Wh Hudson Quotes

Have you ever observed a humming-bird moving about in an aerial dance among the flowers--a living prismatic gem that changes its colour with every change of position.

Look into my eyes, and you will see me there--all, all that is in my heart.' 'Oh, I know what I should see there!'...'What would you see? Tell me?' 'There is a little black ball in the middle of your eye; I should see myself in it no bigger than that,' and she marked off about an eighth of her little finger-nail. 'There is a pool in the wood, and I look down and see myself there. That is better. Just as large as I am--not small and black like a small, small fly.

Did you know, Hudson, that the word Yahweh is the Jewish name for God? When Moses asked God what his name was, he said, what translates to Yh Wh. The Hebrew alphabet added the rest to give it intonation. But if you stop and say that, it sounds exactly like breathing. Yh. Wh. Out. In. The scriptures say that in Him we live and move and have our being. He is the very air in our lungs. You literally cannot breathe without saying His name. God is life. God loves you, He made you, and He keeps you breathing, even when people we love have cancer. And it’s on this truth that you root your life.

Elsewhere as Baker muses on the fluidity and apparent joyfulness of a seal’s motion at sea he speculates: It is a good life, a seal’s, here in these shallow waters. Like the lives of so many air and water creatures, it seems a better one than ours. We have no element. Nothing sustains us when we fall. Here Baker edges towards a remarkable revelation about the whole nature-writing genre. On reading the passage, one thinks of the specific creatures (as well as their most devoted author/admirers) that have made the deepest appeal to the modern British imagination: the otter (Henry Williamson, Gavin Maxwell), whales and dolphins (Heathcote Williams and the whole New-Age fixation with cetaceans) and birds, particularly birds of prey (W.H. Hudson, T.H. White and J.A. Baker himself). If we cannot move between the elements like these wonderful animals, then humans can at least imagine what it is like to be an otter or a peregrine. But no writer I know has taken us deeper into the life of another creature and allowed us to experience how that elemental mastery might possibly feel than John Alec Baker. Mark Cocker, March 2010

I was just about half-way through my sixth year, when one morning at breakfast we children were informed to our utter dismay that we could no longer be permitted to run absolutely wild

The sense of smell, which seems to diminish as we grow older, until it becomes something scarcely worthy of being called a sense, is nearly as keen in little children as in the inferior animals, and, when they live with nature, contributes as much to their pleasure as sight or hearing.

When a person endeavours to recall his early life in its entirety he finds it is not possible: he is like one who ascends a hill to survey the prospect before him on a day of heavy cloud and shadow, who sees at a distance, now here, now there, some feautre in the landscape - hill or wood or tower or spire - touched and made conspicuous by a transitory sunbeam while all else remains in obscurity. The scenes, people, events we are able by an effort to call up do not present themselves in order; ther is no order, no sequence or regular progression - nothing, in fact, but isolated spots or patches, brightly illumined and vividly seen, in the midst of a wide shrouded mental landscape. It is easy to fall into the delusion that the few things thus distinctly remembered and visualized are precisely those which were most important in our life, and on that account were saved by memory while all the rest has been permanently blotted out. That is indeed how our memory serves and fools us; for at some period of a man's life - at all events of some lives - in some rare state of the mind, it is all at once revealed to him as by a miracle that nothing is ever blotted out.