When Love Isn't Returned Quotes

I had no illusions about you,' he said. 'I knew you were silly and frivolous and empty-headed. But I loved you. I knew that your aims and ideals were vulgar and commonplace. But I loved you. I knew that you were second-rate. But I loved you. It's comic when I think how hard I tried to be amused by the things that amused you and how anxious I was to hide from you that I wasn't ignorant and vulgar and scandal-mongering and stupid. I knew how frightened you were of intelligence and I did everything I could to make you think me as big a fool as the rest of the men you knew. I knew that you'd only married me for convenience. I loved you so much, I didn't care. Most people, as far as I can see, when they're in love with someone and the love isn't returned feel that they have a grievance. They grow angry and bitter. I wasn't like that. I never expected you to love me, I didn't see any reason that you should. I never thought myself very lovable. I was thankful to be allowed to love you and I was enraptured when now and then I thought you were pleased with me or when I noticed in your eyes a gleam of good-humored affection. I tried not to bore you with my love; I knew I couldn't afford to do that and I was always on the lookout for the first sign that you were impatient with my affection. What most husbands expect as a right I was prepared to receive as a favor.

If the gospel isn't good news for everybody, then it isn't good news for anybody. And this is because the most powerful things happen when the church surrenders its desire to convert people and convince them to join. It is when the church gives itself away in radical acts of service and compassion, expecting nothing in return, that the way of Jesus is most vividly put on display. To do this, the church must stop thinking about everybody primarily in categories of in or out, saved or not, believer or nonbeliever. Besides the fact that these terms are offensive to those who are the "un" and "non", they work against Jesus' teachings about how we are to treat each other. Jesus commanded us to love our neighbor, and our neighbor can be anybody. We are all created in the image of God, and we are all sacred, valuable creations of God. Everybody matters. To treat people differently based on who believes what is to fail to respect the image of God in everyone. As the book of James says, "God shows no favoritism." So we don't either.

The hardest thing about being an outcast isn't the love you don't receive. It's the love you long to give that nobody wants. After a while, it backs up into your system like stagnant water and turns toxic, poisoning your spirit. When this happens, you don't have many choices available. You can become a bitter loner who goes through life being pissed off at the world; you can fester with rage until one day you murder your classmates. Or, you can find another outlet for your love, where it will be appreciated and maybe even returned.

Rosie, I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say. I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick. He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try. I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to. Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day. I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always. Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy. All my love, Alex

Tessa exploded "I am not asking you to maul me in the Whispering Gallery! By the Angel, Will, would you stop being so polite?!" He looked at her in amazement. "But wouldn't you rather-" "I would not rather. I don't want you to be polite! I want you to be Will! I don't want you to indicate points of architectural interest to me as if you were a Baedecker guide! I want you to say dreadfully mad, funny things, and make up songs and be-" The Will I fell in love with, she almost said. "And be Will," she finished instead. "Or I shall strike you with my umbrella." "I am trying to court you," Will said in exasperation. "Court you properly. That's what all this has been about. You know that, don't you?" "Mr. Rochester never courted Jane Eyre," Tessa pointed out. "No, he dressed up as a woman and terrified the poor girl out of her wits. Is that what you want?" "You would make a very ugly woman." "I would not. I would be stunning." Tessa laughed. "There," she said. "There is Will. Isn't that better? Don't you think so?" "I don't know," Will said, eyeing her. I'm afraid to answer that. I've heard that when I speak, it makes American women wish to strike me with umbrellas." Tessa laughed again, and then they were both laughing, their smothered giggles bouncing off the walls of the Whispering Gallery. After that, things were decidedly easier between them, and Will's smile when he helped her down from the carriage on their return home, was bright and real.

Tears are another river that takes us home. We become alive with tears. There isn’t a chance to return to sleep when we are weeping.

I thought that love was a river, endless and deep. I thought it merely happened, washing over you like water. It was nothing to search for, nothing to force. I didn't understand that even when we can't control our fate, we alone have the last say in matters of the heart. We can give it freely, even in the worst of times, even when it isn't returned.

<…>Tate fell silent. Ty didn't. "Since the day I was released, you knocked yourself out. You had my back, you took care of Lexie when we had our thing then you did what you could to help me sort that. It's important to me that you know I'm grateful. I've been tryin' to figure out how I can show how much but, keep thinkin' on it, nothin' comes to mind and I know why. I get it. You're a man who has everything so there is nothing I can hand you that you want or need. And I get that because I am now that same man. So the only thing I can give you are words and, my guess is, that'll be enough. If it isn't, you name it and it's yours." "Friends do what I did for friends," Tate returned. "No they don't, Tate. You did what you did for me because you're you. That's what I'm talkin' about." Tate ws silent a moment then he said, "Well then, you guessed right. Words are enough." Ty nodded. Tate tipped his head to the side and asked jokingly, "We done with the near-midnight in the middle of fuckin' nowhere heart-to-heart?" Ty didn't feel like joking and answered, "No." "Then what -?" "Love you, man," Ty interrupted quietly. "Learned the hard way not to delay in expressing that sentiment so I'm not gonna delay. You call me brother and I got one who's blood who don't mean shit to me and today, all this shit done, rejoicing and reflecting, it hit me that I got two who aren't blood but who do mean something. And you're one of those two." "Ty-" Tate murmured. "I will never forget, until I die, what you did for me and my wife and until that day I will never stop bein' grateful." "Fuck man," Tate whispered. "Now, do those words work so you get what you did mean to me?" Silence then, "Yeah, they work." "Good, then now we're done with our near-midnight, middle of fuckin' nowhere heart-to-heart," Ty declared, turned, opened the door to the Viper and started folding in. He stopped with his ass nearly to the seat and looked up over the door when Tate called his name. "I don't have a blood brother," Tate said. "But you should know there's a reason I call you that."<…>

The difference between the who and the what at the heart of love, separates the heart. It is often said that love is the movement of the heart. Does my heart move because I love someone who is an absolute singularity, or because I love the way that someone is? Often love starts with some type of seduction. One is attracted because the other is like this or like that. Inversely, love is disappointed and dies when one comes to realize the other person doesn’t merit our love. The other person isn’t like this or that. So at the death of love, it appears that one stops loving another not because of who they are but because they are such and such. That is to say, the history of love, the heart of love, is divided between the who and what. The question of being, to return to philosophy, because the first question of philosophy is: What is it to be? What is “being”? The question of being is itself always already divided between who and what. Is “Being” someone or something? I speak of it abstractly, but I think that whoever starts to love, is in love or stops loving, is caught between this division of the who and the what. One wants to be true to someone—singularly, irreplaceably—and one perceives that this someone isn’t x or y. They didn’t have the properties, the images, that I thought I’d loved. So fidelity is threatened by the difference between the who and the what.

Still perfect,” he said. “Read to me.” “This isn’t really a poem to read aloud when you are sitting next to your sleeping mother. It has, like, sodomy and angel dust in it,” I said. “You just named two of my favorite pastimes,” he said. “Okay, read me something else then?” “Um,” I said. “I don’t have anything else?” “That’s too bad. I am so in the mood for poetry. Do you have anything memorized?” “‘Let us go then, you and I,’” I started nervously, “‘When the evening is spread out against the sky / Like a patient etherized upon a table.’” “Slower,” he said. I felt bashful, like I had when I’d first told him of An Imperial Affliction. “Um, okay. Okay. ‘Let us go, through certain half-deserted streets, / The muttering retreats / Of restless nights in one-night cheap hotels / And sawdust restaurants with oyster-shells: / Streets that follow like a tedious argument / Of insidious intent / To lead you to an overwhelming question . . . / Oh, do not ask, “What is it?” / Let us go and make our visit.’” “I’m in love with you,” he said quietly. “Augustus,” I said. “I am,” he said. He was staring at me, and I could see the corners of his eyes crinkling. “I’m in love with you, and I’m not in the business of denying myself the simple pleasure of saying true things. I’m in love with you, and I know that love is just a shout into the void, and that oblivion is inevitable, and that we’re all doomed and that there will come a day when all our labor has been returned to dust, and I know the sun will swallow the only earth we’ll ever have, and I am in love with you.” “Augustus,” I said again, not knowing what else to say. It felt like everything was rising up in me, like I was drowning in this weirdly painful joy, but I couldn’t say it back. I

Quinn once told me a story.” He waits for me to moan a grievance at the mention of a story, and when I don’t, his tone sinks into deeper gravity. “Once, in the days of Old Earth, there were two pigeons who were greatly in love. In those days, they raised such animals to carry messages across great distances. These two were born in the same cage, raised by the same man, and sold on the same day to different men on the eve of a great war. “The pigeons suffered apart from each other, each incomplete without their lover. Far and wide their masters took them, and the pigeons feared they would never again find each other, for they began to see how vast the world was, and how terrible the things in it. For months and months, they carried messages for their masters, flying over battle lines, through the air over men who killed one another for land. When the war ended, the pigeons were set free by their masters. But neither knew where to go, neither knew what to do, so each flew home. And there they found each other again, as they were always destined to return home and find, instead of the past, their future.” He folds his hands gently, a teacher arriving at his point. “So do I feel lost? Always. When Lea died at the Institute …” His lips slip gently downward. “… I was in a dark woods, blind and lost as Dante before Virgil. But Quinn helped me. Her voice calling me out of misery. She became my home. As she puts it, ‘Home isn’t where you’re from, it’s where you find light when all grows dark.’ ” He grasps the top of my hand. “Find your home, Darrow. It may not be in the past. But find it, and you’ll never be lost again.

The more I reflect on the elder son in me, the more I realize how deeply rooted this form of lostness really is and how hard it is to return home from there. Returning home from a lustful escapade seems so much easier than returning home from a cold anger that has rooted itself in the deepest corners of my being. My resentment is not something that can be easily distinguished and dealt with rationally. It is far more pernicious: something that has attached itself to the underside of my virtue. Isn’t it good to be obedient, dutiful, law-abiding, hardworking, and self-sacrificing? And still it seems that my resentments and complaints are mysteriously tied to such praiseworthy attitudes. This connection often makes me despair. At the very moment I want to speak or act out of my most generous self, I get caught in anger or resentment. And it seems that just as I want to be most selfless, I find myself obsessed about being loved. Just when I do my utmost to accomplish a task well, I find myself questioning why others do not give themselves as I do. Just when I think I am capable of overcoming my temptations, I feel envy toward those who gave in to theirs. It seems that wherever my virtuous self is, there also is the resentful complainer.

But human beings are amazing like that. We're resilient. And Allah tests us with the things we love so that we can return to Him and long for His love, not the love of His creation. That was when I realized that this life isn't meant to be perfect. It's a place for test and examination. The true happiness, the true bliss, will be in the afterlife, Akhirah. That's when I hope to taste pure happiness, with no loss, no tears, ever.

I came to another passageway and paused to examine the scene. I saw myself dead and lying on the ground with Ren kneeling beside me. He leaned over my inert body investigating. I heard him whisper, “Kelsey? Is it you? Kelsey, please. Talk to me. I need to know if it’s really you.” He picked my body up and cradled it lovingly in his arms. I checked to make sure he had the gada and the backpack, which he did, but I’d been fooled before. Then he said, “Don’t leave me, Kells.” I closed my eyes and listened to his voice begging me to live. My heart started thumping wildly, a different reaction than I’d had in the past visions. I took a step closer and hit a barrier again. I spoke to him softly, “Ren? I’m here. Don’t give up.” He raised his head as if he’d heard me. “Kelsey? I can hear you, but I can’t see you. Where are you?” He lowered me, or the body that looked like me, to the ground, and it disappeared. I told him, “Close your eyes and feel your way to me.” He stood slowly and closed his eyes. I closed my eyes too, and tried to focus not on his voice but on his heart. I imagined my hand on his chest, feeling the strong thump of his heart beneath my fingers. My body seemed to move of its own volition, and I took several steps forward. I concentrated on Ren, his laugh, his smile, how I felt being near him, then, suddenly, my hand touched his chest, and I could feel his heart beating. He was there. I opened my eyes slowly and looked at him. He reached out a hand to touch my hair, but then he pulled it back. “Is it really you this time, Kells?” “Well, I’m no maggoty corpse, if that’s what you mean.” He grinned. “That’s a relief. No maggoty corpse would be that sarcastic.” I countered, “Well, how do I know it’s really you?” He considered my question for a moment and then ducked his head to kiss me. He tugged me flush up against his chest, pulling me closer than I even thought possible, and then his lips touched mine. His kiss started out warm and soft, but quickly turned hungry and demanding. His hands ran up my arms, to my shoulders, and then cupped my neck. I wrapped my arms around his waist and luxuriated in the kiss. When he finally pulled back, my heart was pounding in response. When the power of speech returned, I quipped, “Well, even if it isn’t really you, I’ll take this version.” He laughed and relief flooded both of us. “Kells, I think you’d better hold my hand the rest of the way.” I smiled gaily back at him. “No problem.

The energies that make us act out of anger,fear,insecurity and doubt are extremely familiar. They are like an old,dark house we return to whenever things get too hard to handle.It feels risky to leave this house and see what's outside,yet we have to leave if we expect to be loved. So we take the risk.We walk out into the light and offer ourselves to the beloved.This feels wonderful;it's like nothing we have imagined in our old,dark house.But when things get tough,we run back inside,we choose familiarity to fear and lovelessness over the vulnerability of love, until finally we feel safe enough to go back and try love again. This is essentially the rhythm of every intimate relationship-risk and retreat. Over and over we repeat this rhythm,accepting love and pushing it away until finally something miraculous happiness. The old,dark house isn't necessary anymore.We look around, and we have a new house, a house of light. Where did it come from?How did we build it? It was built from the love of the heart.It has silently been weaving our higher and lower natures,blending fear,anger,survival and protection into the energies of devotion,trust,compassion and acceptance.

When Michelangelo was asked how he created a piece of sculpture, he answered that the statue already existed within the marble. God Himself had created the Pieta, David, Moses. Michelangelo’s job, as he saw it, was to get rid of the excess marble that surrounded God’s creation. So it is with you. The perfect you isn’t something you need to create, because God already created it. The perfect you is the love within you. Your job is to allow the Holy Spirit to remove the fearful thinking that surrounds your perfect self, just as excess marble surrounded Michelangelo’s perfect statue.

By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath! "One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes. "Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately. "Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.

Love is giving, love is learning, love is willing to receive love and love in return, love is not only your bloodline, but love is also everywhere. Love is what you make of it, whether it’s the birds singing you a personal melody or the waves in the ocean washing away the hate and turning it into unconditional, endless love. Love is the people who would never think of giving up on you. Love is the people who put your broken pieces back together. Love is when the storm comes— and the wind isn’t too friendly, but it’s here for a purpose as it blows the branches on the trees. The rain is pounding on the daisy in someone’s front yard, yet the daisy weathers the storm and needs that extra shower—after the storm, the ground is still moist, there are still puddles of water and the rain still lingers on, but when you look up there is a rainbow of love.

Restaurant, bar, night club. . . Eat, drink, walk. . . YAWN. . . For some people, this is ALL they can think of when getting ready for a date. Isn’t a “shortlist” like this enough to make you and your girlfriend want to yawn? Why not fill your love story with truly wondrous and exciting activities, or surprise your date with something unusual and adventurous? Infuse your personal life with miracles and astonishment—not monotony. Isn’t this what everyone dreams of on our little planet? At the same time, who holds us back from fulfilling our own dreams, other than ourselves? Fill the life around you with joy. It will be returned to you tenfold. CREATE happy moments. . . MAKE miracles happen! LOVE is a miracle.

As a woman, you walk into all kinds of unknown situations that cause you to fall in love, put someone else’s needs before your own, and make unbelievable sacrifices. As time goes by, falling in love has its consequences. You fall in love with your mate, children, family, and job. However, you do not receive a fraction of what you have given in return. Sadly, nobody sees you are beyond exhausted. They want you to go, go and go without complaining. If they carefully pay attention and think about it; when was the last time they saw you smile, truly smile? When was the last time they saw you happy, truly happy? When was the last time they offered to help you, as opposed to asking could you do this or that? When was the last time they gave you a moment to breathe? As you work so hard and give so much of yourself, you think things will finally line up. However, that is not the case. Once you set someone up to help them prosper, things in your life start to crumble, and slowly but surely you begin to feel violated. Your hard work is soon forgotten as they drop you where you stand. Life isn’t fair and it is hard. It’s even harder when you love so hard and lose so much. You are not perfect. You have your flaws, and most definitely you have your moments. However, you have a good heart and you try to treat others how you want to be treated. Time and time again you give people all of your heart by trying to be loving and understanding. You’ve learned that when it comes to some people, nothing would ever be good enough. You have to be willing to accept that you loved them to the best of your ability, and only lost someone who caused you to lose more of yourself. Those people aren’t worth saving because the question is, who will save you? However, the love you gave wasn’t in vain; it helped you to become a better person. The loss opened your eyes to see that you deserve so much better. It is alright to cry. You are finding your strength and you are beginning to find the voice within. You are special. You are unique. You are loved. There’s no need to be afraid. Life is a journey! You will make it. It’s okay to let go of the loss and count it all pure joy!

My Caroline, If you’re reading this endnote then I can assume you’ve suffered your way through the story, our story once again. I suppose having you relive our time together is the ultimate proof of my sadism, as if you of all people needed further proof. At the end I find myself surprised by how easy it was to write this book about us. I found I missed you so much that a terrible vacuum had formed; all the words came and filled it and for a little while you were home with me again. I didn’t want it to end but a story must have an end, I suppose. I have no secrets to reveal on this final page. I loved you. At least I tried to. And I failed you. I failed you with great success. Forgive me if you can. I will not apologize anymore. I’m done writing now. I may go into the garden and read until evening. It isn’t quite the same without your head on my knee and your ill-informed criticisms of my reading material, but I shall carry on alone, page by page, until the end. And when evening comes and the sun is sitting on the edge of the earth, I will look out, searching for a break in the horizon as that father did once so many thousands of years ago…the father waiting for his prodigal child to return. I hope you are happy. As for me, I…continue. If you ever miss me, miss… But some things are best left unwritten. Just know I have kept your room for you. I’ll say no more. I know I sent you away. I know it was the right thing to do. But I also know that perhaps not every story has to end. Love, Your William

I reach for her. 'I'm so sorry I had to keep...' My words die on my tongue as she steps back, avoiding me. 'Not happening.' A world of hurt flashes in those hazel eyes, and I fucking wither. 'Just because I believe you and am willing to fight with you doesn't mean I'll trust you with my heart again. and I can't be with someone I don't trust.' Something in my chest crumples. 'I've never lied to you, Violet. Not once. I never will.' She walks over to the window and looks down, then slowly turns back to me. 'It's not even that you kept this from me. I get it. It's the ease with which you did it. The ease with which I let you into my hear and didn't get the same in return.' She shakes her head, and I see it there, the love, but it's masked behind defences I foolishly forced her to build. I love her. Of course I love her. But if I tell her now, she'll think I'm doing it for all the wrong reasons, and honestly, she'd be right. I'm not going to lose the only woman I've ever fallen for without a fight. 'You're right. I kept secrets,' I admit, pressing forward again, taking step after step until I'm less than a foot from her. I palm the glass on both sides of her head, loosely caging her in, but we both know she could walk away if she wanted. But she doesn't move. 'It took me a long time to trust you, a long time to realise I fell for you.' Someone knocks, I ignore it. 'Don't say that.' She lifts her chin, but I don't miss the way she glances at my mouth. 'I fell for you.' I lower my head and look straight into her gorgeous eyes. She might be rightfully pissed, but she sure as Malek isn't fickle. 'And you know what? You might not trust me anymore, but you still love me.' Her lips part, but she doesn't deny it. 'I gave you my trust for free once, and once is all you get.' She masks the hurt with a quick blink. Never again. Those eyes will never reflect hurt I've inflicted ever again. 'I fucked up by not telling you sooner, and I won't even try to justify my reasons. But now I'm trusting you with my life- with everyone's lives.' I've risked it all by just bringing her here instead of taking her body back to Basgiath. 'I'll tell you anything you want to know and everything you don't. I'll spend every single day of my life earning back your trust.' I'd forgotten what it felt like to be loved, really, truly, loved- it'd been so many years since Dad died. And mom... Not going there. But then Violet gave me those words, gave me her trust, her heart, and I remembered. I'll be damned if I don't fight to keep them. 'And if it's not possible?' 'You still love me. It's possible.' Gods, do I ache to kiss her, to remind her exactly what we are together, but I won't, not until she asks. 'I'm not afraid of hard work, especially not when I know just how sweet the rewards are.. I would rather lose this entire war than live without you, and if that means I have to prove myself, over and over, then I'll do it. You gave me your heart, and I'm keeping it.' She already owns mine, even if she doesn't realise it.

But that's what people think when their loved one's die, isn't it? They keep thinking it's only temporary. That they're gone, in the other room, maybe at work, or on vacation. That they're just away and they'll be back at some point. Maybe that's how you get through death, by telling yourself your father will pick up the phone, and that if he doesn't that he'll call you back soon, and so in the back of your mind, at the back of your heart, you're just waiting. Waiting for them to return and for life to go back to normal again. The idea that they're never coming back is... it's more than unbearable. It goes against everything you've ever known.

Isn’t that the dance that makes love work? Each person deciding to love and allowing to be loved in returned? Despite the ache. Despite the risk. Despite the past. Sometimes we have to wait for the right person, even when we’ve already met them.

He’s brought a sleeping bag, one of those big green bulky L.L. Bean ones. I look at it questioningly. Following my gaze, he turns red. “I told my parents I was going to help you study, then we might watch a movie, and if it got late enough, I’d crash on your living room floor.” “And they said?” “Mom said, ‘Have a nice time, dear.’ Dad just looked at me.” “Embarrassing much?” “Worth it.” He walks slowly over, his eyes locked on mine, then puts his hands around my waist. “Um. So . . . are we going to study?” My tone’s deliberately casual. Jase slides his thumbs behind my ears, rubbing the hollow at their base. He’s only inches from my face, still looking into my eyes. “You bet. I’m studying you.” He scans over me, slowly, then returns to my eyes. “You have little flecks of gold in the middle of the blue.” He bends forward and touches his lips to one eyelid, then the other, then moves back. “And your eyelashes aren’t blond at all, they’re brown. And . . .” He steps back a little, smiling slowly at me. “You’re already blushing—here”—his lips touch the pulse at the hollow of my throat—“and probably here . . .” The thumb that brushes against my breast feels warm even through my T-shirt. In the movies, clothes just melt away when the couple is ready to make love. They’re all golden and backlit with the soundtrack soaring. In real life, it just isn’t like that. Jase has to take off his shirt and fumbles with his belt buckle and I hop around the room pulling off my socks, wondering just how unsexy that is. People in movies don’t even have socks. When Jase pulls off his jeans, change he has in his pocket slips out and clatters and rolls across the floor. “Sorry!” he says, and we both freeze, even though no one’s home to hear the sound. In movies, no one ever gets self-conscious at this point, thinking they should have brushed their teeth. In movies, it’s all beautifully choreographed, set to an increasingly dramatic soundtrack. In movies, when the boy pulls the girl to him when they are both finally undressed, they never bump their teeth together and get embarrassed and have to laugh and try again. But here’s the truth: In movies, it’s never half so lovely as it is here and now with Jase.

Perhaps it’s different for girls,” Wil said. “‘ We’re told who we’re meant to be, and we strive to be just that, even if we know it isn’t right. Love is used as a weapon against us. When we don’t do as we’re told, it gets taken away, and when we do, it’s returned again like a treasured doll.

Oh, you're right. I'm just a human with thick skin, purple eyes, and hard bones. Which means you can go home. Tell Galen I said hi." Toraf opens and shuts his mouth twice. Both times it seems like he wants to say something, but his expression tells me his brain isn't cooperating. When his mouth snaps shut a third time, I splash water in his face. "Are you going to say something, or are you trying to catch wind and sail? A grin the size of the horizon spreads across his face. "He likes that, you know. Your temper." Yeahfreakingright. Galen's a classic type A personality-and type A's hate smartass-ism. Just ask my mom. "No offense, but you're not exactly an expert at judging people's emotions." "I'm not sure what you mean by that." "Sure you do." "If you're talking about Rayna, then you're wrong. She loves me. She just won't admit it." I roll my eyes. "Right. She's playing hard to get, is that it? Bashing your head with a rock, splitting your lip, calling you squid breath all the time." "What does that mean? Hard to get?" "It means she's trying to make you think she doesn't like you, so that you end up liking her more. So you work harder to get her attention." He nods. "Exactly. That's exactly what she's doing." Pinching the bridge of my nose, I say, "I don't think so. As we speak, she's getting your mating seal dissolved. That's not playing hard to get. That's playing impossible to get." "Even if she does get it dissolved, it's not because she doesn't care about me. She just likes to play games." The pain in Toraf's voice guts me like the catch of the day. She might like playing games, but his feelings are real. And can't I relate to that? "There's only one way to find out," I say softly. "Find out?" "If all she wants is games." "How?" "You play hard to get. You know how they say. 'If you love someone, set them free. If they return to you, it was meant to be?'" "I've never heard that." "Right. No, you wouldn't have." I sigh. "Basically, what I'm trying to say is, you need to stop giving Rayna attention. Push her away. Treat her like she treats you." He shakes his head. "I don't think I can do that." "You'll get your answer that way," I say, shrugging. "But it sounds like you don't really want to know." "I do want to know. But what if the answer isn't good?" His face scrunches as if the words taste like lemon juice. "You've got to be ready to deal with it, no matter what." Toraf nods, his jaw tight. The choices he has to consider will make this night long enough for him. I decide not to intrude on his time anymore. "I'm pretty tired, so I'm heading back. I'll meet you at Galen's in the morning. Maybe I can break thirty minutes tomorrow, huh?" I nudge his shoulder with my fist, but a weak smile is all I get in return. I'm surprised when he grabs my hand and starts pulling me through the water. At least it's better than dragging me by the ankle. I can't but think how Galen could have done the same thing. Why does he wrap his arms around me instead?

I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?" ... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold. Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.

She opened the book. “Don’t,” said Arin. “Please.” But she had already seen the inscription. For Arin, it read, from Amma and Etta, with love. This was Arin’s home. This house had been his, this library his, this book his, dedicated to him by his parents, some ten years ago. Kestrel breathed slowly. Her fingers rested on the page, just below the black line of writing. She lifted her gaze to meet Irex’s smirk. Her mind chilled. She assessed the situation as her father would a battle. She knew her objective. She knew her opponent’s. She understood what she could afford to lose, and what she could not. Kestrel closed the book, set it on a table, and turned her back to Arin. “Lord Irex,” she said, her voice warm. “It is but a book.” “It is my book,” Irex said. There was a choked sound behind her. Without looking, Kestrel said in Herrani, “Do you wish to be removed from the room?” Arin’s answer was low. “No.” “Then be silent.” She smiled at Irex. In their language, she said, “This is clearly not a case of theft. Who would dare steal from you? I’m certain he meant only to look at it. You can’t blame him for being curious about the luxuries your house holds.” “He shouldn’t have even been inside the library, let alone touching its contents. Besides, there were witnesses. A judge will rule in my favor. This is my property, so I will decide the number of lashes.” “Yes, your property. Let us not forget that we are also discussing my property.” “He will be returned to you.” “So the law says, but in what condition? I am not eager to see him damaged. He holds more value than a book in a language no one has any interest in reading.” Irex’s dark eyes flicked to look behind Kestrel, then returned to her. They grew sly. “You take a decided interest in your slave’s well-being. I wonder to what lengths you will go to prevent a punishment that is rightfully mine to give.” He rested a hand on her arm. “Perhaps we can settle the matter between us.” Kestrel heard Arin inhale as he understood Irex’s suggestion. She was angry, suddenly, at the way her mind snagged on the sound of that sharp breath. She was angry at herself, for feeling vulnerable because Arin was vulnerable, and at Irex for his knowing smile. “Yes.” Kestrel decided to twist Irex’s words into something else. “This is between us, and fate.” Having uttered the formal words of a challenge to a duel, Kestrel stepped back from Irex’s touch, drew her dagger, and held it sideways at the level of her chest like a line drawn between him and her. “Kestrel,” Irex said. “That isn’t what I had in mind when I said we might solve the matter.” “I think we’ll enjoy this method more.” “A challenge.” He tsked. “I’ll let you take it back. Just this one.” “I cannot take it back.” At that, Irex drew his dagger and imitated Kestrel’s gesture. They stood still, then sheathed their blades. “I’ll even let you choose the weapons,” Irex said. “Needles. Now it is to you to choose the time and place.” “My grounds. Tomorrow, two hours from sunset. That will give me time to gather the death-price.” This gave Kestrel pause. But she nodded, and finally turned to Arin. He looked nauseated. He sagged in the senators’ grip. It seemed they weren’t restraining him, but holding him up. “You can let go,” Kestrel told the senators, and when they did, she ordered Arin to follow her. As they left the library, Arin said, “Kestrel--” “Not a word. Don’t speak until we are in the carriage.

I thought that love was a river, endless and deep. I thought it merely happened, washing over you like water. It was nothing to search for, nothing to force. I didn’t understand that even when we can’t control our fate, we alone have the last say in matters of the heart. We can give it freely, even in the worst of times, even when it isn’t returned. The frightened walk away when love is difficult. I know that now. You have to be willing to give everything away. You have to be willing to end up with nothing.

As soon as she releases me, Galen grabs my hand and I don’t even have time to gasp before he snatches me to the surface and pulls me toward shore, only pausing to dislodge his pair of swimming trunks from under his favorite rock, where he had just moments before taken the time to hide them. I know the routine and turn away so he can change, but it seems like no time before he hauls me onto the beach and drags me to the sand dunes in front of my house. “What are we doing?” I ask. His legs are longer than mine so for every two of his strides I have to take three, which feels a lot like running. He stops us in between the dunes. “I’m doing something that is none of anyone else’s business.” Then he jerks me up against him and crushes his mouth on mine. And I see why he didn’t want an audience for this kiss. I wouldn’t want an audience for this kiss, either, especially if the audience included my mother. This is our first kiss after he announced that he wanted me for his mate. This kiss holds promises of things to come. When he pulls away I feel drunk and excited and nervous and filled with a craving that I’m not sure can ever be satisfied. And Galen looks startled. “Maybe I shouldn’t have done that,” he says. “That makes it about fifty times harder to leave, I think.” He tucks my head under his chin and I wrap my arms around him until both our breathing returns to normal. I take the time to soak in his scent, his warmth, the hard contours of his-well, his everything. It’s really not fair that he has to leave when he’s only just gotten back. We didn’t have much time to talk on the way back home. We haven’t had much time for anything. “Emma,” he murmurs. “The water isn’t safe for you right now. Please don’t get in it. Please.” “I won’t.” I really won’t. He said please, after all. He lifts my chin with the crook of his finger. His eyes hold all the gentleness and love in the world, with a pinch of mischief. “And take good notes in calculus, or I’ll be forced to cheat off you and for some weird reason that makes me feel guilty.” I wonder what Grom the Triton king would think of that. That Galen basically just stated his intention to keep doing human things. Galen pushes his lips against my forehead, then disentangles himself from me and leads me back toward the water. My body feels ten degrees cooler when his arms fall, and it’s got nothing to do with the temperature outside. We reach the others just in time to see Rayna all but throw herself at Toraf. I can’t help but smile as they kiss. It’s like watching Beauty and the Beast. And Toraf’s not the Beast.

thought that love was a river, endless and deep. I thought it merely happened, washing over you like water. It was nothing to search for, nothing to force. I didn’t understand that even when we can’t control our fate, we alone have the last say in matters of the heart. We can give it freely, even in the worst of times, even when it isn’t returned. The frightened walk away when love is difficult. I know that now. You have to be willing to give everything away. You have to be willing to end up with nothing. Only then will your heart be whole.

Needless to say, cooking for a man with such a delicate palate can be challenging and every once in a while I like to make something that isn't served with a glass of milk and a side of applesauce. This can be difficult with a husband with such discriminating taste buds. Difficult, but not impossible, if you're willing to lie. Which I am.   During the winter months I love to make soups and one of my favorites is taco soup. It has all of the basic food groups in one bowl; meat, veggies, beans, and Fritos. It's perfection. I've been warming bodies and cleaning colons with this recipe for years. However, when I met my husband he advised he didn't like beans, so he couldn't eat taco soup. This was not the response I hoped for.   I decided to make it for him anyway. The first time I did I debated whether to add beans. I knew he wouldn't eat it if I did, but I also knew the beans were what gave it the strong flavor. I decided the only way to maintain the integrity of the soup was to sacrifice mine. I lied to him about the ingredients. Because my husband is not only picky but also observant, I knew I couldn't just dump the beans into the soup undetected. Rather, I had to go incognito. For that, I implored the use of the food processor, who was happy to accommodate after sitting in the cabinet untouched for years.   I dumped the cans of beans in the processor and pureed them into a paste. I then dumped the paste into the taco soup mixture, returning the food processor to the cabinet where it would sit untouched for another six months.   When it came time to eat, I dished out a heaping bowl of soup and handed it to my husband. We sat down to eat and I anxiously awaited his verdict, knowing he was eating a heaping bowl of deceit.   “This is delicious. What's in it?” he asked, in between mouthfuls of soup.   “It's just a mixture of taco ingredients,” I innocently replied, focusing on the layer of Fritos covering my bowl.   “Whatever it is, it's amazing,” he responded, quickly devouring each bite.   At that moment I wanted nothing more than to slap the spoon out of his hand and yell “That's beans, bitch!” However, I refrained because I'm classy (and because I didn't want to clean up the mess).

We often confuse love for a warm glow we sense in our bellies and as something we can offer and withdraw, like a cat who comes and goes at its pleasure. It’s easy for us to extend love toward those who are lovable, but loving people and situations that are not to our liking isn’t so easy. We give our love “unconditionally,” but when we don’t receive what we feel we deserve, we withdraw it. We then reinvest our love in a new person or situation that we think will give us a better return, but we find it difficult to maintain when we don’t feel recognized or acknowledged. If things don’t work out the way we want them to, we too readily exchange our loving feelings for hatred and resentment. Our initial excitement over a new job, for instance, may sour and become disappointment and bitterness. When we’ve been jilted by a lover, the intense, starry-eyed passion of infatuation can turn into loathing so great that it consumes us. To an Earthkeeper, love is not a feeling or something you barter with. Love is the essence of who you are, and it radiates from you as a brilliant aura: You become love, practice fearlessness, and attain enlightenment.

Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.

Tate won’t like it that we kept the truth from him.” “I’m resigned to that,” Cecily said half-truthfully. “He would never have turned to me, anyway, even if he knew he had mixed blood. I’ve been living on dreams too long already.” “If you go away from him, he’ll follow you,” Leta said unexpectedly. “There’s a tie, a bond, between you that can’t be broken.” “There’s Audrey,” Cecily pointed out. “Honey, there have been other Audreys,” she replied. “He never brought them home or talked about them. They were loose relationships, and not very many at all-never any who were innocent.” “Audrey’s lasted a long time.” Leta searched her eyes. “If he’s sleeping with Audrey, Cecily, why can’t he keep his hands off you?” Cecily’s heart turned over twice. “Wh…what?” “Simple question,” came the droll reply. She grinned at the younger woman’s embarrassment. “When you came in the kitchen that last time you were here, before Tate left, your mouth was swollen and you wouldn’t look straight at him. He was badly shaken. It doesn’t take a mind-reader to know what was going on in my living room. It isn’t like Tate to play games with innocent girls.” “He doesn’t think I am, anymore,” she returned curtly. “I let him think that Colby and I are…very close.” “Uh-oh.” She scowled. “Uh-oh, what?” “The only thing that’s kept him away from you this long is that he didn’t want to take advantage of you,” Leta replied. “If he thinks you’re even slightly experienced, he’ll find a reason not to hold back anymore. You’re playing a dangerous game. Your own love will be your downfall if he puts on the heat. I know. How I know!” Cecily refused to think about it. She’d put Tate out of her mind, and she was going to keep him there for the time being. “I’ll worry about that when I have to,” she said finally. “Now you dry up those tears and drink some more coffee. Then we have to plan strategy. We’re going to take down the enemy by any means possible!

But that's what people think when their loved ones die, isn't it? They keep thinking it's only temporary. That they're gone, in the other room, maybe at work, or on vacation. That they're just away and they'll be back at some point. Maybe that's how you get through death, by telling yourself your father will pick up the phone, and that if he doesn't that he'll call you back soon, and so in the back of your mind, at the back of your heart, you're just waiting. Waiting for them to return and for life to go back to normal again. The idea that they're never coming back is... it's more than unbearable. It goes against everything you've ever known.

Guilt-free friendship says that any time you get back to me is a good time. Guilt-free friendship says that I will always assume the best about your motivations. Guilt-free friendship says that I won't keep score when it comes to emails answered or phone calls returned. Guilt-free friendship focuses on the friendship and ditches the guilt. Guilt-free friendship loves any chance and any slice of time to catch up; it isn't about criticizing how much or how frequently that happens. Instead, guilt-free friendship is generous and forgiving and creates easy space for reconnecting because it doesn't have any conditions for how or when or how often that happens.

When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!

The book I was reading was this book I took out of the library by mistake. They gave me the wrong book, and I didn't notice it till I got back to my room. They gave me Out of Africa, by Isak Dinesen. I thought it was going to stink, but it didn’t. It was a very good book. I’m quite illiterate, but I read a lot. My favorite author is my brother D.B., and my next favorite is Ring Lardner. My brother gave me a book by Ring Lardner for my birthday, just before I went to Pencey. It had these very funny, crazy plays in it, and then it had this one story about a traffic cop that falls in love with this very cute girl that's always speeding. Only, he's married, the cop, so he can't marry her or anything. Then this girl gets killed, because she's always speeding. That story just about killed me. What I like best is a book that’s at least funny once in a while. I read a lot of classical books, like The Return of the Native and all, and I like them, and I read a lot of war books and mysteries and all, but they don’t knock me out too much. What really knocks me out is a book that, when you’re all done reading it, you wish the author that wrote it was a terrific friend of yours and you could call him up on the phone whenever you felt like it. That doesn’t happen much, though. I wouldn’t mind calling this Isak Dinesen up. And Ring Lardner, except that D.B. told me he’s dead. You take that book Of Human Bondage, by Somerset Maugham, though. I read it last summer. It’s a pretty good book and all, but I wouldn’t want to call Somerset Maugham up. I don’t know. He just isn’t the kind of a guy I’d want to call up, that’s all. I’d rather call old Thomas Hardy up. I like that Eustacia Vye.

A moment is a specific point in time. Life is full of moments both significant and insignificant, all of which are happening right now. Decisions made in the span of a single moment set into motion every related event that follows. It could be as simple as smiling at a handsome stranger or ignoring him, not knowing that he could have been the love of your life. Saying yes to something you wouldn’t ordinarily agree to, or learning to say no because it isn’t who you are. Understanding that the way you see yourself will shape the way others see you in return. It takes courage to be you. To open your heart not knowing if that love would be returned as freely as it was given. To discover who you really are and accept that you are enough. To believe that extraordinary is possible. To take control of your destiny. To just concentrate on your moments. My favorite moment was when his lips first touched mine.

Oh I'll die I'll die I'll die My skin is in blazing furore I do not know what I'll do where I'll go oh I am sick I'll kick all Arts in the butt and go away Shubha Shubha let me go and live in your cloaked melon In the unfastened shadow of dark destroyed saffron curtain The last anchor is leaving me after I got the other anchors lifted I can't resist anymore, a million glass panes are breaking in my cortex I know, Shubha, spread out your matrix, give me peace Each vein is carrying a stream of tears up to the heart Brain's contagious flints are decomposing out of eternal sickness other why didn't you give me birth in the form of a skeleton I'd have gone two billion light years and kissed God's ass But nothing pleases me nothing sounds well I feel nauseated with more than a single kiss I've forgotten women during copulation and returned to the Muse In to the sun-coloured bladder I do not know what these happenings are but they are occurring within me I'll destroy and shatter everything draw and elevate Shubha in to my hunger Shubha will have to be given Oh Malay Kolkata seems to be a procession of wet and slippery organs today But i do not know what I'll do now with my own self My power of recollection is withering away Let me ascend alone toward death I haven't had to learn copulation and dying I haven't had to learn the responsibility of shedding the last drops after urination Haven't had to learn to go and lie beside Shubha in the darkness Have not had to learn the usage of French leather while lying on Nandita's bosom Though I wanted the healthy spirit of Aleya's fresh China-rose matrix Yet I submitted to the refuge of my brain's cataclysm I am failing to understand why I still want to live I am thinking of my debauched Sabarna-Choudhury ancestors I'll have to do something different and new Let me sleep for the last time on a bed soft as the skin of Shubha's bosom I remember now the sharp-edged radiance of the moment I was born I want to see my own death before passing away The world had nothing to do with Malay Roychoudhury Shubha let me sleep for a few moments in your violent silvery uterus Give me peace, Shubha, let me have peace Let my sin-driven skeleton be washed anew in your seasonal bloodstream Let me create myself in your womb with my own sperm Would I have been like this if I had different parents? Was Malay alias me possible from an absolutely different sperm? Would I have been Malay in the womb of other women of my father? Would I have made a professional gentleman of me like my dead brother without Shubha? Oh, answer, let somebody answer these Shubha, ah Shubha Let me see the earth through your cellophane hymen Come back on the green mattress again As cathode rays are sucked up with the warmth of a magnet's brilliance I remember the letter of the final decision of 1956 The surroundings of your clitoris were being embellished with coon at that time Fine rib-smashing roots were descending in to your bosom Stupid relationship inflated in the bypass of senseless neglect Aaaaaaaaaaaaaaaaaaaaaaaah I do not know whether I am going to die Squandering was roaring within heart's exhaustive impatience I'll disrupt and destroy I'll split all in to pieces for the sake of Art There isn't any other way out for Poetry except suicide Shubha Let me enter in to the immemorial incontinence of your labia majora In to the absurdity of woeless effort In the golden chlorophyll of the drunken heart Why wasn't I lost in my mother's urethra? Why wasn't I driven away in my father's urine after his self-coition? Why wasn't I mixed in the ovum -flux or in the phlegm? With her eyes shut supine beneath me I felt terribly distressed when I saw comfort seize S

Putting it all together, fluctuations in attitudes and behavior combine to make the stock market the ultimate pendulum. In my 47 full calendar years in the investment business, starting with 1970, the annual returns on the S&P 500 have swung from plus 37% to minus 37%. Averaging out good years and bad years, the long-run return is usually stated as 10% or so. Everyone’s been happy with that typical performance and would love more of the same. But remember, a swinging pendulum may be at its midpoint “on average,” but it actually spends very little time there. The same is true of financial market performance. Here’s a fun question (and a good illustration): for how many of the 47 years from 1970 through 2016 was the annual return on the S&P 500 within 2% of “normal”—that is, between 8% and 12%? I expected the answer to be “not that often,” but I was surprised to learn that it had happened only three times! It also surprised me to learn that the return had been more than 20 percentage points away from “normal”—either up more than 30% or down more than 10%—more than one-quarter of the time: 13 out of the last 47 years. So one thing that can be said with total conviction about stock market performance is that the average certainly isn’t the norm. Market fluctuations of this magnitude aren’t nearly fully explained by the changing fortunes of companies, industries or economies. They’re largely attributable to the mood swings of investors. Lastly, the times when return is at the extremes aren’t randomly distributed over the years. Rather they’re clustered, due to the fact that investors’ psychological swings tend to persist for a while—to paraphrase Herb Stein, they tend to continue until they stop. Most of those 13 extreme up or down years were within a year or two of another year of similarly extreme performance in the same direction.

I would choose you." The words were out before he thought better of them, and there was no way to pull them back. Silence stretched between them. Perhaps the floor will open and I'll plummet to my death, he thought hopefully. "As your general?" Her voice careful. She was offering him a chance to right the ship, to take them back to familiar waters. And a fine general you are. There could be no better leader. You may be prickly, but that's what Ravka needs. So many easy replies. Instead he said, "As my queen." He couldn't read her expression. Was she pleased? Embarrassed? Angry? Every cell in his body screamed for him to crack a joke, to free both of them from the peril of the moment. But he wouldn't. He was still a privateer, and he'd come too far. "Because I'm a dependable soldier," she said, but she didn't sound sure. It was the same cautious, tentative voice, the voice of someone waiting for a punch line, or maybe a blow. "Because I know all of your secrets." "I do trust you more than myself sometimes- and I think very highly of myself." Hadn't she said there was no one else she'd choose to have her back in a fight? But that isn't the whole truth, is it, you great cowardly lump. To hell with it. They might all die soon enough. They were safe here in the dark, surrounded by the hum of engines. "I would make you my queen because I want you. I want you all the time." She rolled on to her side, resting her head on her folded arm. A small movement, but he could feel her breath now. His heart was racing. "As your general, I should tell you that would be a terrible decision." He turned on to his side. They were facing each other now. "As your king, I should tell you that no one could dissuade me. No prince and no power could make me stop wanting you." Nikolai felt drunk. Maybe unleashing the demon had loosed something in his brain. She was going to laugh at him. She would knock him senseless and tell him he had no right. But he couldn't seem to stop. "I would give you a crown if I could," he said. "I would show you the world from the prow of a ship. I would choose you, Zoya. As my general, as my friend, as my bride. I would give you a sapphire the size of an acorn." He reached in to his pocket. "And all I would ask in return is that you wear this damnable ribbon in your hair on our wedding day." She reached out, her fingers hovering over the coil of blue velvet ribbon resting in his palm. Then she pulled back her hand, cradling her fingers as if they'd been singed. "You will wed a Taban sister who craves a crown," she said. "Or a wealthy Kerch girl, or maybe a Fjerdan royal. You will have heirs and a future. I'm not the queen Ravka needs." "And if you're the queen I want?"... She sat up, drew her knees in, wrapped her arms around them as if she would make a shelter of her own body. He wanted to pull her back down beside him and press his mouth to hers. He wanted her to look at him again with possibility in her eyes. "But that's not who I am. Whatever is inside me is sharp and gray as the thorn wood." She rose and dusted off her kefta. "I wasn't born to be a bride. I was made to be a weapon." Nikolai forced himself to smile. It wasn't as if he'd offered her a real proposal. They both knew such a thing was impossible. And yet her refusal smarted just as badly as if he'd gotten on his knee and offered her his hand like some kind of besotted fool. It stung. All saints, it stung. "Well," he said cheerfully, pushing up on his elbows and looking up at her with all the wry humour he could muster. "Weapons are good to have around too. Far more useful than brides and less likely to mope about the palace. But if you won't rule Ravka by my side, what does the future hold, General?" Zoya opened the door to the Cargo hold.Light flooded in gilding her features when she looked back at him. "I'll fight on beside you. As your general. As your friend. Because whatever my failings, I know this. You are the king Ravka needs.

On the bus, I pull out my book. It's the best book I've ever read, even if I'm only halfway through. It's called Jane Eyre by Charlotte Brontë, with two dots over the e. Jane Eyre lives in England in Queen Victoria's time. She's an orphan who's taken in by a horrid rich aunt who locks her in a haunted room to punish her for lying, even though she didn't lie. Then Jane is sent to a charity school, where all she gets to eat is burnt porridge and brown stew for many years. But she grows up to be clever, slender, and wise anyway. Then she finds work as a governess in a huge manor called Thornfield, because in England houses have names. At Thornfield, the stew is less brown and the people less simple. That's as far as I've gotten... Diving back into Jane Eyre... Because she grew up to be clever, slender and wise, no one calls Jane Eyre a liar, a thief or an ugly duckling again. She tutors a young girl, Adèle, who loves her, even though all she has to her name are three plain dresses. Adèle thinks Jane Eyre's smart and always tells her so. Even Mr. Rochester agrees. He's the master of the house, slightly older and mysterious with his feverish eyebrows. He's always asking Jane to come and talk to him in the evenings, by the fire. Because she grew up to be clever, slender, and wise, Jane Eyre isn't even all that taken aback to find out she isn't a monster after all... Jane Eyre soon realizes that she's in love with Mr. Rochester, the master of Thornfield. To stop loving him so much, she first forces herself to draw a self-portrait, then a portrait of Miss Ingram, a haughty young woman with loads of money who has set her sights on marrying Mr. Rochester. Miss Ingram's portrait is soft and pink and silky. Jane draws herself: no beauty, no money, no relatives, no future. She show no mercy. All in brown. Then, on purpose, she spends all night studying both portraits to burn the images into her brain for all time. Everyone needs a strategy, even Jane Eyre... Mr. Rochester loves Jane Eyre and asks her to marry him. Strange and serious, brown dress and all, he loves her. How wonderful, how impossible. Any boy who'd love a sailboat-patterned, swimsuited sausage who tames rabid foxes would be wonderful. And impossible. Just like in Jane Eyre, the story would end badly. Just like in Jane Eyre, she'd learn the boy already has a wife as crazy as a kite, shut up in the manor tower, and that even if he loves the swimsuited sausage, he can't marry her. Then the sausage would have to leave the manor in shame and travel to the ends of the earth, her heart in a thousand pieces... Oh right, I forgot. Jane Eyre returns to Thornfield one day and discovers the crazy-as-a-kite wife set the manor on fire and did Mr. Rochester some serious harm before dying herself. When Jane shows up at the manor, she discovers Mr. Rochester in the dark, surrounded by the ruins of his castle. He is maimed, blind, unkempt. And she still loves him. He can't believe it. Neither can I. Something like that would never happen in real life. Would it? ... You'll see, the story ends well.

She wasn’t sure when she realized that she wasn’t alone. She’d heard a louder murmur from the crowd outside, but she hadn’t connected it with the door opening. She looked over her shoulder and saw Tate standing against the back wall. He was wearing one of those Armani suits that looked so splendid on his lithe build, and he had his trenchcoat over one arm. He was leaning back, glaring at the ceremony. Something was different about him, but Cecily couldn’t think what. It wasn’t the vivid bruise high up on his cheek where Matt had hit him. But it was something…Then it dawned on her. His hair was cut short, like her own. He glared at her. Cecily wasn’t going to cower in her seat and let him think she was afraid to face him. Mindful of the solemnity of the occasion, she got up and joined Tate by the door. “So you actually came. Bruises and all,” she whispered with a faintly mocking smile, eyeing the very prominent green-and-yellow patch on his jaw that Matt Holden had put there. He looked down at her from turbulent black eyes. He didn’t reply for a minute while he studied her, taking in the differences in her appearance, too. His eyes narrowed on her short hair. She thought his eyelids flinched, but it might have been the light. His eyes went back to the ceremony. He didn’t say another word. He didn’t really need to. He’d cut his hair. In his culture-the one that part of him still belonged to-cutting the hair was a sign of grief. She could feel the way it was hurting him to know that the people he loved most in the world had lied to him. She wanted to tell him that the pain would ease day by day, that it was better to know the truth than go through life living a lie. She wanted to tell him that having a foot in two cultures wasn’t the end of the world. But he stood there like a painted stone statue, his jaw so tense that the muscles in it were noticeable. He refused to acknowledge her presence at all. “Congratulations on your engagement, by the way,” she said without a trace of bitterness in her tone. “I’m very happy for you.” His eyes met hers evenly. “That isn’t what you told the press,” he said in a cold undertone. “I’m amazed that you’d go to such lengths to get back at me.” “What lengths?” she asked. “Planting that story in the tabloids,” he returned. “I could hate you for that.” The teenage sex slave story, she guessed. She glared back at him. “And I could hate you, for believing I would do something so underhanded,” she returned. He scowled down at her. The anger he felt was almost tangible. She’d sold him out in every way possible and now she’d embarrassed him publicly, again, first by confessing to the media that she’d been his teenage lover-a load of bull if ever there was one. Then she’d compounded it by adding that he was marrying Audrey at Christmas. He wondered how she could be so vindictive. Audrey was sticking to him like glue and she’d told everyone about the wedding. Not that many people hadn’t read it already in the papers. He felt sick all over. He wouldn’t have Audrey at any price. Not that he was about to confess that to Cecily now, after she’d sold him out. He started to speak, but he thought better of it, and turned his angry eyes back toward the couple at the altar. After a minute, Cecily turned and went back to her seat. She didn’t look at him again.

His slender hands curled into fists. “You don’t want to change? Do you have any idea what I’ve been through for you? Why do you think I keep coming back to that horrid, dirty, decaying world of yours? Because you changed me! It makes me sick to think of how I have shifted away from what I should be!” I leaned back, terrified of the pure fury in his face. He took a deep breath, closing his eyes and releasing all the tension from his facial muscles, returning them back to the mask of perfection. “But this is irrelevant. When I get back to where I am supposed to be, my connection to eternity will be restored and flawless. I will be restored. And you will be connected, too, and we have forever to—” “Whoa, whoa, stop right there, psycho. I’m not coming with you.” He got that infuriating smile, that one that all faeries have that says they know more than you ever will and you can’t even begin to function on the same plane as them but isn’t it cute that you think you have any right to consider yourself a rational creature. It was a condescending head pat in smile form. “Evelyn,” he said, his golden voice trying to pull me in closer. “I love you.

Maybe I've put too much high hopes and expectations on you, or started holding you to an unreachable standard." "That isn't fair," he says, his own breath coming quicker. He's starting to look less confused and more straight-up angry. Join the club, bud. "I probably should have told you before Geoffrey and Aiden, but I was excited, and you've been ignoring all my attempts to talk since UltiCon. And I really didn't think you would take the news this way. I thought it was a good thing and truthfully? I think you're overreacting." The little porcupine quills that I imagine live just beneath my skin, primed to shoot up and protect me at a moment's notice, are at the ready now. Except they feel more like Wolverine claws in this case, and Norberto Beneventi's about to feel their wrath. "Overreacting, huh? Love to hear that. Sorry I'm not over the moon, shooting rainbows out my eyeballs because I'm so delighted for you. Sorry I'm not a selfless little woman whose only goal in life is to see her man shine, that I have real feelings and ambitions for myself." "Reese, for the love of---" he shouts, throwing his hands up in the air and walking in a tight circle before returning to stand in front of me. He adjusts his cap with a long-suffering sigh. "You know what? I think you've been waiting for this. I think you figured out that there was more to say after our last conversation, and you know this is not that big of a deal, but you've been scared for so long, and angry, and the world's been unfair to you. And I bet whether you realize it or not, you've been waiting for the first excuse to get rid of me for good. You're used to being alone and it's easier than letting another person in, so all you needed was the smallest hint that something may not be perfect and boom---no more Benny. Am I right?" I scoff, moving to pass him for real this time and not stopping when his hand brushes my shoulder. "You just know me so well, don't you? Please, tell me more about how I'm feeling, why I do the things I do. But you'll have to send it in another message, because I don't have to stay here and listen to it." I hoist my bag farther onto my shoulder and stomp away from him, my own fury nearly blocking out his parting words. "Go on, then. Maybe you can move back across the country. See if running from your problems works the second time around.

There once was a female snake that roamed around a small village in the countryside of Egypt. She was commonly seen by villagers with her small baby as they grazed around the trees. One day, several men noticed the mother snake was searching back and forth throughout the village in a frenzy — without her young. Apparently, her baby had slithered off on its own to play while she was out looking for food. Yet the mother snake went on looking for her baby for days because it still hadn't returned back to her. So one day, one of the elder women in the village caught sight of the big snake climbing on top of their water supply — an open clay jug harvesting all the village's water. The snake latched its teeth on the big jug's opening and sprayed its venom into it. The woman who witnessed the event was mentally handicapped, so when she went to warn the other villagers, nobody really understood what she was saying. And when she approached the jug to try to knock it over, she was reprimanded by her two brothers and they locked her away in her room. Then early the next day, the mother snake returned to the village after a long evening searching for her baby. The children villagers quickly surrounded her while clapping and singing because she had finally found her baby. And as the mother snake watched the children rejoice in the reunion with her child, she suddenly took off straight for the water supply — leaving behind her baby with the villagers' children. Before an old man could gather some water to make some tea, she hissed in his direction, forcing him to step back as she immediately wrapped herself around the jug and squeezed it super hard. When the jug broke burst into a hundred fragments, she slithered away to gather her child and return to the safety of her hole. Many people reading this true story may not understand that the same feelings we are capable of having, snakes have too. Thinking the villagers killed her baby, the mother snake sought out revenge by poisoning the water to destroy those she thought had hurt her child. But when she found her baby and saw the villagers' children, her guilt and protective instincts urged her to save them before other mothers would be forced to experience the pain and grief of losing a child. Animals have hearts and minds too. They are capable of love, hatred, jealousy, revenge, hunger, fear, joy, and caring for their own and others. We look at animals as if they are inferior because they are savage and not civilized, but in truth, we are the ones who are not being civil by drawing a thick line between us and them — us and nature. A wild animal's life is very straightforward. They spend their time searching and gathering food, mating, building homes, and meditating and playing with their loved ones. They enjoy the simplicity of life without any of our technological gadgetry, materialism, mass consumption, wastefulness, superficiality, mindless wars, excessive greed and hatred. While we get excited by the vibrations coming from our TV sets, headphones and car stereos, they get stimulated by the vibrations of nature. So, just because animals may lack the sophisticated minds to create the technology we do or make brick homes and highways like us, does not mean their connections to the etheric world isn't more sophisticated than anything we could ever imagine. That means they are more spiritual, reflective, cosmic, and tuned into alternate universes beyond what our eyes can see. So in other words, animals are more advanced than us. They have the simple beauty we lack and the spiritual contentment we may never achieve.

The heart, it still beats stoically in my ribcage, but it knows its time is up. Strange how the repository of one’s existence is one’s heart, when all the heart does is pump the blood through the body. Not the soul that puts the life force into the body. The soul is intangible, it floats beyond oneself. It returns, pulled back by threads of loves, old and new, of the lives connected with one, of the belief that no, it isn’t time yet. The heart would beat on until the moment it decided it had done quite enough beating for a lifetime. A miracle organ, the heart, constantly beating through sickness, through health, through wakefulness, through sleep, through sorrow so terrible you think it would stop then and there, and through joy so intense you wish it would stop right then to freeze that moment forever. It beats on, regardless. And when it finally does stop, so does the body. Switched off, like a machine, the engine that powered it shuddering to a halt. The life force swirling away into the ethers, wherever it was that life forces went after the body had perished. Right now I am alive. The heart is beating, the soul is still restless, the feeling that there is more to come niggles. What more though, I don’t know.

Bernard is caring, helpful, and enjoyable to be with. Everybody loves him. And he really loves people. But Bernard is a relational sprinter, not a marathoner. He’s there for you if you’re there. But it’s hard for Bernard to keep you in mind when he’s off helping another person. This trait has caused Bernard to be unsafe with his friends and family. They have learned the hard way that you cannot depend on him. He commits and commits and commits—but he does not come through. If you ask him to return the lawnmower he borrowed last week, don’t block out your mowing hours on your schedule anytime soon. Bernard isn’t a bad person, nor is he insincere. But he loves the intense warmth of being close to a person in the here-and-now. It gets somewhat addictive to him, and he can’t delay gratification to help a person who isn’t around, when another, in-the-flesh person is available. And so he routinely disappoints himself and his friends. He flunks the time test. For example, when Bernard and I would plan dinners or nights out, he was often late, and sometimes he wouldn’t show up at all. Of course he’d always have a great excuse about some emergency or crisis. Finally, I realized I wasn’t a “crisis,” so I didn’t make the cut. I learned that, over time, I shouldn’t depend on Bernard.

Are you going to be my papa now?” the child had asked Zachary, sitting with her arms looped around his neck. She had flown to him with shrill cries of delight when Holly had brought her to visit the estate, and he had swung her in the air until her little petticoats and white stockings had been a white blur. Touched by the obvious happiness of the pair, Holly had felt a great settling of comfort and peace inside. If she had had any lingering doubts about the rightness of this new life for her daughter, they dissolved at the sight of Rose's beaming face. The child would be spoiled, undoubtedly, but she would also be loved wholeheartedly. “Is that what you'd like?” Zachary said in answer to Rose's question. She wrinkled her face thoughtfully, and her doubtful gaze flickered to Holly before returning to Zachary. “I should like very much to live in your big house,” she replied with all the candor of a young child, “and I don't mind that Mama will marry you. But I don't want to call you Papa. It would make my papa in heaven sad, I think.” The words stunned Holly, and she fumbled for a reply. Helplessly she watched as Zachary touched the little girl's round chin and turned her face toward him. “Then call me whatever you like,” he said matter-of-factly. “But believe me, princess, I'm not going to replace your papa. I'd be a fool to try, fine man that he was. I just want to take care of you and your mother. I imagine—I hope—that your papa will be somewhat relieved to see that someone will be looking after you down here while he's unable.” “Oh,” Rose said in obvious satisfaction. “I think that's all right, then, as long as we don't forget him. Isn't that right, Mama?” “Yes,” Holly whispered, her throat tight with emotion, her cheeks flushed with happiness. She stared at Zachary with glittering brown eyes. “You're absolutely right, Rose.

Treating Abuse Today 3(4) pp. 26-33 TAT: I want to move back to an area that I'm not real comfortable asking you about, but I'm going to, because I think it's germane to this discussion. When we began our discussion [see "A Conversation with Pamela Freyd, Ph.D., Part 1", Treating Abuse Today, 3(3), P. 25-39] we spoke a bit about how your interest in this issue intersected your own family situation. You have admitted writing about it in your widely disseminated "Jane Doe" article. I think wave been able to cover legitimate ground in our discussion without talking about that, but I am going to return to it briefly because there lingers an important issue there. I want to know how you react to people who say that the Foundation is basically an outgrowth of an unresolved family matter in your own family and that some of the initial members of your Scientific Advisory Board have had dual professional relationships with you and your family, and are not simply scientifically attached to the Foundation and its founders. Freyd: People can say whatever they want to say. The fact of the matter is, day after day, people are calling to say that something very wrong has taken place. They're telling us that somebody they know and love very much, has acquired memories in some kind of situation, that they're sure are false, but that there has been no way to even try to resolve the issues -- now, it's 3,600 families. TAT: That's kind of side-stepping the question. My question -- Freyd: -- People can say whatever they want. But you know -- TAT: -- But, isn't it true that some of the people on your scientific advisory have a professional reputation that is to some extent now dependent upon some findings in your own family? Freyd: Oh, I don't think so. A professional reputation dependent upon findings in my family? TAT: In the sense that they may have been consulted professionally first about a matter in your own family. Is that not true? Freyd: What difference does that make? TAT: It would bring into question their objectivity. It would also bring into question the possibility of this being a folie à deux --

If you aren't in love, Willow Vaughn, then my name isn't Miriam Brigham." Willow started out of her daydreaming and glanced up from the laundry tub. Miriam stood before her with her fists planted on her hips. "Now, Miriam, I-" "No sense denying it, young lady. You've got that dreamy dazed glow about you. Rider Sinclair isn't much better, the way he hangs around you,like a bee drawn to honey. He's always holding your hand or throwing his arm around you when he thinks I'm not looking." "Well,even if I were in love, it wouldn't change anything. I still don't want another man to look after, and I don't need one looking out for me either. I can take care of myself!" "Course, you can!" Miriam agreed, picking the last sheet out of the rinse water and wringing it out. "Most women can. Look at me, I run a boarding house and support myself just fine. But let me tell you something. That lonely bed of mine is mighty cold on winter nights, even here in the territory." Willow blushed and concentrated on her hands where they rested on the edge of the tub. "Willow," Miriam continued, "you've been managing your pa just fine since he got home. A husband isn't any more difficult to manage than a father, unless, of course, you're married to a no-good lout." Willow dried her hands on the wide white apron around her middle. "But, Miriam, if I don't marry, then I don't have to bother finagling a man to my way of doing things. Staying single makes a hell of a lot more sense!" "Watch the cursing, young lady." Miriam slung the sheet over the line and returned to help Willow with the wash tub. They each grapped a handle and carried it a few feet before setting it down to rest their arms a moment. "Willow, use your noggin, will you? Part of the fun of being a woman is wrapping some big, handsome hunk of a man around your little finger. You do have to use your good sense, though, and realize when you're wrong and he's right. Of course"-Miriam chuckled-"that won't be too often. "And you have to be careful not to hurt a man's feelings overly much. Men are funny creatures. They seldom let their emotions show because they think it isn't manly. But you can tell when they're upset.They start pouting like a little boy.I've always thought that was rather curious.

When Florence Allen took a bite of her dessert the expression on her face changed completely. She looked puzzled at first, as if she wasn't at all sure it was cake that she was eating. She cut herself another bite and then held up her fork and looked at it for a minute before slipping it into her mouth. She chewed slowly, as if she were a scientist engaged in an important experiment. She lifted up her plate and held it up to the light, studied it from different angles. Then she dipped down her nose and inhaled the cake. "This is sweet potato." I dabbed at my eyes again and told her that it was. "Sweet potatoes and raisins and... rum? That's a spiked glaze?" I nodded. She took another bite and this time she ate it like a person who knew what she was getting into. She closed her eyes. She savored. "This is," she said. "This is..." "Easy," I said. "I can give you the recipe." She opened up her eyes. She had lovely dark eyes. "This is brilliant. This is a brilliant piece of cake." In my family people tended to work against the cake. They wished it wasn't there even as they were enjoying it. But Florence Allen's reaction was one I rarely saw in an adult: She gave in to the cake. She allowed herself to love the cake. It wasn't that she surrendered her regrets (Oh well, I'll just have to go to the gym tomorrow, or, I won't have any dinner this week). She had no regrets. She lived in the moment. She took complete pleasure in the act of eating cake. "I'm glad you like it," I said, but that didn't come close to what I meant. "Oh, I don't just like it. I think this is-" But she didn't say it. Instead she stopped and had another bite. I could have watched her eat the whole thing, slice by slice, but no one likes to be stared at. Instead I ate my own cake. It was good, really. Every raisin bitten gave a sweet exhalation of rum. It was one of those cakes that most people say should be made for Thanksgiving, that it was by its nature a holiday cake, but why be confined? I was always one to bake whatever struck me on any given day. Florence Allen pressed her fork down several times until she had taken up every last crumb. Her plate was clean enough to be returned to the cupboard directly. "I've made sweet potato pies," she said. "I've baked them and put them in casseroles, but in a cake? That never crossed my mind." "It isn't logical. They're so dense. I think of it as the banana bread principle.

Now, then,” he said, returning to the head of the table, “I think you should know that Gran’s original requirement is still in place. The four of you must marry or she will disinherit the lot of us. I’ve done my part. So I suggest that while Maria and I are in America, you four start looking for mates.” It took a second for that to sink in. Minerva exploded first. “That isn’t fair! Gran, I’m sure you’ll have your heir from Oliver and Maria in no time, given the hours they spend up there in the master bedchamber. Why in heaven’s name must you continue this farce?” “I asked her to continue it,” Oliver said. When his siblings gaped at him, he added, “Gran is right-it’s time that we take our place in the world as more than hellions. We’ve been sleepwalking too long, locked into the past, unable to live fruitful lives. Now that Maria has awakened me, I want to wake you up, too. I want you to stop boxing at shadows and hiding in the dark from the scandal of our parents’ deaths. I want you to find what I’ve found-love.” He gazed at Maria, who cast him an encouraging smile. They’d both agreed that this might be the only way to force his siblings awake. “Speak for yourself,” Minerva answered. “I’m perfectly fine. You’re just using that nonsense as an excuse for joining up with Gran to ruin our lives.” She glanced resentfully at Maria. “Is this the thanks we get for pushing him into your arms?” “Pushing me into her arms?” Oliver echoed. “All that making you jealous and keeping you from her-“ Gabe began. “And lying to you about her inheritance,” Jarret added. “Though that didn’t work out quite as planned.” “You wouldn’t even be together if not for us,” Celia said. “I suspect my wife would beg to differ,” Oliver drawled. “But that’s neither here nor there. Rail at me all you want, but Gran’s deadline is still in place. You have ten months to marry.” He cast them a thin smile. “Given how difficult that may prove, however, I’ve hired someone to help you.” He turned to the door. “Mr. Pinter? Would you step inside, please?” The Bow Street Runner walked in, looking uneasy at facing the entire cadre of scandalous Sharpes. “Mr. Pinter has agreed to help you by researching the backgrounds of your potential spouses. I know it can be difficult, especially for you girls, to sort the legitimate suitors from the fortune hunters.” He knew that firsthand. “So Mr. Pinter will investigate anyone who sparks your interest. That should make the entire process move more quickly.” “And cold-bloodedly,” Celia muttered under her breath. Pinter arched an eyebrow but said nothing.

I am like God, Codi? Like GOD? Give me a break. If I get another letter that mentions SAVING THE WORLD, I am sending you, by return mail, a letter bomb. Codi, please. I've got things to do. You say you're not a moral person. What a copout. Sometime, when I wasn't looking, something happened to make you think you were bad. What, did Miss Colder give you a bad mark on your report card? You think you're no good, so you can't do good things. Jesus, Codi, how long are you going to keep limping around on that crutch? It's the other way around, it's what you do that makes you who you are. I'm sorry to be blunt. I've had a bad week. I am trying to explain, and I wish you were here so I could tell you this right now, I am trying to explain to you that I'm not here to save anybody or any thing. It's not some perfect ideal we're working toward that keeps us going. You ask, what if we lose this war? Well, we could. By invasion, or even in the next election. People are very tired. I don't expect to see perfection before I die. Lord, if I did I would have stuck my head in the oven back in Tucson, after hearing the stories of some of those refugees. What keeps you going isn't some fine destination but just the road you're on, and the fact that you know how to drive. You keep your eyes open, you see this damned-to-hell world you got born into, and you ask yourself, "What life can I live that will let me breathe in & out and love somebody or something and not run off screaming into the woods?" I didn't look down from some high rock and choose cotton fields in Nicaragua. These cotton fields chose me. The contras that were through here yesterday got sent to a prison farm where they'll plant vegetables, learn to read and write if they don't know how, learn to repair CB radios, and get a week-long vacation with their families every year. They'll probably get amnesty in five. There's hardly ever a repeat offender. That kid from San Manuel died. Your sister, Hallie "What's new with Hallie?" Loyd asked. "Nothing." I folded the pages back into the envelope as neatly as I could, trying to leave its creases undisturbed, but my fingers had gone numb and blind. With tears in my eyes I watched whatever lay to the south of us, the land we were driving down into, but I have no memory of it. I was getting a dim comprehension of the difference between Hallie and me. It wasn't a matter of courage or dreams, but something a whole lot simpler. A pilot would call it ground orientation. I'd spent a long time circling above the clouds, looking for life, while Hallie was living it.

ASSERTIVE The Assertive type believes time is money; every wasted minute is a wasted dollar. Their self-image is linked to how many things they can get accomplished in a period of time. For them, getting the solution perfect isn’t as important as getting it done. Assertives are fiery people who love winning above all else, often at the expense of others. Their colleagues and counterparts never question where they stand because they are always direct and candid. They have an aggressive communication style and they don’t worry about future interactions. Their view of business relationships is based on respect, nothing more and nothing less. Most of all, the Assertive wants to be heard. And not only do they want to be heard, but they don’t actually have the ability to listen to you until they know that you’ve heard them. They focus on their own goals rather than people. And they tell rather than ask. When you’re dealing with Assertive types, it’s best to focus on what they have to say, because once they are convinced you understand them, then and only then will they listen for your point of view. To an Assertive, every silence is an opportunity to speak more. Mirrors are a wonderful tool with this type. So are calibrated questions, labels, and summaries. The most important thing to get from an Assertive will be a “that’s right” that may come in the form of a “that’s it exactly” or “you hit it on the head.” When it comes to reciprocity, this type is of the “give an inch/take a mile” mentality. They will have figured they deserve whatever you have given them so they will be oblivious to expectations of owing something in return. They will actually simply be looking for the opportunity to receive more. If they have given some kind of concession, they are surely counting the seconds until they get something in return. If you are an Assertive, be particularly conscious of your tone. You will not intend to be overly harsh but you will often come off that way. Intentionally soften your tone and work to make it more pleasant. Use calibrated questions and labels with your counterpart since that will also make you more approachable and increase the chances for collaboration. We’ve seen how each of these groups views the importance of time differently (time = preparation; time = relationship; time = money). They also have completely different interpretations of silence. I’m definitely an Assertive, and at a conference this Accommodator type told me that he blew up a deal. I thought, What did you do, scream at the other guy and leave? Because that’s me blowing up a deal. But it turned out that he went silent; for an Accommodator type, silence is anger. For Analysts, though, silence means they want to think. And Assertive types interpret your silence as either you don’t have anything to say or you want them to talk. I’m one, so I know: the only time I’m silent is when I’ve run out of things to say. The funny thing is when these cross over. When an Analyst pauses to think, their Accommodator counterpart gets nervous and an Assertive one starts talking, thereby annoying the Analyst, who thinks to herself, Every time I try to think you take that as an opportunity to talk some more. Won’t you ever shut up?

A third assumption: a commitment to monogamy is an admirable consequence of love, stemming from a deep-seated generosity and an intimate interest in the other’s flourishing and well-being. A call for monogamy is a sure indication that one partner has the other’s best interests at heart. To Rabih’s new way of thinking, it seems anything but kind or considerate to insist that a spouse return to his room alone to watch CNN and eat yet another club sandwich while perched on the edge of his bed, when he has perhaps only a few more decades of life left on the planet, an increasingly dishevelled physique, an at best intermittent track record with the opposite sex, and a young woman from California standing before him who sincerely wishes to remove her dress in his honour. If love is to be defined as a genuine concern for the well-being of another person, then it must surely be deemed compatible with granting permission for an often harassed and rather browbeaten husband to step off the elevator on the eighteenth floor, in order to enjoy ten minutes of rejuvenating cunnilingus with a near-stranger. Otherwise it may seem that what we are dealing with is not really love at all but rather a kind of small-minded and hypocritical possessiveness, a desire to make one’s partner happy if, but only if, that happiness involves oneself. It’s past midnight already, yet Rabih is just hitting his stride, knowing there might be objections but sidestepping them nimbly and, in the process, acquiring an ever more brittle sense of self-righteousness. A fourth assumption: monogamy is the natural state of love. A sane person can only ever want to love one other person. Monogamy is the bellwether of emotional health. Is there not, wonders Rabih, an infantile idealism in our wish to find everything in one other being – someone who will be simultaneously a best friend, a lover, a co-parent, a co-chauffeur and a business partner? What a recipe for disappointment and resentment in this notion, upon which millions of otherwise perfectly good marriages regularly founder. What could be more natural than to feel an occasional desire for another person? How can anyone be expected to grow up in hedonistic, liberated circles, experience the sweat and excitement of nightclubs and summer parks, listen to music full of longing and lust and then, immediately upon signing a piece of paper, renounce all outside sexual interest, not in the name of any particular god or higher commandment but merely from an unexplored supposition that it must be very wrong? Is there not instead something inhuman, indeed ‘wrong’, in failing to be tempted, in failing to realize just how short of time we all are and therefore with what urgent curiosity we should want to explore the unique fleshly individuality of more than one of our contemporaries? To moralize against adultery is to deny the legitimacy of a range of sensory high points – Rabih thinks of Lauren’s shoulder blades – in their own way just as worthy of reverence as more acceptable attractions such as the last moments of ‘Hey Jude’ or the ceilings of the Alhambra Palace. Isn’t the rejection of adulterous possibilities tantamount to an infidelity towards the richness of life itself? To turn the equation on its head: would it be rational to trust anyone who wasn’t, under certain circumstances, really pretty interested in being unfaithful?

In fact, I am generally proud of having had so many adventures. But today, I had barely pronounced the words than I was seized with contrition; it seems as though I am lying, that I have never had the slightest adventure in my life, or rather, that I don't even know what the word means any more. [...] Things have happened to me, events, incidents, anything you like. But no adventures. It isn't a question of words; I am beginning to understand. [...] There is nothing brilliant about my life now: but from time to time, for example, for example, when they play music in the cafes, I look back and tell myself: in old days, in London, Meknes, Tokyo, I have known great moments, I have had adventures. Now I am deprived of this. I have suddenly learned, without apparent reason, that I have been lying to myself for ten years. [...] ... adventure does not let itself be drawn out; it only makese sense when dead. [...] Each instant appears only as a part of a sequence. I cling to each instant with all my heart: I know that it is unique, irreplacable-and yet I would not raise a finger to stop it from being annihilated. [...] I shall never rediscover either this woman or this night. I grasp at each second, trying to suck it dry: nothing happens which I do not seize, which I do not fix forever in myself, nothing, neither the fugitive tenderness of those lovely eyes, nor the noises of the street, nor the false dawn on early morning: and even so the minute passes and I do not hold it back, I like to see it pass. All of a sudden something breaks off sharply. The adventure is over, time resumes its daily routine. I turn; behind me, this beautiful melodious form sinks entirely into the past. It grows smaller, contracts as it declines, and now the end makes one with the beginning. Following this gold spot with my eyes I think I would accept-even if I had to risk death, lost a fortune, a friend-to live it all over again, in the same circumstances, from end to end. But an adventure never returns nor is prolonged." (p.56-57) "... Perhaps there is nothing in the world I cling to as much as this feeling of adventure; but it comes when it pleases; it is gone so quickly and how empty I am once it has left. Does it, ironically, pay me these short visits in order to show me that I have wasted my life? [...] This feeling of adventure definitely does not come from events: I have proved it. It's rather they way in which the moments are linked together. I think this is what happens: you suddenly feel that time is passing, that each instant leads to another, this one to another one, and so on; that each instant is annihilated, and that it isn't worth while to hold it back, etc., etc. And then you attribute this property to events which appear to you *in* the instants; what belongs to the form you carry over to the content. You talk a lot about this amazing flow of time but you hardly see it. You see a woman, you think that one day she'll be old, only you don't see her grow old. But there are moments when you think you *see* her grow old and feel yourself growing old with her: this is the feeling of adventure. If I remember correctly, they call that the irreversibility of time. The feeling of advanture would simply be that of the irreversibility of time. But why don't we always have it? Is it that time is not always irreversible? There are moments when you have the impression that you can do what you want, go forward or backward, that it has no importance; and then other times when you might say that the links have been tightened and, in that case, it's not a questino of missing your turn because you could never start again.

Harvard Business School professor and author Clay Christensen believes that you need to focus on the concept of the “job-to-be-done”; that is, when a customer buys a product, she is “hiring” it to do a particular job. Then there’s Brian Chesky of Airbnb, who said simply, “Build a product people love. Hire amazing people. What else is there to do? Everything else is fake work.” As Andrea Ovans aptly put it in her January 2015 Harvard Business Review article, “What Is a Business Model?”, it’s enough to make your head swim! For the purposes of this book, we’ll focus on the basic definition: a company’s business model describes how it generates financial returns by producing, selling, and supporting its products. What sets companies like Amazon, Google, and Facebook apart, even from other successful high-tech companies, is that they have consistently been able to design and execute business models with characteristics that allow them to quickly achieve massive scale and sustainable competitive advantage. Of course, there isn’t a single perfect business model that works for every company, and trying to find one is a waste of time. But most great business models have certain characteristics in common. If you want to find your best business model, you should try to design one that maximizes four key growth factors and minimizes two key growth limiters.

I have been here, ever since our eyes met but you never came to this place. I have been waiting here to see your smile once more, to feel your warmth, to see your eyes which are deep enough to drown anyone at any time but you never returned. You never thought of looking back at me. I waited here every day from the day you left with the false hope that you would return. I was known yet chose to remain ignorant for I didn't want to lose you before you could even be mine. Each day I used to watch over people, used to sip in your favourite coffee in your favourite cafeteria, used to write about your favourite topics, but it never worked out. You never returned. Everybody told me I was turning insane day by day coz I was locked in my room, for almost a month but I felt they were crazy coz daily I used to stroll around your favourite places. Everything was making sense to me, this waiting thing, this restlessness, this fetish but I was asked to come out of my Nuisance world. I didn't get it, why were they restricting me from finding you? Were they jealous of me? Envious of the fact that I would then be the happiest person in the entire world? But they said otherwise. They said I was obsessed with the idea of you and that they were really concerned for me. Leave everything aside why didn't you return? I faithfully still wait for you, to feel you, to feel myself again, to feel that liveliness which only came in me, when I was with you. I wish, I could show them what you mean to me and what you did to my heart but I think even then they won't understand coz love isn't everyone's cup of tea. I miss you, Hope you would return soon though now I am coming in terms with the reality that you won't please still, listen to my heart the way you used to or to years at least. Iloveyou

At the risk of trespassing in areas I know little or nothing about, let me simply hint at some ways in which this might work out. If you work in information technology, how is your discipline slanted? Is it slanted toward the will to power or the will to love? Does it exhibit the signs of technology for technology’s sake, of information as a means of the oppression of those who do not have access to it by those who do? Is it developing in the service of true relationships, true stewardship and even true worship, or is it feeding and encouraging a society in which everybody creates their own private, narcissistic, enclosed world? Luther’s definition of sin was homo incurvatus in se, “humans turned in on themselves.” Does your discipline foster or challenge that? You may not be able to change the way the discipline currently works. You may be able to take some steps in that direction, given time and opportunity, but that isn’t necessarily your vocation. Your task is to find the symbolic ways of doing things differently, planting flags in hostile soil, setting up signposts that say there is a different way to be human. And when people are puzzled at what you are doing, find ways—fresh ways—of telling the story of the return of the human race from its exile, and use those stories as your explanation.

For the past three months I've been lodged in the staring-out-the-window-and burning-toast stage of grief. According to Dr. Rupert, I had a depressive breakdown brought on by grief...as though showing up at the office in your bathrobe is perfectly understandable. I'm not afraid of dying. I'm afraid of everyone else dying and leaving me behind. You don't feel as though you're having a conversation, ore as though you're listening to a book on tape, the title "Steve the Sales Guy Goes on a Dinner Date". Isn't there some way around having to start this new life without my husband? I can't return Crystal as though she's an appliance that broke before the warranty expired. I'm significant otherless. By the time he calls, maybe I'll be a ndw person with self-confidence and cute comebacks. Straight hair, a better job, a smaller waistline. How could I have managed to lose my husband, my job, my house, and my ass all in one year? I'm so eager for intimacy, I would date a tree. It's a myth that people experience grief for a certain amount of time and then they're over it. Nine of the fifteen pounds I want to lose cling to me like an overprotective mother who doesn't want me to take my pants off until I'm married again. Good-riddance list. It's a list of all the stuff you don't like about a guy. You're supposed to make it when you break up with someone. It's funny how you don't have to be related to someone to love them like family. Dangerous rebound guy. My grief is diminished, but it feels permanent, like a scar. Another grief gold star. Marion & Crystal moved in with me. How can I live happily ever after without loving someone again?

Nick implied the job pays crap, so they can’t expect me to be some sort of art professor, right?” She paused when the bartender appeared with a bottle of beer and a slender fluted glass of champagne. The bubbles streaming upward through the pale liquid reminded him of Emma’s personality: round and fizzy, rising as high as they could go. He felt like shit. “Of course, I still need to find a place to live,” Emma said after taking a sip of her drink. “But as long as I have a place to work, I’m good. I can always buy a tent.” “You don’t have to buy a tent,” he said curtly. “Just joking.” She reached across the table and gave his hand a gentle squeeze. “But at least now I don’t have to worry about finding a place to live where I can also work.” He drank some beer straight from the bottle, relishing its sour flavor. Closing his eyes, he pictured that small, windowless room in the community center, its linoleum floor, its cinderblock walls, its sheer ugliness. She was thrilled because she thought it was her only option. But it wasn’t. “Look, Emma—if you want, I’ll take my house off the market. I don’t have to get rid of it. If you want to continue to live there…” She’d raised her champagne flute to her lips, but his words clearly startled her enough to make her lower the glass and gape at him. “But you came to Brogan’s Point to sell the house.” “It can wait.” “And I can’t keep teaching there. You said so yourself. There are those nasty zoning laws. And insurance issues, and liability. All that legal stuff.” She pressed her lips together, effectively smothering her radiant smile. “Taking the room at the community center means I’ll be able to teach there this summer in Nick’s program. So I’ll earn a little more money and maybe make contact with more people who might want to commission Dream Portraits.” She shook her head. “I can make it work.” “You could make it work in my house, too. Stay. Stay as long as you want. We’re not a landlord and tenant anymore. We’ve gone beyond that, haven’t we?” She stared at him, suddenly wary. “What do you mean?” He wasn’t sure what was troubling her. “Emma. We’ve made love. Several times.” Several spectacular times, he wanted to add. “You can stay on in the house. Forget about the rent. That’s the least I owe you.” Her expression went from wary to deflated, from deflated to suspicious. Her voice was cool, barely an inch from icy. “You don’t owe me anything, Max—unless you want to pay me for your portrait. I can’t calculate the cost until I figure out what the painting will…entail.” She seemed to trip over that last word, for some reason. “But as far as the house… I don’t need you to do that.” “Do what? Take it off sale? It isn’t even on sale yet.” “You don’t have to let me stay on in the house because we had sex. I didn’t make love with you because I wanted something in return. You don’t owe me anything.” She sighed again. The fireworks vanished from her eyes, extinguished

There are signs, however, that a good time was had all last night. Jo might have found herself caught in the middle of a love triangle, but she clearly didn't mind staying around when she thought that one of the angles had been dispensed with. The remains of dinner still grace the table---dirty dishes, rumpled napkins, a champagne flute bearing a lipstick mark. There's even one of the Chocolate Heaven goodies left in the box---which is absolute sacrilege in my book, so I pop it in my mouth and enjoy the brief lift it gives me. I huff unhappily to myself. If they left chocolate uneaten, that must be because they couldn't wait to get down to it. Two of the red cushions from the sofa are on the floor, which shows a certain carelessness that Marcus doesn't normally exhibit. They're scattered on the white, fluffy sheepskin rug, which should immediately make me suspicious---and it does. I walk through to the bedroom and, of course, it isn't looking quite as pristine as it did yesterday. Both sides of the bed are disheveled and I think that tells me just one thing. But, if I needed confirmation, there's a bottle of champagne and two more flutes by the side of the bed. It seems that Marcus didn't sleep alone. Heavy of heart and footstep, I trail back through to the kitchen. More devastation faces me. Marcus had made no attempt to clear up. The dishes haven't been put into the dishwasher and the congealed remnants of last night's Moroccan chicken with olives and saffron-scented mash still stand in their respective saucepans on the cooker. Tipping the contents of one pan into the other, I then pick up a serving spoon and carry them both through the bedroom. I slide open the wardrobe doors and the sight of Marcus's neatly organized rows of shirts and shoes greet me. Balancing the pan rather precariously on my hip, I dip the serving spoon into the chicken and mashed potatoes and scoop up as much as I can. Opening the pocket of Marcus's favorite Hugo Boss suit, I deposit the cold mash into it. To give the man credit where credit is due, his mash is very light and fluffy. I move along the row, garnishing each of his suits with some of his gourmet dish, and when I've done all of them, find that I still have some food remaining. Seems as if the lovers didn't have much of an appetite, after all. I move onto Marcus's shoes---rows and rows of lovely designer footwear---casual at one end, smart at the other. He has a shoe collection that far surpasses mine. Ted Baker, Paul Smith, Prada, Miu Miu, Tod's... I slot a full spoon delicately into each one, pressing it down into the toe area for maximum impact. I take the saucepan back into the kitchen and return it to the hob. With the way I'm feeling, Marcus is very lucky that I don't just burn his flat down. Instead, I open the freezer. My boyfriend---ex-boyfriend---has a love of seafood. (And other women, of course.) I take out a bag of frozen tiger prawns and rip it open. In the living room, I remove the cushions from the sofa and gently but firmly push a couple of handfuls of the prawns down the back. Through to the bedroom and I lift the mattress on Marcus's lovely leather bed and slip the remaining prawns beneath it, pressing them as flat as I can. In a couple of days, they should smell quite interesting. As my pièce de résistance, I go back to the kitchen and take the half-finished bottle of red wine---the one that I didn't even get a sniff at---and pour it all over Marcus's white, fluffy rug. I place my key in the middle of the spreading stain. Then I take out my lipstick, a nice red one called Bitter Scarlet---which is quite appropriate, if you ask me---and I write on his white leather sofa, in my best possible script: MARCUS CANNING, YOU ARE A CHEATING BASTARD.

Something amazing happens when we surrender and just love. We melt into another world, a realm of power already within us. The world changes when we change. The world softens when we soften. The world loves us when we choose to love the world. Surrender means the decision to stop fighting the world, and to start loving it instead. It is a gentle liberation from pain. But liberation isn’t about breaking out of anything; ‘it’s a gentle melting into who we really are.’ We let down our armor,

But that’s what people think when their loved ones die, isn’t it? They keep thinking it’s only temporary. That they’re gone, in the other room, maybe at work, or on vacation. That they’re just away and they’ll be back at some point. Maybe that’s how you get through death, by telling yourself your father will pick up the phone, and that if he doesn’t that he’ll call you back soon, and so in the back of your mind, at the back of your heart, you’re just waiting. Waiting for them to return and for life to go back to normal again. The idea that they’re never coming back is…it’s more than unbearable. It goes against everything you’ve ever known.

I met Mr. Persimmons in the village to-day," Mr. Batesby said to the Archdeacon. "He asked after you very pleasantly, although he's sent every day to inquire. It was he that saw you lying in the road, you know, and brought you here in his car. It must be a great thing for you to have a sympathetic neighbour at the big house; there's so often friction in these small parishes." "Yes," the Archdeacon said. "We had quite a long chat," the other went on. "He isn't exactly a Christian, unfortunately, but he has a great admiration for the Church. He thinks it's doing a wonderful work—especially in education. He takes a great interest in education; he calls it the star of the future. He thinks morals are more important than dogma, and of course I agree with him." "Did you say 'of course I agree' or 'of course I agreed'?" the Archdeacon asked. "Or both?" "I mean I thought the same thing," Mr. Batesby explained. He had noticed a certain denseness in the Archdeacon on other occasions. "Conduct is much the biggest thing in life, I feel. 'He can't be wrong whose life is for the best; we needs must love the higher when we see Him.' And he gave me five pounds towards the Sunday School Fund." "There isn't," the Archdeacon said, slightly roused, "a Sunday School Fund at Fardles." "Oh, well!" Mr. Batesby considered. "I daresay he'd be willing for it to go to almost anything active. He was very keen, and I agree—thought just the same, on getting things done. He thinks that the Church ought to be a means of progress. He quoted something about not going to sleep till we found a pleasant Jerusalem in the green land of England. I was greatly struck. An idealist, that's what I should call him. England needs idealists to-day." "I think we had better return the money," the Archdeacon said, "If he isn't a Christian—" "Oh, but he is," Mr. Batesby protested. "In effect, that is. He thinks Christ was the second greatest man the earth has produced." "Who was the first?" the Archdeacon asked. Mr. Batesby paused again for a moment. "Do you know, I forgot to ask?" he said. "But it shows a sympathetic spirit, doesn't it? After all, the second greatest! That goes a long way. Little children, love one another—if five pounds helps us to teach them that in the schools. I'm sure mine want a complete new set of Bible pictures." -Chap. VI The Sabbath

Of course, it would be a relief to step out of the nightmarish streets of Sarajevo and into the calm of her daughter’s Wiltshire village, but every instinct tells her to stay put. And it isn’t just the risk of redundancy and of their homes being taken that makes her want to remain. She loves Sarajevo. She knows all its alleys and courtyards, all its scents and sounds - the way the light falls at the end of their street in wintertime, the rattle of the tram, the blowsy roses that bloom each June in the mosque gardens, the plums and fogs in the autumn, the ponderous old men playing chess in the cafes, the mahalas - the old neighbourhoods - that radiate out from the centre like the spiral of a snail’s shell. In her twenties, when she returned home from her six years in Paris and Belgrade, she realised she couldn’t live anywhere else. And now, she wants to stay in the city she loves as it’s shaken, to see things through.

You’re right,” he said. “But it was difficult for me to realize that. I believed that I loved her unconditionally. When love is not returned, you have to learn to unlove the other person. The mind tells you that you’re not supposed to love them anymore, but the heart isn’t listening so easily.

Love isn’t always about falling in love with a person. Love is passing your final exams. Love is watching the sun come up between the clouds. Love is finding the light when you were in the dark. Love is when your favorite TV show returns. Love is when your dog tilts its head with confusion. Love is a free ice cream voucher left on your car windshield. Love is the leaves falling in the fall. Love is learning the constellations. Love is solving a ridiculous math problem. Love is the changing Starbucks menu for the seasons. Love is watching a child play in the sandbox. Love is warm clothes when they come out of the dryer. When you say you’ve given up on love, all you’re really saying is that you’ve closed your eyes. Open them.

Make sure you lend a hand to those who succor you, so when they brag about doing A, B, C, and D for you, you can proudly say you helped with E, F, G, and H in return. Some folks just offer help to keep score; their succor isn’t genuine.

Then love her. If the feeling isn’t there, that’s a good reason to love her.” “But how do you love when you don’t love?” “My friend, love is a verb. Love—the feeling—is a fruit of love, the verb. So love her. Serve her. Sacrifice. Listen to her. Empathize. Appreciate. Affirm her. Are you willing to do that?” *** In the great literature of all progressive societies, love is a verb. Reactive people make it a feeling. They’re driven by feelings. Hollywood has generally scripted us to believe that we are not responsible, that we are a product of our feelings. But the Hollywood script does not describe the reality. If our feelings control our actions, it is because we have abdicated our responsibility and empowered them to do so. Proactive people make love a verb. Love is something you do: the sacrifices you make, the giving of self, like a mother bringing a newborn into the world. If you want to study love, study those who sacrifice for others, even for people who offend or do not love in return. If you are a parent, look at the love you have for the children you sacrificed for. Love is a value that is actualized through loving actions. Proactive people subordinate feelings to values. Love, the feeling, can be recaptured. CIRCLE OF CONCERN/CIRCLE OF INFLUENCE Another excellent way to become more self-aware regarding our own degree of proactivity is to look at where we focus our time and energy.

For example, consider one of Intuit’s flagship products. Because TurboTax does most of its sales around tax season in the United States, it used to have an extremely conservative culture. Over the course of the year, the marketing and product teams would conceive one major initiative that would be rolled out just in time for tax season. Now they test over five hundred different changes in a two-and-a-half-month tax season. They’re running up to seventy different tests per week. The team can make a change live on its website on Thursday, run it over the weekend, read the results on Monday, and come to conclusions starting Tuesday; then they rebuild new tests on Thursday and launch the next set on Thursday night. As Scott put it, “Boy, the amount of learning they get is just immense now. And what it does is develop entrepreneurs, because when you have only one test, you don’t have entrepreneurs, you have politicians, because you have to sell. Out of a hundred good ideas, you’ve got to sell your idea. So you build up a society of politicians and salespeople. When you have five hundred tests you’re running, then everybody’s ideas can run. And then you create entrepreneurs who run and learn and can retest and relearn as opposed to a society of politicians. So we’re trying to drive that throughout our organization, using examples which have nothing to do with high tech, like the website example. Every business today has a website. You don’t have to be high tech to use fast-cycle testing.” This kind of change is hard. After all, the company has a significant number of existing customers who continue to demand exceptional service and investors who expect steady, growing returns. Scott says, It goes against the grain of what people have been taught in business and what leaders have been taught. The problem isn’t with the teams or the entrepreneurs. They love the chance to quickly get their baby out into the market. They love the chance to have the customer vote instead of the suits voting. The real issue is with the leaders and the middle managers. There are many business leaders who have been successful because of analysis. They think they’re analysts, and their job is to do great planning and analyzing and have a plan.

The intent of our spiritual practice isn't to escape life but to embrace it. The content of our spiritual experiences isn't disconnected from our everyday life; rather, it's vitally important to it. When we choose to integrate the wisdom we encounter through our spiritual practices, our lives are healed in a radical way. When individuals and communities of people deepen their direct experience of the spiritual nature of this universe, the world is transformed to reflect the qualities of those experiences: peace, connection, love, and cooperation. We begin to see that The Sacred is not a separate being; it is our own nature. We experience the "oneness" of all things.

We need to think of ways to creatively, lovingly meet their needs while still honoring God with appropriate boundaries on behaviors. This means speaking in a gentle voice, using soft eyes and loving words, and empathizing with their feelings first before going into how they should handle a similar moment in the future. If they’re not ready to talk right away, we may just need to sit nearby, waiting for calm to return, reminding them that they’re safe and we’re there. Calm isn’t always easy to find, for kids or for parents. It can be hugely challenging to regulate our own emotions in the thick of difficult parenting, and sometimes we may sound aggressive or unloving without even realizing it. I struggle to keep my cool when we’re running late and a child’s misbehavior derails my agenda. Realizing that’s a hard time for me has helped, but still I have to remind myself that the people in front of me are more important than the clock ticking on my wrist.

She eased the ring from her finger and extended it to him. The frown returned, settling between his brows like claw marks in the sand. “Meridith. Put it back.” She opened his hand and placed the ring on his palm, the certainty growing roots. She looked at his clean-shaven jaw, the short-clipped hair that wasn’t long enough for the wind to disturb, his high forehead and straight nose. She was trading stability for chaos. Security for ambiguity. Predictability for uncertainty. In some ways, it would be her childhood all over again. But this time she was in charge. She was the one calling the shots. She was no helpless little girl swinging by the tail end of her mother’s illness. Even if he agreed in the end, what kind of father would he be if he didn’t want the children? She wouldn’t do that to her siblings. They deserved far more. “It’s over, Stephen.” “You don’t mean that.” He took her hand. “We’re perfect for each other, you’ve said it yourself a hundred times.” She had said it, believed it. She wondered now if it was true. She couldn’t deny the feelings that had sprung up for Jake, who was not at all what she needed, not at all the man for her. Still, if she truly loved Stephen, those feelings wouldn’t be there. “My future includes Noelle and Max and Ben. Things have changed since I agreed to marry you, and I’m doing what’s right for these kids. I have to do what’s best for them. That’s my reality, but it doesn’t have to be yours. I understand it’s not what you want.” His jaw twitched. “It’s that contractor, isn’t it?” “No.” “I saw the way he looked at you.” The comment sent a pleasant warmth flooding through her. “This is between us, Stephen. My future’s taken an unexpected turn. I can’t leave the kids, and you can’t accept them. There’s nothing to do now but say it’s over.” “Meridith . . .” His eyes pled, turned glossy. She’d never seen him get emotional, not even when his grandfather passed away last November. She

Her emotional world was simple: If you love with all your might and take care of the other, he or she will do the same in return. How disappointing it is when we realise the world isn’t that way.

When they got back to town the hunters had returned and Mel was delighted to see no evidence of murdered wildlife in the truck beds or tied to roofs. But her elation was short-lived, because once inside the bar she learned that they had bagged two bucks, four-by-fours, both of which had already been taken to the meat processor to be butchered. “Oh,” she whined emotionally. “Who did it?” Jack looked at his feet. But he made an attempt. “I think Ricky did it.” Mel met Rick’s eyes and the boy put up two hands, palms toward her. It wasn’t him. Mel leaned against her husband and, unbelievably, started to cry. Jack shook his head, put an arm around her and led her away from the gathering, back toward the kitchen. As he did so, David was bouncing up and down on Mel’s hip, waving his arms wildly and reaching for his dad. “Melinda,” Jack said. “You knew we were going hunting. We didn’t torture the deer. We’re going to have venison.” “I hate it,” she sniveled. “I know you hate it, but it’s not a cruel thing. It’s probably more humane than the way cattle are slaughtered.” “Don’t try to make me feel better about this.” “Jesus, I wouldn’t dare,” he said. “What’s wrong with you?” “I don’t know,” she whimpered. “I’m weepy.” “No shit. Here, let me have him. He’s out of his mind.” “Sugar,” she said. “I should go nurse him.” “He’s going to be riding his bike up to the breast before long.” “He doesn’t want to give it up.” “Understandable. But you’re worn out. Maybe you should go home and go to bed.” “I don’t sleep till he sleeps. And he isn’t going to sleep until he detoxes.” “All right,” Jack said, taking his son. “Go cry or wash your face or nap or something. I’ll hang on to the wild one until he calms down a little.” He kissed her forehead. “This really isn’t like you. Not even over deer.” “By the way, you smell really bad,” she said. “Thank you, my love. You smell really good. I’ll wash this off before I smell the rest of you, how’s that?” She

There’s something else, too, Miss Emmie.” Stevens had gone bashful now, and Emmie was intrigued. “Here.” Stevens beckoned her to follow him out the back of the stables, to where a separate entrance led to a roomy foaling stall. “He said you needed summat other’n t’mule, and you’re to limber her up, as Miss Winnie will be getting a pony soon.” A sturdy dapple-gray mare stood regarding Emmie from over a pile of hay. She turned a soft eye on Emmie and came over to the half door to greet her visitors. “Oh, Stevens.” Emmie’s eyes teared up again. “She is so pretty… so pretty.” “He left ye a message.” Stevens disappeared back into the barn and came out with a sealed envelope. “I can tack her up if ye like.” Emmie tore open the envelope with shaking fingers. How dare he be so thoughtful and generous and kind? Oh, how dare he… She couldn’t keep the horse, of course; it would not be in the least proper, but dear Lord, the animal was lovely… My dear Miss Farnum, Her name is Petunia, and she is yours. I have taken myself to points distant, so by the time I return, you will have fallen in love with her, and I will be spared your arguments and remonstrations. She is as trustworthy and reliable a lady as I have met outside your kitchen, and at five years of age, has plenty of service yet to give. Bothwell has been alerted you will be joining him on his rides, should it please you to do so. And if you are still determined not to keep the horse, dear lady, then consider her my attempt at consolation to you for inflicting Scout on the household in my absence. St. Just He’d drawn a sketch in the corner of Scout, huge paws splayed, tongue hanging, his expression bewildered, and broken crockery scattered in every direction. The little cartoon made Emmie smile through her tears even as Winnie tugged Scout out behind the stables to track Emmie down. “Are you crying, Miss Emmie?” Winnie picked up Emmie’s hand. “You mustn’t be sad, as we have Scout now to protect us and keep us company.” “It isn’t Scout, Winnie.” Emmie waved a hand toward the stall where Petunia was still hanging her head over the door, placidly watching the passing scene. “Oh.” Winnie’s eyes went round. “There’s a new horse, Scout.” She picked up her puppy and brought him over to the horse. The mare sniffed at the dog delicately, then at the child, then picked up another mouthful of hay. “Her name’s Petunia,” Emmie said, finding her handkerchief. “The earl brought her from York so I can ride out with the vicar.” “She’s very pretty,” Winnie said, stroking the velvety gray nose. “And not too big.” The mare was fairly good size, at least sixteen and a half hands, and much too big for Winnie. “Maybe once I get used to her, I can take you up with me, Winnie. Would you like that?” “Would I?” Winnie squealed, setting the dog down. “Did you hear that, Scout? Miss Emmie says we can go for a ride. Oh… We must write to the earl and thank him, Miss Emmie, and I must tell Rose I have a puppy, too. I can knight Scout, can’t I?” “Of course you may,” Emmie said, reaching for Winnie’s hand. “Though you must know knights would never deign to be seen in the castle kitchens, except perhaps in the dead of winter, when it’s too cold to go charging about the kingdom.” “Did knights sleep in beds?” “Scout can stay with Stevens above the carriage house when you have repaired to your princess tower for your beauty sleep.” “I’ll ask Scout.” It

And a month from now, I would wake up knowing that sleeping with someone you love is a terrible thing to do when that love isn’t returned.

She eyed him. “What does that mean?” “You know exactly what it means, McKenna. Women who take on the world and never back down. Women whose hearts have so much love, they give even when that love isn’t returned.” He was reminded of what he had in his vest pocket for her—the thank-you gift for his saddle. The gift had since turned into the peace offering for missing dinner that night, and now represented so much more . . . Now that he knew how much she cared for him. Even though she might not be able to voice it, or even want to admit it to herself. But he would forever remember the moment she looked up outside the doc’s office, thinking he was dead, and found him alive. The timing hadn’t felt right to give it to her then, but it did now. He reached into his pocket. “I’m talking about a woman who faces life with a courage and a persistence that astounds me. Who has endured so much difficulty in her life and yet keeps pushing on with stubborn grace, step-after-step, day-after-day.” He softened his voice. “A woman who, at first, didn’t trust me.” He touched the side of her face. “But a woman who might just be beginning to trust.” Tears glistened in her eyes. “And who makes this man want to spend the rest of his life proving to her that she can.” He held out the box. “Not to mention a woman who makes the best saddles in all the western territory.” Her eyes widened. “You know?” Oh how he wanted to kiss her. And if he was reading her right, she was more than open to the idea. “What did I tell you about looking at a man that way when he couldn’t do anything about it?” She grinned, and he pulled her to him and kissed her. He’d meant for their first kiss to be more tender, slow and gentle, but the way her arms came around him, pulling him closer, the way she responded, deepening the kiss, drove the desire inside him. Their bodies touching, he memorized the curves of her waist, the small of her back, how she felt pressed up against him. The warmth of her hand as she cradled the back of his neck encouraged him further— Remembering where they were, Wyatt drew back. “McKenna!” he whispered. Her eyes were still closed, her lips parted. She was wearing a purple dress today, one he hadn’t seen before. But he liked it, very much. Especially on her. It buttoned up the front, and the lacey curve of the bodice revealed her neckline. The dress wasn’t at all improper, but the thoughts he was having about her right now bordered on being just that. She blinked. “Y-yes?” He smiled and ran a finger over her mouth, and put more distance between them. “You need to open your gift.” She gave him an intimate look. “I thought I already had.” Oh this woman . . . It was a good thing they were in church. She opened the box in her hand, and giggled. He didn’t mind in the least. He’d had about the same reaction when he’d first seen it. The woman in the store in Denver had called it a charm bracelet. But it was the tiny saddle hanging off it—among other miniature trinkets—that had gained his attention. She held up the bracelet and fingered each tiny charm. “I love it! Thank you, Wyatt.

I uh ... think I'd better go," Juliet said. "A pity, that."  He lifted the glass to his lips, his eyes watching her from above its rim. "I cannot talk you into staying, then?" "No. But I'll come back later if you like. Maybe I can bring your supper up to you or something...." "Would you? I would like that. In fact, I would like that very much indeed. Otherwise boredom will force me to read those silly letters, and I confess, Miss Paige, that I would much rather spend the time with you."  He grinned. "And Charlotte, if you will bring her." "I will bring her." "Good. I am looking forward to getting to know both my niece and her lovely mama. When you return, I want to hear all about America, your sea-crossing, everything. And I want a full report on how — Oh, dear —"  He suddenly started and blinked several times in rapid succession, as though the whiskey had just caught him very much by surprise (which in itself was no surprise, Juliet thought, given the amount he had downed and the speed with which he had consumed it). He shook his head, slowly, and tipped it back against the pillows with an apologetic little smile. "That is to say, I want a full report on how Lucien is treating you." "You shall have it then, Lord Gareth."  She plucked the empty glass from his hand and placed it back on the table. "But for now, I think you had better rest." "Yes ... I fear I have no choice about that, given the way those spirits have just hit me!  I am sorry, Miss Paige; I have no wish to be rude, it usually takes much more than three glasses to get me to this state ... but oh, isn't it strange, how the loss of a little blood seems to carry a man's vitality off with it, as well...." "I wouldn't know."  She smiled and moved forward to gently pull the sheet up over his chest. He looked up at her through his lashes and gave her a slow, sleepy smile, content to let her fuss over him, grateful for the attention, a man completely at ease in the company of a woman. "Thank you," he murmured, smiling as he let his eyes drift shut. "I think I shall enjoy ... my dreams." She

It’s beautiful, isn’t it?” he said. “I’m glad we got the chance to see it.” “It reminds me of the country. Of home.” He heard the wistful note in her voice. “Gwen misses it, too. She wishes you could all be home for Christmas at Easton Manner.” He turned toward her, leaning against the window frame. She’d never really noticed it before, but his shoulders were quite nicely broad. “Is that what you’d like for Christmas too, Amelia? To be home with your family?” She thought for a moment, then decided to tell the truth. “No, I would like not to have to marry Lord Broadmore.” The sudden intensity in Nigel’s gaze set her already pounding heart tripping over itself. “Then why should you?” he asked in a low voice. She returned her gaze to the snowy square, avoiding his eye. “I suspect you already know the answer—my unfortunate reputation. Besides, my parents approve of Broadmore and are eager to see us married. In their eyes, he will make the perfect husband.” His hand came to her arm and gently turned her to face him. “Amelia, no true friend would think less of you for ending your previous engagements. They were simply mistakes you learned from.” “I’ve been called a heartless jilt by more than one person, you know,” she said, trying to make a joke of a label that had wounded her deeply. “They were wrong,” he said, looking stern. “But tell me why your parents are so eager for you to marry Broadmore. We both know he’s an unrepentant ass.” His blunt speech surprised a laugh out of her. “True, but an ass with a title and several magnificent estates. Papa is determined that I marry as well as possible.” She grimaced. “He says a girl of my looks and fortune deserves the very best.” Nigel smiled. “Your father is correct, but not for those reasons. You do have a very pretty face and your fortune is enviable, but those are not the best part of you.” She had to force the words from her tight throat. “What is?” He took her hand, intertwining their fingers. The breath whooshed out of her lungs and she clutched his hand in a convulsive grip. “It’s your heart, Amelia. Your lovely, kind heart,” he said with a smile that melted her from the inside out. “And now that you’ve told me what you don’t want for Christmas, tell me what you do want.” When Amelia thought of all the obstacles facing them, her courage almost failed. But it was Christmas, the time for wishes and dreams to come true. “I want to marry a kind, loving man who will be a good husband and father. A man who will see me as I truly am, and not as a decorative knick-knack and a means for plumping up his bank account.” Nigel gently cupped her chin with his free hand. “My sweet girl that is only what you deserve.” She stared at him, mesmerized. “And what do you want for Christmas, Mr. Dash?” she finally whispered. His lips parted in a devastatingly tender smile. “A kiss, Amelia. One kiss for Christmas.” She felt her mouth curl up in a silly grin. “Only one?” He let out a husky laugh. “To start.” Then he bent and gently, carefully—as if he didn’t want to frighten her—brushed a kiss across her lips.

Caleb had taken his son out of the room to be bathed, and when he returned carrying the squalling bundle his face glowed with delight. “He’s mad as hell, isn’t he?” Lily smiled despite her weariness. “You would be, too, if you’d just been through a birthing.” Caleb kissed her forehead and laid the baby beside her on the bed. “I love you, Mrs. Halliday,” he said, “but I think maybe we’d better stop with Joss here.” Lily shook her head resolutely. “Oh, no. I want more children, and I’ll have them. Doc Lindsay may be an old sawbones, but I think he could handle the task of delivering me of a few more babies like this one.” Little Joss was still howling, so Lily picked him up and put him to her breast. Even though her milk wasn’t in yet, he seemed to be comforted just by suckling, and Lily smiled at that. He was just like his father. As

So, what did you tell him?” “I . . . I told him that I . . . I was fond of him, but I saw . . . no future in romance between us,” she coughed out.  “That my heart was not invested in him.” “Well, that might explain his sudden departure,” I agreed, a few things from our brief, tense conversation becoming clearer.  “You do realize that he would have quit Sevendor long ago, if he had not held out hope for your heart?” “That’s what he said!” she almost screamed.  “In fact,” I continued, apologetically, “he put himself in grave danger last summer, helping Tyndal and Rondal in Enultramar, purely in an effort to attract your attention.” “I never asked him to do that!” she fumed. “Of course you didn’t.  But that attempt . . . failed,” I said, as objectively as possible.  “I’m sure the boy wanted the assurance that his efforts were not in vain before he made any further decisions.”  I knew it was small comfort to my sobbing apprentice, but she needed to understand the truth.  “When you did not return his affections after all he has done to impress you, and you told him in certain terms that it was a fruitless endeavor, what did you expect him to do?” “No just pack up and leave! He won’t respond to me, mind-to-mind, and I have no idea where he is!” “He’s the one who figured out how to use the Alkan Ways, on his own,” I reminded her.  “I doubt he’s lingering near Sevendor.  Or even in the Riverlands.” “So where did he go?  I need to talk to him!” “And say what?” I asked.  “That you’ve changed your mind?  That you’ve found love in your heart in his absence that his presence could not produce?” I suggested. “That he doesn’t have to run away from me, just because I’m not in love with him!” “Clearly, he feels differently about that,” I pointed out.  “Asking a man with a broken heart to be proximate to the one who broke it . . . that seems a cruel request, Dara.” “But I didn’t mean to break his heart!  Now everyone thinks I drove him away!  Banamor is pissed with me, Sire Cei isn’t happy that he’s lost one of his best aides, and the enchanters in town all hate me!  Nattia isn’t even speaking to me!  She thinks I was unfair to him!” “You may not have meant to do it, but it is done.  Gareth is a very, very smart man, Dara.  He’s one of the most intuitive thaumaturges I know, and a brilliant enchanter.  He’s as determined as Azar when it comes to achieving what he wants.  And when he learns that what he wants he cannot have, he's smart enough to know that lingering in your shadow, pining for what cannot be, is a torture he cannot bear.” “But I hold his friendship in the highest esteem!” she protested.  “He was instrumental in the hawk project!  He’s been a constant help to me, and come to my aid faithfully!” “Did you think he did that out of the goodness of his heart?” I felt compelled to ask.  “Oh, he’s a wholesome and worthy lad, don’t mistake me.  But if you don’t return his affections, then continuing to be at your call is . . . well, it’s humiliating, Dara.  Especially when you have other suitors you hold in more favor, nearby.

Life doesn't end when the story you were writing together becomes a solo narrative. That’s when better things fall into place. Life doesn't end when you have to tear down everything you’ve built and start over. That’s when better things fall into place. Life doesn't end when the person who swore they’d never hurt you becomes your deepest wound. That’s when better things fall into place. Life doesn’t end when you have to let go of what you thought you couldn’t live without. That’s when better things fall into place. Life doesn’t end when the person you once called your soulmate becomes a lesson. That’s when better things fall into place. Life doesn’t end when the future you planned gets rewritten. That’s when better things fall into place. Life doesn't end when the person who vowed to stay becomes a ghost. That’s when better things fall into place. Life doesn’t end when the love you poured into someone isn’t returned. That’s when better things fall into place. Life doesn’t end when what you thought was your destination turns out to be a detour. That’s when better things fall into place.

I don’t know if there is a right and wrong way to grieve. I just know that losing you has gutted me in a way I honestly didn’t think was possible. I’ve felt pain I didn’t think was human. At times, it has made me lose my mind. (Let’s just say that I went a little crazy up on our roof.) At times, it has nearly broken me. And I’m happy to say that now is a time when your memory brings me so much joy that just thinking of you brings a smile to my face. I’m also happy to say that I’m stronger than I ever knew. I have found meaning in life that I never would have guessed. And now I’m surprising myself once again by realizing that I am ready to move forward. I once thought grief was chronic, that all you could do was appreciate the good days and take them along with the bad. And then I started to think that maybe the good days aren’t just days; maybe the good days can be good weeks, good months, good years. Now I wonder if grief isn’t something like a shell. You wear it for a long time and then one day you realize you’ve outgrown it. So you put it down. It doesn’t mean that I want to let go of the memories of you or the love I have for you. But it does mean that I want to let go of the sadness. I won’t ever forget you, Jesse. I don’t want to and I don’t think I’m capable of it. But I do think I can put the pain down. I think I can leave it on the ground and walk away, only coming back to visit every once in a while, no longer carrying it with me. Not only do I think I can do that, but I think I need to. I will carry you in my heart always, but I cannot carry your loss on my back anymore. If I do, I’ll never find any new joy for myself. I will crumble under the weight of your memory. I have to look forward, into a future where you cannot be. Instead of back, to a past filled with what we had. I have to let you go and I have to ask you to let me go. I truly believe that if I work hard, I can have the sort of life for myself that you always wanted for me. A happy life. A satisfied life. Where I am loved and I love in return. I need your permission to find room to love someone else. I’m so sorry that we never got the future we talked about. Our life together would have been grand. But I’m going out into the world with an open heart now. And I’m going to go wherever life takes me. I hope you know how beautiful and freeing it was to love you when you were here.

I know damn well that raising children is never easy. I know there will be lots of long nights when I’ll have to stay awake worrying, lots of mistakes that I will make on the path and even some disappointments that I will have to live with as they make a few of their own mistakes. I know that sometimes they will shout at me in anger, that sometimes they will think I’m an old fart or an idiot who doesn’t know much and is not fit for their new world, and in that judgement, they will be spot on. I will never match their intelligence, knowledge or speed. Just as every father dreams for his children to do better than he has, they will surpass me. Their successes will dwarf mine and they will blaze forward to do much bigger and better things as they prove they are better than me, and my ego will not be hurt. Instead, I will watch in awe and be full of pride as they fix the mistakes of my generation. I will love them through it all as a good father loves his smelly, noisy, expensive, freedom-limiting, commitment-bringing, defiance-prone, respect-deficient, purpose-defining children. I will love them with no expectations of return but with one hope – that they will grow up to be the best and happiest they can ever be and that – well, that they will love me back, because isn’t that what it’s all about? One hug or one silly mug that says ‘The World’s Best Father’ after all those years. That would be awesome. It would be all that I hope for. That would make my whole life worth living. And like a good parent, I will love all my children equally

Parker’s eyebrows dip, but his gaze slides back up to mine. “To love someone that much.” My heart seizes, my eyes stinging with fresh tears. I’m forced to look away as I pull my lips between my teeth, holding back another mournful cry. “Sorry. You should go dance now.” Swallowing, I glance back up at Parker, who has returned his attention to the lake. He teeters on the balls of his feet, his jaw clenching. I’m startled by his words as the chilly water laps at my toes—he’s never apologized for anything before, but he apologizes for this. For his brush with vulnerability, his tender curiosity. That’s nothing to be sorry for. “It felt like completion,” I tell him, explaining it the only way that makes sense. “It felt like a pinnacle. Like everything in your life has come full circle, and this person is the culmination of every dream, every plea, every dandelion wish. “And when your dreams dissolve, and the wishes scatter, it’s hard to find joy in anything else. How can you ever obtain completion again when you’re missing the biggest piece?” A ragged sigh escapes me, and I watch the emotions play across his face, a melancholy reflection pulling at his features. “I have to believe there’s still joy in the journey—this new journey —and that life isn’t all about the finished puzzle. There’s just as much fulfillment in putting it together.

The ocean is much like life, ever-changing and unpredictable. I’ve always found that to be the beauty behind it, but lately, I wonder if that’s true. Where is the beauty in the possibility of a hurricane with the power to destroy everything in its path, both memories of the past and forecasts of the future? Isn’t that why we return to places we love? For the peace it offers and the memories it brings? What happens when that’s washed away, and there’s nothing to look back on? How are you supposed to move forward knowing that?

1. A Rich Life means you can spend extravagantly on the things you love as long as you cut costs mercilessly on the things you don’t. 2. Focus on the Big Wins—the five to ten things that get you disproportionate results, including automating your savings and investing, finding a job you love, and negotiating your salary. Get the Big Wins right and you can order as many lattes as you want. 3. Investing should be very boring—and very profitable—over the long term. I get more excited eating tacos than checking my investment returns. 4. There’s a limit to how much you can cut, but no limit to how much you can earn. I have readers who earn $50,000/year and ones who earn $750,000/year. They both buy the same loaves of bread. Controlling spending is important, but your earnings become super-linear. 5. Your friends and family will have lots of “tips” once you begin your financial journey. Listen politely, then stick to the program. 6. Build a collection of “spending frameworks” to use when deciding on buying something. Most people default to restrictive rules (“I need to cut back on eating out . . .”), but you can flip it and decide what you’ll always spend on, like my book-buying rule: If you’re thinking about buying a book, just buy it. Don’t waste even five seconds debating it. Applying even one new idea from a book is worth it. (Like this one.) 7. Beware of the endless search for “advanced” tips. So many people seek out high-level answers to avoid the real, hard work of improving step by step. It’s easier to dream about winning the Boston Marathon than to go out for a ten-minute jog every morning. Sometimes the most advanced thing you can do is the basics, consistently. 8. You’re in control. This isn’t a Disney movie and nobody’s coming to rescue you. Fortunately, you can take control of your finances and build your Rich Life. 9. Part of creating your Rich Life is the willingness to be unapologetically different. Once money isn’t a primary constraint, you’ll have the freedom to design your own Rich Life, which will almost certainly be different from the average person’s. Embrace it. This is the fun part! 10. Live life outside the spreadsheet. Once you automate your money using the system in this book, you’ll see that the most important part of a Rich Life is outside the spreadsheet—it involves relationships, new experiences, and giving back. You earned it.

[When women] love, they love quietly; they speak, as it were, in whispers, and we have to listen carefully, attentively, to hear their words of love and to know them. Isn’t God also this way? Doesn’t he intervene in most of our lives in whispers, which we miss if we fail to recollect ourselves and pay careful attention — if we do not constantly strive to hear those whispers of divine love? The virtues necessary in truly loving a woman and having that love returned — the virtues of listening, patience, humility, service, and faithful love — are the very virtues necessary for us to love God and to feel his love returned.

Our Dutch hostess—or rather, the woman we are hoping will host us once we show up on her doorstep—is known to everyone but me. And though I had been warned about Johanna Hoffman’s friendliness and large dogs, there is no way to be truly prepared for either. When the door to her canal house opens, three dogs that look as though they each weigh more than I do spill out, followed by a plump, bright-faced woman in a pink dress that matches the bows around each dog’s neck. When she sees Felicity, she screams. In spite of not having anything in her hands, I swear she somehow still drops a vase. She throws her arms around Felicity, squeezing her so hard she nearly lifts her off the ground. “Felicity Montague, I thought you were dead!” “Not dead,” Felicity says. One of the dogs tries to wedge itself between the two of them, tail wagging so furiously it makes a thumping drumbeat against the door frame. A second snuffles its nose against my palm, trying to flip my hand onto the top of its head in an encouragement to pet. “It’s been years. Years, Felicity, I haven’t heard from you in years.” She takes Felicity’s face in her hands and presses their foreheads together. “Hardly a word since you left! What on earth are you doing here? I can’t believe it!” She releases Felicity just long enough to turn to Monty and throw open her arms to him. “And Harold!” “Henry,” he corrects, the end coming out in a wheeze as she wraps him in a rib-crushing hug. The dog gives up nudging my hand and instead mashes its face into my thigh, leaving a trail of spittle on my trousers. “Of course, Henry!” She lets go of him, turns to me, and says with just as much enthusiasm, “And I don’t know who you are!” And then I too am being hugged. She smells of honey and lavender, which makes the embrace feel like being wrapped in a loaf of warm bread. “This is Adrian,” Felicity says. “Adrian!” Johanna cries. One of the dogs lets out a long woof in harmony and the others take up the call, an off-key, enthusiastic chorus. She releases me, then turns to Felicity again, but Felicity holds up a preemptive hand. “All right, that’s enough. No more hugs.” She brushes an astonishing amount of dog hair off the front of her skirt, then says brusquely, “It’s good to see you, Johanna.” In return, Johanna smacks her on the shoulder. “You tell me you’re going to Rabat with some scholar and then you never come back and I never hear a single word! Why didn’t you write? Come inside, come on, push the dogs out the way, they won’t bite.” As we follow her into the hallway and then the parlor, she’s speaking so fast I can hardly understand her. “Where are you staying? Wherever it is, cancel it; let me put you up here. Was your luggage sent somewhere? I can have one of my staff collect it. We have plenty of room, and I can make up the parlor for you, Harry—” “Henry,” Monty corrects, then corrects himself. “Monty, Jo, I’ve told you to call me Monty.” She waves that away. “I know but it always feels so terribly glib! You were nearly a lord! But I’m happy to set you up down here so you needn’t navigate the stairs on your leg—gosh, what have you done to it? Your lovely Percy isn’t here, is he? Though we’ll have to do something so the dogs don’t jump on you in the night. They usually sleep with Jan and me, but they get squirrely when we have company. One of Jan’s brokers from Antwerp stayed with us last week and he swears he locked the bedroom door, but somehow Seymour still jumped on top of him in the middle of the night. Poor man thought he was being murdered in his bed. Please sit down—the dogs will move if you crowd them.

There are girls who do not like real life. When they hear the harsh belches of its engines approaching along the straight road that leads from childhood, through adolescence to adultery, they dart into a side turning. When they take their hands away from their eyes, they find themselves in the gallery of the ballet. There they sit for many years feeding their imaginations on those fitful glimpses of a dancer's hand or foot which seats in the upper parts of theatres afford. When I was young I too 'adored' the ballet. For me its charm was that one of the dancers might break his neck, but what appeals to these girls is the moonlit atmosphere of love and death which the withering hand of truth can never compromise. During the intervals they hold hands, numbed by excessive applause, with the homosexual young man who is bound to be sitting on their right or left. Even the boys, who have no positive intention of deceiving them, are drawn into a relationship damaging to the girls. After a lot of squeaking at the bus stop when the ballet is over, the young men pursue on the way home other interests, which at least yield a morsel of satisfaction. The girls can do nothing but return to their joss-stick-perfumed nunneries. From this position there is no way back. They can only stay where they are until, in middle age, they awaken to the realization that they don't know a single person who isn't queer. Then they move on to the uncharted quicksands of nudism, Yoga, vegetarianism and other diseases of the soul too terrible to name.

Of course, your parents can’t protect you from everything out there, but when members of your own family are abusive, negligent, exploitative, domineering, reckless, or emotionally immature, it’s quite easy for a safety wound to be born. You know that saying “Home is where the heart is”? Well, that’s not true for everyone. Home isn’t a place that everyone wants to return to. Sometimes home is where the unpredictability is. Sometimes home is where the chaos is. And sometimes home is where the abuse is.

I like pleasures when they are shared, that is my definition of luxury. Appetizing but not edible. Edible smells are lazy, something appetizing is exciting. "Appetizing" is a word sufficiently evocative to be turned into a smell. Tocqueville anticipated the fact that, in a democracy, society would tend towards unified tastes. trend may be the price we have to pay for democracy. For Kant, beauty could exist only outside usefulness. A people that listens to jazz is a people that favors human exchange. Green is the only color that makes sense as a smell. Learning a language or any other thing, means opening yourself up to the world once more; it is also a return to humility. I envy the emotion an enthusiast experiences when he smells a perfume for the first time, using words of love that I wish I could come up with again. In Chinese or Japanese culture, perfection exists, it is also a goal to aim for, but the aspiration isn't unattainable and isn't tainted by a sense of guilt. I believe that the best way to develop creativity is to work alone and without evaluation, which does not mean without any dialogue. The majority of ideas are the fruit of assiduous, day-to-day work, sometimes the result of meeting people, country walks, idle strolls, things I have read, moments when my mind is free to roam. My moleskine notebook, in which I jot down ideas, words and the beginning of formulae, is always close at hand. I experience solitude as a freedom I have chosen.

Of course, battling past the ego to get to the truth has been at the heart of countless spiritual teachings in countless countries for countless centuries. Ego-death as a means to no-self—abiding non-dual awareness—is what this journey is all about. That’s the reason behind the devotion, the prayer, the meditation, the teachings, the renunciation. Anyone headed for truth is going to get there over the ego’s dead body or not at all. There’s no shortcut or easy way, no going under or around. The only way past ego is through it, and the only way through it is with laser-like intent and a heart of stone. The caterpillar doesn’t become a butterfly, it enters a death process that becomes the birth process of the butterfly. The appearance of transformation is an illusion. One thing doesn’t become another thing. One thing ends and another begins And why do so few succeed in this greatest of all journeys? For the simple reason that success, within the context of the dream, is pointless, whereas failure, or, at least, struggle, is very much to the point. Chasing enlightenment holds as many lessons for the unawakened soul as any other pursuit in the dreamscape of ego-bound reality; as any other ride in the park. The supposed mega-bliss of spiritual awakening is a carrot dangling from a stick no less than love or wealth or power. In other words, actual enlightenment is seldom the point of the quest for enlightenment. And why should it be? Success in realizing one’s true nature is absolutely assured because, well, because it’s one’s true nature. The greatest wonder isn’t that you’ll make it back, it’s that you made it away. Returning is the motion of the Tao. Struggling to achieve truth is, in its own way, as preposterous as struggling to achieve death. What’s the point? Both will find you when it’s time. Should we worry that if we fail to find death, death will fail to find us? Of course not, and neither death, nor taxes, nor gravity, nor tomorrow’s sunrise is as certain as the fact that everyone will end up fully “enlightened” regardless of the “path” they take. So, if I have to be interested in something, this seems like a good choice; watching the homeward migration of souls. And if I have to have a job, this seems like a good one; standing on the distant shore, keeping a beacon fire burning, helping newcomers ashore, offering a welcome and pointing out some of the sights.

1. After dark, stars glisten like ice, and the distance they span Hides something elemental. Not God, exactly. More like Some thin-hipped glittering Bowie-being—a Starman Or cosmic ace hovering, swaying, aching to make us see. And what would we do, you and I, if we could know for sure That someone was there squinting through the dust, Saying nothing is lost, that everything lives on waiting only To be wanted back badly enough? Would you go then, Even for a few nights, into that other life where you And that first she loved, blind to the future once, and happy? Would I put on my coat and return to the kitchen where my Mother and father sit waiting, dinner keeping warm on the stove? Bowie will never die. Nothing will come for him in his sleep Or charging through his veins. And he’ll never grow old, Just like the woman you lost, who will always be dark-haired And flush-faced, running toward an electronic screen That clocks the minutes, the miles left to go. Just like the life In which I’m forever a child looking out my window at the night sky Thinking one day I’ll touch the world with bare hands Even if it burns. 2. He leaves no tracks. Slips past, quick as a cat. That’s Bowie For you: the Pope of Pop, coy as Christ. Like a play Within a play, he’s trademarked twice. The hours Plink past like water from a window A/C. We sweat it out, Teach ourselves to wait. Silently, lazily, collapse happens. But not for Bowie. He cocks his head, grins that wicked grin. Time never stops, but does it end? And how many lives Before take-off, before we find ourselves Beyond ourselves, all glam-glow, all twinkle and gold? The future isn’t what it used to be. Even Bowie thirsts For something good and cold. Jets blink across the sky Like migratory souls. 3. Bowie is among us. Right here In New York City. In a baseball cap And expensive jeans. Ducking into A deli. Flashing all those teeth At the doorman on his way back up. Or he’s hailing a taxi on Lafayette As the sky clouds over at dusk. He’s in no rush. Doesn’t feel The way you’d think he feels. Doesn’t strut or gloat. Tells jokes. I’ve lived here all these years And never seen him. Like not knowing A comet from a shooting star. But I’ll bet he burns bright, Dragging a tail of white-hot matter The way some of us track tissue Back from the toilet stall. He’s got The whole world under his foot, And we are small alongside, Though there are occasions When a man his size can meet Your eyes for just a blip of time And send a thought like SHINE SHINE SHINE SHINE SHINE Straight to your mind. Bowie, I want to believe you. Want to feel Your will like the wind before rain. The kind everything simply obeys, Swept up in that hypnotic dance As if something with the power to do so Had looked its way and said: Go ahead.