Wheels On The Bus Quotes

We've searched our database for all the quotes and captions related to Wheels On The Bus. Here they are! All 49 of them:

Suicide is a form of murder— premeditated murder. It isn’t something you do the first time you think of doing it. It takes some getting used to. And you need the means, the opportunity, the motive. A successful suicide demands good organization and a cool head, both of which are usually incompatible with the suicidal state of mind. It’s important to cultivate detachment. One way to do this is to practice imagining yourself dead, or in the process of dying. If there’s a window, you must imagine your body falling out the window. If there’s a knife, you must imagine the knife piercing your skin. If there’s a train coming, you must imagine your torso flattened under its wheels. These exercises are necessary to achieving the proper distance. The debate was wearing me out. Once you've posed that question, it won't go away. I think many people kill themselves simply to stop the debate about whether they will or they won't. Anything I thought or did was immediately drawn into the debate. Made a stupid remark—why not kill myself? Missed the bus—better put an end to it all. Even the good got in there. I liked that movie—maybe I shouldn’t kill myself. In reality, it was only part of myself I wanted to kill: the part that wanted to kill herself, that dragged me into the suicide debate and made every window, kitchen implement, and subway station a rehearsal for tragedy.
Susanna Kaysen
Wayne was one of the worst drivers Finn had ever met. The bus nearly sideswiped two cars, then veered left and scraped its wheels against the curb, before smashing back down the roadway.
Ridley Pearson (Disney After Dark (Kingdom Keepers, #1))
That is what madness is, isn't it? All the wheels fly off the bus and things don't make sense any more. Or rather, they do, but it's not a kind of sense anyone else can understand.
Audrey Niffenegger (Her Fearful Symmetry)
The wheels on the bus may go ’round and ’round, but that bus might run you over if the driver gets fired.
Corey Taylor (Seven Deadly Sins: Settling the Argument Between Born Bad and Damaged Good)
Please give me a single reason why I shouldn't hurl myself beneath the wheels of that bus.
Neal Shusterman (UnSouled (Unwind, #3))
Loyalty is just the wheels on the bus ... meaning that it keeps things moving but it's neutral when it comes to the direction they move in.
M.R. Carey (The Boy on the Bridge (The Girl With All the Gifts, #2))
Exactly one month after he was convicted, when the lights were dimmed and the detention officers made a final sweep of the catwalk, Peter reached down and tugged off his right sock. He turned on his side in the lower bunk, so that he was facing the wall. He fed the sock into his mouth, stuffing it as far back as it would go. When it got hard to breathe, he fell into a dream. He was still eighteen, but it was the first day of kindergarten. He was carrying his backpack and his Superman lunch box. The orange school bus pulled up and, with a sigh, split open its gaping jaws. Peter climbed the steps and faced the back of the bus, but this time, he was the only student on it. He walked down the aisle to the very end, near the emergency exit. He put his lunch box down beside him and glanced out the rear window. It was so bright he thought the sun itself must be chasing them down the highway. 'Almost there,' a voice said, and Peter turned around to look at the driver. But just as there had been no passengers, there was no one at the wheel. Here was the amazing thing: in his dream, Peter wasn't scared. He knew, somehow, that he was headed exactly where he'd wanted to go.
Jodi Picoult (Nineteen Minutes)
Allan looked at the bus and then at the suitcase, then again at the bus and then again at the suitcase. It has wheels, he said to himself. And there's a strap to pull it by too. And then Allan surprised himself by making what - you have to admit - was decision to say 'yes' to life. p.12.
Jonas Jonasson (The Hundred-Year-Old Man Who Climbed Out of the Window and Disappeared (The Hundred-Year-Old Man, #1))
As Jim Collins observes in Good to Great, first you need to get “the right people on the bus, the wrong people off the bus, and the right people in the right seats.” Only then do you turn the wheel and step on the gas.
John Doerr (Measure What Matters: How Google, Bono, and the Gates Foundation Rock the World with OKRs)
It is true that we Russians have sent only four doctors into space in forty years of flight, but still I might have had chance to fly to Mir or International Space Station except for one fact. This is that I cannot urinate—is this the right word, Mr. Roth?—I cannot urinate on wheel of bus.
Dan Simmons (Worlds Enough & Time: Five Tales of Speculative Fiction)
Involved. At least that was the right word, Alsana reflected, as she liftes her foot off the pedal, and let the wheel spin a few times alone before coming to a squeaky halt. Sometimes, here in England, especially at bus-stops and on the daytime soaps, you heard people say “We’re involved with each other,” as if this were a most wonderful state to be in, as if one chose it and enjoyed it. Alsana never thought of it that way. Involved happened over a long period of time, pulling you in like quicksand. Involved is what befell the moon-faced Alsana Begum and the handsome Samad Miah one week after they’d been pushed into a Delhi breakfast room together and informed they were to marry. Involved was the result when Clara Bowden met Archie Jones at the bottom of some stairs. Involved swallowed up a girl called Ambrosia and a boy called Charlie (yes, Clara had told her that sorry tale) the second they kissed in the larder of a guest house. Involved is neither good, nor bad. It is just a consequence of living, a consequence of occupation and immigration, of empires and expansion, of living in each other’s pockets… one becomes involved and it is a long trek back to being uninvolved. And the woman was right, one didn’t do it for one’s health. Nothing this late in the century was done with health in mind. Alsana was no dummy when it came to the Modern Condition. She watched the talk shows, all day long she watched the talk shows — My wife slept with my brother, My mother won’t stay out of my boyfriend’s life — and the microphone holder, whether it be Tanned Man with White Teeth or Scary Married Couple, always asked the same damn silly question: But why do you feel the need…? Wrong! Alsana had to explain it to them through the screen. You blockhead; they are not wanting this, they are not willing it — they are just involved, see? They walk IN and they get trapped between the revolving doors of those two v’s. Involved. Just a tired inevitable fact. Something in the way Joyce said it, involved — wearied, slightly acid — suggested to Alsana that the word meant the same thing to hear. An enormous web you spin to catch yourself.
Zadie Smith (White Teeth)
In today’s world, you can find a power-mad city bus driver seizing power in Venezuela. A vapid man. A hollow man. A man offering handouts and promises of a better future, neither of which went to any but the few partisans closest to the president. In the blink of an eye, one man shreds every lovely piece of the fabric that held the country together for a hundred years and more. Reducing everyone to penury. Citizens dumbfounded and confounded, not understanding how this happened. The oil derricks that were symbols of prosperity sitting frozen in rust, pumping nothing. Not a wheel in the nation turning. Children, in some places, eating dirt to survive.
John M Vermillion (Packfire (Simon Pack, #9))
The Pranksters were now out among them, and it was exhilarating--look at the mothers staring!--and there was going to be holy terror in the land. But there would also be people who would look up out of their work-a-daddy lives in some town, some old guy, somebody's stenographer, and see this bus and register...delight, or just pure open-invitation wonder. Either way, the Intrepid Travelers figured, there was hope for these people. They weren't totally turned off...the citizens were suitably startled, outraged, delighted, nonplused, and would wheel around and start or else try to keep their cool by sidling glances like they weren't going to be impressed by any weird shit--and a few smiled in a frank way as if to say, I am with you--if only I could be with you!
Tom Wolfe
Simply, this is what she believed: she believed that the universe showed each of us certain things, that it made certain things open. Many people lived a peace life with nothing ever happening to them. But into some families other things fell. Some families were afflicted with random tragedies - car accidents, plane accidents, hang gliding accidents, bus crashes, knifing, drownings, scarves getting caught under the wheels of their Rolls Royces, breaking their necks.
Paullina Simons (The Girl In Times Square)
If …if …if …” said Heimpi. “If my grandmother had wheels she’d be a bus and we could all go for a ride in her.” That was what she always said.
Judith Kerr (When Hitler Stole Pink Rabbit (Out of the Hitler Time, #1))
The M42 bus won the Golden Snail award for being the city’s slowest, clocking just 3.6 mph in weekday traffic along 42 St. Even more embarrassing, the M42 lost a race against a kid's big wheel bike
Jeffrey Tanenhaus (New York City Essential Guide 2017: Insider Advice from a Tour Guide)
The modern world was not alive to the tremendous Reality that encompassed it. We were surrounded by an immeasurable abyss of darkness and splendor. We built our empires on a pellet of dust revolving around a ball of fire in unfathomable space. Life, that Sphynx, with the human face and the body of a brute, asked us new riddles every hour. Matter itself was dissolving under the scrutiny of Science; and yet, in our daily lives, we were becoming a race of somnambulists, whose very breathing, in train and bus and car, was timed to the movement of the wheels; and the more perfectly, and even alertly, we clicked through our automatic affairs on the surface of things, the more complete was our insensibility to the utterly inscrutable mystery that anything should be in existence at all.
Alfred Noyes (The Unknown God)
The five of us are the big brains supposedly in charge of Hell. Really, we’re a bunch of second-rate mechanics trying to keep the wheels from coming off a burning gasoline truck skidding toward a school bus full of orphans and kittens.
Richard Kadrey (The Kill Society (Sandman Slim, #9))
Every song was the same song. These were songs for people who were scared to open their mailboxes, whose phone calls never brought good news. These were songs for people standing at the crossroads waiting for the bus. People who bounced between debt collectors and dollar stores, collection agencies and housing offices, family court and emergency rooms, waiting for a check that never came, waiting for a court date, waiting for a call back, waiting for a break, crushed beneath the wheel.
Grady Hendrix (We Sold Our Souls)
overwhelmed. Ready to crack. They’re expected to not just keep the wheels on the bus but construct the bloody thing, too. Then drive it. And wash it. And change the oil. I don’t know how they don’t just randomly start punching people. I would. What do they get fer their trouble? Ignored. What bollocks. I hear it all the time. Do it all, do it perfectly, and your reward is to be ignored. Is it any wonder they all feel, deep down, like they are failing? It makes me bloody furious. I tell these women all the time, I say, ‘Love, you just need to burn it all to the ground.
K.F. Breene (Magical Midlife Challenge (Leveling Up, #6))
Sergent Earl Hale sent us out to get transportation. We went out to look for what we could find. We came across Hitler's car, but it had no wheels. We found a bus, but it wouldn't start. We saw a fire truck and took that. On the way back to camp we had a wonderful time ringing the bell. Hale was upset. He didn't want a fire truck. - Henry Zimmerman
Marcus Brotherton (We Who Are Alive and Remain: Untold Stories from the Band of Brothers)
[Smith] blew a warning blast of his town horn, twisted the wheel and slewed the bus into the side of the street. His intentions were unmistakable and the motorcycle patrol's decision to elect for discretion in lieu of suicidal valour was as immediate as it was automatic. They frantically abandoned their machines and flung themselves for their lives up the steps of Zum Wilden Hirsch.
Alistair MacLean (Where Eagles Dare)
He knew factories. No one had fun in factories. They sweltered and slaved, hunched and harried, people reduced to things, manufacturing so much meaningless plastic shit that made no one happy, poisoned the oceans, corrupted the food chain. The modern world was a burning bus speeding toward a cliff with a maniac at the wheel. And he was not apart, but complicit, a hyperactive child making yuk-yuks in his seat, keeping everyone laughing, distracting them from certain doom.
Jim Carrey (Memoirs and Misinformation)
Can you drive it?" "No. I can't drive a stick at all. It's why I took Andy's car and not one of yours." "Oh people, for goodness' sake...move over." Choo Co La Tah pushed past Jess to take the driver's seat. Curious about that, she slid over to make room for the ancient. Jess hesitated. "Do you know what you're doing?" Choo Co La Tah gave him a withering glare. "Not at all. But I figured smoeone needed to learn and no on else was volunteering. Step in and get situated. Time is of the essence." Abigail's heart pounded. "I hope he's joking about that." If not, it would be a very short trip. Ren changed into his crow form before he took flight. Jess and Sasha climbed in, then moved to the compartment behind the seat. A pall hung over all of them while Choo Co La Tah adjusted the seat and mirrors. By all means, please take your time. Not like they were all about to die or anything... She couldn't speak as she watched their enemies rapidly closing the distance between them. This was by far the scariest thing she'd seen. Unlike the wasps and scorpions, this horde could think and adapt. They even had opposable thumbs. Whole different ball game. Choo Co La Tah shifted into gear. Or at least he tried. The truck made a fierce grinding sound that caused jess to screw his face up as it lurched violently and shook like a dog coming in from the rain. "You sure you odn't want me to try?" Jess offered. Choo Co La Tah waved him away. "I'm a little rusty. Just give me a second to get used to it again." Abigail swallowed hard. "How long has it been?" Choo Co La Tah eashed off the clutch and they shuddred forward at the most impressive speed of two whole miles an hour. About the same speed as a limping turtle. "Hmm, probably sometime around nineteen hundred and..." They all waited with bated breath while he ground his way through more gears. With every shift, the engine audibly protested his skills. Silently, so did she. The truck was really moving along now. They reached a staggering fifteen miles an hour. At this rate, they might be able to overtake a loaded school bus... by tomorrow. Or at the very least, the day after that. "...must have been the summer of...hmm...let me think a moment. Fifty-three. Yes, that was it. 1953. The year they came out with color teles. It was a good year as I recall. Same year Bill Gates was born." The look on Jess's and Sasha's faces would have made her laugh if she wasn't every bit as horrified. Oh my God, who put him behind the wheel? Sasha visibly cringed as he saw how close their pursuers were to their bumper. "Should I get out and push?" Jess cursed under his breath as he saw them, too. "I'd get out and run at this point. I think you'd go faster." Choo Co La Tah took their comments in stride. "Now, now, gentlemen. All is well. See, I'm getting better." He finally made a gear without the truck spazzing or the gears grinding.
Sherrilyn Kenyon (Retribution (Dark-Hunter, #19))
Every man is going to think of you as property. That’s why they want to put they last name on your name. Then you’re their property. So you want to make sure whoever you end up with knows how to maintain their property. See yourself as a house. You have to view yourself as the house on the highest part of the hill. You can’t let everybody come into your house. They can’t catch no bus to your house. They can’t ride no bike to your house. They got to have a nice car with four-wheel drive to get up to your house.
Tiffany Haddish (The Last Black Unicorn)
She also saw an interesting sight. On a curve not far from Little Rock a busload of Elks had turned over. The bus was on its right side in the ditch, the front wheels still slowly turning, and the Elks were surfacing one at a time through the escape hatch on the left side, now topside. One Elk was lying on the grass, maybe dead, no ball game for him, and others were limping and hopping about and holding their heads. Another one, in torn shirt-sleeves, was sitting on a suitcase on top of the bus. He was not lifting a finger to help but as each surviving brother Elk stuck his head up through the hatchway, he gave a long salute from his compressed-air horn. The big Trailways cruiser began to slow down. When the man saw this he turned with his noise device and hooted it -- there could be no mistake -- at the driver. Norwood was talking to a man with bulging eyes across the aisle who had gone broke in Mississippi selling premium beer for $3.95 a case on credit, and they both missed it, that hooting part. They did help load the injured into ambulances. The former tavern keeper found a silver dollar in the grass and kept it.
Charles Portis (Norwood)
He rolled and thrashed in his bed, waiting for the dancing blue shadows to come in his window, waiting for the heavy knock on his door, waiting for some bodiless, Kafkaesque voice to call: Okay, open up in there! And when he finally fell asleep he did it without knowing it, because thought continued without a break, shifting from conscious rumination to the skewed world of dreams with hardly a break, like a car going from drive to low. Even in his dreams he thought he was awake, and in his dreams he committed suicide over and over: burned himself; bludgeoned himself by standing under an anvil and pulling a rope; hanged himself; blew out the stove’s pilot lights and then turned on the oven and all four burners; shot himself; defenestrated himself; stepped in front of a moving Greyhound bus; swallowed pills; swallowed Vanish toilet bowl disinfectant; stuck a can of Glade Pine Fresh aerosol in his mouth, pushed the button, and inhaled until his head floated off into the sky like a child’s balloon; committed hara-kiri while kneeling in a confessional at St. Dom’s, confessing his self-murder to a dumbfounded young priest even as his guts accordioned out onto the bench like beef stew, performing an act of contrition in a fading, bemused voice as he lay in his blood and the steaming sausages of his intestines. But most vividly, over and over, he saw himself behind the wheel of the LTD, racing the engine a little in the closed garage, taking deep breaths and leafing through a copy of National Geographic, examining pictures of life in Tahiti and Aukland and the Mardi Gras in New Orleans, turning the pages ever more slowly, until the sound of the engine faded to a faraway sweet hum and the green waters of the South Pacific inundated him in rocking warmth and took him down to a silver fathom.
Stephen King (Roadwork)
They all thronged round us for a moment in the little circle of light from the panting bus, their lit faces ghastly like ghosts against the black stems of the pines. This was the climax of my dream: the instant of nightmare in which it would end. I had an absurd pang of fear that they were going to attack us – a gang of terrifying soft muffled shapes – clawing us from our seats, dragging us hungrily down, in dead silence. But the moment passed. They drew back – harmless, after all, as mere ghosts – into the darkness, while our bus, with a great churning of its wheels, lurched forward towards the city, through the deep unseen snow.
Christopher Isherwood (Goodbye to Berlin)
The thing is, I really like saying yes. I like new things, projects, plans, getting people together and doing something, trying something, even when it’s corny or stupid. I am not good at saying no. And I do not get along with people who say no. When you die, and it really could be this afternoon, under the same bus wheels I’ll stick my head if need be, you will not be happy about having said no. You will be kicking your ass about all the no’s you’ve said. No to that opportunity, or no to that trip to Nova Scotia or no to that night out, or no to that project or no to that person who wants to be naked with you but you worry about what your friends will say. No is for wimps. No is for pussies. No is to live small and embittered, cherishing the opportunities you missed because they might have sent the wrong message. What matters is saying yes.
Dave Eggers
...in those days (the 19th century) the children sometimes had to walk miles to school. And I mean miles. Have any of you walked even so much as one mile? I doubt it. Not that I blame you . Why walk when you can go wherever you want in a streetcar or a bus? Only stupid people walk when they can ride. Isn't that right? Isn't that what people are always telling you? Feet were invented before wheels, but so what? Getting somewhere on wheels is more comfortable, and that's what progress is all about, isn't that so? But is comfort all that good? Doesn't comfort maybe make us lazy? That's something to think about isn't it? What I mean is--we all want to accomplish something. That's the secret of what everything's all about--this business of wanting to accomplish something. But if everything is made too easy for us, how can we accomplish? I mean really accomplish. The more things we have helping us, the harder the accomplishing. We get too spoiled. We give up too easily...
Don Robertson (The Greatest Thing Since Sliced Bread)
Some people on bus seats shake at the shoulders, Stoned Elvises trying to dance after the gig. Some walk into the rain and look like they’re smiling, Running mascara writes sad bitter letters on their faces. Some drive their cars into lay-bys or park edges And cradle the steering-wheel looking like headless drivers. Some sink their open mouths into feather pillows And tremble on the bed like beached dolphins. Some people are bent as question marks when they weep And some are straight as exclamation marks. Some are soaking in emotional dew when they wake, Salt street maps etched into their faces. Some find rooms and fall to the floor as if praying to Allah. Noiseless Faces contorted in that silent scream that seems like laughter. Why is there not a tissue-giver? A man who looks for tears, Who makes the finest silk tissues and offers them for free? It seems to me that around each corner, beneath each stone, Are humans quietly looking for a place to cry on their own.
Lemn Sissay (Gold from the Stone: New and Selected Poems (Canons Book 70))
Every so often, the gods stop laughing long enough to do something terrible. There are few facts that are not brutal. The bitter, insufficient truth is that God recovered, but fun is dead. Alcohol: the antidote to civilization. Alcoholism is a fatal disease. But then I am not a member of Alcoholics Anonymous, because I don't want to be cured. Alcoholism is suicide with training wheels. I watch myself sinking, an inch at a time, and I spit into the eye of fate, like Doc Holliday, who died too weak to lift a playing card. My traitorous and degenerate attitude is sort of my book review of the world we live in. I resign from the human race. I declare myself null and void; folded, spindled, and mutilated. . . .This bar is an oasis for the night people, the street people, the invisible tribe, the people who simply do not exist in the orderly world we see in Time - the weekly science fiction magazine published by the Pentagon - an orderly world which is a sanitized Emerald City populated by contented Munchkins who pay taxes to buy tanks, nerve gas, and bombers and not a world which is a bus-station toilet where the air is a chemical cocktail of cancer-causing agents, children are starving, and the daily agenda is kill or be killed. When the world demands that you be larger than life, and you are finding it hard enough just being life-size, you can come here, in the messy hemorrhaging of reality, let your hair down, take your girdle off, and not be embarrassed by your wounds and deformities. Here among the terminally disenchanted you are graded not by the size of the car on display in your driveway but by the size of your courage in the face of nameless things. . . .Half of these people look like they just came back from the moon, and all of them are sworn witnesses for the prosecution on the charge that Earth serves as Hell for some other planet.
Gustav Hasford (A Gypsy Good Time)
In short, when this modern-day Mount Vesuvius blows, it’ll decimate all the cities that have taken up root at its base, and it’ll likely take six years or more, into 2023 or so. Review your real estate holdings and consider what you really love and/or whether it’s strategic to your life. Get rid of everything else now, before the wheels come off this bus. Remember, real estate becomes agonizingly illiquid, fast!
Harry S. Dent (Zero Hour: Turn the Greatest Political and Financial Upheaval in Modern History to Your Advantage)
Mothers never seem to feel like they are doing enough, do they? They tell me these stories, and I always think, the poor cratur! They juggle a million things at once, seems like. They’re always overwhelmed. Ready to crack. They’re expected to not just keep the wheels on the bus but construct the bloody thing, too. Then drive it. And wash it. And change the oil. I don’t know how they don’t just randomly start punching people. I would. What do they get fer their trouble? Ignored. What bollocks. I hear it all the time. Do it all, do it perfectly, and your reward is to be ignored. Is it any wonder they all feel, deep down, like they are failing? It makes me bloody furious. I tell these women all the time, I say, ‘Love, you just need to burn it all to the ground.’ They always laugh. They don’t take me seriously.
K.F. Breene (Magical Midlife Challenge (Leveling Up, #6))
I ride this struggle bus. But I’m never comfortable with the fact that I can’t grab the wheel and drive it back to Normal.
Lysa TerKeurst (It's Not Supposed to Be This Way: Finding Unexpected Strength When Disappointments Leave You Shattered)
Then Connor saw it. He had to read it three times to make sure he was getting it right. He wheeled over to Jade and handed her the nurses’ notes for the visit. “Parks, this is from over a year ago.” He pointed to the section that had caught his eye. “Yeah, but it is a pretty good indicator that things weren’t ‘fine’ in the Holloway household.” Jade read it quickly. “I would not have pegged her schlub of a husband for a cheater.” “Me either,” Connor agreed. Leah had asked to be tested for every STD known to man. Husband had unprotected sex with unknown partner. “All her tests came back negative,” Connor said. “So he didn’t give her anything.” “Because he wasn’t the one having an affair,” Jade said. “That’s what I’m thinking,” Connor said. “I can’t see Jim Holloway carrying on an affair. I can see Leah throwing him under the bus, though. Image was everything to her. No way would she want to admit that she was the one cheating.” “Still,” Jade said, chewing the tip of her pen. “Imagine what it would have taken for someone so worried about projecting the perfect image to have to tell a lie like that, then undergo all those invasive tests. It must have been so humiliating.” “A month later, she’s pregnant.
Lisa Regan (Losing Leah Holloway (Claire Fletcher, #2))
Do you have wood?” I ask, without thinking. Jesus take the wheel of my brain-to-mouth bus. “For the fireplace,” I add.
Daisy Prescott (Happy Trail (Park Ranger, #1))
Do you have wood?” I ask, without thinking. Jesus take the wheel of my brain-to-mouth bus. “For the fireplace,” I add. He stands stock-still and does nothing to ease my verbal flailing. “You know … for heat. I’ll stop talking now,” I mumble.
Daisy Prescott (Happy Trail (Park Ranger, #1))
Any Palestinian prisoner will tell you that the bosta journey is one of the most difficult parts of their experience of being incarcerated. To call it hell on wheels is an understatement. To help you picture it, imagine a bus divided into narrow cells. The interior is all metal, including the seats. Many of the cells, like the one I was in, are barely big enough to fit one person. My cell was essentially as wide as the seat I was in, making it impossible for me to move at all. Never mind the fact that I was also shackled at the wrists and ankles. The cell was so tight that my knees hit the metal door in front of me, and if the driver accelerated or swerved, my body would bang into the sides. Other than forcing prisoners to sit in an extremely uncomfortable physical position for hours, the bosta was poorly ventilated, and its odors were revolting. It often reeked of vomit from passengers who had thrown up on themselves or of urine from inmates who had peed themselves, unable to hold it in any longer. The stench of the police dogs who patrolled the bus was also always in the air. The temperature in the bosta was another major hardship. In the winter, which is when I was arrested, it was freezing. The cold metal chair made it feel like I was sitting on a giant block of ice—for hours. I later learned that layering two pairs of pants, three shirts, and a jacket would help me survive, and I began to dress accordingly. But despite all the layers, each time I returned to the prison, my hands would be swollen and blue and it would take hours for them to regain normal sensation.
Ahed Tamimi (They Called Me a Lioness: A Palestinian Girl's Fight for Freedom)
Croque Madame drums her fingers on the steering wheel. “Bridges are one of the first things the enemy looks to destroy.” “Why? So people can’t get to work?” Terk asks. “No,” Cardyn counters. “It’s so trucks can’t pass over and boats can’t pass through. It’s all about cutting off supply lines.” He taps his temple. “Very clever strategy.” Brohn shakes his head. “It’s to destroy morale. Bridges are symbols. They show there’s nothing human beings can’t do, no distance we can’t cross. Destroy that, and you destroy morale. Destroy morale, and you keep everyone afraid and too broken to fight back.” Rain suggests that targeting bridges has to do with a reallocation of resources. “It’s like in chess,” she says. “If I can get you to dedicate your pieces to defense on one side of the board, I’m free to launch my attack on the other.” I tell them I’m pretty sure I read that the destruction of bridges in war is to prevent the movement of enemy troops. From a few rows behind us, Manthy’s voice is smooth and even. “It’s about separation.” She seems fixated on something outside the bus—maybe the long green grass along the side of the road or the intact houses and shops up ahead—and doesn’t turn to look at us.
K.A. Riley (Transfigured (The Transcendent Trilogy, #2))
The modern world was a burning bus speeding toward a cliff with a maniac at the wheel. And he was not apart, but complicit, a hyperactive child making yuk-yuks in his seat, keeping everyone laughing, distracting them from certain doom. Faster, faster, no more room to brake.
Jim Carrey (Memoirs and Misinformation)
the wheels on the bus but construct the bloody thing, too. Then drive it. And wash it. And change the oil. I don’t know how they don’t just randomly start punching people. I would. What do they get fer their trouble? Ignored. What bollocks. I hear it all the time. Do it all, do it perfectly, and your reward is to be ignored. Is it any wonder they all feel, deep down, like they are failing? It makes me bloody furious. I tell these women all the time, I say, ‘Love, you just need to burn it all to the ground.’ They always laugh. They don’t take me seriously.
K.F. Breene (Magical Midlife Challenge (Leveling Up, #6))
The crocodile on the bus goes snap, snap, snap
Jane Cabrera (The Wheels on the Bus)
What happened, man?   Gerry and Ginsberg are cold, and dead, in the ground. Kesey’s stoned, and out of town. We’ve come to the end of the brotherhood song.   The children brandish knives upon each other’s throats, and their loaded 45’s sit snug in lunch boxes nestled safely between Oreo cookies and a ham sandwich.   Where are you now, oh ancient hipsters? Raggedy Beats beat down and broken wheel raggedy wheelchairs down ghostly geriatric wards. Where are you now, oh day-glow dreamers? Have you gotten off the bus and into your Mercedes? Did you get that second mortgage, and bear your fattened little babies? Where is that girl with flowers in her hair? Where is the man with revolution in his veins?   We ask ourselves “where did we go wrong?” But there is no we. There is you,  and then there is I. You do what you need to survive, And I do what I must to stay alive. We stand here Bleeding, slicing each other’s wrists With the icy ridges of hardened jagged hearts, Cassandra’s
Bearl Brooks (Literary Conception: A Collection of Short Stories and Poems)
Then Brezhnev grabbed the wheel of power and captained the country with the exploratory heart of a municipal bus driver.
Anthony Marra (A Constellation of Vital Phenomena)
What if, what if, what fucking if. If my grandmother had wheels, she’d be a fucking bus,
Roy Robson (London Large - Blood on the Streets: Detective Hawkins Crime Thriller Series #1 (London Large Hard-Boiled Crime Series))
Look for others to bless Let me ask you: Who are you serving? Who are you being good to? Who are you lifting up? Be on the lookout for others you can bless. God puts people in our lives on purpose so we can brighten their days. You should get up every morning and say, “God, show me my assignment today. Help me to be sensitive to the needs of those around me.” I once baptized nearly eight hundred people on one Saturday. Among them was an older man who’d had a stroke. He couldn’t walk at all. They rolled him up in a wheel chair. To get in the church baptistery, you have to go up some stairs and then walk down stairs into the water. The younger man pushing him in the wheelchair was about my age. You could tell that he really cared about the man. He went to great lengths to make sure he was okay. A couple of men helped the older man stand up. Then the younger man put his arms under his legs and his back so he could carry the elderly man into the water, just like you would carry a sleeping baby. It was a very moving scene, watching the younger man go out of his way to help someone so determined to be baptized despite his age and disabilities. With the young man’s help we were able to baptize the elderly man. After we returned him to his wheelchair, I asked the younger man: “Is that your father?” He shook his head no. “Is he your uncle, or your relative?” I asked. The younger man explained that they’d just met in church a few weeks earlier. He said that on the Sunday I announced the baptism date, the older man in the wheelchair turned to him and said, “I wish I could be baptized. I always wanted to, but I had this stroke. I knew I should have done it sooner.” The young man offered to help him achieve his goal to be baptized. The elderly man said he didn’t have any family to bring him to church, explaining that he normally took a bus that served people in wheelchairs. The young man said, “Don’t worry, I’ll take care of you.” He picked up the stranger at his home, helped him to get to the baptism at our church, and carried him in and out of the baptistery. They’d only met once before in church. My prayer is “God help us all to have that same compassion. Help us not to be so busy, so caught up in our own lives that we miss opportunities to serve others.” God is asking you, will you carry someone? Maybe not physically, but will you help lighten their loads? Will you help bring their dreams to pass? Will you go out of your way to be good to them?
Joel Osteen (You Can You Will: 8 Undeniable Qualities of a Winner)
Our school bus driver was a middle-aged man named Ray, who might have shaved once a week, probably didn’t bathe that often, and his huge belly rubbed against the steering wheel as he maneuvered the vehicle. Ray had a perpetual scowl on his face and seemed to be in a trance-like state of detachment most of the time. Every once in a while, however, some particularly violent outburst summoned him from his reverie, and he would yell in an extremely loud, gravelly voice, 'SIT DOWN AND SHUT UP.' This was always a bit of a shock to the rioting passengers, but I don’t recall it having much of a calming influence for more than a few seconds. Other than this one phrase, I don’t believe Ray ever said much else to any of us (Page 33).
David B. Crawley (A Mile of String: A Boy's Recollection of His Midwest Childhood)
If India’s GDP went down because it ‘missed the bus’ of industrialization, it was because the British threw Indians under the wheels.
Shashi Tharoor (An Era of Darkness: The British Empire in India)