Wide Hips Quotes

We've searched our database for all the quotes and captions related to Wide Hips. Here they are! All 100 of them:

But I think the first real change in women’s body image came when JLo turned it butt-style. That was the first time that having a large-scale situation in the back was part of mainstream American beauty. Girls wanted butts now. Men were free to admit that they had always enjoyed them. And then, what felt like moments later, boom—Beyoncé brought the leg meat. A back porch and thick muscular legs were now widely admired. And from that day forward, women embraced their diversity and realized that all shapes and sizes are beautiful. Ah ha ha. No. I’m totally messing with you. All Beyonce and JLo have done is add to the laundry list of attributes women must have to qualify as beautiful. Now every girl is expected to have Caucasian blue eyes, full Spanish lips, a classic button nose, hairless Asian skin with a California tan, a Jamaican dance hall ass, long Swedish legs, small Japanese feet, the abs of a lesbian gym owner, the hips of a nine-year-old boy, the arms of Michelle Obama, and doll tits. The person closest to actually achieving this look is Kim Kardashian, who, as we know, was made by Russian scientists to sabotage our athletes.
Tina Fey (Bossypants)
Where there's life, death is inevitable. Dying's easy; it's living that's hard. The harder it gets, the stronger the will to live. And the greater the fear of death, the greater the struggle to keep on living.
Mo Yan (Big Breasts & Wide Hips)
This worked out perfectly for me in college, because what nineteen-year-old Virginia boy doesn't want a wide-hipped, sarcastic Greek girl with short hair that's permed on top? What's that you say? None of them want that? You are correct.
Tina Fey (Bossypants)
Hey, bro, do you think you can put Shorty back on her chain?" I stepped forward with my hands on my hips, only slightly intimidated to find Kaleb almost eye level with me when he was seated and I was standing. "First of all, no one is the boss of me but me. Secondly, if you ever reference my 'chain' again, I will kick your ass." I jabbed him hard in the chest with my finger. Possibly breaking it. "And thirdly, don't call me Shorty." Kaleb sat silently for a second, his eyes wide as he looked at Michael. "Where did you get her? Can you get me one?" I blew out a loud, frustrated sigh and dropped down beside Michael, who didn't even try to hide his smile. "You should probably apologize to Emerson." "I am sorry." Kaleb grinned at me. "Sorry I didn't meet you first.
Myra McEntire (Hourglass (Hourglass, #1))
They wanted the real mother, the blood mother, the great womb, mother of fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mother's big enough, wide enough for us to hide in, to sink down to the bottom of of, mother's who would breathe for us when we could not breathe anymore, who would fight for us, who would kill for us, die for us.
Janet Fitch (White Oleander)
the first Goddess, Gaia, who was the earth, wide hipped, big bellied, the womb of the human race, the nurturing breast of all humans, the opulent and voracious beginning of all things female.
Kerry Greenwood (Trick or Treat (Corinna Chapman, #4))
Are women really wonderful things? Maybe they are. Yes, women are wonderful things, but when all is said and done, they aren't really “things
Mo Yan (Big Breasts & Wide Hips)
I'll try to communicate, Taylor said. She spoke slowly and deliberately. Hello! We need help. Is your village close? My village is Denver. And I think it's a long way from here. I'm Nicole Ade. Miss Colorado. We have a Colorado where we're from too! Tiara said. She swiveled her hips, spread her arms wide, then brought her hands together prayer-style and bowed. Kipa aloha. Nicole stared. I speak English. I'm American. Also, did you learn those moves from Barbie's Hawaiian Vacation DVD? Ohmigosh, yes! Do your people have that, too?
Libba Bray (Beauty Queens)
I am a cutter, you see. Also a snipper, a slicer, a carver, a jabber. I am a very special case. I have a purpose. My skin, you see, screams. It's covered with words - cook, cupcake, kitty, curls - as if a knife-wielding first-grader learned to write on my flesh. I sometimes, but only sometimes, laugh. Getting out of the bath and seeing, out of the corner of my eye, down the side of a leg: babydoll. Pull on a sweater and, in a flash of my wrist: harmful. Why these words? Thousands of hours of therapy have yielded a few ideas from the good doctors. They are often feminine, in a Dick and Jane, pink vs. puppy dog tails sort of way. Or they're flat-out negative. Number of synonyms for anxious carved in my skin: eleven. The one thing I know for sure is that at the time, it was crucial to see these letters on me, and not just see them, but feel them. Burning on my left hip: petticoat. And near it, my first word, slashed on an anxious summer day at age thirteen: wicked. I woke up that morning, hot and bored, worried about the hours ahead. How do you keep safe when your whole day is as wide and empty as the sky? Anything could happen. I remember feeling that word, heavy and slightly sticky across my pubic bone. My mother's steak knife. Cutting like a child along red imaginary lines. Cleaning myself. Digging in deeper. Cleaning myself. Pouring bleach over the knife and sneaking through the kitchen to return it. Wicked. Relief. The rest of the day, I spent ministering to my wound. Dig into the curves of W with an alcohol-soaked Q-tip. Pet my cheek until the sting went away. Lotion. Bandage. Repeat.
Gillian Flynn (Sharp Objects)
Tell me. In your mind, what are we doing in that bed? Are we fucking nice and slow or are you making me sweat for it?" "I'm...you're..." "Am I under you, watching your breasts bounce as you buck those hips? Or am I on top of you the first time? I could force those thighs wide and bury myself deep in between them." He leaned forward to lick the curve of her ear. "Maybe I'm behind you. Ah, fuck, I could get in so deep that way, gorgeous. Tell me what you want. I'll make it happen.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
Hamilton touched me because it reflected the kind of history I'd lived myself. It told a story about America that allowed the diversity in. I thought about this afterward: So many of us go through life with our stories hidden, feeling ashamed or afraid when our whole truth doesn't live up to some established ideal. We grow up with messages that tell us that there's only one way to be American - that if our skin is dark or our hips are wide, if we don't experience love in a particular way, if we speak another language or come from another country, then we don't belong. That is, until someone dares to start telling that story differently.
Michelle Obama (Becoming)
But then I realized, they didn't mean their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying loneliness is the human condition. They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide hipped mother, auwesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for us when we could not breathe anymore, mothers who would fight for us, who would kill for us, and die for us.
Janet Fitch
But then I realized, they weren't calling out for their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers, purgers, women smiling into mirrors, women in girdles, women on barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in in for me? Not the women watching TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying lonliness is the human condition, get used to it. The wanted the real mother, the blood mother, the great womb, mother of fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough for us to hid in, to sink down to the bottom of, mothers who would breathe for us when we could not breathe anymore, who would fight for us, who would kill for us, die for us.
Janet Fitch (White Oleander)
At nearly three in the morning sleepiness weighted my body as we lay there together so still. I heard his breathing even out as we both hovered in that place between wake and sleep. And then his hand wandered lazily down my back and over my hip until he was cupping the full curve of my behind, part of me that he’d actively avoided touching all night. Scratch that sleepy thing. His firm hands clutched me closer and I breathed a heady gust of air at his throat. I’d been careful all night not to be too vocal about how good his touches felt. I knew each noise would act as fuel, making it even harder for him. He rolled to his back, pulling me on top of him with both hands fully on my backside now. “Kaidan,” I whispered. Looking half-asleep, he shushed me with a hot kiss, pulling my hips to crush us together. I whimpered into his mouth. “God, those little sounds,” he said against my lips. “I want to hear how you sound when I make you—” “Kai!” I practically leaped off him, and he sat up, eyes blazing, licking his lips. I was breathing hard. He had to be as tired as me after our long day, and it was starting to weaken us big-time. Oh, how I’d love to indulge that weakness. I scooted farther away. “Maybe we should try to get some sleep,” I suggested, though I was feeling wide-awake now. He stared at me with roaring passion. “I think a third shower might be necessary,” he said. A silly laugh wanted to escape me, but there was no humor in his eyes. Only want.
Wendy Higgins (Sweet Peril (Sweet, #2))
Kizzy was so busy wishing she was Sarah Ferris or Jenny Glass that she could scarcely see herself at all and she was certainly blind to her own weird beauty: her heavy spell-casting eyes too-wide mouth wild hair and hips that could be wild too if they learned how. No one else in town looked anything like her and if she lived to womanhood she was the one artists would want to draw not the Sarahs and Jennys. She was the one who would some day know a dozen ways to wear a silk scarf how to read the sky for rain and coax feral animals near how to purr throaty love songs in Portuguese and Basque how to lay a vampire to rest how to light a cigar how to light a man's imagination on fire.
Laini Taylor (Lips Touch: Three Times)
After three glasses, Cynthia flung the windows open and announced, “Zac Efron, I love you!” to the whole of Chelsea, while Lesley was crouched head down over the lavatory bowl throwing up, Maggie had made Sarah a declaration of love (“you’re sho, sho beautiful, marry me!”), and Sarah was shedding floods of tears without knowing why. It hit me worst of all. I had jumped on Cynthia’s bed and was bawling out “Breaking Free” in an endless loop. When Cynthia’s father came into the room, I’d held Cynthia’s hairbrush up to him like a microphone and called out, “Sing alone, baldie! Get those hips swinging!” Although the next day I couldn’t even being to explain why myself. After that embarrassing episode, Lesley and I had decided to give the demon drink a wide berth in future (we gave Cynthia’s father a wide berth as well for a couple of months), and we had stuck to that resolution.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
He who steals hooks is a thief. He who robs a nation is a nobleman.
Mo Yan (Big Breasts & Wide Hips)
Ethan naked in the bed was a sight I never tired of. He was male beauty personified. His arms, his chest, the washboard abs and V-cut hips, all of him— a delicious feast for my eyes.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
Black Girls… Strive to be a woman of substance! Don’t solely allow your big butt, thick thighs, wide hips, large breasts, and overall good looks to define you as a woman. Your looks alone shouldn’t define who you are. What more do you have to offer? What is your TRUE character? How is your attitude? What have you accomplished? Do you have respect for yourself? What do you represent? Everywhere you look, there’s another beautiful, stunning, fine looking sista. Stand out from the rest and dare to be different! Your good looks should only be a bonus, not the main factor. #RealTalk
Stephanie Lahart
But the thing about depression is that it doesn’t create bad thoughts, it amplifies and distorts them. Depression doesn’t make me look in the mirror and see a girl who’s overweight and has too-wide hips and pudgy cheeks. Those thoughts are already there. Depression just cranks up the volume on them so loud that I can’t hear anything else.
Shaun David Hutchinson (The Apocalypse of Elena Mendoza)
John lifted his head and looked down at her. His eyes were worried and he was careful as he brushed at her hair. She smiled. "Nah, I'm fine. I'm more than fine." A sly grin bloomed as he mouthed, ain't that the truth. "Hold up there, big man. You think you can make me blush like I'm some girl ? Pulling that sweet talk?" As he nodded, she rolled her eyes. "I'll have you know I'm not the kind of female who goes all dizzy, popping a stiletto off the floor just because some guy kisses her deep." John was all male as he cocked a brow. And damn it if she didn't feel a tingle in her cheeks. " Listen, John Matthew." She took his chin in her hand. "You're not turning me into one of these females who goes gaga over her lover. Not happening. I'm not hard-wired for that." Her voice was stern and she meant every word, except the instant he rolled his hips and that huge arousal pushed into her, she purred. She purred. The sound was utterly foreign and she'd have sucked it back down her throat if she could have. Instead, she just left out another of those decidedly non-tough-guy moans. John bowed his head to her breast and started suckling on her as he somehow manage to keep thrusting in slow, even penetrations. Swept away, her hands found his hair again, spearing through the thick softness. " Oh, John..." And then he stopped dead, lifted his lips from her nipple, and smiled so wide it was a wonder he didn't bust off his front teeth. His expression was one of total and complete gotcha. " You are a bastard, " she said on a laugh. He nodded. And pressed into her with his full lenght again. It was perfect that he was giving her shit and showing her a little of who was boss. Just perfect. Somehow it made her respect him even more, but then, she'd always loved strength in all its forms. Even the teasing kind. "I'm not surrendering , you know." He pursed his lips and shook his head, all oh, no, of course not. And then he started to pull out of her. As she growled low in her throat, she sank her nails into his ass. "Where do you think you're going ?
J.R. Ward (Lover Mine (Black Dagger Brotherhood, #8))
Morir es fácil; lo difícil es vivir. Y cuanto más difícil se vuelve, más fuerte es la voluntad de seguir viviendo. Y cuanto mayor es el miedo a la muerte, mayor es el esfuerzo que se hace por conservar la vida.
Mo Yan (Big Breasts & Wide Hips)
She was the kind of elegance That would never tarnish. A mixture of lace and mesh, Like a classic heirloom that begged to be worn. She was sharp intellect and quick wit. The type of woman that spoke her mind, Even if it shook. (Or even if no one was listening.) She was beautiful. But not someone you’d see in magazines, Her hips were too wide, her hair a mess of wispy tendrils, (Rather, she was actually very ordinary.) My, was she stubborn! She’d drive you mad! (Sometimes, you’d probably call her crazy.) But mostly, her laughter was a joyful moments. Like a warm towel fresh from the dryer, Or finding a twenty-dollar bill in your winter coat. And that was the true revelation. That magic does exist, It ran through her like a wild, fiery current.
M.J. Abraham
Umm, well do I have to tell you how it’s done?” I tease, as I get on my knees and lean over him, . A wide smile spreads over his face as I straddle his lap. “Oh, are you taking dominance? I think I like that.” He grips his hands on my hips, pulling me as close as he can get.
Annie Brewer (Choices (Choices, #1))
Around five-eight, slim, good shoulders, narrow hips, legs and trunk in proportion, short dark hair, side parting, dark eyes, probably blue, shadows under the eyes, fair skin, average nose, wide mouth, lower lip fuller than upper.
Val McDermid (The Mermaids Singing (Tony Hill & Carol Jordan, #1))
Di mana ada kehidupan, di situ pasti ada kematian. Mati itu mudah ; hiduplah yang sulit. Semakin berat kehidupan yang dihadapi, semakin kuat keinginan untuk bertahan. Dan semakin besar ketakutan untuk mati, semakin besar pula perjuangan untuk terus hidup.
Mo Yan (Big Breasts & Wide Hips)
She’s truly a woman?” said Aunt Gabbana, eyeing me shrewdly. “Of course,” said Paula. “None of that’s padding?” said Aunt Gabbana, nodding towards my chest. “Certainly not!” said Paula. “You’d be amazed at what some families try. She has nice wide hips, none of these narrow pelvises. Let me see your teeth, Agnes.
Margaret Atwood (The Testaments (The Handmaid's Tale, #2))
Jesus Christ. He was wearing a suit for once, a dark gray ensemble that looked tailored to fit his wide shoulders, full arms, slim hips, and muscular thighs. How the hell did he go through the day without getting slipped a Rohypnol by every woman he came in contact with?
Mariana Zapata (Lingus)
Every time I blink, all I can see are my flaws. My body in a fun-house mirror. Hips too wide. Thighs too big. And a head too small for the rest of me.
Julie Murphy (Dumplin' (Dumplin', #1))
The red lipstick? It's supposed to signal fertility and readiness to mate. Just like the swollen red butt of a baboon. That tight-fitting little dress that shows off your curves? From the standpoint of evolutionary biology, big breasts represent a healthy mate who can feed a lot of offspring. That's why men are programmed to like big tits. When you show off your curves, what you're really doing is advertising to the whole world: "Look at me! I'm a healthy female! I'd be a perfect mate! Come mount me!
Oliver Markus (Why Men And Women Can't Be Friends)
The tyranny of Venus is felt whenever a woman thinks—or whenever a man thinks and tells a woman—that her hips are too wide, her thighs are too large, her breasts are too small, her waist is too high, her legs are too short to meet the current erotic standard.
Susan Brownmiller (Femininity)
Close up she saw that Molina's eyes were beautiful and dark thik eye lashed the way Lisette's mother tried to make hers with a mascara brush. The skin beneath Molina's eyes were soft and bruised looking and on her throat were tiny dark moles. It did not seem right that a woman like Molina, who you could tell was a mother-her body was a mother's body for sure, wide hips-could be a cop;it did not seem right that this person was carrying a gun, in a holster attached to leather belt, and that she could use it, if she wanted to.
Joyce Carol Oates
Reagan wore eyeliner all the way around her eyes. Like a hard-ass Kate Middleton. And even though she was bigger than most girls-big hips, big chest, wide shoulders-she carried herself like she was exactly the same size everyone wanted to be. And everyone went along with it.
Rainbow Rowell (Fangirl)
Morelli was wearing a blazer over a black knit shirt, He took a seat, and his jacket swung wide, exposing the gun at his hip. "Nice piece!" Grandma said. "What is it? Is that a forty-five?" "It's a nine- millimeter." "Don't suppose you'd let me see it," Grandma said. "I'd sure like to get the feel of a gun like that." "No!" said everyone in unison. "I shot a chicken once," Grandma explained to Morelli. "It was an accident." "Where did you shoot it?" he finally asked. "In the gumpy," Grandma said. "Shot it clear off.
Janet Evanovich
Amphora,” he murmured against the wide, sweet curve of her lips. His hands slid over the wide, sweet curve of her hips, cupping smoothness cool and solid, timeless and graceful as the swell of ancient pottery, promising abundance. “Like a Grecian vase. God, you’ve got the most beautiful arse!” “Jug-butt, huh?
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Though many strive to hide their human libidinousness from themselves and each other, being a force of nature, it breaks through. Lots of uptight, proper Americans were scandalized by the way Elvis moved his hips when he sang "rock and roll." But how many realized what the phrase rock and roll meant? Cultural historian Michael Ventura, investigating the roots of African-American music, found that rock 'n' roll was a term that originated in the juke joints of the South. Long in use by the time Elvis appeared, Ventura explains the phrase "hadn't meant the name of a music, it meant 'to fuck.' 'Rock,' by itself, has pretty much meant that, in those circles, since the twenties at least." By the mid-1950s, when the phrase was becoming widely used in mainstream culture, Ventura says the disc jockeys "either didn't know what they were saying or were too sly to admit what they knew.
Christopher Ryan (Sex at Dawn: The Prehistoric Origins of Modern Sexuality)
He was wearing sunglasses despite the descending dark, but she could recognize him by his long, smooth strides from a mile away, the way his wide shoulders moved in sync with his narrow hips and tight ass. Meow. He could strut her catwalk any time.
Aja James (Dark Desires (Pure/ Dark Ones #3))
Daddy named me Billie Jo. He wanted a boy. Instead, he got a long legged girl with a wide mouth with cheekbones like bicycle handles. He got a redheaded, freckle faced, narrow-hipped girl with a fondness for apples and hunger for playing fierce piano.
Karen Hesse
Hey,bro, do you think you can put Shorty back on her chain?" I stepped forward with my hands on my hips, only slightly intimidated to find Kaleb almost eye level with me when he was seated and I was standing. "First of all, no one is the boss of me but me.Secondly, if you ever reference my 'chain' again, I will kick your ass." I jabbed him hard in the chest with my finger. Possibly breaking it. "And thirdly, don't call me Shorty." Kaleb sat silently for a second, his eyes wide as he looked at Michael. "Where did you find her? Can you get me one?" I blew out a loud, frustrated sigh and dropped down beside Michael, who didn't even try to hide his smile. "You should probably apologize to Emerson." "I am sorry." Kaleb grinned at me. "Sorry I didn't meet you first.
Myra McEntire (Hourglass (Hourglass, #1))
That’s so far from the truth I can’t believe you’d even think it. I have a thick skin, baby,” he told her, his wide shoulders crowding her back against the cool tiles, “but you’re under it. You’re buried in there so deep it’s like I was born with you in my soul.” His eyes slowly ignited as he slid soapy hands over her hips. “When I’m near you I’m consumed by you—your smile, your eyes, your heart. Even though we’ve never been together, you’ve always been mine, and even if I never get to keep you, you’ll still be mine.
Kate McCarthy (Fighting Redemption)
...I understand what my body's for. My bosom is as deep as all the oceans and my hips as wide as the fields...
Erica Eisdorfer (The Wet Nurse's Tale)
I don't like to think of my hips as a nuisance, but more of an asset. I mean, if this were, like, 1642, my wide birthing hips would be worth many cows or something.
Julie Murphy (Dumplin' (Dumplin', #1))
So, you guyes are like us in other, uh, departments?” Deamon sat up, arching a brow. “Come again?” I felt my cheeks flush. “You know, like sex? I mean, you guys are all glowy and stuff. I don’t see how certain stuff would work.” Deamon’s lips curled into a half smile, and that was the only warning he gave. Moving unbelievably fast, I was on my back and he was above me in a flash. “Are you asking if I’m attracted to human girls?” he asked. Dark, wet waves of hair fell forward. Tiny droplets of water fell off the ends, splashing against my cheek. “Or are you asking if I’m attracted to you?” Using his hands, he lowered himself slowly. There wasn’t an inch of space between our bodies. Air fled my lungs at the contact of his body against mine. He was male and ripped in all the places I was soft. Being this close to him was startling, causing an array of sensations to zing through me. I shivered. Not from the cold, but from how warm and wonderful he felt. I could feel every breath he took, and when he shifted his hips, my eyes went wide and I gasped. Oh yeah, certain stuff was definitely working. Daemon rolled off me, onto his back beside me. “Next question?” he asked, voice deep and thick. I didn’t move. I stared wide-eyed at the blue-skies. “You could’ve just told me, you know?” I looked at him. “You didn’t have to show me.” “And what fund would there be in telling you?” He turned his head toward me. “Next question, Kitten?” “Why do you call me that?” “You remind me of a little fuzzy kitten, all claws and no bite.
Jennifer L. Armentrout (Obsidian (Lux, #1))
And holy shit—Dev’s knees and Dev’s mouth and Dev’s Adam’s apple. He tries thinking about Daphne’s pretty blue eyes instead, but he can only see Dev’s dark ones, peering intensely at him behind his glasses. He tries to conjure the image of Angie’s soft body, but it’s superimposed with Dev’s wide shoulders, the slenderness of his hips, the sharp points and the beautiful brown skin and the smell of him.
Alison Cochrun (The Charm Offensive (The Charm Offensive, #1))
Tell me something about yourself.” “I’d rather save the small talk.” “There’s no need to be rude, child, and believe me, I’m asking for a reason. Tell me something about yourself. Anything.” “I’m twenty-eight . . .” He rejected that one out of hand. “Something personal. Something . . . interior. Tell me something you love.” I thought about it for a long few seconds, then said, “Ralph Lauren’s summer line this year. Not the spring collection, which was way too pastel, and the winter was really crappy, all bland browns and grays. But he’s got some good fabrics this summer, kind of a hot tangerine matched with dull red. Only he skirts, though. Hiscapri pants are for shit. Pockets? Who wants pockets on capri pants? What woman in her right mind puts extra fabric on her hips?” There was a long and ringing silence. Patrick’s eyes were wide and rather frightened. He finally cleared his throat and said, “Anything else apart from fashion?” “What do you want me to say? Puppies? Fluffy kittens? Babies?” “Let’s try something simple. Your favorite food.” I rolled my eyes. “Chocolate.” Duh .
Rachel Caine (Heat Stroke (Weather Warden, #2))
You are beautiful. You have always been beautiful, and you need to believe that you are. Even if the magazines don’t appreciate your wide hips or your glowing brown skin; dark and soft like honey, learn how to love yourself. This body is the only home you’ll have in this lifetime, so my darling, learn how to embrace every scar, freckle and mole. You are made out of the same atoms that formed Frida Kahlo and Picasso. You are art and you need to have faith in that.
Thushena Ganesh
So many of us go through life with our stories hidden, feeling ashamed or afraid when our whole truth doesn't live up to some established ideal. We grow up with messages that tell us there's only one way to be American -- that if our skin is dark or our hips are too wide, if we don't experience love in a particular way, if we speak another language or come from a different country, then we don't belong. That is, until someone dares to start telling that story differently. (From Becoming, 2018)
Michelle Obama
He strolled past Sin and brought his duffel bag with him into the bathroom. A few minutes passed before he reemerged in a dark green t-shirt with a picture of a pinwheel on it and white letters beneath that said simply, 'Blow me.' A pair of worn denim shorts hung low on his hips. Wide black leather bands hid his wrists and a pair of sunglasses on top of his head held his hair away from his now dark blue eyes in a messy tangle. Sin was no longer making any attempts to mess with the door. His eyes followed Boyd the entire time after he appeared from the bathroom and he was doing a very poor job of concealing that fact.
Ais (Evenfall (In the Company of Shadows, #1))
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
Gabby Rivera (Juliet Takes a Breath)
O God! that one might read the book of fate, And see the revolution of the times Make mountains level, and the continent, Weary of solid firmness, melt itself Into the sea! and, other times, to see The beachy girdle of the ocean Too wide for Neptune's hips; how chances mock, And changes fill the cup of alteration With divers liquors!
William Shakespeare (Henry IV, Part Two)
Picture me kneeling between your legs,” he said in a quiet rumble. “You’re spread wide open for me. And my tongue is doing dirty things to you.” I was whimpering and moving my hips in an upward rhythm against his hand. “I’m licking and sucking and you taste so fucking good.” “Oh shit,” I breathed out. “Would you like that, Rachel?” he murmured.
Christina Lee (Whisper to Me (Between Breaths, #3))
Düşüncelerini her zaman göğe sal, denize daldır, olmadı dağa çıkar ama ne olursa olsun sıkma kendini.
Mo Yan (Big Breasts & Wide Hips)
Beth ached where they joined. The friction burned on her petals too long untouched, fire that made her want to open her legs wide. She did, sliding her feet on the covers, letting her hips arch upward. "Do you feel it?" Ian asked. A dozen phrases went through Beth's head, but she gasped out, "Yes." "Your cunny is tight, my Beth. Squeezing me so hard." He smiled when he said it, feral and raw. No man had ever done bawdy talk with her. Game girls had told her of it, but she'd never dreamed she'd hear it hot in her ear, spoken by a beautiful man. "Squeeze me some more, love," he murmured. "You feel so damn good." "Good," Beth echoed. She tightened her muscles, and he groaned. He felt good. All full and hard and moving inside her.
Jennifer Ashley (The Madness of Lord Ian Mackenzie (Mackenzies & McBrides, #1))
Reagan wore eyeliner all the way around her eyes. Like a hard-ass Kate Middleton. And even though she was bigger than most girls—big hips, big chest, wide shoulders—she carried herself like she was exactly the size everyone else wanted to be. And everyone else went along with it—including Levi, and all the other guys who hung out in their room while Reagan finished getting ready.
Rainbow Rowell (Fangirl)
Savannah's fear was being pushed aside by the heated tenderness of Gregori's mouth, by the gentleness in his caressing hands. He carelessly shoved the sheet down, exposing her bare breasts to his hungry gaze. Hot. He was so hot. Savannah could not stand the feel of the thin sheet of her heated hips, twisting around her legs. Her hands were tangled in Gregori's thick hair, crushing it in her fingers like so much silk.His shirt was open to his tapered waist, his hard muscles pressing against her soft breasts. The rough,dark hair on his chest rasped erotically over nipples. A wave of heat heralded a storm of fire, through him, through her. Savannah's hands, of their own accord, pushed his shirt from his wide shoulders. She watched with enormous eyes as he slowly shrugged out of it, his silver gaze holding her blue one captive. She was drowning in those pale, mesmerizing eyes. Eyes filled with such intensity, with so much hunger for one woman. Her. Only her.
Christine Feehan (Dark Magic (Dark, #4))
You’re being awful generous with your late husband’s possessions,” he told her. She grinned back at him. “You’ve loosened me up maybe? Besides, you’ve already slept with his wife, why not drive his truck? Kira drank his 1925 Chateau Feytit Clinet red wide today.” Did he look pale? Noah swore he could feel himself blanch. His 1925 Chateau Feytit Clinet? No. She hadn’t shared that with Kira Richards. The one person in the world besides Sabella who knew exactly how horrified he’d be to hear that Sabella had dipped into his treasure trove of wines? “He had a 1925 Feytit Clinet?” He almost wheezed. How he kept his voice calm and level he didn’t know. Hell, his training had just been shot to hell. “And you shared it with Ian Richard’s wife?” “He had lots of wine.” She turned and shot him a look over her shoulder. “Maybe one of these nights I’ll share the other one with you. Do you want me to meet you at the garage with the pickup? It won’t take me long.” Let her drive his pickup? Had she lost her damned mind? “I can leave the cycle here.” He nodded to the back drive as he stepped to the porch. “I’ll just help you lock up.” “Okay.” There was a swing to her hips that almost had his tongue hanging out of his mouth. And he almost—only almost—forgot about the wine and the truck. She drank his wine? Drove his truck? And Rory hadn’t warned him ahead of time?
Lora Leigh (Wild Card (Elite Ops, #1))
When I finished my beautiful day, I walked toward my car. I turned around and Harry was watching me through the window. We waved and I walked on to my car. He was probably still watching me—the slight sway of my hips. My plain ordinary navy blue skirt rippling like a flirt. My long legs. I purposely dropped my keys, so I’d have to bend over to pick them up. He’d enjoy that all evening when he was alone thinking of me. And the way I opened the door wide. And the way I sat in the car, leaving one foot hanging out for a bit, while I dug something out of my old plastic purse, just to be in his view longer.
G.M. Monks (Iola O)
Sometimes it amazed him. Lanky Thom with his white hair and mustaches, who had been a Queen’s lover once, and more willingly than himself, not to mention more than a lover, if you believed half he said. Square-jawed Harnan with that tattoo on his cheek and more elsewhere, who had been a soldier all his life. Juilin with his bamboo staff and his sword-breaker on his hip, who thought himself as good as any lord even if the idea of carrying a sword himself still made him uneasy, and fat Vanin, who made Juilin look a bootlicker by comparison. Skinny Fergin, and Gorderan, nearly as wide in the shoulders as Perrin, and Metwyn, whose pale Cairhienin face still looked like a boy’s despite being years older than Mat. Some of them followed Mat Cauthon because they thought he was lucky, because his luck might keep them alive when the swords were out, and some for reasons he was not really sure of, but they followed. Not even Thom had ever more than protested an order of his. Maybe Renaile had been more than luck. Maybe his being ta’veren did more than dump him in the-middle of trouble. Suddenly he felt... responsible... for these men. It was an uncomfortable feeling. Mat Cauthon and responsibility did not go together. It was unnatural.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
Todo el mundo sabía que las balas no tienen ojos, que las bombas no son muy dadas a pedir disculpas y que los soldados son como tigres que han bajado de la montaña, tigres que no son precisamente vegetarianos.
Mo Yan (Big Breasts & Wide Hips)
He was only five-foot-ten, but people frequently mistook him for being over six feet, at least in part because his gigantic Afro made him appear larger than life. His thin, angular frame, which was shaped like an inverted triangle, furthered this illusion; he had narrow hips, a small waist, but impossibly wide shoulders and arms. His fingers were abnormally long and sinuous, and like the rest of him, they were a rich caramel color. His bandmates jokingly called him “The Bat” because of his preference for covering his windows and sleeping during the day, but the nickname also fit his penchant for wearing capes, which furthered his superhero appearance.
Charles R. Cross (Room Full of Mirrors: A Biography of Jimi Hendrix)
WHY WAS A BEAUTIFUL YOUNG WOMAN SUCH A BIG DEAL? Beauty was a sign of health and reproductive capability; thus, a beautiful woman historically had wide hips (for childbearing), body symmetry (indicating no deformities), hair and teeth that weren’t falling out (indicating health). And she was young—at the beginning of her fertile years. Society needed to reinforce men’s biological dependency on female beauty for the same reasons it needed to make women dependent on male income: dependency created an incentive to marry. A man who was addicted to a woman’s beauty, youth, and sex would temporarily “lose his mind”—he would make the irrational decision to support her for the rest of his life. Female beauty, then, can be thought of as nature’s marketing tool: the way of marketing a woman for the survival of her genes.42 Which is why female beauty is the world’s most potent drug.
Warren Farrell (The Myth of Male Power)
When I turned, I found myself looking at my reflection in the mirror. The dressing room lights surrounded it like a frame, but with the rest of the lighting off, only the center of the mirror was visible. Just us. His gaze locked on mine as his hands slid slowly up from my hips. His fingers splayed wide, teasing me as they made their slow journey up my waist while his lips were at my ear. "I want you to see how sexy you are, and hot you make me.
Lisa Kessler (Blue Moon (Moon, #6))
I fucking love LA (dog birthday parties! spiritual healers on every corner! unironic oxygen bars!). You might not think so because I’m a misanthropic depressed person with menopause acne whose hips are too wide for every single restaurant chair in Silverlake, but you would be wrong. I’m a Fat Bitch from the Middle West and I love accidentally running into minor celebrities with my cart in the wheatgrass aisle at the Rock ’N Roll Ralph’s on Sunset.
Samantha Irby (Wow, No Thank You.)
He let his fingers tease her until she uttered soft cries. Stella spread her legs further and wider as his hand explored, touched, and pleasured every part of her womanhood. She untied her outer bodice and lifted her breasts so they spilled from her corset. Her hands rubbed and played with her nipples. She knew what excited Bartolomeo. He continued to pleasure her while she touched herself, and he stroked his erection until he was near to bursting. Finally, he pulled her forward and slid into her, and her exclamation was louder than either of them expected. She clamped a hand over her mouth, wide-eyed. He did not release her. Instead, he slowed his motion, and once he felt sure no one could have heard them, he began to rock against her, deeper and harder. The bed began to creak, but he was lost in the depths of his desire. When she reached her climax, her cries more urgent and sustained, he lost control and spilled into her, his hips bucking a few more times. His legs threatened to give way with pleasure and exhaustion.
Crystal King (The Chef's Secret)
They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for us when we could not breathe anymore, who would fight for us, who would kill for us, die for us. Yvonne
Janet Fitch (White Oleander)
Miss Chauvenet." Morgan willed himself to speak his tongue near to tied. He was unable to take his gaze from her. She looked as fresh as springtime, her dark hair hanging in a braid beyond her hips, her eyes wide with surprise. Then her gaze moved over him, and he knew a moment of utter mortification. She's thinkin' you look like a peacock, laddie. With lace cuffs, silk stockings and drawers, and shoes with shiny brass buckles, he did look like a bloody peacock or, worse, like somoene that whoreson Wentworth would invite to his supper table. -Morgan
Pamela Clare (Untamed (MacKinnon's Rangers, #2))
She had shins like fireplugs and hips as wide as an oven door. Her head was stuck directly onto her shoulders with the usual Prussian predilection for omitting the neck, and to watch her turn her head in the direction of Aunt Marvel's yodeling demands for attention was to watch a large and noble owl.
James Lileks (Falling Up the Stairs)
Come on, let's get you to bed.' I lean in and kiss the scar on his eyebrow. 'It will be tomorrow when you wake up.' 'I don't deserve you.' His arm curls around my hips and he tugs me closer. 'But I'm going to keep you all the same.' 'Good.' I lean in and brush my lips over his. 'Because I think I'm in love with you.' My heart beats erratically, and panic claws up my rib cage. I shouldn't have said it. His eyes flare wide and his arms tighten around me. 'You think? Or you know?' Be brave. Even if he doesn't feel the same, at least I will have spoken my truth. 'I know. I'm so wildly in love with you that I can't imagine what my life would even look like without you in it. And I probably shouldn't have said that, but if we're doing this, then we're starting from a place of complete honesty.' He crushes his mouth to mine and pulls me fully into his lap so I'm straddling him. He kisses me so deep that I lose myself in it, in him.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
The walls, where there was room, were well decorated with calendars and posters showing bright, improbable girls with pumped-up breasts and no hips - blondes, brunettes and redheads, but always with this bust development, so that a visitor of another species might judge from the preoccupation of artist and audience that the seat of procreation lay in the mammaries. Alice Chicoy...who worked among the shining girls, was wide-hipped and sag-chested and she walked well back on her heels...She was not in the least jealous of the calendar girls and the Coca-Cola girls. She had never seen anyone like them, and she didn't think anyone ever had.
John Steinbeck (The Wayward Bus)
He wore a white girdle that pulled in his waist just above the hips. He was, of necessity, slender. She believed men should take up as little space as possible. He wore his black hair long over his shoulders, tied once with a white ribbon. The men allowed to live were, of course, beautiful, far more beautiful than any of the women Zezili knew. Anavha was clean-shaven, as she wanted him, lightly powdered in gold, his eyes lined in kohl, eyes a stormy grey, set a bit too wide in a broad face whose jaw she has initially found almost vulgar in its squareness. He stood a hand shorter than she; she easily outweighed him by fifty pounds. She liked him just this way.
Kameron Hurley (The Mirror Empire (Worldbreaker Saga, #1))
How can anyone say there is no God?" Hugh asks as he places his hands on his hip and stares at the beautiful night sky. "Just look at the heavens so full of wonder and awe. This is not the result of some random explosion. Oh no! This," he proclaims, opening his arms wide, "was thoughtfully designed by a brilliant creator with absolute precision and order.
Tracy Del Campo (BEYOND THE ATTIC DOOR)
Rachel arched, deliberately parting herself more widely over him, inviting him deeper into her body. She heard his intake of air, felt the raw tremor that shook him. Sweat sprang out on his skin, making him glow copper in the half-light. His lips drew back, baring his teeth as he fought for the control she was intent on denying him; then, with a rough sound somewhere between a groan and a purr, his hips jackhammered, and he thrust himself all the way in. Time stopped. Rachel registered the wild dilation in Cullen’s eyes, her own sense of unreality. She was backed up against a wall, her arms and legs wrapped around Cullen, and he was so deep inside her that her muscles quivered in reaction to his alien heat and hardness.
Fiona Brand (Cullen's Bride)
Goo, quit being nosey and give me a second, please.” There was a hum and then, “Can I have a hug too?” Dallas’s arms flexed and I swore I heard him laugh lightly before one of them dropped from around me as he took a step back. “Have at her, buddy.” It was then I finally glanced down at Louie to find he’d moved to stand beside my hip. The kid blinked and edged closer between us. “No, you too,” he said so effortlessly it made me want to cry. “Sandwich.” Just like that, Dallas crouched and scooped Louie up. One of those little arms went around my neck, and I would bet my life the other was around Dallas’s. The only other thing I knew for sure was that an arm too brawny to belong to a five-year-old wrapped low around my back. The side of my head went to a shoulder and one half of my chest was crushed against a much harder one. “This is nice,” Louie muttered somewhere close to my ear. I couldn’t help it. I laughed, and what I was sure was the hand connected to the arm around my back, stretched wide and covered part of my belly, the tips of long fingers touching my belly button. I sucked in a breath. “Can we do this more?” Lou continued on.
Mariana Zapata (Wait for It)
[N]ow that growing your own (food, dope, hair, younameit) is hip," wrote the author of an essay widely reprinted in alternative newspapers, "it's time to resurrect the Dope of the Depression - Homebrew." Homemade beer inspired "good vibrations" and a "pleasant high." Unlike the rest of "plastic, mass-produced shit" of modern America, homebrew represented "an exercise of craft" and empowered the "politically oriented" to retaliate against "Augustus [sic] Busch and the other fascists pigs who [were] ripping off the Common Man." "If you're looking for a cheap drunk," added the beer adviser, "go back to Gussie Busch. But if you dig the good vibes from using something you make yourself, plus an improvement in quality over the commercial shit," brew on, brothers and sisters, brew on.
Maureen Ogle (Ambitious Brew : The Story of American Beer)
The first thing I see when I wake, still on the couch in the hotel room, are the birds flying over her collarbone. Her shirt, retrieved from the floor in the middle of the night because of the cold, is pulled down on one side from where she’s lying on it. We have slept close to each other before, but this time feels different. Every other time we were there to comfort each other or to protect each other; this time we’re here just because we want to be--and because we fell asleep before we could go back to the dormitory. I stretch out my hand and touch my fingertips to her tattoos, and she opens her eyes. She wraps an arm around me and pulls herself across the cushions so she’s right up against me, warm and soft and pliable. “Morning,” I say. “Shh,” she says. “If you don’t acknowledge it, maybe it will go away.” I draw her toward me, my hand on her hip. Her eyes are wide, alert, despite just having opened. I kiss her cheek, then her jaw, then her throat, lingering there for a few seconds. Her hands tighten around my waist, and she sighs into my ear. My self-control is about to disappear in five, four, three… “Tobias,” she whispers, “I hate to say this, but…I think we have just a few things to do today.” “They can wait,” I say against her shoulder, and I kiss the first tattoo, slowly. “No, they can’t!” she says.
Veronica Roth (Allegiant (Divergent, #3))
Matteo didn't lick a woman's pussy because he felt obligated, or at the very least not mine. I might have argued he enjoyed it more than I did if he wasn't so damn good at it. That talented tongue explored every part of me, thrusting in and out until I whimpered. When he turned his attention to my clit, it was so he could slide a finger inside me. I clenched around him on a cry, feeling the way he moaned in response vibrate through me. He withdrew that finger, only to add a second and curl them to stroke that spot inside me that made me quiver. "Teo," I whimpered, and the sound of his name seemed to push him over the edge. He wrapped his lips around the bundle of nerves at the apex of my thigh, sucking gently. My legs tightened around his head; my hand buried in his hair to hold him exactly where I wanted him as I shattered in a blinding orgasm that stole my ability to function. I laid there, panting and trying to regain my ability to move. When I opened my eyes, it was to Matteo shoving his own underwear down his legs and kicking them off. He pulled his fingers free of me and spread my legs wide from where they'd wrapped around his head. Sliding up my body, his hips lined up with mine so he could grind his length against my wet core. His lips found mine in a bruising, claiming kiss that seemed even more primal because he tasted like me. He reached down, sliding himself through my wet and notching his head at my entrance. Pulling away from my lips, he groaned, "Tell me you're mine." Still recovering from my orgasm, I nodded in a daze. "Words, Angel. Give me the words." "Yours," I murmured, cupping his cheek with a delirious smile and tugging him down to kiss him again. He slid inside me slowly, filling me until there wasn't a single inch that couldn't feel him. "Fuck," he groaned against my mouth. He reached down, wrapping my legs around his hips. Our foreheads pressed together; our mouths not quite touching as he started to move inside me. Even without his lips on mine, I could taste him, taste me in his breath on my face. One of his hands grabbed mine, our fingers intertwining while he wrapped his other under my shoulder to hold me where he wanted me. He slid in and out in slow, hard thrusts.
Adelaide Forrest (Bloodied Hands (Bellandi Crime Syndicate, #1))
And so, nearly in sight of the capital of Ruthgar, they boarded the odd new skimmer that Ben-hadad had dubbed the Mighty Thruster. Kip had shaken his head. Tisis had muttered, "Boys." Ferkudi had guffawed. Winsen had grinned. Cruxer had blushed and said, "you can't call it that." "We're the Mighty," Ben-hadad said. "The propulsion units are thrusters, that's all". The damn liar. "i guess you'll be the first man to ride the Mighty Thruster?", tisis asked. His brown wrinkled. "That makes it sound..." "Make sure you take a good wide stance, legs apart, or he'll thrown you." "He? i didn't..." "Do you need more instruction? Because I'm getting quite adept at riding a mighty thruster myself," she said. Ben-hadad blanched. "You'll want to make sure you have a good grip, and loosen up your hips a--" "All right! All right!" Hours later, they sped into the mouth of the Great River -- on the good skimmer Blue Falcon
Brent Weeks (The Blood Mirror (Lightbringer, #4))
Not fair,” I muttered. “Your sword was bigger than mine.” “My sword is bigger than everyone’s.” I lobbed my controller at his head, but of course he ducked and made me miss. Damn it. “Perv.” “Oh, come on,” he laughed. “You walked right into that one, Duffy.” I scowled at him for a moment, but I could feel the aggravation slipping away. Finally, I just shook my head… and smiled. “Okay, you’re right. I did leave that one wide open. But you know, boys that talk big never are.” Wesley frowned. “We both know that isn’t true. I’ve proved it to you plenty of times.” He smirked, then leaned against me, letting his lips brush against my ear. “But I can prove it again if you want me to… and you know you want me to.” “I… I don’t think that’s necessary,” I managed. His lips were moving down my neck, sending an electric current up my spine. “Oh,” he growled playfully. “I do.” I laughed as he shoved me to the floor, one of his hands perfectly catching the space above my left hip where I was most ticklish. He’d discovered that spot a couple of weeks ago, and I was furious with myself for letting him use it against me. Now he could make me squirm and laugh uncontrollably whenever he wanted, and I could tell that he totally got off on it. Jerk. His fingers probed the sensitive spot over my hip as his mouth moved from my collarbone to my ear. I was laughing so hard I could barely breathe. Not fair. So not fair. I made a halfhearted attempt to kick him away, but he trapped my leg between his and proceeded to tickle me harder.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
She had just given Liger his food when a tap sounded on the connecting door. Priss’s heart leaped into her throat. With excitement. Not dread, or annoyance, or even indifference. Pure, sizzling stimulation. Suddenly she was wide-awake. Tamping down her automatic smile, Priss leaned on the door. “Yeah?” “Open up.” Still fighting that twitching grin, Priss tried to sound disgruntled as she asked, “Why?” Something hit the door—maybe his head—and Trace said, “I heard you up and moving around, Priss. I have coffee ready, but if you don’t want any—” Being a true caffeine junkie, she jerked open the door. “Oh, bless you, man.” She took the cup straight out of Trace’s hand, drank deeply and sighed as the warmth penetrated the thick fog of novel sentiment. “Ahhhh. Nirvana. Thank you.” Only after the caffeine ingestion did she notice that Trace wore unsnapped jeans and nothing else. Her eyes flared wide and her jaw felt loose. Holy moly. “That was my cup,” Trace told her, bemused. But Priss could only stare at him. Despite the delicious coffee she’d just poured in it, her mouth went dry. When she continued to stare at him, at his chest and abdomen, her gaze tracking a silky line of brown hair that disappeared into his jeans, Trace crossed his arms. Her gaze jumped to his face and she found him watching her with equal fascination. A little lost as to the reason for that look, Priss asked with some belligerence, “What?” With a cryptic smile, Trace shook his head. “Never mind. Help yourself, and I’ll get another.” Oh, crap, she’d snatched away his cup! “Sorry.” He lifted a hand in dismissal and went to the coffee machine sitting atop the dresser. His jeans rode low on his hips. The sun had darkened his skin, creating a sharp contrast to his fair hair. Another drink was in order, and another sigh of bliss. Hoping to regain her wits, Priss said, “God, nothing in the world tastes better than that first drink of coffee.” Trace looked over his shoulder, his attention zeroing in on her mouth, then her chest and finally down to her bare legs. “Oh, I don’t know about that.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
Oh, thou dark Hindoo half of nature, who of drowned bones hast builded thy separate throne somewhere in the heart of these unverdured seas; thou art an infidel, thou queen, and too truly speakest to me in the wide-slaughtering Typhoon, and the hushed burial of its after calm. Nor has this thy whale sunwards turned his dying head, and then gone round again, without a lesson to me. Oh, trebly hooped and welded hip of power! Oh, high aspiring, rainbowed jet!--that one strivest, this one jettest all in vain! In vain, oh whale, dost thou seek intercedings with yon all-quickening sun, that only calls forth life, but gives it not again. Yet dost thou, darker half, rock me with a prouder, if a darker faith. All thy unnamable imminglings float beneath me here; I am buoyed by breaths of once living things, exhaled as air, but water now. Then hail, for ever hail, O sea, in whose eternal tossings the wild fowl finds his only rest. Born of earth, yet suckled by the sea; though hill and valley mothered me, ye billows are my foster-brothers!
Herman Melville
Slowly, his hands coasted down to my hips, tracing my panties before he tugged them down. He looked up at me, even as his hand eased between my thighs. Ice-green eyes burned bright. "I've never wanted anyone as much as I want you." The calloused tips of his fingers slid along my swollen, slick sex. "Now that I have you, I don't know where to start." My lids fluttered, hands clutching at his shoulders as he rubbed back and forth. "Right there works for me." His smile was sin and promise. "You like that, honey?" "Yes." He toyed with the entrance to my sex, pausing there to push just enough for me to feel it, to want it. "How about here?" "There is..." My breath caught. He pushed in, long strong fingers filling me. "Is what?" he murmured darkly, those talented fingers slowly fucking me, as though he had all the time in the world. The blunt end of his thumb found my puffy clit and circled it. I whimpered again, falling against him, my arms wrapping around his neck. "So fucking good." He made a noise, possessive and greedy, his mouth finding my nipple, his long fingers pushing up into me. "God, you're perfect. So perfect for me." The slight curl of his fingers hit a spot, and that was it. I came in waves, shaking with it, heat swamping me. His eyes held mine as he coaxed me along, drawing my pleasure out. With a groan that sounded almost pained, Lucian slid to the floor, his wide shoulders edging between my legs. He palmed my thighs in his big hands to hold me steady. And then, with an impatient grunt, he leaned in and kissed my throbbing clit. Kissed it like he kissed my mouth, greedy and deep, licking and sucking, nibbling with firm lips. I cried out again, my knees so weak he had to hold me up. He ate me like a dessert, lapping at my slit before thrusting his tongue inside me. I couldn't take it. It was too much. I came again, writhing against his mouth. "That's it," he said between frantic kisses. "That's it, Em. Work that sweet pussy on my mouth." Oh, hell. I crumpled, dislodging myself before falling onto his lap. I cupped the thick column of his nape and kissed him, drawing in his breath as he groaned and devoured me.
Kristen Callihan (Make It Sweet)
You have such strength," she said softly, "but you have never hurt me. I find that remarkable." "I am very careful not to hurt you," he said, his voice thick. Rycca nodded. "I appreciate that." She touched his lean hips and beyond, lightly caressing the hard muscles of his buttocks. He gritted his teeth and swore to himself that he could bear this. She was very close to him now, the thin cloth of her chemise brushing against him.He found that barrier intolerable. Plucking at the fabric, he muttered, "Take it off." She looked a little surprised, then smiled. "The truth is,I feel safer with it on, a little bolder." "Little?" He wanted to say more, something about her being any bolder and he would burst, but he couldn't get the words out. Probably because he wasn't breathing very well. Rycca hesitated but only a moment. With the gracefulness so natural to her, she lifted the chemise over her head and discarded it. In the silvery moonlight, her skin glowed like polished alabaster, pale but for the rosy fullness of her nipples and the fiery curls between her thights. He reached for her urgently, but once again she eluded his grasp. "Please..." she said again and took his thick wrists in her hands. Drawing them away from her body, she reaised her head and met his eyes. "You can't realize how much I want to..." "Thor's thunder,lady,do whatever you will before I perish!" Her eyes widened yet more and a startled laugh broke from her. Then her expression was suddenly wistful. "Do not think badly of me." Badly? How in all creation could he manage that? She was a dream brought to life, the most exquisitely seductive enchantress he had ever imagined. And she was his by the law of man and God. In all the wide world, how could a man ask for more?
Josie Litton (Come Back to Me (Viking & Saxon, #3))
I feel shock splinter through him, his body going rigid. Then he relaxes, melting into me, stepping forward until I am caught between him and the wall, the torch crackling beside me. His hands slide down my back, over my hips and thighs, leaving a trail of fire. His heart beats fast enough for the both of us, its thunderous pulse echoing through me. I bury my hands in his dark hair, fingers knotting around those thick locks. Desire pulls at my stomach, and I lean into him, lifting one leg and wrapping it around his waist. He lifts me, and my other leg coils around him, my skirts sliding up my thighs, my back pressed against the column. His lips are soft and warm and gentle, underlined with barely restrained urgency. I cannot get enough of him. I pull his kurta over his head and let it fall on the floor. I press my hands against his bared chest, feel his heart against my palm, his lungs rising and falling. His shoulder is knotted with the scar from the arrow he took for me. He kisses me again, this time more strongly, and I run my hands down his jaw and neck, over his shoulders, the taut muscles of his back. He turns, without letting me go or breaking our kiss, and we tumble onto the soft divan. Aladdin holds himself over me, his abdomen clenched and his hair hanging across his forehead. His lips wander downward, to my chin, to the curve of my jaw, to my neck. My hands are ravenous, exploring the planes and angles of his body. His fingers find mine, and our hands knit together. He raises them over my head, pressing them into the pillow beneath my hair, as his kisses trace my collarbone, and then he sinks lower, parting the buttons of my dress and pressing his lips to my bare stomach. I gasp and open my eyes wide, my borrowed body coursing with sensations I have never felt, never dared to feel, never thought I could feel. “Aladdin,” I murmur. “We shouldn’t . . .” “Sh.” He silences me with a kiss, and I lift my chin to meet him. A warm wind rushes through my body, stirring embers and setting them aflame. I don’t want to stop. I don’t want to think about consequences. I only want Aladdin, everywhere.
Jessica Khoury (The Forbidden Wish (The Forbidden Wish, #1))
Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.
Patti Smith
Daniel placed his hands on her shoulders and pushed her down onto the edge of the bed before dropping to the floor between her thighs. Anticipation rushed through him. Since that very first day at the hospital, he’d been yearning to taste her. He wanted to memorize every shiver, every cry of pleasure. With firm hands, he parted her knees wide. She gasped. With an effort, he dragged his gaze up from the juncture of her thighs, over her perfect, pink-tipped breasts to meet her eyes. “What is it?” Story’s hands clenched and unclenched on his comforter. “Nothing. I’ve just…I’ve never…” “Never?” Daniel’s mind reeled a second before desire, even more potent than before, slammed through him. Knowing he could claim her with his mouth, mark her in a way that no one else ever had, humbled and empowered him at the same time. For the first time in the last week, he actually felt grateful for his ample experience. Daniel dipped his head and kissed the inside of her knee. At the same time, his hands skimmed up her belly to her breasts, where he teased her stiff nipples with his thumbs. He continued his methodical motions until he felt the tension ebb from her body, her thighs relaxing open once more. Savoring the taste of her skin, he licked up the inside of one thigh before giving the other side the same treatment. When her hips began shifting on the bed, he knew she was ready for more. He hooked his hands beneath her knees and draped them over his shoulders. “Baby, you’re going to want to lie back for this.
Tessa Bailey (Officer off Limits (Line of Duty, #3))
James wondered for a moment whether this was the first time someone had used a witchlight rune stone as stage lighting before his mind went blank. Christopher made a small noise in the back of his throat, and Thomas stared wide-eyed. The mermaid had human legs. They were long and really quite shapely, James had to admit, loosely draped in diaphanous skirts made of woven exotic seaweeds. Unfortunately, from the waist up she was the front half of a gaping, staring fish. Her scales were shiny metallic silver and reflected the light in a way that almost, but not quite, distracted from her dinner-plate-size, unblinking yellow eyes. The audience went mad, cheering and hooting twice as loudly as before. One of the werewolves howled, "CLARIBELLA!" in a mournful, yearning voice. "May I present," Matthew cried with a grin, "Claribella the Mermaid!" The crowd whistled and banged their approval. James, Christopher, and Thomas struggled to find words. "The mermaid's backwards," said James, having regained some of his vocabulary--though perhaps not all of it. "Matthew hired a reverse mermaid," Thomas agreed. "But why?" "I wonder what kind of fish she is," said Christopher. "Are mermaids a specific kind of fish? Sharks or herring, or such?" "I had kippers this morning," said Thomas sadly. The backward mermaid began to swing her hips side to side, with the ease of a practiced cabaret dancer. Her mouth bobbed open and closed in rhythm with the music. Her small fins, on either side of her body, flapped.
Cassandra Clare (Chain of Iron (The Last Hours, #2))
The rain beat against the windows and against the tin roof of the hotel. It came down in hissing roars, then in whispers, then in loud shishes like sandpaper rubbed against wood. She drank the second glassful, climbed off the bed and began undressing, and then we were together, the cheap naked bulb still blazing down on the bed. Thinking back, I remember the stupidest things; the way there was a taut crease just above her hips, in the small of her back. The way she smelled like a baby's breath, a sweet barely there smell that retreated and retreated, so that no matter how close you got to it you weren't sure it was there. The brown speckles in the lavender-gray eyes, floating very close to the surface when I kissed her, the eyes wide open and aware. But not caring. The eyes of a gourmet offered a stale chunk of bread, using it of necessity but not tasting it any more than necessary. I remember getting up and coming back to her, and of throwing a shoe at the light bulb, later, when the whisky was gone. I remember the smell of rain-darkness in the room and her telling me I'd cut my feet on the light-bulb glass on the floor. And how she said I was no better than a tramp myself, that I made love to the cadence of the raingusts on the roof, and it was true I was doing just that, but it seemed the natural thing then. And I felt so marvelously clean and soaped and so in tune with the whole damned universe that I had the feeling I could have clouded up and rained and lightninged myself, and blown that cheese-colored room to smithereens.
Elliott Chaze (Black Wings Has My Angel)
She rose and walked to the small fireplace, where a kettle had been set long before supper. It was gently steaming now. She caught up a rag and reached for the handle, but another, much bigger, hand got there first. Lily gave a tiny jump, watching wide-eyed as Caliban picked up the hot kettle as easily as lifting a twig. At least he’d had enough sense to shield his palm from the heat with a rag. He stood blank-faced until she pulled herself together. “In here.” She stepped gingerly around his bulk and led him into the little bedroom. A tin hip bath was waiting, laid beside the bed on some old cloths. It was already half full of cold water. “You can pour it in there.” He lifted the hem of his shirt to hold the bottom of the kettle and she caught an unsettling flash of his stomach. Hastily she looked away, her cheeks heating.
Elizabeth Hoyt (Darling Beast (Maiden Lane, #7))
Lady Isabeau was tall for a woman, nearly as tall as Molly, but slender where Molly was stout, with a smooth immobile face that looked as if it had been carved from ivory, pale and serene. Hob stared at her: glossy black hair bound about the brows with a broad white linen fillet and partly concealed by a veil that draped down her neck; dark eyes beneath dark brows plucked thin; unsmiling lips, full and well-shaped. There was so little expression on her face, and its beauty was so unworldly, that Hob had a moment when he thought her an apparition, or a graven figure. “Blanche comme la neige,” came to his mind, a song Molly had taught him, “belle comme le jour.” The thinnest of scars ran from her hairline down her forehead, divided her left eyebrow, and curved along her cheek to the corner of her mouth, and seemed at once to augment her beauty and to reinforce its carven stillness, as if some wright's chisel had slipped in the course of fashioning her visage. A linen band of the sort known as a barbette ran down from the fillet at her temples and passed under her chin, framing her face, and rendering her features all the more austere. Her gown was a muted purple; heavy embroidery of red and blue circled its neckline, and it was gathered by a zone of gray silk, sewn with pearls, that circled her hips. From this belt depended a silver ring, as wide around as a big man's fist. On the ring was a bunch of black iron keys, of varying sizes: the symbol and reality of her standing as administrator of the household. As she spoke, she fiddled with the keys as though they were prayer beads; they gave off a continual muted clink, just barely audible to Hob above the rumble of voices, the thuds and thumps of plank tabletops settling onto their trestles.
Douglas Nicholas
Linnie. And this Winnie.” They wore identical smiles, their bright black eyes sparked with curiosity. “Are you the doctor?” “No, I’m just volunteering.” “I knowed that, too.” Winnie gave her an exaggerated shake of the head. “Girls is never the doctor. They’s the nurses.” “Oh no, what about Dr. Clare? Huh? The lady doctor who took care of Grammy in the hospital when she broke her hip bone?” Linnie asked. “Yeah, but she was a white lady. They can be doctors.” Winnie looked at Lucy. “Right? There are white lady doctors. I seen ‘em.” Lucy felt her eyes go wide. Were there children who still believed your gender or color dictated your career? “There are white lady doctors, black lady doctors, white man doctors, black man doctors.” They stared at her. She thought for a moment. “And there are white man nurses and black man nurses, too.” “Now you’re just bein’ silly,” Linnie said and let out a laugh.
Mary Jane Hathaway (Persuasion, Captain Wentworth and Cracklin' Cornbread (Jane Austen Takes the South, #3))
Cassandra, I can't marry you and go about business as usual the next day. Newlyweds need privacy." He had a point. But he looked so disgruntled, Cassandra couldn't resist teasing. With a glance of wide-eyed innocence, she asked, "What for?" Tom appeared increasingly flustered as he tried to come up with an explanation. Cassandra waited, gnawing on the inside of her lips. Tom's face changed as he saw the dance of laughter in her eyes. "I'll show you what for," he said, and lunged for her. Cassandra fled with a shriek, skirting nimbly around the table, but he was as fast as a leopard. After snatching her up with ease, he deposited her on the settee, and pounced. She giggled and twisted as the amorous male weight of him lowered over her. The scent of him was clean but salted with sweat, a touch of bay rum cologne sharpened with body warmth. His face was right above hers, a few locks of dark hair tumbling on his forehead. Grinning at her efforts to dislodge him, he braced his forearms on either side of her head. She'd never played with a man like this, and it was incredibly entertaining and fun, and the tiniest bit scary in a way that excited her. Her giggles collapsed slowly, like champagne froth, and she wriggled as if to twist away from him even though she had no intention of doing so. He countered by settling more heavily into the cradle of her hips, pressing her into the cushions. Even through the mass of her skirts, she felt an unfamiliar pressure of his arousal. The thick ridge fit perfectly against the juncture of her thighs, aligning intimately with her in a way that was both embarrassing and stirring. A stab of desire went through her as she realized this was how it would be... the anchoring weight of him, all hard muscle and heat... his eyes heavy-lidded and hot as he stared down at her. Dazedly she reached up and pulled his head to hers. A whimper of pleasure escaped her as he kissed her thoroughly, wringing sensation from her softness, licking deep.
Lisa Kleypas (Chasing Cassandra (The Ravenels, #6))
swirl together and our breathing clashes, my hips are busy rubbing against his. My legs spread just about as wide as I can get, forcing my pussy to open like a flower and hug his dick tight. Pushing off his chest, I lift up, grab his dick, and slam myself home. I almost can’t hear the harsh bite of his breath over my scream. I feel the rings hitting a spot deep within me that will have me begging in no time. The one pressed tight against my clit has my vision going hazy. “Have . . . to . . . move,” he warns, and once again, I find myself rolled onto my back. He doesn’t even pause when he flips and pounds into me. His hips slap against mine, his balls make a loud, wet sound as they hit my skin, and his eyes flash something I wish to God I understood. “H-h-harder!” He slams deep and leans up on his knees causing his dick to slip out almost completely. His large hands grab my hips and bring my body half off the bed. With my head still on the bed, the rest of my body hovers under his control as he pulls back and gives me my wish. My legs are dead weight, my hands clench tightly in the sheets, and my eyes hold his. The look in his eyes combined with the hard hitting of his piercings, and the awe-inspiring thrusts is enough to have me screaming. Screaming, begging, and pleading. I have lost control of my body. It is locked tight and shattering into pieces. His hips pick up speed but then slightly slow down towards the end of my release. He brings my body back down to the mattress and rocks his hips, causing a few more aftershocks to roll through my body. “Do you like my cock? Do you like having me so deep in your body you won’t be able to walk tomorrow? The way your pussy is gripping my dick and your wetness is coating my balls, I would say you fucking love it.” I whimper and he smiles. This isn’t the attractive smile he gives the public, no . . . this smile is pure fucking sexy evil. “Going to fuck you raw.” He warns before making true to his words. When he finally grabs my hips and locks our pelvises together, I have come twice and lost track of reality.
Harper Sloan (Corps Security: The Series (Corp Security, #1-5))
He leaned down and kissed her stomach, her hip bones, while his big hands held her in place. Then his mouth was on her, covering her, licking over her clit. She arched up, crying out as his tongue slid over her folds, making her mindless and crazy. She clutched the pillow, burying her head into the softness as he sucked and licked, nipping over her skin. She clamped her thighs around his head. Whimpered. He was going to drive her right over the edge. His tongue lapped over her clit. "Jack, stop," she said, her voice harsh and panting. "I'm going to... God... No... I want..." He didn't stop. Didn't ease up. He just pushed her harder. His tongue. It was magic. The condom packet slid off her stomach as she planted her feet and rocked into him. Giving up, surrendering to his will and determination. Everything that made Jack, Jack. She coiled tight and then she exploded. She bit her lip, stifling her moans as she rode out wave after wave of delicious sensation. She couldn't think, couldn't put together a sentence, but then he was on her, over her. His palm on her neck, his fingers on her jaw, twisting her face to meet his. His mouth covered hers. He tasted like sex. And lust. His grasp was tight on her jaw, and the way he kissed her, devoured her, sucked her right back under. It was a raw, dirty kiss that consumed her. Her fingers came up to where he held her, and she dug her nails into his wrists. He growled against her lips, biting her, sucking. And the kiss went on and on and on. He finally pulled away, grabbed the condom, and tore open the package. He tossed it onto her body again, ridding himself of his sweats, and then he was naked. And she could only gape at him. Her gaze wide. He had the best cock she'd ever seen in her life. Long and thick. A work of goddamn art. She reached for him, but he grabbed her wrist, shaking his head. "I can't wait, Chlo." He picked up the condom, threw the packet on the floor somewhere and rolled the condom down his hard shaft. She breathed out his name. "Jack." He leaned down, kissing her again, soft and sweet. His erection nudged between her legs. "Just let me inside.
Kate Angell (The Cottage on Pumpkin and Vine)
His nostrils flared and he couldn't wait any longer. He lifted her bodily, moving her farther up on the bed, placing her head and shoulders against the pillows, and then pushed up her chemise, crawling between her spread thighs and settling to enjoy what he'd found. There. There she was, her pretty, pretty pink cunny, all coral lips and wispy dark-blond curls. He hiked her trembling legs over his arms, ignoring her gasp of shocked surprise. He glanced up at once and saw wide, wondering eyes gazing back at him. Her gentlemanly first husband had evidently never done this to her. More fool he. Then he bent and feasted. His nose pressed into her mound, inhaling her woman's scent, his cock grinding hard into the bed, his tongue licking into tart and salt and her. Oh God, her. She squealed at his first touch and tried to squirm away, but he held her fast with his hands on her hips. He almost smiled against her tender flesh, his teeth scraping oh so gently. She might be startled, might be outraged and shocked, but she liked it. Perhaps even loved it- what he was doing to her. She was moaning now, low in her throat, making little mewling sounds, so erotic and sweet, her hips twitching against his lips, trying to get more. He opened his mouth, covering her, breathing over her. He stiffened his tongue and speared into her as far as he could reach, his jaw aching. She cried out at that and he felt fingers tangling in his hair. He withdrew his tongue and moved to her clitoris, taking the small bit of flesh gently between his teeth and pulling. She froze, trembling all over, and he could hear her gasping breaths. He opened his mouth and licked her. Softly. Tenderly. Thoroughly. And at the same time he shoved two fingers into her, feeling her wet walls contract against his knuckles, smelling the rise of her arousal. She arched under him, her soft thighs thrashing restlessly, making no sound, but he knew. He knew. He curled the fingers inside her and stroked her wet, silky inner walls as he pulled them back. Then he shoved them again into her, hard and firm, repeating the motion as he suckled her clitoris. She moaned- loud in the quiet room- and pushed against him, and he felt her tremble and suddenly grow wetter. She shuddered helplessly and he was drunk on her release, his cock a heavy, near-painful throb. He turned his head and kissed the inside of her soft thigh, listening to her pant.
Elizabeth Hoyt (Duke of Desire (Maiden Lane, #12))
Nobody ever talked about what a struggle this all was. I could see why women used to die in childbirth. They didn't catch some kind of microbe, or even hemorrhage. They just gave up. They knew that if they didn't die, they'd be going through it again the next year, and the next. I couldn't understand how a woman might just stop trying, like a tired swimmer, let her head go under, the water fill her lungs. I slowly massaged Yvonne's neck, her shoulders, I wouldn't let her go under. She sucked ice through threadbare white terry. If my mother were here, she'd have made Melinda meek cough up the drugs, sure enough. "Mamacita, ay," Yvonne wailed. I didn't know why she would call her mother. She hated her mother. She hadn't seen her in six years, since the day she locked Yvonne and her brother and sisters in their apartment in Burbank to go out and party, and never came back. Yvonne said she let her boyfriends run a train on her when she was eleven. I didn't even know what that meant. Gang bang, she said. And still she called out, Mama. It wasn't just Yvonne. All down the ward, they called for their mothers. ... I held onto Yvonne's hands, and I imagined my mother, seventeen years ago, giving birth to me. Did she call for her mother?...I thought of her mother, the one picture I had, the little I knew. Karin Thorvald, who may or may not have been a distant relation of King Olaf of Norway, classical actress and drunk, who could recite Shakespeare by heart while feeding the chickens and who drowned in the cow pond when my mother was thirteen. I couldn't imagine her calling out for anyone. But then I realized, they didn't mean their own mothers. Not those weak women, those victims. Drug addicts, shopaholics, cookie bakers. They didn't mean the women who let them down, who failed to help them into womanhood, women who let their boyfriends run a train on them. Bingers and purgers, women smiling into mirrors, women in girdles, women in barstools. Not those women with their complaints and their magazines, controlling women, women who asked, what's in it for me? Not the women who watched TV while they made dinner, women who dyed their hair blond behind closed doors trying to look twenty-three. They didn't mean the mothers washing dishes wishing they'd never married, the ones in the ER, saying they fell down the stairs, not the ones in prison saying loneliness is the human condition, get used to it. They wanted the real mother, the blood mother, the great womb, mother of a fierce compassion, a woman large enough to hold all the pain, to carry it away. What we needed was someone who bled, someone deep and rich as a field, a wide-hipped mother, awesome, immense, women like huge soft couches, mothers coursing with blood, mothers big enough, wide enough, for us to hide in, to sink down to the bottom of, mothers who would breathe for is when we could not breathe anymore, who would fight for us, who would kill for us, die for us. Yvonne was sitting up, holding her breath, eyes bulging out. It was the thing she should not do. "Breathe," I said in her ear. "Please, Yvonne, try." She tried to breathe, a couple of shallow inhalations, but it hurt too much. She flopped back on the narrow bed, too tired to go on. All she could do was grip my hand and cry. And I thought of the way the baby was linked to her, as she was linked to her mother, and her mother, all the way back, insider and inside, knit into a chain of disaster that brought her to this bed, this day. And not only her. I wondered what my own inheritance was going to be. "I wish I was dead," Yvonne said into the pillowcase with the flowers I'd brought from home. The baby came four hours later. A girl, born 5:32 PM.
Janet Fitch (White Oleander)
I am your wife, but I will do as I please, I raged, and the spell rose in my head without effort. Belt that holds my husband’s pants, Loosen now and make him dance. Tiras’s belt flew from his breeches like a sea serpent, slithering through the air only to strike at him with its tail. He stepped back from me, his eyes growing wide as he gripped the gyrating length of leather, holding it at arm’s length with one hand as he held up his pants with the other. But I wasn’t finished. Boots upon my husband’s feet, Kick him so he’ll take a seat. Tiras fell flat on his behind as his boots shimmied and wriggled free, throwing him off balance. His boots then proceeded to kick him on his back and his thighs as he yowled in stunned outrage. “Lark!” Shirt upon my husband’s chest, Wrap yourself around his head. His tunic promptly rose like Tiras was shrugging it off, only it wrapped itself around him, obscuring his angry face. I started to laugh then. I couldn’t help it. He looked so ridiculous sitting on the floor of the library, his socks hanging from his feet, his breeches falling around his hips, his shirt over his head, and his boots and belt attacking him. Tiras lashed out and grabbed my skirts, yanking me down beside him. “Call off the hounds, Lark!” he bellowed, and I laughed even harder, shaking with mirth even as he rolled himself on top of me and valiantly fought the tunic that kept wrapping itself around his face. The tunic was slightly dangerous, the boots weren’t very accurate, and the tail end of the belt had made a welt across my cheek. I decided enough was enough. I performed a sloppy rhyme, and Tiras let out a stream of profanities as the shirt ceased its murderous attempts and the belt and boots fell to the floor, inanimate once again. Tiras’s breathing was harsh and fast, his hair mussed and falling over his eyes as he braced his forearms on either side of my head. His big body pressed me into the floor, making it hard to draw breath. I was well and truly trapped, but I felt like the victor regardless. Are you injured, husband? He was glaring and angry for all of three seconds. Then the lines around his eyes deepened and a smile broke out across his face. He laughed with me, but he kept me pinned beneath him, his face inches from mine. “You enjoyed that, didn’t you?” Immensely. “Tell me this, wife. Is there a spell to quickly remove your dress?” he whispered, still smiling, his breath tickling my mouth. I felt my face grow hot, and I closed my eyes, trying to retreat, even as I immediately considered a spell to render us both naked.
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
She wraps her legs around my waist, and I walk us slowly down the hall. "Mmm, wait," she whines against my mouth. "I haven't showered. I'm so gross, and I don't..." She trails off as I turn into my bathroom, then set her down. She shuffles her bare feet against the gray stone tile, an inquisitive look on her face as she looks around the narrow space bathed in neutral hues. I push open the glass door and turn on the shower. Water cascades from the waterfall showered. "Oh," she says as she grins and bites her bottom lip. By the time we've helped each other out of our clothes, the water's warm. I help her in first, then step in. And then, under the hot stream of water, we resume our dirty kissing and grabbing. "Wait, wait." She presses a hand against my chest, then reaches for the shampoo bottle on the ledge. "I do need to get clean first." I laugh and follow her lead by shampooing my own hair and doing a quick rinse with body wash. She holds her hand out for the loofah, but I shake my head. "Let me?" A devilish smirk tugs at her perfect mouth. When she nods and licks her lips, I have to take a second. God, this woman. The way she's sweet and filthy all at once is enough to make me lose it right here. But I refuse. Not before she gets what I'm dying to give her. I work up a lather and run the loofah all over her body. I take my time, paying attention to every part of her. These beautifully curved hips, the fullness of her thighs, the gentle curve of her waist, her arms, her hands, the swell of her boobs. And then I lather up my hands and slowly work between her legs. She clutches both hands around my biceps, and her toes curl against the earthen-hued river rock that lines the shower floor. Her eyes go wide and pleading as she looks up at me. I lean down to kiss her. "Tell me what you want." "You. Just you. Please." With her breathy request, I'm ready to burst. Not yet, though. She reaches down to palm me, but I gently push her hand away. I want this to be one hundred percent about her. When she presses her mouth against my shoulder and her sounds go louder and more frantic, I work my hand faster. She's panting, pleading, shouting. When I feel the sting of her teeth against my skin, I grin. Fuck yeah, my girl is rough when she loses it and I love it. I love her. She explodes against my palm, the weight of her body shuddering against me. I've got her, though. I've always, always got you. When she starts to ease back down, she lets out a breathy laugh. "Oh my god." I nod down at her, which only makes her laugh harder. Then she glances down at what I'm sporting between my legs and flashes a naughty smirk. "Let's do something about that." Soon it's me at the mercy of her hands. My head spins at the pleasure she delivers so confidently, like she knows every single one of my buttons to push. When I lose it, I'm shuddering and grunting. For a few seconds, my vision's blurry. She's that incredible.
Sarah Echavarre Smith (The Boy With the Bookstore)
I push my eye farther into the crack, smushing my cheek. The door rattles. Her arm freezes. The needle stops. Instantly, her shadow fills the room, a mountain on the wall. “Leidah?” I hold my breath. No hiding in the wood-box this time. Before I even have time to pull my eye away, the door opens. My mother's face, like the moon in the dark hallway. She squints and takes a step toward me. “Lei-lee?” I want to tell her I’ve had a nightmare about the Sisters, that I can’t sleep with all this whispering and worrying from her—and what are you sewing in the dark, Mamma? I try to move my lips, but I have no mouth. My tongue is gone; my nose is gone. I don’t have a face anymore. It has happened again. I am lying on my back, flatter than bread. My mother’s bare feet slap against my skin, across my belly, my chest. She digs her heel in, at my throat that isn’t there. I can see her head turning toward her bedroom. Snores crawl under the closed door. The door to my room is open, but she can’t see my bed from where she stands, can’t see that my bed is empty. She nods to herself: everything as it should be. Her foot grinds into my chin. The door to the sewing room closes behind her. I struggle to sit up. I wiggle my hips and jiggle my legs. It is no use. I am stuck, pressed flat into the grain of wood under me. But it’s not under me. It is me. I have become the floor. I know it’s true, even as I tell myself I am dreaming, that I am still in bed under the covers. My blood whirls inside the wood knots, spinning and rushing, sucking me down and down. The nicks of boot prints stomp and kick at my bones, like a bruise. I feel the clunk of one board to the next, like bumps of a wheel over stone. And then I am all of it, every knot, grain, and sliver, running down the hall, whooshing like a river, ever so fast, over the edge and down a waterfall, rushing from room to room. I pour myself under and over and through, feeling objects brush against me as I pass by. Bookshelves, bedposts, Pappa’s slippers, a fallen dressing gown, the stubby ends of an old chair. A mouse hiding inside a hole in the wall. Mor’s needle bobbing up and down. How is this possible? I am so wide, I can see both Mor and Far at the same time, even though they are in different rooms, one wide awake, the other fast asleep. I feel my father’s breath easily, sinking through the bed into me, while Mor’s breath fights against me, against the floor. In and out, each breath swimming away, away, at the speed of her needle, up up up in out in out outoutout—let me out, get me out, I want out. That’s what Mamma is thinking, and I hear it, loud and clear. I strain my ears against the wood to get back into my own body. Nothing happens. I try again, but this time push hard with my arms that aren’t there. Nothing at all. I stop and sink, letting go, giving myself into the floor. Seven, soon to be eight… it’s time, time’s up, time to go. The needle is singing, as sure as stitches on a seam. I am inside the thread, inside her head. Mamma is ticking—onetwothreefourfivesix— Seven. Seven what? And why is it time to go? Don’t leave me, Mamma. I beg her feet, her knees, her hips, her chest, her heart, my begging spreading like a big squid into the very skin of her. It’s then that I feel it. Something is happening to Mamma. Something neither Pappa nor I have noticed. She is becoming dust. She is drier than the wood I have become. - Becoming Leidah Quoted by copying text from the epub version using BlueFire e-reader.
Michelle Grierson (Becoming Leidah)
If you aren't in love, Willow Vaughn, then my name isn't Miriam Brigham." Willow started out of her daydreaming and glanced up from the laundry tub. Miriam stood before her with her fists planted on her hips. "Now, Miriam, I-" "No sense denying it, young lady. You've got that dreamy dazed glow about you. Rider Sinclair isn't much better, the way he hangs around you,like a bee drawn to honey. He's always holding your hand or throwing his arm around you when he thinks I'm not looking." "Well,even if I were in love, it wouldn't change anything. I still don't want another man to look after, and I don't need one looking out for me either. I can take care of myself!" "Course, you can!" Miriam agreed, picking the last sheet out of the rinse water and wringing it out. "Most women can. Look at me, I run a boarding house and support myself just fine. But let me tell you something. That lonely bed of mine is mighty cold on winter nights, even here in the territory." Willow blushed and concentrated on her hands where they rested on the edge of the tub. "Willow," Miriam continued, "you've been managing your pa just fine since he got home. A husband isn't any more difficult to manage than a father, unless, of course, you're married to a no-good lout." Willow dried her hands on the wide white apron around her middle. "But, Miriam, if I don't marry, then I don't have to bother finagling a man to my way of doing things. Staying single makes a hell of a lot more sense!" "Watch the cursing, young lady." Miriam slung the sheet over the line and returned to help Willow with the wash tub. They each grapped a handle and carried it a few feet before setting it down to rest their arms a moment. "Willow, use your noggin, will you? Part of the fun of being a woman is wrapping some big, handsome hunk of a man around your little finger. You do have to use your good sense, though, and realize when you're wrong and he's right. Of course"-Miriam chuckled-"that won't be too often. "And you have to be careful not to hurt a man's feelings overly much. Men are funny creatures. They seldom let their emotions show because they think it isn't manly. But you can tell when they're upset.They start pouting like a little boy.I've always thought that was rather curious.
Charlotte McPherren (Song of the Willow)
The phone was snatched from her grasp. She let out a screech, her fingers clasping at air. “Hey! Give that back.” Gracie slipped it down the V of her tank and into her ample cleavage. “Come and get it.” Billy plopped down on a vacant stool, eyes bugging out of his head. Maddie stared at Gracie’s chest and contemplated. She could stick her hand down a woman’s top. It was no big deal—just skin, for God’s sake. She jumped off the stool and straightened to her full five-foot-three inches. “What is wrong with calling him?” “It’s a girlfriend’s responsibility to stop her friend from the dreaded drunk dial.” Maddie scowled. She was not drunk dialing! “Telling him where I am isn’t a crime.” Gracie planted her hands on her hips. “Sorry, honey. I’m doing this for your own good.” “You don’t understand.” Maddie picked up her drink and took a slow sip. Her gaze was fixed on the stretch of fabric across Gracie’s ample chest. She wanted that phone, and with way too many margaritas in her system, she wasn’t above groping another woman to get it. “I’m getting that phone.” Billy’s mouth dropped open, and Maddie was surprised no drool hung down his chin like a rabid dog’s. “You’ll thank me later.” Gracie didn’t appear the least bit threatened. If anything, she thrust her breasts out farther, as though daring Maddie to come and get it. “Give it to me!” Maddie stomped her foot. “Like I said, come and get it.” Gracie batted her thick lashes, cornflower-blue eyes sparkling. She tucked her hand into her top and shoved it lower into her bra. “All right, but remember, I know how to fight.” Gracie laughed and Billy whooped like he’d hit the jackpot. Maddie charged. Gracie’s eyes widened in surprise, and she let out a holler, crossing her arms over her chest for protection. Maddie refused to be thwarted. She squeezed her lids together so she wouldn’t have to look and flung her hands out, praying she’d get hold of something. When her palm brushed against soft, pillowy cotton, she squealed. Pay dirt. “Maddie!” Gracie grabbed her hand, twisting her body to block Maddie’s progress. “That’s my boob!” Maddie reached again and this time her hand curled around the cotton neckline. She pulled, squirming down the deep V of the top. Her fingers brushed the phone and a surge of adrenaline pounded through her. “Now, why doesn’t this surprise me?” Mitch’s voice made her knees go weak. Before she could swing around, she was hauled against his warm, strong body. She sagged in relief. He’d come for her after all. “You girls are giving everyone quite a show.” Charlie stood next to Mitch, looking lethal in all black. Maddie could picture him with an FBI armband over his bicep. Wait . . . was that the FBI? Or was it SWAT? “With all these disappointed faces, I’m sorry we broke them up.” Mitch’s tone rang with amusement, and Maddie realized it had been too long since she’d heard him sound like that. “I wanted to call you, but she wouldn’t let me.” Her pulse raced from her girl fight and the buzz of tequila. His palm spread wide over the expanse of her stomach, his thumb brushing the bottom of her breast. “Well, here I am.” “See!” Gracie pointed and shook her hips in a little booty dance. “I told you so!” Yes,
Jennifer Dawson (Take a Chance on Me (Something New, #1))