Fried Green Tomatoes Book Quotes

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Idgie smiled back at her and looked up into the clear blue sky that reflected in her eyes and she was as happy as anybody who is in love in the summertime can be.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe (Whistle Stop #1))
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
Yin-yang fried rice was a feast for the eyes and the senses. Swirls of cream contrasted with an orange tomato sauce to form the iconic pattern. Underneath the sauces lay a bed of yang chow fried rice containing a bounty of minced jewels: barbecued pork, Chinese sausage, peas, carrots, spring onions, and wisps of egg. Slices of white onions and pork emerged from the tomato sauce while shrimp and sweet green peas decorated the cream.
Roselle Lim (Natalie Tan's Book of Luck & Fortune)
a shrewd and tawdry city, shining like toyland between the swamps and the sea. The night was weighted with derelicts and dancers, terminal breathing in wards, clenched fists of women as they pushed each time the pains came, chips in perfect alignment on green felt as men thumbed up the corners of the hole cards just enough to read the news, giggling young men in a chickenwire apartment painting the body of one of their chums a lovely gold, ambulances and tow trucks moving away in separate directions with a load of torn flesh or a load of ripped metal, thousands and thousands of picture tubes all telling the same jokes at the same instant to a hundred thousand living rooms, frantic rumps ram-packing the beach sand under the spread towelling, the simultaneous squirts of red tomato and yellow mustard in a hundred different places to disguise the flannelly taste of fried meat, a thousand simultaneous sobbings, thrashings, swallowings, vomitings, ejaculations, coughings, scratchings, cursings, shy touchings, whisperings, kickings. . . . He had never considered himself particularly imaginative. Never before had he felt this way about a city, and he knew that it could only be possible in a strange city, and at a time when grief and uncertainty and introspection had sharpened and heightened awareness. This great Gold Coast became a gigantic cruise ship moving through time rather than space, constantly assimilating the foods, the newborn, the gadgetry, spewing aft the unending tonnage of garbage and waste and dead bodies and broken toys, rolling imperceptibly in the slow tides of history, the passengers unaware that no city is forever, that it will end one day and the eternality of time will cover it in a silence of dust, sand and vines.
John D. MacDonald (The Last One Left (Murder Room Book 672))