Anticipation Is Killing Me Quotes

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So many emotions flicker over him—astonishment, concern, remorse . . . and the always-present adoration. I raise my hand toward his face and he winces, as if anticipating a slap. Instead, I stroke his cheek and those beautifully expressive jewels under his eyes, then lift to my toes and press my lips to his. His flavor and warmth envelop me. He moans and cups my face on either side, kissing me deeper, but I pull back. “I love you,” I whisper, because he has a right to know the truth before I kill him.
A.G. Howard (Ensnared (Splintered, #3))
Even as I wrote my note to Fern, for instance, expressing sentiments and regrets that were real, a part of me was noticing what a fine and sincere note it was, and anticipating the effect on Fern of this or that heartfelt phrase, while yet another part was observing the whole scene of a man in a dress shirt and no tie sitting at his breakfast nook writing a heartfelt note on his last afternoon alive, the blondwood table's surface trembling with sunlight and the man's hand steady and face both haunted by regret and ennobled by resolve, this part of me sort of hovering above and just to the left of myself, evaluating the scene, and thinking what a fine and genuine-seeming performance in a drama it would make if only we all had not already been subject to countless scenes just like it in dramas ever since we first saw a movie or read a book, which somehow entailed that real scenes like the one of my suicide note were now compelling and genuine only to their participants, and to anyone else would come off as banal and even somewhat cheesy or maudlin, which is somewhat paradoxical when you consider – as I did, setting there at the breakfast nook – that the reason scenes like this will seem stale or manipulative to an audience is that we’ve already seen so many of them in dramas, and yet the reason we’ve seen so many of them in dramas is that the scenes really are dramatic and compelling and let people communicate very deep, complicated emotional realities that are almost impossible to articulate in any other way, and at the same time still another facet or part of me realizing that from this perspective my own basic problem was that at an early age I’d somehow chosen to cast my lot with my life’s drama’s supposed audience instead of with the drama itself, and that I even now was watching and gauging my supposed performance’s quality and probable effects, and thus was in the final analysis the very same manipulative fraud writing the note to Fern that I had been throughout the life that had brought me to this climactic scene of writing and signing it and addressing the envelope and affixing postage and putting the envelope in my shirt pocket (totally conscious of the resonance of its resting there, next to my heart, in the scene), planning to drop it in a mailbox on the way out to Lily Cache Rd. and the bridge abutment into which I planned to drive my car at speeds sufficient to displace the whole front end and impale me on the steering wheel and instantly kill me. Self-loathing is not the same thing as being into pain or a lingering death, if I was going to do it I wanted it instant’ (175-176)
David Foster Wallace (Oblivion: Stories)
So I loved my sister, but held that love loosely in my arms, anticipating its death and mourning it as it lived
Rasheed Newson (My Government Means to Kill Me)
Is there anything you do that isn't designed to take you a step closer to the other side?" (...) Do you want that for Gen and Chloe? If you're going to take yourself out, do it with flame. Burn it all away, so there's nothing left but ashes, so we can still imagine everything we valued and loved…" He swung before she anticipated him. His fist went through her sheetrock as if it wasn't there, shattering paint and substance.(…) "You'll promise me. And you'll never betray that promise, or I swear to God it will kill me. Do you understand that? Do you know how much you mean to me? Even if you don't want me, you have to give me this." "I promise, I promise." She reached up, gathered him to her. He came inch by resisting inch until his face was against her neck. Suddenly he gave, dropping to his knees, his arms surrounding her so they were pressed against each other thigh to thigh, heart to heart. He pulled her in so tightly against him she couldn't breathe, but that didn't matter. Suddenly the world was about more than herself, more than about her pain and it was easier to let go of it to hold him in her arms, to give him comfort.
Joey W. Hill (Mirror of My Soul (Nature of Desire, #4))
Surrounded by them, she would growl, “Let me tell a story . . . ” “Please!” the children would chorus, wriggling in anticipation. And she would begin in the way that all Mandinka storytellers began: “At this certain time, in this certain village, lived this certain person.” It was a small boy, she said, of about their rains, who walked to the riverbank one day and found a crocodile trapped in a net. “Help me!” the crocodile cried out. “You’ll kill me!” cried the boy. “No! Come nearer!” said the crocodile. So the boy went up to the crocodile—and instantly was seized by the teeth in that long mouth. “Is this how you repay my goodness—with badness?” cried the boy. “Of course,” said the crocodile out of the corner of his mouth. “That is the way of the world.” The boy refused to believe that, so the crocodile agreed not to swallow him without getting an opinion from the first three witnesses to pass by. First was an old donkey. When the boy asked his opinion, the donkey said, “Now that I’m old and can no longer work, my master has driven me out for the leopards to get me!” “See?” said the crocodile. Next to pass by was an old horse, who had the same opinion. “See?” said the crocodile. Then along came a plump rabbit who said, “Well, I can’t give a good opinion without seeing this matter as it happened from the beginning.” Grumbling, the crocodile opened his mouth to tell him—and the boy jumped out to safety on the riverbank. “Do you like crocodile meat?” asked the rabbit. The boy said yes. “And do your parents?” He said yes again. “Then here is a crocodile ready for the pot.” The boy ran off and returned with the men of the village, who helped him to kill the crocodile. But they brought with them a wuolo dog, which chased and caught and killed the rabbit, too. “So the crocodile was right,” said Nyo Boto. “It is the way of the world that goodness is often repaid with badness. This is what I have told you as a story.” “May you be blessed, have strength and prosper!” said the children gratefully.
Alex Haley (Roots: The Saga of an American Family)
Anticipating sorrow to neutralize sorrow—that’s paltry, cowardly stuff, I told myself, knowing I was an ace practitioner of the craft. And what if it came fiercely? What if it came and didn’t let go, a sorrow that had come to stay, and did to me what longing for him had done on those nights when it seemed there was something so essential missing from my life that it might as well have been missing from my body, so that losing him now would be like losing a hand you could spot in every picture of yourself around the house, but without which you couldn’t possibly be you again. You lose it, as you always knew you would, and were even prepared to; but you can’t bring yourself to live with the loss. And hoping not to think of it, like praying not to dream of it, hurts just the same. Then a strange idea got hold of me: What if my body—just my body, my heart—cried out for his? What to do then? What if at night I wouldn’t be able to live with myself unless I had him by me, inside me? What then? Think of the pain before the pain. I knew what I was doing. Even in my sleep, I knew what I was doing. Trying to immunize yourself, that’s what you’re doing—you’ll end up killing the whole thing this way—sneaky, cunning boy, that’s what you are, sneaky, heartless, cunning boy. I smiled at the voice. The sun was right on me now, and I loved the sun with a near-pagan love for the things of earth. Pagan, that’s what you are. I had never known how much I loved the earth, the sun, the sea—people, things, even art seemed to come second. Or was I fooling myself?
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
I mean to keep the remaining shots for people in the shameful state you and I were in last night—I wish we could even plead drunkenness. I mean to keep those bullets for pessimists—pills for pale people. And in this way I want to walk the world like a wonderful surprise— to float as idly as the thistledown, and come as silently as the sunrise; not to be expected any more than the thunderbolt, not to be recalled any more than the dying breeze. I don't want people to anticipate me as a well-known practical joke. I want both my gifts to come virgin and violent, the death and the life after death. I am going to hold a pistol to the head of the Modern Man. But I shall not use it to kill him—only to bring him to life.
G.K. Chesterton (Manalive)
Shockers take six months of training and still occasionally kill their users. Why did you implant them in the first place?” “Because you kidnapped me.” “That’s the stupidest thing I’ve ever heard.” “Mr. Rogan.” My voice frosted over. “What I put into my body is my business.” Okay, that didn’t sound right. I gave up and marched out the doors into the sunlight. That was so dumb. Sure, try your magic sex touch on me, what could happen? My whole body was still keyed up, wrapped up in want and anticipation. I had completely embarrassed myself. If I could fall through the floor, I would. “Nevada,” he said behind me. His voice rolled over me, tinted with command and enticing, promising things I really wanted. You’re a professional. Act like one. I gathered all of my will and made myself sound calm. “Yes?” He caught up with me. “We need to talk about this.” “There is nothing to discuss,” I told him. “My body had an involuntary response to your magic.” I nodded at the poster for Crash and Burn II on the wall of the mall, with Leif Magnusson flexing with two guns while wrapped in flames. “If Leif showed up in the middle of this parking lot, my body would have an involuntary response to his presence as well. It doesn’t mean I would act on it.” Mad Rogan gave Leif a dismissive glance and turned back to me. “They say admitting that you have a problem is the first step toward recovery.” He was changing his tactics. Not going to work. “You know what my problem is? My problem is a homicidal pyrokinetic Prime whom I have to bring back to his narcissistic family.” We crossed the road to the long parking lot. Grassy dividers punctuated by small trees sectioned the lot into lanes, and Mad Rogan had parked toward the end of the lane, by the exit ramp. “One school of thought says the best way to handle an issue like this is exposure therapy,” Mad Rogan said. “For example, if you’re terrified of snakes, repeated handling of them will cure it.” Aha. “I’m not handling your snake.” He grinned. “Baby, you couldn’t handle my snake.” It finally sank in. Mad Rogan, the Huracan, had just made a pass at me. After he casually almost strangled a woman in public. I texted to Bern, “Need pickup at Galeria IV.” Getting into Rogan’s car was out of the question.
Ilona Andrews (Burn for Me (Hidden Legacy, #1))
Having been through prep with Flavius, Venia, and Octavia numerous times, it should just be an old routine to survive. But I haven’t anticipated the emotional ordeal that awaits me. At some point during the prep, each of them bursts into tears at least twice, and Octavia pretty much keeps up a running whimper throughout the morning. It turns out they really have become attached to me, and the idea of my returning to the arena has undone them. Combine that with the fact that by losing me they’ll be losing their ticket to all kinds of big social events, particularly my wedding, and the whole thing becomes unbearable. The idea of being strong for someone else having never entered their heads, I find myself in the position of having to console them. Since I’m the person going in to be slaughtered, this is somewhat annoying. It’s interesting, though, when I think of what Peeta said about the attendant on the train being unhappy about the victors having to fight again. About people in the Capitol not liking it. I still think all of that will be forgotten once the gong sounds, but it’s something of a revelation that those in the Capitol feel anything at all about us. They certainly don’t have a problem watching children murdered every year. But maybe they know too much about the victors, especially the ones who’ve been celebrities for ages, to forget we’re human beings. It’s more like watching your own friends die. More like the Games are for those of us in the districts. By the time Cinna shows up, I am irritable and exhausted from comforting the prep team, especially because their constant tears are reminding me of the ones undoubtedly being shed at home. Standing there in my thin robe with my stinging skin and heart, I know I can’t bear even one more look of regret. So the moment he walks in the door I snap, “I swear if you cry, I’ll kill you here and now.” Cinna just smiles. “Had a damp morning?” “You could wring me out,” I reply.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
I’d much rather have you under me on the mat than spare time.” His arm wraps around my waist, tugging me closer. “When it comes to the other marked ones, don’t risk trusting them. Not yet. They know they can’t kill you, but some of them would be happy to see you hurt given who your mother is.” “Back to that, are we?” I try to smile, but my lower lip trembles. I’m not actually upset about him leaving. That’s the lemonade talking. “Never left that,” he reminds me, keeping his voice low even though the others in the courtyard are now giving us more than enough privacy. “Keep yourself alive, and I’ll be back in seven days.” His hand slides to the side of my neck, and his thumb grazes my jawline as he lowers his mouth to only a breath above mine. “We managed to keep each other alive today. Trust me yet?” My heart jolts. I can almost taste his kiss, and gods, I want it. “With my life,” I whisper. “That’s all?” His mouth hovers above mine, all promise and no delivery. “That’s all.” Trust is earned, and he isn’t even trying. “Too bad,” he whispers, lifting his head. “But like I said, anticipation is a good thing.” Common sense crashes through the fog of lust with embarrassing ease. For fuck’s sake, what did I almost do? “No anticipation.” I outright glare, but my words lack bite. “We aren’t happening, remember? That’s your choice. I have every right to walk right back into the gathering hall and pick whomever I want to warm my bed. Someone a little more ordinary.” It’s a bluff. Maybe. Or alcohol. Or maybe I just want him to feel the same uncertainty I do. “You absolutely have every right, but you won’t.” He gives me a slow smile. “Because you’re impossible to replace?” It does not come out as a compliment. At least that’s what I tell myself. “Because you still love me.” The certainty in his eyes pricks every inch of my temper. “Fuck off and leave, Riorson.” “I would, but you’ve got a death grip on me.” He glances between our bodies. “Ugh!” I drop my hands from his waist and step back. “Go.” “See you in seven days, Violence.” He backs away, moving toward the tunnel that leads to the flight field. “Try not to burn the place down while I’m gone.
Rebecca Yarros (Iron Flame (The Empyrean, #2))
THE EXCITEMENT IN the boardroom was only overshadowed by the anticipation. They didn’t have long to wait. Sam yelled for everyone to get down. Jack pushed her from behind and shoved her to the floor, covering her with his body. Shots rang out. Someone cried out in pain. Jack cursed, snapping her out of her haze. She tried to look up, but Jack kept her head down. Two more shots rang out before everything went eerily quiet. “Jenna, are you okay?” Sam called to her from the doorway. “Fine,” she answered automatically, unsure about anything at the moment. “Everyone else okay?” Sam asked. All the men indicated they were fine, but she didn’t hear Jack among them. Jack eased his weight off her and slid aside. Cameron helped her to her feet and the two bodyguards flanking her made room for her to pass. Jack leaned against the wall, blood running down his left arm, a gun in his right. She flung herself against his chest and held on to him, unable to look through the doorway where the first shots originated. Sam was excellent at his job. In his background check on David, he’d discovered David’s gun permit. Using some of his less-than-reputable contacts from the FBI, they’d had someone break into David’s house and office to locate the weapon. David actually owned quite a few guns, only one registered, which he kept in his office, locked in his desk drawer. They assumed David would be in a rage before he left the boardroom, and his rage would make him pick up the gun and come after Jenna. Provoking him was risky, but it was also the only way to end David’s terrorism. Knowing David would be volatile, she and Sam had sat in the office at the ranch planning what they’d do to prevent the inevitable. They figured David would probably try to get to her before she got back on the plane. She never thought David would come after her before she’d even left the boardroom. “What the hell were you thinking? You weren’t supposed to have a gun. I’m going to kill Sam,” she said and grabbed his lapels and shook him. “Later, give me a kiss.” She pressed her lips to his. Warm, alive, she thanked God he was alive. She helped him off with his suit jacket, revealing the deep furrow on the outside of his arm. “Looks like this time you get the stitches. Maybe if you need a pokey shot, Lily will give you a lollipop.” She gave him her most sugary sweet smile, even though they both knew she wasn’t happy about the situation. A tear slid down her cheek. “I could have lost you.” “Now you know exactly how I felt when he took you.” The relief overcame her fear. She pressed her forehead to his and took a moment to savor the closeness and the fact that they were both alive. She took a calming breath before addressing Sam. “Is David dead?” “Yes, just outside the door. Jack got him.” “I told you I’d kill that bastard.” -Sam, Jenna, & Jack
Jennifer Ryan (Saved by the Rancher (The Hunted, #1))
Summer. Fuck you summer. Yeah, there is some angst there, summer was a bitch and everyone seemed to love her. They dressed up for her, they changed who they were for her and waited in anticipation for her all year long. And when she finally came there was this relief that went after them like she wasn’t going to make it. People planned for months in advance just to enjoy her; she was not my friend, at least not any longer. I fucking hate Summer. She was this bitch that taunted me behind the cameras and hated me, she burned me. And it was her turn to suffer, I will kill Summer.
LR Johnson
Since the beginning of the human tribe around 10,000 years ago, tell me, has there been a single day in our collective human history where a man did not kill another man? The anticipated answer saddens and empties my heart of any promise.
Adam Kovacevic
His voice had a rough note to it as he said, “Tienes una chocha tan linda.” “What?” she mumbled behind her gag. “I said you have a beautiful pussy. And it is. Do you want me to suck on that pretty pussy?” She nodded vigorously and drew in a deep breath of anticipation as he rolled her over to her front. “If I untie your hands, do you promise to behave?” Giving him a pleading look she nodded again. “If you’re a bad girl I’ll just tie you up again and continue teasing you.” She tried to keep from glaring at him, but he must have noticed because he chuckled as he unbound her hands. <...>She smiled at him, feeling too good to fight. “I do.” He laughed and cuddled her close, his dick jumping inside of her when she involuntarily squeezed him. “Good God, woman, you’re going to kill me.” A giggle escaped her and she wondered at the light, happy sound. “Stop being such a whiner.” ''Mmm, feisty,” he gave her neck a sharp nip. “I like it.” “You won’t like it when I kill you for letting her touch you,” she grumped, but cuddled closer. “Why do you love me?” “Fishing for compliments?” she teased. “No…I just want to know why so I can keep doing whatever it is that makes you love me.” “Oh, baby,” she lifted her head to kiss his chin, the note of vulnerability in his voice touching her deeply. “Just be you. You’re the man I fell in love with. All of you. The UFC fighter, the businessman, the asshole—” “Hey now.” She shook her head against his chest. “Admit it, you can be an asshole.” “I plead the fifth.” “All of you,” she continued. “I love all of you.” He made a pleased sound and began to move inside of her again. The man must be snacking on Viagra because he seemed to have a permanent hard-on. His voice had a teasing tone as he said, “Do you love my dick?” Warm tingles raced through her and she licked at the slightly salty skin of his chest. “It’s one of my favorite parts.” “Hmmm, what are your other favorite parts?” Once again she wondered if he was fishing for compliments, but it occurred to her that he’d dated woman who always wanted something from him, not Dallas himself. “I love your lips because they kiss me, your hands because they touch me, but most of all I love your mind and your heart because they define who you are, a strong, smart, and compassionate man. My man.” His grunt made her smile as she continued to kiss her way across his chest as he moved slowly inside of her, a constant stroke that made her want to moan with pleasure. “My Amanda.” Kissing her way up to his lips, she whispered against his mouth, “Love you.” “Love you too, mi querida.
Ann Mayburn (The Fighter's Secretary)
It happened in 2006 when the company’s COO and soon-to-be CEO, Randall Stephenson, quietly struck a deal with Steve Jobs for AT&T to be the exclusive service provider in the United States for this new thing called the iPhone. Stephenson knew that this deal would stretch the capacity of AT&T’s networks, but he didn’t know the half of it. The iPhone came on so fast, and the need for capacity exploded so massively with the apps revolution, that AT&T found itself facing a monumental challenge. It had to enlarge its capacity, practically overnight, using the same basic line and wireless infrastructure it had in place. Otherwise, everyone who bought an iPhone was going to start experiencing dropped calls. AT&T’s reputation was on the line—and Jobs would not have been a happy camper if his beautiful phone kept dropping calls. To handle the problem, Stephenson turned to his chief of strategy, John Donovan, and Donovan enlisted Krish Prabhu, now president of AT&T Labs. Donovan picks up the story: “It’s 2006, and Apple is negotiating the service contracts for the iPhone. No one had even seen one. We decided to bet on Steve Jobs. When the phone first came out [in 2007] it had only Apple apps, and it was on a 2G network. So it had a very small straw, but it worked because people only wanted to do a few apps that came with the phone.” But then Jobs decided to open up the iPhone, as the venture capitalist John Doerr had suggested, to app developers everywhere. Hello, AT&T! Can you hear me now? “In 2008 and 2009, as the app store came on stream, the demand for data and voice just exploded—and we had the exclusive contract” to provide the bandwidth, said Donovan, “and no one anticipated the scale. Demand exploded a hundred thousand percent [over the next several years]. Imagine the Bay Bridge getting a hundred thousand percent more traffic. So we had a problem. We had a small straw that went from feeding a mouse to feeding an elephant and from a novelty device to a necessity” for everyone on the planet. Stephenson insisted AT&T offer unlimited data, text, and voice. The Europeans went the other way with more restrictive offerings. Bad move. They were left as roadkill by the stampede for unlimited data, text, and voice. Stephenson was right, but AT&T just had one problem—how to deliver on that promise of unlimited capacity without vastly expanding its infrastructure overnight, which was physically impossible. “Randall’s view was ‘never get in the way of demand,’” said Donovan. Accept it, embrace it, but figure out how to satisfy it fast before the brand gets killed by dropped calls. No one in the public knew this was going on, but it was a bet-the-business moment for AT&T, and Jobs was watching every step from Apple headquarters.
Thomas L. Friedman (Thank You for Being Late: An Optimist's Guide to Thriving in the Age of Accelerations)
a sign, anticipating when the other shoe would drop. It didn’t matter. Killing time had never been
Molly Greene (Paint Me Gone (Gen Delacourt Mystery #3))
April 10 Moral Decision about Sin Knowing this, that our old man is crucified with Him, that the body of sin might be destroyed, that henceforth we should not serve sin. Romans 6:6 Co-Crucifixion. Have I made this decision about sin—that it must be killed right out in me? It takes a long time to come to a moral decision about sin, but it is the great moment in my life when I do decide that just as Jesus Christ died for the sin of the world, so sin must die out in me, not be curbed or suppressed or counteracted, but crucified. No one can bring any one else to this decision. We may be earnestly convinced, and religiously convinced, but what we need to do is to come to the decision which Paul forces here. Haul yourself up, take a time alone with God, make the moral decision and say—“Lord, identify me with Thy death until I know that sin is dead in me.” Make the moral decision that sin in you must be put to death. It was not a divine anticipation on the part of Paul, but a very radical and definite experience. Am I prepared to let the Spirit of God search me until I know what the disposition of sin is—the thing that lusts against the Spirit of God in me? Then if so, will I agree with God’s verdict on that disposition of sin—that it should be identified with the death of Jesus? I cannot reckon myself “dead indeed unto sin” unless I have been through this radical issue of will before God. Have I entered into the glorious privilege of being crucified with Christ until all that is left is the life of Christ in my flesh and blood? “I am crucified with Christ; nevertheless I live; yet not I, but Christ liveth in me.
Oswald Chambers (My Utmost for His Highest)
The thing is, I think I like kids, more or less. I was an English teacher for a few years before I quit to enter publishing, and I enjoyed most of the work—the performing, the encouraging, the dispensing of door-opening revelations, even the wheedling and dickering you have to do with reluctant, sullen, grade-grubbing teens—but I was driven out of the classroom by the prospect of a life spent correcting papers. Maybe that reflects badly on me, makes me seem selfish or lacking in stick-to-itiveness or community spirit, or maybe it’s just evidence that I’d never have survived as a parent, with all the correcting and explaining that job entails. But believe me, you don’t even have to read sixty eighth-grade essays on To Kill a Mockingbird to suffer an unholy agony. Just carrying them around in your briefcase can bring you to tears from the anticipated tedium.
Bruce Weber (Life Is a Wheel: Memoirs of a Bike-Riding Obituarist)
Shaking his head at his own skittishness, he let out a sigh and dropped down beside his little girl. Immediately, she scrambled over to him as fast as her hands and knees could take her and climbed happily up into his lap. He picked her up. Her very presence was a balm to his nerves, a reassurance that purity and innocence still shone in a world that had, of late, seemed dominated by wickedness and evil. But it soon became obvious that Charlotte wanted more than just a cuddle. Eventually, she began to get restless, and Gareth had learned enough about her to recognize immediately what she wanted. "Hungry, Charlie-girl?" Raising himself to his knees, he picked up the bowl he'd excitedly prepared a few minutes ago and sat down, anticipation lighting up his face. Charlotte was beginning to eat solid food now, which delighted him beyond words because that meant he could have a hand in feeding her. Still, Juliet had looked dubious when she'd left him with the baby an hour before. Mash up her food carefully, she had instructed him, explaining the procedure with as much care as if she'd been advising an overeager two-year-old, going on and on while he'd stood there and nodded and nodded and nodded. Make sure there are no lumps in it, and don't make her eat it all if she doesn't want it. He realized his first mistake as he dug the spoon into the bowl and eagerly began to feed the baby. "Hmmm … perhaps I should have mashed up the peas or even the carrots, instead of these red beets left over from supper last night," he mused, aloud. Indeed, it soon became difficult to know who was faring worse in this new venture — his daughter, now smeared from head to toe in red beet pulp, or her papa, who had it all over his fingers and in his lap. Charlotte looked up at him and smiled through the mess. Gareth guffawed. Ah, hell. They were both laughing and having fun. They were half-way through the bowl when a loud hammering at the door nearly caused Gareth to jump out of his skin. Lucien. Scooping up the baby and holding her easily in one arm, he went to open it — and found Perry and the rest of the Den of Debauchery standing just outside. "Bloody hell!"  Perry's jaw nearly hit the floor. "What on earth have you done to her?!" Gareth looked at Charlotte and fully comprehended just what a mess the two of them had made. Huge red blotches stained the delicate skin of the baby's face. Her hands were bright red, her dress was ruined, and bits of crimson pulp clung to her chin. Oh, hell, he thought wildly, Juliet's going to kill me! He grabbed up a napkin from the table and began scrubbing at Charlotte's face, to no avail. "Damnation!" he cried, much to Perry's amusement and the guffaws of the others. "Playing papa to the hilt, are you, Gareth?" "So much for your days of debauchery!" "I say, next thing you know, he'll be changing napkins — ha, ha, ha!" "Sod off," Gareth said, realizing how much he had not missed their immaturity.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
My heart flutters with anticipation. If this was just the appetizer, dinner might damn near kill me. He
Michelle A. Valentine (Naughty King (A Sexy Manhattan Fairytale, #1))
In the dream, Tinker Bell said, “…he’ll never have his Darling back.” “She killed the original Darling,” I say. Peter exhales beside me. “So you killed her.” “I wasn’t thinking straight,” he admits. “Sometimes I act before I think. Once Tink and the original Darling were dead, it made it much harder to track down my shadow. But memories can be inherited in blood and the original Darling had a little sister. It was improbable, but I’d hoped that any sort of knowledge might have been passed down through her lineage.” The little girl in the closet. She must have been the sister. “So that’s why you take us, trying to find any shred of information about your shadow.” He nods. “I think I know where it is.” He looks over at me, his hair mussed with sleep, but his eyes wide with anticipation. “Tell me.” “In my great-grandmother Wendy’s trunk.
Nikki St. Crowe (The Never King (Vicious Lost Boys, #1))
could taste myself on him, and it just turned me on harder. Knowing he'd just been in my pussy and that Steele was about to fuck my ass... yeah, it was turning me right the fuck on. A low moan pulled from me as Archer fucked my face and Steele stretched me with another finger. More cold lube. God, the anticipation was killing me. The boys seemed to be working on intuition or ESP or something because just when I was about to lose it, Archer released my face and Steele's hands gripped my hips. He guided me back, coaxing me to sit up as he positioned his tip against my slick asshole.
Tate James (Kate (Madison Kate, #4))
There were two entirely discrete feelings I had at this moment. The first was a disbelieving glee that I was really about to kill McGrath Mills. When you are accustomed to denial and failure, as maybe I was or maybe I only believed myself to be, success can feel disorienting, it can give you pause. Sometimes I found myself narrating such success, at least in my own head, in order to convince myself of its reality. And not just with major triumphs (of course whether I’d ever experienced a major triumph, apart from getting into Ault in the first place, was debatable) but with tiny ones, with anything I’d been waiting for and anticipating: I am now eating pizza, I am now getting out of the car. (And later: I am kissing this boy, he is lying on top of me.) I did this because it struck me as so hard to believe I was really getting what I wanted; it was always easier to feel the lack of the thing than the thing itself.
Curtis Sittenfeld (Prep)
To Disco and me she said, “Some of the hunters from this village were involved in the search-and-rescue operation for Igor and his friends in the spring. It’s all become an important part of their history and—and forget it, here’s the good stuff.” She paused dramatically, her blue eyes sparkling in the dim lighting. “They were certain they knew what killed the hikers.” I leaned forward, all at once edgy with anticipation. “They call it a forest giant,” she said. “What the hell’s a forest giant?” I asked. “According to Raya, something that is half-troll, half-demon.
Jeremy Bates (Mountain of the Dead (World's Scariest Places #5))
I’ll take it away, like I took away money and illness, the sickness of the land, the poison in the water and the air. I’ll make it better, like I made the ice freeze again, the winters cold again, your cells healthy and whole again.” Trina felt a shiver run up her spine. She tried very hard to remain calm. She planted her feet, facing The Seep and its terrifying hole of a mouth. “But Pam,” she said. “My memories are who I am. You take away my memories, you erase me. Existence is memory. Do you understand? You’d kill me. You’d murder Trina FastHorse Goldberg-Oneka, daughter of Rita and Samuel, a child of love. Trans woman. Artist. Doctor. Healer. Native American. Jew. You erase my memories, and you erase my lineage of ancestors—their pain, their triumphs, their passions, their dreams. No matter if the memories bring me pain. It’s my pain! Let me have it.” The roiling mass of bodies spoke in unison. “If fear is the anticipation of loss, then grief is . . .” HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES HAPPY MEMORIES
Chana Porter (The Seep)
She fell asleep anticipating another enigmatic dream. Tonight’s feature starred the commander-in-chief himself. Angie had been summoned to Casa Bellicosa to unfasten a screech owl from the presidential pompadour, which the low-swooping raptor had mistaken for a road-kill fox. When Angie arrived, the commander-in-chief was lurching madly around the helipad, bellowing and clawing at the Velcro skull patch into which the confused bird had embedded its talons. The owl was still clutching a plug of melon-colored fibers when Angie freed it. Swiftly she was led to a windowless room and made to sign a document stating she’d never set foot on the property, or glimpsed the President without his hair. A man wearing a Confederate colonel’s uniform and a red baseball cap stepped forward and hung a milk-chocolate medal around Angie’s neck, after which she was escorted at sword-point out the gates. She
Carl Hiaasen (Squeeze Me (Skink #8))
Up till now some of it will endure in my reminiscence unflinching and vibrant. (I may have passed on reading a bewitched story with I was never- ever meant to read about my family, and the hex of losing everything that I loved, I wonder if the girls set me up for this one?) I can hear whispers, whispers I can feel, whispers that used to give me a thrill, whispers from the ones that kill, whispers that give me a chill, I recall whispers while trying to find love, I hear them whispering, just like the girl in the story that I should have known, that I may need to find. Even so, I have to comprehend it is all that I want to think of, and not what they choose for me to arouse, I was forbidden to see her… nevertheless, I did, the day before my end. I hear a soft voice! After that moment with her- You know I think that life is all optimal; one can either select to live comfortably or choose to live in fear, and that is what I did the fear of not fitting in and they kill me for it. They're still killing me, every day not to find out what I love the most, and that is not my girlfriends, it comes down to two. I ask him to do more for me, yet is he? Or has he, or has she done it all for me, that is the question. I know that someday he will answer me, and if he doesn’t, she will! I feel I want her to; she is the one the most like me, and I feel she needs me more. And I love that about her she needs me, and that is love. Yet I feel like this- There is nothing to do in this here for me, or then her or should it be him? I know that my dad would disown me for dating a girl, so- I don’t get what I should do. I use things like with a boy anyway, so I should just go with the real thing inside me, I am not a lez-bo! But that girl could sway me- I don’t know. There is just a glow in my mouth- like all the white teeth teens want me to be, it’s all spitting out, yet I have swallowed it, yet they don’t. Look at my eyes with bloodshot eyes, with tears running down her cheeks, and everything in-between feeling the same, you could even see all the welt markings of all their words, yet you can’t see them. She did not even know her name… so she was named after his favorite flower, which he had everywhere in his home as I remember. There is nowhere to go, no one to see… and no one or two, which cares about me. How can I live a life of ecstasy? If infrequently one cannot have a choice, yet I want to pick this if I have anticipation, if I have the preference to. Well, I have to live with the consequences of an entity life with me next to me and even inside me and some, I call my friends. Everyone has to bow down to them, I have been blown to yet not always the way you think I have, my live a life abortion, ripping out my heart blood dripping down my arm, and the demons I just hoping fly out of my piss so, I can strangle them with my come! Yeah, I am the only girl that will say that out loud!
Marcel Ray Duriez
I am hell bound, and you are heaven sent. You’re the first girl I ever looked at and thought…I want to kiss her. I want to own her. I wanted you to look at me the way you look at your fantasy book—with a mixture of awe, anticipation, and warmth. I gave you a brownie, hoping you’d remember me sweetly, praying the sugar rush would spin a positive feel around that vacation. I remember how you looked at me when you saw me killing jellyfish. I never wanted you to look at me like that ever again.
L.J. Shen
Not that I regret my previous choice. It’s only that the anticipation of killing has me feeling particularly appreciative of youth.
Christa Faust (The Zodiac Paradox (Fringe, #1))
Want Could Kill Me Xandria Phillips for Dominique I know this from looking into store fronts taste buds voguing alight from the way treasure glows when I imagine pressing its opulence into your hand I want to buy you a cobalt velvet couch all your haters’ teeth strung up like pearls a cannabis vineyard and plane tickets to every island on earth but my pockets are filled with lint and love alone touch these inanimate gods to my eyelids when you kiss me linen leather gator skin silk satin lace onyx marble gold ferns leopard crystal sandalwood mink pearl stiletto matte nails and plush lips glossed in my 90s baby saliva pour the glitter over my bare skin I want a lavish life us in the crook of a hammock incensed by romance the bowerbird will forgo rest and meals so he may prim and anticipate amenity for his singing lover call me a gaunt bird a keeper of altars shrines to the tactile how they shine for you fold your wings around my shoulders promise me that should I drown in want-made waste the dress I sink in will be exquisite
Xandria Phillips
Look, are you going to kill me or not? The anticipation is starting to annoy the fuck out of me.” I lift a hand to my shoulder and roll it, pressing in on the sore muscles, but it doesn’t help the ache. “Haven’t decided yet,” he answers, like I’ve just inquired about his dinner preferences, but his gaze narrows on my cheek. “Well, could you?” I mutter. “It would definitely help me make my plans for the week.” Markham or Emetterio. Scribe or rider. “Am I affecting your schedule, Violence?
Rebecca Yarros (Fourth Wing (The Empyrean, #1))