Jets Fan Quotes

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A friend tells a story about taking his ten-year-old son to a Jets game. The game was being played during a driving rain on a freezing cold day, and the Jets lost by twenty points to a team they were supposed to beat. As they headed toward the exits, the boy looked up, with tears in his eyes, and asked, 'Dad, why are we Jets fans?
Joe Queenan (True Believers: The Tragic Inner Life of Sports Fans)
Small! I'm mot going to be small anymore. I'm going to be a dragon, with wings like lacquer fans and jets of fire breath for roasting up goose suppers midair!" Pippin spread out her arms, imagining them wings. Why not? she asked herself.
Laini Taylor (Foretold: 14 Tales of Prophecy and Prediction)
To some people, there is no noise on earth as exciting as the sound of three or four big fan-jet engines rising in pitch, as the plane they are sitting in swivels at the end of the runway and, straining against its brakes, prepares for takeoff. The very danger in the situation is inseparable from the exhilaration it yields. You are strapped into your seat now, there is no way back, you have delivered yourself into the power of modern technology. You might as well lie back and enjoy it.
David Lodge (Small World (The Campus Trilogy, #2))
Well, I like her. Who the fuck cares whether anyone else does, as long as they want to read about her?" "People also slow down to gawk at car wrecks, Charlie. Are you calling me a car wreck?" "I'm not talking about you at all," he says " I'm talking about Nadine Winters. My fictional crush." "Big fan of jet-black hair and Krav Maga, huh?" Charlie leans forward, face serious, voice low. "It's more about the blood dripping from her fangs.
Emily Henry (Book Lovers)
Crowd noise is a very real obstacle for George Martin, who is recording the concert (unreleased until 1977) for Capitol Records. Dealing with the screams from thousands of Beatles fans was like “putting a microphone at the tail end of a 747 jet,” Martin says.
James Patterson (The Last Days of John Lennon)
Where are your monuments, your battles, martyrs? Where is your tribal memory? Sirs, in that gray vault. The sea. The sea has locked them up. The sea is History. First, there was the heaving oil, heavy as chaos; then, likea light at the end of a tunnel, the lantern of a caravel, and that was Genesis. Then there were the packed cries, the shit, the moaning: Exodus. Bone soldered by coral to bone, mosaics mantled by the benediction of the shark's shadow, that was the Ark of the Covenant. Then came from the plucked wires of sunlight on the sea floor the plangent harp of the Babylonian bondage, as the white cowries clustered like manacles on the drowned women, and those were the ivory bracelets of the Song of Solomon, but the ocean kept turning blank pages looking for History. Then came the men with eyes heavy as anchors who sank without tombs, brigands who barbecued cattle, leaving their charred ribs like palm leaves on the shore, then the foaming, rabid maw of the tidal wave swallowing Port Royal, and that was Jonah, but where is your Renaissance? Sir, it is locked in them sea sands out there past the reef's moiling shelf, where the men-o'-war floated down; strop on these goggles, I'll guide you there myself. It's all subtle and submarine, through colonnades of coral, past the gothic windows of sea fans to where the crusty grouper, onyx-eyed, blinks, weighted by its jewels, like a bald queen; and these groined caves with barnacles pitted like stone are our cathedrals, and the furnace before the hurricanes: Gomorrah. Bones ground by windmills into marl and cornmeal, and that was Lamentations - that was just Lamentations, it was not History; then came, like scum on the river's drying lip, the brown reeds of villages mantling and congealing into towns, and at evening, the midges' choirs, and above them, the spires lancing the side of God as His son set, and that was the New Testament. Then came the white sisters clapping to the waves' progress, and that was Emancipation - jubilation, O jubilation - vanishing swiftly as the sea's lace dries in the sun, but that was not History, that was only faith, and then each rock broke into its own nation; then came the synod of flies, then came the secretarial heron, then came the bullfrog bellowing for a vote, fireflies with bright ideas and bats like jetting ambassadors and the mantis, like khaki police, and the furred caterpillars of judges examining each case closely, and then in the dark ears of ferns and in the salt chuckle of rocks with their sea pools, there was the sound like a rumour without any echo of History, really beginning.
Derek Walcott (Selected Poems)
Sony paid both stars handsomely for their consistent success: $20 million against 20 percent of the gross receipts, whichever was higher, was their standard compensation. They also received as much as $5 million against 5 percent for their production companies, where they employed family and friends. Sony also provided Happy Madison and Overbrook with a generous overhead to cover expenses—worth about $4 million per year. To top it off, Sandler and Smith enjoyed the perks of the luxe studio life. Flights on a corporate jet were common, with family members and friends often invited along. On occasion, Smith’s entourage and its belongings necessitated the use of two jets for travel to premieres. Knowing that Sandler was a huge sports fan, Sony regularly sent him and his pals to the Super Bowl to do publicity. In addition to enjoying the best tickets and accommodations, they had a private basketball court to play on, which the studio rented for them. Back at the Sony lot, the basketball court was renamed Happy Madison Square Garden in the star’s honor. When anybody questioned the wide latitude and endless indulgence given to Sandler and Smith, Sony executives had a standard answer: “Will and Adam bought our houses.
Ben Fritz (The Big Picture: The Fight for the Future of Movies)
There comes a time in every relationship when the fires of passion begin to die down as they are slowly quenched by the rains of indifference and familiarity. They cannot be allowed to go out completely though, as love without passion is like a jet without a pilot, destined to crash and burn in a spectacularly messy fashion. As a couple, you must fan the flames with the winds of lust and kinky rubber catsuits, or whatever other nastiness rocks your boat. Anything else isn’t living, it’s existing.
M'Lord Chook
This middle-grade graphic offering is the first in a proposed series (with a promised second volume entitled Tater Invaders). Writer and illustrator Fremont’s animation background is highly visible here, with fast pacing, quirky characters, and ample silliness. Driven by its jet-fueled plotting, young readers careen from one side-splitting scene to the next as the simply wrought, full-color cartoons rocket sequences along. ...those who want their humor to have a fast and furious velocity should be right at home here, making this perfect for fans of series like Chris Schweizer’s The Creeps or Jarrett J. Krosoczka’s Lunch Lady." -Kirkus Reviews
Kirkus Reviews (Starred)
In a world so influenced by media, with a populace addicted to cheap entertainment and omnipresent pop culture, celebrities have their own place of prominence at the apex of society. Every branch of showbiz - music, television, cinema, and even braindance - has its own stars whose works shape trends, opinions, and tastes. Their live concerts and releases of new content are worldwide events, observed and celebrated by tens of millions of fans all around the globe. Most of them, like Us Cracks, are products of the entertainment industry - devised and created to feed current fashions. Some of them are natural-born talents, discovered and promoted by some manager who recognized their potential and helped them to unpack it. Regardless of their origins, they will shine brightly for a period of time until some new star outshines them, or they're cast aside by their fans' ever-changing tastes. Until then, they will be admired and worshiped, living filthy-rich lives in fabulous estates and villas, whimsically coasting about in limos, private jets, and luxury boats - the embodiment of the public's dreams and desires. Demigods among mere mortals.
CD Projekt Red (The Art Of Cyberpunk 2077: Digital Book)
He’s been reincarnated, we don’t know as what, but we’re hoping anything but a Jets fan.
Coco Mellors (Cleopatra and Frankenstein)
What’s the basic way to catch a ghost in Luigi’s mansion: Dark Moon? a) Throw an Ectonet over it. b) Blast it with the ShadeShocker. c)     Stun it with a Strobulb, and then vacuum it into your Poltergust 5000. d)    Trap and store it in a Specter Snare. Name something that you can’t do with Poltergust 5000 a) Roll up a throw rug b)    Run very fast as you are propelled by a jet of water c) Vacuum up spiders and their webs d) Make a ceiling fan spin. These tough-looking spirits just want to give you a hand for your hard work. What do you call them? a) Sly Fives b) Clap Claps c) Slammers d) Slap Happies. Things aren’t always as they seem inside a hunting building. What tool helps you see objects hidden by Spirit Balls? a) Specter-o-scope b) Dark-light device c) De-illusionator d) Goggles of clarity. If you see a piece of furniture or a flowerpot shaking, what should you do? a) Press the X button b) Exercise caution c) Get ready to stun a ghost with your Strobulb d) All of the above. BONUS QUESTION: What does E stand for in Professor E. Gadd? a) Elvis b) Elvin c) Elroy d) Esteban. RESULTS: 0 out of 6 – Very, very very bad! You didn’t only ruin your mission of catching ghosts, but more of them came and they ate your I-scream. 1 out of 6 – Not bad! You did well enough that all of the ghosts moved out of your house. They ate your I-scream before they left. 2 out of 6 – Not too shabby! There ghosts are outside the house, and yup they ate your I-scream. 3 out of 6 – Not bad, but not good either. Let’s say you did manage to get ghosts outside the house, but your I-scream is eaten, and new ghosts won’t see you as a big threat. Get ready. 4 out of 6 – Nice! You must spend a lot of time in Gloomy Manor’s haunted library. It looks like you manage to read besides hunting ghosts. Also, you got an over-Boo notice. 5 out of 6 – Well done! You chase away ghosts so fast that you spend more time reading and improving your knowledge about these little pests. Are you an encyclopedia about ghosts or a human? 6 out of 6 – Excellent! You are the expert in catching and destroying ghosts. You could definitely help Luigi in tackling the
Jenson Publishing (Luigi: The Funniest Luigi Jokes & Memes Volume 2 (Nintendo Jokes))
Professor Craig Franklin of the University of Queensland mounted a crocodile research partnership with Steve. The idea was to fasten transmitters and data loggers on crocs to record their activity in their natural environment. But in order to place the transmitters, you had to catch the crocs first, and that’s where Steve’s expertise came in. Steve never felt more content than when he was with his family in the bush. “There’s nothing more valuable than human life, and this research will help protect both crocs and people,” he told us. The bush was where Steve felt most at home. It was where he was at his best. On that one trip, he caught thirty-three crocs in fourteen days. He wanted to do more. “I’d really like to have the capability of doing research on the ocean as well as in the rivers,” he told me. “I could do so much more for crocodiles and sharks if I had a purpose-built research vessel.” I could see where he was heading. I was not a big fan of boats. “I’m going to contact a company in Western Australia, in Perth,” he said. “I’m going to work on a custom-built research vessel.” As the wheels turned in his mind, he became more and more excited. “The sky’s the limit, mate,” he said. “We could help tiger sharks and learn why crocs go out to sea. There is no reason why we couldn’t help whales, too.” “Tell me how we can help whales,” I said, expecting to hear about a research project that he and Craig had in mind. “It will be great,” he said. “We’ll build a boat with an icebreaking hull. We’ll weld a can opener to the front, and join Sea Shepherd in Antarctica to stop those whaling boats in their tracks.” When we got back from our first trip to Cape York Peninsula with Craig Franklin, Steve immediately began drawing up plans for his boat. He wanted to make it as comfortable as possible. As he envisioned it, the boat would be somewhere between a hard-core scientific research vessel and a luxury cruiser. He designed three berths, a plasma screen television for the kids, and air-conditioned comfort below deck. He placed a big marlin board off the back, for Jet Skis, shark cages, or hauling out huge crocs. One feature that he was really adamant about was a helicopter pad. He designed the craft so that the helicopter could land on the top. Steve’s design plans went back and forth to Perth for months. “I want this boat’s primary function to be crocodile research and rescue work,” Steve said. “So I’m going to name her Croc One.” “Why don’t we call it For Sale instead?” I suggested. I’m not sure Steve saw the humor in that. Croc One was his baby. But for some reason, I felt tremendous trepidation about this boat. I attributed my feelings of concern to Bindi and Robert. Anytime you have kids on a boat, the rules change--no playing hide-and-seek, no walking on deck without a life jacket on. It made me uncomfortable to think about being two hundred miles out at sea with two young kids. We had had so many wild adventures together as a family that, ultimately, I had to trust Steve. But my support for Croc One was always, deep down, halfhearted at best. I couldn’t shake my feeling of foreboding about it.
Terri Irwin (Steve & Me)
I asked him what the very lowest grade of fiction was, and he told me, "Science fiction." I asked where he was bound in such a rush, and learned that he had to catch a Fan-Jet. He was to speak at a meeting of the Modern Language Association in Honolulu the next morning. Honolulu was three thousand miles away.
Kurt Vonnegut Jr. (Welcome to the Monkey House)
Before they’re done my internal monologue is already going through the paces: Robert Loggia’s sure had some interesting parts over the years, hasn’t he? Like when he played that growly assistant football coach in Necessary Roughness. And that leads me to: Hey, you know who else made an appearance in that movie? Roger Craig. And the next thing you know, I’m at Memorial Stadium. Again. This time it’s 1981, and Roger’s dressed in red, jetting 94 yards down the Astroturf for a touchdown, with a pair of Florida State defenders helplessly flapping along in his wake. The school record for longest run from scrimmage that was, and it stood for twenty years, until Eric Crouch got 95 with that impossible run at Mizzou. And that gets me to consider: Who’d win in a footrace between Crouch and Craig, if Craig were in his prime, of course? Hmmm…
Steve Smith (Forever Red: Confessions of a Cornhusker Football Fan)
To defend their basking in luxuries, buying private jets and Lamborghinis, living in mansions with rooms of thirty, preachers would teach, “God wants us all wealthy.” And so their fans aim for goods of the world, most of prayers become requests for gold, life’s goal has become “to amass,” not share, God becomes “Lord of Self-seekers,” not care.
Rodolfo Martin Vitangcol