Duplication Quotes

Always be yourself, express yourself, have faith in yourself, do not go out and look for a successfull personality and duplicate it.

Life and Jah are one in the same. Jah is the gift of existence. I am in some way eternal, I will never be duplicated. The singularity of every man and woman is Jah's gift. What we struggle to make of it is our sole gift to Jah. The process of what that struggle becomes, in time, the Truth.

I believe that love--not imitation--is the sincerest form of flattery. Your imitator thinks that you can be duplicated; your lover knows you can't.

There are hardly any excesses of the most crazed psychopath that cannot easily be duplicated by a normal kindly family man who just comes in to work every day and has a job to do.

Something about first love defies duplication. Before it, your heart is blank. Unwritten. After, the walls are left inscribed and graffitied. When it ends, no amount of scrubbing will purge the scrawled oaths and sketched images, but sooner or later, you find that there’s space for someone else, between the words and in the margins.

To be loved by someone is to realize how much they share the same needs that lie at the heart of our own attraction to them. Albert Camus suggested that we fall in love with people because, from the outside, they look so whole, physically whole and emotionally 'together' - when subjectively we feel dispersed and confused. We would not love if there were no lack within us, but we are offended by the discovery of a similar lack in the other. Expecting to find the answer, we find only the duplicate of our own problem.

Last night somebody broke into my apartment and replaced everything with exact duplicates... When I pointed it out to my roommate, he said, "Do I know you?

I always knew you. And always will. Your soul calls to mine. It’s a feeling of coming home. Of peace. No magic can duplicate it.

If emotion can create a physical action, then duplicating the physical action can re-create the emotion.

Noble and great. Courageous and determined. Faithful and fearless. That is who you are and who you have always been. And understanding it can change your life, because this knowledge carries a confidence that cannot be duplicated any other way.

I was the shadow of the waxwing slain By the false azure in the windowpane; I was the smudge of ashen fluff -and I Lived on, flew on, in the reflected sky. And from the inside, too, I'd duplicate Myself, my lamp, an apple on a plate: Uncurtaining the night, I'd let dark glass Hang all the furniture above the grass, And how delightful when a fall of snow Covered my glimpse of lawn and reached up so As to make chair and bed exactly stand Upon that snow, out in that crystal land!

Having a child is to show an absolute accord with mankind. If I have a child, it's as though I'm saying: I was born and have tasted life and declare it so good that is merits being duplicated.

We are all inventors, each sailing out on a voyage of discovery, guided each by a private chart, of which there is no duplicate. The world is all gates, all opportunities.

Only yesterday I was no different than them, yet I was saved. I am explaining to you the way of life of a people who say every sort of wicked thing about me because I sacrificed their friendship to gain my own soul. I left the dark paths of their duplicity and turned my eyes toward the light where there is salvation, truth, and justice. They have exiled me now from their society, yet I am content. Mankind only exiles the one whose large spirit rebels against injustice and tyranny. He who does not prefer exile to servility is not free in the true and necessary sense of freedom.

Irony and cynicism were just what the U.S. hypocrisy of the fifties and sixties called for. That’s what made the early postmodernists great artists. The great thing about irony is that it splits things apart, gets up above them so we can see the flaws and hypocrisies and duplicates. The virtuous always triumph? Ward Cleaver is the prototypical fifties father? "Sure." Sarcasm, parody, absurdism and irony are great ways to strip off stuff’s mask and show the unpleasant reality behind it. The problem is that once the rules of art are debunked, and once the unpleasant realities the irony diagnoses are revealed and diagnosed, "then" what do we do? Irony’s useful for debunking illusions, but most of the illusion-debunking in the U.S. has now been done and redone. Once everybody knows that equality of opportunity is bunk and Mike Brady’s bunk and Just Say No is bunk, now what do we do? All we seem to want to do is keep ridiculing the stuff. Postmodern irony and cynicism’s become an end in itself, a measure of hip sophistication and literary savvy. Few artists dare to try to talk about ways of working toward redeeming what’s wrong, because they’ll look sentimental and naive to all the weary ironists. Irony’s gone from liberating to enslaving. There’s some great essay somewhere that has a line about irony being the song of the prisoner who’s come to love his cage.

Life … is a bit like reading. … If all your responses to a book have already been duplicated and expanded upon by a professional critic, then what point is there to your reading? Only that it’s yours. Similarly, why live your life? Because it’s yours. But what if such an answer gradually becomes less and less convincing?

America is the greatest engine of innovation that has ever existed, and it can't be duplicated anytime soon, because it is the product of a multitude of factors: extreme freedom of thought, an emphasis on independent thinking, a steady immigration of new minds, a risk-taking culture with no stigma attached to trying and failing, a noncorrupt bureaucracy, and financial markets and a venture capital system that are unrivaled at taking new ideas and turning them into global products.

Your still searching for me in every woman. You'll always seek to duplicate what we had. You know it.

Those who blamed aggression formed Amity.’… ‘Those who blamed ignorance became the Erudite.’… ‘Those who blamed duplicity created Candor.’… ‘Those who blamed selfishness made Abnegation.’… ‘And those who blamed cowardice were the Dauntless.

What I will be remembered for are the Foundation Trilogy and the Three Laws of Robotics. What I want to be remembered for is no one book, or no dozen books. Any single thing I have written can be paralleled or even surpassed by something someone else has done. However, my total corpus for quantity, quality and variety can be duplicated by no one else. That is what I want to be remembered for.

always imitated, never duplicated, never new being me could be so complicated

Literature duplicates the experience of living in a way that nothing else can, drawing you so fully into another life that you temporarily forget you have one of your own. That is why you read it, and might even sit up in bed till early dawn, throwing your whole tomorrow out of whack, simply to find out what happens to some people who, you know perfectly well, are made up.

I haven’t spent my time trying to duplicate my success. But only because I haven’t had any yet.

How to duplicate yourself: hang out with the same people and say the same things all the time. The you of today is a clone of the you from yesterday.

Leaders..should influence others..in such a way that it builds people up, encourages and edifies them so they can duplicate this attitude in others.

Seat thyself sultanically among the moons of Saturn, and take high abstracted man alone; and he seems a wonder, a grandeur, and a woe. But from that same point, take mankind in mass, and for the most part, they seem a mob of unnecessary duplicates, both contemporary and hereditary.

Not only had he lost the only girl he'd ever loved, he'd lost her in duplicate, like some heartbroken but highly efficient civil servant.

There's a serendipity to real life that the Internet can't duplicate. Do you use the library? For anything? Well, sometimes you end up picking up the book next to the one you were looking for, and it's that book that changes your life.

So many people are so terrified to be alone that they settle for a loveless relationship or stay trapped in a miserable one for months and even years on end. But as it turns out, alone means unique, unequaled, and unexcelled. Or in other words: Unparalleled. Unrepeatable. Unable to be imitated or duplicated. Brave. FABULOUSLY ORIGINAL.

Imagine if all the car makers in the world were to sit down together to design one extremely simple, embellishment-free, functional car that was made from the most environmentally-sustainable materials, how cheap to buy and humanity-and-Earth-considerate that vehicle would be. And imagine all the money that would be saved by not having different car makers duplicating their efforts, competing and trying to out-sell each other, and overall how much time that would liberate for all those people involved in the car industry to help those less fortunate and suffering in the world. Likewise, imagine when each house is no longer designed to make an individualised, ego-reinforcing, status-symbol statement for its owners and all houses are constructed in a functionally satisfactory, simple way, how much energy, labour, time and expense will be freed up to care for the wellbeing of the less fortunate and the planet.

I like you more than I planned.

That, paradoxically, narrowing her concerns had made her more capable of love and generosity and empathy and, yes, even peace and justice. It was the difference between loving something out of duty—because the movement required it of you—and loving something you actually loved. Love—real, genuine, unasked-for love—made room for more of itself, it turned out. Love, when freely given, duplicates and multiplies.

This house is about two dictionaries away from caving in,' she'd say, 'and you're buying duplicates?

He flipped his spiked tail straight into the air in what could only be interpreted as an obscene gesture. Rexi duplicated it in human form. “Right back atcha.

And some that smile have in their hearts, I fear, millions of mischiefs.

The Queen says it is an exact duplicate. It was made with the assistance of a wizard of great power called OfficeMax, of whom I know nothing.

We have a God who is a Creator, not a duplicator.

The problems of this world are only truly solved in two ways: by extinction or by duplication

Sometimes duplicity and treason are markers of the enemy, and sometimes, the failed intention of a masterful ally. But, nevertheless, as they burden you with a vexing brand of love, they become nothing more than the kiss of Judas, pressing a crown of thorns into your flesh.

Things became duplicated in Tlön; they also tend to become effaced and lose their details when they are forgotten. A classic example is the doorway which survived so long as it was visited by a beggar and disappeared at his death. At times some birds, a horse, have saved the ruins of an amphitheater.

Universal literacy was supposed to educate the common man to control his environment. Once he could read and write he would have a mind fit to rule. So ran the democratic doctrine. But instead of a mind, universal literacy has given him rubber stamps, rubber stamps inked with advertising slogans, with editorials, with published scientific data, with the trivialities of the tabloids and the platitudes of history, but quite innocent of original thought. Each man's rubber stamps are the duplicates of millions of others, so that when those millions are exposed to the same stimuli, all receive identical imprints. It may seem an exaggeration to say that the American public gets most of its ideas in this wholesale fashion. The mechanism by which ideas are disseminated on a large scale is propaganda, in the broad sense of an organized effort to spread a particular belief or doctrine.

There is a law of the natural worlds (the spiritual and the physical) and this is something I have understood: that for every genuine existence, for every real manifestation and occurrence, there are are ten thousand falsities. Before you meet what or who is genuine, you will first have met, or known of, what is fake; and ten thousand times so! There is no need to feel disappointments, any number below ten thousand deceptions renders you a lucky person! And you ask why is there a need for this to happen? Well, if you have not known what is false first, there is no way to understand what then comes which is truth. What is lesser is so afraid of what is genuine, that it finds it necessary to imitate and duplicate that imitation ten thousand times over, for fear that you will finally meet what is real. The more important that one existence is, the more imitations there are in the world.

Today is such a time, when the project of interpretation is largely reactionary, stifling. Like the fumes of the automobile and of heavy industry which befoul the urban atmosphere, the effusion of interpretations of art today poisons our sensibilities. In a culture whose already classical dilemma is the hypertrophy of the intellect at the expense of energy and sensual capability, interpretation is the revenge of the intellect upon art. Even more. It is the revenge of the intellect upon the world. To interpret is to impoverish, to deplete the world - in order to set up a shadow world of 'meanings.' It is to turn the world into this world. ('This world'! As if there were any other.) The world, our world, is depleted, impoverished enough. Away with all duplicates of it, until we again experience more immediately what we have.

When Hades decided he loved this girl he built for her a duplicate of earth, everything the same, down to the meadow, but with a bed added. Everything the same, including sunlight, because it would be hard on a young girl to go so quickly from bright light to utter darkness Gradually, he thought, he’d introduce the night, first as the shadows of fluttering leaves. Then moon, then stars. Then no moon, no stars. Let Persephone get used to it slowly. In the end, he thought, she’d find it comforting. A replica of earth except there was love here. Doesn’t everyone want love? He waited many years, building a world, watching Persephone in the meadow. Persephone, a smeller, a taster. If you have one appetite, he thought, you have them all. Doesn’t everyone want to feel in the night the beloved body, compass, polestar, to hear the quiet breathing that says I am alive, that means also you are alive, because you hear me, you are here with me. And when one turns, the other turns— That’s what he felt, the lord of darkness, looking at the world he had constructed for Persephone. It never crossed his mind that there’d be no more smelling here, certainly no more eating. Guilt? Terror? The fear of love? These things he couldn’t imagine; no lover ever imagines them. He dreams, he wonders what to call this place. First he thinks: The New Hell. Then: The Garden. In the end, he decides to name it Persephone’s Girlhood. A soft light rising above the level meadow, behind the bed. He takes her in his arms. He wants to say I love you, nothing can hurt you but he thinks this is a lie, so he says in the end you’re dead, nothing can hurt you which seems to him a more promising beginning, more true.

Now he saw that she understood entirely too well and he felt the usual masculine indignation at the duplicity of women. Added to it was the usual masculine disillusionment in discovering that a woman has a brain.

Three or four threads may be agitated, like telegraph wires, at the same time, and if I were to tap them all I would reveal such a mixture of innocence and duplicity, generosity and calculation, fear and courage, I cannot tell the whole truth simply because I would have to write four journals at once.

And it all meant this: that there are hardly any excesses of the most crazed psychopath that cannot easily be duplicated by a normal, kindly family man who just comes in to work every day and has a job to do. Vorbis loved knowing that. A man who knew that, knew everything he needed to know about people.

You're right. Your decietfulness far exceeds my modest attempts at dishonesty. I bow-down to your superior duplicity.

The magi, as you know, were wise men--wonderfully wise men--who brought gifts to the Babe in the manger. They invented the art of giving Christmas presents. Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. O all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.

Always be yourself and have faith in yourself. Do not go out and look for a successful personality and try to duplicate it.

This is it, isn't it? This is the peak of my existence.

I woke up one morning, and all of my stuff had been stolen and replaced by exact duplicates".

I'm not a writer, but I could write a whole novel around that smile.

One city and four afterthoughts. Yet, if the residents of Manhattan got down from their self-reverential pedestals, they’d soon realize that Manhattan was the most provincial of towns, albeit wealthier. A more than superficial look would reveal a mini Fort Wayne every three blocks. Duplicates of supermarket, pharmacy, candy store, florist, so that the vertical dwellers need journey no more than three blocks in either direction from their front door. Crossing to a fourth block would only bring repetition of services, with no advantage and a longer walk home.

One who never anticipates deceit or expects duplicity, and yet is the first to recognize such things – is that not a sage indeed?

There must be a lot of duplication in our country’s laws," said Dukhi. "Every time there are elections, they talk of passing the same ones passed twenty years ago. Someone should remind them they need to apply the laws." "For politicians, passing laws is like passing water," said Narayan. "It all ends down the drain.

Silence is a mirror. So faithful, and yet so unexpected, is the relection it can throw back at men that they will go to almost any length to avoid seeing themselves in it, and if ever its duplicating surface is temporarily wiped clean of modern life's ubiquitous hubbub, they will hasten to fog it over with such desperate personal noise devices as polite conversation, hummin, whistling, imaginary dialogue, schizophrenic babble, or, should it come to that, the clandestine cannonry of their own farting. Only in sleep is silence tolerated, and even there, most dreams have soundtracks. Since meditation is a deliberate descent into deep internal hush, a mute stare into the ultimate looking glass, it is regarded with suspicion by the nattering masses; with hostility by buisness interests (people sitting in silent serenity are seldom consuming goods); and with spite by a clergy whose windy authority it is seen to undermine and whose bombastic livelihood it is perceived to threaten.

We are surrounded by the absurd excess of the universe. By meaningless bulk, vastness without size, power without consequence. The stubborn iteration that is present without being felt. Nothing the spirit can marry. Merely phenomenon and its physics. An endless, endless of going on. No habitat where the brain can recognize itself. No pertinence for the heart. Helpless duplication.

Mom had just gotten back from Sydney, and she had brought me an immense, surpassingly blue butterfly, Papilio ulysses, mounted in a frame filled with cotton. I would hold it close to my face, so close I couldn't see anything but that blue. It would fill me with a feeling, a feeling I later tried to duplicate with alcohol and finally found again with Clare, a feeling of unity, oblivion, mindlessness in the best sense of the word.

The next morning the sea was calm again, the sun was shining, and the water was so blue and innocent a man might never know that under it my brother floated, dead with all his men.

Never smoke a cigarette without me.

I didn’t like being so cynical about marriage, but I had yet to encounter a marriage free of lies, subterfuge, duplicity and betrayal.

Beauty is the replication and duplication of mind’s delusion. It is not uniqueness or exceptionality; it is the mentality of belonging and fitting in.

These albums were thick with babies, but my replicas thinned out as I grew older, as if the population of my duplicates had been hit with some plague.

There are parallel universes in which different events have happened to the same people. An alternate choice has been made, or an accident has turned out differently. Everyone has duplicates of themselves in these other worlds. Different selves with different lives, different luck. Variations.

Every sign, linguistic or nonlinguistic, spoken or written (in the usual sense of this opposition), as a small or large unity, can be cited, put between quotation marks; thereby it can break with every given context, and engender infinitely new contexts in an absolutely nonsaturable fashion. This does not suppose that the mark is valid outside its context, but on the contrary that there are only contexts without any center of absolute anchoring. This citationality, duplication, or duplicity, this iterability of the mark is not an accident or anomaly, but is that (normal/abnormal) without which a mark could no longer even have a so-called “normal” functioning. What would a mark be that one could not cite? And whose origin could not be lost on the way?

How strange we are. How different we are from how we think we are. We fall out of love only to fall in love with a duplicate of what we've left, never understanding that we love what we love and that it doesn't change.

But love of one kind will never duplicate itself. Love has its variety...which possibly makes it as a great as all the songs and stories and poems.

Yes, such has been my lot since childhood. Everyone read signs of non-existent evil traits in my features. But since they were expected to be there, they did make their appearance. Because I was reserved, they said I was sly, so I grew reticent. I was keenly aware of good and evil, but instead of being indulged I was insulted and so I became spiteful. I was sulky while other children were merry and talkative, but though I felt superior to them I was considered inferior. So I grew envious. I was ready to love the whole world, but no one understood me, and I learned to hate. My cheerless youth passed in conflict with myself and society, and fearing ridicule I buried my finest feelings deep in my heart, and there they died. I spoke the truth, but nobody believed me, so I began to practice duplicity. Having come to know society and its mainsprings, I became versed in the art of living and saw how others were happy without that proficiency, enjoying for free the favors I had so painfully striven for. It was then that despair was born in my heart--not the despair that is cured with a pistol, but a cold, impotent desperation, concealed under a polite exterior and a good-natured smile. I became a moral cripple; I had lost one half of my soul, for it had shriveled, dried up and died, and I had cut it off and cast it away, while the other half stirred and lived, adapted to serve every comer. No one noticed this, because no one suspected there had been another half. Now, however, you have awakened memories of it in me, and what I have just done is to read its epitaph to you. Many regard all epitaphs as ridiculous, but I do not, particularly when I remember what rests beneath them.

Refining a data set implies getting rid of unnecessary, duplicate, or misleading data. If you don't do that, you can see results that are not actually true, thus hurting your decision-making.

I love you more than I planned

I'm not gonna shine light in hope to fix your problems, I just want to sit in the dark with you but only if you let me.

I think I've been searching for you all of my life, without even knowing it.

Dolor I have known the inexorable sadness of pencils, Neat in their boxes, dolor of pad and paper weight, All the misery of manilla folders and mucilage, Desolation in immaculate public places, Lonely reception room, lavatory, switchboard, The unalterable pathos of basin and pitcher, Ritual of multigraph, paper-clip, comma, Endless duplicaton of lives and objects. And I have seen dust from the walls of institutions, Finer than flour, alive, more dangerous than silica, Sift, almost invisible, through long afternoons of tedium, Dropping a fine film on nails and delicate eyebrows, Glazing the pale hair, the duplicate gray standard faces.

Modern biblical scholars have established that the Bible is a wiki. It was compiled over half a millennium from writers with different styles, dialects, character names, and conceptions of God, and it was subjected to haphazard editing that left it with many contradictions, duplications, and non sequiturs.

I’ll give you the key to my heart, if you promise not to make duplicates.

O Nature, and O soul of man! how far beyond all utterance are your linked analogies! not the smallest atom stirs or lives in matter, but has its cunning duplicate in mind.

The great majority of us are required to live a constant, systematic duplicity. Your health is bound to be affected by it if, day after day, you say the opposite of what you feel, you grovel before what you dislike and rejoice at what bring brings you nothing but misfortune. Our nervous system isn’t just a fiction, it’s part of our physical body, and our soul exists in space and is inside us, like teeth in our mouth. It can’t be forever violated with impunity.

Andras Riedlmayer described a colleague who survived the siege of Sarajevo. In the winter, the scholar and his wife ran out of firewood, and so began to burn their books for heat and cooking. 'This forces one to think critically,' Riedlmayer remembered his friend saying. 'One must prioritize. First you burn old college textbooks, which you haven't read in thirty years. Then there are the duplicates. But eventually, you're forced to make tougher choices. Who burns today: Dostoevsky or Proust?' I asked Riedlmayer if his friend had any books left when the war was over. 'Oh yes,' he replied, his face lit by a flickering smile. 'He still had many books. Sometimes, he told me, you look at the books and just choose to go hungry.

Yes, there have been ET visitations. There have been crashed craft. There have been material and bodies recovered. There has been a certain amount of reverse engineering that has allowed some of these craft, or some components, to be duplicated. And there is some group of people that may or may not be associated with government at this point that have this knowledge. They have been attempting to conceal this knowledge. People in high level government have very little, if any, valid information about this. It has been the subject of disinformation in order to deflect attention and create confusion so the truth doesn’t come out.

Either way, one should love their children, shouldn’t they? After all, children are only duplicates of your own genes. What did these children ever ask for? They wanted love, family, and support. But WE kicked them out onto streets like animals just because WE, as adults, were scared of a situation WE weren’t used to.

Information is not like money or any other commodity. The cracks that it can slip through are almost infinitely small, and it can be duplicated at almost zero cost. Soon information will be like air, like the weather, and as easy to control.

For salamanders, regeneration after injury, such as the loss of a limb, involves regrowth of structure and restoration of function with the constant possibility of twinning or other odd topographical productions at the site of former injury. The regrown limb can be monstrous, duplicated, potent. We have all been injured, profoundly. We require regeneration, not rebirth, and the possibilities for our reconstitution include the utopian dream of the hope for a monstrous world without gender

Do women feel anything more keenly than curiosity? No, they will go to any lengths to find out, to know,to feel, what they have always dreamed of! Once their excited curiosity has been aroused, women will stoop to anything, commit any folly, take any risks. They stop at nothing. I am speaking of women who are real women, who operate on three different levels. Superficially cool and rational, they have three secret compartments: the first is constantly full of womanly fret and anxiety; the second is a sort of innocent guile, like the fearsome sophistry of the self-righteous; and the last is filled with an engaging dishonesty, a charming deviousness, a consummate duplicity, with all those perverse qualities in fact that can drive a foolish, unwary love to suicide, but which by others may be judged quite delightful.

It was said that one of them, either the actor or the history teacher, was superfluous in this world, but you weren't, you weren't superfluous, there is no duplicate of you to come and replace you at your mother's side, you were unique, just as every ordinary person is unique, truly unique.

Kevin doesn't just wake up with that spiky bedhead look, Pudge. He works for it. He loves that hair. They leave their hair products here, Pudge, because they have duplicates at home. All these boys do. And do you know why?'' ''Because they're compensating for their tiny penises?'' i asked.

Q.Do you have any positive message, in your opinion? A.Indeed I do think that I do. Q.Such as what? A.The crying, almost screaming, need of a great worldwide human effort to know ourselves and each other a great deal better, well enough to concede that no man has a monopoly on right or virtue any more than any man has a corner on duplicity and evil and so forth. If people, and races and nations, would start with that self-manifest truth, then I think that the world could sidestep the sort of corruption which I have involuntarily chosen as the basic, allegorical theme of my plays as a whole.

Being wise, their gifts were no doubt wise ones, possibly bearing the privilege of exchange in case of duplication. And here I have lamely related to you the uneventful chronicle of two foolish children in a flat who most unwisely sacrificed for each other the greatest treasures of their house. But in a last word to the wise of these days let it be said that of all who give gifts these two were the wisest. Of all who give and receive gifts, such as they are wisest. Everywhere they are wisest. They are the magi.

Because it is occasionally possible, just for brief moments, to find the words that will unlock the doors of all those many mansions inside the head and express something - perhaps not much, just something - of the crush of information that presses in on us from the way a crow flies over and the way a man walks and the look of a street and from what we did one day a dozen years ago. Words that will express something of the deep complexity that makes us precisely the way we are, from the momentary effect of the barometer to the force that created men distinct from trees. Something of the inaudible music that moves us along in our bodies from moment to moment like water in a river. Something of the spirit of the snowflake in the water of the river. Something of the duplicity and the relativity and the merely fleeting quality of all this. Something of the almighty importance of it and something of the utter meaninglessness. And when words can manage something of this, and manage it in a moment, of time, and in that same moment, make out of it all the vital signature of a human being - not of an atom, or of a geometrical diagram, or of a heap of lenses - but a human being, we call it poetry.

I told you we were a twisted fairytale..."I whisper, holding back. "Deep down I think I always knew we weren't getting the happy ending.

The things we're frightened of the most, tend to be the things that already happened to us.

She took a lot from me that night, He broke in silence. And I didn't have much to begin with.

We are so accustomed to disguise ourselves to others, that in the end, we become disguised to ourselves.

There is a perfect rout of characters in every man—and every man is like an actor’s trunk, full of strange creatures, new & old. But an actor and his trunk are two different things

When a man bleeds inwardly, it is a dangerous thing for himself; but when he laughs inwardly, it bodes no good to other people.

Duplication is the primary enemy of a well-designed system. It represents additional work, additional risk, and additional unnecessary complexity.

There is something very wrong with a people who consider that the greatest that would ever be has already been, and that the best they can do is to duplicate the past.

Question for your life: If the man of your dreams existed in two dimensions only, would you try to print duplicates of him?

Gratuitous redundancy makes prose difficult not just because readers have to duplicate the effort of figuring something out, but because they naturally assume that when a writer says two things she means two things, and fruitlessly search for the nonexistent second point.

The great majority of us are required to live a life of constant, systematic duplicity. Your health is bound to be affected if, day after day, you say the opposite of what you feel, if you grovel before what you dislike and rejoice at what brings you nothing but misfortune.

...the bittersweet reminder of life's ephemeral pleasures, of opportunities that pass...These experiences would never be repeated and for that I was sad to see them go. But I also relished in the pricelessness of things so unique. That which can be duplicated loses its gold.

Healing is a biological process, not an art. It is as much a function of the living organism as respiration, digestion, circulation, excretion, cell proliferation, or nerve activity. It is a ceaseless process, as constant as the turning of the earth on its axis. Man can neither duplicate nor imitate nor provide a substitute for the process. All schools of healing are frauds.

That is what lower performers do; they make others wrong for doing what is necessary in order to make themselves feel okay about doing nothing! The highest performers—the winners—respond by studying successful people and duplicating success.

After a few days in heaven, I realized that the javelin-throwers and the shot-putters and the boys who played basketball on the cracked blacktop were all in their own version of heaven. Theirs just fit with mine- didn't duplicate it precisely, but had a lot of the same things going on inside. ~pg 17

Pretending you're okay so everyone can lean on you for support doesn't last forever...” He wispers into my ear. “One day you'll have to stop hiding how you truly feel about life.

People in his eyes were disposable, but there was something about her that was forcing him to bring her back to life.

Eilis was fascinated by [...] his sweet duplicity in giving no sign of what had happened before. She was almost glad to know that he had secrets and had ways of calmly keeping them.

Life is not a miracle. It is a natural phenomenon, and can be expected to appear whenever there is a planet whose conditions duplicate those of the earth. [Stating how planets supporting life cannot be rare.]

For this can be said of men in general: that they are ungrateful, fickle, hypocrites and dissemblers, avoiders of dangers, greedy for gain; and while you benefit them, they are entirely yours, offering you their blood, their goods, their life, their children,...when need is far away, but when you actually become needy, they turn away. (translated by Wayne A. Rebhorn)

Here, as so often, the best defense is a good offense. If you can develop technology that’s simply too hard for competitors to duplicate, you don’t need to rely on other defenses. Start by picking a hard problem, and then at every decision point, take the harder choice.

Memory, instead of being a duplicate, always present before one's eyes, of the various events of one's life, is rather a void from which at odd moments a chance resemblance enables ones to resuscitate dead recollections, but even then, there are innumerable little details which have not fallen into that potential reservoir of memory, and which will remain for ever unverifiable.

Writing is the art of remembering and forgetting. You must forget what you’ve already written, because if you’re dwelling on your old material you can’t write new material, and you must remember all you’ve written and read, so you are not duplicating already existing writing.

The truly solitary being is not the man who is abandoned by men, but the man who suffers in their midst, who drags his desert through the marketplace and deploys his talents as a smiling leper, a mountebank of the irreparable. The great solitaries were happy in the old days, knew nothing of duplicity, had nothing to hide: they conversed only with their own solitude.

The path of destiny pulls you forward. It exhumes you from a state of being and propels you towards the juncture you were created for. A new frontier that you are forced to tread with a cross on your back, heavy as a boulder. When you fall to your knees at the hands of your betrayer, you can only hope to find the one sent to carry your burden -- shoulder the journey towards your final punishment. Sometimes duplicity and treason are markers of the enemy, and sometimes the failed intention of a masterful ally.

That was an evil terror---- an ugly inmate to have found a nestling-place in Godfrey's kindly disposition; but no disposition is a security from evil wishes to a man whose happiness hangs on duplicity.

We're plotting to steal time itself from you.... We're going to spike it to the floor as it slips by. And just as you come over to see why it's so still, we'll pull it out from under you--and send you spinning off around the galaxy's edge. We're planning to pluck all the best stars out of the sky and stuff them in our pockets... so that when we meet you once again and thrust our hands deep inside to hide our embarrassment, our fingertips will smart on them, as if they were desert grains, caught down in the seams, and we'll smile at you on your way to a glory that, for all our stellar thefts, we shall never be able to duplicate.

By crossing into a space whose curvature is no longer that of the real, nor that of truth, the era of simulation is inaugurated by a liquidation of all referentials - worse: with their artificial resurrection in the systems of signs, a material more malleable than meaning, in that it lends itself to all systems of equivalences, to all binary oppositions, to all combinatory algebra. It is no longer a question of imitation, nor duplication, nor even parody. It is a question of substituting the signs of the real for the real, that is to say of an operation of deterring every real process via its operational double, a programmatic, metastable, perfectly descriptive machine that offers all the signs of the real and shortcircuits all its vicissitudes.

I want a History of Looking. For the Photograph is the advent of myself as other: a cunning dissociation of consciousness from identity. Even odder: it was before Photography that men had the most to say about the vision of the double. Heautoscopy was compared with an hallucinosis; for centuries this was a great mythic theme.

Sentences are made wonderfully one at a time. Who makes them. Nobody can make them because nobody can what ever they do see. All this makes sentences so clear I know how I like them. What is a sentence mostly what is a sentence. With them a sentence is with us about us all about us we will be willing with what a sentence is. A sentence is that they cannot be carefully there is a doubt about it. The great question is can you think a sentence. What is a sentence. He thought a sentence. Who calls him to come which he did. …What is a sentence. A sentence is a duplicate. An exact duplicate is depreciated. Why is a duplicated sentence not depreciated. Because it is a witness. No witnesses are without value.

Every scar represented a time where I just wasn't adequate enough for this world.

I suspect that 'Kindness and Cruelty' and 'Mercy and Justice' all have secret affairs, as though they rendezvous only within certain sophisticated souls: those who hate being offensive, but love telling the truth.

The law is not known, since there is nothing in it to know. We come across it only through its action, and it acts only through its sentence and its execution. It is not distinguishable from the application. We know it only through its imprint on our heart and our flesh: we are guilty, necessarily guilty. Guilt is like the moral thread which duplicates the thread of time.

Accordingly, Mr. Cook spent four years, six months, two days, $5,228.20, six thousand yards of wiring, three hundred and two radio tubes, a generator, reams of paper, dizzying mentation and the good will of his wife in assembling his duplication machine.

A hundred pages of me fighting the conformity of love for a boy I simply loved from the start. From the day I met his heart, to the day I had to let it go. I love you more than I planned, Harry.

It is important for a woman to have the duplicity to make good use of whatever gifts she might have, however valueless they might seem... You have to have the inner strength to pursue your goal, and not care how many enemies you make along the road. It is not easy.

Joshua Joseph has no real hatred of modern technology - he just mistrusts the effortless, textureless surfaces, and the ease with which it trains you to do things in the way most convenient to the machine. Above all, he mistrusts duplication. A rare thing becomes a commonplace thing. A skill becomes a feature. The end is more important than the means. The child of the soul gives place to a product of the system....For anything really important, Joe prefers something with a history, an item which can name the hand which assembled it and will warm to the one that deploys it. A thing of life, rather than one of the many consumer items which humans use to make more clutter; strange parasitic devices with their own little ecosystems.

History is the poisoned well, seeping into the ground-water. It’s not the unknown past we’re doomed to repeat, but the past we know. Every recorded event is a brick of potential, of precedent, thrown into the future. Eventually the idea will hit someone in the back of the head. This is the duplicity of history: an idea recorded will become an idea resurrected. Out of fertile ground, the compost of history.

The number two, he thought, was an ominous number. Two is a reflection or duplication of one, the most perfect of the natural numbers. Two is all echo and counterpoise; two is the beginning of multiplicity, the way the universal oneness differentiates itself and breaks apart into strings and quarks and photons, all the separate and component pieces of life. Two is a symbol of becoming as opposed to pure being...

In my most darkest and alone moments, I always wished someone would´ve been there to give me a hug

Thinking a man good, we risk his duplicity. Thinking a man bad, we deny sanctuary.

They banged doors, they shouted Trick or Treat and their brown paper bags began to fill with incredible sweets. They galloped with their teeth glued shut with pink gum. They ran with red wax lips bedazzling their faces. But all the people who met them at doors looked like candy factory duplicates of their own mothers and fathers. It was like never leaving home. Too much kindness flashed from every window and every portal. What they wanted was to hear dragons belch in basements and banged castle doors.

In fact, the anti-Muslim stance of much of Hindu nationalism can be construed as partly a displaced hostility against the colonial power which could not be expressed directly because of the new legitimacy created within Hinduism for this power. Such a dynamic would seem to roughly duplicate the displacement of Oedipal hostilities in the authoritarian personality.

What a strange revelation of self-esteem it is when people only love those who think and feel as they do - an extension of themselves, in fact! Even Christianity does not cure us, since one cannot feel right without assuming that the rest must be wrong. Personally I would rather feel wrong with everybody else than right all by myself: I like people different, and agree with the man who said that the worst of the human race is the number of duplicates.

Prince Humperdinck: First things first, to the death. Westley: No. To the pain. Prince Humperdinck: I don't think I'm quite familiar with that phrase. Westley: I'll explain and I'll use small words so that you'll be sure to understand, you warthog faced buffoon. Prince Humperdinck: That may be the first time in my life a man has dared insult me. Westley: It won't be the last. To the pain means the first thing you will lose will be your feet below the ankles. Then your hands at the wrists. Next your nose. Prince Humperdinck: And then my tongue I suppose, I killed you too quickly the last time. A mistake I don't mean to duplicate tonight. Westley: I wasn't finished. The next thing you will lose will be your left eye followed by your right. Prince Humperdinck: And then my ears, I understand let's get on with it. Westley: WRONG. Your ears you keep and I'll tell you why. So that every shriek of every child at seeing your hideousness will be yours to cherish. Every babe that weeps at your approach, every woman who cries out, "Dear God! What is that thing," will echo in your perfect ears. That is what to the pain means. It means I leave you in anguish, wallowing in freakish misery forever. Prince Humperdinck: I think you're bluffing. Westley: It's possible, Pig, I might be bluffing. It's conceivable, you miserable, vomitous mass, that I'm only lying here because I lack the strength to stand. But, then again... perhaps I have the strength after all. [slowly rises and points sword directly at the prince] Westley: DROP... YOUR... SWORD!

She was afraid of numbers the way some people are of spiders. The sight of them made her want to hide. What I loved about them, their clarity, was for her duplicity. Behind an innocent 2,or 5, or 9, she spied a mass of traps and pitfalls.

He was doing missionary work. But from the outset he had little success in convincing his charges of their responsibility for a sin committed at the beginning of creation, one which, as they understood it, they were ready and capable (indeed, they carried charms to assure it) of duplicating themselves. He did no better convincing them that a man had died on a tree to save them all: an act which one old Indian, if Gwyon had translated correctly, regarded as "rank presumption".

And, as in the case of sensible images, if the artist look without distraction upon the archetypal form, not distracted by sight of anything else, or in any way divided in attention, he will duplicate, if I may so speak, the very person that is being sketched, whoever he may be, and will shew the reality in the likeness, and the archetype in the image, and each in each, save the difference of substance;

A novel works it's magic by putting a reader inside another person's life. The pace is as slow as life. It's as detailed as life. It requires you, the reader, to fill in an outline of words with vivid pictures drawn subconsciously from your own life, so that the story feels more personal than the sets designed by someone else and handed over via TV or movies. Literature duplicates the experience of living in a way that nothing else can, drawing you so fully into another life that you temporarily forget you have one of your own. That is why you read it, and might even sit up in bed till early dawn, throwing your whole tomorrow out of whack, simply to find out what happens to some people who, you know perfectly well, are made up. It's why you might find yourself crying, even if you aren't the crying kind.

This was a high that could never be duplicated. It was a high more dangerous to a man's soul than any found in a drug. Because this high chanced an addiction to not just the pleasure, but to the woman. And he was beginning to fear he had found the woman and the pleasure that could become an addiction impossible to live without.

I'd always envied Carlisle's perfect control but, at the same time, believed it was impossible for me to duplicate. I realized now that I'd chosen the lazy way, the path of least resistance, admiring him greatly, but never putting in the effort to become more like him. This crash course in restraint that Bella was teaching me might have been less fraught I I'd worked harder to improve in the last seven decades.

She would tell me stories about the family or about the neighbors, but I'd never listen. I'd complain: Stop talking so much! I couldn't see that she spoke to ease the boredom, the precise duplication of hours and days that life with my father imposed upon her, and that for her, as it would be for me many years later, the telling of her life's story was the best remedy she could think of to help her bear the weight of her existence.

The more men have to lose, the less willing are they to venture. The rich are in general slaves to fear, and submit to courtly power with the trembling duplicity of a Spaniel.

Nella maggior parte degli uomini, le ragioni del bene e del male che dividono e insieme compongono la duplice natura dell'uomo.

The world is so big, so complicated, so replete with marvels and surprises that it takes years for most people to begin to notice that it is, also, irretrievably broken. We call this period of research “childhood.” There follows a program of renewed inquiry, often involuntary, into the nature and effects of mortality, entropy, heartbreak, violence, failure, cowardice, duplicity, cruelty, and grief; the researcher learns their histories, and their bitter lessons, by heart. Along the way, he or she discovers that the world has been broken for as long as anyone can remember, and struggles to reconcile this fact with the ache of cosmic nostalgia that arises, from time to time, in the researcher’s heart: an intimation of vanished glory, of lost wholeness, a memory of the world unbroken. We call the moment at which this ache first arises “adolescence.” The feeling haunts people all their lives. Everyone, sooner or later, gets a thorough schooling in brokenness.

As children, because of our dependency, we experience a sense of being powerless in a world of powerful people. If our home environments are unpleasant or painful, we defend ourselves by secretly promising ourselves that when we grow up we will do things better than our parents did. However, because we know only what we learned as children, as adults we continue to seek out experiences and relationships that offer the comfort of familiarity. So, despite our heroic promises to do things differently, we often end up duplicating our childhood situations and relationships.

But there are different kinds of duplication. There is true duplication, in which every change to one instance necessitates the same change to every duplicate of that instance. Then there is false or accidental duplication. If two apparently duplicated sections of code evolve along different paths—if they change at different rates, and for different reasons—then they are not true duplicates. Return to them in a few years, and you’ll find that they are very different from each other.

She feels like the first drags of fresh cigaretter but last crunches of cherry suckers. She feels like final coats of nail polish. She feels like lines of coke. She feels like knuckles you crack after a long day. She feels like Miami rain. She feels like empty football fields. She feels like full stadiums. She feels like absinthe. She feels like dangling from a helicopter. She feels like classical music. She feels like standing on a motorcycle. She feels like train tracks. She feels like frozen yogurt. She feels like destroying a piano. She feels like rooftops. She feels like fleeing from cops. She feels like stitches. She feels like strobe lights. She feels like blue carnival bears. She feels like curbs at 2 am. She feels like Cupid's Chokehold. She feels like running through Chicago. She feels like 1.2 million dollars. She feels like floors. She feels like everything he's ever wanted in life. […] “I love you more than I planned.

The most important ingredient we put into any relationship is not what we say or what we do, but what we are. And if our words and our actions come from superficial human relations techniques (the Personality Ethic) rather than from our own inner core (the Character Ethic), others will sense that duplicity.

Didn’t JFK give Khrushchev a written promise not to invade Cuba, not to permit an invasion from American territory—or from any other place in the Western Hemisphere? Written, by God! So now, a hostile European power, Soviet Russia, totally against your Monroe Doctrine, is openly established ninety miles off your coast, the borders of which are guaranteed in writing by your own President and ratified by your own Congress. The Big K pulled off a colossal coup never duplicated in your whole history. And all for nothing!

Then he had thought it all beyond her mental grasp and it had been pleasant to explain things to her. Now he saw that she understood entirely too well and he felt the usual masculine indignation at the duplicity of women. Added to it was the usual masculine disillusionment in discovering that a woman has a brain.

The shades of difference between other people and me serve to make variety and prevent monotony, but that is all; broadly speaking, we are all alike; and so by studying myself carefully and comparing myself with other people, and noting the divergences, I have been enabled to acquire a knowledge of the human race which I perceive is more accurate and more comprehensive than that which has been acquired and revealed by any other member of our species. As a result, my private and concealed opinion of myself is not of a complimentary sort. It follows that my estimate of the human race is the duplicate of my estimate of myself.

Daring greatly’ requires nothing less than a cleansing of the heart—or what the Desert Elders called ‘purity of heart.’ My best stab at what they meant by this is what I call wholeheartedness. This means we are ‘all in.’ We no longer hold anything back. We can contrast ‘all in’ with ‘half-hearted.’ Purity of heart is unwavering commitment and resolve, void of duplicity.

In reality, mankind is still metaphysically in God’s likeness, but God’s image in mankind has been altered by sin. We can no longer duplicate or reflect God’s attitudes as we once could do. That is, we can no longer be holy as God is holy. Our morality has been altered and no longer has the capability to duplicate or reflect God’s image. So what is the answer? Can this image be repaired or made whole again? The answer is, YES!

In the 1950s, President Eisenhower and Secretary of State John Foster Dulles explained quite clearly the dilemma that the United States faced. They complained that the Communists had an unfair advantage: they were able to "appeal directly to the masses" and "get control of mass movements, something we have no capacity to duplicate. The poor people are the ones they appeal to and they have always wanted to plunder the rich." That causes problems. The United States somehow finds it difficult to appeal to the poor with its doctrine that the rich should plunder the poor.

This kind of neighborhood did not please him; he had seen it a million times, duplicated throughout the face of the earth. It had been from such as this that he had fled, early in his life, to use his sixness as a method of getting out. And now he had come back. He did not object to the people: he saw them as trapped here, the ordinaries, who through no fault of their own had to remain. They had not invented it; they did not like it; they endured it, as he had not had to. In fact, he felt guilty, seeing their grim faces, their turned-down mouths. Jagged, unhappy mouths.

In the end, this volume should be read a s a collection of love stories, Above all, they are tales of love, not the love with which so many stories end – the love of fidelity, kindness and fertility – but the other side of love, its cruelty, sterility and duplicity. In a way, the decadents did accept Nordau's idea of the artist as monster. But in nature, the glory and panacea of romanticism, they found nothing. Theirs is an aesthetic that disavows the natural and with it the body. The truly beautiful body is dead, because it is empty. Decadent work is always morbid, but its attraction to death is through art. What they refused was the condemnation of that monster. And yet despite the decadent celebration of artifice, these stories record art's failure in the struggle against natural horror. Nature fights back and wins, and decadent writing remains a remarkable account of that failure.

He was doing missionary work. But from the outset he had little success in convincing his charges of their responsibility for a sin committed at the beginning of creation, one which, as they understood it, they were ready and capable (indeed, they carried charms to assure it) of duplicating themselves. He did no better convincing them that a man had died on a tree to save them all: an act which one old Indian, if Gwyon had translated correctly, regarded as 'rank presumption.

The life that I touch for good or ill will touch another life, and that in turn another, until who knows where the trembling stops or in what far place and time my touch will be felt. Our lives are linked together. No man is an island. But there is another truth, the sister of this one, and it is that every man is an island. It is a truth that often the tolling of a silence reveals even more vividly than the tolling of a bell. We sit in silence with one another, each of us more or less reluctant to speak, for fear that if he does, he may sound life a fool. And beneath that there is of course the deeper fear, which is really a fear of the self rather than of the other, that maybe truth of it is that indeed he is a fool. The fear that the self that he reveals by speaking may be a self that the others will reject just as in a way he has himself rejected it. So either we do not speak, or we speak not to reveal who we are but to conceal who we are, because words can be used either way of course. Instead of showing ourselves as we truly are, we show ourselves as we believe others want us to be. We wear masks, and with practice we do it better and better, and they serve us well –except that it gets very lonely inside the mask, because inside the mask that each of us wears there is a person who both longs to be known and fears to be known. In this sense every man is an island separated from every other man by fathoms of distrust and duplicity. Part of what it means to be is to be you and not me, between us the sea that we can never entirely cross even when we would. “My brethren are wholly estranged from me,” Job cries out. “I have become an alien in their eyes.” The paradox is that part of what binds us closest together as human beings and makes it true that no man is an island is the knowledge that in another way every man is an island. Because to know this is to know that not only deep in you is there a self that longs about all to be known and accepted, but that there is also such a self in me, in everyone else the world over. So when we meet as strangers, when even friends look like strangers, it is good to remember that we need each other greatly you and I, more than much of the time we dare to imagine, more than more of the time we dare to admit. Island calls to island across the silence, and once, in trust, the real words come, a bridge is built and love is done –not sentimental, emotional love, but love that is pontifex, bridge-builder. Love that speak the holy and healing word which is: God be with you, stranger who are no stranger. I wish you well. The islands become an archipelago, a continent, become a kingdom whose name is the Kingdom of God.

Every child is a one of a kind mini-masterpiece. No known duplicates exist. They each have distinctive fingerprints, heart rhythms, eye patterns, and blood constitution. Even identical twins can be physically alike and yet light years apart in how they are mentally wired and gifted. Our children do not just grow up different; they show up different. Though circumstances and training will greatly affect their lives, the originality that is already ingrained into each of our children reflects brilliant preplanning. Every birthmark is a trademark. Every special feature is a signature of divine design.

The ego is the culmination of our preferences and dislikes. Our ego represents the firm edges of how we perceive ourselves. An ego death involves a merciless destruction of the autobiographical memory system that sustains a person’s collective of bodily and mental images. In order to provoke an ego death, one might choose to pare down their sense of self to a bare skeleton divested of all flesh and blood. It might even be useful to visualize a person’s own burial and then imagine a rebirth. A person who undergoes an ego death might experience a transformation in their life that duplicates a reincarnation.

In this rush to conform, we often end up ignoring or overruling our genuine feelings - even intense ones, like longing or anguish - to please our cultures. At that point, we're divided against ourselves. We aren't in integrity (one thing) but in duplicity (two things). Or we may try to fit in with a number of different groups, living in multiplicity (multiple things).

In a way that I haven’t yet figured out how to fully articulate, I believe that children who get to see bald eagles, coyotes, deer, moose, grouse, and other similar sights each morning will have a certain kind of matrix or fabric or foundation of childhood, the nature and quality of which will be increasing rare and valuable as time goes on, and which will be cherished into adulthood, as well as becoming- and this is a leap of faith by me- a source of strength and knowledge to them somehow. That the daily witnessing of the natural wonders is a kind of education of logic and assurance that cannot be duplicated by any other means, or in other place: unique and significant, and, by God, still somehow relevant, even now, in the twenty-first century. For as long as possible, I want my girls to keep believing that beauty, though not quite commonplace and never to pass unobserved or unappreciated, is nonetheless easily witnessed on any day, in any given moment, around any forthcoming bend. And that the wild world has a lovely order and pattern and logic, even in the shouting, disorderly chaos of breaking-apart May and reassembling May. That if there can be a logic an order even in May, then there can be in all seasons and all things.

It is random discharges of this type, set off by the creation of anti-galaxies in space, which have led to the depletion of the time store available to the materials of our own solar system. Just as a super-saturated solution will discharge itself into a crystalline mass, so the super-saturation of our solar system leads to its appearance in a parallel spatial matrix. As more and more time leaks away, the process of super-saturation continues, the original atoms and molecules producing spatial replicas of themselves, substance without mass, in an attempt to increase their foothold upon existence. The process is theoretically without end, and it may be possible for a single atom to produce an infinite number of duplicates of itself, and so fill the entire universe, from which simultaneously all time is expired, an ultimate macrocosmic zero beyond the wildest dreams of Plato and Democritus.

Hold still baby girl. Hold still. I need you to do something for me,” he said quietly. I opened my mouth and said, “What?” but no words came out. I tried again. Nothing. He smiled. He continued to lick my hip bone. He kissed it and looked me in the eyes. “You listening?” he asked. As I squeezing the countertop with each hand, my arms beside my body, my hands beside my butt, I nodded. “Fuck my tongue. I want you to fuck my mouth, do you hear me?” I opened my mouth and squeaked. My eyes closed. I felt his tongue move from my hip to my clit. His palm slid slowly across my hip, and rested in the depression between my hip and my pussy. His thumb was positioned on the skin above my clit, and pushed upward, exposing my clit totally. As his tongue met my clit, I squirmed. I felt his lip on top of my clit, and his tongue on the bottom. He started a motion with his tongue and lip, with my clit in between. About three seconds into it, I was done…almost to climax. I felt myself begin to cum. No, not yet, not yet, please…make this last. He lifted his head, and looked me in the eye. He must have sensed I was going to cum. “No, don’t stop. Please, Erik, don’t fucking stop.” I begged. “Fuck my mouth. Grind your pussy on my face baby girl, do you hear me?” “Yes sir. Do it. Do that again. Exactly what you were doing, exactly,” I said, hoping he could duplicate what he was doing.

...but from this distance, the velvety reds, flashing yellows and glassy whites [of the roses] seemed to break up the light of the summer sun into its various elements and cast it back far more brilliantly than any other flower ever could, seemed not exactly of the earth, but of space and air itself.

Show Pleasant Riderhood a Wedding in the street, and she only saw two people taking out a regular license to quarrel and fight. Show her a Christening, and she saw a little heathen personage having a quite superfluous name bestowed upon it, inasmuch as it would be commonly addressed by some abusive epithet; which little personage was not in the least wanted by anybody, and would be shoved and banged out of everybody's way, until it should grow big enough to shove and bang. Show her a Funeral, and she saw an unremunerative ceremony in the nature of a black masquerade, conferring a temporary gentility on the performers, at an immense expense, and representing the only formal party ever given by the deceased. Show her a live father, and she saw but a duplicate of her own father, who from her infancy had been taken with fits and starts of discharging his duty to her, which duty was always incorporated in the form of a fist or a leathern strap, and being discharged hurt her. All things considered, therefore, Pleasant Riderhood was not so very, very bad.

Here’s the thing - in this damned century, you’ll meet a lot of people who do a lot of things. What’s funny is the fact that the most desirable attributes of these people are nothing but developed and cultured thoughts. And these things come naturally to people who shine bright. The other guys just try to ape these thoughts, in an embarrassing attempt to recreate some of that magic. Sadly,- what looks beautiful as a natural quotient can be extremely funny and disgusting when replicated manually. Stop replicating feelings; else you’ll turn into one of those duplicate personalities. They’re wannabes. You don’t have to become one!

Beckett Rush spotted in London Saturday. 'Tinseltown's It Boy reportedly had three dates with three different girls at La Trattoria... all over the course of six hours. Two ladies discovered the duplicity, and catfight broke out. Taylor Risdale broke up the fight before storming out. Beckett's camp could not be reached at the moment.'" Mr. Rush laughed. "You know what this means, right?" "That once again my name is trashed." "That your DVD sales will spike at least 5 percent.

He wished . . . He didn’t know what he wished. That he hadn’t seen the intentions behind those honey-colored eyes of hers? That he hadn’t predicted her duplicity so easily? Or maybe, stupid as he was, he wished that he could stop himself from the inevitability of hurting her? But wishes were for children, and he’d grown up a long time ago. Only one of them could win this game, and it had to be him.

And all these existents which bustled about this tree came from nowhere and were going nowhere. Suddenly they existed, then suddenly they existed no longer: existence is without memory; of the vanished it retains nothing—not even a memory. Existence everywhere, infinitely, in excess, for ever and everywhere; existence—which is limited only by existence. I sank down on the bench, stupefied, stunned by this profusion of beings without origin: everywhere blossomings, hatchings out, my ears buzzed with existence, my very flesh throbbed and opened, abandoned itself to the universal burgeoning. It was repugnant. But why, I thought, why so many existences, since they all look alike? What good are so many duplicates of trees? So many existences missed, obstinately begun again and again missed—like the awkward efforts of an insect fallen on its back? (I was one of those efforts.)

We need science education to produce scientists, but we need it equally to create literacy in the public. Man has a fundamental urge to comprehend the world about him, and science gives today the only world picture which we can consider as valid. It gives an understanding of the inside of the atom and of the whole universe, or the peculiar properties of the chemical substances and of the manner in which genes duplicate in biology. An educated layman can, of course, not contribute to science, but can enjoy and participate in many scientific discoveries which as constantly made. Such participation was quite common in the 19th century, but has unhappily declined. Literacy in science will enrich a person's life.

Bad or good, movies nearly always have a strange diminishing effect on works of fantasy (of course there are exceptions; The Wizard of Oz is an example which springs immediately to mind). In discussions, people are willing to cast various parts endlessly. I've always thought Robert Duvall would make a splendid Randall Flagg, but I've heard people suggest such people as Clint Eastwood, Bruce Dern and Christopher Walken. They all sound good, just as Bruce Springsteen would seem to make an interesting Larry Underwood, if ever he chose to try acting (and, based on his videos, I think he would do very well ... although my personal choice would be Marshall Crenshaw). But in the end, I think it's best for Stu, Larry, Glen, Frannie, Ralph, Tom Cullen, Lloyd, and that dark fellow to belong to the reader, who will visualize them through the lens of the imagination in a vivid and constantly changing way no camera can duplicate. Movies, after all, are only an illusion of motion comprised of thousands of still photographs. The imagination, however, moves with its own tidal flow. Films, even the best of them, freeze fiction - anyone who has ever seen One Flew Over The Cuckoo's Nest and then reads Ken Kesey's novel will find it hard or impossible not to see Jack Nicholson's face on Randle Patrick McMurphy. That is not necessarily bad ... but it is limiting. The glory of a good tale is that it is limitless and fluid; a good tale belongs to each reader in its own particular way.

The intentions or motives that underlie all of our words and actions plant seeds. Certain kinds of intentions will inevitably bear fruits of the same type. This also is an infallible law of nature. Wholesome intentions- like lovingkindness, compassion, honesty, and respect for the lives and property of others- if they manifest in action will sooner or later bear us the fruits of happiness. Unwholesome intentions - like hatred, cruelty, duplicity - will bear us the fruits of suffering if we express them in words or deeds. No action is without consequences.

He sat before a note book of blank pages, saying: I swallow my own words. I chew and chew everything until it deteriorates. Every thought or impulse I have is chewed into nothingness. I want to capture all my thoughts at once, but they run in all directions. If I could do this I would be capturing the nimblest of minds, like a shoal of minnows. I would reveal innocence and duplicity, generosity and calculation, fear and cowardice and courage. I want to tell the whole truth, but I cannot tell the whole truth because I would have to write four pages at once, like four columns simultaneously, four pages to the present one, and so I do not write at all. I would have to write backwards, retrace my steps constantly to catch the echoes and overtones.

All that each person is, and experiences, and shall never experience, in body and mind, all these things are differing expressions of himself and of one root, and are identical: and not one of these things nor one of these persons is ever quite to be duplicated, nor replaced, nor has it ever quite had precedent: but each is a new and incommunicably tender life, wounded in every breath, and almost as hardly killed as easily wounded: sustaining, for a while, without defense, the enormous assaults of the universe: So that how it can be that a stone, a plant, a star, can take on the burden of being; and how it is that a child can take on the burden of breathing; and how through so long a continuation of cumulation of the burden of each moment one on another, does any creature beat to exist, and not break utterly to fragments of nothing: these are matters too dreadful and fortitudes too gigantic to meditate long and not forever to worship:

It was out of this river that the assassin's bullet came, regardless of who pulled the trigger or why. We accept, with the authorities, the guilt of the lonely psychopath because it tells a truth if not a fact. It dramatizes the refusal of Unreason to be silenced any longer by man's, Europe's,idea that he, Reason, rules the world. Humanism, however pretty, isn't for us because nature isn't human, and man willy nilly is of nature. Nature is unreason and God. It is the madness that runs through our lives and connects us to the stars in a way no rocket ship can ever duplicate. It connects us to all living things and to ourselves. To name this madness Holy doesn't promise peace or prosperity; it promises only a reason for being, a reinvestment of life into the dead matter of which the universe is now composed.

It had begun to dawn on him that this same sweet pretty little head was a “good head for figures.” In fact, a much better one than his own and the knowledge was disquieting. He was thunderstruck to discover that she could swiftly add a long column of figures in her head when he needed a pencil and paper for more than three figures. And fractions presented no difficulties to her at all. He felt there was something unbecoming about a woman understanding fractions and business matters and he believed that, should a woman be so unfortunate as to have such unladylike comprehension, she should pretend not to. Now he disliked talking business with her as much as he had enjoyed it before they were married. Then he had thought it all beyond her mental grasp and it had been pleasant to explain things to her. Now he saw that she understood entirely too well and he felt the usual masculine indignation at the duplicity of women. Added to it was the usual masculine disillusionment in discovering that a woman has a brain.

The path of destiny pulls you forward. It exhumes you from a state of being and propels you towards the juncture you were created for. A new frontier that you are forced to tread with a cross on your back, heavy as a boulder. When you fall to your knees at the hands of your betrayer, you can only hope to find the one sent to carry you burden- shoulder the journey towards your final punishment. Sometimes duplicity and treason are markers of the ememy, and sometimes, the failed intention of a masterful ally. But, nevertheless, as they burden you with a vexing brand of love, they become nothing more than the kisdd of Judas, pressing a crown of thorns into your flesh. Seemingly with out reason- vastly disappointing, Although I am submerged in violent water, I will rise above. My enemies, my friends, are incapable of derailing me from destiny’s design. So, I press forward-move-rely on the hope of the future- create the possible out of the impossible as I weave into life’s grand tapestry. I believe in the things that wait for me- my enemies, my friends- most of all love. It is the finish line I hunger for, the promise of love in all of its glory. I can endure all things in the hold name of love. And I will.

Bauval found that the Pyramids/Orion’s Belt correlation was general and obvious in all epochs, but specific and exact in only one: At 10,450 BC – and at that date only – we find that the pattern of the pyramids on the ground provides a perfect reflection of the pattern of the stars in the sky. I mean it’s a perfect match – faultless – and it cannot be an accident because the entire arrangement correctly depicts two very unusual celestial events that occurred only at that time. First, and purely by chance, the Milky Way, as visible from Giza in 10,450 BC, exactly duplicated the meridional course of the Nile Valley; secondly, to the west of the Milky Way, the three stars of Orion’s Belt were at the lowest altitude in their precessional cycle, with Al Nitak, the star represented by the Great Pyramid, crossing the meridien at 11° 08ʹ.8

Beside himself with shame and despair, the utterly ruined though perfectly just Mr. Golyadkin dashed headlong away, wherever fate might lead him; but with every step he took, with every thud of his foot on the granite of the pavement, there leapt up as though out of the earth a Mr. Golyadkin precisely the same, perfectly alike, and of a revolting depravity of heart. And all these precisely similar Golyadkins set to running after one another as soon as they appeared, and stretched in a long chain like a file of geese, hobbling after the real Mr. Golyadkin, so there was nowhere to escape from these duplicates — so that Mr. Golyadkin, who was in every way deserving of compassion, was breathless with terror; so that at last a terrible multitude of duplicates had sprung into being; so that the whole town was obstructed at last by duplicate Golyadkins, and the police officer, seeing such a breach of decorum, was obliged to seize all these duplicates by the collar and to put them into the watch-house, which happened to be beside him . . . Numb and chill with horror, our hero woke up, and numb and chill with horror felt that his waking state was hardly more cheerful . . . It was oppressive and harrowing . . . He was overcome by such anguish that it seemed as though some one were gnawing at his heart.

What he was referring to is the fact that there are two worlds: the true glory of Sophia and the false world of the Demiurge. The false world of the Demiurge seems the same as the world of Sophia, except that it is, to use a metaphor, colorless. The world of the Demiurge is the world as it seems to people obsessed with material possessions, attracted by the desire to control the realm of the Goddess Sophia, people who prefer the artificial to the authentic, people in the clutches of delusional poisonous drugs, people with addictions to other people and alcohol, as well as food, spending, pornography, gambling, angry people who are fixated with politics and financial issues; people who are full of illusory worries about possible future events rather than living in the authentic present now, people who see the world through the eyes of the media and people who are completely isolated from themselves emotionally. These people never 'see' and never 'hear' the real world around and within them. They live in the false duplicate reality of the Earth manufactured by Yaldabaoth. This facsimile is an illusory world.

Was she acting entirely consciously? No: women are always sincere, even in the midst of their most shocking duplicities, because it is always some natural emotion which dominates them. Perhaps, having given this young man such a hold on her, by having openly demonstrated her affection for him, Delphine was merely responding to a sense of personal dignity, which led her either to revoke any concessions she might have made or, at least, to enjoy suspending them. Even at the very moment when passion seizes her, it is perfectly natural for a Parisian woman to delay her final fall, as a way of testing the heart of the man into whose hands she is about to deliver herself and her future!

The Manger of Incidentals " We are surrounded by the absurd excess of the universe. By meaningless bulk, vastness without size, power without consequence. The stubborn iteration that is present without being felt. Nothing the spirit can marry. Merely phenomenon and its physics. An endless, endless of going on. No habitat where the brain can recognize itself. No pertinence for the heart. Helpless duplication. The horror of none of it being alive. No red squirrels, no flowers, not even weed. Nothing that knows what season it is. The stars uninflected by awareness. Miming without implication. We alone see the iris in front of the cabin reach its perfection and quickly perish. The lamb is born into happiness and is eaten for Easter. We are blessed with powerful love and it goes away. We can mourn. We live the strangeness of being momentary, and still we are exalted by being temporary. The grand Italy of meanwhile. It is the fact of being brief, being small and slight that is the source of our beauty. We are a singularity that makes music out of noise because we must hurry. We make a harvest of loneliness and desiring in the blank wasteland of the cosmos.

The path of destiny pulls you forward. It exhumes you from a state of being and propels you towards the juncture you were created for. A new frontier that you are forced to tread with a cross on your back, heavy as a boulder. When you fall to your knees at the hands of your betrayer, you can only hope to find the one sent to carry you burden- shoulder the journey towards your final punishment. Sometimes duplicity and treason are markers of the enemy and sometimes, the failed intention of a masterful ally. But, nevertheless, as they burden you with a vexing brand of love, they become nothing more than the kiss of Judas, pressing a crown of thorns into your flesh. Seemingly without reason— vastly disappointing. Although I am submerged in violent water, I will rise above. My enemies, my friends, are incapable of derailing me from destiny’s design. So, I press forward-move-rely on the hope of the future- create the possible out of the impossible as I weave into life’s grand tapestry. I believe in the things that wait for me- my enemies, my friends- most of all love. It is the finish line I hunger for, the promise of love in all of its glory. I can endure all things in the hold name of love. And I will.

What he confessed was this. He had not been serving God, after all, when he followed Allen Dulles. He had been on a satanic quest. These were some of James Jesus Angleton’s dying words. He delivered them between fits of calamitous coughing—lung-scraping seizures that still failed to break him of his cigarette habit—and soothing sips of tea. “Fundamentally, the founding fathers of U.S. intelligence were liars,” Angleton told Trento in an emotionless voice. “The better you lied and the more you betrayed, the more likely you would be promoted. . . . Outside of their duplicity, the only thing they had in common was a desire for absolute power. I did things that, in looking back on my life, I regret. But I was part of it and loved being in it.” He invoked the names of the high eminences who had run the CIA in his day—Dulles, Helms, Wisner. These men were “the grand masters,” he said. “If you were in a room with them, you were in a room full of people that you had to believe would deservedly end up in hell.” Angleton took another slow sip from his steaming cup. “I guess I will see them there soon.

The world is so big, so complicated, so replete with marvels and surprises that it takes years for most people to begin to notice that it is, also, irretrievably broken. We call this period of research “childhood.” There follows a program of renewed inquiry, often involuntary, into the nature and effects of mortality, entropy, heartbreak, violence, failure, cowardice, duplicity, cruelty, and grief; the researcher learns their histories, and their bitter lessons, by heart. Along the way, he or she discovers that the world has been broken for as long as anyone can remember, and struggles to reconcile this fact with the ache of cosmic nostalgia that arises, from time to time, in the researcher’s heart: an intimation of vanished glory, of lost wholeness, a memory of the world unbroken. We call the moment at which this ache first arises “adolescence.” The feeling haunts people all their lives. Everyone, sooner or later, gets a thorough schooling in brokenness. The question becomes: What to do with the pieces? Some people hunker down atop the local pile of ruins and make do, Bedouin tending their goats in the shade of shattered giants. Others set about breaking what remains of the world into bits ever smaller and more jagged, kicking through the rubble like kids running through piles of leaves. And some people, passing among the scattered pieces of that great overturned jigsaw puzzle, start to pick up a piece here, a piece there, with a vague yet irresistible notion that perhaps something might be done about putting the thing back together again. Two difficulties with this latter scheme at once present themselves. First of all, we have only ever glimpsed, as if through half-closed lids, the picture on the lid of the jigsaw puzzle box. Second, no matter how diligent we have been about picking up pieces along the way, we will never have anywhere near enough of them to finish the job. The most we can hope to accomplish with our handful of salvaged bits—the bittersweet harvest of observation and experience—is to build a little world of our own. A scale model of that mysterious original, unbroken, half—remembered. Of course the worlds we build out of our store of fragments can be only approximations, partial and inaccurate. As representations of the vanished whole that haunts us, they must be accounted failures. And yet in that very failure, in their gaps and inaccuracies, they may yet be faithful maps, accurate scale models, of this beautiful and broken world. We call these scale models “works of art.

People ought to be told of such things. Ought to be taught that immortality is mortal, that it can die, it's happened before and it happens still. It doesn't ever announce itself as such-it's duplicity itself. It doesn't exist in detail, only in principle. Certain people may harbor it, on condition they don't know that's what they're doing. Just as certain other people may detect its presence in them, on the same condition, that they don't know they can. It's while it's being lived that life is immortal, while it's still alive. Immortality is not a matter of more or less time, it's not really a question of immortality but of something else that remains unknown.

She feels like the first drags of fresh cigarettes but last crunches of cherry suckers. She feels like final coats of nail polish. She feels like lines of coke. She feels like knuckles you crack after a long day. She feels like Miami rain. She feels like empty football fields. She feels like full stadiums. She feels like absinthe. She feels like dangling from a helicopter. She feels like classical music. She feels like standing on a motorcycle. She feels like train tracks. She feels like frozen yogurt. She feels like destroying a piano. She feels like rooftops. She feels like fleeing from cops. She feels like stitches. She feels like strobe lights. She feels like blue carnival bears. She feels like curbs at 2 am. She feels like Cupid's Chokehold. She feels like running through Chicago. She feels like 1.2 million dollars. She feels like floors. She feels like everything he's ever wanted in life. […] “I love you more than I planned.

I mentioned earlier that our sense of free will is very much about feeling we ‘could have done differently’. This counterfactual aspect of the experience of volition is particularly important for its future-oriented function. The feeling that I could have done differently does not mean that I actually could have done differently. Rather, the phenomenology of alternative possibilities is useful because in a future similar, but not identical, situation I might indeed do differently. If every circumstance is indeed identical on Tuesday as on Monday, then I can do no differently on Tuesday than on Monday. But this will never be the case. The physical world does not duplicate itself from day to day, not even from millisecond to millisecond. At the very least, the circumstances of my brain will have changed, because I’ve had an experience of volition on Monday and paid attention to its consequences. This, by itself, is enough to affect how my brain can control my many degrees of freedom when setting out to work again on Tuesday.‡ The usefulness of feeling ‘I could have done otherwise’ is that, next time, you might.

One of the most surprisingly controversial presidential decisions I made was to return the Crown of Saint Stephen to the people of Hungary. It was said to have been given by the Pope in the year 1000 to Stephen, the first king of Hungary, as a symbol of political and religious authority and was worn by more than fifty kings when they were vested with power. A distinctive feature was that the cross on top was bent. As Soviet troops invaded Hungary, toward the end of the Second World War, some Hungarians delivered to American troops the crown and other royal regalia, which were subsequently stored in Fort Knox alongside our nation’s gold. The Soviets still dominated Hungary when I announced my decision to return the crown. There was a furor among Hungarian-Americans and others, and I was denounced as accepting the subservience of the occupied nation. I considered the crown to be a symbol of the freedom and sovereignty of the Hungarian people. I returned it in January 1978, stipulating that the crown and insignia must be controlled by Hungarians, carefully protected, and made available for public display as soon as practicable. A duplicate of the crown was brought to The Carter Center as a gift for me in March 1998 and is on display in our presidential museum. Rosalynn and I led volunteers to build Habitat houses in Vác, Hungary, in 1996, and we were treated as honored guests of the government and escorted to the Hungarian National Museum to see the crown and the stream of citizens who were going past it, many of them reciting a prayer as they did so. We were told that more than 3 million people pay homage to the crown each year. A few years later it was moved to its permanent home, in the Hungarian Parliament Building.

These computer simulations try only to duplicate the interactions between the cortex and the thalamus. Huge chunks of the brain are therefore missing. Dr. [Dharmendra] Modha understands the enormity of his project. His ambitious research has allowed him to estimate what it would take to create a working model of the entire human brain, and not just a portion or a pale version of it, complete with all parts of the neocortex and connections to the senses. He envisions using not just a single Blue Gene computer [with over a hundred thousand processors and terabytes of RAM] but thousands of them, which would fill up not just a room but an entire city block. The energy consumption would be so great that you would need a thousand-megawatt nuclear power plant to generate all the electricity. And then, to cool off this monstrous computer so it wouldn't melt, you would need to divert a river and send it through the computer circuits. It is remarkable that a gigantic, city-size computer is required to simulate a piece of human tissue that weighs three pounds, fits inside your skull, raises your body temperature by only a few degrees, uses twenty watts of power, and needs only a few hamburgers to keep it going.

Security means the state of being free from danger or threat. Danger means the possibility of suffering harm or injury. The possibility of something unwelcome or unpleasant happening. There are times I have to stress as I express the correct, precise, real and honest definitions; so that the deceptive, politically motivated folks who destructively branded me as “threat to danger” would realise their double denial duplicity, dishonesty and hypocrisy. Have you at least questioned the personal motives and faulty malicious and intentional misjudgment or at least be honestly curious to discern the motive of a cunning person who warns you against another as a danger, a threat or a risk to life or security? Did the political harridan mean political threat to her political coalition or a danger to reveal the harridan's creative deception matched with her political ambitious power links? ~ Angelica Hopes, K.H. Trilogy

The choice is yours.Either way, I will be faultless. So ask yourself, would you rather take credit for an eyesore or for a work of art?" His speech complete, he sank onto the sofa, stretching his arms out across its back, a grin spreading across his face. I had not thought this through, that much was evident, but now that I had commenced it, I would not give n to him. "You could change. More easily than could I." "True," he ackowledged with a chuckle. "But I look perfect." "Well,I'm sure you could look perfect in something else." "Oh,doubtless, but why duplicate what is perfect when one could improve what is not?" I wanted to kill him. I wanted to close that infuriatingly divine mouth once and for all, and if ending his life were the way to do it, I was willing to take that step.Instead, I took a deep breath and tried again. "If I change, my hair will be ruined." "You know,dear, something really should be done about your hair in any case. I told you to wear it down. And mind you switch tiaras." "We're almost last as it is," blustered, trying to keep my tone civil, thought inside I was burning. "You could change more quickly." "Not necessarily.You already know the gown into which you will change. I would have to search for something less elegant to match the dress you have on, but still formal enough for the occasion. And honestly,have you ever seen me in anything that might go with sky blue?" I fell silent, for as much as I hated to admit it, he had a valid argument. He generally wore dark or rich colors, nothing similar to my gown. I despised myself for what I was about to do. "I'll wait," Steldor said, accurately reading my expression.

Will non infrange i giuramenti e neppure la Legge. – Guardò intensamente l’amico, che fece un lieve sorriso e guardò fuori dal finestrino. – Santo cielo! – esclamò Tessa. – Tutto ciò è molto toccante, ma non vedo esattamente che vantaggi possano venirne. – Non tutti hanno un Parabatai – disse Jem. – Pochissimi di noi, in effetti, ne trovano uno nel tempo loro assegnato. Ma quelli che ci riescono possono fare ricorso alla forza del loro parabatai in combattimento. Una runa che ti viene tracciata dal tuo parabatai è sempre più potente di quella tracciata da te stesso o da un altro cacciatore. E poi ci sono rune utilizzabili dai parabatai ma non da altri cacciatori, perché attingono alla loro duplice forza.

Noi sappiamo che in questo difficilmente saremo compresi, ed è bene che cosi sia. Ma consideri ognuno, quanto valore, quanto significato è racchiuso anche nelle più piccole nostre abitudini quotidiane, nei cento oggetti nostri che il più umile mendicante possiede: un fazzoletto, una vecchia lettera, la fotografia di una persona cara. Queste cose sono parte di noi, quasi come membra del nostro corpo; né è pensabile di venirne privati, nel nostro mondo, ché subito ne ritroveremmo altri a sostituire i vecchi, altri oggetti che sono nostri in quanto custodi e suscitatori di memorie nostre. Si immagini ora un uomo a cui, insieme con le persone amate, vengano tolti la sua casa, le sue abitudini, i suoi abiti, tutto infine, letteralmente tutto quanto possiede: sarà un uomo vuoto, ridotto a sofferenza e bisogno, dimentico di dignità e discernimento, poiché accade facilmente, a chi ha perso tutto, di perdere se stesso; tale quindi, che si potrà a cuor leggero decidere della sua vita o morte al di fuori di ogni senso di affinità umana; nel caso più fortunato, in base ad un puro giudizio di utilità. Si comprenderà allora il duplice significato del termine «Campo di annientamento », e sarà chiaro che cosa intendiamo esprimere con questa frase: giacere sul fondo.

In a private room down the hall, a tired but delighted Cecily was watching her husband with his brand-new son. Cecily had thought that the expression on Tate’s face at their wedding would never be duplicated. But when they placed the tiny little boy in his father’s gowned arms in the delivery room, and he saw his child for the first time, the look on his face was indescribable. Tears welled in his eyes. He’d taken the tiny little fist in his big, dark hand and smoothed over the perfect little fingers and then the tiny little face, seeking resemblances. “Generations of our families,” he said softly, “all there, in that face.” He’d looked down at his wife with unashamedly wet eyes. “In our son’s face.” She wiped her own tears away with a corner of the sheet and coaxed Tate’s head down so that she could do the same for him where they were, temporarily, by themselves. Now she was cleaned up, like their baby, and drowsy as she lay on clean white sheets and watched her husband get acquainted with his firstborn. “Isn’t he beautiful?” he murmured, still awed by the child. “Next time, we have to have a little girl,” he said with a tender smile, “so that she can look like you.” Her heart felt near to bursting as she stared up at that beloved face, above the equally beloved face of their firstborn. “My heart is happy when I see you,” she whispered in Lakota. He chuckled, having momentarily forgotten that he’d taught her how to say it. “Mine is equally happy when I see you,” he replied in English. She reached out and clasped his big hand with her small one. On the table beside her was a bouquet of roses, red and crisp with a delightful soft perfume. Her eyes traced them, and she remembered the first rose he’d ever given her, when she was seventeen: a beautiful red paper rose that he’d brought her from Japan. Now the roses were real, not imitation. Just as her love for him, and his for her, had become real enough to touch. He frowned slightly at her expression. “What is it?” he asked softly. “I was remembering the paper rose you brought me from Japan, just after I went to live with Leta.” She shrugged and smiled self-consciously. He smiled back. “And now you’re covered in real ones,” he discerned. She nodded, delighted to see that he understood exactly what she was talking about. But, then, they always had seemed to read each others’ thoughts-never more than now, with the baby who was a living, breathing manifestation of their love. “Yes,” she said contentedly. “The roses are real, now.” Outside the window, rain was coming down in torrents, silver droplets shattering on the bright green leaves of the bushes. In the room, no one noticed. The baby was sleeping and his parents were watching him, their eyes full of warm, soft dreams.

The word 'image' is in bad repute because we have thoughtlessly believed that a drawing was a tracing, a copy, a second thing, and that the mental image was such a drawing, belonging among our private bric-a-brac. But if in fact it is nothing of the kind, then neither the drawing nor the picture belongs to the in-itself any more than the image does. They are the inside of the outside and the outside of the inside, which the duplicity of sensing makes possible and without which we would never understand the quasi-presence and imminent visibility which make up the whole problem of the imaginary. The picture, the actor's mimicry--these are not extras that I borrow from the real world in order to aim across them at prosaic things in their absence. The imaginary is much nearer to and much farther away from the actual. It is nearer because it is the diagram of the life of the actual in my body, its pulp and carnal obverse exposed to view for the first time...And the imaginary is much further away from the actual because the picture is an analogue only according to the body; because it does not offer to the mind an occasion to rethink the constitutive relations of things, but rather it offers to the gaze traces of the vision of the inside, in order that the gaze may espouse them; it offers to vision that which clothes vision internally, the imaginary texture of the real.

I hope I have now made it clear why I thought it best, in speaking of the dissonances between fiction and reality in our own time, to concentrate on Sartre. His hesitations, retractations, inconsistencies, all proceed from his consciousness of the problems: how do novelistic differ from existential fictions? How far is it inevitable that a novel give a novel-shaped account of the world? How can one control, and how make profitable, the dissonances between that account and the account given by the mind working independently of the novel? For Sartre it was ultimately, like most or all problems, one of freedom. For Miss Murdoch it is a problem of love, the power by which we apprehend the opacity of persons to the degree that we will not limit them by forcing them into selfish patterns. Both of them are talking, when they speak of freedom and love, about the imagination. The imagination, we recall, is a form-giving power, an esemplastic power; it may require, to use Simone Weil's words, to be preceded by a 'decreative' act, but it is certainly a maker of orders and concords. We apply it to all forces which satisfy the variety of human needs that are met by apparently gratuitous forms. These forms console; if they mitigate our existential anguish it is because we weakly collaborate with them, as we collaborate with language in order to communicate. Whether or no we are predisposed towards acceptance of them, we learn them as we learn a language. On one view they are 'the heroic children whom time breeds / Against the first idea,' but on another they destroy by falsehood the heroic anguish of our present loneliness. If they appear in shapes preposterously false we will reject them; but they change with us, and every act of reading or writing a novel is a tacit acceptance of them. If they ruin our innocence, we have to remember that the innocent eye sees nothing. If they make us guilty, they enable us, in a manner nothing else can duplicate, to submit, as we must, the show of things to the desires of the mind. I shall end by saying a little more about La Nausée, the book I chose because, although it is a novel, it reflects a philosophy it must, in so far as it possesses novel form, belie. Under one aspect it is what Philip Thody calls 'an extensive illustration' of the world's contingency and the absurdity of the human situation. Mr. Thody adds that it is the novelist's task to 'overcome contingency'; so that if the illustration were too extensive the novel would be a bad one. Sartre himself provides a more inclusive formula when he says that 'the final aim of art is to reclaim the world by revealing it as it is, but as if it had its source in human liberty.' This statement does two things. First, it links the fictions of art with those of living and choosing. Secondly, it means that the humanizing of the world's contingency cannot be achieved without a representation of that contingency. This representation must be such that it induces the proper sense of horror at the utter difference, the utter shapelessness, and the utter inhumanity of what must be humanized. And it has to occur simultaneously with the as if, the act of form, of humanization, which assuages the horror. This recognition, that form must not regress into myth, and that contingency must be formalized, makes La Nausée something of a model of the conflicts in the modern theory of the novel. How to do justice to a chaotic, viscously contingent reality, and yet redeem it? How to justify the fictive beginnings, crises, ends; the atavism of character, which we cannot prevent from growing, in Yeats's figure, like ash on a burning stick? The novel will end; a full close may be avoided, but there will be a close: a fake fullstop, an 'exhaustion of aspects,' as Ford calls it, an ironic return to the origin, as in Finnegans Wake and Comment c'est. Perhaps the book will end by saying that it has provided the clues for another, in which contingency will be defeated, ...

But I can cite ten other reasons for not being a father." "First of all, I don't like motherhood," said Jakub, and he broke off pensively. "Our century has already unmasked all myths. Childhood has long ceased to be an age of innocence. Freud discovered infant sexuality and told us all about Oedipus. Only Jocasta remains untouchable; no one dares tear off her veil. Motherhood is the last and greatest taboo, the one that harbors the most grievous curse. There is no stronger bond than the one that shackles mother to child. This bond cripples the child's soul forever and prepares for the mother, when her son has grown up, the most cruel of all the griefs of love. I say that motherhood is a curse, and I refuse to contribute to it." "Another reason I don't want to add to the number of mothers," said Jakub with some embarrassment, "is that I love the female body, and I am disgusted by the thought of my beloved's breast becoming a milk-bag." "The doctor here will certainly confirm that physicians and nurses treat women hospitalized after an aborted pregnancy more harshly than those who have given birth, and show some contempt toward them even though they themselves will, at least once in their lives, need a similar operation. But for them it's a reflex stronger than any kind of thought, because the cult of procreation is an imperative of nature. That's why it's useless to look for the slightest rational argument in natalist propaganda. Do you perhaps think it's the voice of Jesus you're hearing in the natalist morality of the church? Do you think it's the voice of Marx you're hearing in the natalist propaganda of the Communist state? Impelled merely by the desire to perpetuate the species, mankind will end up smothering itself on its small planet. But the natalist propaganda mill grinds on, and the public is moved to tears by pictures of nursing mothers and infants making faces. It disgusts me. It chills me to think that, along with millions of other enthusiasts, I could be bending over a cradle with a silly smile." "And of course I also have to ask myself what sort of world I'd be sending my child into. School soon takes him away to stuff his head with the falsehoods I've fought in vain against all my life. Should I see my son become a conformist fool? Or should I instill my own ideas into him and see him suffer because he'll be dragged into the same conflicts I was?" "And of course I also have to think of myself. In this country children pay for their parents' disobedience, and parents for their children's disobedience. How many young people have been denied education because their parents fell into disgrace? And how many parents have chosen permanent cowardice for the sole purpose of preventing harm to their children? Anyone who wants to preserve at least some freedom here shouldn't have children," Jakub said, and fell into silence. "The last reason carries so much weight that it counts for five," said Jakub. "Having a child is to show an absolute accord with mankind. If I have a child, it's as though I'm saying: I was born and have tasted life and declare it so good that it merits being duplicated." "And you have not found life to be good?" asked Bertlef. Jakub tried to be precise, and said cautiously: "All I know is that I could never say with complete conviction: Man is a wonderful being and I want to reproduce him.

The Dream Lord Byron Our life is twofold; Sleep hath its own world, A boundary between the things misnamed Death and existence: Sleep hath its own world, And a wide realm of wild reality, And dreams in their development have breath, And tears, and tortures, and the touch of joy; They leave a weight upon our waking thoughts, They take a weight from off waking toils, They do divide our being; they become A portion of ourselves as of our time, And look like heralds of eternity; They pass like spirits of the past -they speak Like sibyls of the future; they have power - The tyranny of pleasure and of pain; They make us what we were not -what they will, And shake us with the vision that's gone by, The dread of vanished shadows -Are they so? Is not the past all shadow? -What are they? Creations of the mind? -The mind can make Substances, and people planets of its own With beings brighter than have been, and give A breath to forms which can outlive all flesh. I would recall a vision which I dreamed Perchance in sleep -for in itself a thought, A slumbering thought, is capable of years, And curdles a long life into one hour. ---------- Il sogno Lord Byron Duplice è la nostra vita: il Sonno ha il suo proprio mondo, un confine tra le cose chiamate impropriamente morte e esistenza: il Sonno ha il proprio mondo, e un vasto reame di sfrenata realtà; e nel loro svolgersi i sogni hanno respiro, e lacrime e tormenti e sfiorano la gioia; lasciano un peso sui nostri pensieri da svegli, tolgono un peso dalle nostre fatiche da svegli, dividono il nostro essere; diventano parte di noi stessi e del nostro tempo, e sembrano gli araldi dell'eternità; passano come fantasmi del passato, parlano come Sibille dell'avvenire; hanno potere - la tirannia del piacere e del dolore; ci rendono ciò che non fummo, secondo il loro volere, e ci scuotono con dissolte visioni, col terrore di svanite ombre. Ma sono veramente così? Non è forse tutto un'ombra il passato? Cosa sono? Creazioni della mente? La mente sa creare sostanza, e popolare pianeti, di sua fattura, di esseri più splendenti di quelli mai esistiti, e dare respiro e forma che sopravvivono alla carne. Vorrei richiamare una visione che ho sognato forse nel sonno, poiché in sé un pensiero, un pensiero assopito, racchiude anni, e in un'ora condensa una lunga vita.