Gabriel Movie Quotes

We've searched our database for all the quotes and captions related to Gabriel Movie. Here they are! All 15 of them:

You know what would be really nice right now? Coffee. I'd really go for some coffee." Just the idea made her salivate. He scowled. "How can you think about coffee right now?" "I don't know. Maybe caffeine is how I cope." She thought for a moment. "Although usually I'm a crier. Are you a crier?" "No." "Not even sad movies or weddings?" "No." "What about commercials with little puppies that need a home?" He blinked. "Please stop talking." "Hmm," she said slowly. "Maybe talking is how I cope." Her hands started falling asleep. "You know what else would be really nice right now?" "An off button?
Chelsea Fine (Avow (The Archers of Avalon, #3))
We finally settled on Francis Ford Coppola's version of Dracula, which, unfortunately, Gabriel seemed to think was a comedy. I think it was the combination of Keanu Reeves's British accent and Gary Oldman's elderly Count Dracula hairstyle. They're just misleading.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
With that discouraging explanation many felt that they had been the victims of some new and showy gypsy business and they decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings.
Gabriel García Márquez (One Hundred Years of Solitude)
Optaron por no volver al cine, considerando que ya tenían bastante con sus propias penas para llorar por fingidas desventuras de seres imaginarios.
Gabriel García Márquez (Cien años de soledad 50 Aniversario)
Unbelievable,” Audrey’s voice squeaked as I pushed past her. “Here we are, talking to you about your freaky little-boy encounter back in Breaux Bridge and how your caramel macchiato tasted like cardboard, and boom! You just zone out like one of the kids from Children of the Corn.” “Um, Aud, babe … I don’t think those kids zone out. They’re just freaky twenty-four-seven. It’s a year-round thing.” Gabe’s response drew a half-hearted laugh from me, but it was quickly reined in when I reached the Book of the Ancients. “Whatever, Gabriel,” Audrey said to him. “My point is, it’s freaky, okay? She gets this glazed-over look in her eyes, like she’s gonna whip out a butcher knife and go all Michael Myers on us or something.” I glanced over my shoulder to cock an eyebrow at her. “Oh, now you pay attention.” She cocked an eyebrow back. “What is it with you and the cheesy horror-movie references?” Gabe muttered. “Hey, now. Halloween is a classic,” Gavin scolded him. “Don’t go hating on the classics.
Rachael Wade (The Tragedy of Knowledge (Resistance, #3))
A related model to watch out for is the hydra effect, named after the Lernaean Hydra, a beast from Greek mythology that grows two heads for each one that is cut off. When you arrest one drug dealer, they are quickly replaced by another who steps in to meet the demand. When you shut down an internet site where people share illegal movies or music, more pop up in its place. Regime change in a country can result in an even worse regime.
Gabriel Weinberg (Super Thinking: The Big Book of Mental Models)
They became indignant over the living images that the preposterous merchant Bruno Crespi projected in the theater with the lion-head ticket windows, for a character who had died and was buried in one film and for whose misfortune tears of affliction had been shed would reappear alive and transformed into an Arab in the next one. The audience, who paid two cents apiece to share the difficulties of the actors, would not tolerate that outlandish fraud and they broke up the seats. The mayor, at the urging of Bruno Crespi, explained in a proclamation that the cinema was a machine of illusions that did not merit the emotional outbursts of the audience. With that discouraging explanation many felt that they had been the victims of some new and showy gypsy business and they decided not to return to the movies, considering that they already had too many troubles of their own to weep over the acted-out misfortunes of imaginary beings.
Gabriel García Márquez (One Hundred Years of Solitude)
It was a kind of Chinese toy, made up of five concentric boxes, and in the last one there was a card laboriously inscribed by someone who could barely write: We’ll get together Saturday at the movies. Meme felt with an aftershock that the box had been on the railing for a long time within reach of Fernanda’s curiosity, and although she was flattered by the audacity and ingenuity of Mauricio Babilonia, she was moved by his Innocence in expecting that she would keep the date. Meme knew at that time that Aureliano Segundo had an appointment on Saturday night. Nevertheless, the fire of anxiety burned her so much during the course of the week that on Saturday she convinced her father to leave her alone in the theater and come back for her after the show. A nocturnal butterfly fluttered about her head while the lights were on. And then it happened. When the lights went out, Mauricio Babilonia sat down beside her. Meme felt herself splashing in a bog of hesitation from which”“she could only be rescued, as had occurred in her dreams, by that man smelling of grease whom she could barely see in the shadows. “If you hadn’t come,” he said, “You never would have seen me again.
Gabriel García Márquez
It is not really possible to understand the threat posed not only to the survival of America, but to all free nations in the world, without perceiving that Islam has a simple and single goal . . . To conquer the world. Yes, that may sound like something from Hitler’s Mein Kampf, or the script of a space invaders movie, but conquering the world for the radical Jihadist movement is their stated overriding commitment and unshakeable life goal. Again, Dr. Gabriel warns us: “Jihad is carried out in order to achieve the ultimate goal of Islam – to establish Islamic authority over the whole world. Islam is not just a religion; it is a government, too. That is why it always gets down to politics. Islam teaches that Allah is the only authority; therefore,           political systems must be based on Allah’s teaching and nothing else…(Jihadists) consider themselves to have succeeded when a nation declares Islam as both their religion and their form of government.” (Islam and Terrorism, Charisma House, 2002).
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
It’s not really possible to understand the threat posed not only to the survival of America, but to all free nations in the world, without perceiving that Islam has a simple and single goal . . . To conquer the world.          Yes, that may sound like something from Hitler’s Mein Kampf, or the script of a space invaders movie, but conquering the world for the radical Jihadist movement is their stated overriding commitment and unshakeable life goal. Again, Dr. Gabriel warns us:            “Jihad is carried out in order to achieve the ultimate goal of Islam – to establish Islamic authority over the whole world. Islam is not just a religion; it is a government, too. That is why it always gets down to politics. Islam teaches that Allah is the only authority; therefore,           political systems must be based on Allah’s teaching and nothing else…(Jihadists) consider themselves to have succeeded when a nation declares Islam as both their religion and their form of government.” (Islam and Terrorism, Charisma House, 2002).
John Price (The End of America: The Role of Islam in the End Times and Biblical Warnings to Flee America)
Everyday sunk cost fallacy examples can run from less consequential decisions, such as finishing a movie or book that you don’t like, to larger ones, such as investing more money into a failing business or staying in a career or relationship that is turning sour. You need to avoid thinking, We’ve come too far to stop now. Instead, take a realistic look at your chances of success and evaluate from an opportunity cost perspective whether your limited resources are best used continuing what you are doing or persuing another opportunity.
Gabriel Weinberg (Super Thinking: The Big Book of Mental Models)
The doorman code of conduct?” I ask Gabriel. What did I do wrong this time? Or is Gabriel one of those Madonna/whore guys who can’t deal with a girl who makes the first move? “No, the gentleman’s code of conduct,” he says. “And, I don’t know, maybe needing better ambience? Like, not in a closet. Maybe dinner and a movie first?” I really don’t know how to do this. When the stakes count. I am an idiot. I turn around to leave, embarrassed, but he presses his hand against the door to keep it from opening. (He really is a bad doorman.) Then he places the softest, sweetest kiss ever on the back of my neck. “We’ll get there,” he whispers in my ear. I got my kiss, I got my k—i-S-s.
Rachel Cohn (Naomi and Ely's No Kiss List)
His sense of humor was self-deprecating. “When they make the movie about Gabriel,” he said with his inscrutable smile, “please ask them to make me taller.” General Doron Almog and his beautiful wife, Didi, always open their home to us when we come to Israel and, like Chiara and Gilah Shamron, they prepare far more food than we can possibly eat. I did not know Doron when I created Gabriel’s physical appearance, but surely he was the mold upon which my character was based. One never quite knows who might show up at Doron’s dinner table. Late
Daniel Silva (The Black Widow (Gabriel Allon, #16))
Guys, I’m not in labor. I just moved too quickly, OK?’’ Aisling said. ‘‘Take your hands off her,’’ Drake said in a low voice that sounded very much like a growl. Jim sucked in its breath, sitting up to watch. ‘‘I’m not hurting her,’’ Gabriel answered, bending over her belly as he continued to gently prod her. ‘‘I’m simply trying to ascertain if she’s in labor or not. Aisling, is the pain sharp or dull?’’ The door opened, and Gabriel’s two bodyguards, Tipene and Maata, entered. Behind them came one of Drake’s men, a thick-necked, redheaded man named István. The latter picked up on Gabriel’s question. ‘‘Aisling is in pain? She is having the baby?’’ ‘‘I should examine you more fully,’’ Gabriel said, smiling at Aisling as he took her hand. ‘‘Do not worry, Aisling. I have delivered many dragons over the centuries. My mother is a very good midwifeand has taught me well.’’ Drake snatched up her other hand. ‘‘You will not examine my mate any further! We have an excellent green-dragon midwife who is attending her. Now, get away from her before I have you removed!’’ Aisling looked perfectly fine to me. She rolled her eyes, casting a pleading look skyward. I might not have experience in this area, but it was clear to me that she was not in labor. I shot a glare at Gabriel, grinding my teeth just a little at the stupidity of what was normally such a bright man, my fingers itching to pry his hand from Aisling’s. ‘‘I will tell you once more—remove your hands from her!’’ Drake’s voice got even more menacing. ‘‘Gabriel, I think she would know if she was in labor,’’ I said, nudging the dragon of mydreams a bit more forcefully. ‘‘A voice of reason at last,’’ Aisling said, giving me a smile. ‘‘Guys, I’m not—’’ István turned in the doorway and bellowed out of it. ‘‘Pál! Call the midwife! Aisling is in labor! I will call Nora and Rene. They wish to be here, yes? Should I boil water?’’ He evidently asked the last bit of Maata, who, as the female member of Gabriel’s attendants, was obviously expected to know the answer. Maata looked surprised. ‘‘Would it make you feel better to boil water?’’ she asked. István nodded his head vigorously. ‘‘It is done, is it not? The boiling of water? It is important. I saw it in a movie.’’ ‘‘Then, by all means, boil water,’’ she answered. István nodded again, announced to the room in general, ‘‘I boil water!’’ and rushed out to suit action to word. Pál, the second of Drake’s two redheaded bodyguards, slammed into István as he was leaving, scattering apologies as he dashed into the room, a cell phone in his hand. ‘‘The midwife’s phone is busy!’’ he said, offering the phone to Drake as proof. ‘‘Oh, man, if there’s going to be baby juice and blood and guck, I’m getting out of here,’’ Jim said, sidling around the clutch of people that surrounded Aisling. ‘‘I’m going to Amelie’s to be with Cecile. Someone tell me when it’s all over.’’ ‘‘Hello, can anyone hear me? I’m not in labor!’’ Aisling said. ‘‘What should I do?’’ Pál asked Drake, shaking the phone at him. ‘‘It is busy! Busy! How can it be busy?’’ A little wisp of smoke escaped Drake’s nose as he glared at the phone. ‘‘It should not be busy. Go fetch her. There is no business she can have as important as this.’’ Pál didn’t stop to answer; he just bolted from the room. ‘‘Oh, for the love of Pete! I’m not in pain! And unless dragons have some sort ofpainless labor, a notion your mother vehemently says is false, then I’m not having the baby,’’ Aisling said, but was drowned out by Maata asking if Gabriel needed help at the same time Tipene offered to take overmidwife phone duty.
Katie MacAlister (Up In Smoke (Silver Dragons, #2))
The following day, Wilson was still feeling the disorienting effects of the drug. He hallucinated twice, seeing a polar bear wearing a black-turtleneck sweater walk past his house, and then seeing a green, flute-playing Pan, the goat god of nature, in his vegetable garden.139 He did not let such wild sights stop him from going to the movies with Arlen that night, but while watching the film he was hit with an intense wave of anxiety strong enough to immobilize an elephant. He barely made it out of the theater to get some air. Was he still tripping? Belladonna has had terrible effects on people for hundreds of years, giving credence to the old legend that witches and sorcerers used belladonna as a poison and a weapon. The deadly nightshade, to use another of its names, would cause terrible hallucinations and drive people to insanity. Luckily, on the following day, Wilson was fine but again at night the panic hit. This time it lasted for half an hour. To help calm himself down, he concentrated on reciting the plots of old movies to Arlen. By the time he’d finished describing the plot of the film The Third Man, the anxiety attack had passed. Wilson saw the positive in this terrifying dance with Lady Nightshade, as he wrote that the whole experience brought with it an insight into his anxiety which he realized “was sexual excitement.”140
Gabriel Kennedy (Chapel Perilous: The Life & Thought Crimes of Robert Anton Wilson)