Johnston Quotes

We've searched our database for all the quotes and captions related to Johnston. Here they are! All 100 of them:

Professor Johnston often said that if you didn't know history, you didn't know anything. You were a leaf that didn't know it was part of a tree.
Michael Crichton (Timeline)
Vogon poetry is of course, the third worst in the universe. The second worst is that of the Azgoths of Kria. During a recitation by their poet master Grunthos the Flatulent of his poem "Ode to a Small Lump of Green Putty I Found in My Armpit One Midsummer Morning" four of his audience died of internal haemorrhaging and the president of the Mid-Galactic Arts Nobbling Council survived by gnawing one of his own legs off. Grunthos was reported to have been "disappointed" by the poem's reception, and was about to embark on a reading of his 12-book epic entitled "My Favourite Bathtime Gurgles" when his own major intestine, in a desperate attempt to save humanity, leapt straight up through his neck and throttled his brain. The very worst poetry of all perished along with its creator, Paul Neil Milne Johnstone of Redbridge, in the destruction of the planet Earth. Vogon poetry is mild by comparison.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
An apology is the superglue of life! It can repair just about anything!!
Lynn Johnston
I do know this. It's the things we run from that hurt us the most." –Brad Sturdevant
Norma Johnston
Remember,” Mr. Johnston says, “nothing is exactly as it appears. The closer you look, the more you see.
Aaron Hartzler (What We Saw)
My sister burns, and she does not burn for you.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
I do fear him,” I said, which was close to the truth. “I fear him as I fear the desert sun and poisonous snakes. They are all part of the life I live. But the sun gives light, and snakes will feed a caravan if they are caught and cooked.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
File under "Hard Truths": the creative muse is fiction. If you sit around waiting for the right moment to create, you will die waiting.
Antony Johnston
Good men fall to monsters every day.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
If you listen long enough to the whispers, you will hear the truth. Until then, I will tell you this: the world is made safe by a woman. She bound the monster up and cast him out, and the man who was left was saved.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
That was where he was wrong. She wasn't weaponless. No Jedi ever was.
E.K. Johnston (Ahsoka (Star Wars))
If you think I'm going to apologize for being drugged and raped, you have another thing coming.
E.K. Johnston (Exit, Pursued by a Bear)
There are people who prefer to say 'yes' and there are people who prefer to say 'no'. Those who say 'yes' are rewarded by the adventures they have. Those who say 'no' are rewarded by the safety they attain.
Keith Johnstone
The mermaid is an archetypal image that represents a woman who is at ease in the great waters of life, the waters of emotion and sexuality. She shows us how to embrace our instinctive sexuality and sensuality so that we can affirm the essence of our feminine nature, the wisdom of our bodies, and the playfulness of our spirits. She symbolizes our connection with our deepest instinctive feelings, our wild and untamed animal nature that exists below the surface of outward personalities. She is able to respond to her mysterious sexual impulses without abandoning her more human, conscious side. What happened to the girls who dreamed of being mermaids?
Anita Johnston (Eating in the Light of the Moon)
You have to remember every piece that's been played, even the ones removed from the board, because some of them might count against you in the end.
E.K. Johnston (Ahsoka (Star Wars))
My sister is no fool and she is not tender-hearted,” I said. “My sister fights for her home, and takes what risks she must. That is why I put myself before her today—why I would not let you have her. My sister burns, and she does not burn for you.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
There is life, and there is living.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
What’s wrong with being naked?” --Zeena Schreck on AMLA to Christian Minister Jerry Johnston
Zeena Schreck (Demons of the Flesh: The Complete Guide to Left Hand Path Sex Magic)
They'll stall you," Organa said. "I know it's a horrifying situation, but you can't fight every evil in the galaxy." "Evil? " Padmé said. "I've fought evil and it was easy: I shot it. It's apathy I can't stand.
E.K. Johnston (Queen's Shadow (Star Wars: The Padmé Trilogy, #1))
We are brave, your highness.
E.K. Johnston (Queen's Shadow (Star Wars: The Padmé Trilogy, #1))
Let me get this straight...You are sending me out in a minivan whose date of manufacture predates the year of my birth, so that I can watch two dragon slayers track down enormous fire-breathing animals, in an effort to prevent me from spending time in the library?
E.K. Johnston (Dragon Slayer of Trondheim (The Story of Owen, #1))
Part of the urge to explore is a desire to become lost.
Tracy Johnston (Shooting the Boh: A Woman's Voyage Down the Wildest River in Borneo)
I've fought evil, and it was easy: I shot it. It's apathy I can't stand.
E.K. Johnston (Queen's Shadow (Star Wars: The Padmé Trilogy, #1))
No, Mr. Johnston doesn't have a horse, nor has he ever ridden one. What kind of a cowboy is he?
Thanhhà Lại (Inside Out & Back Again)
Maybe he is starting to understand. I don't really care, though. I do not want to be anyone's model for becoming a better person.
E.K. Johnston (Exit, Pursued by a Bear)
By refreshing our sense of belonging in the world, we widen the web of relationships that nourishes us and protects us from burnout.
Joanna Macy (Active Hope)
Just you wait, Abby Johnston. My coolness will hit you like a tsunami. You will be carried along by its raging power. You will be turned into a freaking icicle by the frostiness of my cool.
Sarah Darer Littman (Want to Go Private?)
As well, they used their B-52 bombers to drop thousands of tons of bombs which included napalm and cluster bombs. In a particularly vile attack, they used poisonous chemicals on our base regions of Xuyen Moc, the Minh Dam and the Nui Thi Vai mountains. They sprayed their defoliants over jungle, and productive farmland alike. They even bull-dozed bare, both sides along the communication routes and more than a kilometre into the jungle adjacent to our base areas. This caused the Ba Ria-Long Khanh Province Unit to send out a directive to D445 and D440 Battalions that as of 01/November/1969, the rations of both battalions would be set at 27 litres of rice per man per month when on operations. And 25 litres when in base or training. So it was that as the American forces withdrew, their arms and lavish base facilities were transferred across to the RVN. The the forces of the South Vietnamese Government were with thereby more resources but this also created any severe maintenance, logistic and training problems. The Australian Army felt that a complete Australian withdrawal was desirable with the departure of the Task Force (1ATF), but the conservative government of Australia thought that there were political advantages in keeping a small force in south Vietnam. Before his election, in 1964, Johnston used a line which promised peace, but also had a policy of war. The very same tactic was used by Nixon. Nixon had as early as 1950 called for direction intervention by American Forces which were to be on the side of the French colonialists. The defoliants were sprayed upon several millions of hectares, and it can best be described as virtual biocide. According to the figure from the Americans themselves, between the years of 1965 to 1973, ten million Vietnamese people were forced to leave their villages ad move to cities because of what the Americans and their allies had done. The Americans intensified the bombing of whole regions of Laos which were controlled by Lao patriotic forces. They used up to six hundred sorties per day with many types of aircraft including B52s. On 07/January/1979, the Vietnamese Army using Russian built T-54 and T-59 tanks, assisted by some Cambodian patriots liberated Phnom Penh while the Pol Pot Government and its agencies fled into the jungle. A new government under Hun Sen was installed and the Khmer Rouge’s navy was sunk nine days later in a battle with the Vietnamese Navy which resulted in twenty-two Kampuchean ships being sunk.
Michael G. Kramer (A Gracious Enemy)
He that lies with the dogs, riseth with the fleas.
William W. Johnstone (Matt Jensen, the Last Mountain Man (Matt Jensen: The Last Mountain Man, #1))
It has been said that it's hard to stop a man who knows he's in the right and just keeps on coming. Smoke knew he was right - and he kept on coming.
William W. Johnstone (Matt Jensen, the Last Mountain Man (Matt Jensen: The Last Mountain Man, #1))
If you cannot say what you mean, your majesty, you will never mean what you say and a gentleman should always mean what he says.
Reginald Fleming 'R.J.' Johnston - The Last Emperor
I didn't used to overthink my choices quite so much. Then someone made what I've always been told is a very important choice for me, and now I tend to overthink everything else.
E.K. Johnston (Exit, Pursued by a Bear)
The past was a bridge that looked solid and sturdy, but once you were on it, you saw that it extended only far enough to strand you, to suspend you between loss and longing with nowhere to go at all.
Bret Anthony Johnston (Remember Me Like This)
Nothing so reminds you like the sea that the enemy of life is not death but loneliness.
Wayne Johnston (The Navigator of New York)
You are an idealist," Bonteri said. "That's not a bad thing." "I know," Padmé said. "I have worked very hard at it.
E.K. Johnston (Queen's Shadow (Star Wars: The Padmé Trilogy, #1))
I am yours to command, husband,” I said to him, and met his eyes. When my mother spoke to our father, she often said that. He liked it, the way she put herself in his hands. Until just now, I had not realized that since my mother was the one who allowed it, she had more power than even he might have realized. Lo-Melkhiin thought I was less than him; but his was not the only tally.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
When Ahsoka opened her hands, she was not surprised to find that two lightsabers, rough and unfinished, were waiting. They would need more work, but they were hers. When she turned them on, they shone the brightest white.
E.K. Johnston (Ahsoka (Star Wars))
And if someone does figure it out and starts a rumour, we'll just deal with it," Polly says. "What doesn't kill you, makes you stronger, and all that crap." "Do you ever dream of the day when your life can no longer be adequately summarized by Kelly Clarkson songs?" I ask. "All the time," Polly says.
E.K. Johnston (Exit, Pursued by a Bear)
We are all the product of things we've never seen and people we never met. In fact, if just one little detail had been changed in their lives, we may not even exist!
Melanie Johnston
Of course, if I were dead, they could just bury me, and move on. Broken is harder to deal with.
E.K. Johnston (Exit, Pursued by a Bear)
Always, it seemed, men would overlook unpleasant things for the sake of those that went well. The statues’ eyes for the melodious sounds of the fountain. The deaths of their daughters for the bounty of their trade. There was great beauty in this qasr, but there was also great ugliness and fear. I would not be like those men who turned their eyes from one to see the other. I would remember what those things cost.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
Everyone gets to the stage, or should get to it, where it's more important to stop doing things than to keep on trying to do them.
George Johnston (Clean Straw for Nothing)
There was, apparently, no honor in driver's ed.
E.K. Johnston (Dragon Slayer of Trondheim (The Story of Owen, #1))
She went through her days trying not to think about her loss, lest her grief incapacitate her, but that just meant that every time it came up, it hurt like new.
E.K. Johnston (Ahsoka (Star Wars))
As I grew up, everything started getting grey and dull. I could still remember the amazing intensity of the world I'd lived in as a child, but I thought the dulling of perception was an inevitable consequence of age - just as a lens of the eye is bound gradually to dim. I didn't understand that clarity is in the mind.
Keith Johnstone (Impro: Improvisation and the Theatre)
There is life, and there is living—and that is what she learned.
E.K. Johnston (A Thousand Nights)
There’s two kinds of family,” Miara said after a moment. “There’s the kind like me and Kaeden, where you get born in the right place to the right people and you’re stuck with one another. If you’re lucky, it turns out okay. The other kind of family is the kind you find.
E.K. Johnston (Ahsoka (Star Wars))
Any path can be a poor one if it goes blindly in one direction.
E.K. Johnston (Queen's Shadow (Star Wars: The Padmé Trilogy, #1))
Elijah Snow: 'Who have you pissed off this time, John?' John Stone: 'Sumatran robot death sluts -- Dammit, ONE of these buttons fires the atomic death biter --
Warren Ellis (Planetary, Volume 4: Spacetime Archaeology)
Watch your world burn, light of my heart. Tomorrow we will find another one and burn that too.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
Corporations have grown so powerful that they have inverted the Roman equation: rather than corporations existing to serve the state, the state serves them.
David Cay Johnston (The Fine Print: How Big Companies Use "Plain English" to Rob You Blind)
In a normal education everything is designed to suppress spontaneity, but I wanted to develop it.
Keith Johnstone (Impro: Improvisation and the Theatre)
My hands are yours,” she said. “Please don’t ask me for them again.
E.K. Johnston (Queen's Hope)
A man who don't know history, he don't know anything.
Edward Johnston
She chose to fight men everyday, and then fight their sons, who thought they knew better than their fathers.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
But I have faith in you. You seem like the type who eats fear for breakfast.
E.K. Johnston (Exit, Pursued by a Bear)
If you are clever and you are good, the monster will not have you. You should not believe everything you hear. Good men fall to monsters everyday. Clever men are tricked by their own pride or by pretty words.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
Promise me you will not spend so much time treading water and trying to keep your head above the waves that you forget, truly forget, how much you have always loved to swim.” -Tyler Knott Gregson
Dan Johnston (INFJ Heart, Mind and Spirit: Understand Yourself and Fulfill Your Purpose as an INFJ)
The world looks very different to me now at twenty. I have outgrown my early opinions and ideals with my short dresses, just as Mrs. Walton said we would. Now the critics can say 'Thou waitest till thy woman's fingers wrought the best that lay within thy woman's heart.
Annie Fellows Johnston
The sword fighting turned out to be quite a bit of fun, once the agony of muscle development produced actual muscles.
E.K. Johnston (Dragon Slayer of Trondheim (The Story of Owen, #1))
Missing Padmé was like missing the sun, and she was currently on a planet with two of them.
E.K. Johnston (Queen's Hope)
What you believe you deserve is what you get in life. Change your beliefs and your life transforms.
Jaclyn Nicole Johnston
Being strong was hard work, and I was ready to let someone else be strong for a little bit. Not forever, but for a little while.
J.C. Isabella (The Unofficial Story of Kyle B. Johnston (Unofficial #2))
There's a moment when I know that I should scream. But screaming would be hard. And blackness would be easy. Black picks me.
E.K. Johnston (Exit, Pursued by a Bear)
To disagree with Trump is to be wrong. To portray Trump in a way that does not fit with his image of himself is to be a loser. It is an approach to life that may work in business (where Trump can walk out and not deal with people who displease him), but government leaders do not enjoy that luxury, especially the president of the United States. If
David Cay Johnston (The Making of Donald Trump)
...sometimes offering a quality daily opinion about what’s going on in American politics feels like trying to compose a beautiful symphony using only the recorded screams of psychiatric patients.
Caitlin Johnstone
You are, Devlin, too young to understand how rare a thing true love is, how unlikely in this world to happen, and when it does, how unlikely to endure. And once it is lost, how hard to live without.
Wayne Johnston (The Navigator of New York)
People will say you’re coping wrong, but really there’s no wrong way. Anything that lets you keep going is the right thing, as long as it’s not damaging. You need to find the way that works for you.
E.K. Johnston (Exit, Pursued by a Bear)
Reading is fuel for the brain. Writing is fuel for the spirit...
Megan S. Johnston (Transition (Chimera Hunters, #1))
On a dusty world with two bright suns, a little boy looked up from his work and saw an angel.
E.K. Johnston (Queen's Peril (Star Wars: The Padmé Trilogy, #0))
The strange and scattered pieces of ourselves we leave behind,
Bret Anthony Johnston (Remember Me Like This)
Many teachers think of children as immature adults. It might lead to better and more ‘respectful’ teaching, if we thought of adults as atrophied children.
Keith Johnstone (Impro: Improvisation and the Theatre)
Cordé was dead. Versé was dead. Obi-Wan was dead. Master Billaba was dead. Anakin Skywalker was dead. Padmé Amidala Naberrie was dead, her dreams with her.
E.K. Johnston (Queen's Shadow (Star Wars: The Padmé Trilogy, #1))
We all have a story. The difference is: do you use the story to empower yourself? Or do you use your story to keep yourself a victim? The question itself empowers you to change your life.
Sunny Dawn Johnston
Father Divine said to always establish a ‘we/they’: an ‘us,’ and an enemy on the outside,” explained Laura Johnston Kohl, our Jonestown vet. The goal is to make your people feel like they have all the answers, while the rest of the world is not just foolish, but inferior. When you convince someone that they’re above everyone else, it helps you both distance them from outsiders and also abuse them, because you can paint
Amanda Montell (Cultish: The Language of Fanaticism)
The mime must first of all be aware of this boundless contact with things. There is no insulating layer of air between the man and the outside world. Any man who moves causes ripples in the ambient word in the same way a fish does when it moves in the water.
Keith Johnstone (Impro: Improvisation and the Theatre)
There are corners in the world that are too dark to see, and there are edges that are sharper than they appear, ready to snag the unwary. There are those who do not fear the things they should, and there are those who would bargain with the devil herself for the sake of their greed.The world is made safe by a woman, yes, but it is a very big world.
E.K. Johnston (Spindle (A Thousand Nights, #2))
Courage is what it takes to stand up and speak, it is also what it takes to sit down and listen.
Chris Johnston (Winston Churchill: 101 Greatest Life Lessons, Inspiration and Quotes From Winston Churchill (The Last Lion, Winston Churchill World War, The World Crisis))
Long after everyone else has given up and gone home and gotten on with their lives, he would keep on believing because, without evidence, you could never kill his belief.
Tim Johnston (Descent)
[T]hat little voice shut up the instant I did something. And not just something: the exact thing I knew to be right. Because if the system was broken, if Carrie Johnstone wasn’t going to ever pay consequences for her action, it wasn’t because “the system” failed to get her. It was because people like me chose not to act when we could. The system was people, and I was part of it, part of its problems, and I was going to be part of the solution from now on.
Cory Doctorow (Homeland (Little Brother, #2))
The monster tested her, pulling at her soul and rending her spirit. She clung to life, and in the clinging she might have become a monster too, except she chose the path her story would take. She chose white stone walls and a golden crown. She chose to debate words of law, and to never grind her own grain. She chose to fight men every day, and then fight their sons, who thought they knew better than their fathers.<...> If you listen long enough to the whispers, you will hear the truth. Until then, I will tell you this: the world is made safe by a woman.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
Once upon a time, my government turned my city into a police state, kidnapped me, and tortured me. When I got free, I decided that the problem wasn’t the system, but who was running it. Bad guys had gotten into places of high office. We needed good apples. I worked my butt off to get people to vote for good apples. We had elections. We installed the kind of apples everyone agreed would be the kind of apples we could be proud of. They said good things. A few real dirtbags like Carrie Johnstone lost their jobs. And then, well, the good apples turned out to act pretty much exactly like the bad apples. Oh, they had reasons. There were emergencies. Circumstances. It was all really regrettable. But there were always emergencies, weren’t there?
Cory Doctorow (Homeland (Little Brother, #2))
I've never met any of these women before, and I will never see any of them after today. I don't know their names and they don't know mine. I've been on teams and in clubs my whole life, surrounded by people who are united by a common purpose, and I have never felt anything like this. Maybe it's the gas, but until this moment, I have never felt such a kinship with a person who was not actually family. I love every person in this room, and I'm pretty sure that if they asked, I'd do anything for them. Anything, except have a baby.
E.K. Johnston (Exit, Pursued by a Bear)
Padmé Amidala was completely still. The brown halo of her hair spread out around her, softened here and there by white blossoms that had blown through the air to find their rest amongst her curls. Her skin was pale and perfect. Her face was peaceful. Her eyes were closed and her hands were clasped across her stomach as she floated. Naboo carried on without her. Even now, at the end, she was watched.
E.K. Johnston (Queen's Shadow (Star Wars: The Padmé Trilogy, #1))
Sanity is actually a pretence, a way we learn to behave. We keep this pretence up because we don't want to be rejected by other people - and being classified insane is to be shut out of the group in a very complete way. Most people I meet are secretly convinced that they're a little crazier than the average person. People understand the energy necessary to maintain their own shields, but not the energy expended by other people. They understand that their own sanity is a performance, but when confronted by other people they confuse the person with the role. Sanity has nothing directly to do with the way you think. Its a matter of presenting yourself as safe.
Keith Johnstone (Impro: Improvisation and the Theatre)
On a lazy Saturday morning when you're lying in bed, drifting in and out of sleep, there is a space where fantasy and reality become one. Are you awake, or are you dreaming? You see people and things; some are familiar; some are strange. You talk, you feel, but you move without walking; you fly without wings. Your mind and your body exist, but on separate planes. Time stands still. For me, this is the feeling I have when ideas come.
Lynn Johnston
These ‘offer-block-accept’ games have a use quite apart from actor training. People with dull lives often think that their lives are dull by chance. In reality everyone chooses more or less what kind of events will happen to them by their conscious patterns of blocking and yielding.
Keith Johnstone (Impro: Improvisation and the Theatre)
...the teacher picked a flower and said: ‘Look at the pretty flower, Betty.’ Betty, filled with spiritual radiance, said, ‘All the flowers are beautiful.’ ‘Ah,’ said the teacher, blocking her, ‘but this flower is especially beautiful.’ Betty rolled on the ground screaming, and it took a while to calm her. Nobody seemed to notice that she was screaming ‘Can’t you see? Can’t you see!’ In the gentlest possible way, this teacher had been very violent. She was insisting on categorising, and on selecting.
Keith Johnstone (Impro: Improvisation and the Theatre)
The most repressed, and damaged, and ‘unteachable’ students that I have to deal with are those who were the star performers at bad high schools. Instead of learning how to be warm and spontaneous and giving, they’ve become armoured and superficial, calculating and self-obsessed. I could show you many many examples where education has clearly been a destructive process.
Keith Johnstone (Impro: Improvisation and the Theatre)
Almost all were total failures-they couldn't have been put on in the village hall for the author's friends. It wasn't a matter of lack of talent, but of miseducation. The authors of the pseudo-plays assumed that writing should be based on other writing, not on life. My play had been influenced by Beckett, but at least the content had been mine.
Keith Johnstone (Impro: Improvisation and the Theatre)
If so, why has a naturally masculine shape (broad shoulders, no waist, narrow hips, flat belly) become the ideal for the female body? Why is it that those aspects of a woman’s body that are most closely related to her innate female power, the capacity of her belly, hips, and thighs to carry and sustain life, are diminished in our society’s version of a beautiful woman?
Anita A. Johnston (Eating in the Light of the Moon: How Women Can Transform Their Relationship with Food Through Myths, Metaphors, and Storytelling)
Have you seen burning bone, my wife? It starts like a roasted goat, but then the meat strips away to feed the fire, and the bone is left naked and alone. It twists and shatters, marrow leaking into the flames, until only the dust is left." "That is what happens to everything, my lord," I said to him. "If only the fire can be made hot enough." "Would you like to see it?" he asked.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
She had not answered my question. She had not told me that she loved his eyes or the sound of his voice. She had not said that his touch lit a fire on her skin. Then it came to me: she loved him because he did not seek to change her. If I had made him, or if my father had found him, it did not matter. My sister would have a husband who would not make her sit, veiled and weaving, in his tent. He would not take another wife, as my father had done. She would be his, and he would be hers, alone. This was why she loved him, and it made my heart glad to hear it.
E.K. Johnston (A Thousand Nights (A Thousand Nights, #1))
What I learned was that I'd rather be second to you than first to anyone else.'' Confessing her feelings was like a weight lifting off of Sabe's chest. It had taken her so long to figure it out, to put words to what she knew in her heart. And now she had done it. She wanted to fly. 'I can order you to your death,' Padme said. Her voice was so quiet that Sabe barely heard her. She reached out and took Padme's hands. 'And I would go,' she said. 'I can't be that dedicated to you,' Padme said. 'I know,' Sabe said.
E.K. Johnston (Queen's Peril (Star Wars: The Padmé Trilogy, #0))
Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading—retellings of the old stories (Mallory, White, Briggs), anecdotal collections and historical investigations of the stories' backgrounds—and then I stumbled upon the Tolkien books which took me back to Lord Dunsany, William Morris, James Branch Cabell, E.R. Eddison, Mervyn Peake and the like. I was in heaven when Lin Carter began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like Thomas Burnett Swann, who still remains a favourite. This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading Robert E. Howard (the Cormac and Bran mac Morn books were my favourites), Lovecraft, Clark Ashton Smith and finally started reading science fiction after coming across Andre Norton's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to Clifford Simak, Roger Zelazny and any number of other fine sf writers. These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in The Magazine of Fantasy & Science Fiction. I'm as likely to read Basil Johnston as Stephen King, Jeanette Winterson as Harlan Ellison, Barbara Kingsolver as Patricia McKillip, Andrew Vachss as Parke Godwin—in short, my criteria is that the book must be good; what publisher's slot it fits into makes absolutely no difference to me.
Charles de Lint
Much of the oxygen we breathe comes from plants that died long ago. We can give thanks to these ancestors of our present-pay foliage, but we can't give back to them. We can, however, give forward. When we are unable to return the favor, we can pay it forward to someone or something else. Using this approach, we can see ourselves as part of a larger flow of giving and receiving throughout time. Receiving from the past, we can give to the future. When tackling issues such as climate change, the stance of gratitude is a refreshing alternative to guilt or fear as a source of motivation.
Joanna Macy
I had spent all the years I had been in Lo-Melkhiin’s body giving power to men who I thought would use it in ways that might serve me. I had given them great art and great thoughts, and they never guessed that they fed a terrible hunger in me that would require feeding until they died trying to sate it. They had done great things and made great tales, but I had been blind. All of this time, I had had access to more power than I had imagined, and I had missed it because I saw with men’s eyes. I had forgotten the girls who scrubbed the floors and spun the yarn. I had forgotten the women who dyed the cloth and worked with henna. I had married three hundred girls, and as much as eaten them all before they were done cooking.
E.K. Johnston (A Thousand Nights)
New Rule: Americans must realize what makes NFL football so great: socialism. That's right, the NFL takes money from the rich teams and gives it to the poorer one...just like President Obama wants to do with his secret army of ACORN volunteers. Green Bay, Wisconsin, has a population of one hundred thousand. Yet this sleepy little town on the banks of the Fuck-if-I-know River has just as much of a chance of making it to the Super Bowl as the New York Jets--who next year need to just shut the hell up and play. Now, me personally, I haven't watched a Super Bowl since 2004, when Janet Jackson's nipple popped out during halftime. and that split-second glimpse of an unrestrained black titty burned by eyes and offended me as a Christian. But I get it--who doesn't love the spectacle of juiced-up millionaires giving one another brain damage on a giant flatscreen TV with a picture so real it feels like Ben Roethlisberger is in your living room, grabbing your sister? It's no surprise that some one hundred million Americans will watch the Super Bowl--that's forty million more than go to church on Christmas--suck on that, Jesus! It's also eighty-five million more than watched the last game of the World Series, and in that is an economic lesson for America. Because football is built on an economic model of fairness and opportunity, and baseball is built on a model where the rich almost always win and the poor usually have no chance. The World Series is like The Real Housewives of Beverly Hills. You have to be a rich bitch just to play. The Super Bowl is like Tila Tequila. Anyone can get in. Or to put it another way, football is more like the Democratic philosophy. Democrats don't want to eliminate capitalism or competition, but they'd like it if some kids didn't have to go to a crummy school in a rotten neighborhood while others get to go to a great school and their dad gets them into Harvard. Because when that happens, "achieving the American dream" is easy for some and just a fantasy for others. That's why the NFL literally shares the wealth--TV is their biggest source of revenue, and they put all of it in a big commie pot and split it thirty-two ways. Because they don't want anyone to fall too far behind. That's why the team that wins the Super Bowl picks last in the next draft. Or what the Republicans would call "punishing success." Baseball, on the other hand, is exactly like the Republicans, and I don't just mean it's incredibly boring. I mean their economic theory is every man for himself. The small-market Pittsburgh Steelers go to the Super Bowl more than anybody--but the Pittsburgh Pirates? Levi Johnston has sperm that will not grow and live long enough to see the Pirates in a World Series. Their payroll is $40 million; the Yankees' is $206 million. The Pirates have about as much chance as getting in the playoffs as a poor black teenager from Newark has of becoming the CEO of Halliburton. So you kind of have to laugh--the same angry white males who hate Obama because he's "redistributing wealth" just love football, a sport that succeeds economically because it does just that. To them, the NFL is as American as hot dogs, Chevrolet, apple pie, and a second, giant helping of apple pie.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
EVERY WEDNESDAY, I teach an introductory fiction workshop at Harvard University, and on the first day of class I pass out a bullet-pointed list of things the students should try hard to avoid. Don’t start a story with an alarm clock going off. Don’t end a story with the whole shebang having been a suicide note. Don’t use flashy dialogue tags like intoned or queried or, God forbid, ejaculated. Twelve unbearably gifted students are sitting around the table, and they appreciate having such perimeters established. With each variable the list isolates, their imaginations soar higher. They smile and nod. The mood in the room is congenial, almost festive with learning. I feel like a very effective teacher; I can practically hear my course-evaluation scores hitting the roof. Then, when the students reach the last point on the list, the mood shifts. Some of them squint at the words as if their vision has gone blurry; others ask their neighbors for clarification. The neighbor will shake her head, looking pale and dejected, as if the last point confirms that she should have opted for that aseptic-surgery class where you operate on a fetal pig. The last point is: Don’t Write What You Know. The idea panics them for two reasons. First, like all writers, the students have been encouraged, explicitly or implicitly, for as long as they can remember, to write what they know, so the prospect of abandoning that approach now is disorienting. Second, they know an awful lot. In recent workshops, my students have included Iraq War veterans, professional athletes, a minister, a circus clown, a woman with a pet miniature elephant, and gobs of certified geniuses. They are endlessly interesting people, their lives brimming with uniquely compelling experiences, and too often they believe those experiences are what equip them to be writers. Encouraging them not to write what they know sounds as wrongheaded as a football coach telling a quarterback with a bazooka of a right arm to ride the bench. For them, the advice is confusing and heartbreaking, maybe even insulting. For me, it’s the difference between fiction that matters only to those who know the author and fiction that, well, matters.
Bret Anthony Johnston
I never got to take you to the prom. You went with Henry Featherstone. And you wore a peach-colored dress.” “How could you possibly know that?” Callie asked. “Because I saw you walk in with him.” “You didn’t know I was alive in high school,” Callie scoffed. “You had algebra first period, across the hall from my trig class. You ate a sack lunch with the same three girls every day, Lou Ann, Becky and Robbie Sue. You spent your free period in the library reading Hemingway and Steinbeck. And you went straight home after school without doing any extracurricular activities, except on Thursdays. For some reason, on Thursdays you showed up at football practice. Why was that, Callie?” Callie was confused. How could Trace possibly know so much about her activities in high school? They hadn’t even met until she showed up at the University of Texas campus. “I don’t understand,” she said. “You haven’t answered my question. Why did you come to football practice on Thursdays?” “Because that was the day I did the grocery shopping, and I didn’t have to be home until later.” “Why were you there, Calllie?” Callie stared into his eyes, afraid to admit the truth. But what difference could it possibly make now? She swallowed hard and said, “I was there to see you.” He gave a sigh of satisfaction. “I hoped that was it. But I never knew for sure.” Callie’s brow furrowed. “You wanted me to notice you?” “I noticed you. Couldn’t you feel my eyes on you? Didn’t you ever sense the force of my boyish lust? I had it bad for you my senior year. I couldn’t walk past you in the hall without needing to hold my books in my lap when I saw down in the next class.” “You’re kidding, right?” Trace chuckled. “I wish I were.” “Then it wasn’t an accident, our meeting like that at UT?” “That’s the miracle of it,” Trace said. “It was entirely by accident. Fate. Kisma. Karma. Whatever you want to call it.
Joan Johnston (The Cowboy (Bitter Creek #1))