Whipping Girl Book Quotes

Helen dared to look up without being invited to do so. “I cannot thank you enough for your kindness, Lady Consort.” “Kindness had nothing to do with it. You have skills and training I need just now, and I intend to use you shamelessly, and expose you to greater danger.” “Get in line, Lady Consort,” Helen replied. “Danger-filled usury seems to be a holiday pastime in this city.” The Consort stopped pretending to do her needlework. “I could have you whipped for such insolence, girl.” “Before or after you use me.

With each day, he felt the barriers melting. He let them melt. Because of her genuine laugh, because he caught her one afternoon sleeping with her face in the middle of a book, because he knew that she would win. She was a criminal—a prodigy at killing, a Queen of the Underworld—and yet . . . yet she was just a girl, sent at seventeen to Endovier. It made him sick every time he thought about it. He’d been training with the guards at seventeen, but he’d still lived here, still had a roof over his head and good food and friends. Dorian had been in the middle of courting Rosamund when he was that age, not caring about anything. But she—at seventeen—had gone to a death camp. And survived. He wasn’t sure if he could survive Endovier, let alone during the winter months. He’d never been whipped, never seen anyone die. He’d never been cold and starving. Celaena laughed at something Dorian said. She’d survived Endovier, and yet could still laugh. While it terrified him to see her down there, a hand’s breadth from Dorian’s unprotected throat, what terrified him even more was that he trusted her. And he didn’t know what that meant about himself.

I’ve often been told I fight like a girl, probably because from the moment I whip off my bra, my opponent knows I mean business.

If cissexual academics truly believe that transsexual and intersex people can add new perspectives to existing dialogues about gender, then they should stop reinterpreting our experiences and instead support transsexual and intersex intellectual endeavors and works of art. Instead of exploiting our experiences to further their own careers, they should insist that their universities make a point of hiring transsexual and intersex faculty, and that their publishers put out books by gender-variant writers. And they should finally acknowledge the fact that they have no legitimate claim to use transsexual and intersex identities, struggles, and histories for their own purposes.

It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die, like this. Liesel walked at him. She was courageous enought to reach out and hold his bearded face. "Is it really you, Max?" Such a brilliant German day and its attentive crowd. He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched. Standing, he was whipped.

Taylor intervened, gently extracting Val’s hand from Jason’s. “I tried to get us reservations at Koi, but they were booked this whole weekend. We’ll come up with something else.” At this, Jason rolled his eyes. He whipped out his cell phone, unable to suppress his smile. “You never cease to amaze me, Taylor.” Despite herself, she felt her cheeks blushing. Jason held Taylor’s gaze as he spoke into his phone. “Yeah, Marty, it’s me. Get me a table at Koi tonight. Party of . . .” He looked at her questioningly. “Is this a girls-only night, or are guys invited, too?” “Oh my god, guys are so invited!” Valerie cried out, practically barreling Jason over in her excitement. Over Val’s head, he looked at Taylor teasingly. “I guess that means you’re stuck with me again, Ms. Donovan.” He grinned at Valerie, to explain. “She thinks she hates me.

He's got a point," said Jace. With the handle of his spear, he had pushed the oilcloth aside, uncovering a two-handed sword with an immense broad curved blade, like a cross between a scimitar and a machete. He gingerly nudged the tip with his good foot. "As does this. Clary? Dadao?" Clary took it and went to the other end of the room, where she stepped through a few two-handed sword forms, her bright red braid whipping around her head as she spun through a series of forward cuts, ending with the sword elegantly held downwards. She flashed them a smile. "I like it." Jace was staring. Alec patted him on the shoulder. "There's something about a tiny girl with a gigantic sword," Jace murmured. Clary came back over. Jace visibly restrained himself from grabbing her and kissing her, and instead went back to the pile of weapons at their feet.

I am gratified by how much pain I can endure for him. Punishments that once would have had me panicked and screaming and begging, I now suffer through without a peep. I have come to crave the whipping and the paddling, because they give me a chance to prove my devotion. He doesn’t seem to notice how high my pain tolerance is now, which is devastating, because all I want to do is make him proud of me. I accept that he’s killed me. He lied to me when he said he wouldn’t kill me. He killed Tamara. The girl who loved the smiles on people’s faces, and coffeeshops, and books, and music; the girl who dreamed about someday making a difference…she’s dead. I can’t be myself anymore, because I can’t stand to be locked up in that room alone anymore. I need Master. I am alone in the world without him. Sarah doesn’t visit me in my head anymore, and neither does the dark tormenting voice that blamed me for destroying my mother. I thought I was making a difference in the world, and now I know that I failed at that. I never touched a single soul out there

It's such a beautiful day," he said, and his voice was in many pieces. A great day to die. A great day to die, like this. Liesel walked at him. She was courageous enough to reach out and hold his bearded face. "Is it really you, Max?" Such a brilliant German day and its attentive crowd. He let his mouth kiss her palm. "Yes, Liesel, it's me," and he held the girl's hand in his face and cried onto her fingers. He cried as the soldiers came and a small collection of insolent Jews stood and watched. Standing, he was whipped.

Not all of history is recorded in the books supplied to school children in Harlem or Birmingham. Yet this boy and this girl know something of the part of history which has been censored by the white writers and purchasers of board-of-education books. They know that Negroes were with George Washington at Valley Forge. They know that the first American to shed blood in the revolution which freed his country from British oppression was a black seaman named Crispus Attucks. The boy's Sunday-school teacher has told him that one of the team who designed the capital of their nation, Washington, D.C., was a Negro, Benjamin Banneker. Once the girl had heard a speaker, invited to her school during Negro History Week. This speaker told how, for two hundred years, without wages, black people, brought to this land in slave ships and in chains, had drained the swamps, built the homes, made cotton king and helped, on whip-lashed backs, to lift this nation from colonial obscurity to commanding influence in domestic commerce and world trade. Wherever there was hard work, dirty work, dangerous work—in the mines, on the docks, in the blistering foundries—Negroes had done more than their share.

Truth be told, slaves in Jamaica have more ranking among themself than massa. In this place two thing matter more than most, how dark a nigger you be and where the white man choose to put you. One have all to do with the other. From highest to lowest, this be how things go. The number one prime nigger who would never get sell is the head of the house slaves. That position so hoity-toity that in some house is a white woman who be that nigger. The head house nigger get charge with so much that she downright run the house, and everybody including the massa do what she say. Homer careful not to cross the line, though. Position can make a negro girl forget herself and there is always the cowhide, the cat-o’-nine and the buckshot to remind her of her place. After she, there be the house slaves who work the rooms and the grounds and the gardens. Sometimes is the prime pretty niggers or the mulatto, quadroon or mustee that work there. Then you have the cooks who the backra trust the most, because the cook know that if the mistress get sick after a meal there goin’ be a whipping or a hanging before the cock even crow. Other house slaves be cleaning and dusting and shining and manservanting and womanservanting and taking care of backra pickneys. After the house slaves come the artisan niggermens, like the blacksmith, the bricklayer, the tanner, the silversmith, niggers who skilled with they hands, followed by the stable boys, coachmen and carters. Next is the field niggers, headed by the Johnny-jumpers who be the right hand and left hand of the slave-drivers. They do most of the whipping and kicking but when the estate running right they have nothing to do, so they whip and kick harder. After Johnny-jumper come the Great Slave Gang, the most expensive slaves, the one who they buy for the long years of hard work. The mens and the womens strapping and handsome like a prime horse. Most be Ashanti, what the white man call Coromantee, but they not easy to control so they get punish plenty for they spiritedness. But a dead Coromantee man can set an estate back up to three hundred pounds so they careful not to kill too much. After that is the Petit Gang, the makeup of plain common nigger. Some cost less than one hundred pounds and they work the other fields, like the ratoon or the tobacco that some planters grown on the side. Other nigger look down ’pon them mens as worthless and them womens as good for rutting, not breeding. On some estate even the pickneys work, mostly in the trash gang to pick up rubbish on the estate or to carry water for the field slaves to drink, or to get firewood. That be the negroes.

So you’re stubborn, then? Have a bit of a temper?” I saw Maxon covering his mouth with his hands, laughing. “Sometimes.” “If you have a temper, would you happen to be the one who yelled at our prince?” I sighed. “Yes, it was me. And right now, my mother is having a heart attack.” Maxon called out to Gavril, “Get her to tell the whole story!” Gavril whipped his head back and forth quickly. “Oh! What’s the whole story?” I tried to glare at Maxon, but the whole situation was so silly, it didn’t quite work. “I got a little . . . claustrophobic the first night, and I was desperate to get outside. The guards wouldn’t let me through the doors. I was actually about to faint in this one guard’s arms, but Prince Maxon was walking by and made them open the doors for me.” “Aw,” Gavril said, tilting his head to one side. “Yes, and then he followed to make sure I was all right.... But I was stressed out, so when he spoke to me, I basically ended up accusing him of being stuck-up and shallow.” Gavril chuckled deeply at this. I looked past him to Maxon, who was shaking with laughter. But the more embarrassing thing was that the king and queen were laughing along with him. I didn’t turn to look at the girls, but I heard some of them giggling, too. Well, good. Maybe now they would finally stop seeing me as any sort of threat. I was just someone Maxon found entertaining. “And he forgave you?” Gavril asked in a slightly more sober tone. “Oddly enough.” I shrugged. “Well, since the two of you are on good terms again, what sort of activities have you been doing together?” Gavril was back to business. “We usually just go for walks around the garden. He knows I like it outside. And we talk.” It sounded pathetic after what some of the other girls had said. Trips to the theater, going hunting, horseback riding—those were impressive next to my story. But I suddenly understood why he had been speed dating over the last week. The girls needed something to tell Gavril, so he had to provide it. It still seemed weird that he hadn’t mentioned any of it to me, but at least I knew why he had been away. “That sounds very relaxing. Would you say the garden is your favorite thing about the palace?” I smiled. “Maybe. But the food is exquisite, so. . .” Gavril laughed again.

Mark, at dinner, said he’d been re-reading “Anna Karenina”. Found it good, as novels go. But complained of the profound untruthfulness of even the best imaginative literature. And he began to catalogue its omissions. Almost total neglect of those small physiological events that decide whether day-to-day living shall have a pleasant or unpleasant tone. Excretion, for example, with its power to make or mar the day. Digestion. And, for the heroines of novel and drama, menstruation. Then the small illnesses—catarrh, rheumatism, headache, eyestrain. The chronic physical disabilities—ramifying out (as in the case of deformity or impotence) into luxuriant insanities. And conversely the sudden accessions, from unknown visceral and muscular sources, of more than ordinary health. No mention, next, of the part played by mere sensations in producing happiness. Hot bath, for example, taste of bacon, feel of fur, smell of freesias. In life, an empty cigarette-case may cause more distress than the absence of a lover; never in books. Almost equally complete omission of the small distractions that fill the greater part of human lives. Reading the papers; looking into shops; exchanging gossip; with all the varieties of day-dreaming, from lying in bed, imagining what one would do if one had the right lover, income, face, social position, to sitting at the picture palace passively accepting ready-made day-dreams from Hollywood Lying by omission turns inevitably into positive lying. The implications of literature are that human beings are controlled, if not by reason, at least by comprehensible, well-organized, avowable sentiments. Whereas the facts are quite different. Sometimes the sentiments come in, sometimes they don’t. All for love, or the world well lost; but love may be the title of nobility given to an inordinate liking for a particular person’s smell or texture, a lunatic desire for the repetition of a sensation produced by some particular dexterity. Or consider those cases (seldom published, but how numerous, as anyone in a position to know can tell!), those cases of the eminent statesmen, churchmen, lawyers, captains of industry—seemingly so sane, demonstrably so intelligent, publicly so high-principled; but, in private, under irresistible compulsion towards brandy, towards young men, towards little girls in trains, towards exhibitionism, towards gambling or hoarding, towards bullying, towards being whipped, towards all the innumerable, crazy perversions of the lust for money and power and position on the one hand, for sexual pleasure on the other. Mere tics and tropisms, lunatic and unavowable cravings—these play as much part in human life as the organized and recognized sentiments. And imaginative literature suppresses the fact. Propagates an enormous lie about the nature of men and women.

I’m not looking to punish people. I just like to be in control. I don’t want to hurt you. I’m not into whips, I don’t want to humiliate you or piss on you for fuck’s sake. I just like to call the shots and I like to fuck girls who let me do that.

She sat on the wall, opened her book, and paid him no mind. After a few minutes the sounds of clipping stopped, and she felt his gaze on her. She turned a page. “Jane,” he said with a touch of exasperation. “Shh, I’m reading,” she said. “Jane, listen, someone warned me that another fellow heard my telly playing and told Mrs. Wattlesbrook, and I had to toss it out this morning. If they spot me hanging around you..” “You’re not hanging around me, I’m reading.” “Bugger, Jane…” “Martin, please, I’m sorry about your TV but you can’t cast me away now. I’ll go raving mad if I have to sit in that house again all afternoon. I haven’t sewn a thing since junior high Home Ec when I made a pair of gray shorts that ripped at the butt seam the first time I sat down, and I haven’t played pianoforte since I quit from boredom at age twelve, and I haven’t read a book in the middle of the day since college, so you see what a mess I’m in.” “So,” Martin said, digging in his spade. “You’ve come to find me again when there is no one else to flirt with.” Huh! thought Jane. He snapped a dead branch off the trunk. Huh! she thought again. She stood and started to walk away. “Wait.” Martin hopped after her, grabbing her elbow. “I saw you with those actors, parading around the grounds this morning. I hadn’t seen you with them before. In the context. And it bothered me. I mean, you don’t really go in for this stuff, do you?” Jane shrugged. “You do?” “More than I want to, though you’ve been making it seem unnecessary lately.” Martin squinted up at a cloud. “I’ve never understood the women who come here, and you’re one of them. I can’t make sense of it.” “I don’t think I could explain it to a man. If you were a woman, all I’d have to say is ‘Colin Firth in a wet shirt’ and you’d say, ‘Ah.’” “Ah. I mean, aha! is what I mean.” Crap. She’d hoped he would laugh at the Colin Firth thing. And he didn’t. And now the silence made her feel as though she were standing on a seesaw, waiting for the weight to drop on the other side. Then she smelled it. The musty, acrid, sour, curdled, metallic, decaying odor of ending. This wasn’t just a first fight. She’d been in this position too many times not to recognize the signs. “Are you breaking up with me?” she asked. “Were we ever together enough to require breaking up?” Oh. Ouch. She took a step back on that one. Perhaps it was her dress that allowed her to compose herself more quickly than normal. She curtsied. “Pardon the interruption, I mistook you for someone I knew.” She turned and left, wishing for a Victorian-type gown so she could have whipped the full skirts for a satisfying little cracking sound. She had to satisfy herself with emphatically tightening her bonnet ribbon as she marched. You stupid, stupid girl, she thought. You were fantasizing again. Stop it! It had all been going so well. She’d let herself have fun, unwind, not plague a new romance with constant questions such as, What if? And after? And will he love me forever? “Are you breaking up with me…?” she muttered to herself. He must think she was a lunatic. And really, he’d be right. Here she was in Pembrook Park, a place where women hand over scads of dough to hook up with men paid to adore them, but she finds the one man on campus who’s in a position to reject her and then leads him into it. Typical Jane.

for one, thought of different outcomes for stories. You know, the boy doesn’t get the girl; the mountain is too formidable to climb; they don’t find their way home; the battle is lost, their friendship doesn’t develop. Life is not all strawberries and whipped cream after all.

While many feminists - especially those who came of age in the 1980s and '90s - recognize that trans women can be allies in the fight to eliminate gender stereotypes, others, particularly those who embrace gender essentialism, believe that trans women foster sexism by mimicking patriarchal attitudes about femininity, or that we objectify women by trying to possess female bodies of our own. Many of these latter ideas stem from Janice Raymond's 1979 book 'The Transsexual Empire: The Making of the She-male', which is perhaps the most infamous feminist writing on transsexuals. Like the media makers discussed earlier, Raymond assumes that trans women transition in order to achieve stereotypical femininity, which she believes is an artificial by-product of a patriarchal society. Raymond does acknowledge, reluctantly, the existence of trans women who are not stereotypically feminine, but she reserves her most venomous remarks for those she calls 'transsexually constructed lesbian-feminists', describing how they use 'deception' in order to 'penetrate' women's spaces and minds. She writes, 'Although the transsexually constructed lesbian-feminist does not exhibit a feminine identity and role, he [sic] does exhibit stereotypical masculine behavior.' This puts trans women in a double bind, where if they act feminine they are perceived as being a parody, but if they act masculine it is seen as a sign of their 'true' male identity. This damned-if-they-do, damned-if-they-don't tactic is reminiscent of the pop cultural deceptive/pathetic archetypes.

Ellie stared at me and then sat down in the seat that Maddie had just hopped up from. She passed my frozen yogurt towards me. Even though it was topped with whipped cream and sprinkles—both of which I hadn’t asked for—Ellie’s sundae was almost three times bigger and piled high with endless scoops of various flavors.

Perhaps the suspicions stemmed from the distinct lack of women in Batman’s world. True, he crafted his Bruce Wayne alter ego to be an idle playboy, which meant there were a lot of beautiful women in his life. But, the most important female figure in his world seemed only to be his sainted, slain mother, to whose memory, along with that of his late father, Bruce swore to uphold justice and thwart evil. Bruce and Batman might have had romances with girls like debutante Julie Madison or reporter Vicki Vale, but showed neither any true affection. The one female who generated the most heat with Batman was the seductive, whip-wielding jewel thief Catwoman. Of course, since she was on the wrong side of the law, any chance of a romance with Batman was immediately crushed. (...) Batman’s sexy foe Catwoman was deemed too racy for the new world of the Comics Code. She was gone by 1954.

I can hardly wait till he gets old enough to talk," sighed Diana. "I just long to hear him say `mother.' And oh, I'm determined that his first memory of me shall be a nice one. The first memory I have of my mother is of her slapping me for something I had done. I am sure I deserved it, and mother was always a good mother and I love her dearly. But I do wish my first memory of her was nicer." "I have just one memory of my mother and it is the sweetest of all my memories," said Mrs. Allan. "I was five years old, and I had been allowed to go to school one day with my two older sisters. When school came out my sisters went home in different groups, each supposing I was with the other. Instead I had run off with a little girl I had played with at recess. We went to her home, which was near the school, and began making mud pies. We were having a glorious time when my older sister arrived, breathless and angry. "`You naughty girl" she cried, snatching my reluctant hand and dragging me along with her. `Come home this minute. Oh, you're going to catch it! Mother is awful cross. She is going to give you a good whipping.' "I had never been whipped. Dread and terror filled my poor little heart. I have never been so miserable in my life as I was on that walk home. I had not meant to be naughty. Phemy Cameron had asked me to go home with her and I had not known it was wrong to go. And now I was to be whipped for it. When we got home my sister dragged me into the kitchen where mother was sitting by the fire in the twilight. My poor wee legs were trembling so that I could hardly stand. And mother -- mother just took me up in her arms, without one word of rebuke or harshness, kissed me and held me close to her heart. `I was so frightened you were lost, darling,' she said tenderly. I could see the love shining in her eyes as she looked down on me. She never scolded or reproached me for what I had done -- only told me I must never go away again without asking permission. She died very soon afterwards. That is the only memory I have of her. Isn't it a beautiful one?