Wing Mirror Quotes

Here is a list of terrible things, The jaws of sharks, a vultures wings The rabid bite of the dogs of war, The voice of one who went before, But most of all the mirror's gaze, Which counts us out our numbered days.

For her I changed pebbles into diamonds, shoes into mirrors, I changed glass into water, I gave her wings and pulled birds from her ears and in her pockets she found the feathers, I asked a pear to become a pineapple, a pineapple to become a lightbulb, a lightbulb to become the moon, and the moon to become a coin I flipped for her love...

She is a woman of honour and smartness whose wild leaves out luck, always taking risks, and there is something in her brow now, that only she can recognize in a mirror. Ideal and idealistic in that shiny dark hair! People fall in love with her. She is a woman I don’t know well enough to hold in my wing, if writers have wings, to harbour for the rest of my life.

His invitation lingers. So does my question. Why me? I don't know the answer. When I look at myself in the mirror, all I see is a starving, stunted bird who never grew wings and lost all reason to sing.

Oh God, Mae," said Jamie in a hollow voice, descending the stairs. "I will never drink again. I'm only seeing in black and white. My arms feel all floppy, like flightless wings. I caught a glimpse of myself in the mirror and I looked like a very sad penguin.

The door opened. She looked in the mirror and suppressed a curse. Slipping in behind some tourists, that winged shadow was back again. Karou rose and made for the bathroom, where she took the note that Kishmish had come to deliver. Again it bore a single word. But this time the word was Please.

Maybe you saw her first? Caught a glimpse between the lines, between the letters, like a ghost in the mirror, a ghost in the wings?

After that day when I saw the elephant, I let myself see more and believe more. It was a game I played with myself. When I told Alma the things I saw she would laugh and tell me she loved my imagination. For her I changed pebbles into diamonds, shoes into mirrors, I changed glass into water, I gave her wings and pulled birds from her ears and in her pockets she found the feathers, I asked a pear to become a pineapple, a pineapple to become a lightbulb, a lightbulb to become the moon, and the moon to become a coin I flipped for her love, both sides were heads: I knew I couldn't lose.

He remembered the time he had hooked one of a pair of marlin. The male fish always let the female fish feed first and the hooked fish, the female, made a wild, panic-stricken, despairing fight that soon exhausted her, and all the time the male had stayed with her, crossing the line and circling with her on the surface. He had stayed so close that the old man was afraid he would cut the line with his tail which was sharp as a scythe and almost of that size and shape. When the old man had gaffed her and clubbed her, holding the rapier bill with its sandpaper edge and clubbing her across the top of her head until her colour turned to a colour almost like the backing of mirrors, and then, with the boy’s aid, hoisted her aboard, the male fish had stayed by the side of the boat. Then, while the old man was clearing the lines and preparing the harpoon, the male fish jumped high into the air beside the boat to see where the female was and then went down deep, his lavender wings, that were his pectoral fins, spread wide and all his wide lavender stripes showing. He was beautiful, the old man remembered, and he had stayed.

I thought I was growing wings— it was a cocoon. I thought, now is the time to step into the fire— it was deep water. Eschatology is a word I learned as a child: the study of Last Things; facing my mirror—no longer young, the news—always of death, the dogs—rising from sleep and clamoring and howling, howling.... ("Seeing For a Moment")

As long as I can hear the sweet melody of your words, I need not; The angel’s secret, to be whispered in my ears As long as I can lace your silky fingers round my own, I need not; Pretty diamonds, nor big cash nor gold As long as I can watch the handsome sunshine of your face, I need not; Open skies, nor snowfall, nor the rain As long as I can gaze into the emeralds of your eyes, I need not; New colors, new wings or paradise As long as I can feel the tender tickle of your breath, I need not; The drifting wind, nor its call, nor caress As long as I can feel your soft lips upon mine, I need not; Melted sugar, nor the most expensive of wines As long as I can feel your warm body close to me I need not; A blanket, nor a bonfire's luxury As long as I can see you every morning I wake, I need not; A mirror, nor a cloud, nor shade As long as I can keep you in every petal of memories I need not: Dreams, nor desires, nor fantasies And as long as I can hold you in every moment that I breathe, I need not; Oxygen, nor blood, nor heartbeats.

This is why I don’t need mirrors; I can see my reflection in the eyes of everyone around me. My face always finds me.

Picture yourself when you were five. in fact, dig out a photo of little you at that time and tape it to your mirror. How would you treat her, love her, feed her? How would you nurture her if you were the mother of little you? I bet you would protect her fiercely while giving her space to spread her itty-bitty wings. she’d get naps, healthy food, imagination time, and adventures into the wild. If playground bullies hurt her feelings, you’d hug her tears away and give her perspective. When tantrums or meltdowns turned her into a poltergeist, you’d demand a loving time-out in the naughty chair. From this day forward I want you to extend that same compassion to your adult self.

Love at first sight is a hypnosis: I am fascinated by an image: at first shaken, electrified, stunned, "paralysed" as Menon was by Socrates, the model of loved objects, of captivating images, or again converted by an apparition, nothing distinguishing the path of enamoration from the Road to Damascus; subsequently ensnared, held fast, immobilised, nose stuck to the image (the mirror). In that moment when the other's image comes to ravish me for the first time, I am nothing more than the Jesuit Athanasius Kirchner's wonderful Hen: feet tied, the hen went to sleep with her eyes fixed on the chalk line, which was traced not far from her beak; when she was untied, she remained motionless, fascinated, "submitting to her vanquisher," as the Jesuit says (1646); yet, to waken her from her enchantment, to break off the violence of her Image-repertoire (vehemens animalis imaginatio), it was enough to tap her on the wing; she shook herself and began pecking in the dust again.

Your grief for what you've lost lifts a mirror up to where you're bravely working. Expecting the worst, you look, and instead, here's the joyful face you've been wanting to see. Your hand opens and closes and opens and closes. If it were always a fist or always stretched open, you would be paralyzed. Your deepest presence is in every small contracting and expanding, the two as beautifully balanced and coordinated as bird wings.

For deep love unsatisfied is the hell of noble hearts and a portion of the accursed, but love that is mirrored back more perfect from the soul of our desired doth fashion wings to lift us above ourselves, and makes us what we might be.

He disdains such cowardly acts as looking in wing mirrors or using his indicators.

At times poetry is the vertigo of bodies and the vertigo of speech and the vertigo of death; the walk with eyes closed along the edge of the cliff, and the verbena in submarine gardens; the laughter that sets on fire the rules and the holy commandments; the descent of parachuting words onto the sands of the page; the despair that boards a paper boat and crosses, for forty nights and forty days, the night-sorrow sea and the day-sorrow desert; the idolatry of the self and the desecration of the self and the dissipation of the self; the beheading of epithets, the burial of mirrors; the recollection of pronouns freshly cut in the garden of Epicurus, and the garden of Netzahualcoyotl; the flute solo on the terrace of memory and the dance of flames in the cave of thought; the migrations of millions of verbs, wings and claws, seeds and hands; the nouns, bony and full of roots, planted on the waves of language; the love unseen and the love unheard and the love unsaid: the love in love.

And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.

Nonetheless, when it finally ended and the hairdressers left and Tess insisted upon pulling her to the mirror, Fire saw, and understood, that everyone had done the job well. The dress, deep shimmering purple and utterly simple in design, was so beautifully-cut and so clingy and well-fitting that Fire felt slightly naked. And her hair. She couldn’t follow what they’d done with her hair, braids thin as threads in some places, looped and wound through the thick sections that fell over her shoulders and down her back, but she saw that the end result was a controlled wildness that was magnificent against her face, her body, and the dress. She turned to measure the effect on her guard - all twenty of them, for all had roles to play in tonight’s proceedings, and all were awaiting her orders. Twenty jaws hung slack with astonishment - even Musa’s, Mila’s, and Neel’s. Fire touched their minds, and was pleased, and then angry, to find them open as the glass roofs in July. ‘Take hold of yourselves,’ she snapped. ‘It’s a disguise, remember? This isn’t going to work if the people meant to help me can’t keep their heads.’ ‘It will work, Lady Granddaughter.’ Tess handed Fire two knives in ankle holsters. ‘You’ll get what you want from whomever you want. Tonight King Nash would give you the Winged River as a present, if you asked for it. Dells, child - Prince Brigan would give you his best warhorse.

didn’t patronize him. It took me seconds. And when I wrenched him close, when I prepared my killing blow, that one remaining eye met mine, as if looking into a mirror. “I’m glad it was you,” he said, quietly. And I made sure my aim was true as I slid my blade right into his heart.

Japan Today I pass the time reading a favorite haiku, saying the few words over and over. It feels like eating the same small, perfect grape again and again. I walk through the house reciting it and leave its letters falling through the air of every room. I stand by the big silence of the piano and say it. I say it in front of a painting of the sea. I tap out its rhythm on an empty shelf. I listen to myself saying it, then I say it without listening, then I hear it without saying it. And when the dog looks up at me, I kneel down on the floor and whisper it into each of his long white ears. It’s the one about the one-ton temple bell with the moth sleeping on its surface, and every time I say it, I feel the excruciating pressure of the moth on the surface of the iron bell. When I say it at the window, the bell is the world and I am the moth resting there. When I say it into the mirror, I am the heavy bell and the moth is life with its papery wings. And later, when I say it to you in the dark, you are the bell, and I am the tongue of the bell, ringing you, and the moth has flown from its line and moves like a hinge in the air above our bed.

He disdains such cowardly acts as looking in wing mirrors or using his indicators. His Ambassador is his chariot, his klaxon his sword. Weaving into the oncoming traffic, playing ‘chicken’ with the other taxis, Balvinder Singh is a Raja of the Road.

Liberty On my notebooks from school On my desk and the trees On the sand, on the snow I write your name On every page read On all the white sheets Stone blood paper or ash I write your name On the golden images On the soldier’s weapons On the crowns of kings I write your name On the jungle, the desert The nests and the bushes On the echo of childhood I write your name On the wonder of nights On the white bread of days On the seasons engaged I write your name On all my blue rags On the pond mildewed sun On the lake living moon I write your name On the fields, the horizon The wings of the birds On the windmill of shadows I write your name On the foam of the clouds On the sweat of the storm On dark insipid rain I write your name On the glittering forms On the bells of colour On physical truth I write your name On the wakened paths On the opened ways On the scattered places I write your name On the lamp that gives light On the lamp that is drowned On my house reunited I write your name On the bisected fruit Of my mirror and room On my bed’s empty shell I write your name On my dog greedy tender On his listening ears On his awkward paws I write your name On the sill of my door On familiar things On the fire’s sacred stream I write your name On all flesh that’s in tune On the brows of my friends On each hand that extends I write your name On the glass of surprises On lips that attend High over the silence I write your name On my ravaged refuges On my fallen lighthouses On the walls of my boredom I write your name On passionless absence On naked solitude On the marches of death I write your name On health that’s regained On danger that’s past On hope without memories I write your name By the power of the word I regain my life I was born to know you And to name you LIBERTY

THE ROBIN O Robin, sing! for the secret of eternity is in song. I wish I were as you, free from prisons and chains. I wish I were as you; a soul flying over the valleys, Sipping the light as wine is sipped from ethereal cups. I wish I were asyou, innocent, contented and happy Ignoring the future and forgetting the past. I wish I were as you in beauty, grace and elegance With the wind spreading my wings for adornment by the dew. I wish I were as you in beauty, a thought floating above the land Pouring out my songs between the forest and the sky. O Robin, sing! and disperse my anxiety. I listen to the voice within your voice that whispers in my inner ear;

Cass Mastern lived for a few years and in that time he learned that the world is all of one piece. He learned that the world is like an enormous spider web and if you touch it, however lightly, at any point, the vibration ripples to the remotest perimeter and the drowsy spider feels the tingle and is drowsy no more but spring out to fling the gossamer coils about you who have touched the web and then inject the black, numbing poison under your hide. It does not matter whether or not you meant to brush the web of things. You happy foot or you gay wing may have brushed it ever so lightly, but what happens always happens and there is the spider, bearded black and with his great faceted eyes glittering like mirrors in the sun, or like God's eye, and the fangs dripping.

Nesta let out a low laugh. 'If you want someone to blame for all of this,' she said to Tamlin, 'perhaps you should first look in the mirror.' Tamlin snarled at her. Cassian snarled right back, 'Watch it.' Tamlin looked between my sister and Cassian- his gaze lingering on Cassian's wings, tucked in behind him. Snorted. 'Seems like other preferences run in the Archeron family, too.

Know the world from end to end is a mirror; in each atom a hundred suns are concealed. If you pierce the heart of a single drop of water, from it will flow a hundred clear oceans; if you look intently at each speck of dust, in it you will see a thousand beings. A gnat in its limbs is like an elephant; in name a drop of water resembles the Nile. In the heart of a barleycorn is stored a hundred harvests. Within a millet-seed a world exists. In an insects wing is an ocean of life. A heaven is concealed in the pupil of an eye. The core at the center of the heart is small, yet the Lord of both worlds will enter there.

When they had understood the hoopoe's words, A clamour of complaint rose from the birds: 'Although we recognize you as our guide, You must accept - it cannot be denied - We are a wretched, flimsy crew at best, And lack the bare essentials for this quest. Our feathers and our wings, our bodies' strength Are quite unequal to the journey's length; For one of us to reach the Simorgh's throne Would be miraculous, a thing unknown. [...] He seems like Solomon, and we like ants; How can mere ants climb from their darkened pit Up to the Simorgh's realm? And is it fit That beggars try the glory of a king? How ever could they manage such a thing?' The hoopoe answered them: 'How can love thrive in hearts impoverished and half alive? "Beggars," you say - such niggling poverty Will not encourage truth or charity. A man whose eyes love opens risks his soul - His dancing breaks beyond the mind's control. [...] Your heart is not a mirror bright and clear If there the Simorgh's form does not appear; No one can bear His beauty face to face, And for this reason, of His perfect grace, He makes a mirror in our hearts - look there To see Him, search your hearts with anxious care.

Trading old broken mirrors that feed lies into our souls for new mirrors of freedom requires choices.

Love The Wild Swan I hate my verses, every line, every word. Oh pale and brittle pencils ever to try One grass-blade's curve, or the throat of one bird That clings to twig, ruffled against white sky. Oh cracked and twilight mirrors ever to catch One color, one glinting Hash, of the splendor of things. Unlucky hunter, Oh bullets of wax, The lion beauty, the wild-swan wings, the storm of the wings." --This wild swan of a world is no hunter's game. Better bullets than yours would miss the white breast Better mirrors than yours would crack in the flame. Does it matter whether you hate your . . . self? At least Love your eyes that can see, your mind that can Hear the music, the thunder of the wings. Love the wild swan.

There remains a mirror, on the hall wall. If I turn my head so that the white wings framing my face direct my vision towards it, I can see it as I go down the stairs, round, convex, a pier-glass, like the eye of a fish, and myself in it like a distorted shadow, a parody of something, some fairytale figure in a red cloak, descending towards a moment of carelessness that is the same as danger. A Sister, dipped in blood.

He had reached that point—late thirties was common—when one’s parents set off on their downhill journey. Up until that time they had owned whoever they were, whatever they did. Now, little bits of their lives were beginning to fall away or fly off suddenly like the shattered wing mirror from the Major’s car. Then larger parts came away and needed to be gathered or caught mid-air by their children. It was a slow process. Ten

So good to see you again, little luv. How I've missed you." Gasping, I fall to my knees. The Caterpillar and the moth and the winged guy. They are all one and the same. They have been all along... "I've seen that bug," Jeb says. "In your car. On the mirror." He drops the backpack and grips my shoulders, trying to drag me to my feet. My legs won't cooperate. "Tut-tut. You are never to bow to me, lovely Alyssa." The voice drifts from the moth's proboscis on gray puffs of smoke. His attention shifts to Jeb. "You, on the other hand, will bow to her.

As long as I'm between home and the clinic I do all right. But out in the real world, I feel like prey. I slink around and can feel people looking at me. I feel their eyes boring into me. I feel what they're thinking: Watch her, she could go off anytime. But within the walls of my farmhouse, I climb out of the protective shell, my arms slowly rise like a phoenix, and I dance, wail, fly around the room and then collapse, crying, in front of my mirrors. I start to see in the mirror what it is I really look like, instead of what I was trained from the womb to see. I do not write about it. I do not talk about it. I do not know what I am doing. But just like a baby bird, I am blinking once-sealed eyes and unfolding damp wings. I cannot articulate the past. A part of me knows it's there, lurking, just behind what I can acknowledge, but it is not within sight. And I am keeping it that way.

Unwillingly Miranda wakes, Feels the sun with terror, One unwilling step she takes, Shuddering to the mirror. Miranda in Miranda's sight Is old and gray and dirty; Twenty-nine she was last night; This morning she is thirty. Shining like the morning star, Like the twilight shining, Haunted by a calendar, Miranda is a-pining. Silly girl, silver girl, Draw the mirror toward you; Time who makes the years to whirl Adorned as he adored you. Time is timelessness for you; Calendars for the human; What's a year, or thirty, to Loveliness made woman? Oh, Night will not see thirty again, Yet soft her wing, Miranda; Pick up your glass and tell me, then-- How old is Spring, Miranda?

Let go of your anger," I say quietly, echoing the words Gwisin Halmeoni had said to Jennie. "Anger will only make it hurt more. And I know you don't like mirrors, but these are people's homes that you're destroying." She whines and lets out a sad caw-caw. "But it is part of who I am. The curse of my ancestor makes me this way." I stroke her wing feathers, now tucked snugly into her body. "Don' let a curse define who you can and can't be. Only you have the power to decide that.

And Hana moves possibly in the company that is not her choice. She, at even this age, thirty-four, has not found her own company, the ones she wanted. She is a woman of honor and smartness whose wild love leaves out luck, always taking risks, and there is something in her brow now that only she can recognize in a mirror. Ideal and idealistic in that shiny dark hair! People fall in love with her. She still remembers the lines of poems the Englishman read out loud to her from his commonplace book. She is a woman I don't know well enough to hold in my wing, if writers have wings, to harbour for the rest of my life.

Dante had wings. And, holy mother of saints, they were beautiful—soulless jet-black with midnight-blue veins, the color of lost wishes and fallen stardust. He was turned toward his nightstand washing his face, or maybe he was kissing his reflection in the mirror.

All these things have you said of beauty. Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden for ever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and your are the mirror.

THE WEEPING WILLOW Flowing was the water showing in its mirror the willow trees. The weeping willows in the water were washing their hair! Striking the willows with their sparkling, bare swords the red horsemen were running to where the sun sets! Suddenly like a bird as if struck in the wing a wounded horseman rolled down from his horse! He didn't shout, he did'nt call back those who go along, he just looked with brimming eyes at the shining horseshoes of departing riders! O what a pity! What a pity for him that no more he shall lie on the foaming necks of galloping horses, no more he shall play his sword behind the white armies! The sounds of the horseshoes fades away slowly, the horsemen vanish at where the sun sets! Horsemen horsemen red horsemen, their horses winged with wind! Their horses winged with... Their horses winged... Their horses... Horse... Life has passed like the wind winged horsemen! The voice of the flowing water ceased. The shadows shadowed the colours wiped off. Black coverings came down over his blue eyes, the weeping willows hung down over his yellow hair! Weep not weeping willow weep not, in the mirror of the black water clasp not your hands! clasp not your hands! weep not!

Goods and chattel. The words from the leather book came into my head. We were like the gold leaf mirror and the horse saddle. Not full-fledge people. I didn’t believe this, never had believed it a day of my life, but if you listen to white folks long enough, some sad, beat-down part of you starts to wonder. All that pride about what we were worth left me then. For the first time, I felt the hurt and shame of just being who I was. After a while, I went down to the cellar. When mauma saw my raw eyes, she said, “Ain’t nobody can write down in a book what you worth.

It was almost a mystical experience. I do not know how else to put it. My mind outran time as he neared, and it was as though I had an eternity to ponder the approach of this man who was my brother. His garments were filthy, his face blackened, the stump of his right arm raised, gesturing anywhere. The great beast that he rode was striped, black and red, with a wild red mane and tail. But it really was a horse, and its eyes rolled and there was foam at its mouth and its breathing was painful to hear. I saw then that he wore his blade slung across his back, for its haft protruded high above his right shoulder. Still slowing, eyes fixed upon me, he departed the road, bearing slightly toward my left, jerked the reins once and released them, keeping control of the horse with his knees. His left hand went up in a salute-like movement that passed above his head and seized the hilt of his weapon. It came free without a sound, describing a beautiful arc above him and coming to rest in a lethal position out from his left shoulder and slanting back, like a single wing of dull steel with a minuscule line of edge that gleamed like a filament of mirror. The picture he presented was burned into my mind with a kind of magnificence, a certain splendor that was strangely moving. The blade was a long, scythe like affair that I had seen him use before. Only then we had stood as allies against a mutual foe I had begun to believe unbeatable. Benedict had proved otherwise that night. Now that I saw it raised against me I was overwhelmed with a sense of my own mortality, which I had never experienced before in this fashion. It was as though a layer had been stripped from the world and I had a sudden, full understanding of death itself.

Now journeys were not simple matters for Grace; nothing is simple if your mind is a fetch-and-carry wanderer from sliced perilous outer world to secret safe inner world; if when night comes your thought creeps out like a furred animal concealed in the dark, to fine, seize, and kill its food and drag it back to the secret house in the secret world, only to discover that the secret world has disappeared or has so enlarged that it's a public nightmare; if then strange beasts walk upside down like flies on the ceiling; crimson wings flap, the curtains fly; a sad man wearing a blue waistcoat with green buttons sits in the centre of the room, crying because he has swallowed the mirror and it hurts and he burps in flashes of glass and light; if crakes move and cry; the world is flipped, unrolled down in the vast marble stair; a stained threadbare carpet; the hollow silver dancing shoes, hunting-horns...

I'm afraid the Le Livre de l'esprit errance is quite impossible to obtain, mon chéri." Mrs. Rochester dropped her eyes. "He keeps it locked in a room guarded by a three-headed dog, which drops into a pit of strangling vines, followed by a life-or-death life-size game of chess, which opens into a room with a locked door and a hundred keys on wings, and then there's a mirror ..." Branwell gasped. "That's horrible! That poor three-headed dog!" "I bet he just keeps it in his desk," Alexander said. "Are you sure that obstacle course of death isn't something else?" Mrs. Rochester tilted her head. "Oh, I think you're right.

And when I wrenched him close, when I prepared my killing blow, that one remaining eye met mine, as if looking into a mirror. “I’m glad it was you,” he said, quietly.

When I look at myself in the mirror, all I see is a starving, stunted bird who never grew wings and lost all reason sing.

The sexual eagle exults he will gild the earth once more his descending wing his ascending wing sways imperceptibly the sleeves of the peppermint and all the water's adorable undress Days are counted so clearly that the mirror has yielded to a froth of fronds of the sky i see but one star now around us there is only the milk describing its dizzy ellipsis from which sometimes soft intuition with pupils of eyed agate rises to poke its umbrella tip in the mud of the electric light then great reaches cast anchor stretch out in the depths of my closed eyes icebergs radiating the customs of all the worlds yet to come bron from a fragment of you fragment unkown and iced on the wing your existence the giant bouquet escaping fr4om my arms is badly tied it didgs out walls unrolls the stairs of houses loses its leaves in the show windows of the street to gether the news i am always leaving to gather the news the newspaper is glass today and if letters no longer arrive it's that the train has been consumed the great incision of the emerald which gaave birth to the foliage is scarred for always the sawdust of blinding snow and the quarries of flesh are sounding along on the first shelf reversed on this shelf i take the impression of death and life to the liquid air

Kicking off the comfortable slides, she ran from him in bare feet, her arms wide like wings, ropes of hair spilling down her back wildly like a glossy cape. His heart had wings of its own, as if he were a young man again with no weights on his heart, but with the wisdom of his present age to know what a tremendous gift this moment was. He caught up with her, seized her hand. They kept running, both running from shadows but running together, throwing off a light that he reflected might keep those shadows cowering in the past where they belonged.

On the wings of market-friendly feminism, the idea that personal advancement is a subversive form of political progress has been accepted as gospel. The trickiest thing about this idea is that it is incomplete and insufficient without being entirely wrong. The feminist scammer rarely sets out to scam anyone, and would argue, certainly, that she does not belong in this category. She just wants to be successful, to gain the agency that men claim so easily, to have the sort of life she wants. She should be able to have that, shouldn't she? The problem is that a feminism that prioritizes the individual will always, at its core, be at odds with a feminism that prioritizes the collective. The problem is that it is so easy today for a woman to seize upon an ideology she believes in and then exploit it, or deploy it in a way that actually runs counter to that ideology. That is in fact exactly what today's ecosystem of success encourages a woman to do.

Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, "Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us." And the passionate say, "Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us." The tired and the weary say, "Beauty is of soft whisperings. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow." But the restless say, "We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions." At night the watchmen of the city say, "Beauty shall rise with the dawn from the east." And at noontide the toilers and the wayfarers say, "We have seen her leaning over the earth from the windows of the sunset." In winter say the snow-bound, "She shall come with the spring leaping upon the hills." And in the summer heat the reapers say, "We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair." All these things have you said of beauty, Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden for ever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror.

I pretend to reach for them, but before he can guess my intentions, I catch one of his wings instead. He flutters, trying to break loose, his one free wing batting my hand. I draw out the decanter and stuff him into it, careful to fold his wings. I don’t want to hurt him. I just want to better him. Once he’s settled inside, I shove a paper towel into the bottle’s neck. No need to worry that he’ll smother. After all, he spent that night in a bug trap last year and survived. “Looks like you’re going to have some turbulence on your flight,” I tell him through the glass. His voice fills my head, an angry, scolding growl. When I don’t respond, he yells Chessie’s name. Chessie flits over to the car and sits on the side mirror, licking his paw, amused and uninterested in taking sides. I hold the decanter up to get a closer look at Morpheus. “Game, set, match, luv. You do realize that my human side defeated you, right? No magic required.” Unlike a real moth that would beat itself against the glass walls until exhausted, he hangs under the curved neck, dignified, glaring with his bulbous eyes. If he had a mouth instead of a proboscis, I’d be able to tell if he’s snarling or beaming with pride. Knowing him, it could be either. Most likely, it’s both.

into the West Wing. Not even the sisters came to this part of the castle. He had escaped their mockery for long stretches of time when he spent most of his days here in the beginning—hiding away, letting his anger swell to epic proportions, fearful of what he was becoming, yet intrigued concurrently. It had been that way at first, hadn’t it? Intriguing. The subtle differences in his features, the lines around his eyes that frightened his foes when he narrowed them. Using a look rather than words to strike fear into his enemies was very useful indeed. He had looked upon himself in the mirror in those days, trying to distinguish

Our bodies align with these rhythms of life in our footsteps (slow tiptoe or urgent stomp), the sleeping rise-fall breath of your baby on your chest, or a row of oak trees mirrored in a rippling lake. A butterfly’s wings flap every second—flapflapflap—to keep it free-floating through the sky, dipping now and again to kiss sweet flowers. Rhythms benefit from variety too; a gentle spring rainstorm turns dramatic with an unexpected thunderclap.

The early bats are tying the air, the heart, into knots. They fly on the wings of grief. The late butterfly follows them over the edge of the cliff where the earth becomes the air we turn into. It’s called mirror vision when we see what isn’t here. The kind of faith that fails at unexpected moments the way a climber reaches for a hold that will never in his life, be there. It’s called despair when we open the door of a heart that no longer exists.

Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.

For the most part I ignore those who are extremists on the right. Regretfully most are a disturbance to harmony; unintelligent; untruthful; and with minds that have been programmed. Why engage unless necessary? ...and if necessary only at a great minimum.

The Wild Swans at Coole The trees are in their autumn beauty, The woodland paths are dry, Under the October twilight the water Mirrors a still sky; Upon the brimming water among the stones Are nine and fifty swans. The nineteenth Autumn has come upon me Since I first made my count; I saw, before I had well finished, All suddenly mount And scatter wheeling in great broken rings Upon their clamorous wings. I have looked upon those brilliant creatures, And now my heart is sore. All’s changed since I, hearing at twilight, The first time on this shore, The bell-beat of their wings above my head, Trod with a lighter tread. Unwearied still, lover by lover, They paddle in the cold, Companionable streams or climb the air; Their hearts have not grown old; Passion or conquest, wander where they will, Attend upon them still. But now they drift on the still water Mysterious, beautiful; Among what rushes will they build, By what lake’s edge or pool Delight men’s eyes, when I awake some day To find they have flown away

One may, in a case of exigency, introduce the reader in to a nuptial chamber, not into a virginal chamber. Verse would hardly venture it, prose must not. It is the interior of a flower that is not yet unfolded, it is whiteness in the dark, it is the private cell of a closed lily, which must not be gazed upon by man so long as the sun has not gazed upon it. Woman in the bud is sacred. That innocent bud which opens, that adorable half-nudity which is afraid of itself, that white foot which takes refuge in a slipper, that throat which veils itself before a mirror as though a mirror were an eye, that chemise which makes haste to rise up and conceal the shoulder for a creaking bit of furniture or a passing vehicle, those cords tied, those clasps fastened, those laces drawn, those tremors, those shivers of cold and modesty, that exquisite affright in every movement, that almost winged uneasiness where there is no cause for alarm, the successive phases of dressing, as charming as the clouds of dawn,—it is not fitting at all that all this should be narrated, and it is too much to have even called attention to it.

I didn’t patronize him. It took me seconds. And when I wrenched him close, when I prepared my killing blow, that one remaining eye met mine, as if looking into a mirror. “I’m glad it was you,” he said, quietly. And I made sure my aim was true as I slid my blade right into his heart.

I turned around to examine the rest of my temporary prison, and saw an enormous golden eye staring at me, less than ten feet away from where I stood. I did what any sensible witch would do in my circumstance. I screamed like a scared little girl. The eye blinked. Once, twice, and then shifted as the dragon turned its head toward me, regarding me with both golden eyes. “I could have eaten you, you know.” I nodded numbly and stammered, “Thank you for not doing that.” I knew dragons existed in Faerie, though I’d never seen one before. Dragons are reclusive as a rule and tend to guard their privacy ferociously, so only the overly brave or overly stupid seek them out on purpose. The creature was huge, taking up a good portion of the room with its bulk. Black scales covered its body, and leathery wings were folded against its back. Smoke puffed out of its nostrils for a moment, and my stomach leapt in panic. “I only eat virgins though.” I stared at the dragon in disbelief, feeling the inexplicable urge to defend my past sexual history. My mouth worked as I struggled to find an appropriate response, and I thought I saw a glint of humor in its golden gaze.

Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah, Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of magnet's brilliance I remember the letter of the final decesion of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending into your bosom Stupid relationship inflted in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all into pieces for the sake of Art There isn't any other way out for poetry except suicide Shubha Let me enter into the immemorial incontinence of your labia majora Into the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum-flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize Shubha Women could be treacherous even after unfolding a helpless appeareance Today it seems there is nothing so treacherous as Women and Art Now my ferocious heart is rinning towards an impossible death Vertigoes of water are coming up to my neck from the pierced earth I will die Oh what are these happening within me? I am failing to fetch out my hand and my palm From the dried sperms on my trousers spreading wings 300000 children are gliding toward the district of Shubha's bosom Millions of needles are now running from my blood into Poetry Now the smuggling of my obstinate leg is trying to plunge Into the death killer sex-wig entangled in the hypnotic kingdom of words In violent mirrors on each wall of the room I am observing After letting loose a few naked Malay, his unestablished scramblings.

This Soul, says Love, has six wings, 4 just as the Seraphim. She no longer wishes for anything which comes by an intermediary, for that is the proper state of being of the Seraphim; 5 there is no intermediary between their love and God’s love. Love is constantly made new in them6 without any intermediaries, and so too in this Soul, for she does not seek for knowledge of God among the teachers of this world, but by truly despising this world and herself. Ah, God, how great is the difference between the gift that a lover makes to his loved one through an intermediary, and the gift made directly to his loved one by a lover!

A vast mirror hung above his desk, its gilt frame a horror of twisted vines and sharp leaves, angry looking foliage. I thought of it as Eden Lost. The first occasion I was alone in the room I stepped to the glass and touched my reflection with a finger. It was the only time I’d seen myself in a mirror, but the glass was so wavy I could have been staring into water. I was struck by how much my mouth tipped downward in a child’s pout, and I hadn’t realized I watched the world through my eyelashes. I didn’t observe myself for very long. My eyes were the same shape as my mother’s, curved like wings; watching them made me lonesome.

winced as the cold outside wind hit them. Through every mirror they could hear the commotion of doors opening, portcullises rising, bars melting, invisible Magical barriers dropping with electric hisses. And then there was the sound of many, many pairs of running feet and opening wings. ‘Oh by the steaming droppings of the Big-bottomed Bogburper!’ swore the Drood Commander, his eyes popping with disbelief. ‘He’s used the Staff-That-Commands-the-Castle to open all the doors so EVERYBODY can escape!!!!!!’ ‘Your guards are going to have their hands full now, Commander,’ said Encanzo drily. ‘We’ll get to see how they deal with those Grim Annises,

It was early autumn, then, before the snow began to fly. –(There’s an expression for you, born in the country, born from the imaginations of men and their feeling for the right word, the only word, to mirror clearly what they see! Those with few words must know how to use them.) Men who have seen it, who have watched it day by day outside their cabin window coming down from the sky, like the visible remorse of an ageing year; who have watched it bead upon the ears of the horses they rode, muffle the sound of hoofs on the trail, lie upon spruce boughs and over grass – cover, as if forever, the landscape in which they moved, round off the mountains, blanket the ice in the rivers – for them the snow flies. The snow doesn’t fall. It may ride the wind. It may descend slowly, in utter quiet, from the grey and laden clouds, so that you can hear the flakes touching lightly on the wide white waste, as they come to rest at the end of their flight. Flight – that’s the word. They beat in the air like wings, as if reluctant ever to touch the ground. I have observed them coming down, on a very cold day, near its end when the sky above me was still blue, in flakes great and wide as the palm of my hand. They were like immense moths winging down in the twilight, making the silence about me visible.

The Convergence of the Twain Thomas Hardy, 1840 - 1928 (Lines on the loss of the “Titanic”) I In a solitude of the sea Deep from human vanity, And the Pride of Life that planned her, stilly couches she. II Steel chambers, late the pyres Of her salamandrine fires, Cold currents thrid, and turn to rhythmic tidal lyres. III Over the mirrors meant To glass the opulent The sea-worm crawls—grotesque, slimed, dumb, indifferent. IV Jewels in joy designed To ravish the sensuous mind Lie lightless, all their sparkles bleared and black and blind. V Dim moon-eyed fishes near Gaze at the gilded gear And query: “What does this vaingloriousness down here?”. . . VI Well: while was fashioning This creature of cleaving wing, The Immanent Will that stirs and urges everything VII Prepared a sinister mate For her—so gaily great— A Shape of Ice, for the time far and dissociate. VIII And as the smart ship grew In stature, grace, and hue In shadowy silent distance grew the Iceberg too. IX Alien they seemed to be: No mortal eye could see The intimate welding of their later history. X Or sign that they were bent By paths coincident On being anon twin halves of one August event, XI Till the Spinner of the Years Said “Now!” And each one hears, And consummation comes, and jars two hemispheres.

Faith Poem I don't know how to do anytthing I am trying to move mountains with words But I am an ant I scribble I drool I move like a worm whose world (words) encompassed a mile How do I rise above? Where will this worm find wings? I look in the mirror and I see filth Who is that? Where did The Angel go? Why is there dirt staring back at me? Why is the soil of incompetence beneath my nails Why does doubt paint blue rings beneath my eyes and stain my skin Why does my spine assume failure Why do my lips flirt with they sky; why do I try to lasso Beauty with such a pitiful rope? Where is the hair of Rapunzel or Samson? Where is my sling Where is my stone, My gun? Where is the weapon with which I may fight this apathy that feels like sleep in my limbs that loosens my brother's smile That kills my neighbor's daughter This pen is scrawny and hardly seems able to ink out or erase this plague that infests my Generation This Giant, This Ogre This Beast, This Death that assumes a million faces, that borrows my own.

I turned the final page. RATHANAEL THE SCORNED, read the lettering. Above it hung a skeleton twined in a ragged shroud, with two pairs of tattered, crowlike wings. Its fleshless skull grinned out at me, the eye sockets bound behind dark wrappings. It held an iron torch clasped in front of its rib cage, the top spiked like a crown, the flames roaring up, enveloping its body and wings in fire. The silver of its form had a dark, tarnished look like an old mirror, but I couldn’t tell if that was intentional or a result of the gilt flaking with age. Some powerful spirits held objects, like riveners did swords. It represented something important about their nature, but I had no idea what a torch might signify and doubted the revenant did either—only how ironic it was that I’d ended up with the revenant associated with fire. I absorbed its deadly visage, trying and failing to match it with the voice in my head. The revenant had devoured the populations of entire cities; it was also the entity who ordered me to eat my pottage. “I’ll have you know that I’m very good-looking by undead standards,” the revenant remarked.

Within each one of us there is a healer. Healing has always been a way and a deep source of joy for me. Healing is basically our own energy, which overflows from our inner being, from the meditative quality within, from the inner silence and emptiness. Healing is pure love in essence. Love is what creates healing. Love is the strongest force there is. The sheer presence of love is, in itself, healing. It is more the absence of love – than the presence of love –, which creates problems. Healing is a quality, which we can freely share without any ownership. Healing is not something that we can claim as our own; healing is to be a medium, a channel, for the whole. Healing is a medium through which we can develop our inner qualities of presence, love, joy, intuition, truth, silence, wisdom, creativity and inner wholeness. Healing comes originally from the silence within, where we are already in contact with the whole, with the divine. Healing is what makes us spread our inner wings of love and silence and soar high on the sky of consciousness and touch the stars. Healing is to be in service of God. People who have a quality of heart and sensitivity are naturally healing. With some people that we meet, we feel naturally uplifted and inspired. With other people that we meet, we become tired and heavy. With people, who can listen without judging and evaluating, it is easy to find the right words to share problems and difficulties. And with other people, it seems almost impossible to find the right words. People, who have a healing presence and quality, can support our own inner source of love, truth and silence through their presence. These people also seem to have an intuitive sensitivity to saying the right words, which lift and inspires us. This is the people whose presence can mirror the inner truth, which we already know deep within ourselves. The human heart is a healer, which heals others and ourselves. It is the hearts quality of love, acceptance and compassion, plus communication through words, that creates healing. A word that comes from the heart creates healing. A silent listening with a quality of presence and an accepting attitude creates space for healing to happen. Without love it is only possible to reach the personality of the other person, to reach the surface and periphery of the other person The gift of healing comes when we see the other person with love and compassion. It is the quality of heart, which creates the love and the genuine caring for the other person. When our words are carried by the quality of heart, you can say almost anything to the other person and he will still be able to be open and receptive. But if our words lack the quality of heart, it also becomes difficult for the other person to continue to be open and receptive. Even if a therapist is very skilful, technically, or has a clear clairvoyant ability, and still lacks the natural roots in the soil of the heart, then his words will not touch the heart of the other person.

Manfred sighed. He looked at the ceiling and declared, ‘I am behind words on the way to music beneath a wing and before trumpets, masks and brushes.’ He paused for effect and brought his gaze back to Charlie. ‘Do I make myself clear?’ In any other circumstances, Charlie would have said, ‘Clear as ditchwater,’ but as the situation was already pretty grim, he decided to say, ‘Yes, Manfred.

I think this dress will stun the nobility, and leave them stupefied with envy and lust," Madame Sandrine announced with relish. "I'm just glad it's not crimson, like everything else you drape," Farah said to her husband as she glanced at her transformation in the floor-to-ceiling mirrors across from the raised podium on which she stood. The creation of blue silk evoked the midnight sky, as it wrapped her bosom and waist in bejeweled gathers before cascading from her hips in a dark waterfall. The shamelessly cut bodice was lent a hint of respectability by folds of a shimmering diaphanous silver material draping from a choker of gems about her neck and flowing down her shoulders like moonbeams. To call them sleeves would have been a mistake, for all they concealed. Madame Sandrine threw a teasing look over her shoulder at Blackwell. "How fitting that the color of blood is the one you prefer the most." "Not for her," Dorian rumbled. The seamstress lifted a winged eyebrow, but didn't comment. "Voila. I believe that is all I'll need from you today, Madame Blackwell. I can have these finished in the morning, and in the meantime I have a lovely soft gray frock hemmed with tiny pink blossoms that will bring out the color in your cheeks.

The autumn months are my domain: Mirrored in pools my castles dream Of wars long past and out of mind From towers with ivy garlands twined Weak and with regret the sun Drowns itself in the sluggish green Water that marble fountains weep; Trees open their nests to the wings of sleep. The wind like a phantom seems to roar, Returned to die of love once more At the false meeting of the ways Where a temple rounds its dome in the haze. Sometimes a child is heard to laugh In the house of the priest, far off; His lamp on the ledge of the window gleams Much as the Holy Spirit flames. Then nothing. Only a plane tree sways Its crown of leaves in the dark that graze Slowly and with a sound so alight They barely ripple the silent night. I am the lord of this domain. Through halls of hollow, echoing Armor, I haul the heavy shame Of not being able to be king.

When he was in college, a famous poet made a useful distinction for him. He had drunk enough in the poet's company to be compelled to describe to him a poem he was thinking of. It would be a monologue of sorts, the self-contemplation of a student on a summer afternoon who is reading Euphues. The poem itself would be a subtle series of euphuisms, translating the heat, the day, the student's concerns, into symmetrical posies; translating even his contempt and boredom with that famously foolish book into a euphuism. The poet nodded his big head in a sympathetic, rhythmic way as this was explained to him, then told him that there are two kinds of poems. There is the kind you write; there is the kind you talk about in bars. Both kinds have value and both are poems; but it's fatal to confuse them. In the Seventh Saint, many years later, it had struck him that the difference between himself and Shakespeare wasn't talent - not especially - but nerve. The capacity not to be frightened by his largest and most potent conceptions, to simply (simply!) sit down and execute them. The dreadful lassitude he felt when something really large and multifarious came suddenly clear to him, something Lear-sized yet sonnet-precise. If only they didn't rush on him whole, all at once, massive and perfect, leaving him frightened and nerveless at the prospect of articulating them word by scene by page. He would try to believe they were of the kind told in bars, not the kind to be written, though there was no way to be sure of this except to attempt the writing; he would raise a finger (the novelist in the bar mirror raising the obverse finger) and push forward his change. Wailing like a neglected ghost, the vast notion would beat its wings into the void. Sometimes it would pursue him for days and years as he fled desperately. Sometimes he would turn to face it, and do battle. Once, twice, he had been victorious, objectively at least. Out of an immense concatenation of feeling, thought, word, transcendent meaning had come his first novel, a slim, pageant of a book, tombstone for his slain conception. A publisher had taken it, gingerly; had slipped it quietly into the deep pool of spring releases, where it sank without a ripple, and where he supposes it lies still, its calm Bodoni gone long since green. A second, just as slim but more lurid, nightmarish even, about imaginary murders in an imaginary exotic locale, had been sold for a movie, though the movie had never been made. He felt guilt for the producer's failure (which perhaps the producer didn't feel), having known the book could not be filmed; he had made a large sum, enough to finance years of this kind of thing, on a book whose first printing was largely returned.

Last one,” Winter said, pointing to the mirror. “Try Tsunami.” “She’s probably back at the academy,” Qibli said with a sigh. Most likely she’d arrived at the rainforest after everyone had left, and they were too far ahead for her to figure out where they’d gone. But he whispered her name to the mirror and breathed out smoke. It seemed to take a moment, coiling back and forth and around before settling into a blue spiral in the center, which immediately started yelling. “I SAID WHO ARE YOU?” shouted Tsunami’s voice. “You coward! Show yourself! What do you want with me?” She took a deep breath, as if listening for a response, then roared again. “LET ME OUT OF HERE! My friends are heroes, you know! YOU’LL BE SORRY FOR THIS!” Thorn’s eyes met Qibli’s, both of them shocked into silence. Tsunami wasn’t safely back at Jade Mountain after all. The great warrior of the Five Dragonets, one of the best and most ferocious dragons Qibli knew, was somebody’s prisoner.

When we had shaken enough hands and embraced enough people, Amar pulled me away from the sounds, back through the room with flimsy walls where the torn obsidian mirror-portal glowed blearily. There was only a handful of air between us, but it was all illusion. We were closer than that, two souls sewn together with light. His palm slid to my cheek and my skin sang. I loved him with two loves. One, a relic of another era. Another, unformed and hot, a freshly wrought star. All enigma and song. I think he felt the same way because his next words were almost resentful: “You are quite deceptive, my queen. Like a handful of light one moment and then winged night the next.” He smiled. “I would know all your mysteries if you would let me.” “You can try, but you’ll never know them,” I said. “I have a thousand smiles, a hundred forms. Not to mention all my names.” He closed the space between us, lips skimming hungrily across mine. “Then I am pleased we have eternity,” he said, pulling me into a kiss.

The Beloved is all and the lover (but) a veil; the Beloved is living and the lover a dead thing. When Love hath no care for him, he is left as a bird without wings. Alas for him then! How should I have consciousness (of aught) before or behind when the light of my Beloved is not before me and behind? Love wills that: this Word should be shown forth: if the mirror does not reflect, how is that? Dost thou know why the mirror (of thy soul) reflects nothing? Because the rust is not cleared from its face.

Blanche McCarthy" Look in the terrible mirror of the sky And not in this dead glass, which can reflect Only the surfaces––the bending arm, The leaning shoulder and the searching eye. Look in the terrible mirror of the sky. Oh, bend against the invisible; and lean To symbols of descending night; and search The glare of revelations going by! Look in the terrible mirror of the sky. See how the absent moon waits in a glade Of your dark self, and how the wings of stars, Upward, from imagined coverts, fly.

Seeing the God statement Suppose the statement Blessed Are the pure in heart, for they shall see God were placed like a wreath of violets, Lilies, laurel, and olive, blossoms strung together Like words in a sentence, a garland Launched, set out on a flowing creek Imagine that wreath carried Down the frothy rapids, tossed, floating Slipping over water-smooth, moss-colored Boulders, in and out of slow, dark pools, Through poplar and willow shadows. It dips, Sinks momentarily, emerges, travels, maitains Its ring, its declaration and syntax. At times it widens in a broad, deep Current, makes sense as a gift. The pure becomes inclusive, spatial, Generous. God and heart are two Spread wings of one open reading. And at times it narrows, restricts. Violets and heart entangle With God. The blessed braces, Overlaps lilies and laurel. Still, at any point you might reach down yourself, catch that ring of blossoms, lift it up, wear its beauty and blooming distinction across your forehead. Look into a mirror. See what you can see.

He remembered the time hi fished the female of a pair of swordfish. The male always lets the female eat first, and she, by biting the hook, struggled in a wild, desperate and panicky battle that soon exhausted her. All the time the male stayed with her, crossing the line and circling her partner on the surface. He was so close that the old man had been afraid that he would cut the rope with his tail, which was sharpened like a scythe and almost of that shape and size. The old man put the hook in, hit her, caught the sword, edge like sandpaper and pounded on the tip of the head until her color became almost like the back of a mirror, and then, with the boy's help, lifted her up to put her on board. The male stayed on the side of the boat. Later, when the old man cleaned the strings and prepared the harpoon, the male jumped very high in the air, next to the boat, to see where his partner where, and finally he plunged into the deepest, with blue-reddish wings, that were his pectoral fins, spread wide and with all stripes of the same color in sight. "He was beautiful," recalled the old man, "and he stayed until the end.

A demon seduced an angel in the middle of the night and they gave the stars a glimpse. There was nothing casual about it, it was tender skin and battle scars breathless passion under storm clouds a rapid river stream mirroring the moon light. Until one day, he left her with nothing, just a bruised heart and carved memories iridescent wings chipped on the edges heat under her skin, like an ember burning low. I asked her, "What do you do after a love like that?" She laughed. And madness danced behind her eyes. But she flew so high the world was jealous.

He remembered the time he had hooked one of a pair of marlin. The male fish always let the female fish feed first and the hooked fish, the female, made a wild, panic-stricken, despairing fight that soon exhausted her, and all the time the male had stayed with her, crossing the line and circling with her on the surface. He had stayed so close that the old man was afraid he would cut the line with his tail which was sharp as a scythe and almost of that size and shape. When the old man had gaffed her and clubbed her, holding the rapier bill with its sandpaper edge and clubbing her across the top of her head until her colour turned to a colour almost like the backing of mirrors, and then, with the boy's aid, hoisted her aboard, the male fish had stayed by the side of the boat. Then, while the old man was clearing the lines and preparing the harpoon, the male fish jumped high into the air beside the boat to see where the female was and then went down deep, his lavender wings, that were his pectoral fins, spread wide and all his wide lavender stripes showing. He was beautiful, the old man remembered, and he had stayed. That was the saddest thing I ever saw with them, the old man thought.

Its [Narnia's] fabric is shot through with glory. There is no peak, no valley, no sea or forest, but bears the weight of this glory, no law of the land that does not mirror the exact pattern of this glory, no spell or incantation or taboo that does not reach through the veil that protects the mundane and the obvious from the great glories and mysteries that press upon them. No creature - no faun, dryad, star, or winged horse - that does not bear about and exhibit in its own form some bit of the shape of that glory. And, alas, there is no evil that does not turn out to be fraud, parody, or counterfeit of that glory.

In Favor Of One's Time" The spent purpose of a perfectly marvellous life suddenly glimmers and leaps into flame it's more difficult than you think to make charcoal it's also pretty hard to remember life's marvellous but there it is guttering choking then soaring in the mirrored room of this consciousness it's practically a blaze of pure sensibility and however exaggerated at least somethings going on and the quick oxygen in the air will not go neglected will not sulk or fall into blackness and peat an angel flying slowly, curiously singes its wings and you diminish for a moment out of respect for beauty then flare up after all that's the angel that wrestled with Jacob and loves conflict as an athlete loves the tape, and we're off into an immortal contest of actuality and pride which is love assuming the consciousness of itself as sky over all, medium of finding and founding not just resemblance but the magnetic otherness that that that stands erect in the the spirit's glare and waits for the joining of an opposite force's breath so come the winds into our lives and last longer than despair's sharp snake, crushed before it conquered so marvellous is not just a poet's greenish namesake and we live outside his garden in pure tempestuous rights

Beauty And a poet said, 'Speak to us of Beauty.' Where shall you seek beauty, and how shall you find her unless she herself be your way and your guide? And how shall you speak of her except she be the weaver of your speech? The aggrieved and the injured say, 'Beauty is kind and gentle. Like a young mother half-shy of her own glory she walks among us.' And the passionate say, 'Nay, beauty is a thing of might and dread. Like the tempest she shakes the earth beneath us and the sky above us.' The tired and the weary say, 'beauty is of soft whispering s. She speaks in our spirit. Her voice yields to our silences like a faint light that quivers in fear of the shadow.' But the restless say, 'We have heard her shouting among the mountains, And with her cries came the sound of hoofs, and the beating of wings and the roaring of lions.' At night the watchmen of the city say, 'Beauty shall rise with the dawn from the east.' And at noontide the toilers and the wayfarers say, 'we have seen her leaning over the earth from the windows of the sunset.' In winter say the snow-bound, 'She shall come with the spring leaping upon the hills.' And in the summer heat the reapers say, 'We have seen her dancing with the autumn leaves, and we saw a drift of snow in her hair.' All these things have you said of beauty. Yet in truth you spoke not of her but of needs unsatisfied, And beauty is not a need but an ecstasy. It is not a mouth thirsting nor an empty hand stretched forth, But rather a heart enflamed and a soul enchanted. It is not the image you would see nor the song you would hear, But rather an image you see though you close your eyes and a song you hear though you shut your ears. It is not the sap within the furrowed bark, nor a wing attached to a claw, But rather a garden forever in bloom and a flock of angels for ever in flight. People of Orphalese, beauty is life when life unveils her holy face. But you are life and you are the veil. Beauty is eternity gazing at itself in a mirror. But you are eternity and you are the mirror

Our house was made of stone, stucco, and clapboard; the newer wings, designed by a big-city architect, had a good deal of glass, and looked out into the Valley, where on good days we could see for many miles while on humid hazy days we could see barely beyond the fence that marked the edge of our property. Father, however, preferred the roof: In his white, light-woolen three-piece suit, white fedora cocked back on his head, for luck, he spent many of his waking hours on the highest peak of the highest roof of the house, observing, through binoculars, the amazing progress of construction in the Valley - for overnight, it seemed, there appeared roads, expressways, sewers, drainage pipes, "planned" communities with such names as Whispering Glades, Murmuring Oaks, Pheasant Run, Deer Willow, all of them walled to keep out intruders, and, yet more astonishing, towerlike buildings of aluminum and glass and steel and brick, buildings whose windows shone and winked like mirrors, splendid in sunshine like pillars of flame; such beauty where once there had been mere earth and sky, it caught at your throat like a great bird's talons, taking your breath away. 'The ways of beauty are as a honeycomb,' Father told us, and none of us could determine, staring at his slow moving lips, whether the truth he spoke was a happy truth or not, whether even it was truth. ("Family")

After being conditioned as a child to the lovely never-never land of magic, of fairy queens and virginal maidens, of little princes and their rosebushes, of poignant bears and Eeyore-ish donkeys, of life personalized, as the pagans loved it, of the magic wand, and the faultless illustrations—the beautiful dark-haired child (who was you) winging through the midnight sky on a star-path in her mother’s box of reels—of Griselda in her feather-cloak, walking barefoot with the Cuckoo in the lantern-lit world of nodding mandarins, of Delight in her flower garden with the slim-limbed flower sprites … all this I knew, and felt, and believed. All this was my life when I was young. To go from this to the world of “grown-up” reality … To feel the sexorgans develop and call loud to the flesh; to become aware of school, exams (the very words as unlovely as the sound of chalk shrilling on the blackboard), bread and butter, marriage, sex, compatibility, war, economics, death, and self. What a pathetic blighting of the beauty and reality of childhood. Not to be sentimental, as I sound, but why the hell are we conditioned into the smooth strawberry-and-cream Mother-Goose-world, Alice-in-Wonderland fable, only to be broken on the wheel as we grow older and become aware of ourselves as individuals with a dull responsibility in life? To learn snide and smutty meanings of words you once loved, like “fairy.” —From The Journals of Sylvia Plath

NAMING THE EARTH (a poem of light for national poetry day) And the world will be born again in circles of steaming breath and beams of light as each one of us directs our inner eye upon its name. Hear the cry of wings, the sigh of leaves and grass, smell the new sweet mist rising as the pathway is cleared at last. Stones stand ready - they have known since ages and ages ago that they were not alone. Water carries the planet's energy into skies and down to earth and bones. The cold parts steadily as we come together, bodies and hearts warm, hands tingling. We are silent but our eyes are singing. We look, we feel, we know, we trust each other's souls, we have no need to speak. Not now, but later, when the time is right, the name will ring within the iron core of each other's listening - and the very earth's being. Every creature, every plant, will hear it calling, tolling like a bell - a sound we've always felt but never dared to hope to hear reverberating - true at last, at every level of existence. The poets come together to open the intimate centre. Believe in life and air - breathe the light itself, for these are the energies and rhythms that we need to see, to touch, to reach, to identify, to say, the NAME. Colours on your skin fuse and dissolve - leave the river clean for pure space and time to enter and flow in. We all become one fluid stream of stillness and motion, of flaring thought pulses discovering weird pools and twists within where darkness hides from the flames in our eyes but will not snare us. We probe deeper still, journeying towards a unity which will be more raw and yet also more formed than anything written or spoken before. Our fragile bodies fall away - and the trees, and the roots of trees, guide us - lead us away from the faces we remember seeing each day in the mirror - into an ocean of dreams seething with warmth, love, where the beginning is real, ripe, evolving. And the world is born again in circles of steaming breath and beams of light. An ache - a signal - a trembling moment - and the time is right to say the name. We sing as one whole voice of the universal - all the words, the names of every tiny thirsting thing, and they ring out together as one sound, one energy, one sense, one vibration, one breath. And the world listens, beats, shines, glows - IS - Exists!

He was walking down the stairs of the west wing when he saw Sarsine on the floor below. She was coming from the east wing, a basket in her arms. He stopped. It looked like she held a basketful of woven gold. Arin leaped down the stairs. He strode up to his cousin and seized her arm. “Arin!” “What did you do?” Sarsine jerked away. “What she wanted. Pull yourself together.” But Arin saw Kestrel as she had been last night before the ball. How her hair had been a spill of low light over his palms. He had threaded desire into the braids, had wanted her to sense it even as he dreaded that she would. He had met her eyes in the mirror and didn’t know, couldn’t tell, her feelings. He only knew the fire of his own. “It’s just hair,” Sarsine said. “It will grow back.” “Yes,” said Arin, “but not everything does.

As was the case in many left-wing Jewish homes, I learned a different version of “Never again”—that it was a directive, a sacred duty, to oppose hate and discrimination in all its forms, no matter who was the target. But, for the same reasons that she selected my biblical name, my mother insisted that I go to Hebrew day school to cement the bond to our tribe, to learn the songs, rituals, and languages (both Hebrew and Yiddish) that our adversaries had been trying to annihilate since before the Inquisition. And at that school, “Never again” did not mean “Never again to anyone,” as it did in our home—it meant “Never again to the Jews.” It meant “Never again because of Israel.” It meant “Never again because we who have been haunted by Shylock forever have our own double now—and he has a great many guns.

It's time for us to join the line of your madmen all chained together. Time to be totally free, and estranged. Time to give up our souls, to set fire to structures and run out in the street. Time to ferment. How else can we leave the world-vat and go to the lip? We must die to become true human beings. We must turn completely upside down like a comb in the top of a beautiful woman's hair. Spread out your wings as a tree lifts in the orchard. As seed scattered on the road, as a stone melts to wax, as a candle becomes the moth. On a chessboard the king is blessed again with his queen. With our faces so close to the love mirror, we must not breathe, but change to a cleared place where a building was and feel the treasure hiding inside us. With no beginning or end, we live in lovers as a story they know. If you will be the key, we'll be tumblers in the lock.

Of the laws we can deduce from the external world, one stands above all: the Law of Transience. Nothing is intended to last. The trees fall year by year, the mountains tumble, the galaxies burn out like tall tallow candles. Nothing is intended to last — except time. The blanket of the universe wears thin, but time endures. Time is a tower, an endless mine; time is monstrous. Time is the hero. Human and inhuman characters are pinned to time like butterflies to a card; yes, though the wings stay bright, flight is forgotten. Time, like an element which can be solid, liquid or gas, has three states. In the present, it is a flux we cannot seize. In the future, it is a veiling mist. In the past, it has solidified and become glazed; then we call it history. Then it can show us nothing but our own solemn faces; it is a treacherous mirror, reflecting only our limited truths. So much is it a part of man that objectivity is impossible; so neutral is it that it appears hostile.

I imagine you not telling me to whisper. I imagine you not saying oh don't say this literally. You want me to evoke as opposed to mere describing. You want me to be an invisible scribe that an octoepoose was hiding. I'm not sure if my facial features are an autograph that your Picasso smile is signing. Infamous for the mirror I shook when my sock puppets were pining? I am not just a fish that you gave wings to! I don't simply flop in the air whenever you brush some mannequinn's hair. There is a reason for the bad timing. Exquisite imbalances. A child enjoying the pink sky. I won't say that is my clue! Playing The Beatles on a kazoo is beautiful oooh ooooh Your laughter is a woman with alot of eyeballs on her stomach that pretends that she doesn't see the colors of all them songs. In the pre dawn hours we dance with delusions and illusions. The eternal seamstress does not care for Frakenstein's dress(she still loves our unique caress ) She loves and laughs despite some so-called scientist. Where is that emperor and his nakedness! Darling, our atoms need never split. We compliment in so many ways that all our night's and days have become one swirling sunrise/sunset that only true lovers can scoff at(those who shhhhh) The flower is not passive or apologetic. It blooms through the fractured net. Floating magnetic(eep eeep) You are not just some seductress. You are the leader of an elite group of intergalactic seductress impersonators who reveal corruption but then choose to love. We embrace conclusions that make the puddle heart awake with ethereal drum beat gongs. You think of a heroic poodle in the dark. We both know that the trapeze artist that followed us was not a cliche. He smelled differently. He had never met a floating lady that showed him how to appreciate a symphony without taking away his love for a good rock n roll melody. I am not sure I can only whisper of such realities. I am not sure I can only whisper of such realities.-

BLACK WINGS At the same Olympics, staged by Hitler to consecrate the superiority of his race, the star that shone brightest was black, a grandson of slaves, born in Alabama. Hitler had no choice but to swallow the bitter pill, four of them actually: the four gold medals that Jesse Owens won in sprinting and long jump. The entire world celebrated those victories of democracy over racism. When the champion returned home, he received no congratulations from the president, nor was he invited to the White House. He returned to the usual: he boarded buses by the back door, ate in restaurants for Negroes, used bathrooms for Negroes, stayed in hotels for Negroes. For years, he earned a living running for money. Before the start of baseball games he would entertain the crowd by racing against horses, dogs, cars, or motorcycles. Later on, when his legs were no longer what they had been, Owens took to the lecture circuit. He did pretty well there, praising the virtues of religion, family, and country.

So much we once coveted. So much That would have saved us, but lived, Instead, its own quick span, returning To uselessness with the mute acquiescence Of shed skin. It watches us watch it: Our faulty eyes, our telltale heat, hearts Ticking through our shirts. We’re here To titter at gimcracks, the naïve tools, The replicas of replicas stacked like bricks. There’s green money, and oil in drums. Pots of honey pilfered from a tomb. Books Recounting the wars, maps of fizzled stars. In the south wing, there’s a small room Where a living man sits on display. Ask, And he’ll describe the old beliefs. If you Laugh, he’ll lower his head to his hands And sigh. When he dies, they’ll replace him With a video looping on ad infinitum. Special installations come and go. “Love” Was up for a season, followed by “Illness,” Concepts difficult to grasp. The last thing you see (After a mirror—someone’s idea of a joke?) Is an image of an old planet taken from space. Outside, vendors hawk t-shirts, three for eight.

We look amazing," I repeated, as if I could make up for our brother's rudeness. And we did look amazing. Käthe and I were dressed as an angel and a demon, but to my surprise, my sister had chosen to be the devil. She looked majestic in her gown of black velvet, her golden curls draped with black silk and lace, cleverly twisted together and pinned to resemble horns growing from her head. She had rouged her lips a bright red, and her blue eyes looked imperious from behind her black mask. For a moment, the image of moldering gowns on dress forms rose up in my mind, a polished bronze mirror reflecting an endless line of faded Goblin Queens. I swallowed. The dress my sister had made for me was nearly innocent in its simplicity. Yards and yards of fine white muslin had made a floating, ethereal gown, while Käthe had somehow fashioned a brocade cape into the shape of folded angel wings, which grew from my shoulder blades and cascaded to the floor. She had braided gold into a crown about my head for a halo, and I carried a lyre to complete the picture.

A long time ago, I collected the flower petals stained with my first blood; I thought there was something significant about that, there was importance in all the little moments of experience, because when you live forever, the first times matter. The first time you bleed, first time you cry — I don’t remember that — first time you see your wings, because new things defile you, purity chips away. your purity. nestled flowers in your belly, waiting to be picked. do you want innocence back? small and young smiles that make your eyes squint and cheeks flare the feeling of your face dripping down onto the grass, the painted walls you tore down, the roads you chipped away, they’ll eat away at you, the lingering feelings of a warm hand on your waist, the taps of your feet as you dance, the beats of your timbrel.’ ‘and now you are like Gods, sparkling brilliant with jewelry that worships you, and you’re splitting in order to create.’ ‘The tosses of your wet hair, the rushes of chariots speeding past, the holy, holy, holy lord god of hosts, the sweetness of a strawberry, knocks against the window by your head, the little tunes of your pipes, the cuts sliced into your fingers by uptight cacti fruits, the brisk scent of a sea crashing into the rocks, the sweat of wrestling, onions, cumin, parsley in a metal jug, mud clinging to your skin, a friendly mouth on your cheeks and forehead, chimes, chirps of chatter in the bazaar, amen, amen, amen, the plump fish rushing to take the bread you toss, scraping of a carpenter, the hiss of chalk, the wisps of clouds cradling you as you nap, the splashes of water in a hot pool, the picnic in a meadow, the pounding of feet that are chasing you, the velvet of petals rustling you awake, a giant water lily beneath you, the innocent kiss, the sprawl of the universe reflected in your eyes for the first time, the bloody wings that shred out of your back, the apples in orchards, a basket of stained flowers, excited chants of a colosseum audience, the heat of spinning and bouncing to drums and claps, the love braided into your hair, the trickles of a piano, smell of myrrh, the scratches of a spoon in a cup, the coarseness of a carpet, the stringed instruments and trumpets, the serene smile of not knowing, the sleeping angel, the delight of a creator, the amusement of gossip and rumors, the rumbling laughter between shy singing, the tangling of legs, squash, celery, carrot, and chayote, the swirled face paint, the warmth of honey in your tea, the timid face in the mirror, mahogany beams, the embrace of a bed of flowers, the taste of a grape as its fed to you, the lip smacks of an angel as you feed him a raspberry, the first dizziness of alcohol, the cool water and scent of natron and the scratch of the rock you beat your dirty clothes against, the strain of your arms, the columns of an entrance, the high ceilings of a dark cathedral, the boiling surface of bubbling stew, the burn of stained-glass, the little joyous jump you do seeing bread rise, the silky taste of olive oil, the lap of an angel humming as he embroiders a little fox into his tunic, the softness of browned feathers lulling you to sleep, the weight of a dozen blankets and pillows on your small bed, the proud smile on the other side of a window in a newly-finished building, the myrtle trees only you two know about, the palm of god as he fashions you from threads of copper, his praises, his love, his kiss to your hair, your father.

..."facts" properly speaking are always and never more than interpretations of the data... the Gospel accounts are themselves such data or, if you like, hard facts. But the events to which the Gospels refer are not themselves "hard facts"; they are facts only in the sense that we interpret the text, together with such other data as we have, to reach a conclusion regarding the events as best we are able. They are facts in the same way that the verdict of a jury establishes the facts of the case, the interpretation of the evidence that results in the verdict delivered. Here it is as well to remember that historical methodology can only produce probabilities, the probability that some event took place in such circumstances being greater or smaller, depending on the quality of the data and the perspective of the historical enquirer. The jury which decides what is beyond reasonable doubt is determining that the probability is sufficiently high for a clear-cut verdict to be delivered. Those who like "certainty" in matters of faith will always find this uncomfortable. But faith is not knowledge of "hard facts"...; it is rather confidence, assurance, trust in the reliability of the data and in the integrity of the interpretations derived from that data... It does seem important to me that those who speak for evangelical Christians grasp this nettle firmly, even if it stings! – it is important for the intellectual integrity of evangelicals. Of course any Christian (and particularly evangelical Christians) will want to get as close as possible to the Jesus who ministered in Galilee in the late 20s of the first century. If, as they believe, God spoke in and through that man, more definitively and finally than at any other time and by any other medium, then of course Christians will want to hear as clearly as possible what he said, and to see as clearly as possible what he did, to come as close as possible to being an eyewitness and earwitness for themselves. If God revealed himself most definitively in the historical particularity of a Galilean Jew in the earliest decades of the Common Era, then naturally those who believe this will want to inquire as closely into the historical particularity and actuality of that life and of Jesus’ mission. The possibility that later faith has in some degree covered over that historical actuality cannot be dismissed as out of the question. So a genuinely critical historical inquiry is necessary if we are to get as close to the historical actuality as possible. Critical here, and this is the point, should not be taken to mean negatively critical, hermeneutical suspicion, dismissal of any material that has overtones of Easter faith. It means, more straightforwardly, a careful scrutiny of all the relevant data to gain as accurate or as historically responsible a picture as possible. In a day when evangelical, and even Christian, is often identified with a strongly right-wing, conservative and even fundamentalist attitude to the Bible, it is important that responsible evangelical scholars defend and advocate such critical historical inquiry and that their work display its positive outcome and benefits. These include believers growing in maturity • to recognize gray areas and questions to which no clear-cut answer can be given (‘we see in a mirror dimly/a poor reflection’), • to discern what really matters and distinguish them from issues that matter little, • and be able to engage in genuine dialogue with those who share or respect a faith inquiring after truth and seeking deeper understanding. In that way we may hope that evangelical (not to mention Christian) can again become a label that men and women of integrity and good will can respect and hope to learn from more than most seem to do today.

Then Janie’s baby voice rose above the din. “Ma-ma!” My steps halted. So did my heart. The plaintive cry filled every crevice of my being. “Ma-ma!” The caterwauling ceased. I turned. Ollie’s horror-stricken face told me I’d heard right. Gripping the handle of my suitcase and clenching my teeth, I tried to hold in my own keening. Janie dropped to her pudgy knees in the middle of the road. “Ma-ma!” She fell on her face in the dirt and sobbed. My gaze rose past her to Frank, who stood at the top of the steps. His horror seemed to mirror my own. I’d thought by leaving I’d alleviate his suffering, but it seemed I’d only deepened it. He made his way across the yard, his eyes fixed on mine. He passed his frozen children as if they were merely trees in a human forest and stopped in front of me, so close I could smell Ol’ Bob on his shirt. I tilted my head back, looked into his face. My heart bumped against my chest, though I’d felt sure it had stopped beating altogether. His arms reached for me, then fell back to his side. “Please, Rebekah. Please stay. They need you. I told you that.” “I can’t.” My vision blurred as I shook my head. His thumb caught a tear on my cheek, wiped it dry. I glanced at Janie, still lying heartbroken in the dirt. I ached to go to her, but I didn’t want to make things worse. Ollie seemed to read my thoughts. She picked up her sister, but her attention remained on me. I looked back at Frank. “Can’t you see? I’m giving you your life back. Your whole life. Your house. Your family.” I tasted the salt of my tears. He grabbed my shoulders. “But don’t you understand, Rebekah? I can’t have my whole life back. When I left for the war, I knew nothing would ever be the same. And it isn’t. Clara is gone. I have to make a new life now.” He sucked in a deep breath. “And I want to make it with you.” “Me? Are you saying . . . ” I held my breath, holding the words inside me, afraid they’d meet the air and burst like a soap bubble. His lips curled into a smile that chased every trace of gray from his eyes. “Marry me?

CHALLENGES TO YOUNG POETS Invent a new language anyone can understand. Climb the Statue of Liberty. Reach for the unattainable. Kiss the mirror and write what you see and hear. Dance with wolves and count the stars, including the unseen. Be naïve, innocent, non-cynical, as if you had just landed on earth (as indeed you have, as indeed we all have), astonished by what you have fallen upon. Write living newspaper. Be a reporter from outer space, filing dispatches to some supreme managing editor who believes in full disclosure and has a low tolerance level for hot air. Write and endless poem about your life on earth or elsewhere. Read between the lines of human discourse. Avoid the provincial, go for the universal. Think subjectively, write objectively. Think long thoughts in short sentences. Don't attend poetry workshops, but if you do, don't go the learn "how to" but to learn "what" (What's important to write about). Don't bow down to critics who have not themselves written great masterpieces. Resist much, obey less. Secretly liberate any being you see in a cage. Write short poems in the voice of birds. Make your lyrics truly lyrical. Birdsong is not made by machines. Give your poem wings to fly to the treetops. The much-quoted dictum from William Carlos Williams, "No ideas but in things," is OK for prose, but it lays a dead hand on lyricism, since "things" are dead. Don't contemplate your navel in poetry and think the rest of the world is going to think it's important. Remember everything, forget nothing. Work on a frontier, if you can find one. Go to sea, or work near water, and paddle your own boat. Associate with thinking poets. They're hard to find. Cultivate dissidence and critical thinking. "First thought, best thought" may not make for the greatest poetry. First thought may be worst thought. What's on your mind? What do you have in mind? Open your mouth and stop mumbling. Don't be so open minded that your brains fall out. Questions everything and everyone. Be subversive, constantly questioning reality and status quo. Be a poet, not a huckster. Don't cater, don't pander, especially not to possible audiences, readers, editors, or publishers. Come out of your closet. It's dark there. Raise the blinds, throw open your shuttered windows, raise the roof, unscrew the locks from the doors, but don't throw away the screws. Be committed to something outside yourself. Be militant about it. Or ecstatic. To be a poet at sixteen is to be sixteen, to be a poet at 40 is to be a poet. Be both. Wake up and pee, the world's on fire. Have a nice day.