Land Mines In Quotes

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Cabin Fifteen does that to everyone," Annabeth warned. "If you ask me, this place is even more dangerous than the Ares cabin. At least with Ares, you can learn where the land mines are." "Land mines?
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
If You Forget Me I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
Pablo Neruda
If I should have a daughter…“Instead of “Mom”, she’s gonna call me “Point B.” Because that way, she knows that no matter what happens, at least she can always find her way to me. And I’m going to paint the solar system on the back of her hands so that she has to learn the entire universe before she can say “Oh, I know that like the back of my hand.” She’s gonna learn that this life will hit you, hard, in the face, wait for you to get back up so it can kick you in the stomach. But getting the wind knocked out of you is the only way to remind your lungs how much they like the taste of air. There is hurt, here, that cannot be fixed by band-aids or poetry, so the first time she realizes that Wonder-woman isn’t coming, I’ll make sure she knows she doesn’t have to wear the cape all by herself. Because no matter how wide you stretch your fingers, your hands will always be too small to catch all the pain you want to heal. Believe me, I’ve tried. And “Baby,” I’ll tell her “don’t keep your nose up in the air like that, I know that trick, you’re just smelling for smoke so you can follow the trail back to a burning house so you can find the boy who lost everything in the fire to see if you can save him. Or else, find the boy who lit the fire in the first place to see if you can change him.” But I know that she will anyway, so instead I’ll always keep an extra supply of chocolate and rain boats nearby, ‘cause there is no heartbreak that chocolate can’t fix. Okay, there’s a few heartbreaks chocolate can’t fix. But that’s what the rain boots are for, because rain will wash away everything if you let it. I want her to see the world through the underside of a glass bottom boat, to look through a magnifying glass at the galaxies that exist on the pin point of a human mind. Because that’s how my mom taught me. That there’ll be days like this, “There’ll be days like this my momma said” when you open your hands to catch and wind up with only blisters and bruises. When you step out of the phone booth and try to fly and the very people you wanna save are the ones standing on your cape. When your boots will fill with rain and you’ll be up to your knees in disappointment and those are the very days you have all the more reason to say “thank you,” ‘cause there is nothing more beautiful than the way the ocean refuses to stop kissing the shoreline no matter how many times it’s sent away. You will put the “wind” in win some lose some, you will put the “star” in starting over and over, and no matter how many land mines erupt in a minute be sure your mind lands on the beauty of this funny place called life. And yes, on a scale from one to over-trusting I am pretty damn naive but I want her to know that this world is made out of sugar. It can crumble so easily but don’t be afraid to stick your tongue out and taste it. “Baby,” I’ll tell her “remember your mama is a worrier but your papa is a warrior and you are the girl with small hands and big eyes who never stops asking for more.” Remember that good things come in threes and so do bad things and always apologize when you’ve done something wrong but don’t you ever apologize for the way your eyes refuse to stop shining. Your voice is small but don’t ever stop singing and when they finally hand you heartbreak, slip hatred and war under your doorstep and hand you hand-outs on street corners of cynicism and defeat, you tell them that they really ought to meet your mother.
Sarah Kay
Do you know they found land mines in woman's souls.
Andrea Gibson
And the mountains may rise and fall, and the sun might wither away, and the sea may claim the land and swallow the sky. But you will always be mine. And the stars might fall from the heavens, and night might cloak the earth, but until darkness dies, I will always be yours.
Laura Thalassa (Rhapsodic (The Bargainer, #1))
All witches are selfish, the Queen had said. But Tiffany’s Third Thoughts said: Then turn selfishness into a weapon! Make all things yours! Make other lives and dreams and hopes yours! Protect them! Save them! Bring them into the sheepfold! Walk the gale for them! Keep away the wolf! My dreams! My brother! My family! My land! My world! How dare you try to take these things, because they are mine! I have a duty!
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
Ver reisa ku'chae. Kem surah, shei'tani. (Your soul calls out. Mine answers, beloved.)
C.L. Wilson (Lord of the Fading Lands (Tairen Soul, #1))
What was wrong with me? I had a decent life. I was healthy. I wasn't starving or maimed by a land mine or orphaned. Yet somehow, it wasn't enough. I had a hole in me, and everything I took for granted slipped through it like sand. I felt like I had swallowed yeast, like whatever evil was festering inside me had doubled in size.
Jodi Picoult (Handle with Care)
Whenever I'm with my mother, I feel as though I have to spend the whole time avoiding land mines.
Amy Tan (The Hundred Secret Senses)
it may not always be so; and i say that if your lips, which i have loved, should touch another's, and your dear strong fingers clutch his heart, as mine in time not far away; if on another's face your sweet hair lay in such a silence as i know,or such great writhing words as, uttering overmuch, stand helplessly before the spirit at bay; if this should be, i say if this should be- you of my heart, send me a little word; that i may go unto him, and take his hands, saying, Accept all happiness from me. Then shall i turn my face,and hear one bird sing terribly afar in the lost lands.
E.E. Cummings
I want you to know one thing. You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me. Well, now, if little by little you stop loving me I shall stop loving you little by little. If suddenly you forget me do not look for me, for I shall already have forgotten you. If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land. But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
Pablo Neruda (If You Forget Me)
Saba! I'm afeared! cries Emmi. If you are, you ain't no sister of mine! I shout. Come at me agin! I ain't afeared of nuthin! She yells. That's more like it.
Moira Young (Rebel Heart (Dust Lands, #2))
I inherited this country when I was only a child, Nahuseresh. I have held it. I have fought down rebellious barons. I've fought Sounis to keep the land on this side of the mountains. I have killed men and watched them hang. I've seen them tortured to keep this country safe and mine. How did you think I did this if I was a fool with cow eyes for any handsome man with gold in his purse?
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
In a lightning-fast move, he placed both of his hands on the brick wall, caging me with his body. He leaned toward me and my heart shifted into a gear I didn't know existed. His warm breath caressed my neck, melting my frozen skin. I tilted my head, waiting for the solid warmth of his body on mine. I could see his eyes again and those dark orbs screamed hunger . "I heard a rumor." "What's that?" I struggled to get out. "It's your birthday." Terrified speaking would break the spell, I licked my suddenly dry lips and nodded. "Happy birthday." Noah drew his lips closer to mine; that sweet musky smell overwhelmed my senses. I could almost taste his lips when he unexpectedly took a step back, inhaling deeply. The cold air slapped me into the land of sober.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
I've always though Marx's view on religion was the one thing he got right. Faith is a crutch.' 'If you step on a land mine,' Akhmed said, "the crutch becomes the leg.
Anthony Marra (A Constellation of Vital Phenomena)
A land not mine, still forever memorable, the waters of its ocean chill and fresh. Sand on the bottom whiter than chalk, and the air drunk, like wine, late sun lays bare the rosy limbs of the pinetrees. Sunset in the ethereal waves: I cannot tell if the day is ending, or the world, or if the secret of secrets is inside me again.
Anna Akhmatova (The Complete Poems of Anna Akhmatova)
Travis Stoll ran past, arguing with his brother. “What do you mean we set the land mines on the wrong hill?
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
That is a list of the Territories that yielded to Ebon Askavi. They now stand within the shadow of the Keep. They are mine. Anyone who tries to settle in my Territory without my consent will be dealt with. Anyone who harms any of my people will be executed. There will be no excuses and no exceptions. I will say it simply so that the members of this Council and the intruders who thought to take land they had no right to claim can never say they misunderstood." Jaenelle's lips curled into a snarl. "STAY OUT OF MY TERRITORY!
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
His hands tightened around mine. “I love you,” he said. “I love you more than any other creature, because you are cruel, and kind, and alive. Nyx Triskelion, will you be my wife?” I knew it was insane to be happy, to feel this desperate exultation at his words. But I felt like I had been waiting all my life to hear them. I had been waiting, all my life, for someone undeceived to love me. And now he did, and it felt like walking into the dazzling sunlight of the Heart of Earth. Except that the sunlight was false, and his love was real. It was real. Very deliberately, I pulled my hands out of his. “You’re a demon,” I said, staring at the ground. “Most likely.” “I know what you’ve done.” “The exciting parts, anyway.” “And I still don’t know your name.” My hands trembled as I undid my belt, then started to unclasp the brooches. It seemed forever since that first day when I had ripped my bodice open so easily. “But I know you’re my husband.” The dress slid down to land on the ground about my feet. Ignifex touched my cheek very gently, as if I was a bird that might be startled into flight. Finally I met his eyes. “And,” I said. “I suppose I do love you.” Then he pulled me into his arms.
Rosamund Hodge (Cruel Beauty)
Globalized industrialized food is not cheap: it is too costly for the Earth, for the farmers, for our health. The Earth can no longer carry the burden of groundwater mining, pesticide pollution, disappearance of species and destabilization of the climate. Farmers can no longer carry the burden of debt, which is inevitable in industrial farming with its high costs of production. It is incapable of producing safe, culturally appropriate, tasty, quality food. And it is incapable of producing enough food for all because it is wasteful of land, water and energy. Industrial agriculture uses ten times more energy than it produces. It is thus ten times less efficient.
Vandana Shiva
Right now, it felt like there was nowhere for his thoughts to alight that wasn't rife with land mines of regret or anger or guilt.
Cynthia D'Aprix Sweeney (The Nest)
Lou Ellen and the Hecate kids have been putting up magic barriers, and the whole Hermes cabin has been lining the hills with traps and snares and all kinds of nice surprises for the Romans!" Jake Mason frowned. "Most of which you stole from Bunker Nine and the Hephaestus cabin." Clarisse grumbled in agreement. "They even stole the land mines from around the Ares cabin. How do you steal live land mines?
Rick Riordan (The Blood of Olympus (The Heroes of Olympus, #5))
I’m a fever in your blood now, Saba. As you are in mine.
Moira Young (Rebel Heart (Dust Lands, #2))
I never thought I'd land in pictures with a face like mine.
Audrey Hepburn
Out of the rack and ruin of our gangster death, The rape and rot of graft, and stealth, and lies, We, the people, must redeem The land, the mines, the plants, the rivers. The mountains and the endless plain-- All, all the stretch of these great green states-- And make America again!
Langston Hughes
We all walk in a land of dreams. For what are we but atoms and hope, a handful of stardust and sinew? We are weary travelers trying to find our way home on a road that never ends. Am I a part of your dream? or are you but a part of mine?
Libba Bray
Cracking his knuckles, Cary dramatically prepared to open his fortune cookie. “Let’s see. Will I be rich? Famous? About to meet Mr. or Ms. Tall, Dark, and Tasty? Traveling to distant lands? What’d you guys get?” “Mine’s lame,” I said. “In the end all things will be known. Duh. I didn’t need a fortune to figure that out.” Gideon opened his and read, “Prosperity will knock on your door soon.” I snorted. Cary shot me a look. “I know, right? You snatched someone else’s cookie, Cross.” “He better not be anywhere near someone else’s cookie,” I said dryly. Reaching over, Gideon plucked half of mine out of my fingers. “Don’t worry, angel. Your cookie is the only one I want.” He popped it in his mouth with a wink. “Gag,” Cary muttered. “Get a room.” He cracked his fortune with a flourish, and then scowled. “What the fuck?” I leaned forward. “What’s it say?” “Confucius say,” Gideon ad-libbed, “man with hand in pocket feel cocky all day.” Cary threw half his cookie at Gideon, who caught it deftly and grinned. “Give me that.” I snatched the fortune out from between Cary’s fingers and read it. Then laughed. “Fuck you, Eva.” “Well?” Gideon prodded. “Pick another cookie.” Gideon smiled. “Pwned by a fortune.” Cary threw the other half of his cookie.
Sylvia Day (Bared to You (Crossfire, #1))
And mountains may rise and fall, and the sun might wither away, and the sea claim the land and swallow the sky. But you will always be mine.” He runs his knuckles over my cheekbone. “And the stars might fall from the heavens, and night might cloak the earth, but until darkness dies, I will always be yours.
Laura Thalassa (Rhapsodic (The Bargainer, #1))
He looks like someone who has a land mine in his pants." "Huh?" She gave me a really confused look. "You know a land mine; small, hidden, and explodes on contact.
Christine Zolendz (Fall From Grace (Mad World, #1))
trusted you.” “I know.” His hand landed on mine and squeezed gently. “I was pissed—part of me
Jennifer L. Armentrout (White Hot Kiss (The Dark Elements, #1))
I look back over the events of my life and see the hands that carried Moses to his grave lifting me out of mine. In remembering I go back to these places where God met me and I meet him again and I lay my head on his breast, and he shows me the land beyond the Jordan and I suck into my lungs the fragrance of his breath, the power of his presence.
Rich Mullins
It was not death, for I stood up, And all the dead lie down; It was not night, for all the bells Put out their tongues, for noon. It was not frost, for on my flesh I felt siroccos crawl, Nor fire, for just my marble feet Could keep a chancel cool. And yet it tasted like them all; The figures I have seen Set orderly, for burial, Reminded me of mine, As if my life were shaven And fitted to a frame, And could not breathe without a key; And I was like midnight, some, When everything that ticked has stopped, And space stares, all around, Or grisly frosts, first autumn morns, Repeal the beating ground. But most like chaos,--stopless, cool, Without a chance or spar,-- Or even a report of land To justify despair.
Emily Dickinson (I'm Nobody! Who Are You? (Scholastic Classics))
So she steeled herself. “I have never told anyone this story. No one in the world knows it. But it's mine,” she said, blinking past the burning in her eyes, “and it's time for me to tell it.” Rowan leaned back on the rock, bracing his palms behind him. “Once upon a time,” she said to him, to the world, to herself, “in a land long since burned to ash, there lived a young princess who loved her kingdom . . . very much.” And then she told him of the princess whose heart had burned with wildfire, of the mighty kingdom in the north, of its downfall and of the sacrifice of Lady Marion.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
What did I care about my hammer, about my bolt, about thirst or death? There was, on one star, on one planet, on mine, the Earth, a little prince to be consoled! I took him in my arms. I rocked him. I told him, 'The flower you love is not in danger...I'll draw you a muzzle for your sheep...I'll draw you a fence for your flower...I' I didn't know what to say. How clumsy I felt! I didn't know how to reach him, where to find him...It's so mysterious, the land of tears.
Antoine de Saint-Exupéry (The Little Prince)
For mines are for men, not for money. And money is not something to go mad about, and throw your hat into the air for. Money is for food and clothes and comfort, and a visit to the pictures. Money is to make happy the lives of children. Money is for security, and for dreams, and for hopes, and for purposes. Money is for buying the fruits of the earth, of the land where you were born.
Alan Paton (Cry, the Beloved Country)
There is no doubt that the United States has much to atone for, both domestically and abroad...To produce this horrible confection at home, start with our genocidal treatment of the Native Americans, add a couple hundred years of slavery, along with our denial of entry to Jewish refugees fleeing the death camps of the Third Reich, stir in our collusion with a long list of modern despots and our subsequent disregard for their appalling human rights records, add our bombing of Cambodia and the Pentagon Papers to taste, and then top with our recent refusals to sign the Kyoto protocol for greenhouse emissions, to support any ban on land mines, and to submit ourselves to the rulings of the International Criminal Court. The result should smell of death, hypocrisy, and fresh brimstone.
Sam Harris (The End of Faith: Religion, Terror, and the Future of Reason)
The weight of his fingers on mine, like a bird landing on a branch. It was the drop of a match. I did not see that we were surrounded by tinder until I felt it burst into flames.
Hannah Kent (Burial Rites)
Tell your masters the Alpha of the Timberwolf Pack says these streets are mine. This city, this territory is mine. If you sell drugs to poison my wolves, I will come for you. If you threaten my Pack, I will come for you. If you break the laws of my Pack land, I will come for you. The challenge is issued. And I will not be as quick as I was with this cur. Now go.
L.L. Raand (Blood Hunt (Midnight Hunters #2))
What's strange about the whole thing is that although it's riddled with nonsense, altogether it's true - Julie's told our story, mine and hers, our friendship, so truthfully. It is us. We even had the same dream at the same time. How could we have had the same dream at the same time? How can something so wonderful and mysterious be true? But it is. And this, even more wonderful and mysterious, is also true: when I read it, when I read what Julie's written, she is instantly alive again, whole and undamaged. With her words in my mind while I'm reading, she is as real as I am. Gloriously daft, drop-dead charming, full of bookish nonsense and foul language, brave and generous. She's right here. Afraid and exhausted, alone, but fighting. Flying in silver moonlight in a plane that can't be landed, stuck in the climb - alive, alive, ALIVE.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
The Weird Sisters, hand in hand, Posters of the sea and land, Thus do go, about, about, Thrice to thine, thrice to mine, And thrice again to make up nine. Peace, the charm's wound up.
William Shakespeare (Macbeth)
Why'd you come after me? he says. Back at Hopetown. That cellblock was on fire. You'd hafta be crazy to go in there. But you did. You risked yer life to save mine an you didn't even know me.
Moira Young (Blood Red Road (Dust Lands, #1))
When you open a book,” the sentimental library posters said, “anything can happen.” This was so. A book of fiction was a bomb. It was a land mine you wanted to go off. You wanted it to blow your whole day. Unfortunately, hundreds of thousands of books were duds. They had been rusting out of everyone’s way for so long that they no longer worked. There was no way to distinguish the duds from the live mines except to throw yourself at them headlong, one by one.
Annie Dillard (An American Childhood)
Emperors per se did not unnerve Miles . . . . Emperor Gregor had been raised along with Miles practically as his foster-brother; somewhere in the back of Miles's mind the term emperor was coupled with such identifiers as somebody to play hide-and-seek with. In this context those hidden assumptions could be a psychosocial land mine.
Lois McMaster Bujold (Cetaganda (Vorkosigan Saga, #9))
You said, "I will go to another land, I will go to another sea. Another city will be found, better than this. Every effort of mine is condemned by fate; and my heart is-like a corpse-buried. How long in this wasteland will my mind remain. Wherever I turn my eyes, wherever I may look I see the black ruins of my life here, where I spent so many years, and ruined and wasted." New lands you will not find, you will not find other seas. The city will follow you. You will roam the same streets. And you will age in the same neighborhoods; in these same houses you will grow gray. Always you will arrive in this city. To another land-do not hope- there is no ship for you, there is no road. As you have ruined your life here in this little corner, you have destroyed it in the whole world.2
Constantinos P. Cavafy
Ten thousand!" I shouted at the walls, back in the room with the wooden shutters, now open, so that anyone could hear me, on the porch or probably across the compound. "That arrogant bastard landed ten thousand men at Tas-Elisa. In my port! Mine!" When I was a child and playmates snatched my toys out of my hands, I tended to smile weakly and give in. Years later I was acting the way I should have as a child. Probably not the most mature behavior for a king, but I was still cursing as I swung around to find a delegation of barons in the doorway behind me. My father, Baron Comeneus, and Baron Xorcheus among them. They thought it was how a king behaved. I ran my fingers through my hair and tried to pursue a more reasonable line of thought, but more reasonable thoughts made me angry again.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
The time is gone when mere accidents could still happen to me; and what could still come to me now that was not mine already? What returns, what finally comes home to me, is my own self and what of myself has long been in strange lands and scattered among all things and accidents.
Friedrich Nietzsche (Thus Spoke Zarathustra)
From flame to ashes, dawn to dusk, for the rest of our lives, be mine always... And the mountains may rise and fall, and the sun might wither away, and the sea may claim the land and swallow the sky. But you will always be mine. And the stars might fall from the heavens, and night might cloak the earth, but until darkness dies, I will always be yours. - Callie and Desmond
Laura Thalassa (Rhapsodic (The Bargainer, #1))
And mountains may rise and fall, and the sun might wither away, and the sea claim the land and swallow the sky. But you will always be mine. And the stars might fall from the heavens, and night might cloak the earth, but until darkness dies, I will always be yours.
Laura Thalassa (The Emperor of Evening Stars (The Bargainer, #2.5))
His mouth landed on mine, crashed into mine, and I might've stopped breathing. He pulled me up against him, until only the tips of my toes remained on the carpet, and all the interesting parts were nearly lined up, chest to chest, hip to hip.
Jennifer L. Armentrout (The Darkest Star (Origin, #1))
She’s so warm, and her deepened breathing is hypnotic. I wish I could let myself drift off with her, but I have miles to go before I can sleep. This is the trick every night, to leave after she’s surrendered the fight to be up, but before I give in to the desire to close my eyes. When I’m convinced she’s fully unconscious, I slide out from under the covers, tiptoe around all the toys and crafts (land mines) strewn on the floor, and steal out of her darkened room like I’m James Bond.
Lisa Genova (Left Neglected)
The Western States nervous under the beginning change. Texas and Oklahoma, Kansas and Arkansas, New Mexico, Arizona, California. A single family moved from the land. Pa borrowed money from the bank, and now the bank wants the land. The land company--that's the bank when it has land --wants tractors, not families on the land. Is a tractor bad? Is the power that turns the long furrows wrong? If this tractor were ours it would be good--not mine, but ours. If our tractor turned the long furrows of our land, it would be good. Not my land, but ours. We could love that tractor then as we have loved this land when it was ours. But the tractor does two things--it turns the land and turns us off the land. There is little difference between this tractor and a tank. The people are driven, intimidated, hurt by both. We must think about this. One man, one family driven from the land; this rusty car creaking along the highway to the west. I lost my land, a single tractor took my land. I am alone and bewildered. And in the night one family camps in a ditch and another family pulls in and the tents come out. The two men squat on their hams and the women and children listen. Here is the node, you who hate change and fear revolution. Keep these two squatting men apart; make them hate, fear, suspect each other. Here is the anlarge of the thing you fear. This is the zygote. For here "I lost my land" is changed; a cell is split and from its splitting grows the thing you hate--"We lost our land." The danger is here, for two men are not as lonely and perplexed as one. And from this first "we" there grows a still more dangerous thing: "I have a little food" plus "I have none." If from this problem the sum is "We have a little food," the thing is on its way, the movement has direction. Only a little multiplication now, and this land, this tractor are ours. The two men squatting in a ditch, the little fire, the side- meat stewing in a single pot, the silent, stone-eyed women; behind, the children listening with their souls to words their minds do not understand. The night draws down. The baby has a cold. Here, take this blanket. It's wool. It was my mother's blanket--take it for the baby. This is the thing to bomb. This is the beginning--from "I" to "we." If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know Paine, Marx, Jefferson, Lenin, were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I," and cuts you off forever from the "we." The Western States are nervous under the begining change. Need is the stimulus to concept, concept to action. A half-million people moving over the country; a million more restive, ready to move; ten million more feeling the first nervousness. And tractors turning the multiple furrows in the vacant land.
John Steinbeck (The Grapes of Wrath)
I am thinking now of old Moses sitting on a mountain—sitting with God—looking across the Jordan into the Promised Land. I am thinking of the lump in his throat, that weary ache in his heart, that nearly bitter longing sweetened by the company of God... And then God—the great eternal God—takes Moses' thin-worn, thread-bare little body into His hands—hands into whose hollows you could pour the oceans of the world, hands whose breadth marked off the heavens—and with these enormous and enormously gentle hands, God folds Moses' pale lifeless arms across his chest for burial. I don't know if God wept at Moses' funeral. I don't know if He cried when He killed the first of His creatures to take its skins to clothe this man's earliest ancestors. I don't know who will bury me— ...Of God, on whose breast old Moses lays his head like John the Beloved would lay his on the Christ's. And God sits there quietly with Moses—for Moses—and lets His little man cry out his last moments of life. But I look back over the events of my life and see the hands that carried Moses to his grave lifting me out of mine. In remembering I go back to these places where God met me and I meet Him again and I lay my head on His breast, and He shows me the land beyond the Jordan and I suck into my lungs the fragrance of His breath, the power of His presence.
Rich Mullins
If you were coming in the Fall, I'd brush the Summer by With half a smile and half a spurn, As Housewives do a Fly. If I could see you in a year, I'd wind the months in balls — And put them each in separate Drawers, For fear the numbers fuse — If only Centuries, delayed, I'd count them on my Hand, Subtracting, till my fingers dropped Into Van Diemen's land. If certain, when this life was out, That yours and mine should be, I ’d toss it yonder like a rind, And taste eternity. But, now, uncertain of the length Of this, that is between, It goads me, like the Goblin Bee, That will not state — its sting.
Emily Dickinson (The Complete Poems of Emily Dickinson)
I’ve seen a greater share of wonders, vast And small, than most have done. My peace is made; My breathing slows. I could not ask for more. To reach beyond the stuff of day-to-day Is worth this life of mine. Our kind is meant To search and seek among the outer bounds, And when we land upon a distant shore, To seek another yet farther still. Enough. The silence grows. My strength has fled, and Sol Become a faded gleam, and now I wait, A Viking laid to rest atop his ship. Though fire won’t send me off, but cold and ice, And forever shall I drift alone. No king of old had such a stately bier, Adorned with metals dark and grey, nor such A hoard of gems to grace his somber tomb. I check my straps; I cross my arms, prepare Myself to once again venture into the Unknown, content to face my end and pass Beyond this mortal realm, content to hold And wait and here to sleep— To sleep in a sea of stars. —THE FARTHEST SHORE 48–70 HARROW GLANTZER
Christopher Paolini (To Sleep in a Sea of Stars (Fractalverse, #1))
You didn't get it. Sacrifice is a part of life. It's supposed to be. It's not something to regret. It's something to aspire to. Little sacrifices. Big sacrifices. A mother works so her son can go to school. A daughter moves home to take care of her sick father... Rabazzo didn't die for nothing, you know. He sacrificed for his country, and his family knew it, and his kid brother went on to become a good soldier and a great man because he was inspired by it. I didn't die for nothing, either. That night, we might have all driven over that land mine. Then the four of use would have been gone.' Eddie shook his head. 'But you...' He lowered his voice. 'You lost your life.' The Captain smacked his tongue on his teeth. 'That's the thing. Sometimes when you sacrifice something precious, you're not really losing it. You're just passing it onto someone else... I shot you, all right... and you lost something, but you gained something as well. You just don't know that yet. I gained something, too... I got to keep my promise. I didn't leave you behind.
Mitch Albom (The Five People You Meet in Heaven)
And Ross again knew himself to be happy-in a new and less ephemeral way than before. He was filled with a queer sense of enlightnment. It seemed to him that all his life had moved to this pinpoint of time down the scattered threads of twenty years; from his old childhood running thoughtless and barefoot in the sun on Hendrawna sands, from Demelza's birth in the squarlor of a mining cottage, from the plains of Virginia and the trampled fairgrounds of Redruth, from the complex impulses which had governed Elizabeth's choice of Francis and from the simple philosophies of Demelza's own faith, all had been animated to a common end-and that end a moment of enlightenment and understanding and completion. Someone--a Latin poet--had defined eternity as no more than this: to hold and possess the whole fullness of life in one moment, here and now, past and present and to come. He thought: if we could only stop here. Not when we get home, not leaving Trenwith, but here, here reaching the top of the hill out of Sawle, dusk wiping out the edges of the land and Demelza walking and humming at my side.
Winston Graham (Ross Poldark (Poldark, #1))
Those Who From Heaven To Earth Came". They landed on Earth, colonized it, mining the Earth for gold and other minerals, establishing a spaceport in what today is the Iraq-Iran area, and lived in a kind of idealistic society as a small colony. They returned when Earth was more populated and genetically interfered in our indigenous DNA to create a slave-race to work their mines, farms, and other enterprises in Sumeria, which was the so-called Cradle of Civilization in out-dated pre-1980s school history texts. They created Man, Homo Sapiens, through genetic manipulation with themselves and ape man Homo Erectus.
Zecharia Sitchin
how do i welcome in kindness when i have only practiced spreading my legs for the terrifying what am i to do with you if my idea of love is violence but you are sweet if your concept of passion is eye contact but mine is rage how can i call this intimacy if i crave sharp edges but your edges aren't even edges they are soft landings how do i teach muself to accept a healthy love if all i've ever known is pain
Rupi Kaur (The Sun and Her Flowers)
Songs of myself These are really the thoughts of all men in all ages and lands, they are not original with me, If they are not yours as much as mine they are nothing, or next to nothing, If they are not the riddle and the untying of the riddle they are nothing, If they are not just as close as they are distant they are nothing. This is the grass that grows wherever the land is and the water is, This the common air that bathes the globe.
Walt Whitman
And yet what precisely is this ‘greatness’? Just where, or in what, does it lie? I am quite aware it would take a far wiser head than mine to answer such a question, but if I were forced to hazard a guess, I would say that it is the very lack of obvious drama or spectacle that sets the beauty of our land apart. What is pertinent is the calmness of that beauty, its sense of restraint. It is as though the land knows of its own beauty, of its own greatness, and feels no need to shout it.
Kazuo Ishiguro (The Remains of the Day)
I tramp the perpetual journey My signs are a rain-proof coat, good shoes, and a staff cut from the woods, No friend of mine takes his ease in my chair, I have no chair, no philosophy, I lead no man to a dinner-table, library, exchange, But each man and each woman of you I lead upon a knoll, My left hand hooking you round the waist, My right hand pointing to landscapes of continents and the public road. Not I, not any one else can travel that road for you, You must travel it for yourself. It is not far, it is within reach, Perhaps you have been on it since you were born and did not know, Perhaps it is everywhere on water and on land. Shoulder your duds dear son, and I will mine, and let us hasten forth, Wonderful cities and free nations we shall fetch as we go. If you tire, give me both burdens, and rest the chuff of your hand on my hip, And in due time you shall repay the same service to me, For after we start we never lie by again. This day before dawn I ascended a hill and look'd at the crowded heaven, And I said to my spirit When we become the enfolders of those orbs, and the pleasure and knowledge of every thing in them, shall we be fill'd and satisfied then? And my spirit said No, we but level that lift to pass and continue beyond. You are also asking me questions and I hear you, I answer that I cannot answer, you must find out for yourself. Sit a while dear son, Here are biscuits to eat and here is milk to drink, But as soon as you sleep and renew yourself in sweet clothes, I kiss you with a good-by kiss and open the gate for your egress hence. Long enough have you dream'd contemptible dreams, Now I wash the gum from your eyes, You must habit yourself to the dazzle of the light and of every moment of your life. Long have you timidly waded holding a plank by the shore, Now I will you to be a bold swimmer, To jump off in the midst of the sea, rise again, nod to me, shout, and laughingly dash with your hair.
Walt Whitman (Song of Myself)
You mean we won't get to run through burning buildings?" I could see he wanted to laugh, but instead he watched me intently. "What? Why are you staring at me?" "I'm not staring. I'm observing." I smiled through my tears. "And what do you observe?" He brushed his lips against my ear. "A brave young woman who has always fought for what was right, even when it was unpopular. A woman who can't return to the land of her birth, but is wlcome to cross the seas and rebuild Alexandria in mine. And a woman who has suffered enough in Rome and deserves happiness for a change. Will you come to Mauretania and be my queen?" He drew back to look at me, but I held him closer. "Yes." "Just yes?" I nodded and pressed my lips against his.
Michelle Moran (Cleopatra's Daughter)
The waves are high and the sunset's red. So now it's time to go to bed. The tide is up and the wind does rip. But this old ship'll never tip. We're far at sea, days from land. But if you're scared just take my hand. Just hold on tight Boy-o-mine. In my arms you'll be just fine. The moon is full and the sea is deep. And we rock and rock and rock to sleep.
Jeff Lemire (The Underwater Welder)
All witches are selfish, the Queen had said. But Tiffany’s Third Thoughts said:Then turn selfishness into a weapon! Make all things yours! Make other lives and dreams and hopes yours! Protect them! Save them! Bring them into the sheepfold! Walk the gale for them! Keep away the wolf! My dreams! My brother! My family! My land! My world! How dare you try to take these things, because they are mine! I have a duty!
Terry Pratchett (The Wee Free Men (Discworld, #30))
THE ELFIN KNIGHT Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there She must be a true love of mine Tell her she'll sleep in a goose-feather bed Parsley, sage, rosemary, and thyme Tell her I sear she'll have nothing to dread She must be a true love of mine Tell her tomorrow her answer make known Parsley, sage, rosemary, and thyme What e'er she may say I'll not leave her alone She must be a true love of mine Her answer came in a week and a day Parsley, sage, rosemary, and thyme I'm sorry good sir, I must answer thee nay I'll not be a true love of thine From the sting of my curse she can never be free Parsley, sage, rosemary, and thyme Unless she unravels my riddlings three She will be a true love of mine Tell her to make me a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Else she'll be a true love of mine Tell her to find me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand Else she'll be a true love of mine Tell her to plow it with just a goat's horn Parsley, sage, rosemary, and thyme And sow it all over with one grain of corn Else she'll be a true love of mine And her daughters forever possessions of mine
Nancy Werlin (Impossible (Impossible, #1))
I wish I could say we all lived happily ever after. I can't. But I can say we lived. Our love for Nate lives, and he's left us this piece of himself in his art; it was his gift to us. We know him through his art, and I can take comfort in that. I guess the thing about high school is, it's the moment when you start to cross from a being a kid to being an adult, and this journey to know yourself begins. Nate's journey ended to early, and I thought I had to run away to some far-off land to start mine. But, for now, it seems to me that I have enough to explore right here. There's a whole continent to discover in myself, and I know that it's love - love for my parents, my friends, my brother, and my art - that will guide me. Love will be my map.
Lisa Ann Sandell (A Map of the Known World)
In One Dimensions, did not a moving Point produce a Line with two terminal points? In two Dimensions, did not a moving Line produce a Square wit four terminal points? In Three Dimensions, did not a moving Square produce - did not the eyes of mine behold it - that blessed being, a Cube, with eight terminal points? And in Four Dimensions, shall not a moving Cube - alas, for Analogy, and alas for the Progress of Truth if it be not so - shall not, I say the motion of a divine Cube result in a still more divine organization with sixteen terminal points? Behold the infallible confirmation of the Series, 2, 4, 8, 16: is not this a Geometrical Progression? Is not this - if I might qupte my Lord's own words - "Strictly according to Analogy"? Again, was I not taught by my Lord that as in a Line there are two bonding points, and in a Square there are four bounding Lines, so in a Cube there must be six bounding Squares? Behold once more the confirming Series: 2, 4, 6: is not this an Arithmetical Progression? And consequently does it not of necessity follow that the more divine offspring of the divine Cube in the Land of Four Dimensions, must have eight bounding Cubes: and is not this also, as my Lord has taught me to believe, "strictly according to analogy"?
Edwin A. Abbott (Flatland: A Romance of Many Dimensions)
I let out a huff and forced a smile. “You’re a vampire.” I stated. Dean tilted his chin up and smiled. “I have no fangs.” He said through his teeth. I examined the glistening white canines. They were normal, just like mine. “You retract them when you don’t need them.” I said. Dean moved across the table and put his face up to mine. His mouth was a torturous breath away from my own. “Then why haven’t I sucked your blood Lina?” He whispered right before pressing his soft lips against mine. Then he inched towards my neck and lingered his lips on my pulse. His soft breathing tickled my skin and triggered a chill that shot up my spine. My blood jumped to a rush and began to throb for him. If he were a vampire, I swear I’d let him suck me. “Why aren’t I biting you right now?” He whispered. It took everything I had in me not to melt into the seat and land as a puddle on the ground. -Mindy-
E.M. Jade (Captivated (Affliction, #1))
SCARBOROUGH FAIR, or, THE LOVER'S PROMISE (Lucy:) Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember me to one who lives there Always he'll be a true love of mine Tell him I've made him a magical shirt Parsley, sage, rosemary, and thyme Without any seam or needlework Always he'll be a true love of mine (Zach:) Tell her she's found me an acre of land Parsley, sage, rosemary, and thyme Between the salt water and the sea strand That makes her a true love of mine Tell her she's plowed it with just a goat's horn Parsley, sage, rosemary, and thyme She's sowed it all over with one grain of corn Yes, she is a true love of mine And her daughter forever a daughter of mine (Together:) Are you going to Scarborough Fair? Parsley, sage, rosemary, and thyme Remember us to all who live there Ours will be true love for all time
Nancy Werlin (Impossible (Impossible, #1))
If I were the Devil . . . I mean, if I were the Prince of Darkness, I would of course, want to engulf the whole earth in darkness. I would have a third of its real estate and four-fifths of its population, but I would not be happy until I had seized the ripest apple on the tree, so I should set about however necessary to take over the United States. I would begin with a campaign of whispers. With the wisdom of a serpent, I would whisper to you as I whispered to Eve: “Do as you please.” “Do as you please.” To the young, I would whisper, “The Bible is a myth.” I would convince them that man created God instead of the other way around. I would confide that what is bad is good, and what is good is “square”. In the ears of the young marrieds, I would whisper that work is debasing, that cocktail parties are good for you. I would caution them not to be extreme in religion, in patriotism, in moral conduct. And the old, I would teach to pray. I would teach them to say after me: “Our Father, which art in Washington” . . . If I were the devil, I’d educate authors in how to make lurid literature exciting so that anything else would appear dull an uninteresting. I’d threaten T.V. with dirtier movies and vice versa. And then, if I were the devil, I’d get organized. I’d infiltrate unions and urge more loafing and less work, because idle hands usually work for me. I’d peddle narcotics to whom I could. I’d sell alcohol to ladies and gentlemen of distinction. And I’d tranquilize the rest with pills. If I were the devil, I would encourage schools to refine yound intellects but neglect to discipline emotions . . . let those run wild. I would designate an athiest to front for me before the highest courts in the land and I would get preachers to say “she’s right.” With flattery and promises of power, I could get the courts to rule what I construe as against God and in favor of pornography, and thus, I would evict God from the courthouse, and then from the school house, and then from the houses of Congress and then, in His own churches I would substitute psychology for religion, and I would deify science because that way men would become smart enough to create super weapons but not wise enough to control them. If I were Satan, I’d make the symbol of Easter an egg, and the symbol of Christmas, a bottle. If I were the devil, I would take from those who have and I would give to those who wanted, until I had killed the incentive of the ambitious. And then, my police state would force everybody back to work. Then, I could separate families, putting children in uniform, women in coal mines, and objectors in slave camps. In other words, if I were Satan, I’d just keep on doing what he’s doing. (Speech was broadcast by ABC Radio commentator Paul Harvey on April 3, 1965)
Paul Harvey
what did you think you were doing, then, when you went up through one door and down through another, turning this way and that, through the pages of a book and a deep mine and an entire ocean and the hideout of a wise old woman? My dear, labyrinths ensnare and entangle; they draw one inexorably inward-but it wouldn't be much of a labyrinth if you waited in line with a ticket to get it and the door was clearly marked, like some country-harvest hay maze. All underworlds are labyrinths, in the end. Perhaps all the sunlit lands, too. A labyrinth, when it is big enough, is just the world.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
It may be all very well in Dickens, but when you read Dickens you're reading a long ballad from a vanished world, where everything has to come together in the end like an equation, where the balance of what was once disturbed must be restored so that the gods can smile again. A consolation, maybe, or a protest against a world gone off the rails, but it is not like that any more, my world is not like that, and I have never gone along with those who believe our lives are governed by fate. They whine, they wash their hands and crave pity. I believe we shape our lives ourselves, at any rate I have shaped mine, for what it's worth, and I take complete responsibility. But of all the places I might have moved to, I had to land up precisely here.
Per Petterson (Out Stealing Horses)
Let's have some precision in language here: terrorism means deadly violence -- for a political and/or economical purpose -- carried out against people and other living things, and is usually conducted by governments against their own citizens (as at Kent State, or in Vietnam, or in Poland, or in most of Latin America right now), or by corporate entities such as J. Paul Getty, Exxon, Mobil Oil, etc etc., against the land and all creatures that depend upon the land for life and livelihood. A bulldozer ripping up a hillside to strip mine for coal is committing terrorism; the damnation of a flowing river followed by the drowning of Cherokee graves, of forest and farmland, is an act of terrorism. Sabotage, on the other hand, means the use of force against inanimate property, such as machinery, which is being used (e.g.) to deprive human beings of their rightful work (as in the case of Ned Ludd and his mates); sabotage (le sabot dropped in a spinning jenny) -- for whatever purpose -- has never meant and has never implied the use of violence against living creatures.
Edward Abbey (Postcards from Ed: Dispatches and Salvos from an American Iconoclast)
I agree with Dr. Makris. Does that mean I would let someone blow up my dead foot to help save the feet of NATO land mine clearers? It does. And would I let someone shoot my dead face with a nonlethal projectile to help prevent accidental fatalities? I suppose I would. What wouldn't I let someone do to my remains? I can think of only one experiment I know of that, were I a cadaver, I wouldn't want anything to do with. This particular experiment wasn't done in the name of science or education or safer cars or better-protected soldiers. It was done in the name of religion.
Mary Roach (Stiff: The Curious Lives of Human Cadavers)
The Earth was created by the assistance of the sun, and it should be left as it was. The country was made with no lines of demarcation, and it's no man's business to divide it. I see the whites all over the country gaining wealth, and I see the desire to give us lands which are worthless. The Earth and myself are of one mind. Perhaps you think the Creator sent you here to dispose of us as you see fit. If I thought you were sent by the creator, I might he induced to think you had a right to dispose of me. Do not misunderstand me; but understand me fully with reference to my affection for the land. I never said the land was mine to do with as I choose. The one who has a right to dispose of it is the one who created it. I claim a right to live on my land, and accord you the privilege to return to yours. Brother, we have listened to your talk coming from our father, the Great White Chief in Washington, and my people have called upon me to reply to you. The winds which pass through these aged pines we hear the moaning of departed ghosts, and if the voice of our people could have been heard, that act would never have been done. But alas though they stood around they could neither be seen nor heard. Their tears fell like drops of rain. I hear my voice in the depths of the forest but no answering voice comes back to me. All is silent around me. My words must therefore be few. I can now say no more. He is silent for he has nothing to answer when the sun goes down.
Chief Joseph
I turn to look at him. His face is smooth, without the blotches and spots that have begun to afflict the other boys. His features are drawn with a firm hand; nothing awry or sloppy, nothing too large—all precise, cut with the sharpest of knives. And yet the effect itself is not sharp. He turns and finds me looking at him. “What?” he says. “Nothing.” I can smell him. The oils that he uses on his feet, pomegranate and sandalwood; the salt of clean sweat; the hyacinths we had walked through, their scent crushed against our ankles. Beneath it all is his own smell, the one I go to sleep with, the one I wake up to. I cannot describe it. It is sweet, but not just. It is strong but not too strong. Something like almond, but that still is not right. Sometimes, after we have wrestled, my own skin smells like it. He puts a hand down, to lean against. The muscles in his arms curve softly, appearing and disappearing as he moves. His eyes are deep green on mine. My pulse jumps, for no reason I can name. He has looked at me a thousand thousand times, but there is something different in this gaze, an intensity I do not know. My mouth is dry, and I can hear the sound of my throat as I swallow. He watches me. It seems that he is waiting. I shift, an infinitesimal movement, towards him. It is like the leap from a waterfall. I do not know, until then, what I am going to do. I lean forward and our lips land clumsily on each other. They are like the fat bodies of bees, soft and round and giddy with pollen. I can taste his mouth—hot and sweet with honey from dessert. My stomach trembles, and a warm drop of pleasure spreads beneath my skin. More.
Madeline Miller (The Song of Achilles)
What would you decide?” Darrow’s question was quiet, tentative. She considered it. No one had ever asked her such a thing. “I should have very much liked to live at Caraverre,” Evangeline admitted. She knew he did not recognize it, but it didn’t matter now, did it? “Murtaugh showed me the land—the rivers and mountains right nearby, the forests and hills.” An ache throbbed in her chest. “I saw the gardens by the house, and I would have liked to have seen them in spring.” Her throat tightened. “I would have liked for that to have been my home. For this … for all of Terrasen to have been my home.” Darrow said nothing, and Evangeline set a hand on the castle stones, gazing to the west now, as if she could see all the way to Allsbrook and the small territory in its shadow. To Caraverre. “That’s what Terrasen has always meant to me, you know,” Evangeline went on, speaking more to herself. “As soon as Aelin freed Lysandra, and offered to let us join her court, Terrasen has always meant home. A place where … where the sort of people who hurt us don’t get to live. Where anyone, regardless of who they are and where they came from and what their rank is can dwell in peace. Where we can have a garden in the spring, and swim in the rivers in the summer. I’ve never had such a thing before. A home, I mean. And I would have liked for Caraverre, for Terrasen, to have been mine.” She chewed on her lip. “So I would choose to fight. Until the very end. For my home, new as it is. I choose to fight.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
Nothing has changed, Claire. You're still as beautiful as you were when we met first and I am still in love with everything about you. We may be worlds apart but this doesn't keep our hearts at distance. I feel your breath in every breath of mine and I hear your heartbeat in every beat of my heart. I traveled to far away lands, rivers, forests, mountains, glaciers, deserts and skyscrapers but wherever I go I find you there. My dreams aren't illusions but visions of a beautiful yesterday; I play with your hair-locks, I kiss your eyes, I embrace your hands and you giggle in my arms blossoming like a flower. My love, you're my only reality, my only fantasy, my only celebration and my only refuge. I have waited a thousands suns and I can wait a thousand more to witness the moment you call out to me. That day you'll find me and even if I don't live up to see that day I will be with you forever, just remember me.
Huseyn Raza
8. "For who would trust the seeming sighs Of wife or paramour? Fresh feres will dry the bright blue eyes We late saw streaming o'er. For pleasures past I do not grieve, Nor perils gathering near; My greatest grief is that I leave No thing that claims a tear. 9. "And now I'm in the world alone, Upon the wide, wide sea: But why should I for others groan, When none will sigh for me? Perchance my dog will whine in vain, Till fed by stranger hands; But long ere I come back again, He'd tear me where he stands. 10. "With thee, my bark, I'll swiftly go Athwart the foaming brine; Nor care what land thou bear'st me to, So not again to mine. Welcome, welcome, ye dark blue waves! And when you fail my sight, Welcome, ye deserts, and ye caves! My native Land — Good Night!
Lord Byron (Lord Byron: Childe Harold’s Pilgrimage (Annotated))
The key to the Shadow Fold is finally within our grasp, and right now, I should be in the war room, hearing their report. I should be planning our trip north. But I’m not, am I?” My mind had shut down, given itself over to the pleasure coursing through me and the anticipation of where his next kiss would land. “Am I?” he repeated and he nipped at my neck. I gasped and shook my head, unable to think. He had me pushed up against the door now, his hips hard against mine. “The problem with wanting,” he whispered, his mouth trailing along my jaw until it hovered over my lips, “is that it makes us weak.” And then, at last, when I thought I couldn’t bear it any longer, he brought his mouth down on mine. His
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
What would you know of struggle, perfect son? When have you fought against the mutilation of your mind? When have you had to do anything other than tally compliance's and polish your armor? The people of your world named you "Great One". The people of mine called me slave. Which one of us landed on a paradise of civilization to be raised by a foster father, Roboute? Which one of us was given armies to lead after training in the halls of the Macraggian High Riders? Which one of us inherited a strong, cultured kingdom? And which one of us had to rise up against a kingdom with nothing but a horde of starving slaves? Which one of us was a child enslaved on a world of monsters, with his brain cut up by carving knives? Listen to your blue clad wretches yelling courage and honor, courage and honor, courage and honor! Do you even know the meaning of those words? Courage is fighting the kingdom which enslaves you, no matter that their armies outnumber yours by ten-thousand to one. You know nothing of courage! Honor is resisting a tyrant when all others suckle and grow fat on the hypocrisy he feeds them. You know nothing of honor!
Angron, Wahammer 40K
I hope I'm not disturbing anything," Finn said, looking past Duncan at me. As soon as his dark eyes landed on mine, my breath caught in my throat. He stood at the door, his black hair mussed a bit.His vest was still neatly pressed but it was marred with a dark stain from Elora's blood. "No,not at all," I said, sitting up further. "Actually,we were-" Matt began,his voice hard. "Actually,we were leaving," Willa cut him off. She scooted off the bed,and Matt shot her a look, which she only smiled at. "We were just saying that we had something to do in your room. Weren't we,Matt?" "Fine," Matt grumbled and stood up. Finn moved aside to Matt and Willa could walk out of the room, and Matt gave him a warning glare. "But we'll just be right across the hall." Willa grabbed Matt's hand to keep him moving. Finn, as usual, seemed oblivious to Matt's threats, which only made Matt angrier.
Amanda Hocking (Torn (Trylle, #2))
I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the workings of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare. III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed, neither pride Now hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bit the other go, draw breath Freelier outside, ('since all is o'er,' he saith And the blow fallen no grieving can amend;') VI. When some discuss if near the other graves be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? VIII. So, quiet as despair I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! No sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backwards a last view O'er the safe road, 'twas gone; grey plain all round; Nothing but plain to the horizon's bound. I might go on, naught else remained to do. X. So on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind with none to awe, You'd think; a burr had been a treasure trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. 'See Or shut your eyes,' said Nature peevishly, It nothing skills: I cannot help my case: Tis the Last Judgement's fire must cure this place Calcine its clods and set my prisoners free.
Robert Browning
I’d like to run away, to flee from what I know, from what is mine, from what I love. I want to set off, not for some impossible Indies or for the great islands that lie far to the south of all other lands, but for anywhere, be it village or desert, that has the virtue of not being here. What I want is not to see these faces, this daily round of days. I want a rest from, to be other than, my habitual pretending. I want to feel the approach of sleep as if it were a promise of life, not rest. A hut by the sea, even a cave on a rugged mountain ledge, would be enough. Unfortunately, my will alone cannot give me that. Slavery is the only law of life, there is no other, because this law must be obeyed; there is no possible rebellion against it or refuge from it. Some are born slaves, some become slaves, some have slavery thrust upon them. The cowardly love we all have of freedom -which if it were given to us we would all repudiate as being too new and strange –is the irrefutable proof of how our slavery weighs upon us.
Fernando Pessoa (The Book of Disquiet)
I want you to know one thing.   You know how this is: if I look at the crystal moon, at the red branch of the slow autumn at my window, if I touch near the fire the impalpable ash or the wrinkled body of the log, everything carries me to you, as if everything that exists, aromas, light, metals, were little boats that sail toward those isles of yours that wait for me.   Well, now, if little by little you stop loving me I shall stop loving you little by little.   If suddenly you forget me do not look for me, for I shall already have forgotten you.   If you think it long and mad, the wind of banners that passes through my life, and you decide to leave me at the shore of the heart where I have roots, remember that on that day, at that hour, I shall lift my arms and my roots will set off to seek another land.   But if each day, each hour, you feel that you are destined for me with implacable sweetness, if each day a flower climbs up to your lips to seek me, ah my love, ah my own, in me all that fire is repeated, in me nothing is extinguished or forgotten, my love feeds on your love, beloved, and as long as you live it will be in your arms without leaving mine.
Pablo Neruda (Love Poems)
An eternity later, they reached what he thought might be the end, and King Henry waved his turkey leg in the air, loudly proclaiming, “This land shall be mine, henceforth and forevermore!” And indeed, it seemed that all was lost for the poor, sweet shepherdess and her strangely changeable flock. But just then, there was a mighty roar— “Is there a lion?” Richard wondered. —and the unicorn burst onto the scene! “Die!” the unicorn shrieked. “Die! Die! Die!” Richard looked to Iris in confusion. The unicorn had not thus demonstrated an ability to speak. Henry’s scream of terror was so chilling, the woman behind Richard murmured, “This is surprisingly well acted.” Richard stole another look at Iris; her mouth was hanging open as Henry leapt over a cow and ran behind the piano, only to trip over the littlest sheep, who was still licking the piano leg. Henry scrambled for purchase, but the (possibly rabid) unicorn was too fast, and it ran headfirst (and head down) toward the frightened king, plunging its horn into his large, pillowed belly. Someone screamed, and Henry went down, feathers flying. “I don’t think this was in the script,” Iris said in a horrified whisper.
Julia Quinn (The Secrets of Sir Richard Kenworthy (Smythe-Smith Quartet, #4))
She looked down at him, smiling with exasperated amusement. *Stubborn, snarly male.* *Stubbornness is a much-maligned quality,* he panted as he climbed toward her. Her silvery, velvet-coated laugh filled the land. Then he finally got a good look at her. He sank to his knees. *I owe you a debt, Lady.* She shook her head. *The debt is mine, not yours.* *I failed you,* he said bitterly, looking at her wasted body. *No, Daemon,* Jaenelle replied softly. *I failed you. You asked me to heal the crystal chalice and return to the living world. And I did. But I don’t think I ever forgave my body for being the instrument that was used to try to destroy me, and I became its cruelest torturer. For that I’m sorry because you treasured that part of me.* *No, I treasured all of you. I love you, Witch. I always will. You’re everything I’d dreamed you would be.* She smiled at him. *And I—* She shuddered, pressed her hand against her chest. *Come. There’s little time left.* She fled through the rocks, out of sight before he could move. He hurried after her, following the glittering trail, gasping as he felt a crushing weight descend on him. *Daemon.* Her voice came back to him, faint and pain-filled. *If the body is going to survive, I can’t stay any longer.* He fought against the weight. *Jaenelle!* *You have to take this in slow stages. Rest there now. Rest, Daemon. I’ll mark the trail for you. Please follow it. I’ll be waiting for you at the end.* *JAENELLE!* A wordless whisper. His name spoken like a caress. Then silence.
Anne Bishop (Heir to the Shadows (The Black Jewels, #2))
My lord?” Nick turned at the tentative, feminine voice, to find two young women standing nearby, watching him eagerly. Nick spoke, wary. “Yes? ” “We—” one of them began to speak, then stopped, uncertain. The other nudged her toward him. “Yes?” “We are fans.” Nick blinked. “Of?” “Of yours.” “Of mine.” “Indeed!” The second girl smiled broadly and stepped closer, holding out what looked suspiciously like— Nick swore under his breath. “Would you be willing to autograph our magazine? ” Nick held up a hand. “I would, girls, but you’ve got the wrong brother.” He pointed to Gabriel. “That is Lord Nicholas.” Rock snorted as the two shifted their attention to the Marquess of Ralston, a dazzlingly handsome copy of their prey, and tittered their excitement. Gabriel instantly eased into his role, turning a brilliant smile on the girls. “I would be happy to autograph your magazine.” He took the journal and the pen they proffered and said, “You know, I must confess, this is the first time I’ve ever drawn the attention of ladies when in the company of my brother. Ralston has always been considered the more handsome of us.” “No!” the girls protested. Nick rolled his eyes. “Indeed. Ask anyone. They’ll tell you it’s the marquess who is the best specimen. Surely you’ve heard that.” He looked up at them with a winning smile. "You can admit it, girls. My feelings shan’t be hurt." Gabriel held up the magazine, displaying the cover, which boasted: Inside! London’s Lords to Land! “Yes … there’s no question that this is going to do wonders for my reputation. I’m so happy to see that it’s getting around that I’m on the hunt for a wife!” The girls nearly expired from delight.
Sarah MacLean (Ten Ways to Be Adored When Landing a Lord (Love By Numbers, #2))
One night he sits up. In cots around him are a few dozen sick or wounded. A warm September wind pours across the countryside and sets the walls of the tent rippling. Werner’s head swivels lightly on his neck. The wind is strong and gusting stronger, and the corners of the tent strain against their guy ropes, and where the flaps at the two ends come up, he can see trees buck and sway. Everything rustles. Werner zips his old notebook and the little house into his duffel and the man beside him murmurs questions to himself and the rest of the ruined company sleeps. Even Werner’s thirst has faded. He feels only the raw, impassive surge of the moonlight as it strikes the tent above him and scatters. Out there, through the open flaps of the tent, clouds hurtle above treetops. Toward Germany, toward home. Silver and blue, blue and silver. Sheets of paper tumble down the rows of cots, and in Werner’s chest comes a quickening. He sees Frau Elena kneel beside the coal stove and bank up the fire. Children in their beds. Baby Jutta sleeps in her cradle. His father lights a lamp, steps into an elevator, and disappears. The voice of Volkheimer: What you could be. Werner’s body seems to have gone weightless under his blanket, and beyond the flapping tent doors, the trees dance and the clouds keep up their huge billowing march, and he swings first one leg and then the other off the edge of the bed. “Ernst,” says the man beside him. “Ernst.” But there is no Ernst; the men in the cots do not reply; the American soldier at the door of the tent sleeps. Werner walks past him into the grass. The wind moves through his undershirt. He is a kite, a balloon. Once, he and Jutta built a little sailboat from scraps of wood and carried it to the river. Jutta painted the vessel in ecstatic purples and greens, and she set it on the water with great formality. But the boat sagged as soon as the current got hold of it. It floated downstream, out of reach, and the flat black water swallowed it. Jutta blinked at Werner with wet eyes, pulling at the battered loops of yarn in her sweater. “It’s all right,” he told her. “Things hardly ever work on the first try. We’ll make another, a better one.” Did they? He hopes they did. He seems to remember a little boat—a more seaworthy one—gliding down a river. It sailed around a bend and left them behind. Didn’t it? The moonlight shines and billows; the broken clouds scud above the trees. Leaves fly everywhere. But the moonlight stays unmoved by the wind, passing through clouds, through air, in what seems to Werner like impossibly slow, imperturbable rays. They hang across the buckling grass. Why doesn’t the wind move the light? Across the field, an American watches a boy leave the sick tent and move against the background of the trees. He sits up. He raises his hand. “Stop,” he calls. “Halt,” he calls. But Werner has crossed the edge of the field, where he steps on a trigger land mine set there by his own army three months before, and disappears in a fountain of earth.
Anthony Doerr (All the Light We Cannot See)
A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.
Maya Angelou (A Brave and Startling Truth)
I feel him beside me, hear the even sound of his breathing, smell the delicious saltiness of his skin. I have missed him. I move to face him, and that’s when the pain reminds me that I’ve recently been stabbed. I bury my face in the pillow, but it doesn’t quite muffle my yelp. “Emma?” Galen says groggily. I feel his hand in my hair, stroking the length of it. “Don’t move, angelfish. Stay on your stomach. I’ll go tell Rachel you’re ready for more pain medicine.” Immediately I disobey and turn my face up to him. He shakes his head. “I’ve recently learned where your stubbornness comes from.” I grimace/smile. “My mom?” “Worse. King Antonis. The resemblance is uncanny.” He leans down and presses his lips to mine and all too quickly springs back up. “Now, be a good little deviant and stay put while I go get more pain meds.” “Galen,” I say. “Hmmm?” “How bad am I hurt?” He caresses the outline of my cheek. His touch could disintegrate me. “Hurt at all is bad enough for me.” “Yeah, but you’ve always been a baby about this stuff.” I grin at his faux offense. “Your mother says it’s only a flesh wound. She’s been treating it.” “Mom is here?” “She’s downstairs. Uh…You should know that Grom is here, too.” Grom left the tribunal and headed for land? Did that mean it all ended badly? Well, even worse than my getting impaled? An urgent need to know everything about everything shimmies through me. “Whoa. Sit. Talk. Now.” He laughs. “I will, I promise. But I want to make you comfortable first.” “Well, then, you need to come over here and switch places with the bed.” A blush fills my cheeks, but I don’t care. I need him. All of him. It feels like forever since we’ve talked like this, just me and him. But talking usually doesn’t last long. Lips were made for other things, too. And Galen is especially good at the other things. He walks back and squats by the bed. “You have no idea how tempting that is.” It seems like the violet of his eyes gets darker. It’s the color they get when he has to pull away from me, when we’re about to violate a bunch of Syrena laws if we don’t stop. “But you’re not well enough to…” He runs a hand through his hair. “I’ll go get Rachel. Then we can talk.” I’m a little surprised that his argument didn’t begin with “But the law…” That is what has stopped us in the past. Now the only thing that appears to be stopping us is my stabby condition. What’s changed? And why am I not excited about it? I used to get so frustrated when he would pull away. But a small part of me loved that about him, his respect for the law and for the tradition of his people. His respect for me. Respect is a hard thing to come by when picking from among human boys. Is that respect gone? And is it my fault?
Anna Banks (Of Triton (The Syrena Legacy, #2))
I am already far north of London, and as I walk in the streets of Petersburgh, I feel a cold northern breeze play upon my cheeks, which braces my nerves and fills me with delight. Do you understand this feeling? This breeze, which has travelled from the regions towards which I am advancing, gives me a foretaste of those icy climes. Inspirited by this wind of promise, my daydreams become more fervent and vivid. I try in vain to be persuaded that the pole is the seat of frost and desolation; it ever presents itself to my imagination as the region of beauty and delight. There, Margaret, the sun is forever visible, its broad disk just skirting the horizon and diffusing a perpetual splendour. There—for with your leave, my sister, I will put some trust in preceding navigators—there snow and frost are banished; and, sailing over a calm sea, we may be wafted to a land surpassing in wonders and in beauty every region hitherto discovered on the habitable globe. Its productions and features may be without example, as the phenomena of the heavenly bodies undoubtedly are in those undiscovered solitudes. What may not be expected in a country of eternal light? I may there discover the wondrous power which attracts the needle and may regulate a thousand celestial observations that require only this voyage to render their seeming eccentricities consistent forever. I shall satiate my ardent curiosity with the sight of a part of the world never before visited, and may tread a land never before imprinted by the foot of man. These are my enticements, and they are sufficient to conquer all fear of danger or death and to induce me to commence this laborious voyage with the joy a child feels when he embarks in a little boat, with his holiday mates, on an expedition of discovery up his native river. But supposing all these conjectures to be false, you cannot contest the inestimable benefit which I shall confer on all mankind, to the last generation, by discovering a passage near the pole to those countries, to reach which at present so many months are requisite; or by ascertaining the secret of the magnet, which, if at all possible, can only be effected by an undertaking such as mine.
Mary Wollstonecraft Shelley (Frankenstein, or the Modern Prometheus)
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
A man opposite me shifted his feet, accidentally brushing his foot against mine. It was a gentle touch, barely noticeable, but the man immediately reached out to touch my knee and then his own chest with the fingertips of his right hand, in the Indian gesture of apology for an unintended offence. In the carriage and the corridor beyond, the other passengers were similarly respectful, sharing, and solicitous with one another. At first, on that first journey out of the city into India, I found such sudden politeness infuriating after the violent scramble to board the train. It seemed hypocritical for them to show such deferential concern over a nudge with a foot when, minutes before, they'd all but pushed one another out of the windows. Now, long years and many journeys after that first ride on a crowded rural train, I know that the scrambled fighting and courteous deference were both expressions of the one philosophy: the doctrine of necessity. The amount of force and violence necessary to board the train, for example, was no less and no more than the amount of politeness and consideration necessary to ensure that the cramped journey was as pleasant as possible afterwards. What is necessary! That was the unspoken but implied and unavoidable question everywhere in India. When I understood that, a great many of the characteristically perplexing aspects of public life became comprehensible: from the acceptance of sprawling slums by city authorities, to the freedom that cows had to roam at random in the midst of traffic; from the toleration of beggars on the streets, to the concatenate complexity of the bureaucracies; and from the gorgeous, unashamed escapism of Bollywood movies, to the accommodation of hundreds of thousands of refugees from Tibet, Iran, Afghanistan, Africa, and Bangladesh, in a country that was already too crowded with sorrows and needs of its own. The real hypocrisy, I came to realise, was in the eyes and minds and criticisms of those who came from lands of plenty, where none had to fight for a seat on a train. Even on that first train ride, I knew in my heart that Didier had been right when he'd compared India and its billion souls to France. I had an intuition, echoing his thought, that if there were a billion Frenchmen or Australians or Americans living in such a small space, the fighting to board the train would be much more, and the courtesy afterwards much less. And in truth, the politeness and consideration shown by the peasant farmers, travelling salesmen, itinerant workers, and returning sons and fathers and husbands did make for an agreeable journey, despite the cramped conditions and relentlessly increasing heat. Every available centimetre of seating space was occupied, even to the sturdy metal luggage racks over our heads. The men in the corridor took turns to sit or squat on a section of floor that had been set aside and cleaned for the purpose. Every man felt the press of at least two other bodies against his own. Yet there wasn't a single display of grouchiness or bad temper
Gregory David Roberts
And so I make my way across the room steadily, carefully. Hands shaking, I pull the string, lifting my blinds. They rise slowly, drawing more moonlight into the room with every inch And there he is, crouched low on the roof. Same leather jacket. The hair is his, the cheekbones, the perfect nose . . . the eyes: dark and mysterious . . . full of secrets. . . . My heart flutters, body light. I reach out to touch him, thinking he might disappear, my fingers disrupted by the windowpane. On the other side, Parker lifts his hand and mouths: “Hi.” I mouth “Hi” back. He holds up a single finger, signalling me to hold on. He picks up a spiral-bound notebook and flips open the cover, turning the first page to me. I recognize his neat, block print instantly: bold, black Sharpie. I know this is unexpected . . . , I read. He flips the page. . . . and strange . . . I lift an eyebrow. . . . but please hear read me out. He flips to the next page. I know I told you I never lied . . . . . . but that was (obviously) the biggest lie of all. The truth is: I’m a liar. I lied. I lied to myself . . . . . . and to you. Parker watches as I read. Our eyes meet, and he flips the page. But only because I had to. I wasn’t supposed to fall in love with you, Jaden . . . . . . but it happened anyway. I clear my throat, and swallow hard, but it’s squeezed shut again, tight. And it gets worse. Not only am I a liar . . . I’m selfish. Selfish enough to want it all. And I know if I don’t have you . . . I hold my breath, waiting. . . . I don’t have anything. He turns another page, and I read: I’m not Parker . . . . . . and I’m not going to give up . . . . . . until I can prove to you . . . . . . that you are the only thing that matters. He flips to the next page. So keep sending me away . . . . . . but I’ll just keep coming back to you. Again . . . He flips to the next page. . . . and again . . . And the next: . . . and again. Goose bumps rise to the surface of my skin. I shiver, hugging myself tightly. And if you can ever find it in your (heart) to forgive me . . . There’s a big, black “heart” symbol where the word should be. I will do everything it takes to make it up to you. He closes the notebook and tosses it beside him. It lands on the roof with a dull thwack. Then, lifting his index finger, he draws an X across his chest. Cross my heart. I stifle the happy laugh welling inside, hiding the smile as I reach for the metal latch to unlock my window. I slowly, carefully, raise the sash. A burst of fresh honeysuckles saturates the balmy, midnight air, sickeningly sweet, filling the room. I close my eyes, breathing it in, as a thousand sleepless nights melt, slipping away. I gather the lavender satin of my dress in my hand, climb through the open window, and stand tall on the roof, feeling the height, the warmth of the shingles beneath my bare feet, facing Parker. He touches the length of the scar on my forehead with his cool finger, tucks my hair behind my ear, traces the edge of my face with the back of his hand. My eyes close. “You know you’re beautiful? Even when you cry?” He smiles, holding my face in his hands, smearing the tears away with his thumbs. I breathe in, lungs shuddering. “I’m sorry,” he whispers, black eyes sincere. I swallow. “I know why you had to.” “Doesn’t make it right.” “Doesn’t matter anymore,” I say, shaking my head. The moon hangs suspended in the sky, stars twinkling overhead, as he leans down and kisses me softly, lips meeting mine, familiar—lips I imagined, dreamed about, memorized a mil ion hours ago. Then he wraps his arms around me, pulling me into him, quelling every doubt and fear and uncertainty in this one, perfect moment.
Katie Klein (Cross My Heart (Cross My Heart, #1))
I felt a warm hand touch mine. “Are you okay?” “If you mean am I injured, then the answer is no. If you mean am I ‘okay’ as in am-I-confident-I’m-still-sane, the answer is still no.” Ren frowned. “We have to find a way to get across the chasm.” “You’re certainly welcome to give it a try.” I waved him off and went back to drinking my water. He moved to the edge and peered across, looking speculatively at the distance. Changing back to a tiger, he trotted a few paces back in the direction we had come from, turned, and ran at full speed toward the hole. “Ren, no!” I screamed. He leapt, clearing the hole easily, and landed lightly on his front paws. Then he trotted a short distance away and did the same thing to come back. He landed at my feet and changed back to human form. “Kells, I have an idea.” “Oh, this I’ve got to hear. I just hope you don’t plan on including me in this scheme of yours. Ah. Let me guess. I know. You want to tie a rope to your tail, leap across, tie it off, and then have me pull my body across the rope, right?” He cocked his head as if considering it, and then shook his head. “No, you don’t have the strength to do something like that. Plus, we have no rope and nothing to tie a rope to.” “Right. So what’s the plan?” He held my hands and explained. “What I’m proposing will be much easier. Do you trust me?” I was going to be sick. “I trust you. It’s just-“ I looked into his concerned blue eyes and sighed. “Okay, what do I have to do?” “You saw that I was able to clear the gap pretty well as a tiger, right? So what I need you to do is to stand right at the edge and wait for me. I’ll run to the end of the tunnel, build up speed, and leap as a tiger. At the same time, I want you to jump up and grab me around my neck. I’ll change to a man in midair so that I can hold onto you, and we’ll fall together to the other side.” I snorted noisily and laughed. “You’re kidding, right?” He ignored my skepticism. “We’ll have to time it precisely, and you’ll have to jump too, in the same direction, because if you don’t, I’ll just hit you full power and drive us both over the edge.” “You’re serious? You seriously want me to do this?” “Yes, I’m serious. Now stand here while I make a few practice runs.” “Can’t we just find another corridor or something?” “There aren’t any. This is the right way.” Reluctantly, I stood near the edge and watched him leap back and forth a few times. Observing the rhythm of his running and jumping, I began to grasp the idea of what he wanted me to do. All too quickly Ren was back in front of me again. “I can’t believe you’ve talked me into doing this. Are you sure?” I asked. “Yes, I’m sure. Are you ready?” “No! Give me a minute to mentally write a last will and testament.” “Kells, it’ll be fine.” “Sure it will. Alright, let me take in my surroundings. I want to make sure I can record every minute of this experience in my journal. Of course, that’s probably a moot point because I’m assuming that I’m going to die in the jump anyway.” Ren put his hand on my cheek, looked in my eyes, and said fiercely, “Kelsey, trust me. I will not let you fall.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
You heard me. Let someone else send you to your blaze of glory. You're a speck, man. You're nothing. You're not worth the bullet or the mark on my soul for taking you out." You trying to piss me off again, Patrick?" He removed Campbell Rawson from his shoulder and held him aloft. I tilted my wrist so the cylinder fell into my palm, shrugged. "You're a joke, Gerry. I'm just calling it like I see it." That so?" Absolutely." I met his hard eyes with my own. "And you'll be replaced, just like everything else, in maybe a week, tops. Some other dumb, sick shit will come along and kill some people and he'll be all over the papers, and all over Hard Copy and you'll be yesterday's news. Your fifteen minutes are up, Gerry. And they've passed without impact." They'll remember this," Gerry said. "Believe me." Gerry clamped back on the trigger. When he met my finger, he looked at me and then clamped down so hard that my finger broke. I depressed the trigger on the one-shot and nothing happened. Gerry shrieked louder, and the razor came out of my flesh, then swung back immediately, and I clenched my eyes shut and depressed the trigger frantically three times. And Gerry's hand exploded. And so did mine. The razor hit the ice by my knee as I dropped the one shot and fire roared up the electrical tape and gasoline on Gerry's arm and caught the wisps of Danielle's hair. Gerry threw his head back and opened his mouth wide and bellowed in ecstasy. I grabbed the razor, could barely feel it because the nerves in my hand seemed to have stopped working. I slashed into the electric tape at the end of the shotgun barrel, and Danielle dropped away toward the ice and rolled her head into the frozen sand. My broken finger came back out of the shotgun and Gerry swung the barrels toward my head. The twin shotgun bores arced through the darkness like eyes without mercy or soul, and I raised my head to meet them, and Gerry's wail filled my ears as the fire licked at his neck. Good-bye, I thought. Everyone. It's been nice. Oscar's first two shots entered the back of Gerry's head and exited through the center of his forehead and a third punched into his back. The shotgun jerked upward in Gerry's flaming arm and then the shots came from the front, several at once, and Gerry spun like a marionette and pitched toward the ground. The shotgun boomed twice and punched holes through the ice in front of him as he fell. He landed on his knees and, for a moment, I wasn't sure if he was dead or not. His rusty hair was afire and his head lolled to the left as one eye disappeared in flames but the other shimmered at me through waves of heat, and an amused derision shone in the pupil. Patrick, the eye said through the gathering smoke, you still know nothing. Oscar rose up on the other side of Gerry's corpse, Campbell Rawson clutched tight to his massive chest as it rose and fell with great heaving breaths. The sight of it-something so soft and gentle in the arms of something so thick and mountaineous-made me laugh. Oscar came out of the darkness toward me, stepped around Gerry's burning body, and I felt the waves of heat rise toward me as the circle of gasoline around Gerry caught fire. Burn, I thought. Burn. God help me, but burn. Just after Oscar stepped over the outer edge of the circle, it erupted in yellow flame, and I found myself laughing harder as he looked at it, not remotely impressed. I felt cool lips smack against my ear, and by the time I looked her way, Danielle was already past me, rushing to take her child from Oscar. His huge shadow loomed over me as he approached, and I looked up at him and he held the look for a long moment. How you doing, Patrick?" he said and smiled broadly. And, behind him, Gerry burned on the ice. And everything was so goddamned funny for some reason, even though I knew it wasn't. I knew it wasn't. I did. But I was still laughing when they put me in the ambulance.
Dennis Lehane
The North Korean capital, Pyongyang, is a city consecrated to the worship of a father-son dynasty. (I came to think of them, with their nuclear-family implications, as 'Fat Man and Little Boy.') And a river runs through it. And on this river, the Taedong River, is moored the only American naval vessel in captivity. It was in January 1968 that the U.S.S. Pueblo strayed into North Korean waters, and was boarded and captured. One sailor was killed; the rest were held for nearly a year before being released. I looked over the spy ship, its radio antennae and surveillance equipment still intact, and found photographs of the captain and crew with their hands on their heads in gestures of abject surrender. Copies of their groveling 'confessions,' written in tremulous script, were also on show. So was a humiliating document from the United States government, admitting wrongdoing in the penetration of North Korean waters and petitioning the 'D.P.R.K.' (Democratic People's Republic of Korea) for 'lenience.' Kim Il Sung ('Fat Man') was eventually lenient about the men, but not about the ship. Madeleine Albright didn't ask to see the vessel on her visit last October, during which she described the gruesome, depopulated vistas of Pyongyang as 'beautiful.' As I got back onto the wharf, I noticed a refreshment cart, staffed by two women under a frayed umbrella. It didn't look like much—one of its three wheels was missing and a piece of brick was propping it up—but it was the only such cart I'd see. What toothsome local snacks might the ladies be offering? The choices turned out to be slices of dry bread and cups of warm water. Nor did Madeleine Albright visit the absurdly misnamed 'Demilitarized Zone,' one of the most heavily militarized strips of land on earth. Across the waist of the Korean peninsula lies a wasteland, roughly following the 38th parallel, and packed with a titanic concentration of potential violence. It is four kilometers wide (I have now looked apprehensively at it from both sides) and very near to the capital cities of both North and South. On the day I spent on the northern side, I met a group of aging Chinese veterans, all from Szechuan, touring the old battlefields and reliving a war they helped North Korea nearly win (China sacrificed perhaps a million soldiers in that campaign, including Mao Anying, son of Mao himself). Across the frontier are 37,000 United States soldiers. Their arsenal, which has included undeclared nuclear weapons, is the reason given by Washington for its refusal to sign the land-mines treaty. In August 1976, U.S. officers entered the neutral zone to trim a tree that was obscuring the view of an observation post. A posse of North Koreans came after them, and one, seizing the ax with which the trimming was to be done, hacked two U.S. servicemen to death with it. I visited the ax also; it's proudly displayed in a glass case on the North Korean side.
Christopher Hitchens (Love, Poverty, and War: Journeys and Essays)
One," said the recording secretary. "Jesus wept," answered Leon promptly. There was not a sound in the church. You could almost hear the butterflies pass. Father looked down and laid his lower lip in folds with his fingers, like he did sometimes when it wouldn't behave to suit him. "Two," said the secretary after just a breath of pause. Leon looked over the congregation easily and then fastened his eyes on Abram Saunders, the father of Absalom, and said reprovingly: "Give not sleep to thine eyes nor slumber to thine eyelids." Abram straightened up suddenly and blinked in astonishment, while father held fast to his lip. "Three," called the secretary hurriedly. Leon shifted his gaze to Betsy Alton, who hadn't spoken to her next door neighbour in five years. "Hatred stirreth up strife," he told her softly, "but love covereth all sins." Things were so quiet it seemed as if the air would snap. "Four." The mild blue eyes travelled back to the men's side and settled on Isaac Thomas, a man too lazy to plow and sow land his father had left him. They were not so mild, and the voice was touched with command: "Go to the ant, thou sluggard, consider her ways and be wise." Still that silence. "Five," said the secretary hurriedly, as if he wished it were over. Back came the eyes to the women's side and past all question looked straight at Hannah Dover. "As a jewel of gold in a swine's snout, so is a fair woman without discretion." "Six," said the secretary and looked appealingly at father, whose face was filled with dismay. Again Leon's eyes crossed the aisle and he looked directly at the man whom everybody in the community called "Stiff-necked Johnny." I think he was rather proud of it, he worked so hard to keep them doing it. "Lift not up your horn on high: speak not with a stiff neck," Leon commanded him. Toward the door some one tittered. "Seven," called the secretary hastily. Leon glanced around the room. "But how good and how pleasant it is for brethren to dwell together in unity," he announced in delighted tones as if he had found it out by himself. "Eight," called the secretary with something like a breath of relief. Our angel boy never had looked so angelic, and he was beaming on the Princess. "Thou art all fair, my love; there is no spot in thee," he told her. Laddie would thrash him for that. Instantly after, "Nine," he recited straight at Laddie: "I made a covenant with mine eyes; why then should I think upon a maid?" More than one giggled that time. "Ten!" came almost sharply. Leon looked scared for the first time. He actually seemed to shiver. Maybe he realized at last that it was a pretty serious thing he was doing. When he spoke he said these words in the most surprised voice you ever heard: "I was almost in all evil in the midst of the congregation and assembly." "Eleven." Perhaps these words are in the Bible. They are not there to read the way Leon repeated them, for he put a short pause after the first name, and he glanced toward our father: "Jesus Christ, the SAME, yesterday, and to-day, and forever!" Sure as you live my mother's shoulders shook. "Twelve." Suddenly Leon seemed to be forsaken. He surely shrank in size and appeared abused. "When my father and my mother forsake me, then the Lord will take me up," he announced, and looked as happy over the ending as he had seemed forlorn at the beginning. "Thirteen." "The Lord is on my side; I will not fear; what can man do unto me?" inquired Leon of every one in the church. Then he soberly made a bow and walked to his seat.
Gene Stratton-Porter (Laddie: A True Blue Story (Library of Indiana Classics))
Close your eyes and stare into the dark. My father's advice when I couldn't sleep as a little girl. He wouldn't want me to do that now but I've set my mind to the task regardless. I'm staring beyond my closed eyelids. Though I lie still on the ground, I feel perched at the highest point I could possibly be; clutching at a star in the night sky with my legs dangling above cold black nothingness. I take one last look at my fingers wrapped around the light and let go. Down I go, falling, then floating, and, falling again, I wait for the land of my life. I know now, as I knew as that little girl fighting sleep, that behind her gauzed screen of shut-eye, lies colour. It taunts me, dares me to open my eyes and lose sleep. Flashes of red and amber, yellow and white speckle my darkness. I refuse to open them. I rebel and I squeeze my eyelids together tighter to block out the grains of light, mere distractions that keep us awake but a sign that there's life beyond. But there's no life in me. None that I can feel, from where I lie at the bottom of the staircase. My heart beats quicker now, the lone fighter left standing in the ring, a red boxing glove pumping victoriously into the air, refusing to give up. It's the only part of me that cares, the only part that ever cared. It fights to pump the blood around to heal, to replace what I'm losing. But it's all leaving my body as quickly as it's sent; forming a deep black ocean of its own around me where I've fallen. Rushing, rushing, rushing. We are always rushing. Never have enough time here, always trying to make our way there. Need to have left here five minutes ago, need to be there now. The phone rings again and I acknowledge the irony. I could have taken my time and answered it now. Now, not then. I could have taken all the time in the world on each of those steps. But we're always rushing. All, but my heart. That slows now. I don't mind so much. I place my hand on my belly. If my child is gone, and I suspect this is so, I'll join it there. There.....where? Wherever. It; a heartless word. He or she so young; who it was to become, still a question. But there, I will mother it. There, not here. I'll tell it; I'm sorry, sweetheart, I'm sorry I ruined your chances - our chances of a life together.But close your eyes and stare into the darkness now, like Mummy is doing, and we'll find our way together. There's a noise in the room and I feel a presence. 'Oh God, Joyce, oh God. Can you hear me, love? Oh God. Oh God, please no, Hold on love, I'm here. Dad is here.' I don't want to hold on and I feel like telling him so. I hear myself groan, an animal-like whimper and it shocks me, scares me. I have a plan, I want to tell him. I want to go, only then can I be with my baby. Then, not now. He's stopped me from falling but I haven't landed yet. Instead he helps me balance on nothing, hover while I'm forced to make the decision. I want to keep falling but he's calling the ambulance and he's gripping my hand with such ferocity it's as though I'm all he has. He's brushing the hair from my forehead and weeping loudly. I've never heard him weep. Not even when Mum died. He clings to my hand with all of his strength I never knew his old body had and I remember that I am all he has and that he, once again just like before, is my whole world. The blood continues to rush through me. Rushing, rushing, rushing. We are always rushing. Maybe I'm rushing again. Maybe it's not my time to go. I feel the rough skin of old hands squeezing mine, and their intensity and their familiarity force me to open my eyes. Lights fills them and I glimpse his face, a look I never want to see again. He clings to his baby. I know I lost mind; I can't let him lose his. In making my decision I already begin to grieve. I've landed now, the land of my life. And still my heart pumps on. Even when broken it still works.
Cecelia Ahern (Thanks for the Memories)