Wig Care Quotes

We've searched our database for all the quotes and captions related to Wig Care. Here they are! All 30 of them:

Don’t shave my head to make your wig of selfishness. Shave it because you care.
Jarod Kintz (This Book is Not for Sale)
Georgette was a hip queer. She (he) didn't try to disguise or conceal it with marriage and mans talk, satisfying her homosexuality with the keeping of a secret scrapbook of pictures of favorite male actors or athletes or by supervising activities of young boys or visiting turkish baths or mens locker rooms, leering sidely while seeking protection behind a carefully guarded guise of virility (fearing that moment at a cocktail party or in a bar when this front may start crumbling from alcohol and be completely disintegrated with an attempted kiss or groping of an attractive young man and being repelled with a punch and - rotten fairy - followed with hysteria and incoherent apologies and excuses and running from the room) but, took a pride in being a homosexual by feeling intellectually and esthetically superior to those (especially women) who weren't gay (look at all the great artists who were fairies!); and with the wearing of womens panties, lipstick, eye makeup (this including occasionally gold and silver - stardust - on the lids),long marcelled hair, manicured and polished fingernails, the wearing of womens clothes complete with a padded bra, high heels and wig (one of her biggest thrills was going to BOP CITY dressed as a tall stately blond ( she was 6'4 in heels) in the company of a negro (he was a big beautiful black bastard and when he floated in all the cats in the place jumped and the squares bugged. We were at crazy pad before going and were blasting like crazy, and were up so high that I just didnt give ashit for anyone honey, let me tell you!); and the occasional wearing of menstrual napkin.
Hubert Selby Jr.
When I have neither pleasure nor pain and have been breathing for a while the lukewarm insipid air of these so called good and tolerable days, I feel so bad in my childish soul that I smash my moldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel tle very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse, perhaps, or a cathedral, or myself, to commit outrages, to pull off the wigs of a few revered idols, to provide a few rebellious schoolboys with the longed-for ticket to Hamburg, or to stand one or two representatives of the established order on their heads. For what I always hated and detested and cursed above all things was this contentment, this healthiness and comfort, this carefully preserved optimism of the middle classes, this fat and prosperous brood of mediocrity.
Hermann Hesse (Steppenwolf)
We're at a dinner party in an apartment on Rue Paul Valéry between Avenue Foch and Avenue Victor Hugo and it's all rather subdued since a small percentage of the invited guests were blown up in the Ritz yesterday. For comfort people went shopping, which is understandable even if they bought things a little too enthusiastically. Tonight it's just wildflowers and white lilies, just W's Paris bureau chief, Donna Karan, Aerin Lauder, Ines de la Fressange and Christian Louboutin, who thinks I snubbed him and maybe I did but maybe I'm past the point of caring. Just Annette Bening and Michael Stipe in a tomato-red wig. Just Tammy on heroin, serene and glassy-eyed, her lips swollen from collagen injections, beeswax balm spread over her mouth, gliding through the party, stopping to listen to Kate Winslet, to Jean Reno, to Polly Walker, to Jacques Grange. Just the smell of shit, floating, its fumes spreading everywhere. Just another conversation with a chic sadist obsessed with origami. Just another armless man waving a stump and whispering excitedly, "Natasha's coming!" Just people tan and back from the Ariel Sands Beach Club in Bermuda, some of them looking reskinned. Just me, making connections based on fear, experiencing vertigo, drinking a Woo-Woo.
Bret Easton Ellis
you see, my whole life is tied up to unhappiness it's father cooking breakfast and me getting fat as a hog or having no food at all and father proving his incompetence again i wish i knew how it would feel to be free it's having a job they won't let you work or no work at all castrating me (yes it happens to women too) it's a sex object if you're pretty and no love or love and no sex if you're fat get back fat black woman be a mother grandmother strong thing but not woman gameswoman romantic woman love needer man seeker dick eater sweat getter fuck needing love seeking woman it's a hole in your shoe and buying lil sis a dress and her saying you shouldn't when you know all too well that you shouldn't but smiles are only something we give to properly dressed social workers not each other only smiles of i know your game sister which isn't really a smile joy is finding a pregnant roach and squashing it not finding someone to hold let go get off get back don't turn me on you black dog how dare you care about me you ain't go no good sense cause i ain't shit you must be lower than that to care it's a filthy house with yesterday's watermelon and monday's tears cause true ladies don't know how to clean it's intellectual devastation of everybody to avoid emotional commitment "yeah honey i would've married him but he didn't have no degree" it's knock-kneed mini skirted wig wearing died blond mamma's scar born dead my scorn your whore rough heeeled broken nailed powdered face me whose whole life is tied up to unhappiness cause it's the only for real thing i know
Nikki Giovanni
It was not of course a thing that the big-wigs cared to have anything to do with. Though ready enough to profit by the activities of obscure agents of whom they had never heard, they shut their eyes to dirty work so that they could put their clean hands on their hearts and congratulate themselves that they had never done anything that was unbecoming to men of honour.
W. Somerset Maugham (Ashenden, or The British Agent)
I mean…I’ve asked you dozens of times if you’ve fucked a woman that you’ve gone out with, and you always admit that you did. You may not kiss and tell all the deets, but you share with me and anyone else that cares to listen. But this time…you wigged out. Went all caveman, protective of Olivia. Dude…doesn’t matter if you fucked her or not…it’s clear you don’t want anyone even thinking about her in that way. You just told me all I need to know. You’ve got it so bad.
Sawyer Bennett (Garrett (Cold Fury Hockey, #2))
There is much to be said for contentment and painlessness, for these bearable and submissive days, on which neither pain nor pleasure is audible, but pass by whispering and on tip-toe. But the worst of it is that it is just this contentment that I cannot endure. After a short time it fills me with irrepressible hatred and nausea. In desperation I have to escape and throw myself on the road to pleasure, or, if that cannot be, on the road to pain. When I have neither pleasure nor pain and have been breathing for a while the lukewarm insipid air of these so-called good and tolerable days, I feel so bad in my childish soul that I smash my mouldering lyre of thanksgiving in the face of the slumbering god of contentment and would rather feel the very devil burn in me than this warmth of a well-heated room. A wild longing for strong emotions and sensations seethes in me, a rage against this toneless, flat, normal and sterile life. I have a mad impulse to smash something, a warehouse, perhaps, or a cathedral, or myself, to commit outrages, to pull off the wigs of a few revered idols, to provide a few rebellious schoolboys with the longed-for ticket to Hamburg, or to stand one or two representatives of the established order on their heads. For what I always hated and detested and cursed above all things was this contentment, this healthiness and comfort, this carefully preserved optimism of the middle classes, this fat and prosperous brood of mediocrity.
Hermann Hesse (Steppenwolf)
Slowly, carefully, he pulled the wig from her head. He asked, bemused, “You just happened to have this lying about?” “I meant to wear it for a masquerade.” He chuckled, deep in his throat. An intimate sound that warmed her. “And you certainly did. The longest masquerade in history.
Julie Klassen (The Maid of Fairbourne Hall)
Take Henry Cavil, for instance.” “He’s okay, I guess,” I said, flicking a careful look at Abernathy. “If you like the sweary and stabby type.” “Now, if he can go from a rosy-cheeked lad to sword-wielding sociopath monster slayer with just the addition of a white wig and a bit of gruntin’, surely you can do the same.
Cynthia St. Aubin (Love Binds (Tails from the Alpha Art Gallery, #4))
If every person is to be banished from society who runs into debt and cannot pay—if we are to be peering into everybody's private life, speculating upon their income, and cutting them if we don't approve of their expenditure—why, what a howling wilderness and intolerable dwelling Vanity Fair would be! Every man's hand would be against his neighbor in this case, my dear sir, and the benefits of civilization would be done away with. We should be quarreling, abusing, avoiding one another. Our houses would become caverns, and we should go in rags because we cared for nobody. Rents would go down. Parties wouldn't be given any more. All the tradesmen of the town would be bankrupt. Wine, wax-lights, comestibles, rouge, crinoline-petticoats, diamonds, wigs, Louis-Quatorze gimcracks, and old china, park hacks, and splendid high-stepping carriage horses—all the delights of life, I say,—would go to the deuce, if people did but act upon their silly principles and avoid those whom they dislike and abuse. Whereas, by a little charity and mutual forbearance, things are made to go on pleasantly enough: we may abuse a man as much as we like, and call him the greatest rascal unhanged—but do we wish to hang him therefore? No. We shake hands when we meet. If his cook is good we forgive him and go and dine with him, and we expect he will do the same by us. Thus trade flourishes—civilization advances; peace is kept; new dresses are wanted for new assemblies every week; and the last year's vintage of Lafitte will remunerate the honest proprietor who reared it.
William Makepeace Thackeray (Vanity Fair)
Who happen to be in the Lord Chancellor's court this murky afternoon besides the Lord Chancellor, the counsel in the cause, two or three counsel who are never in any cause, and the well of solicitors before mentioned? There is the registrar below the judge, in wig and gown; and there are two or three maces, or petty-bags, or privy purses, or whatever they may be, in legal court suits. These are all yawning, for no crumb of amusement ever falls from Jarndyce and Jarndyce (the cause in hand), which was squeezed dry years upon years ago. The short-hand writers, the reporters of the court, and the reporters of the newspapers invariably decamp with the rest of the regulars when Jarndyce and Jarndyce comes on. Their places are a blank. Standing on a seat at the side of the hall, the better to peer into the curtained sanctuary, is a little mad old woman in a squeezed bonnet who is always in court, from its sitting to its rising, and always expecting some incomprehensible judgment to be given in her favour. Some say she really is, or was, a party to a suit, but no one knows for certain because no one cares. She carries some small litter in a reticule which she calls her documents,
Charles Dickens (Bleak House)
I looked at Reth hopefully. “You?” “Must we really waste more time? Not all of us here are immortal, and I’d think you and Jack would more carefully guard what little you have. We should go immediately to my queen.” “Can you get us in or not?” He looked at the ceiling, his features dripping with disdain for the entire operation. “I suppose if you were to stand immediately outside her door I could use my sense of where you are to navigate into her room and open the door from the inside.” “That’s my pretty faerie boy!” “If you ever address me like that again, I will make that abomination on your head permanent.” I put my fingers up to the brunette wig, horrified. “You wouldn’t.” “I suggest you do not attempt to find out.
Kiersten White (Endlessly (Paranormalcy, #3))
Teddy Roosevelt?" I suggested. Sadie and I had been trying to figure out the second mathlete's costume for a few minutes. He was wearing a 1930's-style suit,had his hair slicked down carefully, and was sporting a fake mustache. "No glasses. And I can't even begin to imagine the connection between Davy Jone's Locker and Teddy Roosevelt." Sadie pulled a long gold hair from her pumpkin-orange punch and sighed. Maybe her mother hadn't topped her Sleepy Hollow triumph, but it wasn't from lack of determination. What Mrs. Winslow hadn't achieved in creativity (she'd gone the mermaid route), she'd made up in the details. The tailed skirt was intricately beaded and embroidered in a dozen shades of blue and green. It was pretty amazing.The problem was the bodice: not a bikini, but not much better as far as Sadie was concerned. It was green, plunging, and edged with itchy-looking scallops. She was managing to stay covered by the wig, but that was an issue in itself. It was massive,made up of hundreds of trailing corkscrew curls in a metallic blonde. To top it all off, the costume included a glittering, three point crown, and a six-foot trident, complete with jewels and trailing silk seaweed. "Sadie," I'd asked quietly when she'd appeared at my house, shivering and tangled in her wig, "why don't you..." Just tell her where she can shove her trident? But that would just have been mean. Sadie gives in and wears the costumes because it's infinitely easier than fighting. "...come next door and we'll see if Sienna has a shawl you can borrow?
Melissa Jensen (The Fine Art of Truth or Dare)
I remember, the first time I saw you.” I did too, something seared into my memory, but it wasn’t about me, right then. “You were this… fierce thing,” he said, moving the wipe to my left eye, pressing carefully to the eyelid. “Tall and gorgeous and fucking bitchy as all hell.” He set the wipe down behind me and then pulled out another. He started in on the other eye. “And I didn’t think I’d ever seen anything as amazing as you before.” My throat clicked audibly as I wondered where this was leading to. Because he was talking about Helena, not me. “You were with Paul,” he continued. “Though I didn’t know who he was at the time. All I wanted to do was find out who you were.” He finished with my eyes and used another wipe on my cheeks. My lips, though, there wasn’t much lipstick left. He didn’t say much more until he’d finished. By the time he sat back, my skin felt raw and my heart was tripping all over itself in my chest. “And then you disappeared,” he said. “But you came back. As her.” I froze. He sighed and took my hands in his. “You were Sandy when I first saw you,” he said, squeezing my fingers. “You were Helena when I saw you again.” His eyes darted away. “And you were Sandy when I was an asshole. That was on me, and I don’t know that I’ll ever forgive myself for that.” He took a deep breath and let it out slow. “I don’t care if you’re Helena. I don’t care if you never put on a wig again. I will take anything you’re willing to give me. But just know that it was you I saw first, Sandy. Not her. I don’t need her or whatever division you think exists. I don’t want just part of you. I want all of you.
T.J. Klune (The Queen & the Homo Jock King (At First Sight, #2))
I touched my hairline. Maybe she was right. Maybe it had receded somewhat. Or was it my imagination? Something new to worry about. “What do you mean?” I asked. “How can I be careful?” “You can’t, I guess. There’s nothing you can do. There’s no way to prevent baldness. Guys who are going to go bald go bald. When their time comes, that’s it: they just go bald. There’s nothing you can do to stop it. They tell you you can keep from going bald with proper hair care, but that’s bullshit. Look at the bums who sleep in Shinjuku Station. They’ve all got great heads of hair. You think they’re washing it every day with Clinique or Vidal Sassoon or rubbing Lotion X into it? That’s what the cosmetics makers will tell you, to get your money.” “I’m sure you’re right,” I said, impressed. “But how do you know so much about baldness?” “I’ve been working part time for a wig company. Quite a while now. You know I don’t go to school, and I’ve got all this time to kill. I’ve been doing surveys and questionnaires, that kind of stuff. So I know all about men losing their hair. I’m just loaded with information.” “Gee,” I said. “But you know,” she said, dropping her cigarette butt on the ground and stepping on it, “in the company I work for, they won’t let you say anybody’s ‘bald.’ You have to say ‘men with a thinning problem.’ ‘Bald’ is discriminatory language. I was joking around once and suggested ‘gentlemen who are follically challenged,’ and boy, did they get mad! ‘This is no laughing matter, young lady,’ they said. They’re so damned seeerious. Did you know that? Everybody in the whole damned world is so damned serious.
Haruki Murakami (The Wind-Up Bird Chronicle)
Who happen to be in the Lord Chancellor's court this murky afternoon besides the Lord Chancellor, the counsel in the cause, two or three counsel who are never in any cause, and the well of solicitors before mentioned? There is the registrar below the judge, in wig and gown; and there are two or three maces, or petty-bags, or privy purses, or whatever they may be, in legal court suits. These are all yawning, for no crumb of amusement ever falls from Jarndyce and Jarndyce (the cause in hand), which was squeezed dry years upon years ago. The short-hand writers, the reporters of the court, and the reporters of the newspapers invariably decamp with the rest of the regulars when Jarndyce and Jarndyce comes on. Their places are a blank. Standing on a seat at the side of the hall, the better to peer into the curtained sanctuary, is a little mad old woman in a squeezed bonnet who is always in court, from its sitting to its rising, and always expecting some incomprehensible judgment to be given in her favour. Some say she really is, or was, a party to a suit, but no one knows for certain because no one cares. She carries some small litter in a reticule which she calls her documents, principally consisting of paper matches and dry lavender. A sallow prisoner has come up, in custody, for the half-dozenth time to make a personal application "to purge himself of his contempt," which, being a solitary surviving executor who has fallen into a state of conglomeration about accounts of which it is not pretended that he had ever any knowledge, he is not at all likely ever to do. In the meantime his prospects in life are ended. Another
Charles Dickens (Bleak House)
quaint wig by a pair of moist bright eyes that it must have cost their owner, in years gone by, some pains to drill to the composed and reserved expression of Tellson's Bank. He had a healthy colour in his cheeks, and his face, though lined, bore few traces of anxiety. But, perhaps the confidential bachelor clerks in Tellson's Bank were principally occupied with the cares of other people; and perhaps second-hand cares, like second-hand clothes, come easily off and on. Completing his resemblance to a man who was sitting for his portrait, Mr. Lorry dropped off to sleep. The arrival of his breakfast roused him, and he said to the drawer, as he moved his chair to it: "I wish accommodation prepared for a young lady who may come here at any time to-day. She may ask for Mr. Jarvis Lorry, or she may only ask for a gentleman from Tellson's Bank. Please to let me know." "Yes, sir. Tellson's Bank in London, sir?" "Yes." "Yes, sir. We have oftentimes the honour to entertain your gentlemen in their travelling backwards
Charles Dickens (A Tale of Two Cities)
She went alone to the vast room where the second-hand clothes were kept. Later, she thought it the happiest hour of her life. There were silks and brocades by the yard, and pile upon pile of hats, wigs, cloaks, and masks. After two years in wretched rags, even the linen shifts felt as soft as thistledown. She whirled from one delight to another- clutching lace, burying her nose in furs, holding flashy paste jewels next to her new-bleached skin. Catching her reflected eye in the mirror she laughed out loud, her red mouth wide and knowing. She put aside a few carefully-chosen costumes and elbow-length mittens. Then, finally, she chose a few costumes of a particular nature: shiny satin, ebony black. Lastly, she gathered the garments she would wear for her journey: a grass-green woolen gown and a lace cap and apron. The effect was somewhat grand for a domestic servant. Her auburn locks were pinned tightly, her figure flattered by a frilled muslin kerchief, crisscrossed in an 'X' over her breast. Pulling out a few auburn tendrils from her cap, she adjusted her bodice to show a little more flesh. Then she grew very still, and smiled slowly into the empty space before her. "How do you do, sir," she said with a graceful curtsy. "Now, what pretty dish might you care for tonight?
Martine Bailey (A Taste for Nightshade)
Where do I see and recognize God’s presence? Where do I see the imprint of God’s hand? God is present in the oncology ward where I work. Patients arrive for treatment, tired and apprehensive. They are newly vulnerable, and their expensively acquired market skills are gone for now. Yet their eyes fill with tentative hope of the beginning of healing. This is a different place to any they have known. With the help of a caring staff, they learn to relax in the presence of their fellow patients. They remove wigs, hairpieces, and jewelry and expose poor, hurting bodies. For the time they are here, they allow themselves simply to be who they are. As the medicine enters their bodies, the feelings of trust, hope, and love are tangible all around. No marketplace here—simply pure and humble dependence on God, on science, and on the loving kindness of others. The trappings of the commercial world are no help when people are at their most vulnerable. The patients need not camouflage their poverty in the ways of the world. But they can trust—simply trust—that in the oncology ward they are in our Father’s house. There they are welcomed simply as they are. There they are in the hands of good people, escorts of healing and grace, whom God has sent to them. It is all right to be poor here.
The Irish Jesuits (The Irish Province of the Society of Jesus) (Sacred Space: The Prayer Book 2014)
After the assembly I’m getting my chem book out of my locker when Peter comes over and leans his back against the locker next to mine. Through his mask he says, “Hey.” “Hey,” I say. And then he doesn’t say anything else; he just stands there. I close my locker door and spin the combination lock. “Congratulations on winning best group costume.” “That’s it? That’s all you’re going to say?” Huh? “What else am I supposed to say?” Just then Josh walks by with Jersey Mike, who’s dressed up as a hobbit, hairy feet and all. Walking backward, Josh points his wand at me and says, “Expelliarmus!” Automatically I point my wand back at him and say, “Avada Kedavra!” Josh clutches his chest like I’ve shot him. “Way harsh!” he calls out, and he disappears down the hallway. “Uh…don’t you think it’s weird for my supposed girlfriend to wear a couples costume with another guy?” Peter asks me. I roll my eyes. I’m still mad at him from this morning. “I’m sorry, I can’t talk to you when you look like this. How am I supposed to have a conversation with a person in head-to-toe latex?” Peter pushes his mask up. “I’m serious! How do you think it makes me look?” “First of all, it wasn’t planned. Second of all, nobody cares what my costume is! Who would even notice something like that?” “People notice,” Peter huffs. “I noticed.” “Well, I’m sorry. I’m very sorry that a coincidence like this would ever occur.” “I really doubt it was a coincidence,” Peter mutters. “What do you want me to do? Do you want me to pop over to the Halloween store during lunch and buy a red wig and be Mary Jane?” Smoothly Peter says, “Could you? That’d be great.” “No, I could not. You know why? Because I’m Asian, and people will just think I’m in a manga costume.” I hand him my wand. “Hold this.” I lean down and lift the hem of my robe so I can adjust my knee socks. Frowning, he says, “I could have been someone from the book if you’d told me in advance.” “Yes, well, today you’d make a really great Moaning Myrtle.
Jenny Han (To All the Boys I've Loved Before (To All the Boys I've Loved Before, #1))
Miss Steele was a thin, quiet woman of about sixty, who used rouge and powder somewhat heavily, whose white, frizzy, well-kept hair had the appearance of being, without being, a wig, and whose whole manner gave the impression of her having, without her having had, a past. She was careful to avow at all times her predilection for ‘fun’, for ‘cocktails’, for ‘broadmindedness’, for those who in common with her were ‘cursed’ with a sense of humour, and for the company of young people as opposed to ‘old fogies’ like herself. But she had, in fact, little fun, no cocktails, and no company younger than that furnished by the Rosamund Tea Rooms. She was also advanced in the matter of culture, for she had no time for ‘modern novels’. Instead she read endless Boots’ biographies of historical characters, and was, in fact, a historian.
Patrick Hamilton (The Slaves of Solitude)
I hit ‘end call’ before the tears come. I’ve heard enough. Suddenly, I’m hyperventilating. Crying like a child who has just broken her toy. I snatch off my wig and toss my phone to one side, not even caring when it bounces off the bed with a thump. I feel so stupid. Humiliated. I’m taken back to the younger me on the playground. I feel … ugly.
Lizzie Damilola Blackburn (Yinka, Where is Your Huzband?)
But I am beginning to understand about the dignity and the art of wigs and the makeup. This small, everyday attentiveness of eyebrow pencils is perhaps a picture of the very sort of bodily care our embodied God would have us cultivate, weather in illness or wellness, whether our bodies are in the throes of ecstasy or the throes of pain.
Lauren F. Winner (Mudhouse Sabbath)
I didn't cry. But it hurt. The betrayal ran deep. But, I have to admit, there was a also a small sense of relief. Because now I knew: I had not failed. I just didn't own the wig. Successful, powerful working mother mothers who keep silent about how they take care of their homes and families, who behave as if they maybe have to clone themselves or possess Hermione Granger's Time-Turner so they can be two places at once... well, they are making everyone else get out their curling irons. Don't do that. Don't make me get my curling iron out for no reason.
Shonda Rhimes
Do you think they’ll ever be a place for us? I mean, do you think there’s a place for someone who lives under the radar, someone who has to pretend, someone who is a spy?” “Yes.” Daly said it with such confidence that I sat up in my bed, my cast dangling over the edge. “How do you know?” I asked. “There has to be. I don’t usually philosophize, but I do know one thing.” “What’s that?” “That even when we’re pretending, even when we’re hiding under wigs or accents or clothes that aren’t our style, we can’t hide our nature. Just like I knew from the moment I met you that you would choose this life. And just like I knew, when you told me about this mission, that you would agree to help the CIA find this girl. You would sacrifice yourself and your time with your brother to save someone. It’s just who you are.” “I’ve already messed things up, Daly. What if I’m not good enough? What if I can’t do it?” “That’s the thing, though. You’ll find a way.” I lay back again and buried the side of my face into my pillow. “I’m just not sure how.” “If you continue to think as you’ve always thought, you’ll continue to get what you’ve always got,” Daly said. I considered that. I wasn’t ready to give up. At least not yet. “That one is Itosu wisdom, in case you wondered.” I yawned into the phone. “It’s good advice.” “I’ll let you go. You should be resting. Don’t you have school in the morning?” He said the last part in a teasing tone. “Yeah, if I make it through another day at school. Maybe they’ll get rid of me—kick me out or something. You’d think I would have inherited some of my mom’s artistic genius.” “Can I give you one last bit of advice, Alex?” “Sure.” “Throw it all out the window.” “What?” I stared at my open window. A slight breeze blew the gauzelike drapes in and out as if they were a living creature. “Everything you’ve learned about art, the lines, the colors, the pictures in your head from other artists—just throw it all out. And throw out everything you’ve learned from books and simulations about being a good spy. Don’t try to be like someone else. Don’t force yourself to follow a set of rules that weren’t meant for you. Those work for 99.99% of the people.” “You’re telling me I’m the .01%?” I asked skeptically. “No, I’m telling you you’re not even on the scale.” Daly’s soft breathing traveled through the phone line. “With a mind like yours, you can’t be put in a box. Or even expected to stand outside it. You were never meant to hold still, Alex. You have to stack all the boxes up and climb and keep climbing until you find you. I’m just saying that Alexandra Stewart will find her own way.” The cool night air brushed the skin of my arm and I wished it was Daly’s hand instead. “You sure have a lot of wisdom tonight,” I told him. I expected him to laugh. Instead, the line went silent for a moment. “Because I’m not there. Because I wish I was.” His words were simple, but his message reached inside my heart and left a warmth—a warmth I needed. “Thank you, James.” “Take care, Alex.” I wanted to say more, to keep him at my ear just a little longer. Yet the words itching to break free couldn’t be said from over two thousand miles away. They needed to happen in person. I wasn’t going home until I found Amoriel. Which meant I had to complete this mission. Not just for Amoriel anymore. I had to do it for me. (page 143)
Robin M. King (Memory of Monet (Remembrandt, #3))
After that they had the presents. Those from the guests to the hosts were chiefly a disguised dole: tins or pots of more or less luxurious food, bottles of hard liquor, wide-spectrum gift tokens. Hosts showered guests with diversely unwearable articles of clothing: to Keith from Adela, a striped necktie useful for garroting underbred rivals in his trade; to Tracy from George, a liberation-front lesbian's plastic apron. Under a largely unspoken kind of non-aggression pact, the guests gave one another things like small boxes of chocolates or very large boxes of matches with (say) aerial panoramas of Manhattan on their outsides and containing actual matches each long enough, once struck, to kindle the cigarettes of (say) the entire crew of a fair-sized merchant vessel, given the assembly of that crew in some relatively confined space. Intramural gifts included a bathroom sponge, a set of saucepans, a cushion in a lop-sided cover, a photograph-frame wrought by some vanished hand and with no photographs in it, an embroidered knitting bag. Keith watched carefully what Bernard gave, half expecting a chestnut-coloured wig destined for Adela, or a lavishly-illustrated book on karate for George, but was disappointed, although he savored Bernard's impersonation of a man going all out to hide his despondency as he took the wrappings off present after useless, insultingly cheap, no doubt intended to be facetious, present.
Kingsley Amis
How did you know it was me?” she asked. “I didn’t. But I heard one of the other girls chatting about how the new courtesan had taught her to read Michel de Montaigne. I knew there was almost no chance, but I asked her to identify you. Even then, I had to get close before I realized it was truly my starling.” He stroked her wig and then his hand dropped to her waist. “You look like you haven’t eaten in days. You should come stay with me, let me take care of you. We could run away together.” Cass imagined it. Her and Falco, together, in some other country. Far away from the Order. She could take the crate of gold and jewels from Villa Querini. Falco could earn money as an artist. Her obligation to Luca was a moral one, not a legal one. It wasn’t an impossible dream anymore. She and Falco could be together if they truly desired. It would be…easy.
Fiona Paul (Starling (Secrets of the Eternal Rose, #3))
Find her a good home, someone to take care of her. She’s a little girl, Melrose. She shouldn’t be spending her days at Heathrow, scanning for villains. She should be safe.” The other members who were awake turned wide-eyed stares at Melrose, who was laughing so hard he was doubled up in his chair. “Just what the hell is so funny?” “Take care of her. This is Patty Haigh you’re talking about. The same Patty Haigh who got through Heathrow security on a pinched boarding pass; who wangled her way into B.B.’s good graces and flew to Dubai; who outwitted police in London, Dubai and Nairobi; who carries in her backpack a full selection of costumes and wigs to meet any eventuality; who requisitioned strangers to be her aunts, uncles, parents; who roamed around that godless slum, Kibera, on her own; who got into the Hemingways Hotel without paying a penny; who crossed the dark veldt between Kibera and Mbosi Camp protected only by her wits. This is the person we should keep safe!
Martha Grimes (The Knowledge (Richard Jury #24))
Most Christians reflexively pull away from people like that, because they represent everything we’re taught to loathe – secularism and free thinking and liberation. But why? Why are we so judgmental of a man in a damn wig? To borrow a phrase from Fabian: who even cares, dude? It’s not my job to live other peoples’ lives for them. It’s just my responsibility to love them no matter what, to make the world brighter with my energy, and I’m starting to wish more and more of my people would see it this way.
Seth King (Sinner's Prayer)