“
Things had gotten -- what's the word? Dry. Things had gotten sort of dry for me. I was working as a city janitor in a neighborhood elementary school and, in summers, collecting litter in the park alongside the East River near the WIlliamsburg Bridge. I felt no shame whatsoever in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
Serene was a word you could put to Brooklyn New York. Especially in the summer of 1912. Somber as a word was better. But it did not apply to Williamsburg Brooklyn. Prairie was lovely and Shenandoah had a beautiful sound but you couldn't fit those words into Brooklyn. Serene was the only word for it especially on a Saturday afternoon in summer.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
Oh, Williamsburg. There was a point when you seemed like a scary, tough neighborhood, but now it's obvious that the graffiti on your walls gets put there by art students.
”
”
Imogen Binnie (Nevada)
“
Williamsburg was stifling, narcotized by the heat.
”
”
Chaim Potok (The Promise (Reuven Malther, #2))
“
Dorothy has one of those kitten-in-a-tree posters-- Hang in There! She posts her poster with all sincerity. I like to picture her running into some self-impressed Williamsburg bitch, all Bettie Page bangs and pointy glasses who owns the same poster ironically. I'd like to listen to them try to negotiate each other. Ironic people always dissolve when confronted with earnestness. It's their Kryptonite.
”
”
Gillian Flynn (Gone Girl)
“
[Traveling] makes you realize what an immeasurably nice place much of America could be if only people possessed the same instinct for preservation as they do in Europe. You would think the millions of people who come to Williamsburg every year would say to each other, "Gosh, Bobbi, this place is beautiful. Let's go home to Smellville and plant lots of trees and preserve all the fine old buildings." But in fact that never occurs to them. They just go back and build more parking lots and Pizza Huts.
”
”
Bill Bryson (The Lost Continent: Travels in Small-Town America)
“
This is about as far as I can go without some sarcasm creeping in. But before it does, I must say, with utmost sincerity, that your cookies are good enough to bring some of these wax statues back to life. Thanks for that. I once made corn muffins for a fourth-grade project on Williamsburg and they came out like baseballs. So I'm not sure how to reciprocate... but, believe me, I shall.
”
”
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
“
A house you came to love was like a person, and loved you back, and then you belonged to it forever.
”
”
Elswyth Thane (Ever After (Williamsburg, #3))
“
For Jefferson, William and Mary was largely about what university life is supposed to be about: reading books, enjoying the company of like-minded, and savoring teachers who seemed to be ambassadors from other, richer, writer worlds. Jefferson believed Williamsburg "the finest school of manners and morals that ever existed in America.
”
”
Jon Meacham (Thomas Jefferson: The Art of Power)
“
The two guys who ran the place, always in Williamsburg hipster uniforms of short-sleeved shirts and neatly trimmed beards that looked stuck on with spirit gum, paid, as ever, no attention to anything but the food and the money. Tallow imagined that every night they counted their money and prided themselves on having not made eye contact with anything human.
”
”
Warren Ellis (Gun Machine)
“
There, there," she said. "Don't take it so hard, Dee. Wars don't last forever. I know. I can remember...
”
”
Elswyth Thane (Yankee Stranger (Williamsburg, #2))
“
ANNABETH THOUGHT SHE KNEW PAIN. She had fallen off the lava wall at Camp Half-Blood. She’d been stabbed in the arm with a poison blade on the Williamsburg Bridge. She had even held the weight of the sky on her shoulders. But that was nothing compared to landing hard on her ankle. She immediately knew she’d broken it.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
It was one of the links between the ground-down poor and the wasteful rich. The girl felt that even if she had less than anybody in Williamsburg, somehow she had more. She was richer because she had something to waste.
”
”
Betty Smith
“
You will not always be happy, my dear, however wise you are--I wasn't--but always take what comes to you--don't fight life, Camilla, accept it with grace...
”
”
Elswyth Thane (Kissing Kin (Williamsburg, #5))
“
That is the book, then, and the book of Shakespeare. And every day you must read a page of each to your child—even though you yourself do not understand what is written down and cannot sound the words properly. You must do this that the child will grow up knowing of what is great—knowing that these tenements of Williamsburg are not the whole world.” “The Protestant Bible and Shakespeare.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
I've met the folk that have the perfect garlands and sprays and wreaths, the folk that live in Williamsburg-style houses. And I've met the folk that live at the edge of town in two-bedroom ranch houses that have Frosty the Snowman, lights playing tag around the roof, and a Rudolph stuck askew somewhere on the lawn. I'd rather sit in the home of the atter with and errant couch spring poking my derriere because, truthfully, they're glad to have me, and they never look at my shoes and wonder where I'd been before I got there.
”
”
Lisa Samson (Songbird)
“
And here in this other realm she looms over him, vast and sprawling, wildly patchwork and dense. Not just older and bigger. Stronger in many ways: her arms and core are thick with muscled neighborhoods that each have their own rhythms and reputations. Williamsburg, Hasidim enclave and artist haven turned hipster ground zero. Bed Stuy (do or die). Crown Heights, where now the only riots are over seats at brunch. Her jaw is tight with the stubborn ferocity of Brighton Beach's old mobsters and the Rockaways' working-class holdouts against the brutal inevitability of rising seas. But there are spires at Brooklyn's heart, too- perhaps not as grand as his own, and maybe some of hers are actually the airy, fanciful amusement-park towers of Coney Island- but all are just as shining, just as sharp.
”
”
N.K. Jemisin (The City We Became (Great Cities, #1))
“
If. If Mingus Rude could be kept in this place, kept somehow in Dylan's pocket, in his stinging, smudgy hands, then summer wouldn't give way to whatever came after. If. If. Fat chance. Summer on Dean Street had lasted one day and that day was over, it was dark out, had been for hours. The Williamsburg Savings Bank tower clock read nine-thirty in red-and-blue neon. Final score, a million to nothing. The million-dollar kid.
Your school wasn't on fire, you were.
”
”
Jonathan Lethem (The Fortress of Solitude)
“
Approaching the Williamsburg Bridge - not really certain of how he had managed to find himself there - he experienced an extraordinary moment of buoyancy, of grace. There was a lot more traffic now, but his shifting was smooth and the sturdy little car was adroit at changing lanes. He launched himself out over the East River. He could feel the bridge humming underneath his wheels and all around him could sense the engineering of it, the forces and tensions and rivets that were all conspiring to keep him aloft. To the south, he glimpsed the Manhattan Bridge, with its Parisian air, refined, elegant, its skirts hiked to reveal tapered steel legs, and, beyond, the Brooklyn Bridge, like a great ropy strand of muscle. In the other direction lay the Queensboro Bridge, like two great iron tsarinas linking hands to dance. And before him, the city that had sheltered him and swallowed him and made him a modest fortune loomed, gray and brown, festooned with swags and boas of some misty gray stuff, a compound of harbor fog and spring dew and its own steamy exhalations. Hope had been his enemy, a frailty that he must at all costs master, for so long now that it was a moment before he was willing to concede that he had let it back into his heart.
”
”
Michael Chabon (The Amazing Adventures of Kavalier & Clay)
“
It's nice to be loved for one's faults and not one's virtues!" "...Knowing that whatever you do or however badly you behave, he still feels the way he said just now." "But if people really love each other their faults don't matter," said Bracken..Dinah regarded him with large, serious eyes. "I wonder how many people could say that," she murmured.
”
”
Elswyth Thane (Ever After (Williamsburg, #3))
“
This is the book, then, and the book of Shakespeare. And every day you must read a page of each to your child--even though you yourself do not understand what is written down and cannot sound the words properly. You must do this that the child will grow up knowing of what is great---knowing that these tenements of Williamsburg are not the whole world.
”
”
Betty Smith
“
They were so young, so gloriously, obliviously young, that it hurt to look at them.
”
”
Elswyth Thane (Yankee Stranger (Williamsburg, #2))
“
(For those who don’t know—Williamsburg, Brooklyn, is a godawful hipster wasteland populated exclusively by mustaches and empty cans of Pabst Blue Ribbon.)
”
”
Sarah Knight (The Life-Changing Magic of Not Giving a F*ck: How to Stop Spending Time You Don't Have with People You Don't Like Doing Things You Don't Want to Do (A No F*cks Given Guide Book 1))
“
Met a guy named Bill once. We met in Williamsburg and discussed the Bill of Rights and duck’s beaks.
”
”
Jarod Kintz (99 Cents For Some Nonsense)
“
Maybe I could get a job in Colonial Williamsburg,” I say, trying to get into the spirit. “I could churn butter. Wear period garb. Like, a calico dress with an apron or whatever they wore in Colonial times. I’ve heard they’re not allowed to speak to each other in modern-day language, and kids are always trying to trip them up. That could be fun. The only thing is, I’m not sure if they hire Asian people because of historical accuracy…”
“Lara Jean, we live in the time of Hamilton! Phillipa Soo is half-Chinese, remember? If she can play Eliza Hamilton, you can churn butter.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Filth, filth, filth, from morning to night. I know they're poor but they could wash. Water is free and soap is cheap. Just look at that arm, nurse.'
The nurse looked and clucked in horror. Francie stood there with the hot flamepoints of shame burning her face. The doctor was a Harvard man, interning at the neighborhood hospital. Once a week, he was obliged to put in a few hours at one of the free clinics. He was going into a smart practice in Boston when his internship was over. Adopting the phraseology of the neighborhood, he referred to his Brooklyn internship as going through Purgatory, when he wrote to his socially prominent fiancee in Boston.
The nurse was as Williamsburg girl... The child of poor Polish immigrants, she had been ambitious, worked days in a sweatshop and gone to school at night. Somehow she had gotten her training... She didn't want anyone to know she had come from the slums.
After the doctor's outburst, Francie stood hanging her head. She was a dirty girl. That's what the doctor meant. He was talking more quietly now asking the nurse how that kind of people could survive; that it would be a better world if they were all sterilized and couldn't breed anymore. Did that mean he wanted her to die? Would he do something to make her die because her hands and arms were dirty from the mud pies?
She looked at the nurse... She thought the nurse might say something like:
Maybe this little girl's mother works and didn't have time to wash her good this morning,' or, 'You know how it is, Doctor, children will play in the dirt.' But what the nurse actuallly said was, 'I know, Isn't it terrible? I sympathize with you, Doctor. There is no excuse for these people living in filth.'
A person who pulls himself up from a low environment via the bootstrap route has two choices. Having risen above his environment, he can forget it; or, he can rise above it and never forget it and keep compassion and understanding in his heart for those he has left behind him in the cruel upclimb. The nurse had chosen the forgetting way. Yet, as she stood there, she knew that years later she would be haunted by the sorrow in the face of that starveling child and that she would wish bitterly that she had said a comforting word then and done something towards the saving of her immortal soul. She had the knowledge that she was small but she lacked the courage to be otherwise.
When the needle jabbed, Francie never felt it. The waves of hurt started by the doctor's words were racking her body and drove out all other feeling. While the nurse was expertly tying a strip of gauze around her arm and the doctor was putting his instrument in the sterilizer and taking out a fresh needle, Francie spoke up.
My brother is next. His arm is just as dirty as mine so don't be suprised. And you don't have to tell him. You told me.' They stared at this bit of humanity who had become so strangely articulate. Francie's voice went ragged with a sob. 'You don't have to tell him. Besides it won't do no godd. He's a boy and he don't care if he is dirty.'... As the door closed, she heard the doctor's suprised voice.
I had no idea she'd understand what I was saying.' She heard the nurse say, 'Oh, well,' on a sighing note.
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
And the sleds! (Or, as the Williamsburg children called them, the sleighs.) There was a child’s dream of heaven come true! A new sled with a flower someone had dreamed up painted on it—a deep blue flower with bright green leaves—the ebony-black painted runners, the smooth steering bar made of hard wood and gleaming varnish over all! And the names painted on them! “Rosebud!” “Magnolia!” “Snow King!” “The Flyer!” Thought Francie, “If I could only have one of those, I’d never ask God for another thing as long as I live.” There
”
”
Betty Smith (A Tree Grows in Brooklyn)
“
The parking lot is hidden by thickets of scrub and at a field's distance from the mission compound. Yes, you can imagine the solitude of the landscape; you can imagine the hardness of the life. Perhaps I was expecting too much. La Purísima reminds me of nothing so much as those churches the Soviet government used to ridicule by making of them shrines to history. La Purísima is Williamsburg and Sutter's Fort and worse. The state's [California's] insistence that here are matters only of fact is depressing, the triumph of history over memory.
”
”
Richard Rodríguez (Days of Obligation: An Argument With My Mexican Father)
“
When you tell people you’re going to leave New York, they like to tell you, “New York will always be here.” But it won’t always be there. My insides ache when I think, “I will never be twenty again and moving to Williamsburg with the sun on my face.” So I don’t let myself think it.
”
”
Sari Botton (Goodbye to All That: Writers on Loving and Leaving New York)
“
I was living and working at a bar in Williamsburg, a young, artsy, vibrant neighbourhood, and nobody had any preconceptions about who I was. I could be myself, in all my flawed glory, and it was liberating. Taking charge of my own life. Figuring out what truly made me happy and surrounding myself with people I liked hanging out with.
”
”
Emery Rose Andrews (Beneath Your Beautiful (Beautiful, #1))
“
She knew by some sure instinct that when you had come right up against it, as Jeff had, you had no use for people who advised you to brace up, or who pointed out bright spots. She know that there is nothing so infuriating, when you are bearing all you can, as shallow, unrealistic optimism from someone who has not experienced the same disaster.
”
”
Elswyth Thane (This Was Tomorrow (Williamsburg, #6))
“
Before I visited the marriage teacher, I was just a girl, and then I was a girl with a mekor. I had made the sudden and shocking discovery that my body had been designed for sex. Someone had fashioned a place in my body specifically for sexual activity. Growing up in Williamsburg, I had been effectively sheltered from anything in any way associated with sex. We were spiritual beings, bodies carrying souls. The idea that I would now have to confront an area of my body I had never even thought about, let alone wanted to think about, on a constant basis for the rest of my life was in stark contrast to the chaste lifestyle I had been living until now. It was a lifestyle I had grown comfortably accustomed to, and my body rebelled against this change. That rebellion would soon cost me my happiness and would sow the first seeds of destruction that eventually tore my marriage apart.
”
”
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
“
It is always the Germans who cause the trouble, what is it about Germans that they must molest and oppress?..." "They have never been civilized," said Sosthene..."They were never conquered by Roman. They remain barbarians." Phoebe stared at him. It was a viewpoint... "One is perhaps inclined to forget that even here in Britain that were four hundred years of the Pax Romana," he said gently. "In Germany, no -- only the Vandals and the Goths. Every so often they burst out. It is in the breed.
”
”
Elswyth Thane (The Light Heart (Williamsburg, #4))
“
This (the tendency to revive the old, and just stay with the old) is true not just of Habad but of Hassidim in generally, whether they are in Williamsburg or Mea She’arim. They are pouring all their energies into reliving an anachronism, so much so that there is no energy left over to live in the present. This attempt at living out an anachronism prevents them, not only from interchanging with the world around them, but even from praying properly, or studying, let alone from perceiving the presence of their children or their wives.” (SS: understanding what they need in the presence time and generation).
“I’m not anti-tradition. On the contrary, I’ll use anything that will help me get off. I’ve got a great deal invested in the materials of civilization, like language and vocabulary - booba, zeida, cholent, tallis - they’re deeply embedded in the core of my brain, attached to my thalamus, not to the cortex. It would be foolish to deny that they’re not part of my make-up. But, if someone says that I must believe in the God who was active at the time of Moses, or Yohannan ben Zakai, or the Baal Shem Tov, my answer is no.
”
”
Zalman Schachter-Shalomi
“
Ave Maria
BY FRANK O'HARA
Mothers of America
let your kids go to the movies!
get them out of the house so they won’t know what you’re up to
it’s true that fresh air is good for the body
but what about the soul
that grows in darkness, embossed by silvery images
and when you grow old as grow old you must
they won’t hate you
they won’t criticize you they won’t know
they’ll be in some glamorous country
they first saw on a Saturday afternoon or playing hookey
they may even be grateful to you
for their first sexual experience
which only cost you a quarter
and didn’t upset the peaceful home
they will know where candy bars come from
and gratuitous bags of popcorn
as gratuitous as leaving the movie before it’s over
with a pleasant stranger whose apartment is in the Heaven on Earth Bldg
near the Williamsburg Bridge
oh mothers you will have made the little tykes
so happy because if nobody does pick them up in the movies
they won’t know the difference
and if somebody does it’ll be sheer gravy
and they’ll have been truly entertained either way
instead of hanging around the yard
or up in their room
hating you
prematurely since you won’t have done anything horribly mean yet
except keeping them from the darker joys
it’s unforgivable the latter
so don’t blame me if you won’t take this advice
and the family breaks up
and your children grow old and blind in front of a TV set
seeing
movies you wouldn’t let them see when they were young
”
”
Frank O'Hara
“
Ralph swept back the yellow curtain to look out on the street. The leaves were turning red, the whole block ablaze. Across the street stood a barbershop that shared a storefront with a black bookstore. Next door, the hair salon spewed steam onto the street, the fried chicken spot, a jewelry shop with crucifixes and chains glittering on display, and the beauty supply store that blasted soca and flashed neon lights onto the sidewalk. This particular corner didn't have a view of any of the coffee shops that had opened farther east. Those had plush furniture and abstract art on the walls, stainless-steel espresso pumps. They were always crowded with young people in jeans and plaid, typing away on their laptops. There were the bars, too, with a dozen local beers on tap, and short menus that consisted mostly of nuts, pickles, cheese. Penelope could see the changes, of course, but she still recognized the neighborhood - it wasn't like Fort Greene or Williamsburg, which were no longer themselves. Strangers still said hello to her as they lounged on their stoops at sundown. She still had to ignore the whistles from the young men who stood in front of the bodega for so long each day it was clear they were dealing. Church bells rang on the hour and floors thumped with praise for Jesus in the Baptist churches, the one-room Pentecostal churches, the regal AME tabernacles, worship never ceasing in Bed-Stuy. The horizon on Bedford Avenue was just as long, the sirens of the police cars ars persistent, the wheeze of the B26 loud enough to wake her up at night.
”
”
Naima Coster (Halsey Street)
“
If we all conceptualize the reality and possibility of the city uniquely, how can we be on the same page when it comes to building an equitable future? To the person just moving to New Orleans, all the white hipsters biking around the Bywater is not the sign of the displacement of 100,000 black people; to someone moving to Williamsburg now, the glass condos are as much a natural part of the cityscape as anything else. In this way, gentrification suppresses and displaces memory, and makes it harder to build lasting justice. This ignorance benefits the powerful - a new resident who has no memory of the old Mission District in San Francisco is much less likely to protest what others may see as its destruction when a condo comes along. So if we are committed to fighting for an ungentrified future, the first step is to build consensus about what a city should be.
”
”
P.E. Moskowitz (How to Kill a City: Gentrification, Inequality, and the Fight for the Neighborhood)
“
Amanda Capobianco who first coined the hashtag #HealingIsTheNewNightlife after moving to Williamsburg in Brooklyn, where she expected to spend late nights listening to bands in grimy dive bars and instead found herself socializing at sound baths, moon circles, and breathwork sessions.
”
”
Ruby Warrington (Sober Curious: The Blissful Sleep, Greater Focus, Limitless Presence, and Deep Connection Awaiting Us All on the Other Side of Alcohol)
“
But by the late twentieth century, with more Americans going to college, making more money, and, thanks to more affordable airfares, traveling to Europe and Asia, the market for art was expanding, as were the number of artists.18 A growing educated middle class had the money to support the ballooning number of galleries. David Brooks had noticed the blending of bohemian and bourgeois—or “bobo”—sensibilities in 2000.19 Gentrified neighborhoods are the urban habitus of the bobo, and art galleries are about as good a signifier of gentrification as wine and coffee bars. In fact, many wine and coffee bars in gentrified areas are art galleries where a revolving cast of local artists display their work. By the mid-2000s, “a new kind of ambition was taking hold,” writes Ann Fensterstock of Williamsburg in Art on the Block, a history of the turn-of-the-millennium New York art scene. There was “a thirst for critical attention in the wider, increasingly international art world. The notion of producing art for profit was no longer anathema.
”
”
Kay S. Hymowitz (The New Brooklyn: What It Takes to Bring a City Back)
“
You can eat wonderful food in a junked train car on plebeian plates served by waitresses more likely to start dancing with the bartender to the beat of the indie music playing on the sound system than to inquire, “More Dom Pérignon, sir?” Truffles and oysters can still appear on the Brooklyn menu, but more common is old-fashioned “comfort food” turned into something haute: burgers made from grass-fed cattle from a New York farm, butchered in-house, and served on a perfectly grilled brioche bun; mac ‘n’ cheese made from heritage grains and artisanal cow and sheep’s milk. Tarlow was not the only Williamsburg artist unknowingly helping to define a Brooklyn brand at the turn of the millennium. Around the same time he opened up Diner, twenty-six-year-old Lexy Funk and thirty-one-year-old Vahap Avsar were stumbling into creating a successful business in an entirely different discipline. Their beginning was just as inauspicious as Diner’s: a couple in need of some cash found the canvas of a discarded billboard in a Dumpster and thought that it could be turned into cool-looking messenger bags. The fabric on the bags looked worn and damaged, a textile version of Tarlow’s rusted railroad car, but that was part of its charm. Funk and Avsar rented an old factory, created a logo with Williamsburg’s industrial skyline, emblazoned it on T-shirts, and pronounced their enterprise
”
”
Kay S. Hymowitz (The New Brooklyn: What It Takes to Bring a City Back)
“
There will never be rebellion here. In Richmond and Williamsburg there has been talk. Jefferson isn’t reliable and Patrick Henry is a born troublemaker of no substance whatever. No, sir, Virginia stands fast with the king.
”
”
James A. Michener (Chesapeake)
“
Chef Frank Clark knows this recipe well—there’s even a video on Youtube of Clark, in eighteenth-century garb, capably preparing the dish. Clearly, Clark is no ordinary chef. As the head of Colonial Williamsburg’s respected Historic Foodways department, he oversees a staff of five interpreters who research and replicate eighteenth-century
”
”
Kate Livie (Chesapeake Oysters: The Bay's Foundation and Future (American Palate))
“
I was working for the city as a janitor in a neighborhood elementary school and, in summers, collecting litter in the park alongside the East River near the Williamsburg Bridge. I felt no shame whatsoever in these activities, because I understood what almost no one else seemed to grasp: that there was only an infinitesimal difference, a difference so small that it barely existed except as a figment of the human imagination, between working in a tall green glass building on Park Avenue and collecting litter in a park. In fact, there may have been no difference at all.
”
”
Jennifer Egan (A Visit from the Goon Squad)
“
Laurel for you—can you stay on?
”
”
Elswyth Thane (Yankee Stranger (Williamsburg, #2))
“
Any time I'm happier with you drowned in the river, I belong in the Asylum.
”
”
Elswyth Thane (Yankee Stranger (Williamsburg, #2))
“
I've seen you by candlelight, and midday, and firelight--and in a thunderstorm. And if I were struck blind as I stand here I would see you till I die as you are now, with tears on your cheeks, because I don't take you in my arms and fight the whole boiling lot of them for you!
”
”
Elswyth Thane (Yankee Stranger (Williamsburg, #2))
“
He had been amused, and sometimes stimulated, and once or twice rather attracted, but he had never been stirred as this honest, laughing Virginia girl had stirred him, with her level green gaze and her odd little dignity, and her sweet reposefulness which was just her breeding.
”
”
Elswyth Thane (Yankee Stranger (Williamsburg, #2))
“
He laid her hands, palms upward, against his face, and she sat looking down at his bent head, a little disturbed in her soul that he should fling away his principles and his convictions quite so heedlessly for her sake. Mr. Murray, for instance, seemed not to have altered his chosen course a single degree because of Eden. Of course Mr. Murray was a Yankee. Virginia men, she had heard, were more considerate.
”
”
Elswyth Thane (Yankee Stranger (Williamsburg, #2))
“
Today nearly every schoolchildren knows the town of Williamsburg. That that is the case is due not so much to the great history that happened here but to the vision of one man - William Archer Rutherfoord Goodwin. To be sure, Williamsburg, which served as capital of Virginia from 1699 to 1780, saw its share of notable events, most significantly the fiery rhetoric in the Virginia Capitol by Patrick Henry and brush-ups during the Revolutionary War and Civil War. But after the capital shuffled off to Richmond in 1780 the town led a mostly somnambulant existence for a century and a half.
”
”
Doug Gelbert (A Walking Tour of Williamsburg, Virginia (Look Up, America! Series))
“
You might attach many superlatives to Vice—it may be the hottest, savviest, coolest, richest, Brooklyn-est new media company on the block (Vice, according to Smith, is now the biggest employer in Williamsburg, the epicenter of Brooklyn-ness), but one peerless thing it does not necessarily have is a super-size audience. Vice makes a torrent of YouTube videos but most, according to YouTube stats, have only a limited viewership. The New York Times, in its coverage of Vice’s TCV deal, seemed both eager to believe in Vice and at the same time perplexed by it, quoting the company’s monthly global audience claim of 150 million viewers, but, as well, comScore’s more official and low-wattage number of 9.3 million unique visitors a month.
”
”
Michael Wolff (Television Is the New Television: The Unexpected Triumph of Old Media in the Digital Age)
“
I was not ungrateful for the fortunate circumstances I found myself in, but through all my time in Williamsburg, my deep longing to return home did not abate.
”
”
Kathleen Grissom (The Kitchen House)
“
On September 28 at 5:00 a.m., Washington started his Franco-American army down the road from Williamsburg to Yorktown.
”
”
Thomas Fleming
“
I enjoyed what I saw in Williamsburg. But when something is not shared, it is never as poignant, or as meaningful, or as beautiful as it might have been if it were shared with someone.
”
”
Jim Kraus (The Dog That Talked to God)
“
It took a long time for me to realize that you couldn’t have the freedom without the fear. *
”
”
Robert Anasi (The Last Bohemia: Scenes from the Life of Williamsburg, Brooklyn)
“
The sky grows dark over the city as Janey tells me her story. Teh beast was supposed to help their community. Something that would look good in a brochure, I suppose. But instead, it cut loose, took out in to the Williamsburg night. Janey and the kids went after it , and when they finally caught up what does it do? The thing ate a hipster.
”
”
Daniel José Older (Salsa Nocturna: Stories (Bone Street Rumba, #2.5))
“
It’s my first time in this place. Maybe like you, though, I’ve been here before—anyone who’s walked through Williamsburg or seen an episode of Girls has. It’s a landscape of under-35s, bristling with locally brewed IPAs, restaurant pop-ups, and new kinds of mustard. And everybody—literally everybody—is flaunting freestyle forearm ink. But tonight I’m not in Williamsburg. I’m in Indianapolis.
”
”
Holly Hughes (Best Food Writing 2016)
“
Mr. Ungar had bought a ticket for another woman, who spoke only Polish and Yiddish. She had a son in New York and she was going to marry a rabbi in Williamsburg. He asked me to be her companion; he put her under my protection, since she could not communicate with anybody on the train or on the boat. We slept one night in London, then took the boat-train to Southampton, to embark on the Queen Elizabeth.
”
”
Pearl Fichman (Before Memories Fade)
“
Another revelation was the way of getting our tickets. It showed me that corruption was everywhere. How Ungar divided up the sum of money with the people from the Cunard Line, a British company, I don't know. Yet without the graft, things did not move, no way. It taught me that the Romanians were not alone in accepting "baksheesh" (bribe). They did the same in the West, with a vengeance. That corruption bothered me, too. Later, my brothers told me that when they came to the gentleman in Williamsburg, to pay double for the tickets, he would not give them a receipt. He said that this transaction works "on trust." It cost $1500 instead of $750 and that was a lot of money to hand out in 1947, without being sure that they were not a couple of swindlers. Yet they paid, they knew that it was imperative for the parents to leave. The man gave the signal, the tickets became available.
”
”
Pearl Fichman (Before Memories Fade)
“
Although the clientele were primarily the Eloi of the Lower East Side and Williamsburg, an incident a month earlier had involved a platinumed-out crew of Bronx Morlocks:
”
”
Richard Price (Lush Life)
“
You don't know how I envy you growing up in a big family like that, and how wonderful it seems to somebody like me that there can be a whole party, enough for dancing and music and applause, without ever going outside the family!
”
”
Elswyth Thane (Kissing Kin (Williamsburg, #5))
“
I'm emptied of all personal feeling about this war, I could become simply an efficient machine with a woman's touch, and that's what a good nurse ought to be.
”
”
Elswyth Thane (Kissing Kin (Williamsburg, #5))
“
What do you want me to say?” she asked.
“Whatever you like, in heaven’s name!” he told her firmly. “Will you do that for me? Will you always utter whatever comes into your funny little head, and trust me to make some sort of intelligent guess at what you mean and what the answer is?
”
”
Elswyth Thane (The Light Heart (Williamsburg, #4))
“
Now, now, you musn't cry either, you know it makes wrinkles!...I have been on bad terms with myself for some time, you could see that.
”
”
Elswyth Thane (Dawn's Early Light (Williamsburg #1))
“
[t]hey were so young-so gloriously, obviously young, that it hurt to look at them.
”
”
Elswyth Thane (Yankee Stranger (Williamsburg #2))
“
St. John had now seen war first hand, and it seemed to him both hideous and infuriating.
”
”
Elswyth Thane (Dawn's Early Light (Williamsburg #1))
“
Can’t have you dying of the climate straight off, you know! Must give malaria a chance!
”
”
Elswyth Thane (Dawn's Early Light (Williamsburg #1))
“
+27799215634] Psychic ~ Voodoo love spells caster in Waynesboro, Williamsburg, Winchester (VA) *To Get Back Ex Lover* Black magic cleansing in Virginia
”
”
baba mkuru
“
The Williamsburg Bridge — a structure that does not inspire confidence in the profession of civil engineering.
”
”
Susan Isaacs (Long Time No See (Judith Singer, #2))
“
Just the mention of Williamsburg, despite its Apple Store, Whole Foods, and devastating selection of designer boutiques, caused Maisy to recoil as though someone had just asked to see the inside of her vagina. Surely this dreadlocked girl could sense that Maisy had no true sense of Harlem’s “culture.
”
”
Zakiya Dalila Harris (The Other Black Girl)
“
Later, with the benefit of hindsight, some would contend that this unusual use of water damned the ship, but at the time, Arizona was a dry state and, according to the Times, “the ‘teetotalers’ and the rest of the Arizonians demanded that the Arizona be named with water as well as wine.” As the ship slid faster and faster down the ways, one estimate claimed it bested fifteen knots by the time it hit the water of the East River and floated off in the direction of the Williamsburg Bridge. A flotilla of tugs swarmed around the hull and shepherded it to a dock in the Navy Yard for completion.2 Afterward, before an invited luncheon crowd of nine hundred guests, Secretary of the Navy Josephus Daniels expounded at length on the role of the United States Navy on the global stage. When it was her turn to say a few words, Esther Ross came right to the point: “Mr. Secretary, friends,” she told Daniels and those seated before her, “this is the proudest day of my life, because I have christened the largest battleship in the world with the name of the greatest state in the union.”3
”
”
Walter R. Borneman (Brothers Down: Pearl Harbor and the Fate of the Many Brothers Aboard the USS Arizona)
“
The moon hung like a locket over the city, casting pearly reflections on the water of the East River. The distant hum of cars going by over the Williamsburg Bridge filled the humid air with a sound like beating wings.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
A baby was left on the front steps of an American Apparel in Williamsburg and found by an employee in the morning. It was quickly dubbed Hipster Baby by a neighborhood blog and became an internet meme.
”
”
Ling Ma (Severance)
“
Over time, I came to dread the parties and potlucks. Most of the people we knew had spent time on the coasts, or had come from there, or were frequently traveling from one to the other, and the conversation was always about what was happening elsewhere: what people were listening to in Williams-burg, or what everyone was wearing at Coachella. A sizeable portion of the evening was devoted to the plots of premium TV dramas. Occasionally there were long arguments about actual ideas, but they always crumbled into semantics. What do you mean by duty? someone would say. Or: It all depends on your definition of morality. At the end of these nights, I would get into the car with the first throb of a migraine, saying that we didn’t have any business discussing anything until we could, all of us, articulate a coherent ideology. It seemed to me then that we suffered from the fundamental delusion that we had elevated ourselves above the rubble of hinterland ignorance—that fair-trade coffee and Orange You Glad It’s Vegan? cake had somehow redeemed us of our sins.
”
”
Meghan O'Gieblyn (Interior States: Essays)
“
Ave Maria"
Mothers of America
let your kids go to the movies!
get them out of the house so they won’t know what you’re up to
it’s true that fresh air is good for the body
but what about the soul
that grows in darkness, embossed by silvery images
and when you grow old as grow old you must
they won’t hate you
they won’t criticize you they won’t know
they’ll be in some glamorous country
they first saw on a Saturday afternoon or playing hookey
they may even be grateful to you
for their first sexual experience
which only cost you a quarter
and didn’t upset the peaceful home
they will know where candy bars come from
and gratuitous bags of popcorn
as gratuitous as leaving the movie before it’s over
with a pleasant stranger whose apartment is in the Heaven on Earth Bldg
near the Williamsburg Bridge
oh mothers you will have made the little tykes
so happy because if nobody does pick them up in the movies
they won’t know the difference
and if somebody does it’ll be sheer gravy
and they’ll have been truly entertained either way
instead of hanging around the yard
or up in their room
hating you
prematurely since you won’t have done anything horribly mean yet
except keeping them from the darker joys
it’s unforgivable the latter
so don’t blame me if you won’t take this advice
and the family breaks up
and your children grow old and blind in front of a TV set
seeing
movies you wouldn’t let them see when they were young
”
”
Frank O'Hara
“
And so we visit the past as tourists. Sometimes this is literally so, when we take in Colonial Williamsburg and Plymouth Plantation, or travel around to Civil War battlefields. But it is also true in a metaphorical sense. The past has become a strange and distant country, full of odd people and mysterious customs. And thought seeing how these people built their homes or raised their children can broaden the mind, most of us don’t go back home determined to learn how to use an axe or a hickory stick. Knowledge about those strange customs might be interesting, but it is not essential–it does not change our way of doing things. In the end we will always prefer our own land in the present. At the end of the tour there is an air-conditioned car and a comfortable hotel room waiting, complete with cable television and refrigerated food.
There is nothing intrinsically wrong with enjoying the past this way–it can be a lot of fun, in fact. But it could be so much more. The thousands of people who visit Boston and have only a few days to walk the Freedom Trail, visit Fenway Park, and eat a lobster dinner cannot even scratch the surface of what the city is really like. They have not inhaled the comforting mixture of exhaust fumes and roasted cashews that hangs in the city subways on humid summer days, or learned to love the particular slant of the New England sun on a winter afternoon.
The same would be true of a Bostonian on a day trip to Chicago, Tokyo, Budapest, or Khartoum. The visit would be exciting, but would not make them cosmopolitan. Becoming something more than a casual time-tourist requires a willingness to be challenged and changed, just as living in India or Ghana or Peru will upend any American’s assumptions about money and wealth. (pp 26-27)
”
”
Margaret Bendroth (The Spiritual Practice of Remembering)
“
She lightly punched him in the arm. “So, on to Williamsburg?” “On to Williamsburg. But I need to call them first.
”
”
David Baldacci (No Man's Land (John Puller, #4))
“
Now, let me tell you something about my album. Midnight Blue broke the record for fastest-recording album in the history of that Williamsburg studio. It took me one week to record and produce twelve songs. The Little Prince Chasing Asteroids Under Darker Skies Maybe It’s You Was She Worth It? Perfectly Paranoid
”
”
L.J. Shen (Midnight Blue)
“
AVE MARIA
Mothers of America
. let your kids go to the movies!
get them out of the house so they won't know what you're up to
it's true that fresh air is good for the body
but what about the soul
that grows in darkness, embossed by silvery images
and when you grow old as grow old you must
they won't hate you
they won't criticize you they won't know
they'll be in some glamorous country
they first saw on a Saturday afternoon or playing
hookey
they may, even be grateful to you
for their first sexual experience
which only cost you a quarter
and didn't upset the peaceful home
they will know where candy bars come from
and gratuitous bags of popcorn
as gratuitous as leaving the movie before it's over
with a pleasant stranger whose apartment is in the
Heaven on Earth Bldg
near the Williamsburg Bridge
oh mothers you will have made the little tykes
so happy because if nobody does pick them up
in the movies
they won't know the difference
and if somebody does it'll be sheer gravy
and they'll have been truly entertained either way
instead of hanging around the yard
or up in their room
hating you
prematurely since you won't have done anything
horribly
mean yet
except keeping them from the darker joys
it's unforgivable the latter
so don't blame me if you won't take this advice
and the family breaks up
and your children grow old and blind in front of a
TV set seeing
movies you wouldn't let them see when
they were young
”
”
Frank O'Hara (Lunch Poems)
“
Mothers of America
let your kids go to the movies!
get them out of the house so they won't know what
you're up to
it's true that fresh air is good for the body
but what about the soul
that grows in darkness, embossed by silvery images
and when you grow old as grow old you must
they won't hate you
they won't criticize you they won't know
they'll be in some glamorous country
they first saw on a Saturday afternoon or playing
hookey
they may, even be grateful to you
for their first sexual experience
which only cost you a quarter
and didn't upset the peaceful home
they will know where candy bars come from
and gratuitous bags of popcorn
as gratuitous as leaving the movie before it's over
with a pleasant stranger whose apartment is in the
Heaven on Earth Bldg
near the Williamsburg Bridge
oh mothers you will have made the little tykes
so happy because if nobody does pick them up
in the movies
they won't know the difference
and if somebody does it'll be sheer gravy
and they'll have been truly entertained either way
instead of hanging around the yard
or up in their room
hating you
prematurely since you won't have done anything
horribly
mean yet
except keeping them from the darker joys
it's unforgivable the latter
so don't blame me if you won't take this advice
and the family breaks up
and your children grow old and blind in front of a
TV set seeing
movies you wouldn't let them see when
they were young
”
”
Frank O'Hara (Lunch Poems)
“
Former pastry chef Sam Mason opened Oddfellows in Williamsburg with two business partners in 2013 and has since developed upwards of two hundred ice cream flavors. Many aren't for the faint of heart: chorizo caramel swirl, prosciutto mellon, and butter, to name a few. Good thing there are saner options in the mix like peanut butter & jelly, s'mores, and English toffee.
A retro scoop shop off Bowery, Morgenstern's Finest Ice Cream has been bringing fanciful flavors to mature palettes since opening in 2014. Creator Nicholas Morgenstern, who hails from the restaurant world, makes small batches of elevated offerings such as strawberry pistachio pesto, lemon espresso, and Vietnamese coffee.
Ice & Vice hails from the Brooklyn Night Bazaar in Greenpoint, and owners Paul Kim and Ken Lo brought it to the Lower East Side in 2015. Another shop devoted to quality small batches, along with weird and wacky flavors, you'll find innovations like Farmer Boy, black currant ice cream with goat milk and buckwheat streusel, and Movie Night, buttered popcorn-flavored ice cream with toasted raisins and chocolate chips.
”
”
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself (Mother's Day Gift for New Moms))
“
We Called Him Monsieur R. Dovid Aaron Neuman currently lives with his family in the Williamsburg section of Brooklyn. He was interviewed in November, 2013, and shared the following remarkable story which happened during the war. “...In the midst of all this chaos and upheaval, my family was forced to split up.... I was sent to an orphanage in Marseilles. The orphanage housed some forty or maybe fifty children, many of them as young as three and four years old. Some of them knew that their parents had been killed; others didn’t know what became of them. Often, you would hear children crying, calling out for their parents who were not there to answer. As the days wore on, the situation grew more and more desperate, and food became more and more scarce. Many a day we went hungry. “And then, in the beginning of the summer of 1941, a man came to the rescue. We did not know his name; we just called him “Monsieur,” which is French for “Mister.” Every day, Monsieur would arrive with bags of bread—the long French baguettes—and tuna or sardines, sometimes potatoes as well. He would stay until every child had eaten. Some of the kids were so despondent that they didn’t want to eat. He used to put those children on his lap, tell them a story, sing to them, and feed them by hand. He made sure everyone was fed. With some of the kids, he’d sit next to them on the floor and cajole them to eat, even feeding them with a spoon, if need be. He was like a father to these sad little children. He knew every child by name, even though we didn’t know his. We loved him and looked forward to his coming. Monsieur came back day after day for several weeks. And I would say that many of the children who lived in the orphanage at that time owe their lives to him. If not for him, I, for one, wouldn’t be here. Eventually the war ended, and I was reunited with my family. We left Europe and began our lives anew. In 1957, I came to live in New York, and that’s when my uncle suggested that I meet the Lubavitcher Rebbe. Of course I agreed and scheduled a time for an audience with the Rebbe’s secretary. At the appointed date, I came to the Chabad Headquarters at 770 Eastern Parkway and sat down to wait. I read some Psalms and watched the parade of men and women from all walks of life who had come to see the Rebbe. Finally, I was told it was my turn, and I walked into the Rebbe’s office. He was smiling, and immediately greeted me: “Dos iz Dovidele!—It’s Dovidele!” I thought, “How does he know my name?” And then I nearly fainted. I was looking at Monsieur. The Rebbe was Monsieur! And he had recognized me before I had recognized him.
”
”
Mendel Kalmenson (Positivity Bias)
“
When the Satmar Rebbe announced his plans for a kehillah, a community, in Williamsburg, Zeidy pledged his allegiance before he even knew what it entailed, and in doing so he tied his whole family, and all of its future generations, to this community. Back in Europe, Zeidy’s family didn’t live like this. They weren’t extremists; they were educated people who had homes with wooden floors and Persian carpets, and they traveled freely throughout the Continent. It was the rebbe who decided I couldn’t read English books or wear the color red. He isolated us, made it so we could never blend in on the outside. If I wasn’t there when the agreement was made, why am I still obligated to follow all these rules? Can Zeidy really expect me to walk in the rebbe’s shadow as blindly as he did, when he was scared and lonely, as all the survivors were, and there was nowhere else to turn that felt safe?
”
”
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
“
In the end, Francie goes off to college, and I do not know if I must make of this a triumph. Is it a given, then, that all her dreams will come true? I can never go to college, I know. They censor the word out of our textbooks. Education, they say, leads to nothing good. This is because education—and college—is the first step out of Williamsburg, the first on the path to promiscuity that Zeidy always promised me was an endless loop of missteps that distanced a Jew so far from God as to put the soul into a spiritual coma. Yes, education could kill my soul, I know that, but where did Francie go, I wonder, after college, and did she ever come back? Can you ever really leave the place you come from? Isn’t it best to stay where you belong, rather than risk trying to insert yourself somewhere else and failing?
”
”
Deborah Feldman (Unorthodox: The Scandalous Rejection of My Hasidic Roots)
“
The truths embodied in historical stories are thus not absolute or universal, but relative to the cultural context in which they are made.
”
”
Richard Handler (The New History in an Old Museum: Creating the Past at Colonial Williamsburg)
“
On one occasion in late 1984, he [Robert McFarlane] gave Reagan a large binder containing an assortment of possible major policy initiatives, asking him to choose two in order to maximize attention on each. When he returned, Reagan's response was a genial, "Let's do them all!" ([James] Baker had gone through a similar experience the year before when he discovered Reagan had chosen to watch The Sound of Music on television over preparing for the Williamsburg economic summit the following day.) The ease with which the president abdicated responsibility on issues of such importance was a defining feature of his approach to management. It was also an essential precondition for the excesses of Iran-Contra.
”
”
Malcolm Byrne (Iran-Contra: Reagan's Scandal and the Unchecked Abuse of Presidential Power)