Dangers Of A Single Story Quotes

I was beginning to see the danger in adhering to a single narrative, hewing to a story. The peril wasn't only in getting it wrong. It was a kind of calcification, a narrowing, a perversion of reality that hardened and stilled the spirit.

We have all heard such stories of expert intuition: the chess master who walks past a street game and announces “White mates in three” without stopping, or the physician who makes a complex diagnosis after a single glance at a patient. Expert intuition strikes us as magical, but it is not. Indeed, each of us performs feats of intuitive expertise many times each day. Most of us are pitch-perfect in detecting anger in the first word of a telephone call, recognize as we enter a room that we were the subject of the conversation, and quickly react to subtle signs that the driver of the car in the next lane is dangerous. Our everyday intuitive abilities are no less marvelous than the striking insights of an experienced firefighter or physician—only more common. The psychology of accurate intuition involves no magic. Perhaps the best short statement of it is by the great Herbert Simon, who studied chess masters and showed that after thousands of hours of practice they come to see the pieces on the board differently from the rest of us. You can feel Simon’s impatience with the mythologizing of expert intuition when he writes: “The situation has provided a cue; this cue has given the expert access to information stored in memory, and the information provides the answer. Intuition is nothing more and nothing less than recognition.

The fundamental core of contemporary Darwinism, the theory of DNA-based reproduction and evolution, is now beyond dispute among scientists. It demonstrates its power every day, contributing crucially to the explanation of planet-sized facts of geology and meteorology, through middle-sized facts of ecology and agronomy, down to the latest microscopic facts of genetic engineering. It unifies all of biology and the history of our planet into a single grand story. Like Gulliver tied down in Lilliput, it is unbudgeable, not because of some one or two huge chains of argument that might–hope against hope–have weak links in them, but because it is securely tied by hundreds of thousands of threads of evidence anchoring it to virtually every other field of knowledge. New discoveries may conceivably lead to dramatic, even 'revolutionary' shifts in the Darwinian theory, but the hope that it will be 'refuted' by some shattering breakthrough is about as reasonable as the hope that we will return to a geocentric vision and discard Copernicus.

Rachel hadn’t invented the dangers of toxoplasmosis; she’d gone online and built an airtight case. This wasn’t crazy talk. Neurobiologists had linked T. gondii to suicide and the onset of schizophrenia. All caused by exposure to cat poop. Some studies even suggested that the toxo brain parasites chemically coerced people to adopt more cats. Those crazy cat ladies were actually being controlled by an infection of single-cell invaders. The

The library is dangerous— Don’t go in. If you do You know what will happen. It’s like a pet store or a bakery— Every single time you’ll come out of there Holding something in your arms. Those novels with their big eyes. And those no-nonsense, all muscle Greyhounds and Dobermans, All non-fiction and business, Cuddly when they’re young, But then the first page is turned. The doughnut scent of it all, knowledge, The aroma of coffee being made In all those books, something for everyone, The deli offerings of civilization itself. The library is the book of books, Its concrete and wood and glass covers Keeping within them the very big, Very long story of everything. The library is dangerous, full Of answers. If you go inside, You may not come out The same person who went in.

Dangerous Visions, which had, almost single-handedly, changed the way readers thought about science fiction. Since Ellison had been at least partially successful

Thinking back, ladies, looking back, gentlemen, thinking and looking back on my European tour, I feel a heavy sadness descend upon me. Of course, it is partly nostalgia, looking back at that younger me, bustling around Europe, having adventures and overcoming obstacles that, at the time, seemed so overwhelming, but now seem like just the building blocks of a harmless story. But here is the truth of nostalgia: we don’t feel it for who we were, but who we weren’t. We feel it for all the possibilities that were open to us, but that we didn’t take. Time is like wax, dripping from a candle flame. In the moment, it is molten and falling, with the capability to transform into any shape. Then the moment passes, and the wax hits the table top and solidifies into the shape it will always be. It becomes the past, a solid single record of what happened, still holding in its wild curves and contours the potential of every shape it could have held. It is impossible - no matter how blessed you are by luck or the government or some remote, invisible deity gently steering your life with hands made of moonlight and wind - it is impossible not to feel a little sad, looking at that bit of wax. That bit of the past. It is impossible not to think of all the wild forms that wax now will never take. The village, glimpsed from a train window, beautiful and impossible and impossibly beautiful on a mountaintop, and you wonder what it would be if you stepped off the train and walked up the trail to its quiet streets and lived there for the rest of your life. The beautiful face of that young man from Luftknarp, with his gaping mouth and ashy skin, last seen already half-turned away as you boarded the bus, already turning towards a future without you in it, where this thing between you that seemed so possible now already and forever never was. All variety of lost opportunity spied from the windows of public transportation, really. It can be overwhelming, this splattered, inert wax recording every turn not taken. ‘What’s the point?’ you ask. ’Why bother?’ you say. ’Oh, Cecil,’ you cry. ’Oh, Cecil.’ But then you remember - I remember! - that we are even now in another bit of molten wax. We are in a moment that is still falling, still volatile, and we will never be anywhere else. We will always be in that most dangerous, most exciting, most possible time of all: the Now. Where we never can know what shape the next moment will take. Stay tuned next for, well, let’s just find out together, shall we?

Chimamanda Ngozi Adichie recalls that the stories she wrote as a seven year old in Nigeria were based on the kinds of stories she read, featuring characters who were white and blue eyed, they played in the snow, the ate apples. According to Adichie, this wasn´t just about experimentation or an active imagination, because all I had read were books in which characters were foreign, I had become convinced that books by their very nature had to have foreigners in them and had to be about things with which I could not personally identify. We learn so many things from reading stories, including the conventions of stories such as good versus evil, confronting our fears and that danger often lurks in the woods. The problem is that, when one of these conventions is that children in stories are white, english and middle class, than you may come to learn that your own life does not qualify as subject material. Adichie describes this as "The danger of a single story" a danger that extends to stories which, whilst appearing to be diverse, rely on stereotypes and thus limit the imagination

As a fantasist, I well understand the power of escapism, particularly as relates to romance. But when so many stories aimed at the same audience all trumpet the same message – And Lo! There shall be Two Hot Boys, one of them your Heart’s Intended, the other a vain Pretender who is also hot and with whom you shall have guilty makeouts before settling down with your One True Love – I am inclined to stop viewing the situation as benign and start wondering why, for instance, the heroines in these stories are only ever given a powerful, magical destiny of great importance to the entire world so long as fulfilling it requires male protection, guidance and companionship, and which comes to an end just as soon as they settle their inevitable differences with said swain and start kissing. I mean to invoke is something of the danger of mob rule, only applied to narrative and culture. Viz: that the comparative harmlessness of individuals does not prevent them from causing harm en masse. Take any one story with the structure mentioned above, and by itself, there’s no problem. But past a certain point, the numbers begin to tell – and that poses a tricky question. In the case of actual mobs, you’ll frequently find a ringleader, or at least a core set of agitators: belligerent louts who stir up feeling well beyond their ability to contain it. In the case of novels, however, things aren’t so clear cut. Authors tell the stories they want to tell, and even if a number of them choose to write a certain kind of narrative either in isolation or inspired by their fellows, holding any one of them accountable for the total outcome would be like trying to blame an avalanche on a single snowflake. Certainly, we may point at those with the greatest (arguable) influence or expostulate about creative domino effects, but as with the drop that breaks the levee, it is impossible to try and isolate the point at which a cluster of stories became a culture of stories – or, for that matter, to hold one particular narrative accountable for the whole.

The usual short story cannot have a complex plot, but it often has a simple one resembling a chain with two or three links. The short short, however, doesn't as a rule have even that much - you don't speak of a chain when there's only one link. ... Sometimes ... the short short appears to rest on nothing more than a fragile anecdote which the writer has managed to drape with a quantity of suggestion. A single incident, a mere anecdote - these form the spine of the short short. Everything depends on intensity, one sweeping blow of perception. In the short short the writer gets no second chance. Either he strikes through at once or he's lost. And because it depends so heavily on this one sweeping blow, the short short often approaches the condition of a fable. When you read the two pieces by Tolstoy in this book, or I.L. Peretz's 'If Not Higher,' or Franz Kafka's 'The Hunter Gracchus,' you feel these writers are intent upon 'making a point' - but obliquely, not through mere statement. What they project is not the sort of impression of life we expect in most fiction, but something else: an impression of an idea of life. Or: a flicker in darkness, a slight cut of being. The shorter the piece of writing, the more abstract it may seem to us. In reading Paz's brilliant short short we feel we have brushed dangerously against the sheer arbitrariness of existence; in reading Peretz's, that we have been brought up against a moral reflection on the nature of goodness, though a reflection hard merely to state. Could we say that the short short is to other kinds of fiction somewhat as the lyric is to other kinds of poetry? The lyric does not seek meaning through extension, it accepts the enigmas of confinement. It strives for a rapid unity of impression, an experience rendered in its wink of immediacy. And so too with the short short. ... Writers who do short shorts need to be especially bold. They stake everything on a stroke of inventiveness. Sometimes they have to be prepared to speak out directly, not so much in order to state a theme as to provide a jarring or complicating commentary. The voice of the writer brushes, so to say, against his flash of invention. And then, almost before it begins, the fiction is brought to a stark conclusion - abrupt, bleeding, exhausting. This conclusion need not complete the action; it has only to break it off decisively. Here are a few examples of the writer speaking out directly. Paz: 'The universe is a vast system of signs.' Kafka in 'First Sorrow': The trapeze artist's 'social life was somewhat limited.' Paula Fox: 'We are starving here in our village. At last, we are at the center.' Babel's cossack cries out, 'You guys in specs have about as much pity for chaps like us as a cat for a mouse.' Such sentences serve as devices of economy, oblique cues. Cryptic and enigmatic, they sometimes replace action, dialogue and commentary, for none of which, as it happens, the short short has much room. There's often a brilliant overfocussing. ("Introduction")

Radiation levels inside the tunnel were around 1 roentgen per hour, but because the work was so cramped and demanding, the miners dug without any protective gear - not even their respirators, which became damp and useless within minutes. At the tunnel entrance, radiation reached highs of 300 roentgens-per-hour. The miners were never warned of the true extent of the danger, and every single one of them received a significant dose. Vladimir Amelkov, a miner who participated in the operation, said years later, “Someone had to go and do it. Us or someone else. We did our duty. Should we have done it? It’s too late to judge. I don’t regret anything.”211 The miners achieved their goal of digging a room beneath Unit 4, but the refrigeration machinery was never installed because the core began to cool on its own. Instead, the space was filled with heat resistant concrete. While no official studies have ever been published, it’s estimated that one-quarter of the miners - who were all between 20 and 30 - died before they reached the age of 40.212 “The miners died for nothing,” laments Veniamin Prianichnikov, chief of the plant’s training programmes. “Everything we did was a waste of time.213

But believe me, Henry. You’re not the first Snow White I’ve seen, and you probably won’t be the last. You’ll do what you can with the resources you have, and you’ll serve your story by trying to save me.” Sloane dropped her head again. “I should be trying to save you. That would subvert the narrative. But instead here we are, you saving me, or dying in the process. Dying is a lot more likely.” “Only if you take things at face value,” I said. “I’m not going to eat anything you hand me, drink anything you’ve touched, borrow your comb, or put on any of your rings. You know what I will do?” “What?” asked Sloane, not sounding as if she believed that the answer could matter in the slightest. “I’ll shoot you in your goddamn head if I really and truly feel that you’ve become a danger to yourself and others. And then I’ll take your body down to the folks in Agricultural and ask them to use you to fertilize an apple tree. And when you’ve grown to a lovely size and started bearing fruit, I will sit underneath you and not eat a single one of your inevitably poisoned apples.” Sloane glanced at me through her hair, and for a moment I actually saw a wisp of a smile on her face. “You’d do that for me?” she asked.

Word lessons in particular, the wouldst-couldst-shouldst-have-loved kind, were kept up, with much warlike thrashing, until I had committed the whole of the French, Latin, and English grammars to memory, and in connection with reading-lessons we were called on to recite parts of them with the rules over and over again, as if all the regular and irregular incomprehensible verb stuff was poetry. In addition to all this, father made me learn so many Bible verses every day that by the time I was eleven years of age I had about three fourths of the Old Testament and all of the New by heart and by sore flesh. I could recite the New Testament from the beginning of Matthew to the end of Revelation without a single stop. The dangers of cramming and of making scholars study at home instead of letting their little brains rest were never heard of in those days. We carried our school-books home in a strap every night and committed to memory our next day’s lessons before we went to bed, and to do that we had to bend our attention as closely on our tasks as lawyers on great million-dollar cases. I can’t conceive of anything that would now enable me to concentrate my attention more fully than when I was a mere stripling boy, and it was all done by whipping,—thrashing in general. Old-fashioned Scotch teachers spent no time in seeking short roads to knowledge, or in trying any of the new-fangled psychological methods so much in vogue nowadays.

In a civilization frankly materialistic and based upon property, not soul, it is inevitable that property shall be exalted over soul, that crimes against property shall be considered far more serious than crimes against the person. To pound one's wife to a jelly and break a few of her ribs is a trivial offence compared with sleeping out under the naked stars because one has not the price of a doss. The following illustrative cases are culled from the police court reports for a single week: South-western Police Court, London. Before Mr. Rose. John Probyn, charged with doing grievous bodily harm to a constable. Prisoner had been kicking his wife, and also assaulting another woman who protested against his brutality. The constable tried to persuade him to go inside his house, but prisoner suddenly turned upon him, knocking him down by a blow on the face, kicking him as he lay on the ground, and attempting to strangle him. Finally the prisoner deliberately kicked the officer in a dangerous part, inflicting an injury which will keep him off duty for a long time to come. Six weeks. Lambeth Police Court, London. Before Mr. Hopkins. 'Baby' Stuart, aged nineteen, described as a chorus girl, charged with obtaining food and lodging to the value of 5s., by false pretences, and with intent to defraud Emma Brasier. Emma Brasier, complainant, lodging-house keeper of Atwell Road. Prisoner took apartments at her house on the representation that she was employed at the Crown Theatre. After prisoner had been in her house two or three days, Mrs. Brasier made inquiries, and, finding the girl's story untrue, gave her into custody. Prisoner told the magistrate that she would have worked “had she not had such bad health. Six weeks hard labor.

Well, I saved you today, didn’t I? Just like I saved you before. You walked out of the Bastion free, without a scratch, and if any Cokyrian but me had caught you with that dagger, you might be drawn and quartered by now.” “You didn’t save me from that butcher,” I said irritably. “But you’re right. About today, I mean.” I could sense his satisfaction, which irritated me all the more. “So accept my thanks, but stay away from me. We’re not friends, you know.” I was nearing my neighborhood and didn’t want anyone to see me with him. He stepped in front of me, forcing me to stop. “We’re not friends yet. But you’ve thought about it. And you just thanked me.” “Are you delusional?” “No. You just said thank you to the faceless Cokyrian soldier who arrested you.” “Don’t you ever stop?” I demanded, trying in vain to move around him. “I haven’t even started.” “What does that mean?” There was silence as Saadi glanced up and down the street. “I want to know where you got that dagger. Or at least what story you told.” “Why don’t you ask Commander Narian? The two of you seemed fairly close.” “Quit making jokes.” “I haven’t made a single one.” “Well?” “It was my father’s,” I said, clinging to the lie Queen Alera had provided, whether by mistake or not. “Oh.” This seemed to take Saadi aback. “And now, because of you, I don’t have it anymore.” I knew I was pressing my luck, but I wanted to make him feel bad. “I’m sorry,” he muttered, seeming sincere enough. Thinking I had maybe, finally, succeeded in getting him to leave me alone, I stepped around him. “Shaselle?” I stopped again, without the slightest idea why. “Your father--what was he like?” The question shocked me; I also wasn’t sure I could answer it without crying. But Saadi appeared so genuinely interested that I couldn’t disregard him. “You have no right to ask me that,” I answered out of principle. “But for your information, he was the strongest, bravest, kindest and best-humored man I ever knew. And none of it was because he took what was handed to him.” For the second time, I attempted a dramatic departure. “Shaselle?” “What now?” I incredulously exclaimed. “Do you have plans tomorrow?” “What?” “I have a day off duty. We could--” “No!” I shouted. “What is this? You expect me to spend a day with you, a Cokyrian--a Cokyrian I can’t stand?” “Yes,” he affirmed, despite my outburst. I laughed in disbelief. “I won’t. This is ridiculous. You’re ridiculous. Enjoy your time off duty with your own kind.” Turning, I sprinted down the street, and though he called after me yet again, I ignored him. As I neared my house, I glanced behind once or twice to assure myself he wasn’t following. He was nowhere in sight. I reached the security of my home just in time for dinner, and just in time to cut off Mother’s growing displeasure--the first step in her progression to anger. I smiled at her, hurried to wash, and was a perfect lady throughout the meal. Afterward I retired to my room, picking a book from my shelf to occupy me until my eyes drooped. Instead of words on pages, however, I kept seeing Saadi’s face--his clear blue eyes, that irritating hair, those freckles across his nose that made me lose willpower. What if I had offended him earlier? He had only asked to spend time with me, and I had mocked him. But he was Cokyrian. It was ludicrous for him to be pursuing my company. It was dangerous for me to be in his. And that, I suddenly realized, was part of the reason I very much wanted to be with him. Saadi aggravated me, confused me, scared me, and yet I could no longer deny that he intrigued me in a way no one else ever had.

1. For the space of one entire month (from full moon to full moon), a single leaf from a Mandrake must be carried constantly in the mouth. The leaf must not be swallowed or taken out of the mouth at any point. If the leaf is removed from the mouth, the process must be started again. 2. Remove the leaf at the full moon and place it, steeped in your saliva, in a small crystal phial that receives the pure rays of the moon (if the night is cloudy, you will have to find a new Mandrake leaf and begin the whole process again). To the moon-struck crystal phial, add one of your own hairs, a silver teaspoon of dew collected from a place that neither sunlight nor human feet have touched for a full seven days, and the chrysalis of a Death’s-head Hawk Moth. Put this mixture in a quiet, dark place and do not look at it or otherwise disturb it until the next electrical storm. 3. While waiting for the storm, the following procedure should be followed at sunrise and sundown. The tip of the wand should be placed over the heart and the following incantation spoken: ‘Amato Animo Animato Animagus.’ 4. The wait for a storm may take weeks, months or even years. During this time, the crystal phial should remain completely undisturbed and untouched by sunlight. Contamination by sunlight gives rise to the worst mutations. Resist the temptation to look at your potion until lightning occurs. If you continue to repeat your incantation at sunrise and sunset there will come a time when, with the touch of the wand-tip to the chest, a second heartbeat may be sensed, sometimes more powerful than the first, sometimes less so. Nothing should be changed. The incantation should be uttered without fail at the correct times, never omitting a single occasion. 5. Immediately upon the appearance of lightning in the sky, proceed directly to the place where your crystal phial is hidden. If you have followed all the preceding steps correctly, you will discover a mouthful of blood-red potion inside it.

10. A wounded person might be saved but a wounded person wouldn't heal that easily. ch 173 Pg 1999 11. s. I could hear a slight creaking sound from Yoo Joonghyuk's body. His body was already at the limit. Even so, Yoo Joonghyuk didn't give up. PG 2059 12. There is no magic that will heal all wounds just because someone else has a deep wound as well. PG 2089 13. I will pull all of you down from that fucking heaven. PG 2192 CH 190 14. In a place they couldn't see, the story that was going to destroy them had just begun PG2226 15. The most dangerous enemy is always the closest ally PG 2265 16. "Don't regard past failures as scriptures. There will be no change if you don't do anything. PG 2299 17. Fight, fight and fight again PG2365 18.Fight, fight again and keep moving forward. It was the best mourning possible for this guy's past. PG 2623 19. If that happens, I will destroy all the worlds that caused that Fate. PG 2676 20. "The scenario is a small destruction to prevent a greater destruction." PG 2802 21. This was Yoo Joonghyuk. He didn't give up on his goal even if he gave up his life. 22. "I felt it while living… life is supposed to be like this. There are times when nothing can be done and times when things don't work out. PG 2824 23. "I know that things don't work out well. Not everything will flow as you wish. Even so, don't dwell on it too much and let your heart lead you." PG 2827 24. In order to hold that spear, Yoo Joonghyuk trained with a single focus for decades.PG 3470 25.Don't be fooled by what you see! Believe in yourself, not the myths already recorded! Pg 3685 26.there is no good or evil. There is only our desire to see the story pg 3690 27. Are all failed stories meaningless? Even if you know you will fail, isn't the story of those who have fought to the end worth it? PG3706 28. It was a dependable tone. I really wanted a father like this. 3719 29. Then I looked around and saw Han Sooyoung dangling her legs while sucking candy. I scolded Han Sooyoung, "Is it delicious?" "Strangely, I've been craving something sweet lately. Do you want to eat?" Han Sooyoung didn't wait for my answer and shoved the candy she was holding into my mouth. It had a lemon flavour. I ate the candy and Han Sooyoung looked at me quietly. "By the way, that's what I was eating." "So?" "…You are really no fun." Pg 3734 30. 'Yoo Joonghyuk' of the other rounds were watching us. Some looked envious while others had gloomy expressions. Finally, there was one with an expression of intrigue. Pg 3747 31. Sometimes the thing that looks like a road isn't a road pg3767 32. "Kim Dokja, you know you aren't a godlike person." I smelt lemon candy from the grumbling voice. Han Sooyoung took the brush from my hand in a frustrated manner. "There are some things in the world you don't know about, you idiot. pg3792 33. [I think it will be hard to just send you away.] [What bullshit is that?] [If you are a demon king, you should be worthy. Isn't that right? pg 3844

If we conceive of the question in the second way, to ask all that God is going to accomplish in history, we explain where the world came from, what went wrong with it, and what must happen for it to be mended. This is a message about the world. The answer can be outlined: creation, fall, redemption, and restoration. These are chapters in a plotline, a story. As we will see in the next chapter, there is no single way to present the biblical gospel. Yet I urge you to try to be as thoughtful as possible in your gospel presentations. The danger in answering only the first question (“What must I do to be saved?”) without the second (“What hope is there for the world?”) is that, standing alone, the first can play into the Western idea that religion exists to provide spiritual goods that meet individual spiritual needs for freedom from guilt and bondage. It does not speak much about the goodness of the original creation or of God’s concern for the material world, and so this conception may set up the listener to see Christianity as sheer escape from the world.

From the Bridge” by Captain Hank Bracker Nesting Dolls The first stacked dolls better known as Russian Nesting Dolls, matryoshka dolls or Babushka Dolls, were first made in 1890 by Vasily Zvyozdochkin. Much of the artistry is in the painting of the usual 5 dolls, although the world record is 51 dolls. Each doll, which when opened reveals a smaller doll of the same type inside ending with the smallest innermost doll, which is considered the baby doll and is carved from a single piece of wood. Frequently these dolls are of a woman, dressed in a full length traditional Russian peasant dress called a sarafan. When I served with the Military Intelligence Corps of the U.S.Army, the concept of onion skins was a similar metaphor used to denote that we were always encouraged to look beyond the obvious. That it was essential to delve deeper into a subject, so as to arrive at the essence of the situation or matter. This is the same principle I employed in writing my award winning book, The Exciting Story of Cuba. Although it can be considered a history book, it is actually a book comprised of many stories or vignettes that when woven together give the reader a view into the inner workings of the Island Nation, just 90 miles south of Key West. The early 1950’s are an example of this. At that time President Batista was hailed a champion of business interests and considered this a direct endorsement of his régime. Sugar prices remained high during this period and Cuba enjoyed some of its best years agriculturally. For those at the top of the ladder, the Cuban economy flourished! However, it was during this same period that the people lower on the economic ladder struggled. A populist movement was started, resulting in a number of rebel bands to challenge the entrenched regime, including the followers of autocrats such as Fidel and Raul Castro. Castro’s M 26 7 militia had a reputation of indiscriminately placing bombs, one of which blew a young woman to pieces in the once-grand theater, “Teatro America.” A farmer, who failed to cooperate with Batista’s army, was locked into his home with his wife and his daughter, which was then set on fire killing them all. What had been a corrupt but peaceful government, quickly turned into a war zone. Despite of Batista’s constitutional abuses and his alliance with the Mafia, the years under his régime were still the most prosperous ones in Cuba’s history. Of course most of the money went to those at the top of the economic ladder and on the lower end of the scale a house maid was lucky to make $25 to $30 a month. History tends to repeat itself. Civilized countries that experience economically difficult times, because of greed by the elite and privileged few, become ripe for a civil insurrection. It is not enough to accept the first solution we encounter, but rather we must peel back the layers of onion skin to understand what has happened and how to rectify the problem. Usually things are not as simple as they seem, and to embrace the first person that offers a simple solution can plunge us deeper into an economic abyss. This is what happened in Italy and Cuba as well as Germany in 1933. Remember that Adolf Hitler was elected with a 90% plurality. Following a populist movement can be disastrous. Strictly adhering to a party doctrine, by the less informed, is outright dangerous. It is important in a democracy that people retain civility and are educated and knowledgeable. It is crucial that we understand history as well as the perils and consequences that are possible. Reading books like The Exciting Story of Cuba allows us to peel away one onion skin after the other, or open one nesting doll after another, until we understand the entire picture. What has happened in other civilized countries can happen here in the United States…. Beware!

To try am fully, evil needs to victories, not one. The first victory happens when an evil deed is perpetrated; the second victory, when evil is returned." 9 "in the Christian tradition, condemnation is an element of reconciliation, not an isolated independent judgment, even when reconciliation cannot be achi Pp ved. So we condemn most properly in the act of forgiving, and the act of separating the doer from the deed. That is how God in Christ condemned all wrongdoing." 15 "...unhealthy dreams and misdirected labors often become broken realities." 42 "...the story (of Christianity) frames what it means to remember rightly, and the God of this story makes remembering rightly possible." 44 "...peace can be honest and lasting only if it rests on the foundation of truth and justice." 56 "Seekers or truth, as distinct from alleged possessors of truth, will employ 'double vision'- they will give others the benefit of the doubt, they will inhabit imaginatively the world of others, and they will endeavor to view events in question from the perspective of others, not just their own." 57 "Those who love do not remember a persons evil deeds without also remembering her good deeds; they do not remember a person'a vices without also being mindful of their own failings. Thus the full story of wrongdoing becomes clear through the voice of love..."64 "...the highest aim of lovingly truthful memory seeks to bring about the repentance, forgiveness, and transformation of wrongdoers, and reconciliation between wrongdoers and their victims." 65 "And healing of the wrong without involving the wrong tour, therefore, can only be partial. To complete the healing, The relationship between the two needs to be mended. For Christians, this is what reconciliation is all about. Reconciliation with the wrongdoer completes the healing of the person who suffered the wrong. 84 Page 113: "Christ suffered in solidarity...what happened to him will also happen to him." "The dangers of this memory reside in its orientation not just to the past but also to the future." 113 "But let us beware that some accounts of what it means for Christ to have died on behalf of the ungodly...negates the notion of his involvement as a third party." 113 "Christian churches are communities that keep themselves alive- more precisely, that God keeps alive- by keeping alive the memories of the exodus and the passion." 126 "...but often they (churches) simply fail to incorporate right remembering of wrong suffered into the celebration of holy Communion. And even when they do incorporate such remembrance, they often keep it neatly sequestered from the memory of the passion. That memory becomes simply the story of what God has done for us wrongdoers or for a suffers, while remaining mute about how we ourselves remember the wrongs. With such stopping short, suffered wrongs are remembered only for God to comfort us in our pain and lend religious legitimacy to whatever uses we want to put those memories. No wonder we sometimes find revenge celebrating its victory under the mantle of religiously sanctioned struggle for the faith, for self protection, for national preservation, for our way of life- all in the name of God and accompanied by celebration of the self sacrificial love of Christ!" 127 "Communities of sacred memory are, at their best, schools of right remembering - remembering that is truthful and just, that heals individuals without injuring others, that allows the past to motivate a just struggle for justice and the grace-filled work of reconciliation." 128 Quoting Kierkegaard: "no part of life out to have so much meaning for a person that he cannot forget it at any moment he wants to; on the other hand, every single part of life ought to have so much meaning for a person that he can remember it at any moment." 166

If we really believed that any law is justified if it saves just one life, we would require all Americans to pass a mental-health evaluation on a regular basis or be institutionalized (over 38,000 Americans commit suicide annually). We would outlaw all motor vehicles (almost 35,000 Americans die in vehicle accidents annually). We would require all houses to be single-story structures (over 26,000 die in falls annually). We would ban alcohol (almost 17,000 die annually from alcohol-related liver disease). We would require people to be certified as swimmers before allowing them into any large body of water (over 3,500 die from drowning annually). We would prohibit women from getting pregnant unless they had no family history of birth complications (over 900 American women die in childbirth annually). Of course none of these things will ever happen, nor should they. Life is full of dangers that cannot be legislated away.

network effectively produced the president’s intelligence briefing and staffed the federal bureaucracy. Never before has a president promoted a single TV channel, asked the hosts for advice behind closed doors, and demanded for them to be fired when they step out of line. This story has all the makings of a farcical drama: a dysfunctional White House, a delusional president, and a drama-filled network misinforming

It’s worth stating the obvious here: Trump’s entanglement with Fox has no historical precedent. Never before has a TV network effectively produced the president’s intelligence briefing and staffed the federal bureaucracy. Never before has a president promoted a single TV channel, asked the hosts for advice behind closed doors, and demanded for them to be fired when they step out of line. This story has all the makings of a farcical drama: a dysfunctional White House, a delusional president, and a drama-filled network misinforming him from morning through night.

However, one cannot ignore the folklore of the times; the story of the Odyssey and other legends recounting the adventure and dangers of travelling through the Dardanelles and Bosporus, the legends of the Argonauts and Heracles, the nymph of Arethusa, and the goddess of Syracuse.[23] Centuries of overseas ventures undoubtedly produced a pioneering spirit among the Greeks. I am in agreement with A.G. Woodhead’s emphasis on the ‘general spirit of adventure’ that permeated ‘the dawn of classical Hellas’, and his observation that ‘many of the colonies had their origins in purely individual enterprise or extraordinary happenings.’[24] He writes: ‘This personal element, indeed, probably deserves more stress than it has received. It is fashionable to look for great impersonal causes and trends which, singly or in combination, produce a human response, and the economic considerations already discussed fall into that category.

We were all playing a game, only nobody knew we were playing it. When I walked in that first night, everyone was giving me this look: “I’m dangerous. Don’t fuck with me.” So I went, “Shit, these people are hardened criminals. I shouldn’t be here, because I am not a criminal.” Then the next day everything turned over quickly. One by one, guys left to go to their hearings, I stayed to wait for my lawyer, and new people started to pitch up. Now I was the veteran, doing my colored-gangster routine, giving the new guys the same look: “I’m dangerous. Don’t fuck with me.” And they looked at me and went, “Shit, he’s a hardened criminal. I shouldn’t be here, because I am not like him.” And round and round we went. At a certain point it occurred to me that every single person in that cell might be faking it. We were all decent guys from nice neighborhoods and good families, picked up for unpaid parking tickets and other infractions. We could have been having a great time sharing meals, playing cards, and talking about women and soccer. But that didn’t happen, because everyone had adopted this dangerous pose and nobody talked because everyone was afraid of who the other guys were pretending to be. Now those guys were going to get out and go home to their families and say, “Oh, honey, that was rough. Those were some real criminals in there. There was this one colored guy. Man, he was a killer.

What if,” you say to yourself, “Mr. Greenback starts attacking Fred’s business background, and Fred angrily hurls onto the table his home mortgage and papers for an existing loan made to his company?” (With this escalation, you figure, the conflict will toughen up.) It’s highly possible that the escalation would indeed make the conflict sharper and more interesting. It’s even logical that such an escalation could take place, growing out of a goal statement that didn’t necessarily promise such huge single-scene stakes. But throwing so many blue chips on the table carries with it the danger that the disaster which must now grow out of such an escalation could have greater scope than you desired early in your story; it’s possible that Fred could leave the bank not only sans his desired loan, but with his company loan called in for immediate payment and his home mortgage in jeopardy. And maybe that’s a disaster with considerably broader scope than you intended when you started to write this scene! Occasionally such a “surprise” may stimulate you to heighten tension throughout the rest of the story; usually, however, you’re in danger of losing control of both the direction and pace of your story. In like manner, overdoing it in an effort to bolster a scene’s conflict can bring on results that are too immediate.

something abstract: the death had all the elements of a great tabloid story | there are four elements to the proposal. a small but significant amount of a feeling or quality: it was the element of danger he loved in flying. (elements) the rudiments of a subject: legal training may include the elements of economics and political science. (usually with modifier often elements) a group of people of a particular kind within a larger group: extreme right-wing elements in the army. [MATHEMATICS] & [LOGIC] an entity that is a single member of a set. 2 (also chemical element) each of more than one hundred substances that cannot be chemically interconverted or broken down into simpler substances and are primary constituents of matter. Each element is distinguished by its atomic number, i.e. the number of protons in the nuclei of its atoms. 3 any of the four substances (earth, water, air, and fire) regarded as the fundamental constituents of the world in ancient and medieval philosophy. 4 (the elements) strong winds, heavy rain, or other kinds of bad weather: there was no barrier against the elements. 5 a person's or animal's natural or preferred environment: raised in Hawaii, the sea is his natural element | FIGURATIVE he was always in his element when working around the house. 6 a part in an electric kettle, heater, or cooker which contains a wire through which an electric current is passed to provide heat.

Among those who have always lived in a democracy, this story will raise few eyebrows. After all, in a free world, competition of ideas and of parties flourishes and allegiances are often based on a single common principle or purpose that struggles against a competing point of view. Though generally healthy for a society, this competition can be quite dangerous if we lose sight of the fact that there is a far greater divide between the world of freedom and the world of fear than there is between the competing factions within a free society. If we fail to recognize this, we lose moral clarity. The legitimate differences among us--the shades of gray in a free society--will be wrongly perceived as black and white. Then the real black and white line that divides free societies from fear societies, the real line that divides good from evil will no longer be distinguishable.

Andy Scamp's simple list of the ways people feel valuable. 1. Just believing it. Sometimes this is religious, sometimes it is not. God cares for everyone, but society is supposed to as well. We strive to live in a world that places tremendous even infinite value on a single human life. We do not live in that society, but I think part of the reason we strive for it is because we need to signal that our existence in intrinsically meaningful. This is the only source of meaning that does not rely on other people, it is also that hardest to hold onto. 2. Story We understand ourselves in complex ways, but often times that can be distilled down into some core identities and we imagine these identities as part of a story and that that story is some intrinsically positive thing. It might being part of a tradition or breaking free of one. It might be your race or height or hair color. Your status as a child or a parent. Being a job creator or a Star Wars fan or a snowboarder. We create positive narrative around these things and when we fit in them we feel like we matter. 3. Being appreciated It might be hearing someone laugh at your joke or being paid a living wage or getting likes on Instagram. It might be only external or come from within. Appreciation is almost synonymous with value and I think this is where most meaning comes from. 4. Helping People This might sound the same as appreciation, but it is not. Indeed I think your average waste water treatment engineer will tell you that you can help a lot of people and not get a ton of thanks for it, but we are empathy machines and one of the most lasting and true ways of finding meaning is to actually be of service. 5. Comparison You know, keeping up with the Jones. Also, every sport, but it is more than just comparing ourselves to other people. We also compare our current selves to our past selves which is why getting better at something makes us feel valuable. Even if we are the only ones who really understand how much we are improving. 6. Impacting the World This one is simple, but so dangerous. If the world is different because you were in it then you must matter. You must be important if things changed because you exist, but if that is what you believe then the bigger the impact the more you matter and that can lead to some bad places.

Most former Harvey Girls remembered the good times, the satisfying and happy times of their work. And when reading the reminiscences of the Harvey Girls, it is important to remember that they lived and worked in a time and a society that did not always applaud their choice to “go west” as single women, even when made out of economic necessity. They did not live in a time that admired spunk and independence in working women, despite the American West and its promises of freedom and space. That promise, historians are beginning to realize, was reserved for its male immigrants. The myth of the West was largely a male dream—an adventure of danger, risk, excitement, and high stakes. Neither women nor Indians counted.4 We have learned that both women and Indians did count; the extent of their contributions is still being uncovered. It is only recently, in a society interested in its women’s history, that women like the Harvey Girls have been hailed as contributors to the American story. Only a few decades ago, the women in this book would have told their life stories to a stranger reluctantly, questioning the premise behind so many inquiries into their daily lives. Their pride and enthusiasm for the work they did, the role they played along the Santa Fe Railway, has only now found an appreciative audience.

Whenever I plan for a Hike or Trekking to mountains or forests, generally I go alone without anyone's help but if it is high altitude then I arrange for helping people or locals to bring the tents and all. It is not fear or underestimation of myself but over confidence might sometime be dangerous, for example to trek up and down on mount Everest takes 52 days and even highly trained hikers use oxygen supplements, acclimatization kits, ropes, settling zones and even they return back after some point of time, My trekking experience so far were never failure stories but for low altitudes such as shenbhagathoppu or Rajgir, I do not need any ones help, but for higher altitude, I should not be over confident but meanwhile trekking is not only for health and challenge reason but also spiritual and scientific reasons. I am thinking to complete the higher altitude trek without spending single rupees, I will spend for eating downside not for bringing my luggage, I will try to do it myself - Trekking high altitude by myself stories.,

A Lasting Legacy I return to Elkins now, to make a summary point and a single closing observation. The summary point is that even as a closed system, slavery, simply because of its long duration, produced over time a distinctive African American culture. This is a point stressed in Eugene Genovese’s Roll, Jordan, Roll and in his mostly sympathetic critique of Elkins. Slaves, for instance, developed a repertoire of songs and stories and relationships—sometimes lifelong relationships—that ultimately helped to form a black identity in the United States. There is no analog for this in the concentration camps, partly because of the nature of the camps and partly because they lasted for just a dozen years from 1933 to 1945. In general, camp prisoners did not form close relationships, partly because this was discouraged by the guards and partly because prisoners realized that the very person you befriended last week could be summarily executed this week. So the only behavioral changes that concentration camps produced were in the nature of short-term adaptations to camp life itself. It follows from this that the cultural legacy of slavery long outlasted slavery while the cultural legacy of the camps—including the peculiar disfigurations of personality that Elkins detected—proved to be a temporary phenomenon. The phenomena of the zombie-like Muselmanner, the ersatz Nazism of the Kapos—all of this is now gone. It makes no sense to say that Jews or eastern Europeans today display any of the characteristics that developed within that temporary closed system. With American blacks, however, the situation is quite different. Although slavery ended in 1865, it lasted more than 200 years, and it had its widest scope during the era of Democratic supremacy in the South from the 1820s through the 1860s. Many of the features of the old slave plantation—dilapidated housing, broken families, a high degree of violence required to keep the place together, a paucity of opportunity and advancement prospects, a widespread sense of nihilism and despair—are evident in Democrat-run inner cities like Oakland, Detroit, Baltimore, and Chicago. “There was a distinct underclass of slaves,” political scientist Orlando Patterson writes, “who lived fecklessly or dangerously. They were the incorrigible blacks of whom the slave-owner class was forever complaining. They ran away. They were idle. They were compulsive liars. They seemed immune to punishment.” And then comes Patterson’s punch line: “We can trace the underclass, as a persisting social phenomenon, to this group.” 39 The Left doesn’t like Patterson because he’s a black scholar of West Indian origin with a penchant for uttering politically incorrect truths.

It’s gone, you know.” Bella’s voice is hoarse from swallowed smoke. “All of it. The hoarded magic of witches, lost in a single night. It would have been safe if we’d just left it hidden where the Last Three put it, but we didn’t. I didn’t. And now it’s gone and all our hope with it.” Bella thinks of all the women who followed them down this dangerous rabbit hole, all the Sisters hoping for the ways and words to change the bitter stories they were handed. “What have I done?” It comes out tear-thick, warbling. “What have we done, I think you mean,” Quinn says dryly. “Who found the spell in Old Salem, again?” “You did, of course, I didn’t mean—” “So is it my fault, as well?” “No!” “And who got herself locked in jail and needed saving in the first place? And who had the baby early and kept you all distracted at the worst possible moment? Is it your sisters’ fault, too?” Quinn shakes her head. “If you want to blame someone for a fire, look for the men holding matches.

If a hundred years from now Spanish is the official language of America, the language of love in the Kingdom has lost nothing. If a hundred years from now America is not seen as a “city on a hill” among the nations, the glory of God will not have lost a single lumen of brilliance. As much as I pray God preserves my country, I must realize that God is still God without democracy. He was God before democracy, and He will be God after. Every great nation will be a footnote in the story of redemption our God is writing. Nations die; the Kingdom does not.

The single-story approach, which leaves room for only one narrative, for only one truth, is very dangerous. As you write, this conflict is between right and right. The whole world, including the Palestinians, should recognize the Jews’ religious, political and peoplehood identity and claim to the land of Israel. But the Jewish people have to differentiate between the land of Israel and the state of Israel. Both sides must open the space for tough, honest discussion. Thank you for writing a book that helps us have that discussion.

That was the finding of a 2017 Nature paper surveying the full breadth of the academic literature: that despite a strong consensus among climate scientists about “hope” and “fear” and what qualifies as responsible storytelling, there is no single way to best tell the story of climate change, no single rhetorical approach likely to work on a given audience, and none too dangerous to try. Any story that sticks is a good one.

General Gerardo Machado always had an eye for the ladies and enjoyed partying at the swankiest nightclubs in Havana. For a time he even owned his own club, which was the place for his political hacks to be seen. Machado was frequently there in the company of some of the most enticing ladies in the country. Through a combination of threats and bribery, he maintained control of the Army. In April of 1928 the Cuban Congress at the behest of Machado passed a law barring any presidential nominations by any party other than the Liberal, Conservative and Popular parties. Interestingly enough Machado declared himself the only legal candidate for those parties, and thus ran for a second term unopposed. Not only had he overspent money from the national treasury, but now he also alienated the Cuban public, who denounced him as an authoritarian nationalist and tyrant. Students, labor unions and intellectuals branded him an outright dictator. It was during this time that Marxist thinking was gaining strength throughout the world. The Communist philosophy was also becoming ever more popular among intellectuals, professors and students at the Universidad de La Havana. Realizing that he was now in danger of losing control, Machado made a power grab and declared Martial Law in Cuba. Intent on holding on to power, he became even more despotic than ever, creating a secret police known to the people as La Porra, meaning a big stick! As President, Machado became openly vindictive and did not hesitate to torture or even assassinate his foes in order to maintain tight sway over the Cuban population. With the Great Depression of 1928, things only got worse. The economy, which was single-sided, was extremely dependent upon sugar. Poverty was widespread, and even necessities all but disappeared, leaving the Cuban people destitute and in misery.

The Bank of England distributes the nation’s money regionally in this way to avoid the danger of a single calamitous incident at one building destroying its stock of bank notes. This is important because, despite cheques and plastic, the public still uses a vast amount of cash. Approximately £37 billion is fluttering around the national economy daily in paper money.

One curious feature of the condition is that if two werewolves meet and mate at the full moon (a highly unlikely contingency, which is known to have occurred only twice) the result of the mating will be wolf cubs which resemble true wolves in everything except their abnormally high intelligence. They are not more aggressive than normal wolves and do not single out humans for attack. Such a litter was once set free, under conditions of extreme secrecy, in the Forbidden Forest at Hogwarts, with the kind permission of Albus Dumbledore. The cubs grew into beautiful and unusually intelligent wolves and some of them live there still, which has given rise to the stories about ‘werewolves’ in the Forest – stories none of the teachers, or the gamekeeper, has done much to dispel because keeping students out of the Forest is, in their view, highly desirable.

she would indeed like to tell that kind of story, except that it requires a plot, “the absolute line between two points which [she’s] always despised. Not for literary reasons, but because it takes all hope away. Everyone, real or invented, deserves the open destiny of life.” What’s despicable about the absolute line between two points is its danger of becoming a single story. For Paley, there was no “defining” experience of women or Jews or New York or activists or the 1960s, or of one female Russian Jewish activist-writer in New York in 1965. There were stops and starts, inconsistencies, loyalties forged and broken, discordant voices. People made themselves up as they went along. In the meantime, there was daily life to endure.