What A Comeback Quotes

We've searched our database for all the quotes and captions related to What A Comeback. Here they are! All 100 of them:

Screw you," I told him in a low voice. "Are you offering?” "From what I've heard, there isn't much to screw," I shot back.
Richelle Mead (Vampire Academy (Vampire Academy, #1))
Are you a female dog?" "What?" Massie asked. "Why?" "Because you are acting like a real bitch!
Lisi Harrison (The Clique (The Clique, #1))
When all by myself, I can think of all kinds of clever remarks, quick comebacks to what no one said, and flashes of witty sociability with nobody. But all of this vanishes when I face someone in the flesh: I lose my intelligence, I can no longer speak, and after half an hour I just feel tired. Talking to people makes me feel like sleeping. Only my ghostly and imaginary friends, only the conversations I have in my dreams, are genuinely real and substantial.
Fernando Pessoa
You're a Shadowhunter," he said. "You know how to deal with injuries." He slid his stele across the table toward her. "Use it." "No," Clary said, and pushed the stele back across the table at him. Jace slammed his hand down on the stele. "Clary—" "She said she doesn't want it," said Simon. "Ha-ha." "Ha-ha?" Jace looked incredulous. "That's your comeback?" Alec, folding his phone, approached the table with a puzzled look. "What's going on?" "We seem to be trapped in an episode of One Life to Waste," Magnus observed. "It's all very dull.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
She understands now what she, in all her worry, had forgotten. That even as she hesitates and wavers, even as she thinks too much and moves too cautiously, she doesn't always have to get it right. It's okay to look back, even as you move forward.
Jennifer E. Smith (The Comeback Season)
You know what’s really, powerfully sexy? A sense of humor. A taste for adventure. A healthy glow. Hips to grab on to. Openness. Confidence. Humility. Appetite. Intuition. … Smart-ass comebacks. Presence. A quick wit. Dirty jokes told by an innocent-looking lady. … A storyteller. A genius. A doctor. A new mother. A woman who realizes how beautiful she is.
Courtney E. Martin
No more tubs for me." I jumped off the bed and pulled on a pair of Pack sweats. "They make me lose all sense." Curran sprawled on the bed with a big self-satisfied smile. "Want to know a secret?" "Sure." "It's not the bathtub, baby." Well, aren't we smug. I picked up the corner of the lowest mattress and made a show of looking under it. "What are you looking for?" "A pea Your Majesty." "What?" "You heard me." I jumped back as he lunged and his fingers missed me by an inch. "Getting slow in your old age." "I thought you liked it slow." A flashback to last night mugged me and my mind executed a full stop. He laughed. "Ran out of snappy comebacks?" "Hush. I'm trying to think of one.
Ilona Andrews (Magic Bleeds (Kate Daniels, #4))
What trouble have you brought to my doorstep, Beka?" she asked. "I don't see where blaming me for things that began months ago will be useful," I replied.
Tamora Pierce (Bloodhound (Beka Cooper, #2))
LADY LAZARUS I have done it again. One year in every ten I manage it-- A sort of walking miracle, my skin Bright as a Nazi lampshade, My right foot A paperweight, My face a featureless, fine Jew linen. Peel off the napkin O my enemy. Do I terrify?-- The nose, the eye pits, the full set of teeth? The sour breath Will vanish in a day. Soon, soon the flesh The grave cave ate will be At home on me And I a smiling woman. I am only thirty. And like the cat I have nine times to die. This is Number Three. What a trash To annihilate each decade. What a million filaments. The peanut-crunching crowd Shoves in to see Them unwrap me hand and foot-- The big strip tease. Gentlemen, ladies These are my hands My knees. I may be skin and bone, Nevertheless, I am the same, identical woman. The first time it happened I was ten. It was an accident. The second time I meant To last it out and not come back at all. I rocked shut As a seashell. They had to call and call And pick the worms off me like sticky pearls. Dying Is an art, like everything else. I do it exceptionally well. I do it so it feels like hell. I do it so it feels real. I guess you could say I've a call. It's easy enough to do it in a cell. It's easy enough to do it and stay put. It's the theatrical Comeback in broad day To the same place, the same face, the same brute Amused shout: 'A miracle!' That knocks me out. There is a charge For the eyeing of my scars, there is a charge For the hearing of my heart-- It really goes. And there is a charge, a very large charge For a word or a touch Or a bit of blood Or a piece of my hair or my clothes. So, so, Herr Doktor. So, Herr Enemy. I am your opus, I am your valuable, The pure gold baby That melts to a shriek. I turn and burn. Do not think I underestimate your great concern. Ash, ash-- You poke and stir. Flesh, bone, there is nothing there-- A cake of soap, A wedding ring, A gold filling. Herr God, Herr Lucifer Beware Beware. Out of the ash I rise with my red hair And I eat men like air. -- written 23-29 October 1962
Sylvia Plath (Ariel)
Ancients pulled metals more precious than gold from the center of the earth - They spun into giant lacy wings that flew them to the stars and back "Is that what you'd do with wings?" She shook her head "No, I'd fly to the stars, but I'd never come back
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
When people want to win they will go to desperate extremes. However, anyone that has already won in life has come to the conclusion that there is no game. There is nothing but learning in this life and it is the only thing we take with us to the grave—knowledge. If you only understood that concept then your heart wouldn’t break so bad. Jealousy or revenge wouldn’t be your ambition. Stepping on others to raise yourself up wouldn’t be a goal. Competition would be left on the playing field, and your freedom from what other people think about you would light the pathway out of hell.
Shannon L. Alder
It is depressing to have to point out, yet again, that there is a distinction between having the legal right to say something & having the moral right not to be held accountable for what you say. Being asked to apologise for saying something unconscionable is not the same as being stripped of the legal right to say it. It’s really not very f-cking complicated. Cry “free speech” in such contexts, you are demanding the right to speak any bilge you wish without apology or fear of comeback. You are demanding not legal rights but an end to debate about and criticism of what you say. When did bigotry get so needy?
China Miéville
You believe in love, just as a child believes in Santa Claus or a fairy tale.” “What is love then, if not a fairy tale meant for adults?
Abhaidev (That Thing About You)
We walk for about an hour before Raffe whispers, “Does moping actually help humans feel better?” “I’m not moping,” I whisper back. “Of course you’re not. A girl like you, spending time with a warrior demigod like me. What’s to mope about? Leaving a wheelchair behind couldn’t possibly show up on the radar compared to that.” I nearly stumble over a fallen branch. “You have got to be kidding me.” “I never kid about my warrior demigod status.” “Oh. My. God.” I lower my voice, having forgotten to whisper. “You are nothing but a bird with an attitude. Okay, so you have a few muscles, I’ll grant you that. But you know, a bird is nothing but a barely evolved lizard. That’s what you are.” He chuckles. “Evolution.” He leans over as if telling me a secret. “I’ll have you know that I’ve been this perfect since the beginning of time.” He is so close that his breath caresses my ear. “Oh, please. Your giant head is getting too big for this forest. Pretty soon, you’re going to get stuck trying to walk between two trees. And then, I’ll have to rescue you.” I give him a weary look. “Again.” I pick up my pace, trying to discourage the smart comeback that I’m sure will come. But it doesn’t. Could he be letting me have the last say? When I look back, Raffe has a smug grin on his face. That’s when I realize I’ve been manipulated into feeling better. I stubbornly try to resist but it’s already too late.
Susan Ee (Angelfall (Penryn & the End of Days, #1))
If you are trying to decide among a few people to fill a position hire the best writer. it doesn't matter if the person is marketer, salesperson, designer, programmer, or whatever, their writing skills will pay off. That's because being a good writer is about more than writing clear writing. Clear writing is a sign of clear thinking. great writers know how to communicate. they make things easy to understand. they can put themselves in someone else's shoes. they know what to omit. And those are qualities you want in any candidate. Writing is making a comeback all over our society... Writing is today's currency for good ideas.
Jason Fried (Rework)
(About a cookbook...) - What about this one? Maids of Honor? - Weeelll, they starts OUT as Maids of Honor...but they ends up Tarts.
Terry Pratchett (Maskerade (Discworld, #18; Witches, #5))
You can tell all Namorn this is what happens when I am vexed," she informed him softly. "Little *bitch*," he snapped. Sandry looked him over soberly. "If you had understood that earlier, we could have avoided this unpleasantness," she replied.
Tamora Pierce (The Will of the Empress (The Circle Reforged, #1))
Okay, listen, I don't know what dumb lines you are used to giving girls so they fall all over you but I just want you to know that I wasn't born yesterday so I am gonna go now and leave you to whatever dumb idiot girl is gonna buy that line.
Andrea Portes (Anatomy of a Misfit)
(Seth) “So,” he said, looking me up and down, “you’re what the fuss was all about. I can’t say I’m impressed.” He sneered at me. “Still riding bulls, cowboy?” (Weber) “Nope.” I smirked at him. “I only ride his cock now.
Mary Calmes (Frog)
What are you assholes looking at?" "Nothing," said Radar. "We're certainly not looking at your eyebrows.
John Green (Paper Towns)
What had Miss Finch said, all those years ago? That there were no do-overs, no comebacks? That once someone was gone, they were gone forever. Dead flowers didn't bloom, and they didn't grow.
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
Get the point?" I asked, offering the boys a triumphant smile. Gabriel, Zeb, and Dick stared at me, aghast. "What? Sarcastic postkill comeback. Isn't that what you're supposed to do in situations like this? Too harsh?
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
Come back to me. Where have you gone? And why so long? I miss the star below your lip, the constellation on your chest. I miss your ways, how you net butter-flying words and release them for others to enjoy. I miss your tenderness, the sweetness of your breath and the song of your voice. I miss how you worship me. Come back to me once more. Why did you go? And whatever for? The heavens plotted against us. The clouds came and pissed on our lives. The smell of charged particles still lingers in the air. What will become of you and I? Come back to us.
Kamand Kojouri
What do you want me to do, learn to stutter?
Dashiell Hammett (The Maltese Falcon)
What can you answer? Now be careful, don’t arouse my spite, Or with my slipper I’ll take you napping, faces slapping Left and right.
Aristophanes (Lysistrata)
Don't grab hurtful comments and pull them close to you by rereading them and ruminating on them. Don't play with them by rehearsing your badass comeback. And whatever you do, don't pull hatefulness close to your heart. Let what's unproductive and hurtful drop at the feet of your unarmored self. And no matter how much your self-doubt wants to scoop up the criticism and snuggle with the negativity so it can confirm its worst fears, or how eager the shame gremlins are to use the hurt to fortify your armor, take a deep breath and find the strength to leave what's mean-spirited on the ground. You don't even need to stomp it or kick it away. Cruelty is cheap, easy, and chickenshit. It doesn't deserve your energy or engagement. Just step over the comments and keep daring, always remembering that armor is too heavy a price to pay to engage with cheap-seat feedback.
Brené Brown (Dare to Lead)
To get up when you are down, to fight more intensely when you are struggling; to put in the extra effort when you are in sheer pain, to comeback when nobody expects you to, and to stand tall when everyone is pulling you down are what make a champion
Apoorve Dubey
You see, there is a major downfall to living in a tourist town. You guessed it, the constant turnover of new people. You cannot really connect with anyone because no one is ever here for more than two weeks every year, if they comeback at all. The intruders never thought about what happens once they leave. ~ Stella
Michele Richard (Mocked by Destiny (Mocked, #1))
There's a peculiar thing that happens every time you get clean. You go through this sensation of rebirth. There's something intoxicating about the process of the comeback, and that becomes an element in the whole cycle of addiction. Once you've beaten yourself down with cocaine and heroin, and you manage to stop and walk out of the muck you begin to get your mind and body strong and reconnect with your spirit. The oppressive feeling of being a slave to the drugs is still in your mind, so by comparison, you feel phenomenal. You're happy to be alive, smelling the air and seeing the beauty around you...You have a choice of what to do. So you experience this jolt of joy that you're not where you came from and that in and of itself is a tricky thing to stop doing. Somewhere in the back of your mind, you know that every time you get clean, you'll have this great new feeling. Cut to: a year later, when you've forgotten how bad it was and you don't have that pink-cloud sensation of being newly sober. When I look back, I see why these vicious cycles can develop in someone who's been sober for a long time and then relapses and doesn't want to stay out there using, doesn't want to die, but isn't taking the full measure to get well again. There's a concept in recovery that says 'Half-measures avail us nothing.' When you have a disease, you can't take half the process of getting well and think you're going to get half well; you do half the process of getting well, you're not going to get well at all, and you'll go back to where you came from. Without a thorough transformation, you're the same guy, and the same guy does the same shit. I kept half-measuring it, thinking I was going to at least get something out of this deal, and I kept getting nothing out of it
Anthony Kiedis (Scar Tissue)
And it was why he loved her. One of the reasons, anyway. Because he also loved her bratty comebacks. He loved the way she put her entire self behind whatever she was doing, even if she had no idea what she was doing and was getting it all wrong. He loved the way she danced as if she was connected to the clouds and the sun and the rainbows. And he loved that she’d stormed into his life and turned everything upside down before he ever had a chance to stop her.
Bella Andre (Always on My Mind (San Francisco Sullivans, #8; The Sullivans, #8))
Think of it this way instead: I got better and I have a story and I want to tell the world what Jesus has done in my life because I want Jesus to be glorified. God may use counselors, medications, doctors, and all that, but it’s Jesus who heals you.
Louie Giglio (The Comeback: It's Not Too Late and You're Never Too Far)
What are you - Secret Service?' 'If I were, I wouldn't admit it.' 'And you're not admitting it, I notice.
Robert Goddard (The Ways of the World (The Wide World Trilogy #1))
But what clouds our view is the Enemy’s skill at cropping photos.
Louie Giglio (The Comeback: It's Not Too Late and You're Never Too Far)
We're humans, not machines. We have bad days. We have mental difficulties. We are inspired, yet we fail. We are not linear. We have hearts that break and souls we don't know what to do with. We kill and destroy but we build and make possible too. We've been to the moon and invented computers. We outsource most things but we still have to live with ourselves. We're pessimists who believe it's too late so what the hell? We're the comeback kids in love with second chances. And every New Year is another chance.
Jeanette Winterson (Christmas Days: 12 Stories and 12 Feasts for 12 Days)
Most sane human beings who have managed to attain and retain fame each uses it to dramatically increase their name’s chances of being remembered until Jesus comes back, since their heart cannot do what they consciously or unconsciously lust for, that is to say, for it to beat until Jesus returns.
Mokokoma Mokhonoana (The Use and Misuse of Children)
Beside her, she can feel each breath he draws. How is it possible to be so close to a person and still not know what you are to each other? With baseball, it's simple. There's no mystery to what happens on the field because everything has a label -- full count, earned run, perfect game -- and there's a certain amount of comfort in this terminology. There's no room for confusion and Ryan wishes now that everything could be so straightforward. But then Nick pulls her closer, and she rests her head on his chest, and nothing seems more important that this right here.
Jennifer E. Smith (The Comeback Season)
The general evolution is clear: bubbles aside, what we are witnessing is a strong comeback of private capital in the rich countries since 1970, or, to put it another way, the emergence of a new patrimonial capitalism.
Thomas Piketty (Capital in the Twenty-First Century)
What do you mean by that?” Her frustration got the best of her. “You’re so used to feeling superior that you’ve forgotten there are people who might know something you don’t.” One of his big, competent hands landed on the blade of his hip. “What’s your deal anyway? Do you feel like such a failure that you need to attack anybody who’s successful?” “No. Maybe. I don’t know. Fuck you.
Susan Elizabeth Phillips (First Star I See Tonight (Chicago Stars, #8))
You know what, Peabody? Justice means a little more to me than a pretty gold star on my record or some fucking captain’s bars. And if you want to go run after lover boy and stroke his ego, no one’s stopping you.’ Peabody’s jaw twitched, but her voice was even. ‘I’m not going anywhere, Lieutenant.’ ‘Fine, just stand here and look martyred because I—’ In midtirade, Eve stopped, sucked in her breath. ‘I’m sorry. You’re a goddamn handy target at the moment, Peabody.’ ‘Is that part of my job description? Sir.’ ‘You always have a fine comeback. I could learn to hate you for that.
J.D. Robb (Immortal in Death (In Death, #3))
People only want to hear the truth if it also happens to be what they want to hear.
Ella Berman (The Comeback)
Thing is, as ye git aulder, this character-deficiency gig becomes mair sapping. Thir wis a time ah used tae say tae aw the teachers, bosses, dole punters, poll-tax guys, magistrates, when they telt me ah was deficient:'Hi, cool it, gadge, ah'm jist me, jist intae a different sort ay gig fae youse but, ken?' Now though, ah've goat tae concede thit mibee they cats had it sussed. Ye take a healthier slapping the aulder ye git. The blows hit hame mair. It's like yon Mike Tyson boy at the boxing, ken? Every time ye git it thegither tae make a comeback, thir's jist a wee bit mair missin. So ye fuck up again. Yip, ah'm jist no a gadge cut oot fir modern life n that's aw thir is tae it, man. Sometimes the gig goes smooth, then ah jist pure panic n it's back tae the auld weys. What kin ah dae?
Irvine Welsh (Trainspotting)
No, he wants to help me get into Italian movies.” Quick comeback from Cliff: “Then what’s the problem?” Rick screams, “I gotta do fuckin’ Italian movies, that’s the goddamn fuckin’ problem!
Quentin Tarantino (Once Upon a Time in Hollywood)
Where is he?” she demanded, though she wasn’t too worried about the answer. Paris and Zacharel were friends despite their differences, and Wrath had yet to make a peep. “I took him to the castle and dropped him on the bridge.” Reevaluation time. Paris and Zacharel were not friends on any level. Wrath, on the other hand, must think angels could do no wrong. “Why would you do that?” Sure, Paris would be carried inside and locked up. Sure, he would escape, and he would be fine. But none of that mattered to her just then. Fury rose, dark and hot and dangerous. Calm down. Before she whipped out that crystal blade Paris had given her and went to town on angel flesh. She’d so had enough of males and their abuse of supernatural abilities. Zacharel blinked as if the answer should be obvious to one and all. “That, as you called it, is what one male does to another when they are arguing.” “No. No, it’s not.” His lips edged down in the slightest of frowns. “That is what your Paris did to William of the Dark only this morn.” Well, she had no comeback for that, did she?
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
Your comeback depends upon coming home to your Father. Accept His love and forgiveness. Allow Him to restore you, celebrate you, and transform you so that you won't have to go through this setback again. And remember, no matter what, He is there for you!
Tim Storey (Comeback & Beyond: How to Turn Your Setback into Your Comeback)
God knows what it is going to take to get the greatest results. He dress your past, your present, and your future. He has a remarkable design for your life and all you need to do is submit to His gentle hands. It is at that moment you become His masterpiece in motion.
Tim Storey (Comeback & Beyond: How to Turn Your Setback into Your Comeback)
I don't know what love is, But i know what true love is, It is when two people encourages each other to grow , Who will let you go out the world and trust that you will come back. This is what true love is about.
Lyza Matociños
What is a whore?" Unsurprisingly, that hadn't been one of the words we had shared over the last span of days. For half a moment I considered lying, but there was no way I could manage it. "He says your mother is a person men pay money to have sex with." Tempi turned back to the mercenary and nodded graciously. "You are very kind. I thank you.
Patrick Rothfuss (The Wise Man’s Fear (The Kingkiller Chronicle, #2))
What the hell are we supposed to do!” Nixon exploded in exasperation. “Paint our asses white and run with the antelopes!
Patrick J. Buchanan (The Greatest Comeback: How Richard Nixon Rose from Defeat to Create the New Majority)
And the challenge in the next round would be determined by the winner of this test. "Like, what, the DOM-matrix?" ~Tara Reese
Lucian Bane (Dom Wars: Round Two (Dom Wars, #2))
But science should be based in fact, not fashion. And policy should be based on science. Facts shouldn’t change. And indeed, they don’t. But their interpretation does. Consider the idea that inflammation causes heart disease. First espoused in the late 1800s after the invention of aspirin by Bayer, this idea was relegated to the dustbin of medical science in favor of the cholesterol hypothesis, which reigned for the second half of the twentieth century. But over the last decade, the “inflammation hypothesis” has made a decided comeback, and is now thought to be the primary factor in the genesis of atherosclerotic plaques and thrombosis.
John Yudkin (Pure, White, and Deadly: How Sugar Is Killing Us and What We Can Do to Stop It)
Suddenly William loomed over him, scowling, snarling and bloody, his suit dirt-stained and ripped. “Do you know. How many strands. Of hair I lost. On my way down?” Whatever. “Math was never my thing, but I’m gonna say you lost…a lot.” Electric-blues glittered with menace. “You are a cruel, sadistic bastard. My hair needs TLC and you…you… Damn you! I’ve gutted men for less.” “I know. I’ve watched you.” Paris lumbered to his feet and scanned the rocky bank they stood upon, the crimson ocean lapping and bubbling in every direction. The drawbridge was only a fifty-yard dash away. “Don’t kill the messenger, but I’m thinking you should change your dating profile to balding.” Masculine cheeks went scarlet as the big bad warrior struggled for a comeback. … “One of these days you’re going to wake up,” William finally said, “and I will have shaved you. Everywhere.” “Won’t make a difference. Women will still want me. But you know what else? What I did to you wasn’t cruel, Willy.” He offered the warrior a white-flag grin. A trick. A lie. “This, however, is.” He grabbed William by the wrist, swung the man around and around before at last releasing him and hurling his body directly onto the bridge.
Gena Showalter (The Darkest Seduction (Lords of the Underworld, #9))
These seats taken?" Chloe gestured at at the empty chairs. Amber nodded. "What, by all your imaginary friends?" "Yes, actually," Amber snapped. "And they are way better company than you.
Siobhan Curham (Tell it to the Moon (The Moonlight Dreamers, #2))
Wow. This place looks classy. The smell of fertilizer and rot is really in this season. Remind me, what are we doing here?” she asked looking at him with a coy smile. “Did we come for bait?
Dennis Sharpe (Wednesday)
In truth, if Kitty's anyone, she's a Jefferson. Wily, stylish, quick with a comeback. Margot's an Angelica, no question. She's been sailing her own ship since she was a little girl. She's always known who she was and what she wanted. I suppose I'm an Eliza, though I'd much rather be an Angelica. In truth I'm probably And Peggy. But I don't want to be the And Peggy of my own story. I want to be the Hamilton.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
To get up when you are down,to fight more intensely when you are struggling; to put in the extra effort when you are in sheer pain, to comeback when nobody expects you to, and to stand tall when everyone is pulling you down are what make a champion
Apoorve Dubey
There’s no great dividing line between being a kid and an adult. We’re not all caterpillars turning into butterflies. You are what you are. When you grow up, you may be more careful than when you were a kid. You don’t say what you think as much as you once did. You learn to play nice. But you’re still the same person who did good things or rotten things when you were young. Whether you feel good about them or bad … whether you regret them. Well, that’s a different thing. But it’s not like they disappear forever.
Matthew Dicks (The Perfect Comeback of Caroline Jacobs)
You are not going to do it?” His voice was calm but gravelly. A rich, deep baritone that held no fear. “I cannot say I am disappointed.” “I… I…” In the history of great comebacks, that had to rank in the top three. Idiot. “If you are not going to stake me, what do you intend?” “I… I…” Oh, come on, Addison. At least get out a verb. “I found you. All I want is for you to be well enough to leave.
Lauren Stewart (Unseen (The Heights, #1))
What’s bothering you, son?” Jem came to the point: “Mr. Ewell.” “What has happened?” “Nothing’s happened. We’re scared for you, and we think you oughta do something about him.” Atticus smiled wryly. “Do what? Put him under a peace bond?” “When a man says he’s gonna get you, looks like he means it.” “He meant it when he said it,” said Atticus. “Jem, see if you can stand in Bob Ewell’s shoes a minute. I destroyed his last shred of credibility at that trial, if he had any to begin with. The man had to have some kind of comeback, his kind always does. So if spitting in my face and threatening me saved Mayella Ewell one extra beating, that’s something I’ll gladly take. He had to take it out on somebody and I’d rather it be me than that houseful of children out there. You understand?
Harper Lee
And when the time finally comes to say good-bye, she'll swallow hard against the tightness of her throat and the weight of her heart. She'll think I'll miss you and she'll think don't go and she'll think please. But what she'll finally say is simply thank you, and it will mean all of these things - everything promised and remembered, everything wordless and spoken and understood - and so much more.
Jennifer E. Smith (The Comeback Season)
Believing realists are called believers because they believe what God promised them over anything they encounter in the natural realm of life. They don't DENY the circumstances; they believe God can CHANGE the circumstances, USE the circumstances to their advantage, or OVERCOME the circumstances altogether. They make their decisions based upon what God has said to them deep in their hearts, which is divine revelation.
Tim Storey (Comeback & Beyond: How to Turn Your Setback into Your Comeback)
To understand, I destroyed myself. To understand is to forget about loving. I know nothing more simultaneously false and telling than the statement by Leonardo da Vinci that we cannot love or hate something until we’ve understood it. Solitude devastates me; company oppresses me. The presence of another person derails my thoughts; I dream of the other’s presence with a strange absent-mindedness that no amount of my analytical scrutiny can define. Isolation has carved me in its image and likeness. The presence of another person – of any person whatsoever – instantly slows down my thinking, and while for a normal man contact with others is a stimulus to spoken expression and wit, for me it is a counterstimulus, if this compound word be linguistically permissible. When all by myself, I can think of all kinds of clever remarks, quick comebacks to what no one said, and flashes of witty sociability with nobody. But all of this vanishes when I face someone in the flesh: I lose my intelligence, I can no longer speak, and after half an hour I just feel tired. Yes, talking to people makes me feel like sleeping. Only my ghostly and imaginary friends, only the conversations I have in my dreams, are genuinely real and substantial, and in them intelligence gleams like an image in a mirror. The mere thought of having to enter into contact with someone else makes me nervous. A simple invitation to have dinner with a friend produces an anguish in me that’s hard to define. The idea of any social obligation whatsoever – attending a funeral, dealing with someone about an office matter, going to the station to wait for someone I know or don’t know – the very idea disturbs my thoughts for an entire day, and sometimes I even start worrying the night before, so that I sleep badly. When it takes place, the dreaded encounter is utterly insignificant, justifying none of my anxiety, but the next time is no different: I never learn to learn. ‘My habits are of solitude, not of men.’ I don’t know if it was Rousseau or Senancour who said this. But it was some mind of my species, it being perhaps too much to say of my race.
Fernando Pessoa
Don’t grab hurtful comments and pull them close to you by rereading them and ruminating on them. Don’t play with them by rehearsing your badass comeback. And whatever you do, don’t pull hatefulness close to your heart. Let what’s unproductive and hurtful drop at the feet of your unarmored self. And no matter how much your self-doubt wants to scoop up the criticism and snuggle with the negativity so it can confirm its worst fears, or how eager the shame gremlins are to use the hurt to fortify your armor, take a deep breath and find the strength to leave what’s mean-spirited on the ground. You don’t even need to stomp it or kick it away. Cruelty is cheap, easy, and chickenshit. It doesn’t deserve your energy or engagement. Just step over the comments and keep daring, always remembering that armor is too heavy a price to pay to engage with cheap-seat feedback.
Brené Brown (Dare to Lead: Brave Work. Tough Conversations. Whole Hearts.)
To answer your question, yes, you may kiss my ass. Normally I prefer to maintain my personal space, but you’re a Friend of the Pack and your services have proven useful once or twice. I strive to accommodate the wishes of persons friendly to my people. My only question is, would your kissing my ass be obeisance, grooming, or foreplay?” “You didn’t answer my question,” Curran said. “What will it be?” “No,” I said. Curran grinned and my heart made a little jump. I didn’t expect that. “That’s it? That’s your witty comeback?
Ilona Andrews (Magic Strikes (Kate Daniels, #3))
He raises his hand to my face again and I allow the touch. His fingers slide along my jawline and the warmth of his caresses radiates past my skin and into my bloodstream. Pleasing goose bumps rise on my neck. “Do you think you’ll come back sometime?” he asks. “And let me help you with your car?” My ears ring with the staccato thrum, thrum, thrum of my heart. Holy crap, I can’t believe this is happening to me. “I’ll make it work. I swear.” The words tumble out of my mouth without thought. That’s not true. Actually, they tumble out with a lot of thought of how my parents won’t approve, of how my brothers will kill Isaiah, then possibly kill me. But in this moment, I don’t care what any of them think.
Katie McGarry (Crash into You (Pushing the Limits, #3))
Ignatov: "...History has shown charm to be the final ambition of the leisure class. What I do find surprising is that the author of the poem in question could have become a man so obviously without purpose. " Rostov: "I have lived under the impression that a man's purpose is known only to God." Ignatov: "Indeed. How convenient that must have been for you.
Amor Towles (A Gentleman in Moscow)
I can almost remember what it was like to know I was happy at the exact moment I felt it, as opposed to only after the moment has passed.
Ella Berman (The Comeback)
I hate you.” “Hate you too, Kitty Cat. So very much.” The nickname made me forget my comeback. “What? No don’t call me that?” he said in a high-pitched, nasally voice. “I don’t sound like that.” “That’s the way all women sound to me.” “You’re such a pig.” “You mean faerie prince.” “More like woodland swine.” He chuckled. “It’s so easy to rile you up. So easy.
Olivia Wildenstein (Rowan Wood Legends (The Lost Clan, #2))
As I watched him, I wondered how many times a heart can heal. Are we allotted a specific number of comebacks from heartbreak? Or is that what really kills us, in the end—not strokes or cancer or pneumonia—but instead just one too many blows to the heart? Doctors talk of 'cardiac insults'—such a perfect tun of phrase—but they know nothing of the heart, not truly.
Elizabeth J. Church (The Atomic Weight of Love)
Indeed, an astoundingly small proportion of arguments ‘for free speech’ and ‘against censorship’ or ‘banning’ are, in fact, about free speech, censorship or banning. It is depressing to have to point out, yet again, that there is a distinction between having the legal right to say something & having the moral right not to be held accountable for what you say. Being asked to apologise for saying something unconscionable is not the same as being stripped of the legal right to say it. It’s really not very f-cking complicated. Cry “free speech” in such contexts, you are demanding the right to speak any bilge you wish without apology or fear of comeback. You are demanding not legal rights but an end to debate about and criticism of what you say. When did bigotry get so needy? This assertive & idiotic failure to understand that juridical permissibility backed up by the state is not the horizon of politics or morality is absurdly resilient.
China Miéville
We’ll never be able to do what God purposes unless we let God take away all the facades and rip off all the layers of gunk surrounding our hearts. We need God’s power to start working at the base.
Louie Giglio (The Comeback: It's Not Too Late and You're Never Too Far)
No, Gerard.” Shaking her head, she hooked an arm around his shoulders and leaned in close enough to stroke his nose with hers. “You’re the broken boy. He’s the comeback kid.” “If I’m broken, then what does that make you, Claire-Bear?” “I don’t know, Gerard,” she teased. “What does it make me?” “My it girl,” he purred, arms coming around her as he closed the space between their noses. “My everything girl.
Chloe Walsh (Redeeming 6 (Boys of Tommen, #4))
So what? Why should an a priori proof of the libertarian property theory make any difference? Why not engage in aggression anyway?” Why indeed?! But then, why should the proof that 1+1=2 make any difference? One certainly can still act on the belief that 1+1=3. The obvious answer is “because a propositional justification exists for doing one thing, but not for doing another.” But why should we be reasonable, is the next come-back. Again, the answer is obvious. For one, because it would be impossible to argue against it; and further, because the proponent raising this question would already affirm the use of reason in his act of questioning it. This still might not suffice and everyone knows that it would not, for even if the libertarian ethic and argumentative reasoning must be regarded as ultimately justified, this still does not preclude that people will act on the basis of unjustified beliefs either because they don’t know, they don’t care, or they prefer not to know. I fail to see why this should be surprising or make the proof somehow defective.
Hans-Hermann Hoppe (The Economics and Ethics of Private Property: Studies in Political Economy and Philosophy)
What is the difference between people who thrive and people who decline over a long period of time? It’s not that they don’t get knocked down; it’s that they bounce back up. Every successful person I can think of has had to come back from discouraging circumstances. That’s true of people I know personally and those I read about in the Bible. As a matter of fact, every single person in the Bible is a comeback story from something.
Ray Johnston (The Hope Quotient)
It's halftime. Both teams are in their locker room discussing what they can do to win this game in the second half. It's halftime in America, too. People are out of work and they're hurting. And they're all wondering what they're going to do to make a comeback. And we're all scared, because this isn't a game. The people of Detroit know a little something about this. They almost lost everything. But we all pulled together, now Motor City is fighting again. I've seen a lot of tough eras, a lot of downturns in my life. And, times when we didn't understand each other. It seems like we've lost our heart at times. When the fog of division, discord, and blame made it hard to see what lies ahead. But after those trials, we all rallied around what was right, and acted as one. Because that's what we do. We find a way through tough times, and if we can't find a way, then we'll make one. All that matters now is what's ahead. How do we come from behind? How do we come together? And, how do we win? Detroit's showing us it can be done. And, what's true about them is true about all of us. This country can't be knocked out with one punch. We get right back up again and when we do the world is going to hear the roar of our engines. Yeah, it's halftime America. And, our second half is about to begin.
Clint Eastwood
My relationship with God has evolved as well. I no longer rail or beg or sass back. I was standing on a bluff over the ocean the other day and suddenly laughed out loud as I realized what an illusion that was, what an impossibility. That would assume a relationship between a “me” and “Other,” a separation. There is no otherness; to be separate from God is to be separate from myself, from life itself. What I’ve been looking for, I’m looking with.
Claire Fontaine (Comeback: A Mother and Daughter's Journey Through Hell and Back)
In the end, the record companies have the power to control the quality that is served online. Online service has been problematic in that it actively or discreetly promotes trading and duplication of music. It is not offensive to me that the MP3-quaility sound is traded around. It is, in my opinion, the new radio and serves a great purpose: making music lovers away of the content tat is out there to buy. If the consumers want it, let tham take it, whatever quality they prefer. Ultimately, nothing can stop absolute quality from making a big comeback. The stage is well set. I believe in what I am trying to do and that good Karma will come from it. It is just a matter of time.
Neil Young
Nor did I grasp the capacity of love's absence to destroy, that my lack of love for myself made my own life unbearable. You take someone whose life experiences have taught them they're worthless, string them out on drugs, and you have one miserable person. How could I have given what I didn't have? It's hard to value another life when you view your own as dispensable, hard to understand how you can have so great an effect on someone else when you don't think you matter.
Mia Fontaine (Comeback: A Mother and Daughter's Journey Through Hell and Back)
words in the Oxford English Dictionary? antidisestablishmentarianism—in short, conservatism; getting in the way of change. floccinaucinihilipilification—the action or habit of estimating something as worthless. MY FATHER’S FAVORITE COMEBACK IN AN ARGUMENT: “DON’T be facetious.” Nothing I said had meaning. It was always simplistic, flippant, juvenile, unsubstantiable, silly, girlish. The synonyms pile up, evacuating whatever claim I’d made, whatever feeling or fact stood behind the claim, turning my mouth into a black hole. Now, educated by Rebecca Solnit and Sarah Seltzer, I’d knowingly call what he was doing gaslighting, sealioning, lollipopping. Actually, I’d go one better: I’d call it Cordelia-ing: “Nothing comes from nothing. Speak again.” The rendering of a daughter as puppet, scripted, voice too sweet and low to carry meaning. No. I’d call it floccinaucinihilipilification. All the mansplaining tactics summed up: the action and habit of estimating something as worthless. It worked.
Roxane Gay (Not That Bad: Dispatches from Rape Culture)
I didn’t get far when he was suddenly behind me. He looped his finger through my belt and practically dragged me to the corner he’d been standing in. “What the fu….” “Stay still,” he ordered. “I need you to block the wind.” I didn’t have any snappy comebacks, so I simply stood there, amazed by his gruffness. Hadn’t anyone ever taught him simple manners? When I looked at him, I thought that maybe they hadn’t. I could easily imagine him as a little Mowgli type, being raised by animals in the jungle.
L.H. Cosway (Hearts of Fire (Hearts, #2))
Stop looking at me like that,” I say, frowning and rubbing at my chest. He has this habit of making my heart sore, making my lungs feel like there’s not enough air. He tilts his head attractively, which only makes matters worse. “Like what?” “Like you’re molesting me with your eyes,” I blurt out. His answering laugh is long and deep. I can barely handle the affection in his gaze. “Okay, I’ll try to stop. But if it all gets to be too much for you, this apartment happens to have a very nice bathroom. You can go rub one out again to take the edge off. I’ll come listen, too, if that will help.” There he goes again, pushing me. I do a slow blink at him before coming out with a rather masterful comeback. And when I say “masterful,” I mean shit. “Why don’t you go and rub one out?” He cocks an eyebrow. “I don’t rub out, darlin’. I jack off.
L.H. Cosway (Six of Hearts (Hearts, #1))
The most vicious demons have always been my own, and I’ve never learned how to protect myself from them. I have tried moving quietly through the world, figuring that if I could just forget what happened, then I could move on, but maybe it doesn’t work like that. Maybe it’s never been that simple.
Ella Berman (The Comeback)
Adam blinked and turned to Sean. “Bikini or what?” Sean still stared at my boobs. Slowly he brought his strange pale eyes up to meet my eyes. “This does a lot for you,” he said, gesturing to the bikini with the hand flourish of Clinton from What Not to Wear. Surely this was my imagination. He didn’t really know I’d been studying how to be a girl for the past year! “Sean,” I said without missing a beat, “I do a lot for the bikini.” Cameron snorted and shoved Sean. Adam shoved him in the other direction. Sean smiled and seemed perplexed, like he was trying to think of a comeback but couldn’t, for once.
Jennifer Echols (The Boys Next Door (The Boys Next Door, #1))
Anything else you want to know? Dental records, fingerprints? Retinal scan?" "Urine sample would work." She rolled her eyes. "What cup you want me to use?" He was intrigued by her comebacks and the fact that she didn't appear angry over his questioning and word choice. "Does anything faze you?" "I fight people for a living. Do you honestly think peeing in a cup is going to frighten me?" She had a point… providing she wasn't lying about her occupation. Without a word, Aidan pulled a glass out of his cabinet and handed it to her. Her jaw dropped. "You've got to be kidding me? You really want a urine sample?" He actually smiled at her question. "Not hardly, but I thought you might be thirsty. The drinks are in the fridge." For once he saw relief in her gaze before she went and poured herself a glass of milk. "Thanks for showing some mercy." "Yeah," he said bitterly. "Just remember to return the favor." "Is that supposed to mean something?" He shrugged. "Just in my experience, all people do is take. None of them give a damn about helping someone else." "And sometimes people can surprise you." "Yeah. You're right. I'm constantly amazed by the unprovoked treachery they're capable of." She shook her head. "Wow, you arejaded.(Leta & Aidan)
Sherrilyn Kenyon (Upon the Midnight Clear (Dark-Hunter, #12; Dream-Hunter, #2))
He leisurely puts his arm on the back of my chair, and plucks a grape from my plate. A deafening silence falls at the table. Everyone is looking at us. Everyone. "What about you, Mike?" Levi asks without bothering to look up from my food. "I heard there were problems with your tenure packet. How's that coming along?
Ali Hazelwood (Love on the Brain)
The new home fashion will be spare. This will be the return of an old WASP style: the good, frayed carpet; dogs that look like dogs and not a hairdo in a teacup, as miniature dogs back from the canine boutique do now. A friend, noting what has and will continue to happen with car sales, said America will look like Havana—old cars and faded grandeur. It won't. It will look like 1970, only without the bell-bottoms and excessive hirsuteness. More families will have to live together. More people will drink more regularly. Secret smoking will make a comeback as part of a return to simple pleasures. People will slow down. Mainstream religion will come back. Walker Percy again: Bland affluence breeds fundamentalism. Bland affluence is over.
Peggy Noonan
I can accept failure," said the wise one, knowing failure is just a stepping stone to epic success. It's like a crash course in winning, teaching you what not to do on the path to greatness. So, embrace failure like your quirky sidekick, guiding you through the plot twists of life with humor and resilience. Remember, failure isn't the end; it's the prequel to your legendary comeback story!
Life is Positive
Guess what? Grace is more powerful than consequences. Grace overwhelms consequences. Even with consequences there is love and grace and the mercy of God in Christ. Jesus says to us, “I know you messed up, and I know there are consequences, but I want to walk with you through the consequences. I want to love you through the consequences. And I even want to use the consequences in this whole big story.
Louie Giglio (The Comeback: It's Not Too Late and You're Never Too Far)
Power is certainly important, particularly in dictatorships, in places where constitutions, laws, unwritten rules, traditions and understandings don’t count. But in a healthy democracy, power is a surprisingly limited element. And the unwritten conventions, understandings, forms of respect for how things are done, for how citizens relate to government and to each other, are surprisingly important. Why? Because if democracy is only power, then what we are left with is a system of deep distrust. Why? Because if only power matters – even if it is the result of an election – then the government feels that it has a mandate to do whatever it wants; that the law is there principally to serve power. If democracy is only about winning power and using it, then it has been deformed into a denial of society and of the idea of responsible citizenship.
John Ralston Saul (The Comeback: How Aboriginals Are Reclaiming Power And Influence)
That it’s possible. You just have to fight. It will not be easy. But you can manage. Because life is giving you as much pain as you are capable [of living] with. And on the end of that path, the goal will be reachable. You will have suffered to do [it], but it doesn’t matter.” I can think of no better words to encapsulate what it means to accept the reality of a difficult situation. It will not be easy. You will suffer. But it doesn’t matter.
Matt Fitzgerald (The Comeback Quotient: A Get-Real Guide to Building Mental Fitness in Sport and Life)
Tyler pulls his shirt down over his head and I pretend like I’m not sad to see his naked abs go. “I can’t believe you’re kicking me out at three-o’clock in the morning,” he grumbles as he slides his feet into tennis shoes without bothering to tie them. He walks over to the window and slides it open, looking back at me and smirking. “So, same time, same place tomorrow?” Rolling my eyes, I shake my head. “No. Absolutely not. We’re not doing this anymore. Leave and don’t come back.” He’s got one leg swung over the windowsill and his body halfway out before he jerks his head back inside and stares at me in surprise. “What? What do you mean ‘don’t come back? Like, don’t come back tomorrow, or ever?” “Ever. This was a huge mistake.” He actually has the nerve to growl at me thank god he didn’t whinny or I’d be puking right into my lap. “Fine! But You’ll be begging for another piece of Tyler, mark my words!” “Jesus Christ, don’t talk about yourself in third person,” I complain. “They comeback, They always come back to Tyler,” he mutters with another smirk, completely ignoring me. “By ‘they’, I’m assuming you’re talking about the ponies you were dreaming about?” I chuckle. “Fuck your face! Fuck you face right now!” he demands. “Get the hell out of my bedroom and don’t come back, Prancer!” I fire back. Sticking his tongue out at me in one poorly-executed, last ditch effort to put me in my place, he tries to smoothly exit my window but his head smacks against the frame. He Lets go of the sill to grab his wounded head and loses his balance, falling out the window and into the shrubs on the otherside. “Mother fucking dick fuck ass cake piece of shit shrub!
Tara Sivec (Passion and Ponies (Chocoholics, #2))
When the music stopped, the curtains to their booth flew open. Jax, the devastatingly handsome Nordic wolf, leered down on the lovers, who smiled up at him in amusement. “I said pretend to be her mate. At any point, did you hear me say, ‘Come up to New York and fuck my sister in public…during one of my company events?’ Did I say that? I really don’t recall saying that.” Jax scrubbed his fingers over his tightly cropped hair. He moved to the balcony, overlooking the patrons who were shuffling into the lobby for the intermission. “Sorry.” Dimitri laughed. He knew that they should have been slightly less conspicuous but the draw of his mate had been too much to resist. “Sorry? Really? That’s all you’ve got?” He turned to Gillian, who scrambled up to her feet, adjusting her dress. “And you? What’s your excuse, little sister? Seriously, every shifter in the room could hear you.” “Um, well, yeah, sorry about that. But technically this is your fault. I mean, what did you expect? You asked Dimitri to come here…to pretend to be my mate.” Gillian reasoned that her comeback sounded solid, inexperienced in dealing with her Alpha brother.
Kym Grosso (Dimitri (Immortals of New Orleans, #6))
He wished he had some witty, romantic comeback. But he was the man he was, and words had never been a gift. “How about Delgado? I want to marry you. I want to be a daddy to this baby.” He touched his forehead to hers and his heart spilled out. “I want… Oh, God, Jose… I love you so much. I love this baby. I was so scared I was going to lose you and I was never going to get the chance to tell you that I finally wised up and believed what you knew all along.” She lifted one hand to stroke his jaw with her soothing touch. “That we were meant to be together?” “That I can love—that I do love. You.” He turned his face to press a kiss into her palm. “Hell, honey, I’ve got nothing without you. I am nothing without you.
Julie Miller (Protecting the Pregnant Witness (The Precinct: SWAT #3; The Precinct #15))
I see in the papers that the singer, Frank Ifield, popular in the fifties, is planning a comeback. I remember reviewing his debut at the Palladium under the insane misapprehension that he was blind. (I had him confused with a blind vocalist who bore a similar name.) I watched agape with admiration while he strolled around the stage with every appearance of knowing where he was going, and I burst into spontaneous applause as he strode down to within a foot of the orchestra pit without the least sign of fear. By the end of his act I was misty with tears at the thought of his courage. I often wonder what he thought when he read the review in which I congratulated him on the gallantry with which he had overcome the handicap of sightlessness.
Kenneth Tynan (The Diaries of Kenneth Tynan)
Joan [Blondell] had always kept it real, always kept her priorities straight. “I wasn’t that ambitious. I enjoyed a home life more than a theatrical career. I just took what they gave me, because I wanted to get home quickly.” Joan, said one writer, personified everyone’s “good friend,” on- and off-camera. “Of all the stars I have interviewed,” wrote Charles Higham, “I have liked Joan Blondell the best. She is unique in my experience in being an actress who is devoid of ego, self-congratulation and self-pity, and would not dream of quoting a favorable review of herself. She is down-to-earth and human and real. This is almost unheard of in Saran-wrapped Hollywood.” Her accessibility, straightforwardness and her quick-with-a-comeback attitude was her appeal, and it never diminished as she got older.
Ray Hagen (Killer Tomatoes: Fifteen Tough Film Dames)
Isolation has carved me in its image and likeness. The presence of another person – of any person whatsoever – instantly slows down my thinking, and while for a normal man contact with others is a stimulus to spoken expression and wit, for me it is a counterstimulus, if this compound word be linguistically permissible. When all by myself, I can think of all kinds of clever remarks, quick comebacks to what no one said, and flashes of witty sociability with nobody. But all of this vanishes when I face someone in the flesh: I lose my intelligence, I can no longer speak, and after half an hour I just feel tired. Yes, talking to people makes me feel like sleeping. Only my ghostly and imaginary friends, only the conversations I have in my dreams, are genuinely real and substantial, and in them intelligence gleams like an image in a mirror.
Fernando Pessoa (The Book of Disquiet)
Dan’s features showcased a mixture of intense confusion and frustration, and a small little voice in my head wondered if it was too late. If our chance had passed. I glared at that voice and shut a door in its face. What a stupid voice. You can’t sit here, voice. NEVER COME BACK! While I was berating my doubt, the cloud of confusion hovering over Dan’s features abruptly cleared and his stare cut to mine. It startled me because—lo and behold—the sexy eyes were back. Boy oh boy, were they back. Dan was legit bringing sexy back. Whoa. In the next moment, his mouth hooked upward and he pushed away from the wall, sauntering toward me. Instinctively, I took two steps back. “Kit-Kat.” He wagged a finger at me, like I’d been naughty. “You liked me.” “You liked me, you just said so,” I volleyed back, the words sounding like an accusation. “I did.” His grin grew and his voice deepened. “And I do.” Oh. Okay. Here we go.
Penny Reid (Marriage of Inconvenience (Knitting in the City, #7))
Excuse me," a breathy female voice came from beside her, and she lifted her head. A stunning blonde in a dress cut down to her belly button and up to her crotch hovered beside the table. "Yes?" she asked, not certain whether to scream or laugh. "Are you Richard Addison?" the woman breathed, ignoring Sam. Rick blinked. "Oh, me. I thought you were talking to her. Yes, I am." "Could I have your autograph?" "Certainly. Do you have a pen?" The woman held out a napkin and a pen, and Rick signed his name. "There you go." "How about your phone number?" The woman gave a low giggle, but pressed the napkin back into Rick's hand. Sam would have stood, but Rick kicked her under the table. "Ouch," she grumbled, glaring at him. "I'm sorry, but I don't give out my phone number." "Are you sure?" Belly Button Girl licked her lips. "If I might make a comment," Rick continued, granting her a warm smile, though Sam noted that his eyes remained cool and untouched, "I'm a bit occupied right now, enjoying the company of a very lovely young lady with whom I enjoy spending my every spare moment." He straightened further, lowering his voice to a bare murmur. "So I thank you for your interest, but I am never in a million years going to give you my phone number. Good evening." Her face turning scarlet under its inch of makeup, the woman turned away, departing with a sway of her perfect hips. "You're so cool," Sam breathed. "You could at least pretend to be jealous," he said, pulling her hand across the table to kiss her knuckle. She had been jealous, but no way was she going to tell him that. Not until she could figure out for herself what the hell it meant. At least she hadn't panicked and tried to belt a near-naked woman for sneaking up behind her. "She's not your type." "And what precisely is my 'type'?" he asked. "The kind who could have handed you a comeback instead of just stomping away.
Suzanne Enoch (Flirting With Danger (Samantha Jellicoe, #1))
But what we did do is get interstitials with different colors and movement that reflected the scene that just happened or previewed the one to come. I started to match what my comedic take on the end of a scene was with what the interstitial was doing. I gave them names. One was called “Up Yours,” so if somebody slams somebody [or has a comeback to what they say], the atom would swoop up like an arm coming up at you. If it was a goofy ending, I had one that would swirl through called “Oogle Google.” If the scene was a hard-hitting, funny moment, it would come straight at the camera, which I called “Coming at Ya.” And then if the scene was with Penny, Amy, and Bernadette, I had one with three atoms called “Triple Threat.” If the four guys were in the scene, it would be atoms from the four corners that would come straight at you. I also started to match the colors to the scene. I would use the aquamarine color if we were coming out of or going to Penny’s apartment because it matched her couch or what they were wearing. My assistant and I knew, and that was it. I never told anybody.
Jessica Radloff (The Big Bang Theory: The Definitive, Inside Story of the Epic Hit Series)
Except then a local high school journalism class decided to investigate the story. Not having attended Columbia Journalism School, the young scribes were unaware of the prohibition on committing journalism that reflects poorly on Third World immigrants. Thanks to the teenagers’ reporting, it was discovered that Reddy had become a multimillionaire by using H-1B visas to bring in slave labor from his native India. Dozens of Indian slaves were working in his buildings and at his restaurant. Apparently, some of those “brainy” high-tech workers America so desperately needs include busboys and janitors. And concubines. The pubescent girls Reddy brought in on H-1B visas were not his nieces: They were his concubines, purchased from their parents in India when they were twelve years old. The sixty-four-year-old Reddy flew the girls to America so he could have sex with them—often several of them at once. (We can only hope this is not why Mark Zuckerberg is so keen on H-1B visas.) The third roommate—the crying girl—had escaped the carbon monoxide poisoning only because she had been at Reddy’s house having sex with him, which, judging by the looks of him, might be worse than death. As soon as a translator other than Reddy was found, she admitted that “the primary purpose for her to enter the U.S. was to continue to have sex with Reddy.” The day her roommates arrived from India, she was forced to watch as the old, balding immigrant had sex with both underage girls at once.3 She also said her dead roommate had been pregnant with Reddy’s child. That could not be confirmed by the court because Reddy had already cremated the girl, in the Hindu tradition—even though her parents were Christian. In all, Reddy had brought seven underage girls to the United States for sex—smuggled in by his brother and sister-in-law, who lied to immigration authorities by posing as the girls’ parents.4 Reddy’s “high-tech” workers were just doing the slavery Americans won’t do. No really—we’ve tried getting American slaves! We’ve advertised for slaves at all the local high schools and didn’t get a single taker. We even posted flyers at the grade schools, asking for prepubescent girls to have sex with Reddy. Nothing. Not even on Craigslist. Reddy’s slaves and concubines were considered “untouchables” in India, treated as “subhuman”—“so low that they are not even considered part of Hinduism’s caste system,” as the Los Angeles Times explained. To put it in layman’s terms, in India they’re considered lower than a Kardashian. According to the Indian American magazine India Currents: “Modern slavery is on display every day in India: children forced to beg, young girls recruited into brothels, and men in debt bondage toiling away in agricultural fields.” More than half of the estimated 20.9 million slaves worldwide live in Asia.5 Thanks to American immigration policies, slavery is making a comeback in the United States! A San Francisco couple “active in the Indian community” bought a slave from a New Delhi recruiter to clean house for them, took away her passport when she arrived, and refused to let her call her family or leave their home.6 In New York, Indian immigrants Varsha and Mahender Sabhnani were convicted in 2006 of bringing in two Indonesian illegal aliens as slaves to be domestics in their Long Island, New York, home.7 In addition to helping reintroduce slavery to America, Reddy sends millions of dollars out of the country in order to build monuments to himself in India. “The more money Reddy made in the States,” the Los Angeles Times chirped, “the more good he seemed to do in his hometown.” That’s great for India, but what is America getting out of this model immigrant? Slavery: Check. Sickening caste system: Check. Purchasing twelve-year-old girls for sex: Check. Draining millions of dollars from the American economy: Check. Smuggling half-dead sex slaves out of his slums in rolled-up carpets right under the nose of the Berkeley police: Priceless.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
While walking toward them, I dropped my backpack, then pulled my tank top off over my head to reveal my bikini. And just balled up my tank top in one hand as if it were nothing, and threw it into the boat. “Heeeeeey!” I said in a high girl-voice as I hugged Cameron, whom I hadn’t seen since he’d come home from college for the summer a few days ago. He hugged me back and kept glancing at my boobs and trying not to. My brother had that look on his face like he was going to ask Dad to take me to the shrink again. I bent over with my butt toward them, dropped my shorts, and threw those in the boat, too. When I straightened and turned toward the boys, I was in for a shock. I had thought I wanted Sean to stare at me. I did want him to stare. But now that Sean and Cameron and Adam were all staring at me, speechless, I wondered whether there was chicken salad on my bikini, or-somewhat worse-an exposed nipple. I didn’t feel a breeze down there, though. And even I, with my limited understanding of grand entrances and seducing boys, understood that if I glanced in the direction they were staring and there were no nipple, the effect of the grand entrance would be lost. So I snapped my fingers and asked, “Zone much?” Translation: I’m hot? Really? Hmph. Adam blinked and turned to Sean. “Bikini or what?” Sean still stared at my boobs. Slowly he brought his strange pale eyes up to meet my eyes. “This does a lot for you,” he said, gesturing to the bikini with the hand flourish of Clinton from What Not to Wear. Surely this was my imagination. He didn’t really know I’d been studying how to be a girl for the past year! “Sean,” I said without missing a beat, “I do a lot for the bikini.” Cameron snorted and shoved Sean. Adam shoved him in the other direction. Sean smiled and seemed perplexed, like he was trying to think of a comeback but couldn’t, for once. Off to the side, my brother still looked very uncomfortable. I hadn’t thought through how he’d react to the unveiling of the swan. I hadn’t thought through any of their reactions very well, in case you weren’t getting this. I wanted Sean to ask me out, but I didn’t want to lose my relationship, such as it was, with everybody else.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))