Winter's Dream Quotes

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People who are most afraid of their dreams convince themselves they don't dream at all.
John Steinbeck (The Winter of Our Discontent)
Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work (and theft) will be authentic. Authenticity is invaluable; originality is non-existent. And don’t bother concealing your thievery - celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: “It’s not where you take things from - it’s where you take them to." [MovieMaker Magazine #53 - Winter, January 22, 2004 ]
Jim Jarmusch
I have outlasted all desire, My dreams and I have grown apart; My grief alone is left entire, The gleamings of an empty heart. The storms of ruthless dispensation Have struck my flowery garland numb, I live in lonely desolation And wonder when my end will come. Thus on a naked tree-limb, blasted By tardy winter's whistling chill, A single leaf which has outlasted Its season will be trembling still.
Alexander Pushkin
In the winter she curls up around a good book and dreams away the cold.
Ben Aaronovitch (Broken Homes (Rivers of London, #4))
I don't know you. The only thing I know about you is, you're reading this. I don't know if your happy or not; I don't know whether you're young or not. I sort of hope you're young and sad. If you're old and happy, I can imagine that you'll smile to yourself when you hear me going, he broke my heart. You'll remember someone who broke your heart, and you'll think to yourself, Oh yes, i remember how that feels. But you can't, you smug old git. Oh you'll remember feeling sort of plesantly sad. You might remember listening to music and eating chocolates in your room, or walking along the embankment on your own, wrapped up in a winter coat and feeling lonely and brave. But can you remember how with every mouthful of food it felt like you were biting into your own stomach? Can you remember the taste of red wine as it came back up and into the toilet bowl? Can you remember dreaming every night that you were still together, that he was talking to you gently and touching you, so that every morning when you woke up you had to go through it all over again?
Nick Hornby (A Long Way Down)
My love, my love Remember the cries When winter died for spring skies They roared and roared But we grabbed our seed And sowed a song Against their greed And Down in the vale Hear the reaper swing, the reaper swing the reaper swing Down in the vale Hear the reaper sing A tale of winter done My son, my son Remember the chains When gold ruled with iron reins We roared and roared And twisted and screamed For ours, a vale of better dreams
Pierce Brown (Red Rising (Red Rising Saga, #1))
I have lots of things to teach you now, in case we ever meet, concerning the message that was transmitted to me under a pine tree in North Carolina on a cold winter moonlit night. It said that Nothing Ever Happened, so don't worry. It's all like a dream. Everything is ecstasy, inside. We just don't know it because of our thinking-minds. But in our true blissful essence of mind is known that everything is alright forever and forever and forever. Close your eyes, let your hands and nerve-ends drop, stop breathing for 3 seconds, listen to the silence inside the illusion of the world, and you will remember the lesson you forgot, which was taught in immense milky way soft cloud innumerable worlds long ago and not even at all. It is all one vast awakened thing. I call it the golden eternity. It is perfect. We were never really born, we will never really die. It has nothing to do with the imaginary idea of a personal self, other selves, many selves everywhere: Self is only an idea, a mortal idea. That which passes into everything is one thing. It's a dream already ended. There's nothing to be afraid of and nothing to be glad about. I know this from staring at mountains months on end. They never show any expression, they are like empty space. Do you think the emptiness of space will ever crumble away? Mountains will crumble, but the emptiness of space, which is the one universal essence of mind, the vast awakenerhood, empty and awake, will never crumble away because it was never born.
Jack Kerouac (The Portable Jack Kerouac (Portable Library))
anyone lived in a pretty how town (with up so floating many bells down) spring summer autumn winter he sang his didn't he danced his did Women and men(both little and small) cared for anyone not at all they sowed their isn't they reaped their same sun moon stars rain children guessed(but only a few and down they forgot as up they grew autumn winter spring summer) that noone loved him more by more when by now and tree by leaf she laughed his joy she cried his grief bird by snow and stir by still anyone's any was all to her someones married their everyones laughed their cryings and did their dance (sleep wake hope and then)they said their nevers they slept their dream stars rain sun moon (and only the snow can begin to explain how children are apt to forget to remember with up so floating many bells down) one day anyone died i guess (and noone stooped to kiss his face) busy folk buried them side by side little by little and was by was all by all and deep by deep and more by more they dream their sleep noone and anyone earth by april wish by spirit and if by yes. Women and men (both dong and ding) summer autumn winter spring reaped their sowing and went their came sun moon stars rain
E.E. Cummings (Selected Poems)
I've lived to bury my desires and see my dreams corrode with rust now all that's left are fruitless fires that burn my empty heart to dust. Struck by the clouds of cruel fate My crown of Summer bloom is sere Alone and sad, I watch and wait And wonder if the end is near. As conquered by the last cold air When Winter whistles in the wind Alone upon a branch that's bare A trembling leaf is left behind.
Alexander Pushkin
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with visions of myself dancing and laughing and crying with them. Three years down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not a very popular one, who once had dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like a million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is. When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lay your head. I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiveness that was as wide as wavering as the ocean. And if I said that I didn't plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obsession for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me. Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art.
Lana Del Rey
The helpless ecstasy of loosing himself in her charm was a powerful opiate rather than a tonic.
F. Scott Fitzgerald (Winter Dreams)
Hair is gray and the firers are burning. So many dreams on the shelf. You say I wanted you to be proud of me. I always wanted that myself.
Tori Amos
They're not just dreams. Not anymore, I dream more than I wake now, and, at times, I have crossed over. Can't you see? I've been there.
Mark Helprin (Winter’s Tale)
The heart's in it then, spinning dreams, and torment is on the way. The heart makes dreams seem like ideas.
Daniel Woodrell (Winter's Bone)
In your hands winter is a book with cloud pages that snow pearls of love.
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
Power Living in the earth-deposits of our history Today a backhoe divulged out of a crumbling flank of earth one bottle amber perfect a hundred-year-old cure for fever or melancholy a tonic for living on this earth in the winters of this climate. Today I was reading about Marie Curie: she must have known she suffered from radiation sickness her body bombarded for years by the element she had purified It seems she denied to the end the source of the cataracts on her eyes the cracked and suppurating skin of her finger-ends till she could no longer hold a test-tube or a pencil She died a famous woman denying her wounds denying her wounds came from the same source as her power.
Adrienne Rich (The Dream of a Common Language)
Your house, being the place in which you read, can tell us the position books occupy in your life, if they are a defense you set up to keep the outside world at a distance, if they are a dream into which you sink as if into a drug, or bridges you cast toward the outside, toward the world that interests you so much that you want to multiply and extend its dimensions through books.
Italo Calvino (If on a Winter’s Night a Traveler)
I love that books allow us to experience other lives without us ever having to change where we live or who we are.
Cat Winters (The Cure for Dreaming)
Maybe when all was said and done, the imagination was the most powerful of all weapons. It was the imagination of the human race that had allowed it to dream of a life beyond cold caves and of a possible future in the stars.
Dean Koontz (Winter Moon)
AUTUMNAL Pale amber sunlight falls across The reddening October trees, That hardly sway before a breeze As soft as summer: summer's loss Seems little, dear! on days like these. Let misty autumn be our part! The twilight of the year is sweet: Where shadow and the darkness meet Our love, a twilight of the heart Eludes a little time's deceit. Are we not better and at home In dreamful Autumn, we who deem No harvest joy is worth a dream? A little while and night shall come, A little while, then, let us dream. Beyond the pearled horizons lie Winter and night: awaiting these We garner this poor hour of ease, Until love turn from us and die Beneath the drear November trees.
Ernest Dowson (The Poems And Prose Of Ernest Dowson)
I do an awful lot of thinking and dreaming about things in the past and the future - the timelessness of the rocks and the hills - all the people who have existed there. I prefer winter and fall, when you feel the bone structure of the landscape - the loneliness of it, the dead feeling of winter. Something waits beneath it, the whole story doesn't show.
Andrew Wyeth
At this season of the year, darkness is a more insistent thing than cold. The days are short as any dream.
E.B. White (Essays of E.B. White)
You are my song, my dark blue dream Of doves, of winter's drowsy drone, And sleighs that slow and golden go Through gray blue shadows on the snow.
Velimir Khlebnikov
Snowflakes swirl down gently in the deep blue haze beyond the window. The outside world is a dream. Inside, the fireplace is brightly lit, and the Yule log crackles with orange and crimson sparks. There’s a steaming mug in your hands, warming your fingers. There’s a friend seated across from you in the cozy chair, warming your heart. There is mystery unfolding.
Vera Nazarian (The Perpetual Calendar of Inspiration)
The heart makes dreams seem like ideas.
Daniel Woodrell (Winter's Bone)
You are a terrible liar. You do want this. Just as badly as I do.” My mouth opened, but no words came out. “You want this as badly as you want to go to ALA this winter.” Now my jaw was on the floor. “You don’t even know what ALA is!” “American Library Association midwinter event,” he said, grinning proudly. “Saw you obsessing over it on your blog before you got sick. I’m pretty sure you said you’d give up your firstborn child to go.” Yeah, I kind of did say that. Daemon eyes flashed. “Anyway, back to the whole you wanting me part.” I shook my head, dumbfounded. “You do want me.” Taking a deep breath, I struggled with my temper… and my amusement. “You are way too confident.” “I’m confident enough to wager a bet.” “You can’t be serious.” He grinned. “I bet that by New Year’s Day, you will have admitted that you’re madly, deeply, and irrevocably—” “Wow. Want to throw another adverb out there?” My cheeks were burning. “How about irresistibly?” I rolled my eyes and muttered, “I’m surprised you know what an adverb is.” “Stop distracting me, Kitten. Back to my bet—by New Year’s Day, you’ll have admitted that you’re madly, deeply, irrevocably, and irresistibly in love with me.” Stunned, I choked on my laugh. “And that you dream about me.” He released my arm and folded his, cocking an eyebrow. “I bet you’ll even admit that. Probably even show me your notebook with my name circled in hearts—” “Oh, for the love of God…” Daemon winked. “It’s on.
Jennifer L. Armentrout (Onyx (Lux, #2))
She had dreamed some brilliant dreams during the past winter and now they lay in the dust around her. In her present mood of self-disgust, she could not immediately begin dreaming again. And she discovered that, while solitude with dreams is glorious, solitude without them has few charms.
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
He loved her, and he would love her until the day he was too old for loving--but he could not have her. So he tasted the deep pain that is reserved only for the strong, just as he had tasted for a little while the deep happiness.
F. Scott Fitzgerald (Winter Dreams)
It is time to put aside dreaming. Fairy tales are sweet on winter nights, nothing more.
Katherine Arden (The Bear and the Nightingale (The Winternight Trilogy, #1))
My role as your master is to debase you to the point of having no feelings, no emotions, no hopes or dreams
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
Venezuelan dream dolls? We have some on display in the palace. They're incredibly rare." He examined its back. "What is it doing here?" "I'm pretty sure Thorne stole it." Kai's expression filled with clarity. "Ah. Of course." He nestled the doll back into its packaging. "He'd better plan on giving all this stuff back." "Sure I'll give it back, Your Majesticness. For a proper finder's fee.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Long ago, there was something in me, but now that thing is gone. Now that thing is gone, that thing is gone. I cannot cry. I cannot care. That thing will come back no more.
F. Scott Fitzgerald (Winter Dreams)
Sometimes, the only way to make your dreams come true is to shatter them.
Pepper Winters (Twisted Together (Monsters in the Dark, #3))
Life is nothing more than moments in time. To achieve greatness, you have to give up those moments. You have to give your life to your goal.
Evan Winter (The Rage of Dragons (The Burning, #1))
We grow great by dreams. All big men are dreamers. They see things in the soft haze of a spring day or in the red fire of a long winter's evening. Some of us let these dreams die, but others nourish and protect them; nurse them through bad days till they bring them to the sunshine and light which comes always to those who sincerely hope that their dreams will come true.
Woodrow Wilson
The past was like a bad dream; the future was all happy holiday as I moved Southwards week by week, easily, lazily, lingering as long as I dared, but always heeding the call!
Kenneth Grahame (The Wind in the Willows)
Sometimes, life seems to have a higher meaning. Events unfold in uncanny sequences. Long-forgotten acquaintances turn up with news that changes lives. A stranger appears and speaks a few words of wisdom, solving a previously insoluble problem, or something in a recent dream transpires in reality. Suddenly the existence of God seems confirmed.
Dean Koontz (Winter Moon)
Today was the day a thousand dreams would die and a single dream would be born. The wind knew. It was the first of June, but cold gusts bit at the hilltop citadelle as fiercely as deepest winter, shaking the windows with curses and winding through drafty halls with warning whispers. There was no escaping what was to come.
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
For the first time in years the tears were streaming down his face. But they were for himself now. He did not care about mouth and eyes and moving hands. He wanted to care, and he could not care. For he had gone away and he could never go back any more. The gates were closed, the sun was gone down, and there was no beauty but the gray beauty of steel that withstands all time. Even the grief he could have borne was left behind in the country of illusion, of youth, of the richness of life, where his winter dreams had flourished. "Long ago," he said, "long ago, there was something in me, but now that thing is gone. Now that thing is gone, that thing is gone. I cannot cry. I cannot care. That thing will come back no more.
F. Scott Fitzgerald (Winter Dreams)
I’d rather be able to dream and fail than to never feel the pull of another way of life.
Cat Winters (The Cure for Dreaming)
She awaits the rain like a writer embraces metaphors, A drizzle isn't for the child who dances in the storm. Of rain that washes away the petrichor it brings, A downpour of a hail of bullets, and she calls it spring.
Sanhita Baruah (The Farewell and other poems)
I was in the winter of my life- and the men I met along the road were my only summer. At night I fell sleep with vision of myself dancing and laughing and crying with them. Three year down the line of being on an endless world tour and memories of them were the only things that sustained me, and my only real happy times. I was a singer, not very popular one, who once has dreams of becoming a beautiful poet- but upon an unfortunate series of events saw those dreams dashed and divided like million stars in the night sky that I wished on over and over again- sparkling and broken. But I really didn’t mind because I knew that it takes getting everything you ever wanted and then losing it to know what true freedom is. When the people I used to know found out what I had been doing, how I had been living- they asked me why. But there’s no use in talking to people who have a home, they have no idea what its like to seek safety in other people, for home to be wherever you lied you head. I was always an unusual girl, my mother told me that I had a chameleon soul. No moral compass pointing me due north, no fixed personality. Just an inner indecisiviness that was as wide as wavering as the ocean. And if I said that I didn’t plan for it to turn out this way I’d be lying- because I was born to be the other woman. I belonged to no one- who belonged to everyone, who had nothing- who wanted everything with a fire for every experience and an obssesion for freedom that terrified me to the point that I couldn’t even talk about- and pushed me to a nomadic point of madness that both dazzled and dizzied me. Every night I used to pray that I’d find my people- and finally I did- on the open road. We have nothing to lose, nothing to gain, nothing we desired anymore- except to make our lives into a work of art. LIVE FAST. DIE YOUNG. BE WILD. AND HAVE FUN. I believe in the country America used to be. I belive in the person I want to become, I believe in the freedom of the open road. And my motto is the same as ever- *I believe in the kindness of strangers. And when I’m at war with myself- I Ride. I Just Ride.* Who are you? Are you in touch with all your darkest fantasies? Have you created a life for yourself where you’re free to experience them? I Have. I Am Fucking Crazy. But I Am Free.
Lana Del Rey
As the days piled up into weeks, and the weeks turned into months, and fall slid into winter, I realized one of the great truths about tragedy: You can dream of disappearing. You can wish for oblivion, for endless sleep or the escape of fiction, of walking into a river with your pockets full of stones, of letting the dark water close over your head. But if you've got kids, the web of the world holds you close and wraps you tight and keeps you from falling no matter how badly you think you want to fall.
Jennifer Weiner
Spring, if it lingers more than a week beyond its span, starts to hunger for summer to end the days of perpetual promise. Summer in its turn soon begins to sweat for something to quench its heat, and the mellowest of autumns will tire of gentility at last, and ache for a quick sharp frost to kill its fruitfulness. Even winter — the hardest season, the most implacable — dreams, as February creeps on, of the flame that will presently melt it away. Everything tires with time, and starts to seek some opposition, to save it from itself.
Clive Barker (The Hellbound Heart)
through the loveliness and power of her dream world she was now, in her old frock and botched shoes, very likely the loveliest, mightiest and most dangerous person on earth
Karen Blixen (Winter's Tales)
I steal into their dreams," he said. "I steal into their most shameful thoughts, I'm in every shiver, every spasm of their souls, I steal into their hearts, I scrutinize their most fundamental beliefs, I scan their irrational impulses, their unspeakable emotions, I sleep in their lungs during the summer and their muscles during the winter, and all of this I do without the least effort, without intending to, without asking or seeking it out, without constraints, driven only by love and devotion.
Roberto Bolaño (2666)
I live in a house over there on the Island, and in that house there is a man waiting for me. When he drove up at the door I drove out of the dock because he says I’m his ideal.
F. Scott Fitzgerald (Winter Dreams)
You wake up on a winter morning and pull up the shade, and what lay there the evening before is no longer there--the sodden gray yard, the dog droppings, the tire tracks in the frozen mud, the broken lawn chair you forgot to take in last fall. All this has disappeared overnight, and what you look out on is not the snow of Narnia but the snow of home, which is no less shimmering and white as it falls. The earth is covered with it, and it is falling still in silence so deep that you can hear its silence. It is snow to be shoveled, to make driving even worse than usual, snow to be joked about and cursed at, but unless the child in you is entirely dead, it is snow, too, that can make the heart beat faster when it catches you by surprise that way, before your defenses are up. It is snow that can awaken memories of things more wonderful than anything you ever knew or dreamed.
Frederick Buechner (Telling the Truth: The Gospel as Tragedy, Comedy, and Fairy Tale)
Youth is the time for dreams, boy...The trick is, when you get older, not to forget them. —Captain John Winters
James Ramsey Ullman (Banner in the Sky: A Newbery Honor Award Winner)
Order the battleships into firing positions, and begin transmitting the surrender signal to known enemy forces.
Christian Warren Freed (Dreams of Winter (A Forgotten Gods Tale, #1))
He wanted to care, and he could not care. For he had gone away and he could never go back anymore. The gates were closed, the sun was down, and there was no beauty left but the gray beauty of steel that withstands all time. Even the grief he could have borne was left behind in the country of youth, of illusion, of the richness of life, where his winter dreams had flourished.
F. Scott Fitzgerald (All the Sad Young Men (Works of F. Scott Fitzgerald))
Darka Jorm halted. His heart quickened. No one had warned him that the Inquisitor might shoot him. Frowning, he continued with his message. “No need for weapons; I am only here to deliver a message.
Christian Warren Freed (Dreams of Winter (A Forgotten Gods Tale, #1))
That night, before you sent me away, was the best night of my life. The marks you laced me with lasted a full week. Every time I looked in a mirror, or touched a bruise in the shower, I grew slick for you. You visited my dreams. I woke to aching wetness and an empty heart.
Pepper Winters (Tears of Tess (Monsters in the Dark, #1))
They're similar to the human idea of the sandman. They used to help people sleep. Now they're more prone to creating nightmares that end in death." Lucky's description of the dream weavers.
Jami Brumfield (Lone Wolf Rising (The Winters Family Saga, #1))
She was his great adventure; his love for her had taken him places he'd never dreamed of going.
Jennifer McMahon (The Winter People)
I reached out my hand, England's rivers turned and flowed the other way... I reached out my hand, my enemies's blood stopt in their veins... I reached out my hand; thought and memory flew out of my enemies' heads like a flock of starlings; My enemies crumpled like empty sacks. I came to them out of mists and rain; I came to them in dreams at midnight; I came to them in a flock of ravens that filled a northern sky at dawn; When they thought themselves safe I came to them in a cry that broke the silence of a winter wood... The rain made a door for me and I went through it; The stones made a throne for me and I sat upon it; Three kingdoms were given to me to be mine forever; England was given to me to be mine forever. The nameless slave wore a silver crown; The nameless slave was a king in a strange country... The weapons that my enemies raised against me are venerated in Hell as holy relics; Plans that my enemies made against me are preserved as holy texts; Blood that I shed upon ancient battlefields is scraped from the stained earth by Hell's sacristans and placed in a vessel of silver and ivory. I gave magic to England, a valuable inheritance But Englishmen have despised my gift Magic shall be written upon the sky by the rain but they shall not be able to read it; Magic shall be written on the faces of the stony hills but their minds shall not be able to contain it; In winter the barren trees shall be a black writing but they shall not understand it... Two magicians shall appear in England... The first shall fear me; the second shall long to behold me; The first shall be governed by thieves and murderers; the second shall conspire at his own destruction; The first shall bury his heart in a dark wood beneath the snow, yet still feel its ache; The second shall see his dearest posession in his enemy's hand... The first shall pass his life alone, he shall be his own gaoler; The second shall tread lonely roads, the storm above his head, seeking a dark tower upon a high hillside... I sit upon a black throne in the shadows but they shall not see me. The rain shall make a door for me and I shall pass through it; The stones shall make a throne for me and I shall sit upon it... The nameless slave shall wear a silver crown The nameless slave shall be a king in a strange country...
Susanna Clarke (Jonathan Strange & Mr. Norrell)
And then he found it. Found that single spark of life that suggested hope had not died. He knelt down beside the body of a small child and gently cradled her in his massive arms. A tear fell, splashing on her cheek. The girl groaned and breathed deep. She opened her eyes; radiant green and speckled with fear.
Christian Warren Freed (Dreams of Winter (A Forgotten Gods Tale, #1))
Winter came and the city [Chicago] turned monochrome -- black trees against gray sky above white earth. Night now fell in midafternoon, especially when the snowstorms rolled in, boundless prairie storms that set the sky close to the ground, the city lights reflected against the clouds
Barack Obama (Dreams from My Father: A Story of Race and Inheritance)
My Dear Son, I am so very proud of you. Now, as you embark on a new journey, I'd like to share this one piece of advice. Always, always remember that - adversity is not a detour. It is part of the path. You will encounter obstacles. You will make mistakes. Be grateful for both. Your obstacles and mistakes will be your greatest teachers. And the only way to not make mistakes in this life is to do nothing, which is the biggest mistake of all. Your challenges, if you let them, will become your greatest allies. Mountains can crush or raise you, depending on which side of the mountain you choose to stand on. All history bears out that the great, those who have changed the world, have all suffered great challenges. And, more times than not it's precisely those challenges that, in God's time, lead to triumph. Abhor victimhood. Denounce entitlement. Neither are gifts, rather cages to damn the soul. Everyone who has walked this earth is a victim of injustice. Everyone. Most of all, do not be too quick to denounce your sufferings. The difficult road you are called to walk may, in fact be your only path to success.
Richard Paul Evans (A Winter Dream)
Sleep is not a dead space, but a doorway to a different kind of consciousness—one that is reflective and restorative, full of tangential thought and unexpected insights. In winter, we are invited into a particular mode of sleep: not a regimented eight hours, but a slow, ambulatory process in which waking thoughts merge with dreams, and space is made in the blackest hours to repair the fragmented narratives of our days.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Deep winter and the night air is cold. So still, it feels like the world goes on forever in the darkness until you look up and the earth stops in a ceiling of stars. My head against my grandfather's arm, a blanket around us as we sit on the front porch swing. Its whine like a song. You don't need words on a night like this. Just the warmth of your grandfather's arm. Just the silent promise that the world as we know it will always be here.
Jacqueline Woodson (Brown Girl Dreaming)
I KNEW IT WAS OVER when tonight you couldn't make the phone ring when you used to make the sun rise when trees used to throw themselves in front of you to be paper for love letters that was how i knew i had to do it swaddle the kids we never had against january's cold slice bundle them in winter clothes they never needed so i could drop them off at my mom's even though she lives on the other side of the country and at this late west coast hour is assuredly east coast sleeping peacefully her house was lit like a candle the way homes should be warm and golden and home and the kids ran in and jumped at the bichon frise named lucky that she never had they hugged the dog it wriggled and the kids were happy yours and mine the ones we never had and my mom was grand maternal, which is to say, with style that only comes when you've seen enough to know grace like when to pretend it's christmas or a birthday so she lit her voice with tiny lights and pretended she didn't see me crying as i drove away to the hotel connected to the bar where i ordered the cheapest whisky they had just because it shares your first name because they don't make a whisky called baby and i only thought what i got was what i ordered i toasted the hangover inevitable as sun that used to rise in your name i toasted the carnivals we never went to and the things you never won for me the ferris wheels we never kissed on and all the dreams between us that sat there like balloons on a carney's board waiting to explode with passion but slowly deflated hung slave under the pin- prick of a tack hung heads down like lovers when it doesn't work, like me at last call after too many cheap too many sweet too much whisky makes me sick, like the smell of cheap, like the smell of the dead like the cheap, dead flowers you never sent that i never threw out of the window of a car i never really owned
Daphne Gottlieb (Final Girl)
God spreads the heavens above us like great wings And gives a little round of deeds and days, And then come the wrecked angels and set snares, And bait them with light hopes and heavy dreams, Until the heart is puffed with pride and goes Half shuddering and half joyous from God's peace; And it was some wrecked angel, blind with tears, Who flattered Edane's heart with merry words. Come, faeries, take me out of this dull house! Let me have all the freedom I have lost; Work when I will and idle when I will! Faeries, come take me out of this dull world, For I would ride with you upon the wind, Run on the top of the dishevelled tide, And dance upon the mountains like a flame. I would take the world And break it into pieces in my hands To see you smile watching it crumble away. Once a fly dancing in a beam of the sun, Or the light wind blowing out of the dawn, Could fill your heart with dreams none other knew, But now the indissoluble sacrament Has mixed your heart that was most proud and cold With my warm heart for ever; the sun and moon Must fade and heaven be rolled up like a scroll But your white spirit still walk by my spirit. When winter sleep is abroad my hair grows thin, My feet unsteady. When the leaves awaken My mother carries me in her golden arms; I'll soon put on my womanhood and marry The spirits of wood and water, but who can tell When I was born for the first time? The wind blows out of the gates of the day, The wind blows over the lonely of heart, And the lonely of heart is withered away; While the faeries dance in a place apart, Shaking their milk-white feet in a ring, Tossing their milk-white arms in the air; For they hear the wind laugh and murmur and sing Of a land where even the old are fair, And even the wise are merry of tongue; But I heard a reed of Coolaney say-- When the wind has laughed and murmured and sung, The lonely of heart is withered away.
W.B. Yeats (The Land of Heart's Desire)
The season was waning fast Our nights were growing cold at last I took her to bed with silk and song, 'Lay still, my love, I won’t be long; I must prepare my body for passion.' 'O, your body you give, but all else you ration.' 'It is because of these dreams of a sylvan scene: A bleeding nymph to leave me serene... I have dreams of a trembling wench.' 'You have dreams,' she said, 'that cannot be quenched.' 'Our passion,' said I, 'should never be feared; As our longing for love can never be cured. Our want is our way and our way is our will, We have the love, my love, that no one can kill.' 'If night is your love, then in dreams you’ll fulfill... This love, our love, that no one can kill.' Yet want is my way, and my way is my will, Thus I killed my love with a sleeping pill.
Roman Payne
Pictures form and dissolve in my head: we are walking in a city you fled, came back to and come back to still which I saw once through winter frost years back, before I knew you, before I knew myself. We are walking streets you have by heart from childhood streets you have graven and erased in dreams: scrolled portals, trees, nineteenth century statues. We are holding hands so I can see everything as you see it I follow you into your dreams your past, the places none of us can explain to anyone.
Adrienne Rich (The Dream of a Common Language)
Penulis fiksi tidak bisa menyimpan rahasia. Untuk menyampaikan pesan kepada orang lain, seorang penulis harus bisa membuka dirinya - seluas dan sedalam mungkin - untuk dicela, dicemooh dan dilihat orang. Ini resiko profesi. Fiksi adalah bentuk tulisan paling jujur yang akan pernah kau temui. Imajinasi adalah manifestasi pikiran, iman, serta ketakutan. Tiga hal yang membentuk pribadi manusia. Tanpa imajinasi, kita - penulis - tidak punya apa-apa. ~ Winter Dreams
Maggie Tiojakin
From mirror to mirror — this is what I happen to dream of — the totality of things, the whole, the entire universe, divine wisdom could concentrate their luminous rays into a single mirror. Or perhaps the knowledge of everything is buried in the soul, and a system of mirrors that would multiply my image would then reveal to me the soul of the universe, which is hidden in mine.
Italo Calvino (If on a Winter’s Night a Traveler)
When her doctor took her bandages off and led her into the garden, the girl who was no longer blind saw “the tree with the lights in it.” It was for this tree I searched through the peach orchards of summer, in the forests of fall and down winter and spring for years. Then one day I was walking along Tinker creek and thinking of nothing at all and I saw the tree with the lights in it. I saw the backyard cedar where the mourning doves roost charged and transfigured, each cell buzzing with flame. I stood on the grass with the lights in it, grass that was wholly fire, utterly focused and utterly dreamed. It was less like seeing that like being for the first time see, knocked breathless by a powerful glance. The flood of fire abated, but I’m still spending the power. Gradually the lights went out in the cedar, the colors died, the cells un-flamed and disappeared. I was still ringing. I had been my whole life a bell and never knew it until at that moment I was lifted and struck. I have since only very rarely seen the tree with the lights in it. The vision comes and goes, mostly goes, but I live for it, for the moment the mountains open and a new light roars in spate through the crack, and the mountains slam.
Annie Dillard (Pilgrim at Tinker Creek)
Once upon a time, when men and women hurtled through the air on metal wings, when they wore webbed feet and walked on the bottom of the sea, learning the speech of whales and the songs of the dolphins, when pearly-fleshed and jewelled apparitions of Texan herdsmen and houris shimmered in the dusk on Nicaraguan hillsides, when folk in Norway and Tasmania in dead of winter could dream of fresh strawberries, dates, guavas and passion fruits and find them spread next morning on their tables, there was a woman who was largely irrelevant, and therefore happy.
A.S. Byatt (The Djinn in the Nightingale's Eye: Five Fairy Stories)
Everyone has that one line they swear they'll never cross, the one thing they say they'll never do. Not something serious like I'll never kill anyone or I'll never invade Russia in the winter. Usually, it's something less earth-shattering. I'll never cheat on her. I'll never work at a job I hate. I'll never give up on my dreams. We draw the line. Maybe we even believe it. That's why it's so hard when we break that promise we make to ourselves. Sage Hendricks was my line.
Brian Katcher (Almost Perfect)
Oh yet we trust that somehow good Will be the final goal of ill, To pangs of nature, sins of will, Defects of doubt, and taints of blood; That nothing walks with aimless feet; That not one life shall be destroy'd, Or cast as rubbish to the void, When God hath made the pile complete; That not a worm is cloven in vain; That not a moth with vain desire Is shrivell'd in a fruitless fire, Or but subserves another's gain. Behold, we know not anything; I can but trust that good shall fall At last—far off—at last, to all, And every winter change to spring. So runs my dream: but what am I? An infant crying in the night: An infant crying for the light: And with no language but a cry.
Alfred Tennyson (In Memoriam)
December is a bewitching month. The grey of cold teases to explode into something worthwhile, into a dream of cold, a starlight shower you can taste, a cold that does not chill. I've lost my memory of my first snow-- did I gasp at a field of white? Or scream at the freeze untill my cheeks reddened? The crunch underfoot is satisfying and the thrill of virgin snow near leaves.
Joseph Coelho (A Year of Nature Poems)
Dear ignoramuses, Halloween is not 'a yankee holiday' celebrated only by gigantic toddlers wearing baseball caps back to front and spraying 'automobiles' with eggs. This is ignorance. Halloween is an ancient druidic holiday, one the Celtic peoples have celebrated for millennia. It is the crack between the last golden rays of summer and the dark of winter; the delicately balanced tweak of the year before it is given over entirely to the dark; a time for the souls of the departed to squint, to peek and perhaps to travel through the gap. What could be more thrilling and worthy of celebration than that? It is a time to celebrate sweet bounty, as the harvest is brought in. It is a time of excitement and pleasure for children before the dark sets in. We should all celebrate that. Pinatas on the other hand are heathen monstrosities and have no place in a civilised society.
Jenny Colgan (Welcome To Rosie Hopkins' Sweetshop Of Dreams)
I've lived to see my longings die" I've lived to se my longings die: My dreams and I have grown apart; Now only sorrow haunts my eye, The wages of a bitter heart. Beneath the storms of hostile fate, My flowery wreath has faded fast; I live alone and sadly wait To see when death will come at last. Just so, when the winds in winter moan And snow descends in frigid flakes, Upon a naked branch, alone, The final leaf of summer shakes!
Alexander Pushkin
The seasons long for each other, like men and women, in order that they may be cured of their excesses. Spring, if it lingers more than a week beyond its span, starts to hunger for summer to end the days of perpetual promise. Summer in its turn soon begins to sweat for something to quench its heat, and the mellowest of autumns will tire of gentility at last, and ache for a quick sharp frost to kill its fruitfulness. Even winter - the hardest season, the most implacable - dreams, as February creeps on, of the flame that will presently melt it away. Everything tires with time, and starts to seek some opposition, to save it from itself.
Clive Barker (The Hellbound Heart)
Something must always remain that eludes us ... For power to have an object on which it can be exercised, a space in which to stretch out its arms ... As long as I know there exists in the world someone who does tricks only for the love of the trick, as long as I know there is a woman who loves reading for reading's sake, I can convince myself that the world continues ... And every evening I, too, abandon myself to reading, like that distant unknown woman ....
Italo Calvino (If on a Winter’s Night a Traveler)
I straighten and stretch my neck side to side. ‘I really need to hit something.’ Rafa’s mouth quirks. ‘I know what you need.’ ‘In your dreams.’ I know where this is going: it’s been the same banter for about five decades now. Usually he saves it for an audience. ‘In my dreams, Gabe, you end up slick with sweat and moaning.’ ‘I have food poisoning?’ He laughs, a beer halfway to his lips. Condensation drips from the bottle. He’s completely at ease here: three-quarter cargoes, frayed t-shirt, bare feet. ‘I’m just saying that if you need distracting, I’m your man.’ ‘If I wanted to go places everyone else has been, Rafa, I’d take a trip to Disneyland.’ He leans in closer. ‘Yeah, but don’t you want to know why everyone loves Space Mountain?
Paula Weston (Burn (The Rephaim, #4))
Winter Stars I went out at night alone; The young blood flowing beyond the sea Seemed to have drenched my spirit's wings— I bore my sorrow heavily. But when I lifted up my head From shadows shaken on the snow, I saw Orion in the east Burn steadily as long ago. From windows in my father's house, Dreaming my dreams on winter nights, I watched Orion as a girl Above another city's lights. Years go, dreams go, and youth goes too, The world's heart breaks beneath its wars, All things are changed, save in the east The faithful beauty of the stars.
Sara Teasdale (Flame and Shadow)
Light That's how I feel- like the winter-fringed breeze might scoop me up into its wings, fly away with me trapped in its feathered embrace. I am a snowflake. A wisp of eiderdown, liberated from gravity. My body is light. Ephemeral. My head is light. I want to sway beneath the weight of air, dizzy with thought. Light filters through my closed eyelids. The sun, chasing shadows, tells me I'm not afloat in dreams.
Ellen Hopkins
Such a thing as the child left alone to die in the hallway was unknown on the marsh. But here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with him. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be.
Mark Helprin (Winter’s Tale)
And all the spaces of our past moments of solitude, the spaces in which we have suffered from solitude, enjoyed, desired, and compromised solitude, remain indelible within us and precisely because the human being wants them to remain so. He knows instinctively that this space identified with his solitude is creative; that even when it is forever expunged from the present, when, henceforth, it is alien to all the promises of the future, even when we no longer have a garret, when the attic room is lost and gone, there remains the fact that we once loved a garret, once lived in an attic. We return to them in our night dreams. These retreats have the value of a shell. And when we reach the very end of the labyrinths of sleep, when we attain to the regions of deep slumber, we may perhaps experience a type of repose that is pre-human; pre-human, in this case, approaching the immemorial. But in the daydream itself, the recollection of moments of confined, simple, shut-in space are experiences of heartwarming space, of a space that does not seek to become extended, but would like above all still to be possessed. In the past, the attic may have seemed too small, it may have seemed cold in winter and hot in summer. Now, however, in memory recaptured through daydreams, it is hard to say through what syncretism the attic is at once small and large, warm and cool, always comforting.
Gaston Bachelard (The Poetics of Space)
As the seasons age us I close my eyes and wish for snow Alas the Irish seasons been foretold For Spring will dawn and I will go Into another season Jack Frost cold. And when its here, I wish for night As childhood memories flash right by To see the birds in humble flight I wish for Summer with a sigh And on I go to months so sweet Dawns sweet chorus and sunbeams bright I yearn for Autumn leaves under feet Yet now I dream of Winters night As Auld Lang Syne rings in New Year Alas! I’m one year older as Spring draws near.
Michelle Geaney (Under These Rebel Skies)
Sometimes I think, were I just a little rougher made, I would go altogether to the woods—to my work entirely, and solitude, a few friends, books, my dogs, all things peaceful, ready for meditation and industry—if for no other reason than to escape the heart-jamming damages and discouragements of the worlds mean spirits. But, no use. Even the most solitudinous of us is communal by habit, and indeed by commitment to the bravest of our dreams, which is to make a moral world. The whirlwind of human behavior is not to be set aside.
Mary Oliver (Winter Hours: Prose, Prose Poems, and Poems)
I’M LOSING FAITH IN MY FAVORITE COUNTRY Throughout my life, the United States has been my favorite country, save and except for Canada, where I was born, raised, educated, and still live for six months each year. As a child growing up in Waterloo, Ontario, Canada, I aggressively bought and saved baseball cards of American and National League players, spent hours watching snowy images of American baseball and football games on black and white television and longed for the day when I could travel to that great country. Every Saturday afternoon, me and the boys would pay twelve cents to go the show and watch U.S. made movies, and particularly, the Superman serial. Then I got my chance. My father, who worked for B.F. Goodrich, took my brother and me to watch the Cleveland Indians play baseball in the Mistake on the Lake in Cleveland. At last I had made it to the big time. I thought it was an amazing stadium and it was certainly not a mistake. Amazingly, the Americans thought we were Americans. I loved the United States, and everything about the country: its people, its movies, its comic books, its sports, and a great deal more. The country was alive and growing. No, exploding. It was the golden age of life, liberty, and the pursuit of happiness. The American dream was alive and well, but demanded hard work, honesty, and frugality. Everyone understood that. Even the politicians. Then everything changed. Partly because of its proximity to the United States and a shared heritage, Canadians also aspired to what was commonly referred to as the American dream. I fall neatly into that category. For as long as I can remember I wanted a better life, but because I was born with a cardboard spoon in my mouth, and wasn’t a member of the golden gene club, I knew I would have to make it the old fashioned way: work hard and save. After university graduation I spent the first half of my career working for the two largest oil companies in the world: Exxon and Royal Dutch Shell. The second half was spent with one of the smallest oil companies in the world: my own. Then I sold my company and retired into obscurity. In my case obscurity was spending summers in our cottage on Lake Rosseau in Muskoka, Ontario, and winters in our home in Port St. Lucie, Florida. My wife, Ann, and I, (and our three sons when they can find the time), have been enjoying that “obscurity” for a long time. During that long time we have been fortunate to meet and befriend a large number of Americans, many from Tom Brokaw’s “Greatest Generation.” One was a military policeman in Tokyo in 1945. After a very successful business carer in the U.S. he’s retired and living the dream. Another American friend, also a member of the “Greatest Generation”, survived The Battle of the Bulge and lived to drink Hitler’s booze at Berchtesgaden in 1945. He too is happily retired and living the dream. Both of these individuals got to where they are by working hard, saving, and living within their means. Both also remember when their Federal Government did the same thing. One of my younger American friends recently sent me a You Tube video, featuring an impassioned speech by Marco Rubio, Republican senator from Florida. In the speech, Rubio blasts the spending habits of his Federal Government and deeply laments his country’s future. He is outraged that the U.S. Government spends three hundred billion dollars, each and every month. He is even more outraged that one hundred and twenty billion of that three hundred billion dollars is borrowed. In other words, Rubio states that for every dollar the U.S. Government spends, forty cents is borrowed. I don’t blame him for being upset. If I had run my business using that arithmetic, I would be in the soup kitchens. If individual American families had applied that arithmetic to their finances, none of them would be in a position to pay a thin dime of taxes.
Stephen Douglass
Jeremy will take her like the Angel itself, in his joyless weasel-worded come-along, and Roger will be forgotten, an amusing maniac, but with no place in the rationalized power-ritual that will be the coming peace. She will take her husband's orders, she will become a domestic bureaucrat, a junior partner, and remember Roger, if at all, as a mistake thank God she didn't make…. Oh, he feels a raving fit coming on—how the bloody hell can he survive without her? She is the British warm that protects his stooping shoulders, and the wintering sparrow he holds inside his hands. She is his deepest innocence in spaces of bough and hay before wishes were given a separate name to warn that they might not come true, and his lithe Parisian daughter of joy, beneath the eternal mirror, forswearing perfumes, capeskin to the armpits, all that is too easy, for his impoverishment and more worthy love. You go from dream to dream inside me. You have passage to my last shabby corner, and there, among the debris, you've found life. I'm no longer sure which of all the words, images, dreams or ghosts are 'yours' and which are 'mine.' It's past sorting out. We're both being someone new now, someone incredible….
Thomas Pynchon (Gravity’s Rainbow)
Once upon a time, there lived a boy and a girl. The boy was eighteen and the girl sixteen. He was not unusually handsome, and she was not especially beautiful. They were just an ordinary lonely boy and an ordinary lonely girl, like all the others. But they believed with their whole hearts that somewhere in the world there lived the 100% perfect boy and the 100% perfect girl for them. Yes, they believed in a miracle. And that miracle actually happened. One day the two came upon each other on the corner of a street. “This is amazing,” he said. “I’ve been looking for you all my life. You may not believe this, but you’re the 100% perfect girl for me.” “And you,” she said to him, “are the 100% perfect boy for me, exactly as I’d pictured you in every detail. It’s like a dream.” They sat on a park bench, held hands, and told each other their stories hour after hour. They were not lonely anymore. They had found and been found by their 100% perfect other. What a wonderful thing it is to find and be found by your 100% perfect other. It’s a miracle, a cosmic miracle. As they sat and talked, however, a tiny, tiny sliver of doubt took root in their hearts: Was it really all right for one’s dreams to come true so easily? And so, when there came a momentary lull in their conversation, the boy said to the girl, “Let’s test ourselves - just once. If we really are each other’s 100% perfect lovers, then sometime, somewhere, we will meet again without fail. And when that happens, and we know that we are the 100% perfect ones, we’ll marry then and there. What do you think?” “Yes,” she said, “that is exactly what we should do.” And so they parted, she to the east, and he to the west. The test they had agreed upon, however, was utterly unnecessary. They should never have undertaken it, because they really and truly were each other’s 100% perfect lovers, and it was a miracle that they had ever met. But it was impossible for them to know this, young as they were. The cold, indifferent waves of fate proceeded to toss them unmercifully. One winter, both the boy and the girl came down with the season’s terrible inluenza, and after drifting for weeks between life and death they lost all memory of their earlier years. When they awoke, their heads were as empty as the young D. H. Lawrence’s piggy bank. They were two bright, determined young people, however, and through their unremitting efforts they were able to acquire once again the knowledge and feeling that qualified them to return as full-fledged members of society. Heaven be praised, they became truly upstanding citizens who knew how to transfer from one subway line to another, who were fully capable of sending a special-delivery letter at the post office. Indeed, they even experienced love again, sometimes as much as 75% or even 85% love. Time passed with shocking swiftness, and soon the boy was thirty-two, the girl thirty. One beautiful April morning, in search of a cup of coffee to start the day, the boy was walking from west to east, while the girl, intending to send a special-delivery letter, was walking from east to west, but along the same narrow street in the Harajuku neighborhood of Tokyo. They passed each other in the very center of the street. The faintest gleam of their lost memories glimmered for the briefest moment in their hearts. Each felt a rumbling in their chest. And they knew: She is the 100% perfect girl for me. He is the 100% perfect boy for me. But the glow of their memories was far too weak, and their thoughts no longer had the clarity of fouteen years earlier. Without a word, they passed each other, disappearing into the crowd. Forever. A sad story, don’t you think?
Haruki Murakami (The Elephant Vanishes)
Now goes under, and I watch it go under, the sun That will not rise again. Today has seen the setting, in your eyes cold and senseless as the sea, Of friendship better than bread, and of bright charity That lifts a man a little above the beasts that run. That this could be! That I should live to see Most vulgar Pride, that stale obstreperous clown, So fitted out with purple robe and crown To stand among his betters! Face to face With outraged me in this once holy place, Where Wisdom was a favoured guest and hunted Truth was harboured out of danger, He bulks enthroned, a lewd, an insupportable stranger! I would have sworn, indeed I swore it: The hills may shift, the waters may decline, Winter may twist the stem from the twig that bore it, But never your love from me, your hand from mine. Now goes under the sun, and I watch it go under. Farewell, sweet light, great wonder! You, too, farewell,-but fare not well enough to dream You have done wisely to invite the night before the darkness came.
Edna St. Vincent Millay
All that summer and fall she painted, mornings, afternoons, evenings, then walked around the streets that were still echoing the music of the masters, and every stone, every pebble seemed to have a life and reason of its own and she somehow felt, though vaguely, a part of that reason. Some nights she would sit in the café with other young artists and poets and musicians and who knows what else, drinking wine and talking and laughing and discussing and arguing and life was exciting and tangible and crisp like the clear Mediterranean sunlight. Then as the grayness of winter slowly seeped down from the north the energy and inspiration seemed to ooze from her as paint from a tube and now when she looked at a bare canvas it was only a bare canvas, a piece of material stretched over a few pieces of wood, it was no longer a painting waiting to be painted. It was just, canvas. She went further south. Sicily. North Africa. Trying to follow the sun to the past, the very recent past, but all she found was herself.
Hubert Selby Jr. (Requiem for a Dream)
I am the wind and the wind is invisible, all the leaves tremble but I am invisible, blackbird over the dark field but I am invisible, what fills the balloon and what it moves through, knot without rope, bloom without flower, galloping without the horse, the spirit of the thing without the thing, location without dimension, without a within, song without throat, word without ink, wingless flight, dark boat in the dark night, shine without light, pure velocity, as the hammer is a hammer when it hits the nail and the nail is a nail when it meets the wood and the invisible table begins to appear out of mind, pure mind, out of nothing, pure thinking, hand of the mind, hand of the emperor, arm of the empire, void and vessel, sheath and shear, and wider, and deeper, more vast, more sure, through silence, through darkness, a vector, a violence, and even farther, and even worse, between, before, behind, and under, and even stronger, and even further, beyond form, beyond number, I labor, I lumber, I fumble forward through the valley as winter, as water, a shift in the river, I mist and frost, flexible and elastic to the task, a fountain of gravity, space curves around me, I thirst, I hunger, I spark, I burn, force and field, force and counterforce, agent and agency, push to your pull, parabola of will, massless mass and formless form, dreamless dream and nameless name, intent and rapturous, rare and inevitable, I am the thing that is hurtling towards you…
Richard Siken
Wandering back into the bedroom, my gaze immediately strayed to the large bed along the wall and the lump beneath the covers. Pale light streamed through the half-open curtains, settling around the still-sleeping form of a Winter sidhe. Or a former Winter sidhe. Pausing in the doorframe, I took advantage of the serene moment just to watch him, a tiny flutter going through my stomach. Sometimes, it was still hard to believe that he was here, that this wasn’t a dream or a mirage or a figment of my imagination. That he was mine forever: my husband, my knight. My faery with a soul. He lay on his stomach, arms beneath the pillow, breathing peacefully, his dark hair falling over his eyes. The covers had slipped off his lean, muscular shoulders, and the early morning rays caressed his pale skin. Normally, I didn’t get to watch him sleep; he was usually up before me, in the courtyard sparring with Glitch or just prowling the halls of the castle. In the early days of our marriage, especially, I’d wake up in the middle of the night to find him gone, the hyper-awareness of his warrior days making it impossible for him to stay in one place, even to sleep. He’d grown up in the Unseelie Court, where you had to watch your back every second of every day, and centuries of fey survival could not be forgotten so easily. That paranoia would never really fade, but he was gradually starting to relax now, to the point where sometimes, though not often, I would wake with him still beside me, his arm curled around my waist. And given how rare it was, to see him truly unguarded and at ease, I hated to disturb him. But I walked across the room to the side of the bed and gently touched his shoulder. He was awake in an instant, silver eyes cracking open to meet mine, never failing to take my breath away. “Hey,” I greeted, smiling. “Sorry to wake you, but we have to be somewhere soon, remember?
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
The dream was gone. Something had been taken from him. In a sort of panic he pushed the palms of his hands into his eyes and tried to bring up a picture of the waters lapping on Sherry Island and the moonlit veranda, and gingham on the golf-links and the dry sun and the gold color of her neck's soft down. And her mouth damp to his kisses and her eyes plaintive with melancholy and her freshness like new fine linen in the morning. Why, these things were no longer in the world! They had existed and they existed no longer. For the first time in years the tears were streaming down his face. But they were for himself now. He did not care about mouth and eyes and moving hands. He wanted to care, and he could not care. For he had gone away and he could never go back any more. The gates were closed, the sun was gone down, and there was no beauty but the gray beauty of steel that withstands all time. Even the grief he could have borne was left behind in the country of illusion, of youth, of the richness of life, where his winter dreams had flourished. “Long ago,” he said, “long ago, there was something in me, but now that thing is gone. Now that thing is gone, that thing is gone. I cannot cry. I cannot care. That thing will come back no more.
F. Scott Fitzgerald (Winter Dreams)
We read the pagan sacred books with profit and delight. With myth and fable we are ever charmed, and find a pleasure in the endless repetition of the beautiful, poetic, and absurd. We find, in all these records of the past, philosophies and dreams, and efforts stained with tears, of great and tender souls who tried to pierce the mystery of life and death, to answer the eternal questions of the Whence and Whither, and vainly sought to make, with bits of shattered glass, a mirror that would, in very truth, reflect the face and form of Nature's perfect self. These myths were born of hopes, and fears, and tears, and smiles, and they were touched and colored by all there is of joy and grief between the rosy dawn of birth, and death's sad night. They clothed even the stars with passion, and gave to gods the faults and frailties of the sons of men. In them, the winds and waves were music, and all the lakes, and streams, and springs,—the mountains, woods and perfumed dells were haunted by a thousand fairy forms. They thrilled the veins of Spring with tremulous desire; made tawny Summer's billowed breast the throne and home of love; filled Autumns arms with sun-kissed grapes, and gathered sheaves; and pictured Winter as a weak old king who felt, like Lear upon his withered face, Cordelia's tears. These myths, though false, are beautiful, and have for many ages and in countless ways, enriched the heart and kindled thought. But if the world were taught that all these things are true and all inspired of God, and that eternal punishment will be the lot of him who dares deny or doubt, the sweetest myth of all the Fable World would lose its beauty, and become a scorned and hateful thing to every brave and thoughtful man.
Robert G. Ingersoll (Some Mistakes of Moses)
To the winter forest And nowhere to go This girl runs From all she knows The pressure rises to the top The pressure rises (it won't stop) They want your body They want your soul They want fake smiles That's rock and roll The wolves surrond you A fever dream The wolves surrond you So start the scream Howl, into the night, Howl, until the light, Howl, your turn to fight, Howl, just make it right Howl howl howl howl (Motherfucker) You can't fight fo ever You have to comply If your life isn't working You have to ask why Remember When we were young enough Not to fear tomorrow Or mourn yesterday And we were just Us And time was just Now And we were in Life Not rising through Like arms in a sleeve Because we had time We had time to breathe The bad times are here The bad times have come but life can't be over When it hasn't begun The lake shines and the water's cold All that glitters can turn to gold Silence the music to improve the tune Stop the fake smiles and howl at the moon Howl, into the night, Howl, until the light, Howl, your turn to fight, Howl, just make it right Howl howl howl howl
Matt Haig (The Midnight Library)
Tell the trafic jams to no open their roads to you. Tell the eyes that meet you on the road, that I’m no longer jealous. Tell the souls that share with you the details of your day, that I no longer wich to be them. Tell to the one I advised to take care of you, to forget my advice, and to neglect you as she wants. Tell your pillow to not be gentle with your head. Tell your tooth brush to not be gentle with your gums. Tell your hair brush to not care about your head skin. Tell your blanket to not give you warmth. Tell your winter clothes to not protect you from the cold. Tell the streets’ dogs to frighten you. Tell your car’s other seat that I no longer dream of sitting on it. Tell your country that I no longer dream of flying to it. Tell your friends, your coworkers, your best friend, your neighbours, the world, the universe, your ground, your sky, I broke your chains, and I no longer care about you. So leave on the story’s seat a dry flower, and leave my memory.
Shahrazad al-Khalij
This is the shame of the woman whose hand hides her smile because her teeth are so bad, not the grand self-hate that leads some to razors or pills or swan dives off beautiful bridges however tragic that is. This is the shame of seeing yourself, of being ashamed of where you live and what your father’s paycheck lets you eat and wear. This is the shame of the fat and the bald, the unbearable blush of acne, the shame of having no lunch money and pretending you’re not hungry. This is the shame of concealed sickness—diseases too expensive to afford that offer only their cold one-way ticket out. This is the shame of being ashamed, the self-disgust of the cheap wine drunk, the lassitude that makes junk accumulate, the shame that tells you there is another way to live but you are too dumb to find it. This is the real shame, the damned shame, the crying shame, the shame that’s criminal, the shame of knowing words like glory are not in your vocabulary though they litter the Bibles you’re still paying for. This is the shame of not knowing how to read and pretending you do. This is the shame that makes you afraid to leave your house, the shame of food stamps at the supermarket when the clerk shows impatience as you fumble with the change. This is the shame of dirty underwear, the shame of pretending your father works in an office as God intended all men to do. This is the shame of asking friends to let you off in front of the one nice house in the neighborhood and waiting in the shadows until they drive away before walking to the gloom of your house. This is the shame at the end of the mania for owning things, the shame of no heat in winter, the shame of eating cat food, the unholy shame of dreaming of a new house and car and the shame of knowing how cheap such dreams are. © Vern Rutsala
Brené Brown (I Thought It Was Just Me: Women Reclaiming Power and Courage in a Culture of Shame)
Just that winter she had found herself saying to a young woman who worked with her at the tasting bar on Saturdays that between a man and a woman there was always one person who was stronger than the other one. 'That doesn't mean the weaker one doesn't love the stronger,' she'd pleaded. The girl looked at her blankly. But for my mother what mattered was that as she spoke, she had suddenly identified herself as the weaker one. This revelation sent her reeling. What had she thought all those years but the opposite? She pulled her chair as close to his head as she could and laid her face on the edge of his pillow to watch him breathing, to see the flutter of the eye beneath his eyelid when he dreamed. How could it be that you could love someone so far from home? She had put billboards and roads in between them, throwing roadblocks behind her and ripping off the rearview mirror, and thought that that would make him disappear? erase their life and children? It was so simple, as she watched him, as his regular breathing calmed her, that she did not even see it happening at first. She began to think of the rooms in our house and the hours that she had worked so hard to forget spent inside of them. Like fruit put up in jars and forgotten about, the sweetness seemed even more distilled as she returned. There on that shelf were all the dates and silliness of thier early love, the braid that began to form of their dreams, the solid root of a burgeoning family. The first solid evidence of it all. Me.
Alice Sebold
It is a measure of a nation their cunning! It is a measure of a nation their strength! And it is a measure of a nation," I leaned forward and screeched, "their mercy!" I leaned back and surveyed the crowd and for some bizarre reason kept right on shouting. The condemned you see before you have been tried justly and meet their sentence fairly. They have done wrong and they will pay for it. But I am not the Winter Princess of a nation who does not see that even the condemned deserve to be treated with respect as they face death. You may think they do not deserve it but it is your duty as Lunwynians to rise above their actions not fall to their depths. They will hang for their crimes and you will watch this sentence carried out.How could that not be enough for you?" I tore my eyes away from the now whispering crowd as those close sent my words far,feeling Frey’s arm still tight around my middle but I ignored it and looked down at the scaffold. Bring her to her feet,” I ordered the guardstanding around Viola and they shifted andstared up at me in stupefaction so I snapped,“ Bring her to her feet! ”They jumped toward Viola who I avoidedlooking at as they helped her up and movedher to her noose. Instead, I looked back tothe crowd and, yep, you guessed it, kept right on shouting. "Today, you witness something infinitely sad. Three people who have gone wrong somewhere in their lives, done wrong be-cause of it and therefore are paying the ulti-mate price. Do not stand there shouting and jeering, demonstrating that they were right to move against this great nation, those for-tunate enough to inhabit her ice-bound earth and those privileged to wear her crowns.Stand there and, as the Lunwynians I know you to be, stand strong, stand proud and stand filled with mercy.
Kristen Ashley (Wildest Dreams (Fantasyland, #1))
The child was left alone to die in the hallway. Here, in the dawn, was mortality itself. In the city were places to fall from which one could never emerge -- dark dreams and slow death, the death of children, suffering without grace or redemption, ultimate and eternal loss. The memory of the child stayed with Peter. But that was not to be the end of it, for reality went around in a twisting ring. Even the irredeemable would be redeemed, and there was a balance for everything. There had to be. The old man said, "Nothing is random, nor will anything ever be, whether a long string of perfectly blue days that begin and end in golden dimness, the most seemingly chaotic political acts, the rise of a great city, the crystalline structure of a gem that has never seen the light, the distributions of fortune, what time the milkman gets up, or the position of the electron. Even electrons, supposedly the paragons of unpredictability, do exactly as they are told. Of this, one is certain. And yet, there is a wonderful anarchy, in that the milkman chooses when to arise, the rat picks the tunnel into which he will dive when the subway comes rushing down the track from Borough Hall, and the snowflake will fall as it will. How can this be? If nothing is random, and everything is predetermined, how can there be free will? The answer to that is simple. Nothing is predetermined, it is determined, or was determined, or will be determined. No matter, it all happened at once, in less than an instant, and time was invented because we cannot comprehend in one glance the enormous and detailed canvas that we have been given - so we track it, in linear fashion piece by piece. Time however can be easily overcome; not by chasing the light, but by standing back far enough to see it all at once. The universe is still and complete. Everything that ever was, is. Everything that ever will be, is. In all possible combinations. Though we imagine that it is in motion and unfinished, it is quite finished and quite astonishingly beautiful. So any event is intimately and sensibly tied to all others. All rivers run full to the sea; those who are apart are brought together; the lost ones are redeemed; the dead come back to life; the perfectly blue days that have begun and ended in golden dimness continue, immobile and accessible. And, when all is perceived in such a way as to obviate time, justice becomes apparent not as something that will be, but something that is.
Mark Helprin (Winter’s Tale)
Young people," McDonald said contemptuously. "You always think there's something to find out." "Yes, sir," Andrews said. "Well, there's nothing," McDonald said. "You get born, and you nurse on lies, and you get weaned on lies, and you learn fancier lies in school. You live all your life on lies, and then maybe when you're ready to die, it comes to you--that there's nothing, nothing but yourself and what you could have done. Only you ain't done it, because the lies told you there was something else. Then you know you could of had the world, because you're the only one that knows the secret; only then it's too late. You're too old." "No," Andrews said. A vague terror crept from the darkness that surrounded them, and tightened his voice. "That's not the way it is." "You ain't learned, then," McDonald said. "You ain't learned yet....look. You spend nearly a year of your life and sweat, because you have faith in the dream of a fool. And what have you got? Nothing. You kill three, four thousand buffalo, and stack their skins neat; and the buffalo will rot wherever you left them, and the rats will nest in the skins. What have you got to show? A year gone out of your life, a busted wagon that a beaver might use to make a dam with, some calluses on your hands, and the memory of a dead man." "No," Andrew said. "That's not all. That's not all I have." "Then what? What have you got?" Andrews was silent. "You can't answer. Look at Miller. Knows the country he was in as well as any man alive, and had faith in what he believed was true. What good did it do him? And Charley Hoge with his Bible and his whisky. Did that make your winter any easier, or save your hides? And Schneider. What about Schneider? Was that his name? "That was his name," Andrews said. "And that's all that's left of him," McDonald said. "His name. And he didn't even come out of it with that for himself." McDonald nodded, not looking at Andrews. "Sure, I know. I came out of it with nothing, too. Because I forgot what I learned a long time ago. I let the lies come back. I had a dream, too, and because it was different from yours and Miller's, I let myself think it wasn't a dream. But now I know, boy. And you don't. And that makes all the difference.
John Williams (Butcher's Crossing)
Howard had a pine display case, fastened by fake leather straps and stained to look like walnut. Inside, on fake velvet, were cheap gold-plated earrings and pendants of semiprecious stones. He opened this case for haggard country wives when their husbands were off chopping trees or reaping the back acres. He showed them the same half-dozen pieces every year the last time he came around, when he thought, This is the season - preserving done, woodpile high, north wind up and getting cold, night showing up earlier every day, dark and ice pressing down from the north, down on the raw wood of their cabins, on the rough-cut rafters that sag and sometimes snap from the weight of the dark and the ice, burying families in their sleep, the dark and the ice and sometimes the red in the sky through trees: the heartbreak of a cold sun. He thought, Buy the pendant, sneak it into your hand from the folds of your dress and let the low light of the fire lap at it late at night as you wait for the roof to give out or your will to snap and the ice to be too thick to chop through with the ax as you stand in your husband's boots on the frozen lake at midnight, the dry hack of the blade on ice so tiny under the wheeling and frozen stars, the soundproof lid of heaven, that your husband would never stir from his sleep in the cabin across the ice, would never hear and come running, half-frozen, in only his union suit, to save you from chopping a hole in the ice and sliding into it as if it were a blue vein, sliding down into the black, silty bottom of the lake, where you would see nothing, would perhaps feel only the stir of some somnolent fish in the murk as the plunge of you in your wool dress and the big boots disturbed it from its sluggish winter dreams of ancient seas. Maybe you would not even feel that, as you struggled in clothes that felt like cooling tar, and as you slowed, calmed, even, and opened your eyes and looked for a pulse of silver, an imbrication of scales, and as you closed your eyes again and felt their lids turn to slippery, ichthyic skin, the blood behind them suddenly cold, and as you found yourself not caring, wanting, finally, to rest, finally wanting nothing more than the sudden, new, simple hum threading between your eyes. The ice is far too thick to chop through. You will never do it. You could never do it. So buy the gold, warm it with your skin, slip it onto your lap when you are sitting by the fire and all you will otherwise have to look at is your splintery husband gumming chew or the craquelure of your own chapped hands.
Paul Harding (Tinkers)