Thrice Quotes

We've searched our database for all the quotes and captions related to Thrice. Here they are! All 200 of them:

And thrice do I say to thee...bite me.
Jim Butcher
Let the warriors clamor after gods of blood and thunder; love is hard, harder than steel and thrice as cruel.
Jacqueline Carey (Kushiel's Chosen (Phèdre's Trilogy, #2))
Once lucky, twice confident, and thrice dead.
Terry Goodkind (Blood of the Fold (Sword of Truth, #3))
Dear Diary, Today I tried not to think about Mr. Knightly. I tried not to think about him when I discussed the menu with Cook... I tried not to think about him in the garden where I thrice plucked the petals off a daisy to acertain his feelings for Harriet. I don't think we should keep daisies in the garden, they really are a drab little flower. And I tried not to think about him when I went to bed, but something had to be done.
Jane Austen
A Tinker's Debt is Always Paid: Once for a simple trade. Twice for freely given aid. Thrice for any insult made.
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
Oogway: There are no accidents. Shifu: [sighs] Yes, I know. You've already said that twice. Oogway: That was no accident either. Shifu: Thrice.
Kung Fu Panda
I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then--how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself.
Daphne du Maurier (Rebecca)
Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him; The evil that men do lives after them, The good is oft interred with their bones, So let it be with Caesar ... The noble Brutus Hath told you Caesar was ambitious: If it were so, it was a grievous fault, And grievously hath Caesar answered it ... Here, under leave of Brutus and the rest, (For Brutus is an honourable man; So are they all; all honourable men) Come I to speak in Caesar's funeral ... He was my friend, faithful and just to me: But Brutus says he was ambitious; And Brutus is an honourable man…. He hath brought many captives home to Rome, Whose ransoms did the general coffers fill: Did this in Caesar seem ambitious? When that the poor have cried, Caesar hath wept: Ambition should be made of sterner stuff: Yet Brutus says he was ambitious; And Brutus is an honourable man. You all did see that on the Lupercal I thrice presented him a kingly crown, Which he did thrice refuse: was this ambition? Yet Brutus says he was ambitious; And, sure, he is an honourable man. I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause: What cause withholds you then to mourn for him? O judgement! thou art fled to brutish beasts, And men have lost their reason…. Bear with me; My heart is in the coffin there with Caesar, And I must pause till it come back to me
William Shakespeare (Julius Caesar)
A power claimed and challenged and thrice carried out is true
Naomi Novik (Spinning Silver)
What was joy, anyway. What was the worth of happiness that left behind a crater thrice the size of its impact.
Yael van der Wouden (The Safekeep)
Once is an accident. Twice is a coincidence. Thrice is a pattern.
Ann Liang (If You Could See the Sun)
Love is hard, harder than steel and thrice as cruel. It is inexorable as the tides, and life and death alike follow in its wake.
Jacqueline Carey
There were people thrice her size on the Trenton platform and she looked admiringly at one of them, a woman in a very short skirt. She thought nothing of slender legs shown off in miniskirts--it was safe and easy, after all, to display legs of which the world approved--but the fat woman's act was about the quiet conviction that one shared only with oneself, a sense of rightness that others failed to see.
Chimamanda Ngozi Adichie (Americanah)
You can learn from a glance at anyone's library, not what they are, but what they wish to be.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
I have been around long enough to discount most superstitions for what they are: I was around when many of them began to take root, after all. But one superstition to which I happen to subscribe is that bad juju comes in threes. The saying in my time was, "Storm clouds are thrice cursed," but I can't talk like that and expect people to believe I'm a twenty-one year-old American. I have to say things like, "Shit happens, man.
Kevin Hearne (Hounded (The Iron Druid Chronicles, #1))
Have this faith that someone is there to take away your weaknesses. Ok, you slipped once, twice, thrice. It does not matter. Keep moving ahead. People take vows never to commit mistakes again. Breaking the vows makes it worse. Surrendering is better
Ravi Shankar
You and I, being grown-up and having lost our hearts at least twice or thrice along the way, might shut our eyes and cry out: Not that way, child! But as we have said, September was Somewhat Heartless, and felt herself reasonably safe on that road. Children always do.
Catherynne M. Valente (The Girl Who Circumnavigated Fairyland in a Ship of Her Own Making (Fairyland, #1))
...and then the threw the sword as far into the water as he might; and there came an arm and a hand above the water and met it, and caught it, and so shook it thrice and brandished, and then vanished away the hand with the sword in the water.
Thomas Malory (Le Morte d'Arthur: King Arthur and the Legends of the Round Table)
And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.
Samuel Taylor Coleridge (Kubla Khan: or A Vision in a Dream)
Cheating in relationship is a sign of self-regulation failure. When it happens ones, it is a mistake. When it happens twice, it is unfortunate. But when it happens thrice or more, it is a pattern indicating primitive, uncivilized inhuman behavior.
Abhijit Naskar (Wise Mating: A Treatise on Monogamy (Humanism Series))
Oh, by the thrice-beshitten shroud of Lazarus!
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
A power claimed and challenged and thrice carried out is true; the proving makes it so.
Naomi Novik (Spinning Silver)
By nature, a storyteller is a plagiarist. Everything one comes across—each incident, book, novel, life episode, story, person, news clip—is a coffee bean that will be crushed, ground up, mixed with a touch of cardamom, sometimes a tiny pinch of salt, boiled thrice with sugar, and served as a piping-hot tale.
Rabih Alameddine (The Hakawati)
Shadow and dust shall be reclaimed, earth sealing the tomb from which you came. Dust to dust, ashes to ashes, warrior return, breathe your last. Air, earth, fire, water, hear my voice, obey my order, thrice around your grave do bound, evil sink into the ground. I now invoke the law of three, this is my will, so mote it be.
Christine Feehan (Dark Demon (Dark, #13))
Good. Item seven. The had had and that that problem. Lady Cavendish, weren’t you working on this?’ Lady Cavendish stood up and gathered her thoughts. ‘Indeed. The uses of had had and that that have to be strictly controlled; they can interrupt the imaginotransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.’ ‘Go on.’ ‘It’s mostly an unlicensed-usage problem. At the last count David Copperfield alone had had had had sixty three times, all but ten unapproved. Pilgrim’s Progress may also be a problem due to its had had/that that ratio.’ ‘So what’s the problem in Progress?’ ‘That that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked, but not if the number exceeds that that that usage.’ ‘Hmm,’ said the Bellman, ‘I thought had had had had TGC’s approval for use in Dickens? What’s the problem?’ ‘Take the first had had and that that in the book by way of example,’ said Lady Cavendish. ‘You would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.’ ‘So the problem with that other that that was that…?’ ‘That that other-other that that had had approval.’ ‘Okay’ said the Bellman, whose head was in danger of falling apart like a chocolate orange, ‘let me get this straight: David Copperfield, unlike Pilgrim’s Progress, had had had, had had had had. Had had had had TGC’s approval?’ There was a very long pause. ‘Right,’ said the Bellman with a sigh, ‘that’s it for the moment. I’ll be giving out assignments in ten minutes. Session’s over – and let’s be careful out there.
Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
Let me guess - you're Grumpy?' He let out a humpf. ' And you would be too, if you'd just spent the last hour searching the forest for your wayward charge.' He walked even faster. 'We tell you to stay inside, we tell you not to talk to strangers. But oh no, you must be out singing to the animals as if the birds didn't do a fine enough job of it. And this after Queen Neferia has already tried to kill you thrice. [...] Which is why you are not to go shopping anymore, no matter how pretty the wares, remember?' Oh, right.' [...] when you looked at it that way, Snow White had to be pretty idiotic to keep falling for the same trick.
Janette Rallison (My Fair Godmother (My Fair Godmother, #1))
A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas.
Daphne du Maurier (Rebecca)
That bloody bastard! That thrice accursed son of a bitch!
Cornelia Funke (Inkspell (Inkworld, #2))
Happy is the people that is without history. And thrice is the people without sociology.
Christopher Henry Dawson (Enquiries into Religion and Culture (Works of Christopher Dawson))
I thrice presented him a kingly crown. Which he did thrice refuse. Was this ambition?
William Shakespeare (Julius Caesar)
Despair always begins as a snack that you nibble on when bored and then becomes a meal that you have thrice a day.
Shehan Karunatilaka (The Seven Moons of Maali Almeida)
The Queen Who Never Was; what did Viserys ever have that she did not? A little sausage? Is that all it takes to be a king? Let Mushroom rule, then. My sausage is thrice the size of his.
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drank the milk of Paradise.
Samuel Taylor Coleridge (Kubla Khan: or A Vision in a Dream)
On evil's cushion poised, His Majesty, Satan Thrice-Great, lulls our charmed soul, until He turns to vapor what was once our will: Rich ore, transmuted by his alchemy.
Charles Baudelaire
The Weird Sisters, hand in hand, Posters of the sea and land, Thus do go, about, about, Thrice to thine, thrice to mine, And thrice again to make up nine. Peace, the charm's wound up.
William Shakespeare (Macbeth)
The other side of midnight’s hour strikes a herald thrice rung Seer, Shadow, Sun—together they come Sixteen winters hence—the light shall be eclipsed Leaving darkness to ascend beneath a sky bleeding fire
Alyson Noel (Echo (Soul Seekers, #2))
It probably wouldn't last. It never does. But it would come back around again. That's how life works. And that's why it's important to treasure the peaceful times-so you can persevere through the other kind.
Jean Ferris (Thrice Upon a Marigold (Upon a Marigold, #3))
Three failures denote uncommon strength. A weakling has not enough grit to fail thrice.
Minna Thomas Antrim
I’ve never understood that. Once, twice, thrice removed. Who keeps track of such a thing? I always figure if they come to my birthday party we are related and that’s it, no need to pull out the genealogy chart.
Silvia Moreno-Garcia (Mexican Gothic)
I do not encourage early morning chirpiness, even in those whom I know and love. It is generally a sign of a sloppy mind, and is not to be encouraged.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
If I don't save her from the hands of that humbug," he said, aloud, as he went to bed, "she is lost. But I shall save her." He put out his lamp and felt a need to insult Erik in the dark. Thrice over, he shouted: "Humbug!...Humbug!...Humbug!
Gaston Leroux (The Phantom of the Opera)
Thrice cursed are the weak whose insecurity makes them vile, for they shall serve and suffer.
Anton Szandor LaVey
I started m-p-h-ing it homewards in a thrice
P.G. Wodehouse
God, no. I don’t want to tame her, I want to watch her. I just want to watch her be herself – it turns me on like nothing else.
Dianna Hardy (The Spell of Summer (Once Times Thrice, #1))
Oh thrice fools are we who like new-born princes weeping in the cradle know not that there is a kingdom before them then let our Lord's sweet hand square us and hammer us and strike off the knots of pride self-love and world-worship and infidelity that He may make us stones and pillars in His Father's house.
Samuel Rutherford
We must be careful with our words – we’re like superheroes and words are like our super powers. Super powers should always be used to help others…
Dianna Hardy (The Spell of Summer (Once Times Thrice, #1))
I read Hesse's Steppenwolf thrice. The first time I was enchanted, the second time disappointed, the third time appalled.
Marcel Reich-Ranicki (Mein Leben)
Return of love, more blest may be the view; As call it winter, which being full of care, Makes summer’s welcome thrice more wish’d, more rare. Sonet56
William Shakespeare (The Sonnets and A Lover's Complaint)
Know the grave doth gape for thee thrice wider than for other men.
William Shakespeare (Henry IV, Part Two)
Men in great place are thrice servants, servants to the sovereign or state, servants of fame, and servants of business, so as they have freedom, neither in their persons, nor in their actions, nor in their times.
Francis Bacon (The Essays)
I have always found there to be a certain sadness about mirrors, since they double the space in a house which needs to be filled with love.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Don’t be sorry for the truth. A harsh truth is less damaging than a tender lie, and the worst lies are the ones we tell ourselves.
Dianna Hardy (The Spell of Summer (Once Times Thrice, #1))
...we're not eighteen anymore. We've lived. We've created things that last – things of joy, and things of burden.
Dianna Hardy (Summer's End (Once Times Thrice, #2))
Twice or thrice had I lov'd thee, Before I knew thy face or name
John Donne (The Love Poems of John Donne)
Once bitten, twice shy, thrice shame on me!
Gary Patton
Thrice to thine and thrice to mine and thrice again, to make up nine. Peace! The charm’s wound up.
William Shakespeare (Macbeth)
So in Scotland witches used to raise the wind by dipping a rag in water and beating it thrice on a stone, saying: “I knok this rag upone this stane To raise the wind in the divellis name, It sall not lye till I please againe.
James George Frazer (The Golden Bough)
What stronger breast-plate than a heart untainted! Thrice is he arm'd, that hath his quarrel just; And he but naked, though lock'd up in steel, Whose conscience with injustice is corrupted.
William Shakespeare (King Henry VI, Part 2)
My lady, I did not think you could answer it, when I took you from your home without your leave, and set value only on your gift. But I am answered truly. You have given fair return for insult thrice over and set your worth: higher than my life and all my kingdom and all who live therein, and though you send my people to the fire, I can claim no debt to repay. It is justly done.
Naomi Novik (Spinning Silver)
It certainly is a puzzle.” He turned back to the broken road. “But sometimes to find the answer, you have to take a leap of faith.
Dianna Hardy (Summer's End (Once Times Thrice, #2))
True charity, I had discovered, consists in swallowing an invisible flaming sword.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Dreamless nights, I knew, can be the most troubling, since you come back not knowing where you've been or what you've done.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Some wounds were worth bearing for the healing they brought.
Dianna Hardy (Summer's End (Once Times Thrice, #2))
O thrice-romantic Master, would you not rather take long walks in a blooming cherry tree alley with your friend and listen to Schubert in the evenings? Would you not rather write by candlelight with a quill pen? Like Faust, would you not rather sit over a retort in the hopes of crafting a new homunculus? That is your desination, there. A house awaits you, with an aging servant; the candles are already lit and will soon extinguish as dawn inevitably arrives. Take this path, Master, and farewell! I must go.
Mikhail Bulgakov (The Master and Margarita)
THE ONE WITH THE POWER TO VANQUISH THE DARK LORD APPROACHES. . . . BORN TO THOSE WHO HAVE THRICE DEFIED HIM, BORN AS THE SEVENTH MONTH DIES . . . AND THE DARK LORD WILL MARK HIM AS HIS EQUAL, BUT HE WILL HAVE POWER THE DARK LORD KNOWS NOT . . . AND EITHER MUST DIE AT THE HAND OF THE OTHER FOR NEITHER CAN LIVE WHILE THE OTHER SURVIVES. . . . THE ONE WITH THE POWER TO VANQUISH THE DARK LORD WILL BE BORN AS THE SEVENTH MONTH DIES . . .
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
Then, things get hard, because once you know magic exists, you have to decide whether to be the bystander, or the magician … and we were all born to be magicians.
Dianna Hardy (The Spell of Summer (Once Times Thrice, #1))
love either happens or it doesn't; there is no twice, thrice or more to it; it just happens once, only once.
Lucy (Birds in the Sky)
Everything that happens, once and twice, will happen thrice.
Santosh Kalwar
They are fools, who reckon Elua a soft god, fit only for the worship of starry-eyed lovers. Let the warriors clamor after gods of blood and thunder; love is hard, harder than steel and thrice as cruel. It is as inexorable as the tides, and life and death alike follow in it's wake.
Jacqueline Carey (Kushiel's Chosen (Phèdre's Trilogy, #2))
Let the warriors clamor after gods of blood and thunder; love is hard, harder than steel and thrice as cruel. It is as inexorable as the tides, and life and death alike follow in its wake.
Jacqueline Carey (Kushiel's Chosen (Phèdre's Trilogy, #2))
A visitor asked Lincoln what good news he could take home from an audience with the august executive. The president spun a story about a machine that baffled a chess champion by beating him thrice. The stunned champ cried while inspecting the machine, "There's a man in there!"Lincoln's good news, he confided from the heights of leadership, was that there was in fact a man in there.
Shelby Foote (The Civil War, Vol. 1: Fort Sumter to Perryville)
Just bring your wits. Sometimes that's the most effective weapon any of us has.
Jean Ferris (Thrice Upon a Marigold (Upon a Marigold, #3))
Endings bring new beginnings. Love has many truths. And knights come in all colours.
Dianna Hardy (Summer's End (Once Times Thrice, #2))
It's amazing what the discovery of a corpse can do for one's spirits.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Pieces of your heart broke every day when you were a mother.
Dianna Hardy (Summer's End (Once Times Thrice, #2))
Thrice the brinded cat hath mew’d. Thrice and once the hedge-pig whined. Harpier cries ’Tis time, ’tis time. Round about the cauldron go; In the poison’d entrails throw. Toad, that under cold stone Days and nights has thirty-one Swelter’d venom sleeping got, Boil thou first i’ the charmed pot. Double, double toil and trouble; Fire burn, and cauldron bubble. Fillet of a fenny snake, In the cauldron boil and bake; Eye of newt and toe of frog, Wool of bat and tongue of dog, Adder’s fork and blind-worm’s sting, Lizard’s leg and owlet’s wing, For a charm of powerful trouble, Like a hell-broth boil and bubble. Scale of dragon, tooth of wolf, Witches’ mummy, maw and gulf Of the ravin’d salt-sea shark, Root of hemlock digg’d i’ the dark, Liver of blaspheming Jew, Gall of goat, and slips of yew Silver’d in the moon’s eclipse, Nose of Turk and Tartar’s lips, Finger of birth-strangled babe Ditch-deliver’d by a drab, Make the gruel thick and slab: Add thereto a tiger’s chaudron, For the ingredients of our cauldron. Double, double toil and trouble; Fire burn and cauldron bubble. By the pricking of my thumbs, Something wicked this way comes.
William Shakespeare
Tru, this is your home. You are my blood kin, my second cousin thrice removed. But blood kin's not the most important kin. Do you know what is?" "No, sir." "Love kin. And that comes from the heart. That's why this is your home.
G. Neri (Tru & Nelle (Tru & Nelle, #1))
(We loved Mother too, completely, but we were finding out, as Father was too, that it is good for parents and for children to be alone now and then with one another...the man alone or the woman, to sound new notes in the mysterious music of parenthood and childhood.) That night I not only saw my Father for the first time as a person. I saw the golden hills and the live oaks as clearly as I have ever seen them since; and I saw the dimples in my little sister's fat hands in a way that still moves me because of that first time; and I saw food as something beautiful to be shared with people instead of as a thrice-daily necessity.
M.F.K. Fisher (The Gastronomical Me)
He who lives to see two or three generations is like a man who sits some time in the conjurer's booth at a fair, and witnesses the performance twice or thrice in succession. The tricks were meant to be seen only once; and when they are no longer a novelty and cease to deceive, their effect is gone.
Arthur Schopenhauer (Studies in Pessimism: The Essays)
None of us are ordinary – we just settle into ordinary lives.
Dianna Hardy (The Spell of Summer (Once Times Thrice, #1))
Happy, thrice happy, every one Who sees his labor well begun, And not perplexed and multiplied, By idly waiting for time and tide!
Henry Wadsworth Longfellow (Favorite Poems)
Thrice blessed. Thrice cursed.
Lauren J.A. Bear (Medusa's Sisters)
Keep creating new chapters in your personal book and never stop re-inventing and perfecting yourself. Try new things. Pick up new hobbies and books. Travel and explore other cultures. Never stay in the same city or state for more than five years of your life. There are many heavens on earth waiting for you to discover. Seek out people with beautiful hearts and minds, not those with just beautiful style and bodies. The first kind will forever remain beautiful to you, while the other will grow stale and ugly. Learn a new language at least twice. Change your career at least thrice, and change your location often. Like all creatures in the wild, we were designed to keep moving. When a snake sheds its old skin, it becomes a more refined creature. Never stop refining and re-defining yourself. We are all beautiful instruments of God. He created many notes in music so we would not be stuck playing the same song. Be music always. Keep changing the keys, tones, pitch, and volume of each of the songs you create along your journey and play on. Nobody will ever reach ultimate perfection in this lifetime, but trying to achieve it is a full-time job. Start now and don't stop. Make your book of life a musical. Never abandon obligations, but have fun leaving behind a colorful legacy. Never allow anybody to be the composer of your own destiny. Take control of your life, and never allow limitations implanted by society, tell you how your music is supposed to sound — or how your book is supposed to be written.
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
O benefit of ill! Now I find true That better is by evil still made better; And ruin'd love, when it is built anew, Grows fairer than at first, more strong, far greater. So I return rebuk'd to my content, And gain by ills thrice more than I have spent.
William Shakespeare (Shakespeare's Sonnets)
Came the visions of icy beauty, from the land of death where they dwell. Pursuing their prize and grisly duty, came the thieves of the charm and spell. The bells chimed thrice, and death came a-calling. Alluring of shape though seldom seen, they traveled the breeze on a spark. some fed twigs to their newborn queen, while others invaded the dark. the bells chimed thrice, and death came a-calling. some they called and others they kissed as they traveled on river and wave. with resolve they came and did insist: every one touched to a grave. the bells chimed thrice, and death came a-calling. roving to hunt and gathering to dance, they practiced their dark desires by casting a hex and a beautiful trance, before feeding the queen's new fires. the bells chimed thrice, and death came a-calling. till he parted the falls and the bells chimed thrice, till he issued the calls and demanded the price. the bells chimed thrice and death met the mountain. they charmed and embraced and they tried to extoll but he bade them in grace and demanded a soul. the bells fell silent and the mountain slew them all. and the mountain entombed them all.
Terry Goodkind (Soul of the Fire (Sword of Truth, #5))
A minute afterwards he appeared upon the upper platform, still bearing the gipsy [sic] in his arms, still running wildly along, still shouting 'Sanctuary!' and the crowd still applauding. At last he made a third appearance on the summit of the tower of the great bell. From thence he seemed to show exultingly to the whole city the fair creature he had saved; and his thundering voice, that voice which was heard so seldom, and which he never heard at all, thrice repeated with frantic vehemence, even in the very clouds, 'Sactuary! Sanctuary! Sanctuary! The Hunchback of Notre Dame
Victor Hugo
It is time,' he said, 'to collect on my wager.' He moved slowly. First, his hands sliding round me and cool light-colored hair drifting against my cheek, and then softly, so softly, the brush of lips against my brow, my eyes, and then my lips. Once, twice, thrice, but not closer. The sensations - like starfire - that glowed through me chased away from my head all thoughts save one, to close that last distance between us. I locked my fingers round his neck and pulled his face again down to mine.
Sherwood Smith (Court Duel (Crown & Court, #2))
The only thing I need is for you to be happy. I'll wait right here, until my last breath, for you to be happy.
Dianna Hardy (Summer's End (Once Times Thrice, #2))
Growing up is like that, I suppose. The strings fall away and you're left standing on your own.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
There is a certain type of person to whom a closed door is a challenge—a dare, a taunt, a glove thrown down—and I am one of them. A closed door is more than a mystery to be solved: It's an insult. A slap in the face.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Either to die the death or to abjure For ever the society of men. Therefore, fair Hermia, question your desires; Know of your youth, examine well your blood, Whether, if you yield not to your father's choice, You can endure the livery of a nun, For aye to be in shady cloister mew'd, To live a barren sister all your life, Chanting faint hymns to the cold fruitless moon. Thrice-blessed they that master so their blood, To undergo such maiden pilgrimage; But earthlier happy is the rose distill'd, Than that which withering on the virgin thorn Grows, lives and dies in single blessedness.
William Shakespeare (A Midsummer Night’s Dream)
We were immortal, did you know that? Did you feel it like me? We had the world at our feet and we were going to live forever. Then came life – growing inside you – and I became mortal.
Dianna Hardy (Summer's End (Once Times Thrice, #2))
Giving someone the benefit of the doubt is not so simple as it sounds. What it means, in fact, is being charitable--which, as the vicar is fond of pointing out, is the most difficult of the graces to master. Faith and hope are a piece of cake but charity is a Pandora's box: the monster in the cistern which, when the lid is opened, comes swarming out to seize you by the throat.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Happy is the man who knows how to distinguish the real from the unreal, the eternal from the transient and the good from the pleasant by his discrimination and wisdom. Twice blessed is he who knows true love and can love all God's creatures. He who works selflessly for the welfare of others with love in his heart is thrice blessed. But the man who combines within his mortal frame knowledge, love and selfless service is holy and becomes a place of pilgrimage.
B.K.S. Iyengar (Light on Yoga)
A spirit I am indeed,   But am in that dimension grossly clad   Which from the womb I did participate.   Were you a woman, as the rest goes even,   I should my tears let fall upon your cheek,   And say, ‘Thrice welcome, drownèd Viola.
William Shakespeare
He admired bears because everyone was afraid to disturb them while they slept and fish were so in love with bears that they jumper right into their mouths. He ate meat and never felt bad about it unless he saw how the animal was slaughtered or if the meat was not cooked properly but he thought thrice about killing bus.
Robb Todd
[339] Vita femina. To see the ultimate beauties in a work-all knowledge and good-will is not enough; it requires the rarest, good chance for the veil of clouds to move for once from the summits, and for the sun to shine on them. We must not only stand at precisely the right place to see this, our very soul itself must have pulled away the veil from its heights, and must be in need of an external expression and simile, so as to have a hold and remain master of itself. All these, however, are so rarely united at the same time that I am inclined to believe that the highest summit of all that is good, be it work, deed, man, or nature, has hitherto remained for most people, and even for the best, as something concealed and shrouded-that, however, which unveils itself to us, unveils itself to us but once. The Greeks indeed prayed: "Twice and thrice, everything beautiful!" Ah, they had their good reason to call on the Gods, for ungodly actuality does not furnish us with the beautiful at all, or only does so once! I mean to say that the world is overfull of beautiful things, but it is nevertheless poor, very poor, in beautiful moments, and in the unveiling of those beautiful things. But perhaps this is the greatest charm of life: it puts a gold- embroidered veil of lovely potentialities over itself, promising, resisting, modest, mocking, sympathetic, seductive. Yes, life is a woman!
Friedrich Nietzsche (The Gay Science: With a Prelude in Rhymes and an Appendix of Songs)
What was joy, anyway. What was the worth of happiness that left behind a crater thrice the size of its impact. What did people who spoke of joy know of what it meant, to sleep and dream only of the whistle of planes and knocks at the door and on windows and to wake with a hand at one's throat— one's own hand, at one's own throat. What did they know of not speaking for days, of not having known the touch of another, never having known, of want and of not having felt the press of skin to one's own, and what did they know of a house that only ever emptied out. Of animals dying and fathers dying and mothers dying and finding bullet holes in the barks of trees right below hearts carved around names of people who weren't there and the bloody lip of a sibling and what did what did she know— of what could she possibly know of what it—
Yael van der Wouden (The Safekeep)
Long ago there was a man that was crucified for being too loving and too lovable. And strange to relate I met him thrice yesterday. The first time he was asking a policeman to not take a prostitute to prison; the second time he was drinking wine with an outcast; and the third time he was having a fist-fight with a promoter inside a church
Kahlil Gibran (Sand and Foam)
Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
Anne Bannerman (Poems by Anne Bannerman.)
. . . and there was for a moment an unbreakable bond between us: the eternal bond of chemistry. I glowed with all the fire of a newborn galaxy.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
The first step in gaining the upper hand is always to seize the moral high ground, and to be able to do this with no more than a single word is nothing short of genius.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
As anybody with two older sisters can tell you, a closed door is like a red rag to a bull. It cannot go unchallenged.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Love is love, wherever you may find it—even when it's covered in feathers.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Caesar. Nor heaven nor earth have been at peace to-night.      Thrice
William Shakespeare (Julius Caesar: Ignatius Critical Editions)
His dear face - his thrice-broken nose, his summer eyes.
Helen Oyeyemi (Mr. Fox)
Fool me once, shame on you fool me twice, shame on me fool me thrice, I'm gonna get the frying pan!
Anthony Liccione
People fall in love differently. Some twice,some thrice And there are some who fall in love only once and cherish it for a lifetime.
Ishita Ghosh
I will continue to write moral stories in rhymed couplets. But I should be thrice a fool if I did it for aught but my own entertainment.
W. Somerset Maugham (The Moon and Sixpence (Unabridged Start Publishing LLC))
And the Morrigan, I noted, had been right about thrice-cursed trickster gods. They were torrential fucksluices spraying their happy juices on the innocent and the damned alike.
Kevin Hearne (Tricked (The Iron Druid Chronicles, #4))
He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains.
James Joyce (Ulysses and Dubliners)
Are you trying to get me killed?” he exclaimed. “Your father would kill me, then your mother, and then the king. I’d be thrice dead!
Leia Stone (The Ruthless Fae King (Kings of Avalier, #3))
Solemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains.
James Joyce (Ulysses and Dubliners)
Forget the old advice to think twice. Superforecasters often think thrice—and sometimes they are just warming up to do a deeper-dive analysis.
Philip E. Tetlock (Superforecasting: The Art and Science of Prediction)
I’ve done it to you thrice.
Adalyn Grace (Wisteria (Belladonna #3))
How fortunate were you, thrice fortunate and more, whose luck it was to die under the high walls of Troy before your parents' eyes!
Virgil (The Aeneid)
I do not encourage early morning chirpiness, even in those I love. It is generally a sign of a sloppy mind, and is not to be encouraged....Flavia de Luce - Thrice the Brinded Cat Hath Mew'd
Alan Bradley
    Thus while he spake, each passion dimm'd his face   Thrice chang'd with pale, ire, envie and despair,   Which marrd his borrow'd visage, and betraid   Him counterfet, if any eye beheld.
John Milton (Paradise Lost)
Thrice rung the bell, the slipper knock'd the ground,   And the press'd watch return'd a silver sound.   Belinda still her downy pillow prest,   Her guardian SYLPH prolong'd the balmy rest:
Alexander Pope (The Rape of the Lock and Other Poems)
The use of reading, Gibbon says somewhere, is to aid us in thinking. I have always disagreed with Gibbon over that; he may have used literature to help him think, but for me, often, and for most of the human race I reckon (since I have no reason to think myself unique) books can be a mind-stupefying drug, employed to banish thought, not to invoke it. When I am unhappy I can sink into a novel as into unconsciousness. Blessed War and Peace, thrice blessed Mansfield Park; how many potential suicides have their pages distracted and soothed and entertained past the danger point?
Joan Aiken (Foul Matter (Ribs of Death, #2))
STREPSIADES. So the rear of a gnat is a trumpet. Oh! what a splendid discovery! Thrice happy Socrates! ‘Twould not be difficult to succeed in a law-suit, knowing so much about the gut of a gnat!
Aristophanes (The Clouds)
There is no perfect trinity, for three connotes competition. Power struggles. Favoritism and loneliness. We were almost not a trio; although now that she is gone, neither of us feels like a duo. We are not twins, nor will we ever be. Our third was the center, and when we lost her, we also failed each other, collapsing inward upon ourselves. A broken triplet. Thrice blessed. Thrice cursed.
Lauren J.A. Bear
I think dismissing female pain as overly familiar or somehow out-of-date--twice-told, thrice-told, 1,001-nights-told--masks deeper accusations: that suffering women are playing victim, going weak, or choosing self-indulgence over bravery. I think dismissing wounds offers a convenient excuse: no need to struggle with the listening or telling anymore. Plug it up. Like somehow our task is to inhabit the jaded aftermath of terminal self-awareness once the story of all pain has already been told.
Leslie Jamison (The Empathy Exams)
... How would you open my chest if you had a mind to?" Bast's expression grew slightly apprehensive. "Your thrice-locked chest, Reshi?" Kvothe looked at his student, the laughter bubbled up out of him. "My what?" he asked incredulously. Bast blushed and looked down. "That's just how I think of it," he mumbled. "As names go..." Kvothe hesitated, a smile playing around his mouth. "Well it's a little storybook, don't you think?" "You're the one who made the thing, Reshi," Bast said sullenly. "Three locks and fancy wood and all that. It's not my fault if it sounds storybook." Kvothe leaned forward and rested an apologetic hand on Bast's knee. "It's a fine name, Bast. Just caught me off my guard is all." He leaned back again. "So. How would you attempt to plunder the thrice-locked chest of Kvothe the Bloodless?
Patrick Rothfuss (The Wise Man's Fear (The Kingkiller Chronicle, #2))
...The one with the power to vanquish the Dark Lord approaches… born to those who have thrice defied him, born as the seventh month dies… and the Dark Lord will mark him as his equal, but he will have power the Dark Lord knows not… and either must die at the hand of the other for neither can live while the other survives… the one with the power to vanquish the Dark Lord will be born as the seventh month dies…
Mayuri Das
How could I tell Clarence that finding another dead body was anything but dreadful? On the contrary: it was thrilling; it was exciting; it was exhilarating, it was invigorating; to say nothing of electrifying and above all, satisfying. How could I tell the dear man that murder made me feel so gloriously alive?
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
I urge you to come on feet faster than the wind, Come and rise over my breast and take root in me and plough me. And no matter what befalls you while we're entwined, Don't let me go until you've flushed me thrice.
Somaiya Daud (Mirage (Mirage, #1))
olemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. Then, catching sight of Stephen Dedalus, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, equine in its length, and at the light untonsured hair, grained and hued like pale oak.
James Joyce (Ulysses)
Let us watch these mighty ones as they pass silently by. First, Orpheus, playing upon the seven stringed lyre of his own being, the music of the spheres. Then Hermes, the thrice greatest, with his emerald tablet of divine revelation. Through the shades of the past we dimly see Krishna, the illuminated, who on the battlefield of life taught man the mysteries of his own soul. Then we see the sublime Buddha, his yellow robe not half so glorious as the heart it covered, and our own dear Master, the man Jesus, his head surrounded with a halo of Golden Flame, and his brow serene with the calm of mastery. Then Mohammed, Zoroaster, Confucius, Odin, and Moses, and others no less worthy pass by before the eyes of the student They were the Sons of Flame. From the Flame they came, and to the Flame they have returned. To us they beckon, and bid us join them, and in our robes of self-earned glory to serve the Flame they love. They were without creed or clan; they served but the one great ideal. From the same place they all came, and to the same place they have returned. There was no superiority there. Hand in hand they labor for humanity. Each loves the other, for the power that has made them masters has shown them the Brotherhood of all life.
Manly P. Hall (The Initiates of the Flame (Fully Illustrated))
This is a repository of ideas, dissertations from geniuses, not a library packed with lies and fictions!
Robert W. Walker (Thrice Told Tales)
People who turn pages with licked fingers are as bad as those who wipe their noses on the table linen
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
He gave me the kind of skeptical look that I expect to get from Saint Peter on judgement day.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Here's what I say - when you don't know or can't know the answer to a question, why not believe the answer you like best? It's as valid as any of the others - and it might be right.
Jean Ferris (Thrice Upon a Marigold (Upon a Marigold, #3))
Inside the envelope was a second envelope with two hundred and forty dollars wrapped inside a carbon copy of a bill marked paid and signed by the previous owner’s wife. I counted it thrice to be accurate. Again for the pleasure. Then just to feel joy. Oh my, sweet goddamn. Sweetest goddamn. I sat for a few minutes doing nothing but feeling the money in my hands.
G.M. Monks (Iola O)
Playing the clown is not an easy task. Clowns, I have come to believe, are placed upon the earth solely to fill the needs of others, while running perilously close to “Empty” themselves.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
I want to know who I am before it is too late—before I am no longer the same person—before I become someone different. Although there are days when this seems a furious race against time, there are others when it seems to matter not a tinker's curse.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
...today, I’m writing about the extraordinary; those ‘moments’ in life that reach us, and change us. Those moments take place all the time, really – it’s just that we’re taught not to notice. We’re taught that whims are for the foolish; that instinct and passion are more akin to fairy tales than reality; that they won’t get us very far, and everyone would laugh at us if they knew what we really held close to our hearts. It’s a lie we allow ourselves, and it’s understandable. But it’s simply not true.
Dianna Hardy (The Spell of Summer (Once Times Thrice, #1))
I was trying to look at the positive in a very dreary situation. After all, the woman you have to marry nearly killed you thrice!" "Ah, yes. Thank you for the reminder. I shall be sure to shout “‘til death do us part" quite proudly, knowing it will be quite soon in seeking me out.
Rachel Van Dyken (The Devil Duke Takes a Bride (The House of Renwick, #4))
I have a feeling I’ll never see you again. Those had been Safi’s last words to him. Thrice-damn her, though—she hadn’t meant them. She’d just expressed what had been roiling in her gut after their lips had touched. It wasn’t meant to come true. Merik Nihar could not actually be dead.
Susan Dennard (Windwitch (The Witchlands, #2))
He had for two years been a suitor of Violet Effingham, who was the acknowledged beauty of the day, — of Violet Effingham who, at the present time, was the wife of Lord Chiltern; and he had offered himself thrice to Madame Max Goesler, who was reputed to be as rich as she was beautiful
Anthony Trollope (Complete Works of Anthony Trollope)
Failure Because God put His adamantine fate Between my sullen heart and its desire, I swore that I would burst the Iron Gate, Rise up, and curse Him on His throne of fire. Earth shuddered at my crown of blasphemy, But Love was as a flame about my feet; Proud up the Golden Stair I strode; and beat Thrice on the Gate, and entered with a cry -- All the great courts were quiet in the sun, And full of vacant echoes: moss had grown Over the glassy pavement, and begun To creep within the dusty council-halls. An idle wind blew round an empty throne And stirred the heavy curtains on the walls.
Rupert Brooke (The Collected Poems)
Thrice happy she that is so well assured Unto herself and settled so in heart That neither will for better be allured Ne fears to worse with any chance to start, But like a steddy ship doth strongly part The raging waves and keeps her course aright; Ne aught for tempest doth from it depart, Ne aught for fairer weather's false delight. Such self-assurance need not fear the spight Of grudging foes; ne favour seek of friends; But in the stay of her own stedfast might Neither to one herself nor other bends. Most happy she that most assured doth rest, But he most happy who such one loves best.
Edmund Spenser
I don’t think of faith as something you need to have in the world, or in some deity or religion or whatever; I think having faith is about trusting in yourself, and trusting that you’ll know what to do when life gets complicated. I’m not scared of complications. But I am scared of walking away from something I want with every fibre of my being, without even trying to have it.
Dianna Hardy (The Spell of Summer (Once Times Thrice, #1))
I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other.
Ta-Nehisi Coates (Between the World and Me (One World Essentials))
Daenerys, I am thrice your age,” Ser Jorah said. “I have seen how false men are. Very few are worthy of trust, and Daario Naharis is not one of them. Even his beard wears false colors.” That angered her. “Whilst you have an honest beard, is that what you are telling me? You are the only man I should ever trust?
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
What infinite heart's-ease Must kings neglect, that private men enjoy! And what have kings, that privates have not too, Save ceremony, save general ceremony? And what art thou, thou idle ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? what are thy comings in? O ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Think'st thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose; I am a king that find thee, and I know 'Tis not the balm, the sceptre and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced title running 'fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world, No, not all these, thrice-gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave, Who with a body fill'd and vacant mind Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell, But, like a lackey, from the rise to set Sweats in the eye of Phoebus and all night Sleeps in Elysium; next day after dawn, Doth rise and help Hyperion to his horse, And follows so the ever-running year, With profitable labour, to his grave: And, but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace, Whose hours the peasant best advantages.
William Shakespeare (Henry V)
Thrice damned she howls like Cerberus to the night Guarding virtues that lie like forgotten stains On oaken floors that pave the willow lined paths of the past That lead to a meadow filled with the detritus of wasted love Rotting under a forgotten sun that no longer shines In a heart gone cold therein lies the haste of anger.
Neil Leckman
Thrice, to the mighty heave-ho of his invisible tossers, he would fly up in this fashion, and the second time he would go higher than the first and then there he would be, on his last and loftiest flight, reclining, as if for good, against the cobalt blue of the summer noon, like one of those paradisiac personages who comfortably soar, with such a wealth of folds in their garments, on the vaulted ceiling of a church while below, one by one, the wax tapers in mortal hands light up to make a swarm of minute flames in the mist of incense, and the priest chants of eternal repose, and funeral lilies conceal the face of whoever lies there, among the swimming lights, in the open coffin.
Vladimir Nabokov (Speak, Memory: An Autobiography Revisited)
She was like a queen who beholds the virgin soil of her kingdom invaded and wasted by a traitor. Any other thing she would have pardoned: infidelity, indifference, cruelty, any sins of manhood's caprice or passion, but who should pardon this? The sin was not alone against herself; it was against every law of decency and truth that ever she had been taught to hold sacred; it was against all those great dead, who lay with the cross on their breasts and their swords by their side, from whom she had received and treasured the traditions of honor and purity of race. It was those dead knights whom he had smote upon the mouth and mocked, crying to them: 'Lo! your place is mine; my sons will reign in your stead. I have tainted your race forever; for every my blood flows with yours!' The greatness of a race is a thing far higher than mere pride. Its instincts are noble and supreme. Its obligations are no less than its privileges; it is a great light which streams backward through the darkness of the ages, and if by that light you guide not your footsteps, then are you thrice accursed, holding as you do that lamp of honor in your hands. So she had always thought, and now he had dashed the lamp in the dust. --"Wanda
Ouida
Twice or thrice had I loved thee, Before I knew thy face or name; So in a voice, so in a shapeless flame, Angels affect us oft, and worshipped be; Still when, to where thou wert, I came, Some lovely glorius nothing I did see, But since my soul, whose child love is, Takes limbs of flesh, and else could nothing do, More subtle than a parent is Love must not be, but take a body too, And therefore what thou wert, and who I bid love ask, and now That it assume thy body, I allow, And fix itself in thy lip, eye, and brow.
John Donne (The Complete English Poems)
I recalled that inward sensation I had experienced: for I could recall it, with all its unspeakable strangeness. I recalled the voice I had heard; again I questioned whence it came, as vainly as before: it seemed in ME--not in the external world. I asked was it a mere nervous impression--a delusion? I could not conceive or believe: it was more like an inspiration. The wondrous shock of feeling had come like the earthquake which shook the foundations of Paul and Silas's prison; it had opened the doors of the soul's cell and loosed its bands--it had wakened it out of its sleep, whence it sprang trembling, listening, aghast; then vibrated thrice a cry on my startled ear, and in my quaking heart and through my spirit, which neither feared nor shook, but exulted as if in joy over the success of one effort it had been privileged to make, independent of the cumbrous body.
Charlotte Brontë (Jane Eyre)
I firmly believe it is by sharing such stupid moments as these that we grow into someone other than who we used to be, and I was already feeling an inch taller.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Poise was keeping your knees and your lips together, your eyebrows and your nostrils apart.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
People who turn pages with licked fingers are as bad as those who wipe their noses on the table linen...
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
It is not the dead who are to be feared, I thought, but rather the living. Only the living can cast you down among the dead.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Carpe Diam forever after.
Jean Ferris (Thrice Upon a Marigold (Upon a Marigold, #3))
Although Fate loves coincidences, it does not chew its cabbage twice.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Van Helsing more than sensed the coming alive of the undead creature trapped inside the icy coffin. He saw it now. Seeping from a bad seal between compartments, a wisp of fucking smoke.
Robert W. Walker (Thrice Told Tales)
...for happy, thrice happy, shall they be pronounced hereafter, who have contributed anything, who have performed the meanest Office, in erecting this Stupendious Fabrick of Freedom & Empire, on the broad basis of Independency; who have assisted in protecting the rights of human nature, and establishing an Asylum for the poor, and oppressed of all nations and Religions.
George Washington
How does life get to be like this? Where she wears her sister's castoff underlinen and a thrice-patched dress while men like Kalaphates go about in silk and velvet with servants trotting behind? While foreigners like these have basins of milk and courtyards of geese and a different coat for every feast day? She feels a scream building inside her, a shriek to shatter glass.
Anthony Doerr (Cloud Cuckoo Land)
Fathers and mothers are too absorbed in business and housekeeping to study their children, and cherish that sweet and natural confidence which is a child's surest safeguard, and a parent's subtlest power. So the young hearts hide trouble or temptation till the harm is done, and mutual regret comes too late. Happy the boys and girls who tell all things freely to father or mother, sure of pity, help, and pardon; and thrice happy the parents who, out of their own experience, and by their own virtues, can teach and uplift the souls for which they are responsible.
Louisa May Alcott
Your country? How came it yours? Before the Pilgrims landed we were here. Here we have brought our three gifts and mingled them with yours: a gift of story and song—soft, stirring melody in an ill-harmonized and unmelodious land; the gift of sweat and brawn to beat back the wilderness, conquer the soil, and lay the foundations of this vast economic empire two hundred years earlier than your weak hands could have done it; the third, a gift of the Spirit. Around us the history of the land has centred for thrice a hundred years; out of the nation's heart we have called all that was best to throttle and subdue all that was worst; fire and blood, prayer and sacrifice, have billowed over this people, and they have found peace only in the altars of the God of Right. Nor has our gift of the Spirit been merely passive. Actively we have woven ourselves with the very warp and woof of this nation,—we fought their battles, shared their sorrow, mingled our blood with theirs, and generation after generation have pleaded with a headstrong, careless people to despise not Justice, Mercy, and Truth, lest the nation be smitten with a curse. Our song, our toil, our cheer, and warning have been given to this nation in blood-brotherhood. Are not these gifts worth the giving? Is not this work and striving? Would America have been America without her Negro people?
W.E.B. Du Bois (The Souls of Black Folk)
Forget, too, the lamb-y, metaphor-male, the groinless, bourgeois Jesus, with his Easter-egg, candy-store-window eyes ogling the cruciform crosspiece of his eyebrows. If you meet such a Christ on the way, kill him. Do you wish to love? Do you wish to love? Leave love. Love nothing. Life is dark; life is dark at the no-place of the shocked heart cut two by the bone-handled, thrice-bladed Word.
Tim Lilburn (Tourist to ecstasy)
...Hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool’s paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century a new generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer, “Make me a healthy animal.” But here you escape this tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, “the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on...
George Bernard Shaw (Man and Superman)
When King Mark heard of the death of these two lovers, he crossed the sea and came into Brittany; and he had two coffins hewn, for Tristan and Iseult, one of chalcedony for Iseult, and one of beryl for Tristan. And he took their beloved bodies away with him upon his ship to Tintagel, and by a chantry to the left and right of the apse he had their tombs built round. But in one night there sprang from the tomb of Tristan a green leafy briar, strong in branches and in the scent of its flowers. It climbed the chantry and fell to root again by Iseult's tomb. Thrice did the peasants cut it down, but thrice it grew again as flowered and as strong. They told the marvel to King Mark, and he forbade them to cut the briar any more.
Joseph Bédier (The Romance of Tristan and Iseult (Vintage Classics))
Let us imagine a coming generation with such intrepidity of vision, with such a heroic penchant for the tremendous; let us imagine the bold stride of these dragon-slayers, the proud audacity with which they turn their back on all the weakling's doctrines of optimism in order to 'live resolutely' in wholeness and fullness: would it not be necessary for the tragic man of such a culture, in view of his self-education for seriousness and terror, to desire a new art, the art of metaphysical comfort, to desire tragedy as his own proper Helen, and to exclaim with Faust: Should not my longing overleap the distance And draw the fairest form into existence?" "Would it not be necessary?"--No, thrice no! O you young romantics: it would not be necessary! But it is highly probably that it will end that way, that you end that way--namely, "comforted," as it is written, in spite of all self-education for seriousness and terror, "comforted metaphysically"--in sum, as romantics end, as Christians.
Friedrich Nietzsche (The Birth of Tragedy / The Case of Wagner)
He took the sacramental chalice, and stretching forth his bare arm, cried in a loud voice, 'Come ye viewless ministers of this dread hour! come from the fenny lake, the hanging rock, and the midnight cave! The moon is red - the stars are out - the sky is burning - and all nature stands aghast at what we do!' Then replacing the sacred vessel on the altar, he drew, one by one, from different parts of his body, from his knotted hair, from his bosom, from beneath his nails, the unholy things which he cast into it. 'This,' said he, 'I plucked from the beak of a raven feeding on a murderer's brains! This is the mad dog's foam! These the spurgings of a dead man's eyes, gathered since the rising of the evening star! This is a screech-owl's egg! This a single drop of black blood, squeezed from the heart of a sweltered toad! This, an adder's tongue! And here, ten grains of the gray moss that grew upon a skull which had lain in the charnel-house three hundred years! What! Not yet?' And his eyes seemed like balls of fire as he cast them upwards. 'Not yet? I call ye once! I call ye twice! Dare ye deny me! Nay, then, as I call ye thrice, I'll wound mine arm, and as it drops, I'll breathe a spell shall cleave the ground and drag you here!' ("The Forsaken Of God")
William Mudford (Reign of Terror: Great Victorian Horror Stories)
How strange is it that our beloved finds its way to us in everything? The orange moon, a freckle, the smell of coffee— are all bridges to the one we desire. How does our beloved find us in this way? Or are we the ones instead who find our beloved in everything? Our intense want of them necessitates the nearness of them. And so we seek beauty only to be flooded with the beauty of our beloved. And we write ellipses on the page only to be thrice reminded of the freckle below their lips...
Kamand Kojouri
Then I saw the keyboard of an organ which filled one whole side of the walls. On the desk was a music-book covered with red notes. I asked leave to look at it and read, ‘Don Juan Triumphant.’ ‘Yes,’ he said, 'I compose sometimes.’ I began that work twenty years ago. When I have finished, I shall take it away with me in that coffin and never wake up again.’ 'You must work at it as seldom as you can,’ I said. He replied, 'I sometimes work at it for fourteen days and nights together, during which I live on music only, and then I rest for years at a time.’ 'Will you play me something out of your Don Juan Triumphant?’ I asked, thinking to please him. 'You must never ask me that,’ he said, in a gloomy voice. 'I will play you Mozart, if you like, which will only make you weep; but my Don Juan, Christine, burns; and yet he is not struck by fire from Heaven.’ Thereupon we returned to the drawing-room. I noticed that there was no mirror in the whole apartment. I was going to remark upon this, but Erik had already sat down to the piano. He said, 'You see, Christine, there is some music that is so terrible that it consumes all those who approach it. Fortunately, you have not come to that music yet, for you would lose all your pretty coloring and nobody would know you when you returned to Paris. Let us sing something from the Opera, Christine Daae.’ He spoke these last words as though he were flinging an insult at me.” “What did you do?” “I had no time to think about the meaning he put into his words. We at once began the duet in Othello and already the catastrophe was upon us. I sang Desdemona with a despair, a terror which I had never displayed before. As for him, his voice thundered forth his revengeful soul at every note. Love, jealousy, hatred, burst out around us in harrowing cries. Erik’s black mask made me think of the natural mask of the Moor of Venice. He was Othello himself. Suddenly, I felt a need to see beneath the mask. I wanted to know the FACE of the voice, and, with a movement which I was utterly unable to control, swiftly my fingers tore away the mask. Oh, horror, horror, horror!” Christine stopped, at the thought of the vision that had scared her, while the echoes of the night, which had repeated the name of Erik, now thrice moaned the cry: “Horror! … Horror! … Horror!
Gaston Leroux (The Phantom of the Opera)
Phoebe was thinking, Insubordinate. What a lovely word. And when was the last time she'd heard a nice-looking young man use it? Why-never, that's when. What a treat. And to have a ruler who could say conscientious and citizenry in the same sentence. Lovely.
Jean Ferris (Thrice Upon a Marigold (Upon a Marigold, #3))
In the same way, I saw our General once approach the table in a stolid, important manner. A lacquey darted to offer him a chair, but the General did not even notice him. Slowly he took out his money bags, and slowly extracted 300 francs in gold, which he staked on the black, and won. Yet he did not take up his winnings—he left them there on the table. Again the black turned up, and again he did not gather in what he had won; and when, in the third round, the RED turned up he lost, at a stroke, 1200 francs. Yet even then he rose with a smile, and thus preserved his reputation; yet I knew that his money bags must be chafing his heart, as well as that, had the stake been twice or thrice as much again, he would still have restrained himself from venting his disappointment.
Fyodor Dostoevsky (The Gambler)
Solemnly he came forward and mounted the round gunrest. He faced about and blessed gravely thrice the tower, the surrounding land and the awaking mountains. Then, catching sight of Stephen Dedalus, he bent towards him and made rapid crosses in the air, gurgling in his throat and shaking his head. Stephen Dedalus, displeased and sleepy, leaned his arms on the top of the staircase and looked coldly at the shaking gurgling face that blessed him, equine in its length, and at the light untonsured hair, grained and hued like pale oak.
James Joyce (Ulysses)
She unscrews the cap, sniffs it, and then shrugs, dumping the entire contents into the bubbling brew. “It could be marjoram, but it might be mushrooms. I had a bottle of poisonous, green ones I dried out last winter on the solstice. Oh well.” Leaning out over the cauldron, she stirs thrice counterclockwise, using the wooden spoon with a handle about as tall as she is. Then she scoops a bit and brings it to her mouth for a taste. “No!” Jason and I scream at the same time. She blinks at us. “What?” “You just put something that may be poisonous in there,” I say.
Rita J. Webb (Playing Hooky (Paranormal Investigations, #1))
The fairest state of them all, this tranquil and beloved domain—what has it now become? A nursery for Mississippi, Alabama, Arkansas. A monstrous breeding farm to supply the sinew to gratify the maw of Eli Whitney’s infernal machine, cursed be that blackguard’s name! In such a way is our human decency brought down, when we pander all that is in us noble and just to the false god which goes by the vile name of Capital! Oh, Virginia, woe betide thee! Woe, thrice woe, and ever damned in memory be the day when poor black men in chains first trod upon thy sacred strand!
William Styron (The Confessions of Nat Turner)
In the stillest hour of the night, as I lay half asleep, my seven selves sat together and thus conversed in whispers: First Self: Here, in this madman, I have dwelt all these years, with naught to do but renew his pain by day and recreate his sorrow by night. I can bear my fate no longer, and now I rebel. Second Self: Yours is a better lot than mine, brother, for it is given to me to be this madman's joyous self. I laugh his laughter and sing his happy hours, and with thrice winged feet I dance his brighter thoughts. It is I that would rebel against my weary existence. Third Self: And what of me, the love-ridden self, the flaming brand of wild passion and fantastic desires? It is I the love-sick self who would rebel against this madman. Fourth Self: I, amongst you all, am the most miserable, for naught was given me but odious hatred and destructive loathing. It is I, the tempest-like self, the one born in the black caves of Hell, who would protest against serving this madman. Fifth Self: Nay, it is I, the thinking self, the fanciful self, the self of hunger and thirst, the one doomed to wander without rest in search of unknown things and things not yet created; it is I, not you, who would rebel. Sixth Self: And I, the working self, the pitiful labourer, who, with patient hands, and longing eyes, fashion the days into images and give the formless elements new and eternal forms- it is I, the solitary one, who would rebel against this restless madman. Seventh Self: How strange that you all would rebel against this man, because each and every one of you has a preordained fate to fulfil. Ah! could I but be like one of you, a self with a determined lot! But I have none, I am the do-nothing self, the one who sits in the dumb, empty nowhere and nowhen, while you are busy re-creating life. Is it you or I, neighbours, who should rebel? When the seventh self thus spake the other six selves looked with pity upon him but said nothing more; and as the night grew deeper one after the other went to sleep enfolded with a new and happy submission. But the seventh self remained watching and gazing at nothingness, which is behind all things.
Kahlil Gibran
queen herself noted that Silverwing “does not like this Wall.” Though it was summer and the Wall was weeping, the chill of the ice could still be felt whenever the wind blew, and every gust would make the dragon hiss and snap. “Thrice I flew Silverwing high above Castle Black, and thrice I tried to take her north beyond the Wall,” Alysanne wrote to Jaehaerys, “but every time she veered back south again and refused to go. Never before has she refused to take me where I wished to go. I laughed about it when I came down again, so the black brothers would not realize anything was amiss, but it troubled me then and it troubles me still.
George R.R. Martin
Then turn around thrice, widdershins"?' 'Widdershins is anticlockwise, Richard.' He turned, three times, feeling stupid. 'Look, why do I have to do all this, just to see your friend. I mean, all this nonsense...' 'It's not nonsense. Really. Just - humour me on this, OK?' And she had smiled at him. He stopped turning. Then he walked down the alley to the end. Nothing. No one. Just a metal dustbin, and beside it something that might have been a pile of rags. 'Hello?' called Richard. 'Is anyone here? I'm Door's friend. Hello?' No. There was no one there. Richard was rather relieved. Now he could go home and explain to the girl that nothing had happened.
Neil Gaiman (Neverwhere (London Below, #1))
Air and Angels Twice or thrice had I loved thee, Before I knew thy face or name; So in a voice, so in a shapeless flame, Angels affect us oft, and worshipped be; Still when, to where thou wert, I came, Some lovely glorious nothing I did see. But since my soul, whose child love is, Takes limbs of flesh, and else could nothing do, More subtle than the parent is, Love must not be, but take a body too; And therefore what thou wert, and who, I bid love ask, and now That it assume thy body I allow, And fix itself to thy lip, eye, and brow. Whilst thus to ballast love I thought, And so more steadily to have gone, With wares which would sink admiration, I saw I had love's pinnace overfraught Every thy hair for love to work upon Is much too much, some fitter must be sought; For, nor in nothing, nor in things Extreme and scatt'ring bright, can love inhere. Then as an angel, face and wings Of air, not pure as it, yet pure doth wear, So thy love may be my love's sphere. Just such disparity As is 'twixt air and angel's purity, 'Twixt women's love and men's will ever be.
John Donne
Mr. Sambridge possessed a remarkably good mouthful of natural teeth for someone his age, whether ritually maintained or expensively corrected I could not tell. As someone who has spent hours of agony strapped down in Dr. Frankenstein's chamber of dental horrors in Farrington Street, I could only respect—and hate—anyone who still possessed such a spotless set of choppers.
Alan Bradley (Thrice the Brinded Cat Hath Mew'd (Flavia de Luce, #8))
Then humming thrice, he assumed a most ridiculous solemnity of aspect, and entered into a learned investigation of the nature of stink...The French were pleased with the putrid effluvia of animal food; and so were the Hottentots in Africa, and the Savages in Greenland; and that the Negroes on the coast of Senegal would not touch fish till it was rotten; strong presumptions in favour of what is generally called stink, as those nations are in a state of nature, undebauched by luxury, unseduced by whim and caprice: that he had reason to believe the stercoraceous flavour, condemned by prejudice as a stink, was, in fact, most agreeable to the organs of smelling; for, that every person who pretended to nauseate the smell of another's excretions, snuffed up his own with particular complacency...
Tobias Smollett (The Expedition of Humphry Clinker)
I hope that I will never let you down. I know that this can be more than just flashing lights and sound. Look around and you'll see that at times it feels like no one really cares. It gets me down but I'm still gonna try to do what's right. I know that there's a difference between sleight of hand, and giving everything you have. There's a line drawn in the sand. I'm working up the will to cross it.
Thrice
George meanwhile, with his hat on one side, his elbows squared, and his swaggering martial air, made for Bedford Row, and stalked into the attorney’s offices as if he was lord of every pale-faced clerk who was scribbling there. He ordered somebody to inform Mr. Higgs that Captain Osborne was waiting, in a fierce and patronizing way, as if the pekin of an attorney, who had thrice his brains, fifty times his money, and a thousand times his experience, was a wretched underling who should instantly leave all his business in life to attend on the Captain’s pleasure. He did not see the sneer of contempt which passed all round the room, from the first clerk to the articled gents, from the articled gents to the ragged writers and white-faced runners, in clothes too tight for them, as he sate there tapping his boot with his cane, and thinking what a parcel of miserable poor devils these were. The miserable poor devils knew all about his affairs. They talked about them over their pints of beer at their public-house clubs to other clerks of a night. Ye gods, what do not attorneys and attorneys’ clerks know in London! Nothing is hidden from their inquisition, and their families mutely rule our city.
William Makepeace Thackeray (Vanity Fair)
Were I a man,” she struck a fencing pose and swept her hand before her as if it held a razor-sharp rapier, “I’d fix him thus!” She stabbed once, twice, thrice, then whipped the imaginary tip across her victim’s throat. Delicately she wiped the phantom blade and restored it to an equally airy scabbard. “Were I a man,” she straightened to stare pensively through the window, “I’d assure myself that braggart knew the error of his ways and henceforth would bend to seek his fortune in some other corner of the world.” She caught her reflection in the crystal panes and folding her hands, struck a demure pose. “Alas, a brawling lad I am not, but a mere woman.” She turned her head from side to side to inspect the carefully arranged raven tresses, then smiled wisely at her image. “Thus my weapons must be my wit and tongue.” -Erienne
Kathleen E. Woodiwiss (A Rose in Winter)
I think we must only a few of us go," Laurence said, low. "I will take a few volunteers - " "Oh, the devil you will!" Granby exclaimed furiously. "No, this time I damned well put my foot down, Laurence. Send you off to go scrambling about in that warren with no notion where you are going, and nothing more likely than running into a dozen guards round every corner; I should like to see myself do it. I am not going back to England to tell them I sat about twiddling my thumbs whilst you got yourself cut to pieces. Temeraire, you are not to let him go, do you hear me? He is sure to be killed; I give you my word." "If the party are sure to be killed, I am not going to let anyone go!" Temeraire said, in high alarm, and sat up sharp, quite prepared to physically hold anyone back who made an attempt to leave. "Temeraire, this is plain exaggeration," Laurence said. "Mr. Granby, you overstate the case, and you overstep your bounds." "Well, I don't," Granby said defiantly. "I have bit my tongue a dozen times over, because I know it is wretched hard to sit about watching and you haven't been trained up to it, but you are a captain, and you must be more careful of your neck. It isn't only your own but the Corps' affair if you snuff it, and mine too." "If I may," Tharkay said quietly, interrupting when Laurence would have remonstrated further with Granby, "I will go; alone I am reasonably sure I can find a way to the eggs, without rousing any alarm, and then I can return and guide the rest of the party there." "Tharkay," Laurence said, "this is no service you owe us; I would not order even a man under oath of arms to undertake it, without he were willing." "But I am willing," Tharkay gave his faint half-smile, "and more likely to come back whole from it than anyone else here." "At the cost of running thrice the risk, going and coming back and going again," Laurence said, "with a fresh chance of running into the guards every time through." "So it is very dangerous, then," Temeraire said, overhearing to too much purpose, and pricking up his ruff further. "You are not to go, at all, Granby is quite right; and neither is anyone else." "Oh, Hell," Laurence said, under his breath. "It seems there is very little alternative to my going," Tharkay said. "Not you either!" Temeraire contradicted, to Tharkay's startlement, and settled down as mulish as a dragon could look; and Granby had folded his arms and wore an expression very similar. Laurence had ordinarily very little inclination to profanity, but he was sorely tempted on this occasion. An appeal to Temeraire's reason might sway him to allow a party to make the attempt, if he could be persuaded to accept the risk as necessary for the gain, like a battle; but he would surely balk at seeing Laurence go, and Laurence had not the least intention of sending men on so deadly an enterprise if he were not going himself, Corps rules be damned.
Naomi Novik (Black Powder War (Temeraire, #3))
our knowledge physical, metaphysical, physiological, polemical, nautical, mathematical, ænigmatical, technical, biographical, romantical, chemical, and obstetrical, with fifty other branches of it, (most of ’em ending, as these do, in ical) have, for these two last centuries and more, gradually been creeping upwards towards that Aκμ4 of their perfections, from which, if we may form a conjecture from the advances of these last seven years, we cannot possibly be far off. When that happens, it is to be hoped, it will put an end to all kind of writings whatsoever;—the want of all kind of writing will put an end to all kind of reading;—and that in time, As war begets poverty, poverty peace,5——must, in course, put an end to all kind of knowledge,—and then——we shall have all to begin over again; or, in other words, be exactly where we started. ———Happy! thrice
Laurence Sterne (The Life and Opinions of Tristram Shandy, Gentleman)
I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little fears without foundation, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. Today, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then --how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself.
Daphne du Maurier (Rebecca)
I am glad it cannot happen twice, the fever of first love. For it is a fever, and a burden, too, whatever the poets may say. They are not brave, the days when we are twenty-one. They are full of little cowardices, little fears without foundations, and one is so easily bruised, so swiftly wounded, one falls to the first barbed word. To-day, wrapped in the complacent armour of approaching middle age, the infinitesimal pricks of day by day brush one but lightly and are soon forgotten, but then—how a careless word would linger, becoming a fiery stigma, and how a look, a glance over a shoulder, branded themselves as things eternal. A denial heralded the thrice crowing of a cock, and an insincerity was like the kiss of Judas. The adult mind can lie with untroubled conscience and a gay composure, but in those days even a small deception scoured the tongue, lashing one against the stake itself.
Daphne du Maurier (Rebecca)
57. Omniscience and bliss, and mature wisdom, Remaining independent, limitless strength — Attaining all these, he shines ever, the Self without afflictions. With an immaculate body, he, as the Self, merges in Siva. 58. Japa of the name, worship, bathing in holy waters, ritual sacrifices, None of these or others are needed. The fruits of dharma and adharma, Water oblations to forefathers, None of these are for him. 59. No injunctions for observance, no fasts, Nothing required by way of getting into or out of (any action), No vows of celibacy for him, know this. 60. Not having any recourse to falling into the fire or water, Or falling from the mountain top, Enjoy the feast of the Knowledge of Siva, eternal and pure. Rid of the rules applying to all creation, move about as you please. 61. I tell you this is the Truth, the Truth, the Truth, thrice over. There is nothing greater than this, Nothing greater is there to be known, Nothing at all, nowhere ever.
Ramana Maharshi (The Collected Works of Sri Ramana Maharshi)
From that the talk turned to the great hoard itself and to the things that Thorin and Balin remembered. They wondered if they were still lying there unharmed in the hall below: the spears that were made for the armies of the great King Bladorthin (long since dead), each had a thrice-forged head and their shafts were inlaid with cunning gold, but they were never delivered or paid for; shields made for warriors long dead; the great golden cup of Thror, two-handed, hammered and carven with birds and flowers whose eyes and petals were of jewels; coats of mail gilded and silvered and impenetrable; the necklace of Girion, Lord of Dale, made of five hundred emeralds green as grass, which he gave for the arming of his eldest son in a coat of dwarf-linked rings the like of which had never been made before, for it was wrought of pure silver to the power and strength of triple steel. But fairest of all was the great white gem, which the dwarves had found beneath the roots of the Mountain, the Heart of the Mountain, the Arkenstone of Thrain.
J.R.R. Tolkien (The Hobbit)
[Professor Greene's] reaction to GAMAY, as published in the Yale Daily News, fairly took one's breath away. He fondled the word "fascist" as though he had come up with a Dead Sea Scroll vouchsafing the key word to the understanding of God and Man at Yale. In a few sentences he used the term thrice. "Mr. Buckley has done Yale a great service" (how I would tire of this pedestrian rhetorical device), "and he may well do the cause of liberal education in America an even greater service, by stating the fascist alternative to liberalism. This fascist thesis . . . This . . . pure fascism . . . What more could Hitler, Mussolini, or Stalin ask for . . . ?" (They asked for, and got, a great deal more.) What survives, from such stuff as this, is ne-plus-ultra relativism, idiot nihlism. "What is required," Professor Greene spoke, "is more, not less tolerance--not the tolerance of indifference, but the tolerance of honest respect for divergent convictions and the determination of all that such divergent opinions be heard without administrative censorship. I try my best in the classroom to expound and defend my faith, when it is relevant, as honestly and persuasively as I can. But I can do so only because many of my colleagues are expounding and defending their contrasting faiths, or skepticisms, as openly and honestly as I am mine." A professor of philosophy! Question: What is the 1) ethical, 2) philosophical, or 3) epistemological argument for requiring continued tolerance of ideas whose discrediting it is the purpose of education to effect? What ethical code (in the Bible? in Plato? Kant? Hume?) requires "honest respect" for any divergent conviction?
William F. Buckley Jr. (God and Man at Yale: The Superstitions of 'Academic Freedom')
ANA. Thank you: I am going to heaven for happiness. I have had quite enough of reality on earth. DON JUAN. Then you must stay here; for hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heroes and heroines, saints and sinners; but they are dragged down from their fool’s paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century anew generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer “Make me a healthy animal.” But here you escape this tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless. There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions. Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama. As our German friend put it in his poem, “the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on”—without getting us a step farther. And yet you want to leave this paradise!
George Bernard Shaw (Don Juan in Hell: From Man and Superman)
To the enormous majority of persons who risk themselves in literature, not even the smallest measure of success can fall. They had better take to some other profession as quickly as may be, they are only making a sure thing of disappointment, only crowding the narrow gates of fortune and fame. Yet there are others to whom success, though easily within their reach, does not seem a thing to be grasped at. Of two such, the pathetic story may be read, in the Memoir of A Scotch Probationer, Mr. Thomas Davidson, who died young, an unplaced Minister of the United Presbyterian Church, in 1869. He died young, unaccepted by the world, unheard of, uncomplaining, soon after writing his latest song on the first grey hairs of the lady whom he loved. And she, Miss Alison Dunlop, died also, a year ago, leaving a little work newly published, Anent Old Edinburgh, in which is briefly told the story of her life. There can hardly be a true tale more brave and honourable, for those two were eminently qualified to shine, with a clear and modest radiance, in letters. Both had a touch of poetry, Mr. Davidson left a few genuine poems, both had humour, knowledge, patience, industry, and literary conscientiousness. No success came to them, they did not even seek it, though it was easily within the reach of their powers. Yet none can call them failures, leaving, as they did, the fragrance of honourable and uncomplaining lives, and such brief records of these as to delight, and console and encourage us all. They bequeath to us the spectacle of a real triumph far beyond the petty gains of money or of applause, the spectacle of lives made happy by literature, unvexed by notoriety, unfretted by envy. What we call success could never have yielded them so much, for the ways of authorship are dusty and stony, and the stones are only too handy for throwing at the few that, deservedly or undeservedly, make a name, and therewith about one-tenth of the wealth which is ungrudged to physicians, or barristers, or stock-brokers, or dentists, or electricians. If literature and occupation with letters were not its own reward, truly they who seem to succeed might envy those who fail. It is not wealth that they win, as fortunate men in other professions count wealth; it is not rank nor fashion that come to their call nor come to call on them. Their success is to be let dwell with their own fancies, or with the imaginations of others far greater than themselves; their success is this living in fantasy, a little remote from the hubbub and the contests of the world. At the best they will be vexed by curious eyes and idle tongues, at the best they will die not rich in this world’s goods, yet not unconsoled by the friendships which they win among men and women whose faces they will never see. They may well be content, and thrice content, with their lot, yet it is not a lot which should provoke envy, nor be coveted by ambition.
Andrew Lang (How to Fail in Literature: A Lecture)
When, without the bitterness of impotent rebellion, we have learnt both to resign ourselves to the outward rules of Fate and to recognise that the non-human world is unworthy of our worship, it becomes possible at last so to transform and refashion the unconscious universe, so to transmute it in the crucible of imagination, that a new image of shining gold replaces the old idol of clay. In all the multiform facts of the world--in the visual shapes of trees and mountains and clouds, in the events of the life of man, even in the very omnipotence of Death--the insight of creative idealism can find the reflection of a beauty which its own thoughts first made. In this way mind asserts its subtle mastery over the thoughtless forces of Nature. The more evil the material with which it deals, the more thwarting to untrained desire, the greater is its achievement in inducing the reluctant rock to yield up its hidden treasures, the prouder its victory in compelling the opposing forces to swell the pageant of its triumph. Of all the arts, Tragedy is the proudest, the most triumphant; for it builds its shining citadel in the very centre of the enemy's country, on the very summit of his highest mountain; from its impregnable watchtowers, his camps and arsenals, his columns and forts, are all revealed; within its walls the free life continues, while the legions of Death and Pain and Despair, and all the servile captains of tyrant Fate, afford the burghers of that dauntless city new spectacles of beauty. Happy those sacred ramparts, thrice happy the dwellers on that all-seeing eminence. Honour to those brave warriors who, through countless ages of warfare, have preserved for us the priceless heritage of liberty, and have kept undefiled by sacrilegious invaders the home of the unsubdued.
Bertrand Russell
He left his shoes on the mat, mounted the stair unshod. Caroline stole after, with noiseless step. There was a gallery, and there was a passage; at the end of that passage Martin paused before a door and tapped. He had to tap twice—thrice. A voice, known to one listener, at last said, "Come in." The boy entered briskly. "Mr. Moore, a lady called to inquire after you. None of the women were about. It is washing-day, and the maids are over the crown of the head in soap-suds in the back kitchen, so I asked her to step up." "Up here, sir?" "Up here, sir; but if you object, she shall go down again." "Is this a place or am I a person to bring a lady to, you absurd lad?" "No; so I'll take her off." "Martin, you will stay here. Who is she?" "Your grandmother from that château on the Scheldt Miss Moore talks about." "Martin," said the softest whisper at the door, "don't be foolish." 508"Is she there?" inquired Moore hastily. He had caught an imperfect sound. "She is there, fit to faint. She is standing on the mat, shocked at your want of filial affection." "Martin, you are an evil cross between an imp and a page. What is she like?" "More like me than you; for she is young and beautiful." "You are to show her forward. Do you hear?" "Come, Miss Caroline." "Miss Caroline!" repeated Moore.
Charlotte Brontë (Shirley)
I wanted to check on you one last time . . . see if you needed anything,” she whispered, stopping in the center of the room. “Have you come to give me my orders?” There was a hint of a smile in his voice as he moved to stand before her, arms still crossed. “Orders?” she echoed. “Don’t look out the window. Don’t climb onto the roof. Don’t go below.” She tried to smile, surprised at his easy manner, but her sense of impending disaster only deepened. “I have no heart for a frolic tonight. The soldiers are simply too close.” He looked down at her, studying her small form smothered in moss green wool. She pulled her scarlet shawl closer around her, chilled by the cold bedroom. She could hear Pa calling her but made no move to go. Distracted, her eyes fell to his feet. He wore the shoepacks he’d made as they’d sat together about the fire these long winter nights, just the three of them in a warm circle of firelight—she, he, and Pa. That was what she craved—quiet companionship about the fire, not the forced frivolity before her. She swallowed down a sigh, a bit startled when he put his hands on her shoulders. In the dimness, his face held a rare pensiveness. “Do you forgive me, Morrow?” The heartfelt words returned her to the autumn day he’d first asked. “Forgive you?” she echoed. “Do you forgive me—for my father’s people?” The humble question, now thrice asked, seemed to resound to the far corners of the room. Her lips parted in answer, but no sound came. She had a keen awareness of her own thudding heart. The pressure of his hands. The warmth in his eyes. Below, the frolic seemed to fade away. “Yes.
Laura Frantz (Courting Morrow Little)
Ernst of Edelsheim I'll tell the story, kissing   This white hand for my pains: No sweeter heart, nor falser   E'er filled such fine, blue veins. I'll sing a song of true love,   My Lilith dear! to you; Contraria contrariis—   The rule is old and true. The happiest of all lovers   Was Ernst of Edelsheim; And why he was the happiest,   I'll tell you in my rhyme. One summer night he wandered   Within a lonely glade, And, couched in moss and moonlight,   He found a sleeping maid. The stars of midnight sifted   Above her sands of gold; She seemed a slumbering statue,   So fair and white and cold. Fair and white and cold she lay   Beneath the starry skies; Rosy was her waking   Beneath the Ritter's eyes. He won her drowsy fancy,   He bore her to his towers, And swift with love and laughter   Flew morning's purpled hours. But when the thickening sunbeams   Had drunk the gleaming dew, A misty cloud of sorrow   Swept o'er her eyes' deep blue. She hung upon the Ritter's neck, S he wept with love and pain, She showered her sweet, warm kisses   Like fragrant summer rain. "I am no Christian soul," she sobbed,   As in his arms she lay; "I'm half the day a woman,   A serpent half the day. "And when from yonder bell-tower   Rings out the noonday chime, Farewell! farewell forever,   Sir Ernst of Edelsheim!" "Ah! not farewell forever!"   The Ritter wildly cried, "I will be saved or lost with thee,   My lovely Wili-Bride!" Loud from the lordly bell-tower   Rang out the noon of day, And from the bower of roses   A serpent slid away. But when the mid-watch moonlight   Was shimmering through the grove, He clasped his bride thrice dowered   With beauty and with love. The happiest of all lovers   Was Ernst of Edelsheim— His true love was a serpent   Only half the time!
John Hay (Poems)
Upon the King! Let us our lives, our souls, Our debts, our careful wives, Our children, and our sins, lay on the King! We must bear all. O hard condition, Twin-born with greatness, subject to the breath Of every fool, whose sense no more can feel But his own wringing! What infinite heart's ease Must kings neglect that private men enjoy! And what have kings that privates have not too, Save ceremony- save general ceremony? And what art thou, thou idol Ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? What are thy comings-in? O Ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree, and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Thinks thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose. I am a king that find thee; and I know 'Tis not the balm, the sceptre, and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced tide running fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world- No, not all these, thrice gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave Who, with a body fill'd and vacant mind, Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell; But, like a lackey, from the rise to set Sweats in the eye of Pheebus, and all night Sleeps in Elysium; next day, after dawn, Doth rise and help Hyperion to his horse; And follows so the ever-running year With profitable labour, to his grave. And but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace Whose hours the peasant best advantages.
William Shakespeare (Henry V)
All Night, All Night Rode in the train all night, in the sick light. A bird Flew parallel with a singular will. In daydream's moods and attitudes The other passengers slumped, dozed, slept, read, Waiting, and waiting for place to be displaced On the exact track of safety or the rack of accident. Looked out at the night, unable to distinguish Lights in the towns of passage from the yellow lights Numb on the ceiling. And the bird flew parallel and still As the train shot forth the straight line of its whistle, Forward on the taut tracks, piercing empty, familiar -- The bored center of this vision and condition looked and looked Down through the slick pages of the magazine (seeking The seen and the unseen) and his gaze fell down the well Of the great darkness under the slick glitter, And he was only one among eight million riders and readers. And all the while under his empty smile the shaking drum Of the long determined passage passed through him By his body mimicked and echoed. And then the train Like a suddenly storming rain, began to rush and thresh-- The silent or passive night, pressing and impressing The patients' foreheads with a tightening-like image Of the rushing engine proceeded by a shaft of light Piercing the dark, changing and transforming the silence Into a violence of foam, sound, smoke and succession. A bored child went to get a cup of water, And crushed the cup because the water too was Boring and merely boredom's struggle. The child, returning, looked over the shoulder Of a man reading until he annoyed the shoulder. A fat woman yawned and felt the liquid drops Drip down the fleece of many dinners. And the bird flew parallel and parallel flew The black pencil lines of telephone posts, crucified, At regular intervals, post after post Of thrice crossed, blue-belled, anonymous trees. And then the bird cried as if to all of us: 0 your life, your lonely life What have you ever done with it, And done with the great gift of consciousness? What will you ever do with your life before death's knife Provides the answer ultimate and appropriate? As I for my part felt in my heart as one who falls, Falls in a parachute, falls endlessly, and feel the vast Draft of the abyss sucking him down and down, An endlessly helplessly falling and appalled clown: This is the way that night passes by, this Is the overnight endless trip to the famous unfathomable abyss.
Delmore Schwartz
[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.
Suetonius (The Twelve Caesars)
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)