Cuts And Bruises Quotes

We've searched our database for all the quotes and captions related to Cuts And Bruises. Here they are! All 100 of them:

He was their family. They were his. They were worth every cut and bruise and scream.
Nora Sakavic (The Raven King (All for the Game, #2))
How could one sentence uttered in anger cause so much damage? But then words were the most powerful thing in the universe. Cuts and bruises always healed, but words spoken in anger were most often permanent. They didn’t damage the body, they destroyed the spirit. (Acheron)
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
I hate slick and pretty things. I prefer mistakes and accidents. Which is why I like things like cuts and bruises - they're like little flowers. I've always said that if you have a name for something, like 'cut' or 'bruise,' people will automatically be disturbed by it. But when you see the same thing in nature, and you don't know what it is, it can be very beautiful.
David Lynch
If the Universe came to an end every time there was some uncertainty about what had happened in it, it would never have got beyond the first picosecond. And many of course don't. It's like a human body, you see. A few cuts and bruises here and there don't hurt it. Not even major surgery if it's done properly. Paradoxes are just the scar tissue. Time and space heal themselves up around them and people simply remember a version of events which makes as much sense as they require it to make.
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
He came up and kissed me on my forehead, and before he stepped away, I closed my eyes and tried hard to memorize this moment. I wanted to remember him exactly as he was right then, how his arms looked brown against his white shirt, the way his hair was cut a little too short in the front. Even the bruise, there because of me. Then he was gone. Just for that moment, the thought that I might never see him again… it felt worse than death. I wanted to run after him. Tell him anything, everything. Just don’t go. Please just never go. Please just always be near me, so I can at least see you. Because it felt final. I always believed that we would find our way back to each other every time. That no matter what, we would be connected—by our history, by this house. But this time, this last time, it felt final. Like I would never see him again, or that when I did, it would be different, there would be a mountain between us. I knew it in my bones. That this time was it. I had finally made my choice, and so had he. He let me go. I was relieved, which I expected. What I didn’t expect was to feel so much grief. Bye bye, Birdie.
Jenny Han (We'll Always Have Summer (Summer #3))
I know you don’t, but you’re worth defending. Every cut, bruise, every single pang of anger or frustration. It’s all worth it. I’d throw my last punch defending you because you deserve to have someone be that person for you, and there’s no one more qualified for the job than me.
Hannah Grace (Icebreaker (UCMH, #1))
I've got this." Apollo stepped forward. His fiery armor was so bright it was hard to look at, and his matching Ray-Bans and perfect smile made him look like a male model for battle gear. "God of medicine, at your service." He passed his hand over Annabeth's face and spoke an incantation. Immediately the bruises faded. Her cuts and scars disappeared. Her arm straightened, and she sighed in her sleep. Apollo grinned. "She'll be fine in a few minutes. Just enough time for me to compose a poem about our victory: 'Apollo and his friends save Olympus.' Good, eh?" Thanks, Apollo," I said. "I'll, um, let you handle the poetry.
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
I. Those of us born by water are never afraid enough of drowning. Bruises used to trophy my knees from my death-defying tree climb jumps. Growing up, my backyard was a forest of blackberry bushes. I learned early nothing sweet will come to you unthorned. II. At twelve your body becomes a currency. So Jenny and I sat down and cut up all our clothes into nothing. That year I failed math class but knew the exact number of calories in a carrot stick. I learned early being desired goes hand in hand with hunger. III. The last time I tried to scream I felt my father climbing up through my throat and into my mouth. IV. There is a certain kind of girl who reads Lolita at fourteen and finds religion. I painted my eyes black and sucked barroom cherries to red my tongue. There was a boy who promised Judas really did love Jesus. I learned early every kiss and betrayal are up for interpretation. V. I think he must have conferenced with my nightmares on exactly how to hurt me. VI. He never broke my heart. He only turned it into a compass that always points me back to him.
Clementine von Radics
Then Drew shuffles into the dining hall. I drop my toast, and my mouth drifts open. Calling him “bruised” would be an understatement. His face is swollen and purple. He has a split lip and a cut running through his eyebrow. He keeps his eyes down on the way to his table, not even lifting them to look at me. I glance across the room at Four. He wears the satisfied smile I wish I had on.
Veronica Roth (Divergent (Divergent, #1))
How many of them were there?' Her voice wasn't joking around. Eighteen. Hundred.' Four,' Blaylock interjected. 'An honor guard of four.' What did they work you over with? Those bruises on your thighs are severe?' Crowbars. Big, massive-' Blay cut in. 'Clubs. Had to be those ceremonial black clubs.
J.R. Ward (Lover Enshrined (Black Dagger Brotherhood, #6))
Sticks and stones may break my bones, but words can also hurt me. Stones and sticks break only skin, while words are ghosts that haunt me. Slant and curved the word-swords fall, it pierces and sticks inside me. Bats and bricks may ache through bones, but words can mortify me. Pain from words has left its' scar, on mind and hear that's tender. Cuts and bruises have not healed, it's words that I remember.
Ruby Redfort
God afternoon," I said cheerfully, with an especially saccharine smile for the High Lord. He blinked at me, and both of the faerie men murmured their greetings as I took a seat across from Lucien, not my usual place facing Tamlin. I drank deeply from my goblet of water before piling food on my plate. I savored the tense silence as I consumed the meal before me. "You look . . . refreshed," Lucien observed with a glance at Tamlin. I shrugged. "Sleep well?" "Like a babe." I smiled as him and took another bite of food, and felt Lucien's eyes travel inexorably to my neck. "What is that bruise?" Lucien demanded. I pointed my fork to Tamlin. "Ask him, he did it." Lucien looked from Tamlin to me and then back again. "Why does Feyre have a bruise on her neck from you?" he asked with no small amount of amusement. "I bit her," Tamlin said, not pausing as he cut his steak. "We ran into each other in the hall after the Rite.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
That's life. We all go through the tractor blades now and then. We all get bruised, and we all get cut. Sometimes the blade cuts deep. The lucky ones come through with a few scratches, a little blood, but even that isn't the most important thing. The most important thing is having someone there to scoop you up, to hold you tight, and to tell you everything is all right.
Vicki Myron (Dewey: The Small-Town Library Cat Who Touched the World)
Tough love is brutally honest and hurts you to help you. Tough love cuts you when you're already bruised and berates you when you don't heal faster.
Helen Hoang (The Heart Principle (The Kiss Quotient, #3))
Sometimes, Chase… it’s the emotional wounds that hurt the most.” I pushed back the anger and sighed. “I’d rather he beat me. Cuts heal, bruises fade — but broken hearts? They carry scars for a lifetime.
Rachel Van Dyken (Elite (Eagle Elite, #1))
I want to heal my brother, kiss his cuts and bruises and lips, and save from what's happening in my heart.
Kate Avelynn (Flawed)
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
Horace, fit, and athletic and light on his feet, gave their guards the fewest opportunities to beat him, although on one occasion an angry Tualaghi, furious that Horace misunderstood an order to kneel, slashed his dagger across the young man’s face, opening a thin, shallow cut on his right cheek. The wound was superficial but as Evanlyn treated it that evening, Horace shamelessly pretended that it was more painful than it really was. He enjoyed the touch of her ministering hands. Halt and Gilan, bruised and weary, watched as she cleaned the wound and gently pated it dry. Horace did a wonderful job of pretending to bear great pain with stoic bravery. Halt shook his head in disgust. “What faker,” he said to Gilan. The younger Ranger nodded. “Yes. He’s really making a meal of it isn’t he?” He paused, then added more ruefully, “Wish I’d thought of it first.
John Flanagan (Erak's Ransom (Ranger's Apprentice, #7))
I have cuts and bruises that do not map a course.
Margo Jefferson (Negroland)
I saw the bruises, the burns, the cuts— I knew which ones had been done to you by someone you thought you could trust. Someone you thought loved you. I knew which ones you gave yourself.
Abby Norman
It was like this blackness that crept into the corners of my life until everything was grey and dirty. My insides felt burnt out, like if you cut me open, all you would find would be smoke. No heart. No bones. There was nothing left, just the anger. It followed me everywhere. It sat on my bed and watched me sleep and when I had to eat, it looked at me across the table.
Tanya Byrne (Heart-Shaped Bruise)
Some boys walk by and you cry, seeing them. They feel good, they look good, they are good. Oh, they're not above peeing off a bridge, or stealing an occasional dime-store pencil sharpener; it's not that. It's just, you know, seeing them pass, that's how they'll be all their life; they'll get hit, hurt, cut, bruised, and always wonder why, why does it happen? how can it happen to them?
Ray Bradbury (Something Wicked This Way Comes)
Get messy. Play in the dirt. Take a few falls, let them happen. Cuts and bruises, scrapes and scars are good for the soul – You bleed, you heal, you rise.
Melody Lee (Vine: Book of Poetry)
Women in the online gaming community have been harassed, threatened, and driven out. Anita Sarkeesian, a feminist media critic who documented such incidents, received support for her work, but also, in the words of a journalist, 'another wave of really aggressive, you know, violent personal threats, her accounts attempted to be hacked. And one man in Ontario took the step of making an online video game where you could punch Anita's image on the screen. And if you punched it multiple times, bruises and cuts would appear on her image.' The difference between these online gamers and the Taliban men who, last October, tried to murder fourteen-year-old Malala Yousafzai for speaking out about the right of Pakistani women to education is one of degree. Both are trying to silence and punish women for claiming voice, power, and the right to participate. Welcome to Manistan.
Rebecca Solnit (Men Explain Things to Me)
The policemen had covered her thoroughly bruised, cut and naked body with a white cloth. She had bled a thousand cuts.
Kumar Kinshuk (Ritualistic Murder (The Kanke Killings Trilogy #0))
Cuts heal, bruises fade—but broken hearts? They carry scars for a lifetime.
Rachel Van Dyken (Elite (Eagle Elite, #1))
Cuts and bruises always healed, but words spoken in anger were most often permanent. They didn’t damage the body, they destroyed the spirit.
Sherrilyn Kenyon (Acheron (Dark-Hunter, #8; Entire Dark-Hunterverse, #15; Dark-Hunterverse, #23))
What is that bruise?” Lucien demanded. I pointed with my fork to Tamlin. “Ask him. He did it.” Lucien looked from Tamlin to me and then back again. “Why does Feyre have a bruise on her neck from you?” he asked with no small amount of amusement. “I bit her,” Tamlin said, not pausing as he cut his steak
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Those who are quick to censure others, who speak words that cut and bruise the already wounded soul, are doing Satan’s work, and are laborers with the prince of darkness....
Ellen Gould White (This Day With God)
Wylan!” Jesper said, taking in the cuts and rapidly forming bruises. “Saints, is all that real?” “Anika and Keeg did a number on him.” “I wanted it to be believable,” said Wylan. “I admire your commitment to the craft,” said Kaz. “Jesper, stay with Wylan. They’re going to want to question him.” “I’m fine,” said Wylan, though his lip was so swollen it sounded more like, “I’b fibe.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
The bruises hurt him, the cuts were still bleeding; but it was not for pain that he sobbed ; it was because he was all alone, because he had been driven out, alone, into this skeleton world of rocks and moonlight.
Aldous Huxley (Brave New World)
If I could take away his pain… If there was a way to transfer it from his soul onto mine. I would take it. Without hesitation I would take it all. Maybe that’s how you know you love someone. When you actually feel each tear they cry as if they were your own. When you feel each cut, each bruise, each hit as if you’re the one suffering. I bled for him.& in turn, he bled for her.Funny, how life comes full circle
Rachel Van Dyken (Toxic (Ruin, #2))
Do you know that feeling? When everything you do seems like a struggle. Where you dont wanna leave the house because you know everyone is judging you. Where you cant even ask for directions in fear that they critise you. Where everyone always seems to be picking out your flaws. That feeling where you feel so damn sick for no reason. Do you know that feeling where you look in the mirror and completly hate what you see. When you grab handfuls and handfuls of fat and just want to cut it all off. That feeling when you see other beautiful girls and just wish you looked like them. When you compare yourself to everyone you meet. When you realise why no one ever showed intrest in you. That feeling where you become so self conscious you dont even turn up at school. That feeling when you feel so disappointed in who you are and everything you have become. That feeling when every bite makes you wanna be sick. When hunger is more satifying that food. The feeling of failure when you eat a meal. Do you know that feeling when you cant run as far as your class. Fear knowing that everyone thinks of you as the"Unfit FAT BITCH" That feeling when you just wanna let it all out but you dont wanna look weak. The fear you have in class when you dont understand something but your too afraid to ask for help. The feeling of being to ashamed to stand up for yourself. Do you know the feeling when your deepest fear becomes a reality. Fear that you will NEVER be good enough. When you feel as if you deserve all the pain you give yourself. When you finally understand why everyone hates you. FINALLY realising the harsh truth. Understanding that every cut, every burn, every bruise you have even given yourself, you deserved. In fact you deserved worse. That feeling when you believe you deserve constant and brutal pain. Do you know what it feels like to just want to give up. When you just want all the pain to end but you want it to continue? Or am i just insane
Anonymous.
...But here I was with hardly a sign of any outward conflict. It was all running around in spiked boots inside my head, making cuts and bruises where no one could see them except me and a psychologist. But it was just as bad.
Ray Bradbury (The Golden Apples of the Sun)
Dear Son, I would call you by name, but I’m waiting for your mother to decide. I only hope she is joking when she calls you Albert Dalbert. For weeks now I have watched your mother zealously gather her tokens for this box. She’s so afraid of you not knowing anything about her, and it bothers me greatly that you’ll never know her strength firsthand. I’m sure by the time you read this, you’ll know everything I do about her. But you’ll never know her for yourself and that pains me most of all. I wish you could see the look on her face whenever she talks to you. The sadness she tries so hard to hide. Every time I see it, it cuts through me. She love you so much. You’re all she talks about. I have so many orders from her for you. I’m not allowed to make you crazy the way I do your Uncle Chris. I’m not allowed to call the doctors every time you sneeze and you are to be allowed to tussle with your friends without me having a conniption that someone might bruise you. Nor am I to bully you about getting married or having kids. Ever. Most of all, you are allowed to pick your own car at sixteen. I’m not supposed to put you in a tank. We’ll see about that one. I refuse to promise her this last item until I know more about you. Not to mention, I’ve seen how other people drive on the roads. So if you have a tank, sorry. There’s only so much changing man my age can do. I don’t know what our futures will hold. I only hope that when all is said and done, you are more like your mother than you are like me. She’s a good woman. A kind woman. Full of love and compassion even though her life has been hard and full of grief. She bears her scars with a grace, dignity, and humor that I lack. Most of all, she has courage the likes of which I haven’t witnessed in centuries. I hope with every part of me that you inherit all her best traits and none of my bad ones. I don’t really know what more to say. I just thought you should have something of me in here too. Love, Your father (Wulf)
Sherrilyn Kenyon (Kiss of the Night (Dark-Hunter, #4))
She told him ... how her heart had fairly skipped a beat when she'd seen him standing in the middle of the road dressed as a true Highland warrior. "If I hadna been in love wi' you already, I'd have fallen in love wi' you then." He grinned, his whiskery face unbearably bonnie even with its cuts and bruises. "So you like the sight of me in a pladdie, aye?" "Aye--and wi' braids in your hair." She leaned down and kissed him. "But I think red paint looks silly.
Pamela Clare (Surrender (MacKinnon’s Rangers, #1))
I heard the bathroom door close and I kept my eyes screwed shut, but my heart skyrocketed into uncharted territories. I folded my arms around me and held my breath. There was the slightest movement behind me. Skin brushed against mine. A fine shiver rolled up my spine. An infinite spark transferred between us, something that couldn’t be replicated or forced. How could I’ve forgotten that when connected with Seth? My heart turned over heavily. Aiden brushed the mass of thick hair over one shoulder and his lips met the space between my neck and shoulder. His hands slid down the slick skin of my arms, cupping over my elbows and then to my wrists. Gently, slowly, he eased my arms to my sides. I bit down on my lip and my legs started trembling. But he was there. Like always, holding me up when I couldn’t stand on and letting me go when he knew I needed him to. He was more than just a shelter. AIden was my other half, my equal. And he needed no weird Apollyon connection. Aiden waited, still as a statue, patient as ever, until my muscles unlocked, one by one. Then his hands dropped to my waist and he turned me toward him. A heartbeat passed and he placed his fingers on my chin, tipping my head back. I opened my eyes, blinking the wetness off my lashes, and the air hitched in my throat. Faint, purplish bruises shadowed his jaw. There was a cut over the bridge of his nose. No doubt injuries I had given him.
Jennifer L. Armentrout (Apollyon (Covenant, #4))
MaMaLu knew how to fix things—lost things, hurt things, cracked things, cut and bruised things.
Leylah Attar (The Paper Swan)
When Candida blew, she’d really blew, so the falling debris had mostly been too small to do any real damage to the rest of the boats in the marina. Other than a few minor cuts and bruises suffered by those folks stupid enough to look up at the sky and wait for it to rain wood and fiberglass and aluminum down on them rather than run for cover, no one had been hurt; no one ever said being able to afford a boat and marina fees made a person smart.
Bobby Underwood (The Long Gray Goodbye (Seth Halliday #2))
These aren’t my scars, cuts, and bruises. These are my medals of honor.
Bryan Stevenson (Just Mercy: A Story of Justice and Redemption)
I don’t need you to defend me,” she whispers. Her sassy, stubborn nature is what I’ve come to expect, but sometimes she blinds me with her vulnerability. “I know you don’t, but you’re worth defending. Every cut, bruise, every single pang of anger or frustration. It’s all worth it. I’d throw my last punch defending you because you deserve to have someone be that person for you, and there’s no one more qualified for the job than me.
Hannah Grace (Icebreaker (UCMH, #1))
Psychology: “Sympathy the human species universally craves. The child eagerly displays his injury; or even inflicts a cut or bruise in order to reap abundant sympathy. For the same purpose adults … show their bruises, relate their accidents, illness, especially details of surgical operations. ‘Self-pity’ for misfortunes real or imaginary is, in some measure, practically a universal practice.
Dale Carnegie (How To Win Friends and Influence People)
We had been bruised and gashed and concussed, had our legs set on fire and out heads cut open. We had lived in a state of alert, a kind of constant terror, our brains flooding with cortisol because we knew that any of those things might happen at any moment. Because Dad always put faith before safety.
Tara Westover (Educated)
But that can't work, can it?" Said Richard. "If we do that, then this won't have happened. Don't we generate all sorts of paradoxes?" Reg stirred himself from thought. "No worse than many that exist already," he said. "If the universe came to an end every time there was some uncertainty about what had happened in it, it would never have got beyond the first picosecond. And many of course don't. It's like a human body, you see. A few cuts and bruises here and there don't hurt it. Not even major surgery if its done properly. Paradoxes are just the scar tissue. Time and space heal themselves up around them and people simply remember a version of events which makes as much sense as they require it to make. That isn't to say if you get involved in a paradox a few things won't strike you as being very odd, but if you've got through life without that already happening to you, then I don't know which universe you've been living in, but it isn't this one
Douglas Adams (Dirk Gently's Holistic Detective Agency (Dirk Gently, #1))
It’s wonderful to finally meet you,’ Scarlett managed. He smiled, wide and sincere. ‘I’m tempted to say you’re even prettier than I imagined, but I would hate you to think me unoriginal.’ ‘Too late,’ Julian coughed. A wrinkle formed between Nicolas’s thick brows as he noticed Scarlett’s companion. ‘And you are?’ ‘Julian.’ He offered his hand. But Nicolas refused to let go of Scarlett’s. ‘I wasn’t aware Scarlett had a brother.’ ‘I’m not her brother.’ Julian kept his tone friendly, but Scarlett felt a surge of bruising purple panic as devilry sparked in Julian’s eyes. ‘I’m not related to her at all. I’m an actor she played with during Caraval.’ He emphasized the words played with, and Scarlett could have choked him. Julian would choose now to finally be honest. Not that Nicolas appeared disturbed. The young count’s broad smile remained even as he petted Timber with his free hand. But Julian wasn’t finished. ‘I’m not surprised she’s never mentioned me. At the start of Caraval I don’t think she liked me much. But then we were given the same bedroom—’ ‘Julian, enough,’ Scarlett cut in.
Stephanie Garber (Finale (Caraval, #3))
Think of them. Heads up, eyes on the target. Running. Full speed. Gravity be damned. Toward that thick layer of glass that is the ceiling. Running, full speed, and crashing. Crashing into that ceiling and falling back. Crashing into it and falling back. Into it and falling back. Woman after woman. Each one running and each one crashing. And everyone falling. How many women had to hit that glass before the first crack appeared? How many cuts did they get, how many bruises? How hard did they have to hit the ceiling? How many women had to hit that glass to ripple it, to send out a thousand hairline fractures? How many women had to hit that glass before the pressure of their effort caused it to evolve from a thick pane of glass into just a thin sheet of splintered ice? So that when it was my turn to run, it didn’t even look like a ceiling anymore. I mean, the wind was already whistling through—I could always feel it on my face. And there were all these holes giving me a perfect view to the other side. I didn’t even notice the gravity, I think it had already worn itself away. So I didn’t have to fight as hard. I had time to study the cracks. I had time to decide where the air felt the rarest, where the wind was the coolest, where the view was the most soaring. I picked my spot in the glass and I called it my target. And I ran. And when I finally hit that ceiling, it just exploded into dust. Like that.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
Her mouth was cut, her left eye already beginning to swell. There was raw color along her cheekbone. He managed to take a full, almost easy breath. "You're going to have a hell of a bruise." "I've had them before." The medication was seeping in, turning pain into a mist. She only smiled when he stripped her to the waist and began checking for other injuries. "You've got great hands. I love when you touch me. Nobody ever touched me like that. Did I tell you?" "No." And he doubted she'd remember she was telling him now. He'd make sure to remind her. "And you're so pretty. So pretty," she repeated, lifting a bleeding hand to his face. "I keep wondering what you're doing here." He took her hand, wrapped a cloth gently around it. "I've asked myself the same question." She grinned foolishly, let herself float. Need to file my report, she thought hazily. Soon. "You don't really think we're going to make anything out of this, do you? Roarke and the cop?" "I guess we'll have to find out.
J.D. Robb (Naked in Death (In Death, #1))
I looked down at my bloody shirt and jeans. “My face hurts all over,” I said to Ranger. “Where’s all the blood coming from?” “You’re getting a bruise on your cheek. You have a small cut on your lower lip. You were bleeding from your nose, but that seems to have stopped. You have a puncture wound on your neck.” “I’m a mess!” Ranger wrapped his arms around me and held me close. “You’re beautiful. You evacuated the hotel and you delivered Vlatko.
Janet Evanovich (Top Secret Twenty-one (Stephanie Plum, #21))
Trauma wounds are invisible. We cannot see visible bruises, cuts, or scars. Yet, if we don’t tend to them, we can carry them throughout our lives. We may relive our trauma over and over, again.
Dana Arcuri (Soul Rescue: How to Break Free From Narcissistic Abuse & Heal Trauma)
My best friend has warned me to stay away. Violet, a girl raised by the Terror, has warned me to stay away, but even after digesting her advice, knowing the rumors and experiencing what I have, I can't leave. The bandage on Razor's arm and the cuts and bruises along his side testify to how dangerous his life is, but with one long look into those beautiful eyes , I know that I'm a lost cause to logic. I've already fallen in love.
Katie McGarry (Walk the Edge (Thunder Road, #2))
To Marry One's Soul Being true to who we are means carrying our spirit like a candle in the center of our darkness. If we are to live without silencing or numbing essential parts of who we are, a vow must be invoked and upheld within oneself. The same commitments we pronounce when embarking on a marriage can be understood internally as a devotion to the care of one's soul: to have and to hold … for better or for worse … in sickness and in health … to love and to cherish, till death do us part. This means staying committed to your inner path. This means not separating from yourself when things get tough or confusing. This means accepting and embracing your faults and limitations. It means loving yourself no matter how others see you. It means cherishing the unchangeable radiance that lives within you, no matter the cuts and bruises along the way. It means binding your life with a solemn pledge to the truth of your soul. It is interesting that the nautical definition of marry is “to join two ropes end to end by interweaving their strands.” To marry one's soul suggests that we interweave the life of our spirit with the life of our psychology; the life of our heart with the life of our mind; the life of our faith and truth with the life of our doubt and anxiety. And just as two ropes that are married create a tie that is twice as strong, when we marry our humanness to our spirit, we create a life that is doubly strong in the world.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
ROSE: You can't be nobody but who you are, Cory. That shadow wasn't nothing but you growing into yourself. You either got to grow into it or cut it down to fit you. But that's all you got to make life with. That's all you got to measure yourself against that world out there. Your daddy wanted you to everything he wasn't...and at the same time he tried to make you into everything he was. I don't know if he was right or wrong...but I do know he meant to do more good than he meant to do harm. He wasn't always right. Sometimes when he touched he bruised. And sometimes when he took me in his arms he cut.
August Wilson (Fences (The Century Cycle, #6))
In class I had been taught about neurotransmitters and their effect on brain chemistry; I understood that disease is not a choice. This knowledge might have made me sympathetic to my father, but it didn’t. I felt only anger. We were the ones who’d paid for it, I thought. Mother. Luke. Shawn. We had been bruised and gashed and concussed, had our legs set on fire and our heads cut open. We had lived in a state of alert, a kind of constant terror, our brains flooding with cortisol because we knew that any of those things might happen at any moment. Because Dad always put faith before safety. Because he believed himself right, and he kept on believing himself right—after the first car crash, after the second, after the bin, the fire, the pallet. And it was us who paid.
Tara Westover (Educated)
A seeker has heard that the wisest guru in all of India lives atop India’s highest mountain. So the seeker treks over hill and Delhi until he reaches the fabled mountain. It’s incredibly steep, and more than once he slips and falls. By the time he reaches the top, he is full of cuts and bruises, but there is the guru, sitting cross-legged in front of his cave. "O, wise guru,” the seeker says, “I have come to you to ask what the secret of life is.” “Ah, yes, the secret of life,” the guru says. “The secret of life is a teacup.” “A teacup? I came all the way up here to find the meaning of life, and you tell me it’s a teacup!” The guru shrugs. “So maybe it isn’t a teacup.
Thomas Cathcart (Plato and a Platypus Walk into a Bar . . .: Understanding Philosophy Through Jokes)
Physicians, though they put their patients to much pain, will not destroy their nature, but will raise it up by degrees. Surgeons will pierce and cut but not mutilate. A mother who has a sick and self-willed child will not cast it away for this reason. And shall there be more mercy in the stream than there is in the spring? Shall we think there is more mercy in ourselves than in God, who plants the feeling of mercy in us?
Richard Sibbes (The Bruised Reed: In Today's English)
Underneath his steal and wool and boiled leather, Jaime Lannister was a tapestry of cuts and scabs and bruises.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
My own aches and bruises and cuts and wounds pained me, but it was an honest, stretchy pain, something that was healing.
Jim Butcher (Summer Knight (The Dresden Files, #4))
But then, even with cuts, bruises and blood all over him, he looked like his jackass self again." - Alex Gold
R.J. Morse
Tom bruised himself on the world and licked his cuts.
John Steinbeck (East of Eden)
In fact I’ve seen my blood plenty of times. And cuts and bruises. We’re old friends
Skye Warren (Love the Way You Lie (Stripped, #1))
looked at the tires carefully, looking for cuts or stone bruises. Everything seemed in good condition. It evidently made no difference whether I was there to look after things or not.
Ernest Hemingway (A Farewell to Arms)
I admire nudity and I like sex, and so did a lot of people in the Thirties. But, to me, overexposure blunts the fun…Sex as something beautiful may soon disappear. Once it was a knife so finely honed the edge was invisible until it was touched and then it cut deep. Now it is so blunt that it merely bruises and leaves ugly marks. Nudity is fine in the privacy of my own bedroom with the appropriate partner. Or for a model in life class at art school. Or as portrayed in stone and paint. But I don’t like it used as a joke or to titillate. Or be so bloody frank about.
Mary Astor (A Life On Film)
And Will? Why, he’s the last peach, high on a summer tree. Some boys walk by and you cry, seeing them. They feel good, they look good, they are good. Oh, they’re not above peeing off a bridge, or stealing an occasional dime-store pencil sharpener; it’s not that. It’s just, you know, seeing them pass, that’s how they’ll be all their life; they’ll get hit, hurt, cut, bruised, and always wonder why, why does it happen? how can it happen to them?
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
For the first time, I had to fight for my life. It's a fight most people will never understand. We all think we will rise to the challenge when the moment comes, but most of us go our whole lives without that belief being tested. I tested it today. I learned to fight through fear, to stay calm in a sea of chaos, and that I will not quit, even when the odds are against me. For all my cuts and bruises and breaks, I am happy it happened. I am different because it happened.
Tim Kennedy (Scars and Stripes: An Unapologetically American Story of Fighting the Taliban, UFC Warriors, and Myself)
I hate seeing them hurt you. If I ever face your father again . . . well, he better hope I’m not wearing my Sucker Punch, because I’d knock him to Timbuktu.” “I would pay so much money to see that.” She smiled sadly. “I don’t want you dealing with all of this alone, Keefe. You’ve spent long enough hiding the bruises and scars behind jokes and pranks—” “He never hit me,” Keefe interrupted. “I know. But words cut deeper than goblin throwing stars.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Who else had ever met the business-end of a bolt of lightning in mid-flight, as he had just now, flying blind through a storm, lost a wing, managed to come down still alive even if it is on a wooded mountainside, to cut the contact at the moment of crashing so that he wasn't roasted alive, and crawl out with just a wrenched shoulder and a lot of cuts and bruises? He couldn't bail out because he was flying too low, hoping for a break through the clouds through which to spot something flat enough to come down on; he doesn't like bailing out anyway, hates to throw away a good plane. ("Jane Brown's Body")
Cornell Woolrich (The Fantastic Stories of Cornell Woolrich (Alternatives SF Series))
How’s my face?” George picked up the mirror. “Ready?” “Hit me.” She raised the mirror. A big bruise blossomed in all of its blue glory on the left corner of my jaw. My mouth was puffy and swollen, and a long cut snaked its way from my hairline down to my right ear. The swelling and the bruise came courtesy of being hit with a shapeshifter’s tail. The cut, I had no idea. “I’m a sexy fiend, aren’t I?” She winced. “It’s not that bad.” “It’s good that Curran is gone. He might not be able to contain himself. If he decides to ravish me in public when he comes back, I expect all of you to look the other way.
Ilona Andrews (Magic Rises (Kate Daniels, #6))
What is that bruise?” Lucien demanded. I pointed with my fork to Tamlin. “Ask him. He did it.” Lucien looked from Tamlin to me and then back again. “Why does Feyre have a bruise on her neck from you?” he asked with no small amount of amusement. “I bit her,” Tamlin said, not pausing as he cut his steak. “We ran into each other in the hall after the Rite.” I straightened in my chair. “She seems to have a death wish,” he went on, cutting his meat. The claws stayed retracted but pushed against the skin above his knuckles. My throat closed up. Oh, he was mad—furious at my foolishness for leaving my room—but somehow managed to keep his anger on a tight, tight leash. “So, if Feyre can’t be bothered to listen to orders, then I can’t be held accountable for the consequences.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
PRETENDING TO DROWN The only regret is that I waited longer than a breath to scatter the sun's reflection with my body. New stars burst upon the water when you pulled me in. On the shore, our clothes begged us to be good boys again. Every stick our feet touched a snapping turtle, every shadow a water moccasin. Excuses to swim closer to one another. I sank into the depths to see you as the lake saw you: cut in half by the surface, taut legs kicking, the rest of you sky. Suddenly still, a clear view of what you knew I wanted to see. When I resurfaced, slick grin, knowing glance; you pushed me back under. I pretended to drown, then swallowed you whole.
Saeed Jones (Prelude to Bruise)
Changing? Aren’t we a little delusional? You’ve always been scarred and you always will be. Well you’re not really the best thinker. Why waste time trying to mend what’s broken? It’s impossible as trying to keep it from being broken in the first place. You want kids, don’t you? Abused people turn abusive, it’s a fact. Why? Becayse you love them? Didn’t I love you? But I’ve hurt you still. Love has nothing to do with being abusive. You’ve always been bruised and cut and it’s just… pointless to try and change that… now.
dee Juusan (Grey is... (Grey is, #3))
I meant it,” I tell him. “Every bruise. Every cut. Get
Rachel Caine (Stillhouse Lake (Stillhouse Lake, #1))
You are Oceanic All she wanted was to find a place to stretch her bones. A place to lengthen her smiles and spread her hair. A place where her legs could walk without cutting and bruising. A place unchained. She was born out of ocean breath. I reminded her; ‘Stop pouring so much of yourself into hearts that have no room for themselves. Do not thin yourself. Be vast. You do not bring the ocean to a river’.
Tapiwa Mugabe (Zimbabwe)
Rape and sexual assault are unusual, if not quite unique, in that often, the only real evidence of a crime is the victim's testimony. Physical evidence might demonstrate that a sexual encounter took place between two people, but even cuts and bruises can't definitively prove lack of consent on one person's part. Especially if the accused is the alleged victim's friend, lover or spouse, or someone with whom they freely chose to leave a party. Ultimately, in the absence of photographic or video evidence, it comes down to one person's word against another's. The most obvious tragic result of this fact is that nearly half of rapes are never reported, fewer are prosecuted, and even fewer lead to a felony conviction. Victims wonder what the point of reporting uncorroborated sexual violence is, and they're not wrong.
Kate Harding (Asking for It: The Alarming Rise of Rape Culture and What We Can Do about It)
What happened to your concern about my near-death experience?” “You're alive aren't you? Unharmed? No bruises or cuts or head injuries?” Jessica raised an eyebrow and then laughed softly. “So how cute was he?
Kristine Adler (Death Comes Calling)
All alone, outside the pueblo, on the bare plain of the mesa. The rock was like bleached bones in the moonlight. Down in the valley, the coyotes were howling at the moon. The bruises hurt him, the cuts were still bleeding; but it was not for pain that he sobbed; it was because he was all alone, because he had been driven out, alone, into this skeleton world of rocks and moonlight. At the edge of the precipice he sat down. The moon was behind him; he looked down into the black shadow of the mesa, into the black shadow of death. He had only to take one step, one little jump.. He held out his right hand in the moonlight. From the cut on his wrist the blood was still oozing. Every few seconds a drop fell, dark, almost colourless in the dead light. Drop, drop, drop. Tomorrow and tomorrow and tomorrow. He had discovered Time and Death and God.
Aldous Huxley (Brave New World)
It's like the cuffs cut all the way down to the bone. 'It's like a snake that sheds its skin. The outside look different when the scales change, but the inside always the same.' Like my marrow could carry a bruise.
Jesmyn Ward (Sing, Unburied, Sing)
It’s like this big maze, see. With fire-breathing dragons and land mines and decoys at every turn. And the maze goes on for hundreds of miles, and just when you think maybe you’ve gotten through—a dead end. Years of wrong turns and mistakes and battles with those dragons, years of bruises, cuts, and burns, but eventually? You make it. You come out the other end of the maze, and you’re a little banged up, but you’re okay. And maybe you meet someone else who was in the maze at the same time, only you didn’t know it. So you talk to this person, compare notes on the maze, and you hear all the ways they made it through that you never thought of, and you tell them all the ways you made it through that they never thought of, and from this shared understanding you grow to love one another. And that love deepens with time. And maybe you and this other person have a child.” Mom starts crying, and so do I. “A perfect, lovely little kid, and you swear you’ll do everything you can to spare your kid from the fire-breathing dragons and the land mines and the decoys. I’ll draw them a map, you think, a detailed map of the maze outlining the quickest routes, pitfalls to avoid, shortcuts that took you years to learn, and maybe this way they won’t end up with bruises and burns like yours.” I squeeze Mom’s hand tighter, let the tears come. “Mom.” She smiles and cries. “You think you have so much time to work on the map, to make it just right. And then one day you wake up to find your perfect, lovely child is already there, right in the thick of the maze. You were so diligent, kept watch every night, and you don’t know when or how it happened, but it did. Your kid is in the maze without a map, and there’s nothing you can do but watch.
David Arnold (The Strange Fascinations of Noah Hypnotik)
He had scraped his arms and legs, and reddened dirt had lodged in his cuts. Tomorrow, undoubtedly, the contusions would be obvious, but this was of no consequence. Hans seemed to be perpetually covered in bruises. He struggled with coordination and constantly walked into things, misstepping, losing his hat or scarf, or leaving his school books behind. He frequently fell off his bicycle. Organizing his body, his things, or his time was not a strength or,
Ariana Neumann (When Time Stopped: A Memoir of My Father's War and What Remains)
It's the cuts we hide inside that really do the damage. They rub and they niggle and they bruise and they bleed. And as the pain and anxiety grow in your head, they become far more dangerous than an visible open wound. Until eventually, you have to do something.
Jane Corry
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to. “Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?” “Please just go,” I begged. “I need to be alone.” He kept coming straight at me. “Please,” I shouted, “go away!” “I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?” I looked away. “Nothing I didn’t ask for.” Liam’s only response was to move back a few paces back. Giving me space. “I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.” “I don’t want you here.” He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.” I caught it with one hand and pressed it to my chest. It was still warm. He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?” I couldn’t bring myself to answer. “Ruby, you’re scaring the hell out of me.” “Good.” I balled up his sweater and threw it into the darkness as hard as I could. He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?” I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead. “I can’t do this anymore,” I cried. “Why won’t you just leave me alone?” “Because you would never leave me.” His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him. His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled. “Ruby—” I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it. Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…” I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer. I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Adrian", I whispered, my tears starting to flow faster. His head snapped up--and then he moved with his incredible speed, gripping me in those powerful arms. Tilting my head back and covering my mouth in a bruising kiss that made joy rip through me with all the intensity of the pain I'd felt before. When he finally broke away several minutes later, I could hardly breathe, but I still managed to speak. "I love you," I choked out. "I love you, I love you, I love you--" His kiss cut me off again, and this time, I wasn't crying when I kissed him back. I was smiling.
Jeaniene Frost (The Beautiful Ashes (Broken Destiny, #1))
He wet a paper towel, and took my chin, lifting and wiping my face. "Derek? I'm not hurt." "You're covered in blood." "But it's not mine. Honest. It's from—" "The werewolf. I know." He picked up my hand and started cleaning it. "That's why I have to get it off." "Derek?" I leaned down, trying to see his face. "Are you okay?" He kept scrubbing. "There are two ways to become a werewolf. Either you're born or you get bitten by one. If you get saliva in your bloodstream, it's like a virus." "Blood, too?" "Dad says no, it's just saliva. But he could be wrong, and you've got cuts and scrapes and blood all over." I had a few cuts and scrapes, and I was only flecked with blood, but I kept my mouth shut and let him clean. As he did, I tried to check out how badly he was hurt. His scraped cheeks were pitted with gravel. His nose was bloodied. Broken? One eye was already darkening. Was that blood in the corner? His lip was cut and swollen. Were any teeth loose? MIssing? "Stop fidgeting, Chloe." I couldn't help it. His injuries obviously needed more attention than mine, but here was no sense saying anything until he was done. Finally, when he seemed to have scrubbed off every fleck of blood—and a few layers of skin—I said, "Okay, now on to you." "Take off your jacket and sweatshirt." "Derek, I'm clean. Trust me, I've never been this clean." "You've got blood on your cuffs." *** "Okay, now can we take care of the guy that was actually in the fight? There's a lot of blood. It seems to be mostly from your nose." "It is." "You got hit in the chest a few times. How are your ribs?" "Maybe bruised. Nothing critical." "Shirt off." He sighed, like now I was the one fussing too much
Kelley Armstrong (The Awakening (Darkest Powers, #2))
But if we look a little deeper we shall find there is a pathetic, one might almost say a tragic, side to the picture. A shy man means a lonely man—a man cut off from all companionship, all sociability. He moves about the world, but does not mix with it. Between him and his fellow-men there runs ever an impassable barrier—a strong, invisible wall that, trying in vain to scale, he but bruises himself against. He sees the pleasant faces and hears the pleasant voices on the other side, but he cannot stretch his hand across to grasp another hand. He stands watching the merry groups, and he longs to speak and to claim kindred with them. But they pass him by, chatting gayly to one another, and he cannot stay them. He tries to reach them, but his prison walls move with him and hem him in on every side. In the busy street, in the crowded room, in the grind of work, in the whirl of pleasure, amid the many or amid the few—wherever men congregate together, wherever the music of human speech is heard and human thought is flashed from human eyes, there, shunned and solitary, the shy man, like a leper, stands apart. His soul is full of love and longing, but the world knows it not. The iron mask of shyness is riveted before his face, and the man beneath is never seen. Genial words and hearty greetings are ever rising to his lips, but they die away in unheard whispers behind the steel clamps. His heart aches for the weary brother, but his sympathy is dumb. Contempt and indignation against wrong choke up his throat, and finding no safety-valve whence in passionate utterance they may burst forth, they only turn in again and harm him. All the hate and scorn and love of a deep nature such as the shy man is ever cursed by fester and corrupt within, instead of spending themselves abroad, and sour him into a misanthrope and cynic.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
I have yet to see the sauna," Rycca said. She was a damn distracting woman. He could scarcely remember what he'd been thinking about a few moments before, except that it had been ridiculous. "You can't actually see much in there," he said absently, studying how the rays of sun played in her hair. "It's dark." "Really? I guess we'll just have to go by touch then." Anticipation rippled through him and with it his merry fellow surged happily. Dragon sighed. A day begun hurtling over a horse's head might as well include a little relaxation. "Is it very hot?" Rycca asked as she ducked her head to enter the low stone building cut into the side of the hill. Vividly aware that the deep bruising he had felt only a short time before was eclipsed by far more urgent sensations, Dragon smiled. "Extremely." She looked at him over her shoulder. "I won't get burned,will I?" "Quite probably," he said and came up close behind her,urging her into the chamber.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
Thank you again for standing up for me.” He grumbled, “Stop it.” I smiled a little more genuinely. “I have this cream for bruises, let me go grab it.” Aiden jerked his head back like I was about to try to shove a hot dog in his mouth. “You know I don’t care about bruises.” “Too bad. I do. He can be black and purple tomorrow—and I freaking hope he is—but I’d rather you didn’t.” I winced at the small crack in his lip. “What did he have to do? Take a running start to reach your face?” Aiden burst out laughing, not even grimacing as his cut split wide. “Seriously, Aiden.” I reached up to touch his bruised jaw gently with my fingertips. “Did he sucker punch you?” The big guy shook his head. “He actually managed to get a fair shot in?” I wasn’t going to lie. I was a little disappointed. Aiden getting punched was almost like finding out Santa Claus wasn’t real. He’d gotten into a handful fights in his career before—I’d seen footage of it online when I shared it on his fan page because people were vicious and loved that kind of thing—and while he wasn’t this hotheaded asshole who liked to get into it for no reason, each time it happened, he beat the shit out of whoever tried to start something with him. It was impressive. What could I say? Then he gave me that dumb look that drove me nuts and I frowned. “No. I made sure he hit me first, and I let him do it twice before I hit him back,” he explained. This sneaky son of a bitch. I didn’t think I’d ever been so attracted to him before, and that included all the times I’d seen him in compression shorts. “So he’d get blamed for it?” One corner of his mouth pulled back in a smug half-smile.
Mariana Zapata (The Wall of Winnipeg and Me)
Dorian,” she began, and he flicked her on the nose. “Ow,” she said, wrinkling her nose. Though her face was peppered with bruises, miraculously, Cain hadn’t marred her in any permanent way, though the cut on the leg would leave yet another scar. “Yes?” he said, resting his chin on her head. She listened to the sound of his heart beating, the steadiness of it. “When you retrieved me from Endovier—did you actually think I’d win?” “Of course. Why else would I have bothered to journey so far to find you?” She snorted onto his chest, but he gently lifted her chin. His eyes were familiar—like something she’d forgotten. “I knew you’d win the moment I met you,” he whispered, and her heart writhed as she understood what lay before them. “Though I’ll admit that I didn’t quite see this coming. And … no matter how frivolous and twisted that competition was, I’m grateful it brought you into my life. As long as I live, I’ll always be thankful for that.” “Do you intend to make me cry, or are you just foolish?” Dorian leaned forward and kissed her. It made her jaw hurt.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
In class I had been taught about neurotransmitters and their effect on brain chemistry; I understood that disease is not a choice. This knowledge might have made me sympathetic to my father, but it didn't. I felt only anger. WE were the ones who paid for it, I thought. We had been bruised and gashed and concussed, had our legs set on fire and our heads cut open.
Tara Westover (Educated)
He immediately turned to her as the carriage rocked into motion, wrapping her in his cloak and examined her. She had bruises on her shoulders and on her arms. Her wrists were bloodied- he growled under his breath as he examined them, picking away the remains of the ropes. Her plump little toes were muddied and cut and cold. He warmed them with his hands, crooning to them. She had quite a nasty bruise on her left side and he tenderly pressed his fingers around that, soft sounds leaving his lips helplessly. Oh, that he had been there when this had been done! He would have put their eyes out. He would have cut off their noses and made them eat them. He would have- "Valentine." He blinked and realized that she had the palms of her hands on his face and was looking at him. "Valentine. I'm all right." His eyes narrowed as he looked at her face, for he was no fool. They must've had her for several days to bring her here. "Are you, though?" She looked at him very firmly. "Yes." "They didn't rape you?" "No." "Or touch you in any way?" She sighed. "They grabbed me when they took me. They tied me up." He thought about that. He didn't like it. "Did they make you do anything you didn't want to?" She hesitated. He went icy cold. "Tell me." "They..." She went a deep red and looked away. "They... when I needed to... to urinate they didn't turn away." "Ah." Well. That settled that. He wrapped his arms around her. "I am truly sorry you had to endure such horrific events, my Séraphine.
Elizabeth Hoyt (Duke of Sin (Maiden Lane, #10))
Here they brought him more “duffers and dope,” with the addition of a bowl of soup. Many of the prisoners had their meals brought in from a restaurant, but Jurgis had no money for that. Some had books to read and cards to play, with candles to burn by night, but Jurgis was all alone in darkness and silence. He could not sleep again; there was the same maddening procession of thoughts that lashed him like whips upon his naked back. When night fell he was pacing up and down his cell like a wild beast that breaks its teeth upon the bars of its cage. Now and then in his frenzy he would fling himself against the walls of the place, beating his hands upon them. They cut him and bruised him—they were cold and merciless as the men who had built them.
Upton Sinclair (The Jungle)
All alone, outside the pueblo, on the bare plain of the mesa. The rock was like bleached bones in the moonlight. Down in the valley, the coyotes were howling at the moon. The bruises hurt him, the cuts were still bleeding; but it was not for pain that he sobbed; it was because he was all alone, because he had been driven out, alone, into this skeleton world of rocks and moonlight. At the edge of the precipice he sat down. The moon was behind him; he looked down into the black shadow of the mesa, into the black shadow of death. He had only to take one step, one little jump. . . . He held out his right hand in the moonlight. From the cut on his wrist the blood was still oozing. Every few seconds a drop fell, dark, almost colourless in the dead light. Drop, drop, drop. To-morrow and to-morrow and to-morrow . . . He had discovered Time and Death and God.
Aldous Huxley (Brave New World)
The scent of the stuff was familiar, evocative. Yet how? And when? It smelled of a damp meadow, the edge of a pool, a stream lapsing through green weeds. I could almost hear the rustle of Cousin Geillis’s dress, feel her peering over my shoulder as I started to replace the poultice. Comfrey, that was it; called knitbone, bruisewort, consound. The roots boiled in water or wine and the decoction drunk heals inward hurts, bruises, wounds and ulcers of the lung. The roots being outwardly applied cure fresh wounds or cuts immediately. (‘In or out, that’s sovereign.’) The recipe – Home Remedy or Receipt? – unreeled in my mind as if I had made it a hundred times. For the ointment, digest the root or leaves in hot paraffin wax, strain and allow to cool … And from somewhere faint and far back, a sentence that ran like a tranquil psalm: Comfrey joyeth in watery ditches, in fat and fruitfull meadowes; they grow all in my garden.
Mary Stewart (Thornyhold)
float before I could swim. Ellis never believed it was called Dead-Man’s Float, thought I’d made it up. I told him it was a survival position after a long exhausting journey. How apt. All I see below is blue light. Peaceful and eternal. I’m holding my breath until my body throbs as one pulse. I roll over and suck in a deep lungful of warm air. I look up at the starry starry night. The sound of water in and out of my ears, and beyond this human shell, the sound of cicadas fills the night. I dreamt of my mother. It was an image, that’s all, and a fleeting one, at that. She was faded with age, like a discarded offcut on the studio floor. In this dream, she didn’t speak, just stepped out of the shadows, a reminder that we are the same, her and me, cut from the same bruised cloth. I understand how she got up one day and left, how instinctively she trusted the compulsion to flee. The rightness of that action. We are the same, her and me. She walked out when I was eight. Never came back. I remember being collected from school by our neighbour Mrs Deakin, who bought me sweets on the way home and let me play with a dog for as long as I wanted. Inside the house, my father was sitting at the table, drinking. He was holding a sheet of blue writing paper covered in black words, and he said, Your mother’s gone. She said she’s sorry. A sheet of writing paper covered in words and just two for me. How was that possible? Her remnant life was put in bags and stored in the spare room at the earliest opportunity. Stuffed in, not folded – clothes brushes, cosmetics all thrown in together, awaiting collection from the Church. My mother had taken only what she could carry. One rainy afternoon, when my father had gone next door to fix a pipe, I emptied the bags on to the floor and saw my mother in every jumper and blouse and skirt I held up. I used to watch her dress and she let me. Sometimes, she asked my opinion about colours or what suited her more, this blouse or that blouse? And she’d follow my advice and tell me how right I was. I took off my clothes and put on a skirt first, then a blouse, a cardigan, and slowly I became her in miniature. She’d taken her good shoes, so I slipped on a pair of mid-height heels many sizes too big, of course, and placed a handbag on my arm. I stood in front of the mirror, and saw the infinite possibilities of play. I strutted, I
Sarah Winman (Tin Man)
What? You’re just going to stand there and watch me?” she snapped at him. “You’re not very nice,” he stated, taking a lesson from his brother. “I’m not nice? You’re the one who busted into a bank and blew a man’s hand to kingdom come!” she said. “You shot me, you kidnapped me, you cut off my hair. I’ve got a bruise in the shape of your handprint on my upper arm. But I’m not a nice person?” she fumed. “Tell me, which of the items on that list would inspire me to be nice to you?” Stacy had worked herself into such a rage that she couldn’t stop. “I swear, I’d love to beat the crap out of you!
Debra Trueman (Back on Solid Ground)
imagination; it’s their own world, the world of their daily life, and it’s our loss that so many of us grow out of it. Probably this group here tonight is the least grown-out-of-it group that could be gathered together in one place, simply by the nature of our work. We, too, can understand how Alice could walk through the mirror into the country on the other side; how often have our children almost done this themselves? And we all understand princesses, of course. Haven’t we all been badly bruised by peas? And what about the princess who spat forth toads and snakes whenever she opened her mouth to speak, and the other whose lips issued forth pieces of pure gold? We all have had days when everything we’ve said has seemed to turn to toads. The days of gold, alas, don’t come nearly as often. What a child doesn’t realize until he is grown is that in responding to fantasy, fairy tale, and myth he is responding to what Erich Fromm calls the one universal language, the one and only language in the world that cuts across all barriers of time, place, race, and culture. Many Newbery books are from this realm, beginning with Dr. Dolittle; books on Hindu myth, Chinese folklore, the life of Buddha, tales of American Indians, books that lead our children beyond all boundaries and into the one language of all mankind.
Madeleine L'Engle (A Wrinkle in Time Quintet: Books 1-5 (A Wrinkle in Time Quintet, #1-5))
He stroked the filly's neck, and she sniffed at the pouch on his belt, then turned her head away. "She wants to let me know she doesn't care that I've apples in here.No, doesn't matter a bit to her." He looped the line around the fence and took an apple and his knife from his pocket. Idly he cut it in half. "Maybe I'll just offer this token to this other pretty lady here." He held out the apple to Keeley, and Betty gave him a solid rap with her head that rammed him into the fence. "Now she wants my attention. Would you like some of this then?" He shifted, held the apple out. Betty nipped it from his palm with dignified delicacy. "She loves me." "She loves your apples," Keeley commented. "Oh,it's not just that. See here." Before Keeley could evade-could think to-he cupped a hand at the back of her neck, pulled her close and rubbed his lips provocatively over hers. Betty huffed out a breath and butted him. "You see?" Brian let his teeth graze lightly before he released Keeley. "Jealous.She doesn't care to have me give affection to another woman." "Next time kiss her and save yourself a bruise." "It was worth it.On both counts." "Horses are more easily charmed than women, Donnelly." She plucked the apple out of his hand, bit in. "I just like your apples," she told him, and strolled away. "That one's as contrary as you are." He nuzzled Betty's cheek as he watched Keeley walk to her stables. "What is it that makes me find contrary females so appealing?
Nora Roberts (Irish Rebel (Irish Hearts, #3))
When we reach stage 4 sleep, our bodies release a growth hormone referred to by the acronym GHRH (for growth hormone–releasing hormone). GHRH helps bruises and cuts, and fights off infections at the cellular level. GHRH stimulates the repair of cells, the growth of replacement cells, and, in children and adolescents, the creation of the new cells their bodies need to grow. GHRH also induces sleepiness. One reason fast-growing teenagers need so much sleep is that their GHRH levels are higher than their parents’ or grandparents’, and in laboratory experiments GHRH has been shown to help people with sleep problems get a better night’s rest. Conversely, a lack of sleep can inhibit cellular repair and growth. There’s evidence that long-term sleep deprivation can stunt growth.
Alex Soojung-Kim Pang (Rest: Why You Get More Done When You Work Less)
All the women, white or black or brown, who woke up like this, who came before me in this town. Think of them. Heads up, eyes on the target. Running. Full speed. Gravity be damned. Toward that thick layer of glass that is the ceiling. Running, full speed, and crashing. Crashing into that ceiling and falling back. Crashing into it and falling back. Into it and falling back. Woman after woman. Each one running and each one crashing. And everyone falling. How many women had to hit that glass before the first crack appeared? How many cuts did they get, how many bruises? How hard did they have to hit the ceiling? How many women had to hit that glass to ripple it, to send out a thousand hairline fractures? How many women had to hit that glass before the pressure of their effort caused it to evolve from a thick pane of glass into just a thin sheet of splintered ice? So that when it was my turn to run, it didn’t even look like a ceiling anymore.
Shonda Rhimes (Year of Yes: How to Dance It Out, Stand In the Sun and Be Your Own Person)
She wasn’t sure when she realized that she wasn’t alone. She’d heard a louder murmur from the crowd outside, but she hadn’t connected it with the door opening. She looked over her shoulder and saw Tate standing against the back wall. He was wearing one of those Armani suits that looked so splendid on his lithe build, and he had his trenchcoat over one arm. He was leaning back, glaring at the ceremony. Something was different about him, but Cecily couldn’t think what. It wasn’t the vivid bruise high up on his cheek where Matt had hit him. But it was something…Then it dawned on her. His hair was cut short, like her own. He glared at her. Cecily wasn’t going to cower in her seat and let him think she was afraid to face him. Mindful of the solemnity of the occasion, she got up and joined Tate by the door. “So you actually came. Bruises and all,” she whispered with a faintly mocking smile, eyeing the very prominent green-and-yellow patch on his jaw that Matt Holden had put there. He looked down at her from turbulent black eyes. He didn’t reply for a minute while he studied her, taking in the differences in her appearance, too. His eyes narrowed on her short hair. She thought his eyelids flinched, but it might have been the light. His eyes went back to the ceremony. He didn’t say another word. He didn’t really need to. He’d cut his hair. In his culture-the one that part of him still belonged to-cutting the hair was a sign of grief. She could feel the way it was hurting him to know that the people he loved most in the world had lied to him. She wanted to tell him that the pain would ease day by day, that it was better to know the truth than go through life living a lie. She wanted to tell him that having a foot in two cultures wasn’t the end of the world. But he stood there like a painted stone statue, his jaw so tense that the muscles in it were noticeable. He refused to acknowledge her presence at all. “Congratulations on your engagement, by the way,” she said without a trace of bitterness in her tone. “I’m very happy for you.” His eyes met hers evenly. “That isn’t what you told the press,” he said in a cold undertone. “I’m amazed that you’d go to such lengths to get back at me.” “What lengths?” she asked. “Planting that story in the tabloids,” he returned. “I could hate you for that.” The teenage sex slave story, she guessed. She glared back at him. “And I could hate you, for believing I would do something so underhanded,” she returned. He scowled down at her. The anger he felt was almost tangible. She’d sold him out in every way possible and now she’d embarrassed him publicly, again, first by confessing to the media that she’d been his teenage lover-a load of bull if ever there was one. Then she’d compounded it by adding that he was marrying Audrey at Christmas. He wondered how she could be so vindictive. Audrey was sticking to him like glue and she’d told everyone about the wedding. Not that many people hadn’t read it already in the papers. He felt sick all over. He wouldn’t have Audrey at any price. Not that he was about to confess that to Cecily now, after she’d sold him out. He started to speak, but he thought better of it, and turned his angry eyes back toward the couple at the altar. After a minute, Cecily turned and went back to her seat. She didn’t look at him again.
Diana Palmer (Paper Rose (Hutton & Co. #2))
I Never Told You You can fill a book with everything I never said Or the lines of a poem Or an Empty pool Or an empty bedroom, the candles all blown out I never told you how the reflection of myself in your eyes Was the only mirror I could bear to look at Or how I fought every day To transfuse the girl I saw there with the girl I am I tried to breathe in the words you made me: beautiful good brave I tried to be them for you even though they were weighted with impossibility I never told you how I always feared the rough edges of myself were too sharp for you and how I fought everyday to blunt them To bring down the walls To let you in without cutting you because I could never bear to hurt you like the others did Every day a fierce pride roared in me I was so lucky to know the truth I was the beneficiary of your radiance I basked in it and felt special And if not for the pain of your solitude I would have been content to be the only one I never told you How your touch made me feel like laughing and crying and singing all at once How your hand passing over my skin where atrocities Had not yet sloughed off, Skin cells remembering the worst touches Was like a tide washing over the ruddy sand And leaving it whole and smooth You made my skin forget Gave me new memories New sensations that didn't drag the shadows from the past In your arms I could start again, Start over. There is no greater gift in all the world Than you to the wreckage that is me... I never told you How I longed to kiss away your every bruise until there was no evidence No ghosts of your own suffering To put your pieces back together Seal the cracks Vanish them like they never were And never, ever Leave a scar I never told you I would take your pain if I could I would drink it down And take my comfort In making you ache a little less For a little while Did I? I'll never know because I never told you that I loved you I love you I love you It's too lat to say it now The time has passed for words How pathetic and small and weak On the phone Or on a piece of paper Starving Without the force of my own vitality My voice My breath My blood singing n my veins for you To give them power They are lost I love you It's too late but I love you And I'm sorry I never told you.
Emma Scott (How to Save a Life (Dreamcatcher, #1))
Didn’t I advise you to forget the stone? Didn’t I tell you it would be mine? Look at everything you’ve lost.” He threw the sack over the ornate teal stone, pulled a cord tight around the sack’s opening, and lifted it from its resting place without placing a single finger on it. “And look at everything I’ve gained.” His sailors laughed with him. Camille spotted her straggly-beared attacker. A fist-sized bruise from Samuel’s boot discolored his jaw. Camille discreetly scanned the cascade, but didn’t see Ira or Samuel. She returned her stare to McGreenery; only this time, it was she who smiled. “I remember what you said. But I have the real map, don’t I?” She held it up for him to see as the second wave of sparks, invisible to everyone else, rolled back over the map and erased the riddle. “Samuel copied the diagram for you, but there were things the map wouldn’t show him. Things only the one worthy of the stone could see. And he overlooked something else, something he had no reason to believe was important.” McGreenery came around the shrine, the sack’s cord cutting so deeply into his flesh, the skin whitened. Camille twirled the map around to show the glowing mark. “This is the mark of Umandu.” She stepped aside so he could see the amber stone aglow at her heel. Shock drowned McGreenery’s simper. “And you can go to hell.
Angie Frazier (Everlasting (Everlasting, #1))