee, trying to believe that it was the steam rising from the cup that was making her eyes prick. This cannot go on, she thought.
Anita Brookner (Hotel du Lac)
It is recorded that during the long winter after the Battle of Fredericksburg, when the two rival armies were camped on opposite sides of the Rappahannock, with the boys on the opposing picket posts daily swapping coffee for tobacco and comparing notes on their generals, their rations, and other matters, and with each camp in full sight and hearing of the other, one evening massed Union bands came down to the river bank to play all of the old songs, plus the more rousing tunes like "John Brown's Body," "The Battle Cry of Freedom," and "Tramp, Tramp, Tramp, the Boys Are Marching." Northerners and Southerners, the soldiers sang those songs or sat and listened to them, massed in their thousands on the hillsides, while the darkness came down to fill the river valley and the light of the campfires glinted off the black water. Finally the Southerners called across, "Now play some of ours," so without pause the Yankee bands swung into "Dixie" and "The Bonnie Blue Flag" and "Maryland, My Maryland," and then at last the massed bands played "Home, Sweet Home," and 150,000 fighting men tried to sing it and choked up and just sat there, silent, staring off into the darkness; and at last the music died away and the bandsmen put up their instruments and both armies went to bed. A few weeks later they were tearing each other apart in the lonely thickets around Chancellorsville.
Bruce Catton (Mr. Lincoln's Army)
I dreamt of a City to the West of here,” Dixon tries to recall, scrying in his Coffee-Mug, the wind blowing Wood-smoke in his eyes, “at some great Confluence of Rivers, or upon a Harbor in some inland Sea,— a large City,— busy, prospering, sacred.” “A Sylvan Philadelphia. . . .” “Well . . . well yes, now tha put it thah’ way,— ” “I hope you are prepar’d for the possibility, that waking Philadelphia is as sacred as anything over here will ever get, Dixon,— observe you not, as we move West, more and more of those Forces, which Cities upon Coasts have learn’d to push away, and leave to Back Inhabitants,— the Lightning, the Winter, an Indifference to Pain, not to mention Fire, Blood, and so forth, all measur’d upon a Scale far from Philadelphian,— whereunto we, and our Royal Commission, and our battery of costly Instruments, are but Fleas in the Flea Circus. We trespass, each day ever more deeply, into a world of less restraint in ev’rything,— no law, no convergence upon any idea of how life is to be,— an Interior that grows meanwhile ever more forested, more savage and perilous, until,— perhaps at the very Longitude of your ‘City,’— we must reach at last an Anti-City,— some concentration of Fate,— some final condition of Abandonment,— wherein all are unredeemably alone and at Hazard as deep as their souls may bear,— lost Creatures that make the very Seneca seem Christian and merciful.
Thomas Pynchon (Mason & Dixon)
I dreamt of a City to the West of here,” Dixon tries to recall, scrying in his Coffee-Mug, the wind blowing Wood-smoke in his eyes, “at some great Confluence of Rivers, or upon a Harbor in some inland Sea,— a large City,— busy, prospering, sacred.” “A Sylvan Philadelphia. . . .” “Well . . . well yes, now tha put it thah’ way,— ” “I hope you are prepar’d for the possibility, that waking Philadelphia is as sacred as anything over here will ever get, Dixon,— observe you not, as we move West, more and more of those Forces, which Cities upon Coasts have learn’d to push away, and leave to Back Inhabitants,— the Lightning, the Winter, an Indifference to Pain, not to mention Fire, Blood, and so forth, all measur’d upon a Scale far from Philadelphian,— whereunto we, and our Royal Commission, and our battery of costly Instruments, are but Fleas in the Flea Circus. We trespass, each day ever more deeply, into a world of less restraint in ev’rything,— no law, no convergence upon any idea of how life is to be,— an Interior that grows meanwhile ever more forested, more savage and perilous, until,— perhaps at the very Longitude of your ‘City,’— we must reach at last an Anti-City,— some concentration of Fate,— some final condition of Abandonment,— wherein all are unredeemably alone and at Hazard as deep as their souls may bear,— lost Creatures that make the very Seneca seem Christian and merciful.” “Eeh, chirpy today . . . ?
Thomas Pynchon (Mason & Dixon)
Had it not been for the mud and rain last October, we should have been in Moscow in no time. We have now learnt that the moment the rain comes, we must stop everything. When the war ends, the German people need not bother its head about what it is going to do during the next fifty years ! We shall become the most self-supporting State, in every respect, including cotton, in the world. The only thing we shall not have will be a coffee plantation—but we'll find a coffeegrowing colony somewhere or other! Timber we shall have in abundance, iron in limitless quantity, the greatest manganeseore mines in the world, oil—we shall swim in it! And to handle it all, the whole strength of the entire German man power! By God ! how right the peasant is to put his trust solely in the earth ! What's the use of talking about scenic beauty, when the earth is oozing with wealth ! In the future, it will be a pleasure to work ! Stalin is half beast, half giant. To the social side of life he is utterly indifferent. The people can rot, for all he cares. If we had given him another ten years, Europe would have been swept away, as it was at the time of the Huns. Without the German Wehrmacht, it would have been all up with Europe even now. The doors of the Continent would have been flung open for him by the idiocy of the masses. The worst of our winters is now behind us. In a hundred years' time there will be millions of German peasants living here.
Adolf Hitler (Hitler's Table Talk, 1941-1944)
In the white bowl, the paper caught fire, burning like a desperate flower, blooming and dying at the same time. Its scents came on tendrils of smoke, wrapping themselves around me. We missed you. I inhaled, and Victoria's kitchen disappeared around me. It was early morning in the cabin, winter; I could smell the woodstove working to keep the frost at bay. My father had fed the sourdough starter, and the tang of it played off the warm scent of coffee grounds. I could smell my own warmth in the air, rising from the blankets I'd tossed aside. I remembered that morning. It was the first time I ever saw the machine. I must have been three, maybe four years old. I'd woken up and seen my father, standing in the middle of the room, a box in his hands, bright and shiny and magical. I remembered racing across the floor, my bare feet tingling from the chill. What is it, Papa? It's wonderful. I want to know. And he'd put the shiny box aside and lifted me up high and said, You are the most wonderful thing in the world, little lark. The last of the paper crumbled to ash. I stood there, trying to remember what had happened next- but I couldn't. Did my father show me the machine, or did we go outside and chop wood? You'd think I'd remember, but I didn't. What I remembered was how it felt to be held in his arms. To be loved that way, before everything else happened. And in that moment, I felt whole. "Oh," I heard Victoria say, and when I turned to her, her eyes were filled with tears.
Erica Bauermeister (The Scent Keeper)
The phone rang and Chassie excused herself to answer it. Silence hung between them as heavy as snow clouds in a winter sky. Eventually, Edgard said, "She doesn't know anything about me. Not even that we were roping partners. Not that we were..." He looked at Trevor expectantly. "No." Trevor quickly glanced at the living room where Chassie was chattering away. "You surprised?" "Maybe that she isn't aware of our official association as roping partners. There was no shame in that. We were damn good together, Trev." The word shame echoed like a slap. As good as they were together, it'd never been enough, in an official capacity or behind closed doors. "What are you really doin' here?" Edgard didn't answer right away. "I don't know. Feeling restless. Had the urge to travel." "Wyoming ain't exactly an exotic port of call." "You think I don't realize that? You think I wouldn't rather be someplace else? But something..." Edgard lowered his voice. "Ah, fuck it." "What?" "Want the truth? Or would you rather I lie?" "The truth." "Truth between us? That's refreshing." Edgard's gaze trapped his. "I'm here because of you." Trevor's heart alternately stopped and soared, even when his answer was an indiscernible growl. "For Christsake, Ed. What the hell am I supposed to say to that? With my wife in the next room?" "You're making a big deal out of this. She thinks we're friends, which ain't a lie. We were partners before we were..." Edgard gestured distractedly. "If she gets the wrong idea, it won't be from me." "Maybe I'm gettin' the wrong idea. The last thing you said to me when you fuckin' left me was that you weren't ever comin' back. And you made it goddamn clear you didn't want to be my friend. So why are you here?" Pause. He traced the rim of his coffee cup with a shaking fingertip. "I heard about you gettin' married." "That happened over a year ago and you came all the way from Brazil to congratulate me in person? Now?" "No." Edgard didn't seem to know what to do with his hands. He raked his fingers through his hair. His voice was barely audible. "Will it piss you off if I admit I was curious about whether you're really happy, meu amore?" My love. My ass. Trevor snapped, "Yes." "Yes, you're pissed off? Or yes, you're happy?" "Both." "Then this is gonna piss you off even more." "What?" "Years and miles haven't changed anything between us and you goddamn well know it." Trevor looked up; Edgard's golden eyes were laser beams slicing him open. "It don't matter. If you can't be my friend while you're in my house, walk out the fuckin' door. I will not allow either one of us to hurt my wife. Got it?" "Yeah." "Good. And I'm done talkin' about this shit so don't bring it up again. Ever.
Liz Andrews
Evie shook her head in confusion, staring from her husband’s wrathful countenance to Gully’s carefully blank one. “I don’t understand—” “Call it a rite of passage,” Sebastian snapped, and left her with long strides that quickly broke into a run. Picking up her skirts, Evie hurried after him. Rite of passage? What did he mean? And why wasn’t Cam willing to do something about the brawl? Unable to match Sebastian’s reckless pace, she trailed behind, taking care not to trip over her skirts as she descended the flight of stairs. The noise grew louder as she approached a small crowd that had congregated around the coffee room, shouts and exclamations renting the air. She saw Sebastian strip off his coat and thrust it at someone, and then he was shouldering his way into the melee. In a small clearing, three milling figures swung their fists and clumsily attempted to push and shove one another while the onlookers roared with excitement. Sebastian strategically attacked the man who seemed the most unsteady on his feet, spinning him around, jabbing and hooking with a few deft blows until the dazed fellow tottered forward and collapsed to the carpeted floor. The remaining pair turned in tandem and rushed at Sebastian, one of them attempting to pin his arms while the other came at him with churning fists. Evie let out a cry of alarm, which somehow reached Sebastian’s ears through the thunder of the crowd. Distracted, he glanced in her direction, and he was instantly seized in a mauling clinch, with his neck caught in the vise of his opponent’s arm while his head was battered with heavy blows. “No,” Evie gasped, and started forward, only to be hauled back by a steely arm that clamped around her waist. “Wait,” came a familiar voice in her ear. “Give him a chance.” “Cam!” She twisted around wildly, her panicked gaze finding his exotic but familiar face with its elevated cheekbones and thick-lashed golden eyes. “They’ll hurt him,” she said, clutching at the lapels of his coat. “Go help him— Cam, you have to—” “He’s already broken free,” Cam observed mildly, turning her around with inexorable hands. “Watch— he’s not doing badly.” One of Sebastian’s opponents let loose with a mighty swing of his arm. Sebastian ducked and came back with a swift jab. “Cam, why the d-devil aren’t you doing anything to help him?” “I can’t.” “Yes, you can! You’re used to fighting, far more than he—” “He has to,” Cam said, his voice quiet and firm in her ear. “He’ll have no authority here otherwise. The men who work at the club have a notion of leadership that requires action as well as words. St. Vincent can’t ask them to do anything that he wouldn’t be willing to do himself. And he knows that. Otherwise he wouldn’t be doing this right now.” Evie covered her eyes as one opponent endeavored to close in on her husband from behind while the other engaged him with a flurry of blows. “They’ll be loyal to him only if he is w-willing to use his fists in a pointless display of brute force?” “Basically, yes.
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
You should date a girl who reads. Date a girl who reads. Date a girl who spends her money on books instead of clothes, who has problems with closet space because she has too many books. Date a girl who has a list of books she wants to read, who has had a library card since she was twelve. Find a girl who reads. You’ll know that she does because she will always have an unread book in her bag. She’s the one lovingly looking over the shelves in the bookstore, the one who quietly cries out when she has found the book she wants. You see that weird chick sniffing the pages of an old book in a secondhand book shop? That’s the reader. They can never resist smelling the pages, especially when they are yellow and worn. She’s the girl reading while waiting in that coffee shop down the street. If you take a peek at her mug, the non-dairy creamer is floating on top because she’s kind of engrossed already. Lost in a world of the author’s making. Sit down. She might give you a glare, as most girls who read do not like to be interrupted. Ask her if she likes the book. Buy her another cup of coffee. Let her know what you really think of Murakami. See if she got through the first chapter of Fellowship. Understand that if she says she understood James Joyce’s Ulysses she’s just saying that to sound intelligent. Ask her if she loves Alice or she would like to be Alice. It’s easy to date a girl who reads. Give her books for her birthday, for Christmas, for anniversaries. Give her the gift of words, in poetry and in song. Give her Neruda, Pound, Sexton, Cummings. Let her know that you understand that words are love. Understand that she knows the difference between books and reality but by god, she’s going to try to make her life a little like her favorite book. It will never be your fault if she does. She has to give it a shot somehow. Lie to her. If she understands syntax, she will understand your need to lie. Behind words are other things: motivation, value, nuance, dialogue. It will not be the end of the world. Fail her. Because a girl who reads knows that failure always leads up to the climax. Because girls who read understand that all things must come to end, but that you can always write a sequel. That you can begin again and again and still be the hero. That life is meant to have a villain or two. Why be frightened of everything that you are not? Girls who read understand that people, like characters, develop. Except in the Twilight series. If you find a girl who reads, keep her close. When you find her up at 2 AM clutching a book to her chest and weeping, make her a cup of tea and hold her. You may lose her for a couple of hours but she will always come back to you. She’ll talk as if the characters in the book are real, because for a while, they always are. You will propose on a hot air balloon. Or during a rock concert. Or very casually next time she’s sick. Over Skype. You will smile so hard you will wonder why your heart hasn’t burst and bled out all over your chest yet. You will write the story of your lives, have kids with strange names and even stranger tastes. She will introduce your children to the Cat in the Hat and Aslan, maybe in the same day. You will walk the winters of your old age together and she will recite Keats under her breath while you shake the snow off your boots. Date a girl who reads because you deserve it. You deserve a girl who can give you the most colorful life imaginable. If you can only give her monotony, and stale hours and half-baked proposals, then you’re better off alone. If you want the world and the worlds beyond it, date a girl who reads. Or better yet, date a girl who writes.
Rosemarie Urquico
He loves the way hot water spouts from the ground like geothermal gold. He loves the way people invite you over for coffee for no particular reason and talk for hours about nothing in particular. He loves the way Icelanders call their country, affectionately, the ice cube. He loves the fact that, without even trying, he already knows three members of Parliament. He loves the way on a brisk winter day the snow crunches under his feet like heavenly Styrofoam. He loves the choirs that line the main shopping street in December, their voices strong and radiant, turning back the night. He loves the fact that five-year-olds can safely walk to school alone in the predawn darkness. He loves the magical, otherworldly feeling of swimming laps in the middle of a snowstorm. He loves the way, when your car gets stuck in the snow, someone always, always stops to help. He loves the way Icelanders applaud when the plane lands at the international airport in Keflavík just because they’re happy to be home. He loves the way the Icelanders manage to be tremendously proud people yet not the least bit arrogant. And, yes, he loves- not tolerates but actively loves- the darkness. Most of all, Jared loves living in a culture that doesn’t put people in boxes- or at least allows them to move freely from one box to another.
Eric Weiner
There were very few things to do in Toms River, New Jersey, however it was the closest thing resembling civilization near the school. When I wasn’t being restricted to the campus, for one infraction or another, that’s where I would go. Toms River was two and a half miles west of the school. Making the round trip was a five-mile walk, but it was worth it, just to get away. To get there I walked down Prospect Avenue, and then cut corners to Bayside Avenue. In the winter, the frozen snow and ice made the walk cold and miserable. There was always a wind blowing off the river, but I would trudge on relentlessly. The wet slush soaked through my shoes, ruining a shine I had worked on for hours. My feet became wet and frozen, but I pressed on regardless. Eventually I would reach Route 166, which was narrow and only had two lanes; still it was the only north-south highway along the coast at the time. I then crossed the concrete bridge that had a year engraved on it, indicating that it was built as a WPA project during the Great Depression. On the west side of the road was the Toms River Diner. It was classic in appearance and was a warm haven, where I could thaw out. Thelma, the waitress, was always friendly and one of the sexiest women I ever knew. She laughed at my silliness, knew just how much cleavage to show, and moved and turned like a fashion model. There was always “Country Music” playing, especially that of Hank Williams who was Thelma’s favorite. Hey, Good Lookin’, Your Cheatin’ Heart, and I’m So Lonesome I Could Cry were all songs he had written and that she sang along with. Thelma knew that I could not keep my eyes off of her, and she enjoyed playing the part, letting me look far down the unbuttoned section of her waitress uniform, while pouring me another cup of coffee. The way she looked over her shoulder, throwing aside her hair while asking what else I wanted, would send shivers down my back and feelings into my loins that set me on fire. Just this alone was worth the five-mile round trip. During warmer weather, the walk was more pleasant, but the constant wind off the Atlantic Ocean and the river, never let up.
Hank Bracker
When I finished, Ma was still drinking her coffee so I became bored. I get bored quickly. It’s a slight problem of mine. I was so bored that I started measuring other stuff. I took off my shoes and measured my toes to see which was longest. I measured my head. I measured Con’s head. I measured Con’s eyebrows and earlobes. On the floor was a squashed meatball that someone had dropped and stood on. I measured it. I measured the distance between my eyes. I measured the length of Con’s armpit. I measured my belly button. Con bent over to pick up his fork so I measured his butt. Ma stood up and I tried to measure her butt and she said “Try it and I’ll tie you up with that tape-measure and leave you here with the squashed meatball.” I thought she was joking so I measured her butt. She wasn’t joking. The meatball and I are now good friends. I’ve named him Bert.
Lee M. Winter (What Reggie Did on the Weekend: Seriously! (The Reggie Books, #1))
Sitting in Atlantic St. grill downing early morning cup of prison-like coffee stale rolls of cinnamon while up above freeways headed for suburban slums Gold Coast dwellers/ruling class sass Goodwill truckdrivers for talkin’ simple talk. No comment on the front page news. Through painful hurt sought desperately the obit page in rage to see if was really true, ‘bout you. Winter come-togethers fill my every thought Billie sings the blues communication complete, Cable (spool) table replete w/french bread apples cheese rhineskeller wine imported elegant tabacco, discussion of ideas politculture peoples lit & art, marxist aesthetics, how best to serve. Now, savoring on Neruda’s notes i think of you & Jimmie/son savoring favorite chocolate M & M’s. Them’s the thoughts i had of you today. No lavish praise no mournful elegy, just one last Vashon Island ferry ride to pray and cast an orchid into Puget Sound to see you safely on your journey to the other side.
Raúl R. Salinas (raúlrsalinas)
friendly.” I sat back down on the couch, tucking my legs underneath me. “Just talk to him, hun. I don’t know Troy as well as I should, but he seems like a good man. Straight to the point, no nonsense.” “Yup, that is definitely the vibe I got off of him also. Plus he told me he’s not into playing games.” Gravel stomped back in the room and tossed his phone onto the coffee table. “Pack your shit, you need to stay at the clubhouse until we clear up the shit storm that followed you. Things are not looking good right now.” Gravel barked. “Wait, what are you talking about?” What the hell had changed from the time Gravel’s phone rang to now? “Mark’s
Winter Travers (Battling Troy (Devil's Knights, #4))
In the beginning, stores sold food smuggled into the ghetto, where one could buy anything—even eggs and milk. And outside lurk the snatchers, girls and boys in rags with feverish eyes, lying in wait for people leaving the store, grabbing their food and at once plunging their teeth into it, right through the wrapping paper. People crowd around, kicking and shouting, but the child does not care as long as there is food, no matter what it is. The coffee houses are full of smartly dressed women, wearing elegant pre-war hats. There are also rich smugglers, the new ghetto aristocracy, and all kinds of people getting rich at others’ expense; in front of the houses on the sidewalks lay human skeletons covered by newspapers. Winter,
Matthew A. Rozell (A Train Near Magdeburg―The Holocaust, the survivors, and the American soldiers who saved them)
You must teach her, eh? If you go down in battle and I have to take her into my lodge circle, I want to know her children are yours.” “She will learn. I will teach her honor if I kill her doing it.” Warrior plucked a blade of grass and began to nibble on it, his expression distant. Hunter recognized the signs. His brother’s thoughts were flitting to yet another place. After a moment Warrior spat and said, “Old Man tells me that you may have to strike the girl to make her obey. That is their way. She may not understand anything else. This worries me. You have a heavy hand when you grow angry. Normally, I wouldn’t be concerned, but with the yellow-hair I’m afraid your patience will snap like a wet bowstring.” Hunter scooped a handful of wood chips and tossed them into the flames. The flare of heat matched his mood. “She’s my woman, tah-mah. Let me do the worrying.” “But her bones are like a bird’s. If you lost your temper with her and used your fists, you would shatter them.” Hunter scowled and made no reply. Old Man, who had been standing nearby and listening, joined them at the fire to pour himself another measure of coffee. Once his cup was filled, he stepped back from the flames. “Ai-ee, Hunter, are you planning to be our dinner? It’s already so hot in these woods that I’m about to stifle.” Hunter had chosen to crouch by the fire because he hoped no one would join him there, but he saw no point in telling Old Man and his brother that. “A warrior can find great truths by searching the flames.” “You have troubles with your woman, eh?” Old Man smiled. “You young braves! All too proud to seek advice. I lived with the tosi tivo for many winters, remember. I know things about them that you don’t.” A rakish grin slanted across Old Man’s crinkled face. “Especially about the women.” Hunter wasn’t in the mood for advice. “The girl is half my size. I think I can handle her without calling council.” “You disappoint me, Hunter. Where is the patience you show with the wild horses you train? Has it gone the way of the wind?” “A horse is worth the trouble. A yellow-hair is not.
Catherine Anderson (Comanche Moon (Comanche, #1))
I said cheerfully, “Once you give into the darkness, it’s hard to break free.” He growled, “I like darkness before my first cup of coffee.
Josh Lanyon (Winter (The Haunted Heart, #1))
Hours of insanity and escape . . . in which I write inadequate verse, read, rage . . . record anecdotes which fade into the page like stains . . . beat time with my pencil’s business end . . . nip at the loose skin on the side of my hand with my teeth . . . cast schemes and tropes like horoscopes . . . practice catachresis as though it were croquet . . . grrrowl . . . kick wastebaskets into corners . . . realize that when I picture my methods of construction all the images are architectural, but when I dream of the ultimate fiction—that animal entity, the made-up syllabic self—I am trying to energize old, used-up, stolen organs like Dr. Frankenstein . . . grrrind . . . throw wet wads of Kleenex from a spring or winter cold into the corner where they mainly miss the basket . . . O . . . Ohio: I hear howling from both Os . . . play ring agroan the rosie . . . pace . . . put an angry erection back in my pants . . . rhyme . . . Then occasionally perceive beneath me on the page a few lines which . . . while I was elsewhere must have . . . yes, a few lines which have . . . which have the sound . . . the true whistle of the spirit. Wait’ll they read that, I say, perhaps even aloud, over the water running in the kitchen sink, over the noise of my writing lamp, coffee growing cold in the cup, the grrowl of my belly. Yet when I raise my right palm from the paper where, in oath, I’ve put it, the whistle in those words is gone, and only the lamp sings. Till I pull its chain like a john.
William H. Gass (In the Heart of the Heart of the Country: And Other Stories (NYRB Classics))
On the weekend I looked after a baby. I didn’t do a very good job and the baby was eaten by a goat. Okay, not quite. This is what happened. The baby belonged to Ma’s friend, Mrs Whitman. Mrs Whitman and the baby came to our house to visit. I wanted to play outside so Mrs Whitman said the baby could stay outside with me while she had coffee inside with Ma.
Lee M. Winter (What Reggie Did on the Weekend: Seriously! (The Reggie Books, #1))
Best Budget Travel Destinations Ever Are you looking for a cheap flight this year? Travel + Leisure received a list of the most affordable locations this year from one of the top travel search engines in the world, Kayak. Kayak then considered the top 100 locations with the most affordable average flight prices, excluding outliers due to things like travel restrictions and security issues. To save a lot of money, go against the grain. Mexico Unsurprisingly, Mexico is at the top of the list of the cheapest places to travel in 2022. The United States has long been seen as an accessible and affordable vacation destination; low-cost direct flights are common. San José del Cabo (in Baja California Sur), Puerto Vallarta, and Cancun are the three destinations within Mexico with the least expensive flights, with January being the most economical month to visit each. Fortunately, January is a glorious month in each of these beachside locales, with warm, balmy weather and an abundance of vibrant hues, textures, and flavors to chase away the winter blues. Looking for a city vacation rather than a beach vacation? Mexico City, which boasts a diverse collection of museums and a rich Aztec heritage, is another accessible option in the country. May is the cheapest month to travel there. Chicago, Illinois Who wants to go to Chicago in the winter? Once you learn about all the things to do in this Midwest winter wonderland and the savings you can get in January, you'll be convinced. At Maggie Daley Park, spend the afternoon ice skating before warming up with some deep-dish pizza. Colombia Colombia's fascinating history, vibrant culture, and mouthwatering cuisine make it a popular travel destination. It is also inexpensive compared to what many Americans are used to paying for items like a fresh arepa and a cup of Colombian coffee. The cheapest month of the year to fly to Bogotá, the capital city, is February. The Bogota Botanical Garden, founded in 1955 and home to almost 20,000 plants, is meticulously maintained, and despite the region's chilly climate, strolling through it is not difficult. The entrance fee is just over $1 USD. In January, travel to the port city of Cartagena on the country's Caribbean coast. The majority of visitors discover that exploring the charming streets on foot is sufficient to make their stay enjoyable. Tennessee's Music City There's a reason why bachelorette parties and reunions of all kinds are so popular in Music City: it's easy to have fun without spending a fortune. There is no fee to visit a mural, hot chicken costs only a few dollars, and Honky Tonk Highway is lined with free live music venues. The cheapest month to book is January. New York City, New York Even though New York City isn't known for being a cheap vacation destination, you'll find the best deals if you go in January. Even though the city never sleeps, the cold winter months are the best time for you to visit and take advantage of the lower demand for flights and hotel rooms. In addition, New York City offers a wide variety of free activities. Canada Not only does our neighbor Mexico provide excellent deals, but the majority of Americans can easily fly to Canada for an affordable getaway. In Montréal, Quebec, you must try the steamé, which is the city's interpretation of a hot dog and is served steamed in a side-loading bun (which is also steamed). It's the perfect meal to eat in the middle of February when travel costs are at their lowest. Best of all, hot dogs are inexpensive and delicious as well as filling. The most affordable month to visit Toronto, Ontario is February. Even though the weather may make you wary, the annual Toronto Light Festival, which is completely free, is held in February in the charming and historic Distillery District. Another excellent choice at this time is the $5 Bentway Skate Trail under the Gardiner Expressway overpass.
Ovva
Two coffees are already on the table, both black, and Cade stares down at his like it might give him some answers if he looks long enough.
W. Winters (Zander & Ella: Hold Me (Love The Way #2))
Molly was relieved that the winter break was over. She dropped her son, Max, at school and then celebrated by going straight to a coffee shop and ordering a mocha grande. She slid into a booth in a back corner, closed her eyes, and inhaled the coffee. Then she sat, both hands on the large, warm cup and smiled. 2020, she’d decided, was going to be the best year ever.
Susan Kraus (When We Lost Touch)
He meditated resentfully on the physical texture of life. Had it always been like this? Had food always tasted like this? He looked round the canteen. A low-ceilinged, crowded room, its walls grimy from the contact of innumerable bodies; battered metal tables and chairs, placed so close together that you sat with elbows touching; bent spoons, dented trays, coarse white mugs; all surfaces greasy, grime in every crack; and a sourish, composite smell of bad gin and bad coffee and metallic stew and dirty clothes. Always in your stomach and in your skin there was a sort of protest, a feeling that you had been cheated of something that you had a right to. It was true that he had no memories of anything greatly different. In any time that he could accurately remember, there had never been quite enough to eat, one had never had socks or underclothes that were not full of holes, furniture had always been battered and rickety, rooms underheated, tube trains crowded, houses falling to pieces, bread dark-coloured, tea a rarity, coffee filthy-tasting, cigarettes insufficient — nothing cheap and plentiful except synthetic gin. And though, of course, it grew worse as one’s body aged, was it not a sign that this was NOT the natural order of things, if one’s heart sickened at the discomfort and dirt and scarcity, the interminable winters, the stickiness of one’s socks, the lifts that never worked, the cold water, the gritty soap, the cigarettes that came to pieces, the food with its strange evil tastes? Why should one feel it to be intolerable unless one had some kind of ancestral memory that things had once been different?
George Orwell (1984 & Animal Farm)
I hand round the chocolates, and we all pick out our favorite. Nadia takes the Spicy Ginger one, infused with fresh grated ginger. A great chocolate for winter mornings with a strong cup of coffee. Autumn's next and she takes her time as she chooses the English Rose: a delicate classic flavor which Clive makes to perfection, filled with a ganache infused with distilled rose petals---bliss. Chantal selects the Earl Grey Tea with its distinctive bergamot flavor which releases in delicious waves, leaving a long, slow aftertaste, making it feel like two chocolates for the price of one. Now it's my turn. What shall I go for? As always, I'm spoiled for choice. My hand hovers over them---every single one loved and desired. Lemon and Thyme? Szechuan Pepper? I settle on one of the specialties of the house---Sea-Salted Caramel. Snuggling back down into Clive's cushions, I pause for a moment and enjoy the buzz of anticipation. Then I pop the chocolate into my mouth, savoring the soft, chewy texture of the caramel and the creaminess of the milk chocolate, until Clive's perfect twist kicks in and the taste of the unrefined sea salt from Brittany cuts through. The caramel melts deliciously in my mouth. Now, I truly am in Chocolate Heaven and I sigh with pleasure. Forget diamonds. Chocolate, I think you'll find, is a girl's best friend.
Carole Matthews (The Chocolate Lovers' Club)
Remove your hand from the door, Tru. When you are in my presence, there will never be a door you open yourself. Don't touch another handle.
Navy Winters (Coffee Break (Big City Romance, #1))
If she's not trying to hide in my bushes, playing nineties RnB through a speaker once we are done, I didn't do my job.
Navy Winters (Coffee Break (Big City Romance, #1))
she's not trying to hide in my bushes, playing nineties RnB through a speaker once we are done, I didn't do my job.
Navy Winters (Coffee Break (Big City Romance, #1))
You have completely turned my life upside down so thank you for spilling your coffee on me and making me fall in love you.
Alexis Winter (Very Bad Things)
Coffee. That’s what I need. She switched on the machine and stared into nothingness as it brewed her espresso. I do hope things start to get easier soon, so I can go back to ignoring mornings altogether.
L. Starla (Winter's Mother 1 (Winter's Magic #3))
On the opposite end of the sidewalk, a large woman in her sixties collapsed. Immediately, two people rushed to the woman's side, gingerly tending to her, touching her shoulders and face, speaking to her as though she were their mother - a cherished one - and Joan understood that human tenderness was not to be mocked. It was the last real thing. Dining alone on a blustery Easter night at the only Chinese restaurant in town. When she asked for the check, the waiter said, "It just started to rain. You're welcome to stay a little longer, if you want." Miraculous. Joan recalls the existence of dogs, craft stores, painkillers, the public library. Cream ribboning through coffee. The scent of the lilacs near her childhood home. Brown sugar on a summer strawberry. Her father's recovery from the tyranny of miltigenerational alcoholism. The im[peerfect bu true reposession of his life. The euphoria of the first warmth after winter, the first easy breath after a cold, the return of one's appetite after an anxiety attack. Joan has much to be happy about. She thinks: I am happy, you are happy, we are happy. These thoughts - how she can force herself to have them. Miraculous.
Tess Gunty (The Rabbit Hutch)
In the winter, the beer froze, causing the alcohol to separate into high-proof liquor. We can be sure the resulting moonshine did not go to waste. To make matters worse, the main nonalcoholic source of nutrition, bread, is now believed to have been plagued with the hallucinogenic fungus ergot, the base ingredient for LSD. Drunk doctors, tipsy politicians, hungover generals: the plague, famine, and war. Add a pope on acid, and medieval Christianity starts to make a whole lot of sense.
Stewart Lee Allen (The Devil's Cup: Coffee, the Driving Force in History)
Hildie drained her coffee. She was wired and knew this stakeout was a terrible idea, but she couldn’t stop. The ideas just kept coming, like a greatest hits version of her worst impulses. She tapped the dash. Something had to happen soon.
Jes Battis (The Winter Knight)
Her limbs function, and she finds this miraculous when she dwells on it. In fact, she finds plenty of things miraculous. Forcefully, she summons her best memories. That time on a red-eye bus when the driver used the intercom to contemplate, in campfire baritone, the wonder of his grandchildren, the way they validated his life as time well spent. As he lulled the passengers with stories, someone began to pass around a Tupperware of sliced watermelon, and a drunk man offered to share the miniature bottles of whiskey from his bag, and Joan felt such overwhelming affection for her species, she feared she would sacrifice herself to save it. A bad summer storm. Green sky, tornado warning, violent winds. Joan was downtown, leaving work early, briskly walking toward the parking garage where her station wagon waited. On the opposite end of the sidewalk, a large woman in her sixties collapsed. Immediately, two people rushed to the woman's side, gingerly tending to her, touching her shoulders and face, speaking to her as though she were their mother -- a cherished one -- and Joan understood that human tenderness was not to be mocked. It was the last real thing. Dining alone on a blustery Easter night at the only Chinese restaurant in town. When she asked for the check, the waiter said, "It just started to rain. You're welcome to stay a little longer, if you want." Miraculous. Joan recalls the existence of dogs, craft stores, painkillers, the public library. Cream ribboning through coffee. The scent of the lilacs near her childhood home. Brown sugar on a summer strawberry. Her father's recovery from the tyranny of multigenerational alcoholism. The imperfect but true repossession of his life. The euphoria of the first warmth after winter, the first easy breath after a cold, the return of one's appetite after an anxiety attack. Joan has much to be happy about. She thinks: I am happy, you are happy, we are happy. These thoughts -- how she can force herself to have them. Miraculous.
Tess Gunty (The Rabbit Hutch)