Whistle Me Home Quotes

We've searched our database for all the quotes and captions related to Whistle Me Home. Here they are! All 59 of them:

eat, baby. eat. chew. please. I know it hurts. I know it doesn’t feel good. please. I know your hunger is different than mine. I know it doesn’t taste the same as mine. imagine you could grow up all over again and pinpoint the millisecond that you started counting calories like casualties of war, mourning each one like it had a family. would you? sometimes I wonder that. sometimes I wonder if you would go back and watch yourself reappear and disappear right in front of your own eyes. and I love you so much. I am going to hold your little hand through the night. just please eat. just a little. you wrote a poem once, about a city of walking skeletons. the teacher called home because you told her you wished it could be like that here. let me tell you something about bones, baby. they are not warm or soft. the wind whistles through them like they are holes in a tree. and they break, too. they break right in half. they bruise and splinter like wood. are you hungry? I know. I know how much you hate that question. I will find another way to ask it, someday. please. the voices. I know they are all yelling at you to stretch yourself thinner. l hear them counting, always counting. I wish I had been there when the world made you snap yourself in half. I would have told you that your body is not a war-zone, that, sometimes, it is okay to leave your plate empty.
Caitlyn Siehl
The many pro-surveillance advocates I have debated since Snowden blew the whistle have been quick to echo Eric Schmidt’s view that privacy is for people who have something to hide. But none of them would willingly give me the passwords to their email accounts, or allow video cameras in their homes.
Glenn Greenwald (No Place to Hide: Edward Snowden, the NSA, and the U.S. Surveillance State)
You know, it’s funny what you’ll miss when you’re away from home. Now me, I miss the smell of coffee … and bacon frying in the morning.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
Mother seemed happiest when making and tending home, the sewing machine whistling and the Mixmaster whirling. Her deepest impulse was to nurture, to simply dwell; it had nothing to do with ambition and achievement in the world...How had I come to believe that my world of questing and writing was more valuable than her dwelling and domestic artistry?...I wanted to go out and do things--write books, speak out. I've been driven by that. I don't know how to rest in myself very well, how to be content staying put. But Mother knows how to BE at home--and really, to be in herself. It's actually very beautiful what she does...I think part of me just longs for the way Mother experiences home.
Sue Monk Kidd
I brought a picture with me that I had at home, of a girl in a swing with a castle and pretty blue bubbles in the background, to hang in my room, but that nurse here said the girl was naked from the waist up and not appropriate. You know, I've had that picture for fifty years and I never knew she was naked. If you ask me, I don't think the old men they've got here can see well enough to notice that she's bare-breasted. But, this is a Methodist home, so she's in the closet with my gallstones.
Fannie Flagg (Fried Green Tomatoes at the Whistle Stop Cafe)
At home I used to walk through emotional wastelands where the lines on craggy faces were so deep that the wind whistled through them. People fell in and out of my life, but it was the places that really mattered. Even now I can feel them tugging at my sleeve and spinning around in my head. All the old stories have it wrong, because it's not the ghost that haunts the house; it's the house that haunts the ghost. I feel lost out here, and everything reminds me that I'm not quite real. In the end it's always home that damns us.
Damien Echols (Life After Death)
All right, silent dark bear with angry frown, tell me more about your land.” He settled back down, picturing it. “I would tend to our land from the moment the sun rose to when it set and then you ...she would tend to me.” He laughed at her expression again. The world of exile camps and the Valley felt very far away, and he wanted to lie there forever. “Let me tell you about your bride,” she said, propping herself up on her elbows. “Both of you would cultivate the land. You would hold the plow, and she would walk alongside you with the ox, coaxing and singing it forward. A stick in her hand, of course, for she would need to keep both the ox and you in line.” “What would we...that is, my bride and I, grow?” “Wheat and barley.” “And marigolds.” Her nose crinkled questioningly. “I would pick them when they bloomed,” he said. “And when she called me home for supper, I’d place them in her hair and the contrast would take my breath away.” “How would she call you? From your cottage? Would she bellow, ‘Finnikin!’?” “I’d teach her the whistle. One for day and one for night.” “Ah, the whistle, of course. I’d forgotten the whistle.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
We had a little slave boy whom we had hired from some one, there in Hannibal. He was from the Eastern Shore of Maryland, and had been brought away from his family and his friends, half way across the American continent, and sold. He was a cheery spirit, innocent and gentle, and the noisiest creature that ever was, perhaps. All day long he was singing, whistling, yelling, whooping, laughing - it was maddening, devastating, unendurable. At last, one day, I lost all my temper, and went raging to my mother, and said Sandy had been singing for an hour without a single break, and I couldn't stand it, and wouldn't she please shut him up. The tears came into her eyes, and her lip trembled, and she said something like this - 'Poor thing, when he sings, it shows that he is not remembering, and that comforts me; but when he is still, I am afraid he is thinking, and I cannot bear it. He will never see his mother again; if he can sing, I must not hinder it, but be thankful for it. If you were older, you would understand me; then that friendless child's noise would make you glad.' It was a simple speech, and made up of small words, but it went home, and Sandy's noise was not a trouble to me any more.
Mark Twain (The Autobiography of Mark Twain)
[excerpt] The usual I say. Essence. Spirit. Medicine. A taste. I say top shelf. Straight up. A shot. A sip. A nip. I say another round. I say brace yourself. Lift a few. Hoist a few. Work the elbow. Bottoms up. Belly up. Set ‘em up. What’ll it be. Name your poison. I say same again. I say all around. I say my good man. I say my drinking buddy. I say git that in ya. Then a quick one. Then a nightcap. Then throw one back. Then knock one down. Fast & furious I say. Could savage a drink I say. Chug. Chug-a-lug. Gulp. Sauce. Mother’s milk. Everclear. Moonshine. White lightning. Firewater. Hootch. Relief. Now you’re talking I say. Live a little I say. Drain it I say. Kill it I say. Feeling it I say. Wobbly. Breakfast of champions I say. I say candy is dandy but liquor is quicker. I say Houston, we have a drinking problem. I say the cause of, and solution to, all of life’s problems. I say god only knows what I’d be without you. I say thirsty. I say parched. I say wet my whistle. Dying of thirst. Lap it up. Hook me up. Watering hole. Knock a few back. Pound a few down. My office. Out with the boys I say. Unwind I say. Nurse one I say. Apply myself I say. Toasted. Glow. A cold one a tall one a frosty I say. One for the road I say. Two-fisted I say. Never trust a man who doesn’t drink I say. Drink any man under the table I say. Then a binge then a spree then a jag then a bout. Coming home on all fours. Could use a drink I say. A shot of confidence I say. Steady my nerves I say. Drown my sorrows. I say kill for a drink. I say keep ‘em comin’. I say a stiff one. Drink deep drink hard hit the bottle. Two sheets to the wind then. Knackered then. Under the influence then. Half in the bag then. Out of my skull I say. Liquored up. Rip-roaring. Slammed. Fucking jacked. The booze talking. The room spinning. Feeling no pain. Buzzed. Giddy. Silly. Impaired. Intoxicated. Stewed. Juiced. Plotzed. Inebriated. Laminated. Swimming. Elated. Exalted. Debauched. Rock on. Drunk on. Bring it on. Pissed. Then bleary. Then bloodshot. Glassy-eyed. Red-nosed. Dizzy then. Groggy. On a bender I say. On a spree. I say off the wagon. I say on a slip. I say the drink. I say the bottle. I say drinkie-poo. A drink a drunk a drunkard. Swill. Swig. Shitfaced. Fucked up. Stupefied. Incapacitated. Raging. Seeing double. Shitty. Take the edge off I say. That’s better I say. Loaded I say. Wasted. Off my ass. Befuddled. Reeling. Tanked. Punch-drunk. Mean drunk. Maintenance drunk. Sloppy drunk happy drunk weepy drunk blind drunk dead drunk. Serious drinker. Hard drinker. Lush. Drink like a fish. Boozer. Booze hound. Alkie. Sponge. Then muddled. Then woozy. Then clouded. What day is it? Do you know me? Have you seen me? When did I start? Did I ever stop? Slurring. Reeling. Staggering. Overserved they say. Drunk as a skunk they say. Falling down drunk. Crawling down drunk. Drunk & disorderly. I say high tolerance. I say high capacity. They say protective custody. Blitzed. Shattered. Zonked. Annihilated. Blotto. Smashed. Soaked. Screwed. Pickled. Bombed. Stiff. Frazzled. Blasted. Plastered. Hammered. Tore up. Ripped up. Destroyed. Whittled. Plowed. Overcome. Overtaken. Comatose. Dead to the world. The old K.O. The horrors I say. The heebie-jeebies I say. The beast I say. The dt’s. B’jesus & pink elephants. A mindbender. Hittin’ it kinda hard they say. Go easy they say. Last call they say. Quitting time they say. They say shut off. They say dry out. Pass out. Lights out. Blackout. The bottom. The walking wounded. Cross-eyed & painless. Gone to the world. Gone. Gonzo. Wrecked. Sleep it off. Wake up on the floor. End up in the gutter. Off the stuff. Dry. Dry heaves. Gag. White knuckle. Lightweight I say. Hair of the dog I say. Eye-opener I say. A drop I say. A slug. A taste. A swallow. Down the hatch I say. I wouldn’t say no I say. I say whatever he’s having. I say next one’s on me. I say bottoms up. Put it on my tab. I say one more. I say same again
Nick Flynn (Another Bullshit Night in Suck City)
What bird are you calling?' I ask, finally, when I can't stand it any longer. The bird man stops whistling. He grins, so that I can see all his pebbly teeth. He holds out a hand to me over the broth-thin water. 'You.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
I ripped the pages out of the book. I reversed the order, so the last one was first, and the first was last. When I flipped through them, it looked like the man was floating up through the sky. And if I'd had more pictures, he would've flown through a window, back into the building, and the smoke would've poured into the hole that the plane was about to come out of. Dad would've left his messages backward, until the machine was empty, and the plane would've flown backward away from him, all the way to Boston. He would've taken the elevator to the street and pressed the button for the top floor. He would've walked backward to the subway, and the subway would've gone backward through the tunnel, back to our stop. Dad would've gone backward through the turnstile, then swiped his Metrocard backward, then walked home backward as he read the New York Times from right to left. He would've spit coffee into his mug, unbrushed his teeth, and put hair on his face with a razor. He would've gotten back into bed, the alarm would've rung backward, he would've dreamt backward. Then he would've gotten up again at the end of the night before the worst day. He would've walked backward to my room, whistling 'I Am the Walrus' backward. He would've gotten into bed with me. We would've looked at the stars on my ceiling, which would've pulled back their light from our eyes. I'd have said 'Nothing' backward. He'd have said 'Yeah, buddy?' backward. I'd have said 'Dad?' backward, which would have sounded the same as 'Dad' forward. He would have told me the story of the Sixth Borough, from the voice in the can at the end to the beginning, from 'I love you' to 'Once upon a time.' We would have been safe.
Jonathan Safran Foer (Extremely Loud & Incredibly Close)
As I leave my building, Robert wolf-whistles at me, long and drawn out. Probably inappropriate of my doorman, but I appreciate the compliment. "I don't know where you're going," Robert says, "but you're going to knock them dead." "Thanks," I say, and decide it's better to keep to myself that I am headed to the constant-care floor of the Riverdale Retirement Home. The one place where that's a real possibility.
Julie Buxbaum (The Opposite of Love)
I would ask myself what o'clock it could be; I could hear the whistling of trains, which, now nearer and now farther off, punctuating the distance like the note of a bird in a forest, shewed me in perspective the deserted countryside through which a traveller would be hurrying towards the nearest station: the path that he followed being fixed for ever in his memory by the general excitement due to being in a strange place, to doing unusual things, to the last words of conversation, to farewells exchanged beneath an unfamiliar lamp which echoed still in his ears amid the silence of the night; and to the delightful prospect of being once again at home.
Marcel Proust (Du côté de chez Swann (À la recherche du temps perdu, #1))
He gave it its present name, and lived here shut up: day and night poring over the wicked heaps of papers in the suit, and hoping against hope to disentangle it from its mystification and bring it to a close. In the meantime, the place became dilapidated, the wind whistled through the cracked walls, the rain fell through the broken roof, the weeds choked the passage to the rotting door. When I brought what remained of him home here, the brains seemed to me to have been blown out of the house too; it was so shattered and ruined.
Charles Dickens (Bleak House)
When I first seed Cholly, I want you to know it was like all the bits of color from that time down home when all us chil'ren went berry picking after a funeral and I put some in the pocket of my Sunday dress, and they mashed up and stained my hips. My whole dress was messed with purple, and it never did wash out. Not the dress nor me. I could feel that purple deep inside me. And that lemonade Mama used to make when Pap came in out the fields. It be cool and yellowish, with seeds floating near the bottom. And that streak of green them june bugs made on the trees the night we left from down home. All of them colors was in me. Just sitting there. So when Cholly come up and tickled my foot, it was like them berries, that lemonade, them streaks of green the june bugs made, all come together. Cholly was thin then, with real light eyes. He used to whistle, and when I heerd him, shivers come on my skin.
Toni Morrison (The Bluest Eye)
Don't tell me that we don't need madness on the battlefield. God's truth, the mad fear nothing. The others, white or black, play at being mad, perform madness so that they can calmly throw themselves in front of the bullets of the enemy on the other side. It allows them to run straight at death without being too afraid. You'd have to be mad to obey Captain Armand when he whistles for the attack, knowing there's almost no chance you'll come home alive. God's truth, you'd have to be crazy to drag yourself screaming out of the belly of the earth.
David Diop (At Night All Blood is Black)
Twas the night before Christmas, and all through the base Only sentries were stirring--they guarded the place. At the foot of each bunk sat a helmet and boot For the Santa of Soldiers to fill up with loot. The soldiers were sleeping and snoring away As they dreamed of “back home” on good Christmas Day. One snoozed with his rifle--he seemed so content. I slept with the letters my family had sent. When outside the tent there arose such a clatter. I sprang from my rack to see what was the matter. Away to the window I flew like a flash. Poked out my head, and yelled, “What was that crash?” When what to my thrill and relief should appear, But one of our Blackhawks to give the all clear. More rattles and rumbles! I heard a deep whine! Then up drove eight Humvees, a jeep close behind… Each vehicle painted a bright Christmas green. With more lights and gold tinsel than I’d ever seen. The convoy commander leaped down and he paused. I knew then and there it was Sergeant McClaus! More rapid than rockets, his drivers they came When he whistled, and shouted, and called them by name: “Now, Cohen! Mendoza! Woslowski! McCord! Now, Li! Watts! Donetti! And Specialist Ford!” “Go fill up my sea bags with gifts large and small! Now dash away! Dash away! Dash away, all!” In the blink of an eye, to their trucks the troops darted. As I drew in my head and was turning around, Through the tent flap the sergeant came in with a bound. He was dressed all in camo and looked quite a sight With a Santa had added for this special night. His eyes--sharp as lasers! He stood six feet six. His nose was quite crooked, his jaw hard as bricks! A stub of cigar he held clamped in his teeth. And the smoke, it encircled his head like a wreath. A young driver walked in with a seabag in tow. McClaus took the bag, told the driver to go. Then the sarge went to work. And his mission today? Bring Christmas from home to the troops far away! Tasty gifts from old friends in the helmets he laid. There were candies, and cookies, and cakes, all homemade. Many parents sent phone cards so soldiers could hear Treasured voices and laughter of those they held dear. Loving husbands and wives had mailed photos galore Of weddings and birthdays and first steps and more. And for each soldier’s boot, like a warm, happy hug, There was art from the children at home sweet and snug. As he finished the job--did I see a twinkle? Was that a small smile or instead just a wrinkle? To the top of his brow he raised up his hand And gave a salute that made me feel grand. I gasped in surprise when, his face all aglow, He gave a huge grin and a big HO! HO! HO! HO! HO! HO! from the barracks and then from the base. HO! HO! HO! as the convoy sped up into space. As the camp radar lost him, I heard this faint call: “HAPPY CHRISTMAS, BRAVE SOLDIERS! MAY PEACE COME TO ALL!
Trish Holland (The Soldiers' Night Before Christmas (Big Little Golden Book))
In the meantime, the place became dilapidated, the wind whistled through the cracked walls, the rain fell through the broken roof, the weeds choked the passage to the rotting door. When I brought what remained of him home here, the brains seemed to me to have been blown out of the house too, it was so shattered and ruined.
Charles Dickens (The Complete Works of Charles Dickens)
When I come home from school, I take my Doc Martens off and put on fake satin mules with the marabou trim, slip into my dressing gown and my movie, and I feel serene. I hold a glass of Coke to my cheek and pretend it is a glass of bourbon and I am in New Orleans. My bedroom door is the doorway onto the street and at night I can't sleep because of the heat and the commotion in this town. So I go down to the river and dance as a man with scars on his face plays an accordion. People clap along and wolf-whistle and I whip my skirt around my thighs, which are long and lean because I barely get a chance to eat, what with all my bourbon and afternoon baths. I dance until my mules get muddy, then I tiptoe home, followed by sailors and men who have hundreds and thousands of dollars playing stud poker. Steve McQueen might be there. I can't remember. I get confused at this point. Too much drink. I'm sure Karl Malden is lurking in the background, gazing at me longingly. I am kind to him because his mother is dying.
Emma Forrest (Namedropper)
For this my mother wrapped me warm, And called me home against the storm, And coaxed my infant nights to quiet, And gave me roughage in my diet, And tucked me in my bed at eight, And clipped my hair, and marked my weight, And watched me as I sat and stood: That I might grow to womanhood To hear a whistle and drop my wits And break my heart to clattering bits.
Dorothy Parker (Sunset Gun: Poems)
Mowgli went on with his work, but it was nearly twilight before he and the wolves had drawn the great gay skin clear of the body. 'Now we must hide this and take the buffaloes home! Help me to herd them, Akela.' The herd rounded up in the misty twilight, and when they got near the village Mowgli saw lights, and heard the conches and bells in the temple blowing and banging. Half the village seemed to be waiting for him by the gate. 'That is because I have killed Shere Khan,' he said to himself; but a shower of stones whistled about his ears, and the villagers shouted: 'Sorcerer! Wolfs brat! Jungle-demon! Go away! Get hence quickly, or the priest will turn thee into a wolf again. Shoot, Buldeo, shoot!' The old Tower musket went off with a bang, and a young buffalo bellowed in pain. 'More sorcery!' shouted the villagers. 'He can turn bullets. Buldeo, that was thy buffalo.' 'Now what is this?' said Mowgli, bewildered, as the stones flew thicker. 'They are not unlike the Pack, these brothers of thine,' said Akela, sitting down composedly. 'It is in my head that, if bullets mean anything, they would cast thee out.' 'Wolf! Wolf's cub! Go away!' shouted the priest, waving a sprig of the sacred tulsi plant. 'Again? Last time it was because I was a man. This time it is because I am a wolf. Let us go, Akela.
Rudyard Kipling (The Jungle Book)
Fine, fine, you just stay at home, read yer book–” He stops himself suddenly. “Oh, damn, sorry, no, I didn’t mean that. I forgot.” And the weird thing is, he seems sincere. There’s a moment of quiet where his Noise pulses again with that strong feeling he’s hiding– That something he’s trying to bury that makes him feel– And then he says, “You know . . .” and I can see the offer coming and I don’t think I can bear it, I don’t think I could live another minute if he says it out loud. “If you ever wanted me to read it for–” “No, Davy,” I say quickly. “No, thanks, no.” “You sure?” “Yes.” “Well, the offer’s there.” His Noise goes bright again, blooming as he thinks about his new title, about women, about me and him as brothers. And he whistles happily all the way back to town.
Patrick Ness (The Ask and the Answer (Chaos Walking, #2))
VIII 'Farewell to barn and stack and tree, Farewell to Severn shore. Terence, look your last at me, For I come home no more. 'The sun burns on the half-mown hill, By now the blood is dried; And Maurice amongst the hay lies still And my knife is in his side. 'My mother thinks us long away; 'Tis time the field were mown. She had two sons at rising day, To-night she'll be alone. 'And here's a bloody hand to shake, And oh, man, here's good-bye; We'll sweat no more on scythe and rake, My blood hands and I. 'I wish you strength to bring you pride, And a love to keep you clean, And I wish you luck, come Lammastide, At racing on the green. 'Long for me the rick will wait, And long will wait the fold, And long will stand the empty plate, And dinner will be cold.' IX On moonlit heath and lonesome bank The sheep beside me graze; And yon the gallows used to clank Fast by the four cross ways. A careless shepherd once would keep The flocks by moonlight there, And high amongst the glimmering sheep The dead man stood on air. They hang us now in Shrewsbury jail: The whistles blow forlorn. And trains all night groan on the rail To men that die at morn. There sleeps in Shrewsbury jail to-night, Or wakes, as may betide, A better lad, if things went right, Than most that sleep outside. And naked to the hangman's noose The morning clocks will ring A neck God made for other use Than strangling in a string. And sharp the link of life will snap, And dead on air will stand Heels that held up as straight a chap As treads upon the land. So here I'll watch the night and wait To see the morning shine, When he will hear the stroke of eight And not the stroke of nine; And wish my friend as sound a sleep As lads' I did not know, That shepherded the moonlit sheep A hundred years ago.
A.E. Housman (A Shropshire Lad)
The world never feels bigger than when you’re holding the smallest person. You never feel more incompetent than when you realize that you’re suddenly someone’s parent and that no one is planning on stopping you. “Me?” you blurt out when the midwife says you can go home: “But I’ve got no idea what I’m doing! You’re going to let me look after a human being?” If you’re a parent, you probably remember how you carried your first child at the start. How carefully you drove home. How incomprehensible everything was when you sat motionless in the dark to make absolutely certain that that tiny, wrinkled creature was still breathing. A minuscule rib cage rising and falling, and every so often a little whimper from the horizon of dreams, or just a whistling sigh that had you performing lonely little pirouettes on tiptoe around the crib. The way your heart reflexively grabbed hold of your lungs when five tiny fingers took hold of one of yours and didn’t let go.
Fredrik Backman (The Winners (Beartown, #3))
The world never feels bigger than when you're holding the smallest person. You never feel more incompetent than when you realize that you're suddenly someone's parent and that no one is planning on stopping you. "Me?" you blurt out when the midwife says you can go home: "But I've got no idea what I'm doing! You're going to let me look after a human being?" If you're a parent, you probably remember how you carried your first child at the start. How carefully you drove home. How incomprehensible everything was when you sat motionless in the dark to make absolutely certain that that tiny, wrinkled creature was still breathing. A miniscule rib cage rising and falling, and every so often a little whimper from the horizon of dreams, or just a whistling sigh that had you performing lonely little pirouettes on tiptoe around the crib. The way your heart reflexively grabbed hold of your lungs when five tiny fingers took hold of one of yours and didn't let go.
Fredrik Backman (The Winners (Beartown, #3))
(Sittin' On) The Dock Of The Bay" Sittin' in the morning sun I'll be sittin' when the evening comes Watching the ships roll in Then I watch them roll away again, yeah I'm sittin' on the dock of the bay Watchin' the tide roll away, ooh I'm just sittin' on the dock of the bay Wastin' time I left my home in Georgia Headed for the Frisco Bay Cuz I've had nothing to live for And look like nothing's gonna come my way So, I'm just gon' sit on the dock of the bay Watchin' the tide roll away, ooh I'm sittin' on the dock of the bay Wastin' time Looks like nothing's gonna change Everything still remains the same I can't do what ten people tell me to do So I guess I'll remain the same, listen Sittin' here resting my bones And this loneliness won't leave me alone, listen Two thousand miles I roam Just to make this dock my home, now I'm just gon' sit at the dock of a bay Watchin' the tide roll away, ooh Sittin' on the dock of the bay Wastin' time [Ends in harmonic whistling]
Otis Redding
You weren’t supposed to choose me,” he said. Behind them, Ira approached, stunned and speechless for what must have been the first time in his life. He helped lift Samuel, whose cheeks had blanched as well. Camille prodded Oscar’s arms and stomach and face. It was truly him. The unbearable grief over losing him flipped inside out. Her joy ran so deep and strong she thought she might burst from it. “The night the Christina went down, you rowed to me,” she answered, her throat knotted as she thought of her father. She forced it down. “This time, I must have needed to row to you.” Oscar kissed her, his lips still cold but filled with life. She leaned into him and hung on as though he might disappear. Ira let out a playful high-pitched whistle. Samuel coughed. Oscar and Camille reluctantly pulled apart and blushed. “Holy gallnipper,” Ira said. Camille grinned, not minding in the least that he was using that annoying turn of phrase again. “I can’t believe that little rock…I mean you were dead, mate. Dead as this bloke right here.” Ira kicked McGreenery in the leg. Oscar nodded, rubbing his hand over the fading red mark, as if to feel for himself that the deadly wound was gone. “I was in the dory,” he whispered. Ira cocked his head. “Say again?” Camille lifted her ear from his chest, where she’d wanted to listen to the smooth rhythm of his heart. She looked up at him before hearing its strong beat. “The dory?” Oscar nodded again, eyebrows creased. “I heard your voice. At the cave,” he said to Camille. “This force kept pulling me backward, away from you, like I was being sucked into the ground.” So this was how it had felt for him to die. She remembered the way he’d looked right through her and how it had chilled her to the marrow. Her own brush with death had been different, and somehow better, if death could even be measured in levels of bad or good. The image of her father had drawn her to safety, making her forget her yearning for air. He had been there for her, but she hadn’t been able to do the same for him. All this time, all this trouble, and all she’d wanted was to bring him back, make him proud of the lengths to which she’d gone for him. In the end, she’d failed him miserably. “And then you were gone. Your voice faded, and I was in the dory, adrift in the Tasman, the dawn after the Christina went down,” Oscar continued. Samuel and Ira glanced at each other with marked expressions of doubt and confusion. “But I wasn’t alone.” He gently pulled Camille away from him and gripped her arms. “Your father was with me. He was sitting there, smiling. It all seemed so real. I could taste the salt air, and…and I remember touching the water, and it was cold. It wasn’t like in a dream, when you can’t do those things.” Camille sucked in a deep breath, trying to inflate her crushing lungs. Oscar had seen him, too. She’d give anything to see her father again, to hear his voice, to feel at home by just being in his presence. At least, that’s what she’d once believed. But Camille hadn’t been willing to give up Oscar. Did that mean she loved her father less? Never. She could never love her fatherless. So then why hadn’t her heart chosen him? "Did he say anything?" she asked, anxious to know yet afraid to hear. "It's all jumbled," Oscar said, again shaking his head and rubbing his chest. "I remember him saying a few things. Bits and pieces." Camille looked to Ira and Samuel. Their parted mouths and bugged eyes hung on Oscar's every word. Oscar squinted at the ground and seemed to be working hard to piece together what her father had said on the other side. "I'm still here to guide her?" he said, questioning his own memory. "It doesn't make any sense, I'm sorry." She shook her head, eyes tearing up again. It had been real. He really had come to her in the black water of the underground pool. "No, don't be sorry," she said, tears spilling. "It does make sense. It makes sense to me.
Angie Frazier (Everlasting (Everlasting, #1))
After a careful look up and down the corridor, James ushered Cordelia down the stairs. But their covert escape was not to be: Will appeared suddenly on the landing, in the midst of fixing his cuff links, and beamed with delight to see Cordelia. “My dear,” he said. “A pleasure to see you. Have you come from Cornwall Gardens? How is your mother?” “Oh, very well, thank you,” Cordelia said, then realized that if her mother really were in peak condition, she had little excuse for staying away from James and the Institute. “Well, she has been very tired, and of course we are all concerned that she get her energy back. Risa has been trying to build her back up again with many…soups.” Soups? Cordelia was not at all sure why she’d said that. Perhaps because her mother had always told her that ash-e jo, a sour barley soup, could cure anything. “Soups?” “Soups,” Cordelia said firmly. “Risa’s caretaking is very thorough, though of course, my mother wishes me to be by her side as much as possible. I have been reading to her—” “Oh, anything interesting? I’m always seeking a new book,” said Will, having finished with the cuff links. They were studded with yellow topaz. The color of James’s eyes. “Ah—no,” said Cordelia. “Only very boring things, really. Books about…ornithology.” Will’s eyebrows went up, but James had already thrown himself into the fray. “I really must get Cordelia back home,” he said, laying a hand on her back. It was an entirely ordinary husbandly gesture, not at all remarkable. It felt to Cordelia like being struck by lightning between her shoulder blades. “I’ll see you in a moment, Father.” “Well Cordelia, we all hope you’ll be back before too long,” Will said. “James is positively pining away without you here. Incomplete without his better half, eh, James?” He went away up the stairs and down the corridor, whistling. “Well,” said James after a long silence. “I thought, when I was ten years old and my father showed everyone the drawings I’d made of myself as Jonathan Shadowhunter, slaying a dragon, that was the most my parents would ever humiliate me. But that is no longer the case. There is a new champion.” “Your father is something of a romantic, that’s all.” “So you’ve noticed?
Cassandra Clare (Chain of Thorns (The Last Hours, #3))
I’ve no intention of sitting by the fire on such a beautiful day,” Loki sad. “Then let us walk in the woods.” “Walk? Wouldn’t you rather ride with me?” “I couldn’t keep up.” “No,” he said, grasping her elbow gently. “With me. On Heror.” He whistled loudly and Heror turned and walked toward them. A shiver of fear frosted her skin. She was uncomfortable on horseback - preferred her feet on the ground-let alone a fast powerful beast like Heror with Loki at the reins. “I’m not sure…” “Didn’t you say you would keep me company? Come.” “Must we go very fast?” Loki laughed his wild laugh. “Of course we must!” With swift grace, he mounted Heror, then put down his hand for her. “Come, Aud. Don’t be frightened. You may trust me.” Trust Loki? Aud almost laughed. She wondered if Vidar would appreciate her actions when she told him this evening. “Very well,’ she said. She tied her skirts around her hips and, reaching up, allowed Loki to help her onto Heror’s back. “Hold on tight,” Loki said, slapping her thigh playfully. Aud needed no prompting. She locked her arms about his waist, her hands tight over his hollow stomach. No warmth emanated from his body. His black hair caught against her cheek and lip. She screwed her eyes tightly closed. Heror need little encouragement from Loki. Almost as soon as they were settled, he sped off like lightning. Aud cracked open one eye to see where they were going, but hurriedly closed it when the branches of the wood loomed close enough to terrify her and the shadows between the trees flew past like wild ghosts. She tightened her grip on Loki’s ribs wishing they were not so narrow and cool. From time to time, she could feel his body shake with mad laughter. Their journey, while it probably only lasted twenty minutes, seemed interminable as she willed him and willed him to slow down. Finally she felt Loki pull on Heror’s reins. The horse slowed to a walk, and she ventured to open her eyes. They had left the woods and were entering a sunlit field of waving grass, daisies and orange hawkweed. Heror stopped, they dismounted and Loki sent the horse off to cool down. Aud’s legs were shaking too much to stand so she sank into the grass, feeling the warm sunshine fill her hair. Loki sat next to her and began idly to pick daisies. “Did you enjoy our ride, Aud?” “No,” she answered, taking a deep breath and stilling her trembling hands. “I’ll try harder on the way home,” He said reaching over to twine a daisy in her hair.
Kim Wilkins (Giants of the Frost)
After John drops me off at home, I run across the street to pick up Kitty from Ms. Rothschild’s. And she invites me in for a cup of tea. Kitty is asleep on the couch with the TV on low in the background. We settle on the other couch with our cups of Lady Grey, and she asks me how the party went. Maybe it’s because I’m still on a high from the night, or maybe it’s the bobby pins so tight on my head that I feel woozy, or it could be the way her eyes light up with genuine interest as I begin to talk, but I tell her everything. The dance with John, how everyone cheered, Peter and Genevieve, even the kiss. She starts fanning herself when I tell about the kiss. “When that boy drove up in that uniform--ooh, girl.” She whistles. “It made me feel like a dirty old lady, because I knew him when he was little. But dear God he is handsome!” I giggle as I pull the bobby pinks from the top of my head. She leans forward and helps me along. My cinnamon bun unravels, and my scalp tingles with relief. Is this what it’s like to have a mother? Late-night boy talk over tea? Ms. Rothschild’s voice gets low and confidential. “Here’s the thing. My one piece of advice to you. You have to let yourself be fully present in every moment. Just be awake for it, do you know what I mean? Go all in and wring every last drop out of the experience.
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
MY HOUSE I have built me a house at the end of the street Where the tall fir trees stand in a row, With a garden beside it where, purple and gold, The pansies and daffodils grow: It has dear little windows, a wide, friendly door Looking down the long road from the hill, Whence the light can shine out through the blue summer dusk And the winter nights, windy and chill To beckon a welcome for all who may roam ... ‘Tis a darling wee house but it’s not yet a home. It wants moonlight about it all silver and dim, It wants mist and a cloak of grey rain, It wants dew of the twilight and wind of the dawn And the magic of frost on its pane: It wants a small dog with a bark and a tail, It wants kittens to frolic and purr, It wants saucy red robins to whistle and call At dusk from the tassels of fir: It wants storm and sunshine as day follows day, And people to love it in work and in play. It wants faces like flowers at the windows and doors, It wants secrets and follies and fun, It wants love by the hearthstone and friends by the gate, And good sleep when the long day is done: It wants laughter and joy, it wants gay trills of song On the stairs, in the hall, everywhere, It wants wooings and weddings and funerals and births, It wants tears, it wants sorrow and prayer, Content with itself as the years go and come ... Oh, it needs many things for a house to be home! Walter Blythe
L.M. Montgomery (The Blythes Are Quoted)
He'd found a sweet-water stream that I drank from, and for dinner we found winkles that we ate baked on stones. We watched the sun set like a peach on the sea, making plans on how we might live till a ship called by. Next we made a better camp beside a river and had ourselves a pretty bathing pool all bordered with ferns; lovely it was, with marvelous red parrots chasing through the trees. Our home was a hut made of branches thatched with flat leaves, a right cozy place to sleep in. We had fat birds that Jack snared for our dinner, and made fire using a shard of looking glass I found in my pocket. We had lost the compass in the water, but didn't lament it. I roasted fish and winkles in the embers. For entertainment we even had Jack's penny whistle. It was a paradise, it was." "You loved him," her mistress said softly, as her pencil resumed its hissing across the paper. Peg fought a choking feeling in her chest. Aye, she had loved him- a damned sight more than this woman could ever know. "He loved me like his own breath," she said, in a voice that was dangerously plaintive. "He said he thanked God for the day he met me." Peg's eyes brimmed full; she was as weak as water. The rest of her tale stuck in her throat like a fishbone. Mrs. Croxon murmured that Peg might be released from her pose. Peg stared into space, again seeing Jack's face, so fierce and true. He had looked down so gently on her pitiful self; on her bruises and her bony body dressed in salt-hard rags. His blue eyes had met hers like a beacon shining on her naked soul. "I see past your always acting the tough girl," he insisted with boyish stubbornness. "I'll be taking care of you now. So that's settled." And she'd thought to herself, so this is it, girl. All them love stories, all them ballads that you always thought were a load of old tripe- love has found you out, and here you are. Mrs. Croxon returned with a glass of water, and Peg drank greedily. She forced herself to continue with self-mocking gusto. "When we lay down together in our grass house we whispered vows to stay true for ever and a day. We took pleasure from each other's bodies, and I can tell you, mistress, he were no green youth, but all grown man. So we were man and wife before God- and that's the truth." She faced out Mrs. Croxon with a bold stare. "You probably think such as me don't love so strong and tender, but I loved Jack Pierce like we was both put on earth just to find each other. And that night I made a wish," Peg said, raising herself as if from a trance, "a foolish wish it were- that me and Jack might never be rescued. That the rotten world would just leave us be.
Martine Bailey (A Taste for Nightshade)
An upbeat song played over the loudspeaker, and everyone's attention focused on the Jumbotron above the basketball court. "It's time for the Bulls' Kiss Cam. So, pucker up for your sweetie and kiss them." The camera found an older couple in their fifties. The man pulled his wife, I assumed, in for a quick peck on the lips. "Aww. That is so sweet," Trina said. She proceeded to yank poor Owen to his seat in case the spotlight landed on them. She'd do just about anything to get on television, even if it meant not kissing Owen tonight to do so. "That is so staged," I said and sneaked a quick peek at my phone, seeing if he messaged me back. He didn’t. "Really?" she countered and slapped my arm. Once I glanced her way, she pointed towards the large screen looming above. On the screen was Sebastian and me as the camera had just so happened to find us. It stayed there zooming closer. And closer. And closer. "Come on," the announcer called out, prodding us. "Just one kiss won't hurt." He had no idea what he was asking. A kiss would initiate feelings I couldn't avoid any longer. I momentarily forgot how to breathe as the song, “Kiss the Girl” from the Little Mermaid hummed at my lips. Not the best choice, but still. Everything became much worse once my giant moved into view, smiling my favorite smile. Sebastian inched closer; eyebrow cocked to dare me."No pressure or anything." I was quiet for a moment before whispering, "Game on, buddy." My eyes closed a few heartbeats shy of Sebastian's lips meeting mine. His hands rose, cupping my cheeks to keep me from pulling away. Like that was going to happen. Sebastian’s mouth moved against mine, and I conceded, kissing him in return. He tasted sweet and minty, like the home I’d been missing. The kiss turned from soft and tame to fierce and wantingas if neither of us could get enough. And already, I considered myself a goner. Everything became a haze. My heart thumped so wildly against my chest, I swore Sebastian could hear. The crowd surrounding us was whistling and cheering us on, and it only kept gaining momentum as the moments passed. The noise quickly faded until it was as if we were the only two people in the room. We could have been the only two people on earth. "Okay, guys." Trina tapped my shoulder, garnering my attention. "Camera has moved on now." That was our cue to separate, and I slowly drew away from Sebastian. He, in turn, slipped his hand to the back of my neck, holding me here. "Don't," he sighed against my lips. I didn't budge another inch. I didn't want to. Sebastian rewarded me by deepening the kiss. Dear God. There were sparks. My stomach flipped. My toes curled. My body warmed. Every single inch of me only wanted one thing and one thing only. If this continued for too much longer, it was easy to guess my new favorite hobby: Kissing Sebastian Freaking Birch. Needing some air, I pressed my palm flat against his chest. This time he released me as we both were breathless. Sebastian's eyes carefully studied me. He kept staring as if he could read my heart, my mind. And for those brief few seconds, I honestly didn't believe there were any secrets between us. His gaze shifted as he gauged what to do next, and I had no freaking idea where we went from here. We'd done it now. We crossed that line, and there was no way of ever going back.
Patty Carothers and Amy Brewer (Texting Prince Charming)
Gasping Stars Look Down Upon My Tired Soul When I need to again find my own way late midnight walks are my mainstay There is this place I walk and roam comfort away from worries of my home The sidewalk ends and fields begin I imagine they stretch and never end Cool night air soothes my tired brain far away, whistle of an old night train My pace slows to soak so much more in I am not alone, night is my friend Gasping stars look down upon my soul Seeking calm, I then reach my goal Dog barks sadly as I slowly trod by moans so blue, almost seems to cry Past the farmhouse my favorite tree massive black oak, does so comfort me Gazing at its massive majestic form I see damage from a terrible storm Ahh yes, none are immune from harm not even this great titan on the farm Very slowly I turn to find my way back retracing this walk along this track A calm has now found my lonely spirit happiness approaches I can even hear it My pace increases as I seek to return to the place where my love does burn Family , the gift of my very long life my children, my love , my sweet wife When I need to again find my own way late midnight walks are my mainstay
Robert Lindley
Around me umpteen birds are singing umpteen marvelous melodies, whistles and warbles and chirps and quavers cutting pitches high then sweep-swooping low, the pulchritudinous swimming pool sized pond glimmering picturesque in the lazy and hazy early afternoon sun. An attractive well-groomed mother duck- followed in a flawless and disciplined line by its ducklings like fluffy automatons - plies her trade alongside a young and jubilant hominid couple who, satisfactorily fulfilled to have settled and copulated once and to never again except on birthdays or anniversaries be carnal, play with their progeniture with proficiently prepared picnics loaded with an overkill of mother's home made tarts and buns and baskets of ham and cheese sandwiches; it was all sensationally Disney and dizzying and droll and not at all what this trip desired.
Darren Colgan (The Man with One Boot)
Honey Honey, won’t you take me home tonight? Honey, won’t you take me home tonight? Honey, won’t you take me home tonight? The night is warm and the starts are bright Take my hand, baby, hold me tight Every move gonna feel so right See the moon smiling through the night I feel so good and my mood is right Oh, honey, won’t you take me home tonight? Honey, won’t you take me home tonight? Feels so right Feels so right Honey, won’t you take me home tonight? Feels so right Feels so right Listen to the wind whistling through Surely ain’t nothin’ that we can’t do Surely ain’t nothin’ that we can’t do
Spacemen 3
Cash dropped me home and walked me up to my door. He said, “If I kiss you, we’ll bang, and I gotta nail this thing down first.” Then he slapped my ass and headed off down the hall, whistling.
Cate C. Wells (Against a Wall (Stonecut County, #2))
Resigned that I wasn’t going back to sleep, I rolled up and got out of bed once another glance at my phone confirmed it was seven thirty and instantly peeked out the window. There was a dull, repetitive sound coming from out there. It was Mr. Rhodes. Chopping wood. Shirtless. And I mean shirtless. I’d expected something nice beneath his clothes from the way he filled them out, but nothing could have prepared me for the sight of… him. Reality. If I wasn’t already pretty sure that there was dry drool on my face, there would have been five minutes after seeing all…. That through the window. A pile of foot-long logs were tossed around his feet, with another small pile that he’d obviously already chopped, just to the side. But it was the rest of him that really drew my attention. Dark chest hair was sprinkled high over his pectorals. The body hair did nothing to take away from the hard slabs of abdominal muscles he’d been hiding; he was broad up top, narrow at the waist, and covering all that was firm, beautiful skin. His biceps were big and supple. Shoulders rounded. His forearms were incredible. And even though his shorts grazed his knees, I could tell the rest of his downtown area was nice and muscular. He was the DILF to end all DILFs. My ex had been fit. He’d worked out several times a week at our home gym with a trainer. Being attractive had been part of his job. Kaden’s physique had nothing on Mr. Rhodes though. My mouth watered a little more. I whistled. And I must have done it a lot louder than I’d thought because his head instantly went up and his gaze landed on me through the window almost immediately. Busted. I waved. And inside… inside, I died. He lifted his chin. I backed away, trying to play it off. Maybe he wouldn’t think anything of it. Maybe he’d think I’d whistled… to say hi. Sure, yeah. A girl could dream. I backed up some more and felt my soul shriveling as I made my breakfast, making sure to stay away from the window the rest of the time. I tried to focus on other stuff. You know, so I wouldn’t want to have to move out from shame. Was I tired? Absolutely. But there were things I wanted to do. Needed to do. Including but not limited to getting away from Mr. Rhodes so my soul could come back to life. So an hour later, with a plan in mind, a sandwich, a couple bottles of water, and my whistle in my backpack, I headed down the stairs, hoping and praying that Mr. Rhodes was back in his house. I wasn’t that lucky. He had a shirt on, but that was the only difference. Darn.
Mariana Zapata (All Rhodes Lead Here)
But that four-leafed clover hadn't brought any luck either to this soldier or to me. He was a man, too, like me, or like Mr. Hubicka, like us he hadn't any distinction or rank, and yet we had shot each other and brought each other to death, although surely if we could have met somewhere in civil life we might well have liked each other, and found a lot to talk about. And then the explosion rang out. And I, who only a little while before had been looking forward to the sight, lay there beside the German soldier, stretched out my hand and opened his stiffening fingers, and put into them the green four-leaved clover that brings luck, while from somewhere away there in the countryside a mushroom cloud soared into the sky, endlessly expanding into greater heights and vaster smoky masses. I heard the pressure of the air rush across the countryside and hiss and whistle through the bare branches of the trees and bushes, I heard it rattle the transfer chains on the signal, and lean on the arm and shake it; but I lay coughing, and felt my blood draining out of me. To the last moment, before I began to lose the awareness of myself, I held this dead man by the hand, and for his unhearing ears I repeated the words of the chief of that mail train which had brought those wretched Germans from Dresden: 'You should have sat at home on your arse...
Bohumil Hrabal
Miracle story about Lahiri Mahasaya from a woman disciple, Abhoya, from Chapter 31, titled "An Interview with the Sacred Mother", in the book "Autobiography of a Yogi" by Yogananda*: She [Abhoya] and her husband, a Calcutta lawyer, started one day for Banaras to visit the guru. Their carriage was delayed by heavy traffic; they reached the Howrah main station in Calcutta only to hear the Banaras train whistling for departure. Abhoya, near the ticket office, stood quietly. "Lahiri Mahasaya, I beseech thee to stop the train!" she silently prayer. "I cannot suffer the pangs of delay in waiting another day to see thee." The wheels of the snorting train continued to move round and round, but there was no onward progress. The engineer and passengers descended to the platform to view the phenomenon. An English railroad guard approached Abhoya and her husband. Contrary to all precedent, the guard volunteered his services. "Babu," he said, "give me the money. I will buy your tickets while you get aboard." As soon as the couple was seated and had received the tickets, the train slowly moved forward. In panic, the engineer and passangers clambered again to their places, knowing neither how hte train started nor why it had stopped in the first place. Arriving at hte home of Lahiri Mahasaya in Banaras, Abhoya silently prostrated herself before the master, and tried to touch his feet. "Compose yourself, Abhoya," he remarked. "How you love to bother me! As if you could not have come here by the next train! - *More Lahiri Mahasaya miracle stories can be found in this chapter of this book.
Lahiri Mahasaya
Dear Secrets of the Earth, You are a place beyond belief. You are home to many, but only a few are able to understand you. When the wind is whooshing, it sounds like wind chimes. When the breeze offers its sweet gestures, it opens my heart and soul to be still and let everything—just be. The sky looks like a painting. It is a limitless portrait! When the streams collide, you can see the reflection of the sea of clouds. When the wind is whistling, it calms the meadow of the thoughts that form in my mind. The night air has such a deep definition of the earthbound because everything is asleep as it is firmly attached to the earth without movement—just resting to prepare for the next day. I always wondered how a wildflower can be so soft when it is stepped on and covered by weeds. It is because the earth has covered it in boundless, endless love. I am a wildflower; there is no such thing as being tamed; we take what is given and somehow find our way. I’ve been to thirteen homes in all. Yet, I still somehow and somewhere let love shine through the darkest hours, which lead to days. However, just like the wildflower, I am still here. Dear Secrets of the Earth, what are your golden rules? Is it to just go with the flow? Love endlessly without regret? Live and learn from your mistakes? Or is it something simple, such as continue to have faith while we reach for the stars? If so, could you give me a boost? Thank you for your company.
Charlena E. Jackson (Pinwheels and Dandelions)
Sometimes, I lean out my split-pane window that seems to be high off the ground, and I can hear the whistling wind stream through the leaves of the growth of trees, sometimes this reminds me about being in the garden and golden fields when my eyes are closed. But, when my eyes were open, I realized that it is just the wind rushing through the various hills and valleys of ‘The Land of Many Steeples.’ I do not know what it is… but there is just something about letting your hair blow in the breeze, which feels so amazing. I feel that it is just one of the amazing moments in time, which I have experienced. Oh, just the same can be said, about me standing in the rain, freely and naturally on a warm spring day, while I am filling the ground squish under my toes. Yes, likewise can be said for the winters when I come home from the hellhole, and see the fireplace with its warm glow, from outside the frost chilled arched windows of the tort section of the house that is part of the dwelling. ‘It is amazing also because I know that I will soon be warm and comfortable, and out of this uniform that labels me as one of them.’ In the wintertime, the snowdrifts, the pointed part of the roof along with the weathervane are covered in a blanket of white, ‘The Land of Many Steeples’ sparkles, and soft with an almost spooky light blue cast in the moonlight. The trees down the lane drip with ice like a crystal cave, but- yet we all carve a pathway down the road that leads to the hell and then back to the emptiness. Snow days are rare, but that does not matter to me either way because I cannot truly share it with anyone it seems, as you all know. So, would you be my friend if I asked you? Would you spend some time with me? Can I depend on you; I would be there for you! So, on any day in any weather condition, unless the fog is rising from the valley, I can see in the distance ‘The Land of Many Steeples’, a far cry from this country land, where the dwelling of lost and lonely dreams is upon. Then there are some days there are thunderstorms outside my window, and it takes me back to the past, like when I was in that dark room. I do not think anyone gets over their past, the past that haunts me, and a past that the tower uses against me. Yes, you can change your name. Change your hair, and change your style, but the words of slander will remain. The only thing I can do is find someone that does not care about what the words mean or say, or just plainly pray for it to all go away.
Marcel Ray Duriez (Nevaeh Struggle with Affections)
I think now that Jude kept me waiting that night to prove to me, and to himself, that he could. You want a dog, not a man, he said to me on another occasion, when I was angry at him for coming home late or not answering his phone. Someone to come whenever you whistle, whenever you call. He wanted to feel free, and to Jude that meant belonging to no one. Maybe he liked women who played along with those kinds of games, pushing him away only to pull him back again. To behave badly and be reprimanded in order to be forgiven--somewhere along the course of his life, Jude had learned this as a kind of love. And while I was slow to trust, to let people in, I loved without reservation once I did, and in this way I was stronger than him. Although I did not feel strong then, when out of relief, rage, frustration, I began to cry.
Madelaine Lucas (Thirst for Salt)
This is My Country [Verse] They say they're taking our rights, trying to clip our wings, Taking aim at the heartland, changing all our things, But I'll stand my ground, with my boots in the dirt, For the sweat on my brow, and this worn-out shirt. [Verse 2] They're chasing my plow and meddling with my land, Trying to break the backbone of the hard-working man, But over my shoulder, there's a flag flying high, For every valley, every mountain, and the wide open sky. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be. [Verse 3] They don't understand the veins in this soil, Each drop of blood, each tear, and each toil, But I'll say my piece, in every whistle and chime, 'Cause this life's been mine since the start of time. [Verse 4] From sunup to sundown, in the fields I roam, They won't replace the essence of my home, For every stream and every tree that's grown, They can't take the spirit that's deeply sown. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be.
James Hilton-Cowboy
An hour later, I’m on my way home when I can’t fucking stand it any longer. I haven’t a clue what I’ll say to Magnolia if she picks up, but I want to try one last time. I pull over to the side of the road and, with my heart in my throat, dial her name. Four rings later, someone picks up. “Maggie, don’t hang up. Please hear me out.” A deep, masculine voice clears his throat. “Is this Michael?” “Who the fuck is this?” He snickers. “Just a friend. Listen, Imma do you a solid. This is not Maggie’s number.” I freeze and try to process his words. I double-check who I dialed, and sure enough, it’s Maggie’s contact info on the screen of my phone. “What do you mean? I’ve left her a million messages. Were they all going to you?” “Yup. And I gotta say, your night sounded hot as hell.” He lets out a whistle. “But I think your girl Maggie got her one-and-done and ghosted ya.” I’m going to be sick. “She didn’t give me her number.” “See? Case in point.” “No, that’s not what I mean. Her brother gave me her number. And I guess… I guess I punched it in wrong. Or I misheard. I don’t fucking know except it’s been weeks now. Jesus, if she wasn’t pissed at me before, she is now.
Lex Martin (The Baby Blitz (Varsity Dads #3))
All right, I’ll play. What are some of the symptoms of OSS?” “Oh, there are plenty. Especially when a parental figure is missing from the equation.” “Enlighten me.” She swirled the bat back and forth between the palms of her hands. “Well, for starters, you are extremely reliable and find yourself responsible for your siblings. Almost as if they are your own kids, seeing how you helped raise them.” I narrowed my brows. “Go on.” “You are overly protective over your family and go out of your way to make sure everyone’s okay. You’re a workaholic. You put your own wants and needs on the back burner in order to make sure everyone else is good. You let your dreams sit on the sidelines if it makes sure others are happier.” My mouth twitched a little. She was hitting a little too close to home. I took the bat from her and grabbed a ball from the bag. I tossed it up and swung, hitting the ball into the distance. “Go on,” I said. She took the bat from me and stepped onto the plate. “You suffer from a hyper-independence, which seems like a good thing, but it’s not.” She tossed a ball up and knocked it out. “It’s actually a trauma response because you feel like you can’t rely on others, seeing how it was always your job to be the reliable source.” “Too loud, Coach.” She handed the bat back to me. We switched positions. “You also worry about messing up and letting people down. Which is why you are so achievement-oriented,” she explained. I hit the next ball. She whistled low. “Nice hit.” “Thanks.” I flicked my thumb against the bridge of my nose. “So with this OSS, what’s the treatment plan?” She shrugged. “Don’t know. Still trying to figure that out myself. Because as someone suffering with OSS, I know that we hate all eyes on us, and we hate the thought of people worrying about us because it shows that we aren’t as strong as we should be, and we should always be strong.” She took the bat from me and performed another hit. “But I think it helps to struggle in numbers. Makes it a little easier to breathe.” “Are you suggesting we start an OSS club?
Brittainy C. Cherry (The Problem with Players)
First stop coming up. Close your eyes.” I shake my head at him. “Are you looking to get spanked later, Coffee Girl?” My eyebrow arches as I study him. “Maybe.” A low whistle slips between his lips. “Trip canceled. Heading home right now.” I laugh. “Fine by me.” He groans. “No, no. I drove all the way here. You’re not conning me into canceling my plans. No matter how badly you deserve the palm of my hand on that luscious ass of yours.
Nikki Jewell (The Game (Lakeview Lightning #3))
The Spirit of Christmas The Boys finished their cider and handed the vendor the cups, smacking their lips and wiping their mouths on their sleeves. The towering Vendor smiled down on them. “And a Very Merry Christmas to you two young Gents.” Jonas scowled up at him, “Christmas is a bunch of bunk, just meant for the rich. Come on Jamey.” Little James Nicholas tipped his hat to the Vendor and his eyes shined angelically when he replied, “And a Merry Christmas to you too Sir!” Jonas led the way as they raced the snowy sidewalks of New York. In his heart Jonas knew that they were late but the cider warmed him inside and he didn’t mind the risk. Mr. Angel watched them run, knowing his work was cut out for him. “Christmas a bunk, hm-mmm! I’ve some work to do with these lads and not much time to do it in.” He glanced up at the heavens calculating the time before Christmas. He then tipped his hat to the vendor as he munched the delicious cheese. The Cheese Vendor watched the kindly man depart, knowing there was indeed goodness abound in the world tonight. “Thank ye kind Sir!” The tall Toymaker waved back at him over his shoulder, while keeping the two young dashing lads in sight. “And may the Spirit of Christmas haunt your home with joy.” The Cheese Vendor chuckled to himself. “A joyful haunting? Be there such a thing?” Mr. Angel followed along after the boys. He passed a poor couple and thrust the bag of cheese into their hands. The Poor Man’s face shined with pleasure, “Thank you and bless you sir.” He nodded back at them with a smile. Ahead of him, Jonas and James rushed towards the corner. They raced past a fruit vendor and each of them snatched a piece of fruit from the boxes on display. The Fruit Vendor screamed after them, “Hey, you! Stop thieves!” A New York Policeman witnessing the theft and blew his whistle. Then he shouted after them. “Stop thieves!” He immediately took up the chase, through the down pouring snow. Mr. Angel could be seen in the background keeping pace behind the policeman. The two young boys raced along the sidewalk, twisting their way between passers-by, their eyes frantically glancing behind them at the large pursuing policeman. Suddenly Mr. Thorn, a large, burley man dressed in black blocked their way and took them both by the collars. “So there you are!” He snatched the apple quickly from James’ hand. “What have we here?” He was about to take a bite of it, when he saw the officer racing towards them. “It’s all right officer. I have the young scoundrels and I’ll make full restitutions for their thievery.” He quickly fished coins from his pocket and with a conning smile, put them in the hand of the frowning Policeman. “And a little extra for your trouble, my good man. It’s such a small crime and the criminals so . . . minor.” The burly policeman rocked back and forth considering and then grunted, after all it was Christmas. “Very well sir. I’ll give these to the Vendor but I catch either of you snatching again, it’s behind bars with you and a good strong workhouse. You got me!” Jonas glanced down at his worn out boots, his face red with shame. “Oh yes sir.” James followed suit and then glanced up into the gruff face of the law. “Sorry, we were just hungry!
John Edgerton (The Spirit of Christmas)
Loki and Gee are crashed in their beds along the wall, Mac is on his perch near the window, whistling Another One Bites The Dust, and Ava is sitting cross legged in bed, painting her toenails. None of that is what I sigh at. It’s the big bald bastard flat on his back watching my tv in my bed next to my woman. Axel. “Do you even know where your home is, Ax?” I ask. “Yup. With my sister. I think I’m going to sell my place and move in here. Then she can take care of me 24/7,” he smirks up at me. “The fuck you are. We have enough animals living in this house. You’re not going to be one of them. Get out of my bed, asshole
Lola Wright (The Devil's Angels MC (The Devil's Angels MC #1))
to kill a witch, carve a heart in a tree and hammer a nail in a little further each day for a week. * She fought me when I put on my boots and opened the front door. We both knew the black alder leaning sideways into the bedroom window. For six days I carved her heart in the bark and hammered my nail inside, then went to the outhouse and emptied my guts. The sicker I got, the less I saw of her and the happier Mr. Rishner was with me. He came home at night whistling, kissed my cheek when I met him at the door.
Michael Kelly
Similarly, those Internet tycoons who are apparently so willing to devalue our privacy are vehemently protective of their own. Google insisted on a policy of not talking to reporters from CNET, the technology news site, after CNET published Eric Schmidt’s personal details—including his salary, campaign donations, and address, all public information obtained via Google—in order to highlight the invasive dangers of his company. Meanwhile, Mark Zuckerberg purchased the four homes adjacent to his own in Palo Alto, at a cost of $30 million, to ensure his privacy. As CNET put it, “Your personal life is now known as Facebook’s data. Its CEO’s personal life is now known as mind your own business.” The same contradiction is expressed by the many ordinary citizens who dismiss the value of privacy yet nonetheless have passwords on their email and social media accounts. They put locks on their bathroom doors; they seal the envelopes containing their letters. They engage in conduct when nobody is watching that they would never consider when acting in full view. They say things to friends, psychologists, and lawyers that they do not want anyone else to know. They give voice to thoughts online that they do not want associated with their names. The many pro-surveillance advocates I have debated since Snowden blew the whistle have been quick to echo Eric Schmidt’s view that privacy is for people who have something to hide. But none of them would willingly give me the passwords to their email accounts, or allow video cameras in their homes.
Anonymous
Coming aboard the ship was like coming home. It didn’t take long for me to get changed into my khaki uniform and get up to the bridge. Although I was responsible for all of the various activities on the bridge, there was really very little for me to do and what little there was, was part of a well-rehearsed routine. I still had an hour before we would test the ship’s whistle, call the engine room for them to jack over the engines and then start singling up the lines. The real indication that we would depart was when the harbor pilot arrived, so I decided to go below to the pantry and make certain that there would be fresh coffee available. The first thing you always offer the harbor pilot is a hot cup of Joe. After feeling a gentle bump I looked out of the port hole and saw the black stack with a large white, block letter M on the tug's stack that would assist us with our departure. It was almost “Show Time!
Hank Bracker
Bel Air (music) Fresh Prince". About how My life upside down backwards. I would like to take a moment. Sitting there I can tell you that I was a prince of a town called Bel Air. Born in West Philadelphia. I spent most of my court date. All is well for fun "Relaxin" Maxi. And every school to take some balls B-. When a few good ones. The problem started in my field. I had to struggle a little afraid of my mother. He said: "You went to live with her aunt and uncle in Bel Air.". I confess and diary But boxed me on my way. He kissed me and I gave him my card. I put my Walkman and said. "I can" I first layer is bad. Champagne glass of orange juice consumption. This is what people who live in Bel Air? Ah, this could be good But wait, I hear you're a prude, all middle class. This is a place where you just need to write a cool cat? I do not I do not know, but I do not understand. I hope you're ready for Prince of Bel-Air. Good landing, and I A police man at my name. However, any attempt to stop. I just moved here I grew up at a high speed, I lost. I whistled for a cab and asked him to come. Put the dice "live" and a mirror. If what I say in the cab are small. But I thought, "No, we must not forget.". -. "I'm home Bel Air". I went to the house about seven or eight. The taxi driver where I wanted to scream. "I do not smell it.". I looked at my kingdom. Eventually, I was able When he sat on the throne, Prince of Bel Air.
te fesh pince of blair
Alex,” Paco says, leaning on the golf club like it’s a cane. “Do ya think I was meant to play golf?” Looking Paco straight in the eye, I answer, “No.” “I heard you talkin’ to Hector. I don’t think you were mean to deal, either.” “Is that why we’re here? You’re tryin’ to make a point?” “Hear me out,” Paco insists. “I’ve got the keys to the car in my pocket and I’m not goin’ nowhere until I finish hittin’ all of these bulls, so you might as well listen. I’m not smart like you. I don’t have choices in life, but you, you’re smart enough to go to college and be a doctor or computer geek or somethin’ like that. Just like I wasn’t meant to hit golf balls, you weren’t meant to deal drugs. Let me do the drop for you.” “No way, man. I appreciate you makin’ an ass out of yourself to prove a point, but I know what I need to do,” I tell him. Paco sets up a new ball, swings, and yet again the ball rolls away from him. “That Brittany sure is hot. She goin’ to college?” I know what Paco is doing; unfortunately my best friend is nothing less than obvious. “Yep. In Colorado.” To be close to her sister, the person she cares for more than herself. Paco whistles. “I’m sure she’ll meet a lot of guys in Colorado. You know, real guys with cowboy hats.” My muscles tense. I don’t want to think about it. I ignore Paco until we’re back in the car. “When are you going to stop stickin’ your ass into my business?” I ask him. He chuckles. “Never.” “Then I guess you won’t mind me bargin’ into yours. What happened between you and Isa, huh?” “We fooled around. It’s over.” “You might think it’s over, but I don’t think she does.” “Yeah, well, that’s her problem.” Paco turns the radio on and blasts the music loud. He’s never dated anyone because he’s scared of getting close to someone. Even Isa isn’t aware of all the abuses he’s endured at home. Believe me, I understand the reasons behind his keeping a distance from a girl he cares about. Because the truth is, sometimes getting close to the fire does actually burn you.
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
years, but so far that’s all it’s been—talk. “We could sell it,” Jade said. “Sell what?” Mom asked. “The Weirdland. I mean, if it’s not making enough money, what’s the point? It’s a stupid place to live, anyway. If we sell it, we can live somewhere normal,” Jade answered. “It’s not called the Weirdland,” I reminded her again. “I’ll call it whatever I want to call it!” Jade informed me in her snippy way. Mom spoke up. “We are not selling the Wonderland. It’s your daddy’s life.” Jade kept yapping, “I’m just saying . . .” Mom frowned. “Not another word, Miss.” Miss was code for “if you have good sense, you’ll shut up now.” And Jade did. When we got home, I found Daddy trimming his bonsai trees and plants. He was whistling a tune the way he sometimes does when he’s happily working. The sound of his whistling always makes me smile. Over and over, from the time I was little, I’d tried to learn how, putting my lips together and blowing. But no matter what, I’d only been able to produce the sound of plain old air, and after I’d failed for what felt like the hundredth time, I’d finally given up. “Howdeedoo, Zoe,” he said when he saw me. There were no customers around that I could see and I wondered if any had come in. “Any
Brenda Woods (Zoe in Wonderland)
I heard you have a date with Oliver, and from the looks of it, you definitely do. You’re sweating like a whore in church!” Rob says as soon as he sees me. I punch him in the shoulder. “No I’m not! Oh God, am I?” I head toward the bathroom and look at myself, realizing that he was exaggerating. But, damn. I am nervous. “Why am I so nervous about this? And where is Meep?” “She’s in the shower, and you’re nervous because this is your first date together. I mean, real date. Shenanigans don’t count.” He raises a blonde eyebrow and laughs when I glare at him. “I need a drink,” I announce, heading to the kitchen. “No, you don’t. You need to sit and relax and be still. You’re going to give me a heart attack!” “Stop being a pest,” I mutter, plopping down on the couch. “Okay, but on your date, do not sit like that. Nothing is more gross than a careless sitter in a dress.” My eyes widen, and I cross my legs, sitting upright. “Damn you. Maybe I should have worn jeans.” Robert laughs, throwing his head back. He looks so much like Mia when he does that. “I was joking! Geez, you really are nervous.” “Who’s nervous?” Mia asks, walking over to us. “Jitterbug over here is acting like a virgin going to prom,” Rob says, earning a laugh from me, and a look from Mia. “Way to lay it all out there,” I say. “She looks fine,” Mia says walking over to me. “It’s just Bean.” “Exactly. It’s just Bean . . . do I look okay?” Mia gives me a once-over and nods. “You look beautiful, like you do every other day, when you wear make-up and brush your hair and dress up.” “Meaning not like every other day?” “Well, you have to save beauty for special occasions, Chicken.” “Bitch,” I say, laughing until the knock on the door swallows my smile. “Ohh here he comes,” Rob starts singing like he was singing Man Eater, and I want to crawl into a hole and die. Mia swings the door open and whistles loudly. “Looks like somebody wants to get laid tonight,” she announces. And this time, for real, I want to crawl into a hole and die. I can feel my face burning as I walk to the door and tell Mia and Robert to shut up. Oliver is wearing dark jeans, black shoes, a gray button-down, and a fedora on his head. It’s simple and hot, and it matches the gray dress I’m wearing, so I have to laugh. “It’s like they’re meant to be!” Rob states loudly. “They match! This is too fucking cute! Mia! Get the camera!” “I hate you.” I say, looking at him. “I hate you.” I say, turning to Mia’s face, red from laughing. “I don’t hate you . . . yet.” I say, turning to Oliver, who gives me a slow, cocky half grin that makes me melt a little. “Please have her home by midnight, and make sure she lays off the vodka,” As Mia starts rattling off her list, she stops to look at my blushing face and bursts out laughing. “Awww . . . I’m sorry, Elle, this is so cute though. You haven’t been this nervous since you lost your virginity to Hunter Grayson.” She stops laughing and turns to Oliver with a serious face. “All jokes aside, if you hurt her again, I will fucking murder you, and I’m not talking about a nice quiet murder, I’m talking dick cut off, internal organs everywhere kind of murder. So please, be mindful of that.
Claire Contreras (Kaleidoscope Hearts (Hearts, #1))
You are aware that my hellhound, Garm, will devour your father, Tyr, when Ragnarok is unleashed?” I nodded. “As Tyr’s spawn, you have his blood in your veins.” I nodded again, wondering where this was going. “Well. Garm has run off,” she told me. “You, son of Tyr, are the only one who can find him. Or rather”—she treated me to a ghastly smile—“he will find you.” “I don’t follow.” “Why, it’s very simple. My hellhound will smell the blood of Tyr and come running.” I clutched my rifle more tightly. “So basically, you’re using me as bait.” “More like a moving target,” Hel amended. “Why me?” I dared to ask. “Why not just, I don’t know, poof Garm back to his cave yourself? Or send your demons to retrieve him?” “Garm can be . . . elusive,” she said evasively. “He’s run off before, and past attempts to bring him home with magic and demons have failed.” I was going to suggest she use a hellhound whistle, but I thought better of it. “If you don’t mind my asking, why not just let him stay lost?” Hel’s expression darkened. “And risk word getting out that my dog is beyond my control? No. There is only one solution. You must lure him back to his cave.” I scowled. “Let me guess. If I refuse, you torture my mother. If I tell anyone Garm didn’t come when you called, you torture my mother.” “Oh yes. And Thomas . . . T.J. . . . if you think killing Garm will stop the hound from killing your father, think again. You cannot stop destiny. Now, away you go!
Rick Riordan (9 From the Nine Worlds)
There it is, forming behind us: The Fat Blue Phalanx. All the smug self-satisfied maleness you can drink, and free refills at the station house. It's all I can see in cops, that patriarchal bullshit that will never yield to a contract of mutual respect. That grunting fuck-obsessed inability to deobjectify you and treat you as a person, it’s a subclass of male that will never, ever change, no matter what. There they are with their uniforms and their discipline, an abstract and codified representation of all the construction workers who ever whistled at you and there you were, too polite to pee in their toolboxes in retaliation, too polite to challenge them, walking away red-faced because the worst part of it is that you were wondering whether they were really whistling like they’d whistle at Caprice or if they were just being sarcastic and were even now laughing at you with your short skinny legs and flat ass. Besides you’re not supposed to let it get to you. You’re supposed to have a sense of humour: they do. See them waving their cocks at each other and farting? You aren’t allowed to break the rules of their society which say that you are a cold uptight lesbian bitch if you don’t like their hohoho aggressive male ways so just hold your head high from your position of moral superiority and go home and tell your boyfriend (if you have one, which I don’t) who if you’re lucky will offer to go beat them up knowing you won’t take him up on it because you know perfectly well he’d probably get his ass kicked, most of the boys you know are highly ass-kickable because they’ve been brought up nicely. They were brought up in the luxury of knowing the money power of the military-industrial complex would protect them from the dirt and the grime of uneducated testosterone. its thanx to our weak boyfriends that we have cops at all, surrogate cock and balls to maintain ‘order’, whatever that is. Or was. And where does it really leave you as a prisoner of the suburbs? Fuming over some tiny incident that the aggressors have already forgotten about, but you have the sinking feeling you've just sniffed the true underbelly and the aroma was not what you get in Calvin Klein ads. Scratch 'n' sniff, scratch 'n' sniff, peel the onion... will you ever get down to the reality of what this place is about? And I know I shouldn't brand individual cops with the big blue brush but in my mind these guys are a symbol of the whole iron-cage Boy system that makes me always a victim, no matter what I do, it's a cage I can't escape. I'm the little princess. They dominate, they aggress, they protect.
Tricia Sullivan (Maul)
In the land of the free, I'll always be. September 3, 2024 at 8:46 AM They say they're taking our rights, trying to clip our wings, Taking aim at the heartland, changing all our things, But I'll stand my ground, with my boots in the dirt, For the sweat on my brow, and this worn-out shirt. [Verse 2] They're chasing my plow and meddling with my land, Trying to break the backbone of the hard-working man, But over my shoulder, there's a flag flying high, For every valley, every mountain, and the wide open sky. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be. [Verse 3] They don't understand the veins in this soil, Each drop of blood, each tear, and each toil, But I'll say my piece, in every whistle and chime, 'Cause this life's been mine since the start of time. [Verse 4] From sunup to sundown, in the fields I roam, They won't replace the essence of my home, For every stream and every tree that's grown, They can't take the spirit that's deeply sown. [Chorus] This is my country, where I'm proud to stand, With the rifle in my hand, and I’ll defend this land, They can try to take it, but they'll never break me, In the land of the free, I'll always be.
James Hilton-Cowboy