Willy Wonka And The Chocolate Factory Quotes

There's no earthly way of knowing Which direction we are going There's no knowing where we're rowing Or which way the river's flowing Is it raining, is it snowing? Is a hurricane a-blowing? - uh! Not a speck of light is showing So the danger must be growing Are the fires of Hell a-glowing? Is the grisly reaper mowing? Yes! The danger must be growing For the rowers keep on rowing And they're certainly not showing Any signs that they are slowing! A-aa-aaa-aaaah!

I, Willy Wonka, have decided to allow five children – just five, mind you, and no more – to visit my factory this year.

Mr Willy Wonka can make marshmallows that taste of violets, and rich caramels that change colour every ten seconds as you suck them, and little feathery sweets that melt away deliciously the moment you put them between your lips. He can make chewing-gum that never loses its taste, and sugar balloons that you can blow up to enormous sizes before you pop them with a pin and gobble them up. And, by a most secret method, he can make lovely blue birds' eggs with black spots on them, and when you put one of these in your mouth, it gradually gets smaller and smaller until suddenly there is nothing left except a tiny little DARKRED sugary baby bird sitting on the tip of your tongue.

You'll never get anywhere if you go about what-iffing like that - Willy Wonka

For the love of all the Gobstoppers in Willy Wonka’s Chocolate Factory, would he please just leave her alone?

WILLY WONKA’S FAMOUS CHOCOLATE FACTORY IS OPENING AT LAST!

In the end, Charlie Bucket won a chocolate factory. But Willy Wonka had something even better, a family. And one thing was absolutely certain - life had never been sweeter. ~ from the movie Charlie and the Chocolate Factory.

I tried to bend over and touch my toes this morning,” I tell the girls. “I tipped over, hit my head on the desk, and then had to call for Nana to get up. I’m literally the size of an Oompa Loompa.” “You’re the most beautiful Oompa Loompa in the world,” Hope declares. “Because she’s not orange.” “Oompa Loompas were orange?” I try to conjure up a mental picture of them but can only recall their white overalls. Carin purses her lips. “Were they supposed to be candies? Like orange slices? Or maybe candy corn?” “They were squirrels,” Hope informs us. “No way,” we both say at once. “Yes way. I read it on the back of a Laffy Taffy when I was like ten. It was a trivia question and I’d just seen the movie. I was terrified of squirrels for years afterwards.” “Shit. Learn something new every day.” I push my body upright, a task that takes a certain amount of upper body strength these days, and toddle over to inspect the crib. “I don’t believe you,” Carin tells Hope. “The movie is about candy. It’s called Willy Wonka and the Chocolate Factory. Since when are squirrels candies? I can buy into a bunny because, you know, the chocolate Easter bunnies, but not a squirrel.” “Look it up, Careful. I’m right.” “You’re ruining my childhood.” Carin turns to me. “Don’t do this to your daughter.” “Raise her to believe Oompa Loompas are squirrels?” “Yes

An older boy pointed. “Look,” he told his friend. “It’s Violet Beauregarde!” That was the bratty girl in Willy Wonka and the Chocolate Factory who turned blue and ballooned into a huge ball. I was puffy because they’d pumped me up with steroids to get me ready for surgery. I ran to Mom, who was sitting on the edge. I stuffed my face in her breasts. “What is it, Bee?” “They called me it,” I squeaked. “It?” Mom’s eyes were across from mine. “Violet Beauregarde,” I managed to say, then burst into fresh tears. The mean boys huddled nearby, looking over, hoping my mom wouldn’t rat them out to their moms. Mom called to them, “That’s really original, I wish I’d thought of that.” I can pinpoint that as the single happiest moment of my life, because I realized then that Mom would always have my back. It made me feel giant. I raced back down the concrete ramp, faster than I ever had before, so fast I should have fallen, but I didn’t fall, because Mom was in the world.

Willy Wonka had his chocolate factory where he tortured and rewarded children. I have my writing factory where I torture and reward children. Only on paper, of course.

Spencer felt as though he’d stepped into the Willy Wonka chocolate factory and he’d just been given a golden ticket. One that might just help him finally get the girl.

Unlike Wonka, we didn't love chocolate enough to stick it in our ass or use it as some sort of alternate form of lubrication. -Joe Bucket (Grandpa Joe)

A mysterious and marvelous confectionary utopia, a colorful interior world filled with wonder and sweet marvel. Most of the actors hadn’t seen the Chocolate Room prior to filming, and even my brief peek didn’t prepare me for the sheer magnitude of this set.

the old people told; and thus, for perhaps half an hour every night, this room would become a happy place, and the whole family would forget that it was hungry and poor. One evening, when Charlie went in to see his grandparents, he said to them, “Is it really true that Wonka’s Chocolate Factory is the biggest in the world?” “True?” cried all four of them at once. “Of course it’s true! Good heavens, didn’t you know that? It’s about fifty times as big as any other!” “And is Mr. Willy Wonka really the cleverest chocolate maker in the world?” “My dear boy,” said Grandpa Joe, raising himself up a little higher on his pillow, “Mr. Willy Wonka is the most

Mr Wonka Goes Too Far The last time we saw Charlie, he was riding high above his home town in the Great Glass Lift. Only a short while before, Mr Wonka had told him that the whole gigantic fabulous Chocolate Factory was his, and now our small friend was returning in triumph with his entire family to take over. The passengers in the Lift (just to remind you) were: Charlie Bucket, our hero. Mr Willy Wonka, chocolate-maker extraordinary. Mr and Mrs Bucket, Charlie’s father and mother. Grandpa Joe and Grandma Josephine, Mr Bucket’s father and mother. Grandpa George and Grandma Georgina, Mrs Bucket’s father and mother. Grandma Josephine, Grandma Georgina and Grandpa George were still in bed, the bed having been pushed on board just before take-off. Grandpa Joe, as you remember, had got out of bed to go around the Chocolate Factory with Charlie. The Great Glass Lift was a thousand feet up and cruising nicely. The sky was brilliant blue. Everybody on board was wildly excited at the thought of going to live in the famous Chocolate Factory. Grandpa Joe was singing. Charlie was jumping up and down. Mr and Mrs Bucket were smiling for the first time in years, and the three old ones in the bed were grinning at one another with pink toothless gums. ‘What in the world keeps this crazy thing up in the air?’ croaked Grandma Josephine. ‘Madam,’ said Mr Wonka, ‘it is not a lift any longer. Lifts only go up and down inside buildings. But now that it has taken us up into the sky, it has become an ELEVATOR. It is THE GREAT GLASS ELEVATOR.

Then at last, when he could stand it no longer, he would peel back a tiny bit of the paper wrapping at one corner to expose a tiny bit of chocolate, and then he would take a tiny nibble – just enough to allow the lovely sweet taste to spread out slowly over his tongue. The next day, he would take another tiny nibble, and so on, and so on. And in this way, Charlie would make his sixpenny bar of birthday chocolate last him for more than a month. But I haven’t yet told you about the one awful thing that tortured little Charlie, the lover of chocolate, more than anything else. This thing, for him, was far, far worse than seeing slabs of chocolate in the shop windows or watching other children munching bars of creamy chocolate right in front of him. It was the most terrible torturing thing you could imagine, and it was this: In the town itself, actually within sight of the house in which Charlie lived, there was an ENORMOUS CHOCOLATE FACTORY! Just imagine that! And it wasn’t simply an ordinary enormous chocolate factory, either. It was the largest and most famous in the whole world! It was WONKA’S FACTORY, owned by a man called Mr Willy Wonka, the greatest inventor and maker of chocolates that there has ever been. And what a tremendous, marvellous place it was! It had huge iron gates leading into it, and a high wall surrounding it, and smoke belching from its chimneys, and strange whizzing sounds coming from deep inside it. And outside the walls, for half a mile around in every direction, the air was scented with the heavy rich smell of melting chocolate! Twice a day, on his way to and from school, little Charlie Bucket had to walk right past the gates of the factory. And every time he went by, he would begin to walk very, very slowly, and he would hold his nose high in the air and take long deep sniffs of the gorgeous chocolatey smell all around him. Oh, how he loved that smell! And oh, how he wished he could go inside the factory and see what it was like!

You've messed with the wrong god if you get keys to willy wonka chocolate factory and diabetes the same day..

Create a Chocolate Factory There may be as many different types of playrooms as there are families, but every one of them should have the following design element: lots of choices. A place for drawing. A place for painting. Musical instruments. A wardrobe hanging with costumes. Blocks. Picture books. Tubes and gears. Anything where a child can be safely let loose, joyously free to explore whatever catches her fancy. Did you see the movie Willy Wonka and the Chocolate Factory? If so, you may have been filled with wonder at the chocolate plant, complete with trees, lawns, and waterfalls—a totally explorable, nonlinear ecology. That’s what I mean. I am focusing on artistic pursuits because kids who are trained in the arts

I don’t get it,” she said. “I mean, why teenagers? Why pick the most immature people on earth to handle such a huge responsibility?” Driggs looked up at the stars, then back at Lex. “You know Charlie and the Chocolate Factory?” Lex stared. “The world of pure imagination?” he added. “I’m familiar with the world of pure imagination,” Lex said dryly. “I’m just skeptical as to how manufacturing candy is in any way similar to reaping mortal souls.” “You know how at the end, Willy Wonka gives Charlie the factory?” Driggs went on. “Do you remember the reason he chose a child?” “Yeah, he said adults would want to do everything their own way, whereas a child—” “Would learn all the secrets,” said Driggs, “and keep them secret.” He flicked a pebble off the roof. “I mean, now that you’ve seen what really goes on here, have you thought for even a second of ratting us out?” “No, but—” The wordless anxiety that had been pumping through her veins ever since Uncle Mort touched that old woman came spilling out all at once. “I just find it disturbing that people—we ordinary, mortal, dumbass people—are in charge of all this. And we’ve covered it up for, what, millennia? You really expect me to believe that?” “Just because it’s the biggest secret in the history of the world doesn’t make it any less true.” Even Lex couldn’t think of a snarky answer to this. “Did I just blow your mind?” Driggs asked. “I think I just blew your mind.” With that, he pulled out a handful of at least a dozen Oreos from his pocket and shoved three into his mouth

He'd even sent her a random text that morning--- a link to a fanfic story involving them and Willy Wonka's R-rated chocolate factory. He thought it would make her laugh. She'd sent the skull emoji back, so...

Hodge admired Wilder’s performance but didn't want to reproduce it - for practical as well as artistic reasons. ‘I'm working in a different medium,’ he says. ‘I really admire Gene Wilder's version, but his energy - that druggy, transcendental, gently enigmatic thing - is different from what I require to sing huge songs and fill a theatre full of children. There's a different engine powering a big West End musical.

As 30 Rock’s Liz Lemon would say, ‘I want to go to there.

Wilder's Wonka is, as in the book, the embellishment and excitement round the edges - his batty, barmy, nutty, screwy, dippy, dotty, daffy, goofy, beany, buggy, wacky, loony nature dazzling and drawing our attention but, narratively speaking, remaining decoration.

Perhaps it is only someone who has experienced first-hand what family can and should mean who can be so ruthless when they write about those who fall short of producing the ideal for their offspring.

The idea of a child (of whatever age) forgiving a bad parent, and the unthinkableness of a happy ending without it, is very modern and not one that has much to do with Roald's world view at all. It is idealistic and sentimental, and is more concerned with relieving adult anxieties (there is nothing we can do so bad that it cannot ultimately be undone) than entertaining child viewers/readers or slaking their thirst for natural justice.

This book is written for all those who loved Charlie and the Chocolate Factory when they were young, and those who love it now. It's for anyone who wants to know a bit more about how it came to be, how it managed to permeate readers' worlds and the world at large, and how it has endured so happily for fifty years - and counting.

A good children's book teaches the uses of words, the joy of playing with language. Above all, it helps children learn not to be frightened of books. Once they get through a book and enjoy it, they realize that books are something they can cope with. If my books can help children become readers, then I feel I have accomplished something important.

You know that old movie you made me watch, where the poor kid was standing outside with his nose pressed to the glass? That's how I felt.' / 'That old movie' he’s referring to is Willy Wonka and the Chocolate Factory, when Charlie is watching all the kids go hog wild at the candy store but he can’t go inside because he doesn’t have any money.

These friends or cretins rather are called Oompa Loompas and they got themselves a madder lust for chocolate than Wonka.

Movies That Grew Me Spirit of the Beehive—Victor Erice Walkabout—Nicolas Roeg Orfeu Negro (Black Orpheus)—Marcel Camus Willy Wonka & the Chocolate Factory—Mel Stuart Ratcatcher—Lynne Ramsay Throne of Blood—Akira Kurosawa It’s a Wonderful Life—Frank Capra Drugstore Cowboy—Gus Van Sant The Deer Hunter—Michael Cimino The Wizard of Oz—Victor Fleming To Live—Zhang Yimou Persepolis—Marjane Satrapi