Chun Li Quotes

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I stood when standing was not easy. -Chun Li
Justin Marks
chun li
ONIKA
possibly at the Kaitokudō, one of the most prominent of the new schools chartered by the government to provide “an appropriately practical Confucian education” to the children of the merchant and artisan classes.8 The curriculum would have included the Confucian canon—the Four Books (Lun yü [Analects] of Confucius, Da xue [The Great Learning], Zhong yong [The Doctrine of the Mean], and Mengzi [Mencius]) and the Five Classics (I jing [The Book of Changes], Shu jing [The Book of Documents], Shi jing [The Book of Songs], Li ji [The Book of Rites], and Chun qiu [Spring and Autumn Annals])—and Japanese classics, especially waka (thirty-one-syllable court poems), Ise monogatari (Tales of Ise, ca. 947), and The Tale of Genji.
Ueda Akinari (Tales of Moonlight and Rain (Translations from the Asian Classics (Paperback)))
Presently Grandmother Jia appeared, seated, in solitary splendour, in a large palanquin carried by eight bearers. Li Wan, Xi-feng and Aunt Xue followed, each in a palanquin with four bearers. After them came Bao-chai and Dai-yu sharing a carriage with a splendid turquoise-coloured canopy trimmed with pearls. The carriage after them, in which Ying-chun, Tan-chun and Xi-chun sat, had vermilion-painted wheels and was shaded with a large embroidered umbrella. After them rode Grandmother Jia’s maids, Faithful, Parrot, Amber and Pearl; after them Lin Dai-yu’s maids, Nightingale, Snowgoose and Delicate; then Bao-chai’s maids, Oriole and Apricot; then Ying-chun’s maids, Chess and Tangerine; then Tan-chun’s maids, Scribe and Ebony; then Xi-chun’s maids, Picture and Landscape; then Aunt Xue’s maids, Providence and Prosper, sharing a carriage with Caltrop and Caltrop’s own maid, Advent; then Li Wan’s maids, Candida and Casta; then Xi-feng’s own maids, Patience, Felicity and Crimson, with two of Lady Wang’s maids, Golden and Suncloud, whom Xi-feng had agreed to take with her, in the carriage behind. In the carriage after them sat another couple of maids and a nurse holding Xi-feng’s little girl. Yet more carriages followed carrying the nannies and old women from the various apartments and the women whose duty it was to act as duennas when the ladies of the household went out of doors.
Cao Xueqin (The Crab-Flower Club (The Story of the Stone #2))