Unfortunately Yours A Novel Quotes

Share and Enjoy' is the company motto of the hugely successful Sirius Cybernetics Corporation Complaints Division, which now covers the major land masses of three medium-sized planets and is the only part of the Corporation to have shown a consistent profit in recent years. The motto stands-- or rather stood-- in three mile high illuminated letters near the Complaints Department spaceport on Eadrax. Unfortunately its weight was such that shortly after it was erected, the ground beneath the letters caved in and they dropped for nearly half their length through the offices of many talented young Complaints executives-- now deceased. The protruding upper halves of the letters now appear, in the local language, to read "Go stick your head in a pig," and are no longer illuminated, except at times of special celebration.

They have read your novel,’ Woland said, ‘and they said only one thing, that, unfortunately, it is not finished. So I wanted to show you your hero. He has been sitting here for about two thousand years, sleeping, but, when the moon is full, he is tormented, as you see, by insomnia. And it torments not only him, but his faithful guardian, the dog. If it is true that cowardice is the most grave vice, then the dog, at least, is not guilty of it. The only thing that brave creature ever feared was thunderstorms. But what can be done, the one who loves must share the fate of the one who is loved.

You’re making me think of something else now, but it’s related. I love watching little kids play. No matter where you look in the world, you’ll observe that kids are programmed to play. They learn through play. I think if we’re lucky we never forget how to play. And, I tell you, Gwinlyn, that’s one of the things I find most attractive about you. You like to play, and you like to play with me. Unfortunately, too many women I’ve met prefer to be grown up all the time. They take themselves too seriously.

Dealing with mental health can be lonely and scary and unfortunately there is still so much stigma around mental health which makes getting help even more difficult. That's why I want you to know that you have nothing to be ashamed of. Accepting help and treatment doesn't make you weak, it makes you strong and brave. Visit the resources I have listed for you below. It may feel scary and intimidating at first, especially if you have never done it before. But prioritizing your health is of utmost value. You are important and you deserve to feel loved and happy. You are not alone.

He headed for the door but stopped halfway. “I love you, Sophie. I love you with my soul.” Her bare arms held up the duvet. “Don’t ruin this, Banallt, please.” “I’m not a villain from one of your novels, Sophie.” She stared at him, wide-eyed. “Unlike them, I can change. I have changed.” Unfortunately, she didn’t believe him.

Unfortunately, it was an ironclad rule of life that the hardest-working people tended to be the ones who lost out in the end. If you blow the whistle and warn about the dangers ahead, it’s usually your job to clean up the mess that results—something Beretta was about to learn the hard way.

Sublime Books The Known World, by Edward P. Jones The Buried Giant, by Kazuo Ishiguro A Thousand Trails Home, by Seth Kantner House Made of Dawn, by N. Scott Momaday Faithful and Virtuous Night, by Louise Glück The Left Hand of Darkness, by Ursula K. Le Guin My Sentence Was a Thousand Years of Joy, by Robert Bly The World Without Us, by Alan Weisman Unfortunately, It Was Paradise, by Mahmoud Darwish Collected Fictions, by Jorge Luis Borges, trans. Andrew Hurley The Xenogenesis Trilogy, by Octavia E. Butler Map: Collected and Last Poems, by Wisława Szymborska In the Lateness of the World, by Carolyn Forché Angels, by Denis Johnson Postcolonial Love Poem, by Natalie Diaz Hope Against Hope, by Nadezhda Mandelstam Exhalation, by Ted Chaing Strange Empire, by Joseph Kinsey Howard Tookie’s Pandemic Reading Deep Survival, by Laurence Gonzales The Lost City of the Monkey God, by Douglas Preston The House of Broken Angels, by Luis Alberto Urrea The Heartsong of Charging Elk, by James Welch Selected Stories of Anton Chekhov, trans. Richard Pevear and Larissa Volokhonsky The Sound of a Wild Snail Eating, by Elisabeth Tova Bailey Let’s Take the Long Way Home, by Gail Caldwell The Aubrey/Maturin Novels, by Patrick O’Brian The Ibis Trilogy, by Amitav Ghosh The Golden Wolf Saga, by Linnea Hartsuyker Children of Time, by Adrian Tchaikovsky Coyote Warrior, by Paul VanDevelder Incarceration Felon, by Reginald Dwayne Betts Against the Loveless World, by Susan Abulhawa Waiting for an Echo, by Christine Montross, M.D. The Mars Room, by Rachel Kushner The New Jim Crow, by Michelle Alexander This Is Where, by Louise K. Waakaa’igan I Will Never See the World Again, by Ahmet Altan Sorrow Mountain, by Ani Pachen and Adelaide Donnelley American Prison, by Shane Bauer Solitary, by Albert Woodfox Are Prisons Obsolete?, by Angela Y. Davis 1000 Years of Joys and Sorrows, by Ai Weiwei Books contain everything worth knowing except what ultimately matters. —Tookie * * * If you are interested in the books on these lists, please seek them out at your local independent bookstore. Miigwech! Acknowledgments

You’ve been wandering about Juarez like a zombie in a though experiment, an experiment in collective guilt, where the zombie is shown the morgue-slab photos, and responds by saying “I’m truly sorry”, and making out a check to Amnesty International, or Nuestra Hijas de Regreso a Casa, or maybe Save the Children or Habitat for Humanity, and then sealing the whole deal by forging his own signature. What’s that you say? You didn’t know it was forged? No wonder the authorities are beginning to get suspicious. We’re sorry to be the ones to break this to you, but the violence that man is doing to his home is not some sort of thought experiment, and the last thing on earth the world needs now is yet another anonymous onlooker, trying to get the picture; our drawing isn’t a drawing exactly, it’s more of a kind of framing device, and you, mon frère, so slow to get the picture, are not only under suspicion, but about to be framed. We didn’t exactly select you at random, and you’re not precisely The Viewer in the abstract sense, and we’re not about to give you a bird’s eye view of anything, or a view of Juarez from high atop a smelting stack; we’re about to put you back exactly where you belong, wearing Douchebag’s shoes, in the middle of the picture, because while Douchebag isn’t you in any literal sense, you appear to be standing in Douchebag shoes, and Douchebag, unfortunately, is now your problem.

You were almost right. But unfortunately, Horikita, you were wrong about one thing. Right now, just for this moment, I'll tell you. I have never thought of you as my friend. I've never cared about you as a classmate. In this world, winning is everything. Your methods don't matter. I don't care what I have to sacrifice. As long as I have my victory in the end, I'll be fine.You, Hirata - no, all other people are nothing more than tools. I was complicit in what drove you to this. So, don't blame yourself, Horikita. You were useful to me.

Tell me about your children," he said. "What would you like to know?" "Anything. How did you decide on their names?" "Justin was named after my husband's favorite uncle- a dear old bachelor who always brought him books when he was ill. My younger son, Stephen, was named after a character in an adventure novel Lord Clare and I read when we were children." "What was the title?" "I can't tell you; you'll think it's silly. It is silly. But we both loved it. We read it dozens of times. I had to send Henry my copy, after-" After you stole his. In Henry's view, the worst of West Ravenel's offenses had been stealing his copy of Stephen Armstrong: Treasure Hunter from a box of possessions beneath his bed at school. Although there had never been proof of the thief's identity, Henry had remembered that Ravenel had previously mocked him when he'd seen him reading it. "I know he's the one," Henry had written. "He's probably done something awful with it. Dropped it down the privy. I'd be surprised if the nincompoop can even read." "Someday when we're big," Phoebe had written in response, full of righteous vengeance, "we'll go thrash him together and take it back from him." But now she was sitting next to him at dinner. "-after he lost his copy," she finished awkwardly.

Your novel has been read,’ Woland began, turning to the master, ‘and the only thing said about it was that, unfortunately, it is not finished. So, then, I wanted to show you your hero. For about two thousand years he has been sitting on this platform and sleeping, but when the full moon comes, as you see, he is tormented by insomnia. It torments not only him but also his faithful guardian, the dog. If it is true that cowardice is the most grievous vice, then the dog at least is not guilty of it. Storms were the only thing the brave dog feared. Well, he who loves must share the lot of the one he loves.’ ‘What is he saying?’ asked Margarita, and her perfectly calm face clouded over with compassion. ‘He says one and the same thing,’ Woland replied. ‘He says that even the moon gives him no peace and that his is a bad job. That is what he always says when he is not asleep, and when he sleeps, he dreams one and the same thing: there is a path of moonlight, and he wants to walk down it and talk with the prisoner Ha-Nozri, because, as he insists, he never finished what he was saying that time, long ago, on the fourteenth day of the spring month of Nisan. But, alas, for some reason he never manages to get on to this path, and no one comes to him. Then there’s no help for it, he must talk to himself. However, one does need some diversity, and to his talk about the moon he often adds that of all things in the world, he most hates his immortality and his unheard-of fame. He maintains that he would willingly exchange his lot for that of the ragged tramp Matthew Levi.

I suppose it means that I will be free to travel with my maid, or to live in the country while you are in town, or I may live in town while you are in the country if I wish. I mean if I find your company...er...unpleasant." "I see," Daniel said dryly. "And if we are always apart, how exactly are we to gain heirs?" "Oh." Suzette flushed. "Well, I suppose we could arrange for occasional visits for...er...procreative purposes." "Occasional visits for procreative purposes?" he achoed with disbelief, and then muttered dryly, "My, how scintillating that sounds." Suzette frowned, for really it did sound rather cold, nothing like the passionate delirium she had read about in one of Lisa's novels. But then, truthfully,she simply couldn't fathom the ecstasies described in that book. She'd never even been kissed and what if she didn't enjoy his kisses? Just because he didn't have bad breath didn't mean she would enjoy these visits she spoke of so boldly. Coming to a decision, she straightened abruptly, and said, "We must kiss." That caught his attention and he asked with amazement, "What?" "Well, we should see if we would deal well together in...er...that regard," she muttered, blushing hotly. Swallowing, she forced herself to add firmly, "You should kiss me. Then we will know." "My dear young lady," Daniel began seeming half amused and half horrified, "I really do not think-" "Oh,for pity's sake," Suzette interuppted impatiently, and then leaned forward again,this time pressing her lips to his. In her rush to get it over with, she lost her balance a bit and had to catch a hold of his jacket to steady herself as she smooshed her mouth against his. She then waited for the warm and wonderful commotion she'd read about to assault her. Unfortunately, there wasn't any commotion. Really this was no more exciting than pressing her mouth to a cup, Suzette thought with dismay, and released him to sit back again with a most disappointed sigh. "Oh dear, I fear you're no good at this." "Excuse me? I am no good at this?" Daniel asked with amazed disbelief. "My dear girl, if you think that was a kiss-" "Do stop calling me a girl," Suzette snapped a bit impatiently and got to her feet, too agitated now to sit. "You sound like you're old enough to be my father and you aren't quite that old." "Not quite that old? For pity's sake! What a charmer you are," he said with irritation, and then stood up as well and informed her with some dignity, "That was not a proper kiss." "Well if you are such an expert, why do you not show me how to do it right?" she suggested, glowering with frustration at this turn of events.

Blessed Man” is a tribute to Updike’s tenacious maternal grandmother, Katherine Hoyer, who died in 1955. Inspired by an heirloom, a silver thimble engraved with her initials, a keepsake Katherine gave to John and Mary as a wedding present (their best present, he told his mother), the story is an explicit attempt to bring her back to life (“O Lord, bless these poor paragraphs, that would do in their vile ignorance Your work of resurrection”), and a meditation on the extent to which it’s possible to recapture experience and preserve it through writing. The death of his grandparents diminished his family by two fifths and deprived him of a treasured part of his past, the sheltered years of his youth and childhood. Could he make his grandmother live again on the page? It’s certainly one of his finest prose portraits, tender, clear-eyed, wonderfully vivid. At one point the narrator remembers how, as a high-spirited teenager, he would scoop up his tiny grandmother, “lift her like a child, crooking one arm under her knees and cupping the other behind her back. Exultant in my height, my strength, I would lift that frail brittle body weighing perhaps a hundred pounds and twirl with it in my arms while the rest of the family watched with startled smiles of alarm.” When he adds, “I was giving my past a dance,” we hear the voice of John Updike exulting in his strength. Katherine takes center stage only after an account of the dramatic day of her husband’s death. John Hoyer died a few months after John and Mary were married, on the day both the newlyweds and Mary’s parents were due to arrive in Plowville. From this unfortunate coincidence, the Updike family managed to spin a pair of short stories. Six months before he wrote “Blessed Man,” Updike’s mother had her first story accepted by The New Yorker. For years her son had been doing his filial best to help get her work published—with no success. In college he sent out the manuscript of her novel about Ponce de León to the major Boston publishers, and when he landed at The New Yorker he made sure her stories were read by editors instead of languishing in the slush pile. These efforts finally bore fruit when an editor at the magazine named Rachel MacKenzie championed “Translation,” a portentous family saga featuring Linda’s version of her father’s demise. Maxwell assured Updike that his colleagues all thought his mother “immensely gifted”; if that sounds like tactful exaggeration, Maxwell’s idea that he could detect “the same quality of mind running through” mother and son is curious to say the least. Published in The New Yorker on March 11, 1961, “Translation” was signed Linda Grace Hoyer and narrated by a character named Linda—but it wasn’t likely to be mistaken for a memoir. The story is overstuffed with biblical allusion, psychodrama, and magical thinking, most of it Linda’s. She believes that her ninety-year-old father plans to be translated directly to heaven, ascending like Elijah in a whirlwind, with chariots of fire, and to pass his mantle to a new generation, again like Elijah. It’s not clear whether this grand design is his obsession, as she claims, or hers. As it happens, the whirlwind is only a tussle with his wife that lands the old folks on the floor beside the bed. Linda finds them there and says, “Of all things. . . . What are you two doing?” Her father answers, his voice “matter-of-fact and conversational”: “We are sitting on the floor.” Having spoken these words, he dies. Linda’s son Eric (a writer, of course) arrives on the scene almost immediately. When she tells him, “Grampy died,” he replies, “I know, Mother, I know. It happened as we turned off the turnpike. I felt

Everyone’s unfortunately born with a memory. But this is what I tell him if I sense he’s sick over it: if you turn your thoughts over to the nothingness of what’s here, nothing land, nothing people, nothing houses, nothing lakes, nothing cold in nothing bones, you can squeeze your happiness to a pinpoint—you are here to wrestle other men like your oldest enemies, leave them damaged or worse on the mat, until you’re by yourself.

Save perhaps for the inventing and scriptwriting of Armitage, for the comics publication Judge Dredd the Megazine, in which he delineated and developed the city of London in that futuristic and somewhat casually violent shared world. And possibly his novels in the Judge Dredd line from Virgin Books, being Deathmasques, The Medusa Seed and Wetworks. And possibly any amount of other comics-related material to boot. And his work for Virgin Books’ New Adventure and Missing Adventure lines, come to think of it, including Sky Pirates!, Death and Diplomacy, Burning Heart, and for their continuation (starring one-time companion Bernice Summerfield), Ship of Fools, Oblivion, The Mary-Sue Extrusion and Return to the Fractured Planet. Each and every one a fine and puissant piece of literature, so all in all it is a bit unfortunate that at least half of them are no longer in print. For the BBC he has written the novel Heart of TARDIS, the short story Moon Graffiti, subsequently released as one half of a BBC Radio Collection audio disc, and the very volume you currently hold, quite lovingly, in your hands. His work on Bernice, incidentally, continues more-or-less simultaneously with the release of the Big Finish novel The Infernal Nexus. Mr.

Both men rubbed their chests and winced, the areas around the impacts were brilliant red and swollen. “That hurt like hell!” This was from Jacobson. “You’re lucky the Lieutenant was just firing paintballs, Private.” Jack was sure Jacobson was understating his case. The Rossman Model MP5 was accurate to over one hundred feet, with a muzzle velocity more than two times that of the recreational Co2 guns available to the general public. They certainly packed a hell of a wallop. The critiquing of the exercise continued for the rest of the day. Many important lessons had been painfully learned or relearned. Measures could now be taken to address the last of the shortcomings of base security, lessons which could and would most certainly be passed on to other base commanders. After all was said and done the exercise was deemed a success. Lieutenant General Roy and Colonel Hart sat back during most of the meeting. The general was again very impressed with Jack and Donny as they critiqued the exercise. The operation had, unfortunately, gone exactly as Jack had presented it to the two of them just two days before. But what impressed Lieutenant General Roy the most was the ease of leadership of both men.

January 8 Look with intensity ...It seems to me that learning is astonishingly difficult, as is listening also. We never actually listen to anything because our mind is not free; our ears are stuffed up with those things that we already know, so listening becomes extraordinarily difficult. I think—or rather, it is a fact—that if one can listen to something with all of one’s being, with vigor, with vitality, then the very act of listening is a liberative factor, but unfortunately you never do listen, as you have never learned about it. After all, you only learn when you give your whole being to something. When you give your whole being to mathematics, you learn; but when you are in a state of contradiction, when you do not want to learn but are forced to learn, then it becomes merely a process of accumulation. To learn is like reading a novel with innumerable characters; it requires your full attention, not contradictory attention. If you want to learn about a leaf—a leaf of the spring or a leaf of the summer—you must really look at it, see the symmetry of it, the texture of it, the quality of the living leaf. There is beauty, there is vigor, there is vitality in a single leaf. So to learn about the leaf, the flower, the cloud, the sunset, or a human being, you must look with all intensity.

There are many ways to make it to the top; unfortunately, all of them start at the bottom.

Over the years, I’ve thought a lot about what a person has a right to tell other people. As a therapist, it’s simple: everything you’re told is confidential. Outside the clinic, however, there are unfortunately no rules. There are those who believe the truth must come out at any cost, that the truth is always a force of good, and that in any given situation, you should insist on what you perceive as ‘true.’ But people construct their own narratives, for protection, to keep life in check. And if you disrupt a narrative, you have to be prepared for chaos to follow. If your narrative deviates too far from reality, if it’s built on fundamental misconceptions and grave misinterpretations, then the narrative can be a problem in itself, of course. And yet, it may be that that particular construct is what makes life possible in that moment. Most of us reinterpret and censor things now and then. Human memory is deceptive that way. We’re good at forgetting what’s painful and hard. Instead, we pick out some little episode that we buff and polish and tinker with until it has become emblematic of our history.

upbeat one you’ve sent. You’re going to design clothes for the store, you’ve taken up riding, and you feel that life is currently very good. I’m so happy to hear of these positive developments! Most of all, I’m glad that you don’t feel guilty about being happy. A majority of people go through life carrying around guilt, feeling that they never quite measure up to the expectations of others or, more importantly, themselves. In your case, however, it sounds like you’re making sound decisions, ones that you’re not second guessing. If all of my parishioners were like you, I suspect I’d be out of a job and could take up golf or spend more time singing. Yes, I’ve found a new pub that allows me to sing my heart out, and the people there are so much fun to be with. When I take off my collar, I’m just one of the mates, a regular bloke as my friend Niles puts it when we have a pint. Unfortunately, I broke a finger the other day while working out at the gym. I jammed it while having a go at the hanging punching bag. I was taking out my frustrations since a parishioner recently told me that I sounded a little too happy and optimistic in my sermons. The woman, who is about sixty years old, said that Catholic priests should behave with more decorum. She also said that if I continued to preach as I do, she would report me to my bishop. She’s not really a bad soul but has a reputation as a troublemaker, so I’m not concerned. She is a

The heart of the engine is the one part that I can’t help you find, unfortunately. There is just no way for me to document its location; it’s different in every car. I could barely find the heart of my VW-it was too confusing, and there were too many routes. Every time I thought I’d reach the center point I realized I was lost, not where I thought I was, following the wrong sunrise yet again. I wonder: Does the heart move around or something? The geographic arrangement of the engine compartment doesn’t make things any easier- some of the mechanical parts are underground, nestled in the hills, and others are hidden behind the hustle and lathe of small mechanical cities. But don’t cloudy-day! We’ll find the heart eventually- I don’t care if we need to tear the engine down to every bolt and moment to do so.

Everett stalked back to his desk and then pointed to a chair that was bolted to the floor opposite him. “Mr. Mulberry, you don’t believe that’s an acceptable way of asking me to take a seat, do you?” A stabbing of a finger to the chair once more was his only reply. Taking a second to fasten herself back into the cork jacket, even as an odd and somewhat inappropriate sense of amusement settled over her, Millie walked over to the indicated chair and took a seat. Placing her hands demurely in her lap, she watched as Everett lowered into his own chair. Thrusting a hand through hair that was distinctly untidy, he caught her eye. “Was there a reason behind your interrupting my reading?” “I’m sure there was, but that reason escapes me at the moment.” She sat forward. “What are you reading?” Everett’s face turned a little red as he snatched the book off the desk and stuffed it into a drawer. Millie leaned back in the chair. “Very well, since you don’t seem to want to exchange the expected pleasantries, let us move on to what I’ve suddenly recalled I wanted to speak with you about. We need to discuss the children and the part you need to play in their lives, as well as discuss how you’re going to go about telling Miss Dixon it would be a horrible idea for you to send the children away to a boarding school.” Opening the drawer, Everett yanked out the book he’d just stashed away, and pushed it Millie’s way. “I think I’d rather discuss this.” Picking up the book, she looked at the title. “You’re reading Pride and Prejudice?” “I am, but don’t tell anyone. It could ruin my reputation as a manly gentleman.” The amusement that was still bubbling through her increased. “I doubt that, but tell me, what do you think about the story so far?” “I think it’s unfortunate that Lizzy is not better connected, because she would be perfect for Mr. Darcy if she came from money.” Millie shoved the book back at him as every ounce of amusement disappeared in a flash. “You don’t believe that Mr. Darcy might be just a tad too prideful since he believes he’s superior to Lizzy?” “He’s one of the richest men in England,” Everett said, returning the book to the drawer and giving it a somewhat longing look before he caught Millie’s eye. “Of course he’s superior to Lizzy.” Fighting the impulse to tell him he was a bit of an idiot, because that was a guaranteed way of getting dismissed, Millie forced a smile. “Perhaps it would be best to continue this discussion after you finish the book. But, tell me, why in the world are you reading a romance novel?” “I needed something to keep me occupied while evading Abigail and her meddling ways, and since you spoke so highly of Jane Austen, I thought I’d give her a try.” “You’re reading it because I enjoy Jane Austen?” “Well, yes. You also mentioned you enjoy Frankenstein, but I couldn’t find a copy of that in my library, so I decided I’d read a book of Jane’s instead.” Pleasure

From the Bridge” by Captain Hank Bracker Behind “The Exciting Story of Cuba” It was on a rainy evening in January of 2013, after Captain Hank and his wife Ursula returned by ship from a cruise in the Mediterranean, that Captain Hank was pondering on how to market his book, Seawater One. Some years prior he had published the book “Suppressed I Rise.” But lacking a good marketing plan the book floundered. Locally it was well received and the newspapers gave it great reviews, but Ursula was battling allergies and, unfortunately, the timing was off, as was the economy. Captain Hank has the ability to see sunshine when it’s raining and he’s not one easily deterred. Perhaps the timing was off for a novel or a textbook, like the Scramble Book he wrote years before computers made the scene. The history of West Africa was an option, however such a book would have limited public interest and besides, he had written a section regarding this topic for the second Seawater book. No, what he was embarking on would have to be steeped in history and be intertwined with true-life adventures that people could identify with. Out of the blue, his friend Jorge suggested that he write about Cuba. “You were there prior to the Revolution when Fidel Castro was in jail,” he ventured. Laughing, Captain Hank told a story of Mardi Gras in Havana. “Half of the Miami Police Department was there and the Coca-Cola cost more than the rum. Havana was one hell of a place!” Hank said. “I’ll tell you what I could do. I could write a pamphlet about the history of the island. It doesn’t have to be very long… 25 to 30 pages would do it.” His idea was to test the waters for public interest and then later add it to his book Seawater One. Writing is a passion surpassed only by his love for telling stories. It is true that Captain Hank had visited Cuba prior to the Revolution, but back then he was interested more in the beauty of the Latino girls than the history or politics of the country. “You don’t have to be Greek to appreciate Greek history,” Hank once said. “History is not owned solely by historians. It is a part of everyone’s heritage.” And so it was that he started to write about Cuba. When asked about why he wasn’t footnoting his work, he replied that the pamphlet, which grew into a book over 600 pages long, was a book for the people. “I’m not writing this to be a history book or an academic paper. I’m writing this book, so that by knowing Cuba’s past, people would understand it’s present.” He added that unless you lived it, you got it from somewhere else anyway, and footnoting just identifies where it came from. Aside from having been a ship’s captain and harbor pilot, Captain Hank was a high school math and science teacher and was once awarded the status of “Teacher of the Month” by the Connecticut State Board of Education. He has done extensive graduate work, was a union leader and the attendance officer at a vocational technical school. He was also an officer in the Naval Reserve and an officer in the U.S. Army for a total of over 40 years. He once said that “Life is to be lived,” and he certainly has. Active with Military Intelligence he returned to Europe, and when I asked what he did there, he jokingly said that if he had told me he would have to kill me. The Exciting Story of Cuba has the exhilaration of a novel. It is packed full of interesting details and, with the normalizing of the United States and Cuba, it belongs on everyone’s bookshelf, or at least in the bathroom if that’s where you do your reading. Captain Hank is not someone you can hold down and after having read a Proof Copy I know that it will be universally received as the book to go to, if you want to know anything about Cuba! Excerpts from a conversation with Chief Warrant Officer Peter Rommel, USA Retired, Military Intelligence Corps, Winter of 2014.

The awareness of mortality casts a bittersweet shadow over the vibrancy of life and love. We exist in a state of impermanence, where beauty fades and connection dissolves. Yet, it is precisely this impermanence that imbues life with its preciousness and love with its urgency. In the face of oblivion, love becomes a defiant act, a bridge we build across the chasm of the ephemeral, a testament to the enduring power of connection in a fleeting existence." The quote's appreciation for love in the face of life's fleeting nature echoes Epicurean ideals. This emphasizes the existentialist concept of living in a finite world and the absurdist notion of creating meaning in the face of nothingness. It highlights love as a way to transcend the impermanence of life and forge a connection that defies the inevitable. The concept of finding meaning and beauty in a world wracked by impermanence aligns closely with the philosophy of Epicurus. Epicureanism emphasizes living a virtuous and pleasure-filled life while minimizing pain. Though often misinterpreted as mere hedonism, Epicurus also stressed the importance of intellectual pursuits, close friendships, and facing mortality with courage. Unfortunately, Epicurus himself didn't write any essays or novels in the traditional sense. Most of his teachings were delivered in letters and discourses to his students and followers. These were later compiled by others, most notably Hermarchus, who helped establish Epicurean philosophy. The core tenets of Epicureanism are scattered throughout various ancient texts, including: *Principal Doctrines: A summary of Epicurus' core beliefs, likely compiled by Hermarchus. *Letter to Menoeceus: A letter outlining the path to happiness through a measured approach to pleasure and freedom from fear. *Vatican Sayings: A collection of sayings and aphorisms attributed to Epicurus. These texts, along with Diogenes Laërtius' Lives and Sayings of the Philosophers, which includes biographical details about Epicurus, provide the best understanding of his philosophy. Love is but an 'Ephemeral Embrace'. Life explodes into a vibrant party, a kaleidoscope of moments that dims as the sun dips below the horizon. The people we adore, the bonds we forge, all tinged with the bittersweet knowledge that nothing lasts forever. But it's this very impermanence that makes everything precious, urging us to savor the here and now. Imagine Epicurus nudging us and saying, "True pleasure isn't a fleeting high, it's the joy of sharing good times with the people you love." Even knowing things end, we can create a life brimming with love's connections. Love becomes an act of creation, weaving threads of shared joy into a tapestry of memories. Think of your heart as a garden. Love tells you to tend it with care, for it's the source of connection with others. In a world of constant change, love compels us to nurture our inner essence and share it with someone special. Love transcends impermanence by fostering a deep connection that enriches who we are at our core. Loss is as natural as breathing. But love says this: "Let life unfold, with all its happy moments and tearful goodbyes. Only then can you understand the profound beauty of impermanence." Love allows us to experience the full spectrum of life's emotions, embracing the present while accepting impermanence. It grants depth and meaning to our fleeting existence. Even knowing everything ends, love compels us to build a haven, a space where hearts connect. It's a testament to the enduring power of human connection in a world in flux. So let's love fiercely, vibrantly, because in the face of our impermanence, love erects a bridge to something that transcends the temporary.

And when you are grieving, guilt lives inside your sadness, doesn’t it? The guilt lives there like an unfortunate side effect of what you haven’t done. You haven’t saved who matters most.

You might end up stuck with some unfortunate habits for life if you are led through your first conversion by an unskilled teacher.” “… You’re not an unskilled teacher, are you, Dia?” I asked.

THE HIPPOCAMPUS: TRACKING THREATS AND MAKING MEMORIES The hippocampus is a seahorse-shaped structure in the center of the limbic system. In my live workshops, the analogy I pick for the hippocampus is that of the military historian. Its most vital job is to compare incoming information with the memory of past threats. If there’s a match, it sounds the alarm by activating the amygdala, which in turn switches on the whole fight-flight-freeze (FFF) system. 3.6. The hippocampus: tracking threats and recording memories. By deciding which signals to pass to the amygdala and which to ignore, the hippocampus regulates our emotions. Some people have an active hippocampus that effectively regulates emotion. Others do not; these unfortunates have a hair-trigger response to their own emotions. They become angry, fearful, or anxious at the slightest stimulus. Their behavior is dictated by their emotions. The hippocampus is also the seat of learning. Novel experiences produce the growth of new synaptic connections in the hippocampus. Go take a class in Mandarin Chinese, learn pickleball, date a new love interest, experiment with recipes from a Hungarian cookbook—your hippocampus will start to grow new connections. But the most essential function of the hippocampus is to catalog the bad stuff of the past, and if anything coming our way in the present resembles that bad stuff, it makes a match and turns on the FFF response.

There are three rules for writing the novel," said W. Somerset Maugham. "Unfortunately, no one knows what they are.

It’s never too late to take stock of one’s work, relationships, and life. What dreams of yours are unfulfilled, and why have they been pushed aside? Sometimes circumstances or economics are the unavoidable roadblock to achieving your dreams. When things are outside of a person’s control, all one can do is to evaluate how best to deal with these obstacles, and then take action. That was my personal approach when I was diagnosed with breast cancer. The best thing about my cancer was that I realized how many people cared about me and wanted to help. I am not very good at asking for help and, unfortunately, many people are the same. Family and friends are a grossly underrated asset, which is why I centered my debut novel, To Tuscany with Love, on a group of friends who help each other save, and forgive, themselves. A surprising occurrence is that sometimes we ourselves, like my characters, have become the obstruction to achieving our goals. Passionately investing in your relationships and dreams is the first step to molding yourself into the person you dream of being and in the process, achieving happiness and fulfillment.

Inspirational fiction is the proper name for religious or Christian fiction. These stories feature God-fearing characters—predominantly Christian—who live according to the values of their faith or who, after making a series of unfortunate mistakes, experience a profound conversion to that lifestyle.

I had one more chance to not be a dick, and I did not take it. “Right, well your dad is either an idiot or a liar, unfortunately, and that sucks for you.