Western Stars Quotes

There is a wilderness we walk alone However well-companioned

To the glistening eastern sea, I give you Queen Lucy the Valiant. To the great western woods, King Edmund the Just. To the radiant southern sun, Queen Susan the Gentle. And to the clear northern skies, I give you King Peter the Magnificent. Once a king or queen of Narnia, always a king or queen of Narnia. May your wisdom grace us until the stars rain down from the heavens.

My purpose holds to sail beyond the sunset and the baths of all the Western stars until I die.

It is not too late to seek a newer world. Push off, and sitting well in order smite The sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down: It may be we shall touch the Happy Isles, And see the great Achilles, whom we knew. Tho’ much is taken, much abides; and tho’ We are not now that strength which in old days Mov’d earth and heaven, that which we are, we are: One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.

Journey’s end In western lands beneath the Sun The flowers may rise in Spring, The trees may bud, the waters run, The merry finches sing. Or there maybe 'tis cloudless night, And swaying branches bear The Elven-stars as jewels white Amid their branching hair. Though here at journey's end I lie In darkness buried deep, Beyond all towers strong and high, Beyond all mountains steep, Above all shadows rides the Sun And Stars for ever dwell: I will not say the Day is done, Nor bid the Stars farewell.J.

Come, my friends Tis not too late to seek a newer world Push off, and sitting well in order smite The sounding furrows; for my purpose holds To sail beyond the sunset and the baths Of all the western stars, until I die

The spaces between stars are where the work of the universe is done.

Oh honey, someday a real man is going to make you see stars and you won't even be looking at the sky." Excerpt from Grace Willow's Last Minute Bride

There’s smashed glass glittering everywhere like stars. It’s a Western, Henry. It’s a downright shoot-em-up. We’ve made a graveyard out of the bone white afternoon. It’s another wrong-man-dies scenario, and we keep doing it Henry, keep saying until we get it right … but we always win and we never quit. See, we’ve won again, here we are at the place where I get to beg for it, where I get to say Please, for just one night, will you lie down next to me, we can leave our clothes on, we can stay all buttoned up … But we both know how it goes—I say I want you inside me and you hold my head underwater. I say I want you inside me and you split me open with a knife.

...he asked, "Where are you today, right now?" Eagerly, I started talking about myself. However, I noticed that I was still being sidetracked from getting answers to my questions. Still, I told him about my distant and recent past and about my inexplicable depressions. He listened patiently and intently, as if he had all the time in the world, until I finished several hours later. "Very well," he said. "But you still have not answered my question about where you are." "Yes I did, remember? I told you how I got to where I am today: by hard work." "Where are you?" "What do you mean, where am I?" "Where Are you?" he repeated softly. "I'm here." "Where is here?" "In this office, in this gas station!" I was getting impatient with this game. "Where is this gas station?" "In Berkeley?" "Where is Berkeley?" "In California?" "Where is California?" "In the United States?" "On a landmass, one of the continents in the Western Hemisphere. Socrates, I..." "Where are the continents? I sighed. "On the earth. Are we done yet?" "Where is the earth?" "In the solar system, third planet from the sun. The sun is a small star in the Milky Way galaxy, all right?" "Where is the Milky Way?" "Oh, brother, " I sighed impatiently, rolling my eyes. "In the universe." I sat back and crossed my arms with finality. "And where," Socrates smiled, "is the universe?" "The universe is well, there are theories about how it's shaped..." "That's not what I asked. Where is it?" "I don't know - how can I answer that?" "That is the point. You cannot answer it, and you never will. There is no knowing about it. You are ignorant of where the universe is, and thus, where you are. In fact, you have no knowledge of where anything is or of What anything is or how is came to be. Life is a mystery. "My ignorance is based on this understanding. Your understanding is based on ignorance. This is why I am a humorous fool, and you are a serious jackass.

Aragorn looked at the pale stars, and at the moon, now sloping behind the western hills that enclosed the valley. 'This is a night as long as years', he said. 'How long will the day tarry?' 'Dawn is not far off', said Gamling, who had now climbed up beside him. 'But dawn will not help us, I fear' 'Yet dawn is ever the hope of men', said Aragorn.

SUN, MOON, AND STARRY SKY Early summer evenings, when the first stars come out, the warm glow of sunset still stains the rim of the western sky. Sometimes, the moon is also visible, a pale white slice, while the sun tarries. Just think -- all the celestial lights are present at the same time! These are moments of wonder -- see them and remember.

There have been bleak nights along my way, many of my own making, but life is all the brighter for them now. To the human eye, without the darkness there are no stars.

Elven Hymn to Elbereth Snow-white! Snow-white! O Lady clear! O Queen beyond the Western Seas! O Light to us that wander here Amid the world of woven trees! Gilthoniel! O Elbereth! Clear are thy eyes and bright thy breath! Snow-white! Snow-white! We sing to thee In a far land beyond the Sea. O stars that in the Sunless Year With shining hand by her were sown, In windy fields now bright and clear We see your silver blossom blown! O Elbereth! Gilthoniel! We still remember, we who dwell In this far land beneath the trees, Thy starlight on the Western Seas. A Elbereth Gilthoniel, silivren penna míriel o menel aglar elenath! Na-chaered palan-díriel o galadhremmin ennorath, Fanuilos, le linnathon nef aear, si nef aearon! A Elbereth Gilthoniel! o menel palan-díriel le nallon sí di'nguruthos! A tiro nin, Fanuilos! A! Elbereth Gilthoniel! silivren penna míriel o menel aglar elenath! We still remember, we who dwell In this far land beneath the trees, Thy starlight on the Western Seas.

I love him, his shoulders, his angular, stooping figure – and at the same time I see behind him woods and stars, and a clear voice utters words that bring me peace, to me, a soldier in big boots, belt, and a knapsack, taking the road that lies before him under the high heaven, quickly forgetting and seldom sorrowful, for ever pressing on under the wide night sky.

You and I are old; Old age hath yet his honour and his toil; Death closes all: but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with Gods. The lights begin to twinkle from the rocks, The long day wanes: the slow moon climbs: the deep Moans round with many voices. Come, my friends, 'Tis not too late to seek a newer world. Push off, and sitting well in order smite The sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die.

It's hard to imagine, seeing how crowded the sky looks tonight, how far away one star is from another. Like, people, really. We can appear to be standing right next to each other, and yet in our minds, we can be thousands of miles away, lost to the outer reaches. But we're all together in the same black soup, which makes us all related somehow.

In the moral realm, there is very little consensus left in Western countries over the proper basis of moral behavior. And because of the power of the media, for millions of men and women the only venue where moral questions are discussed and weighed is the talk show, where more often than not the primary aim is to entertain, even shock, not to think. When Geraldo and Oprah become the arbiters of public morality, when the opinion of the latest media personality is sought on everything from abortion to transvestites, when banality is mistaken for profundity because [it's] uttered by a movie star or a basketball player, it is not surprising that there is less thought than hype. Oprah shapes more of the nation's grasp of right and wrong than most of the pulpits in the land. Personal and social ethics have been removed from the realms of truth and structures of thoughts; they have not only been relativized, but they have been democratized and trivialized.

I saw thee once - only once - years ago: I must not say how many - but not many. It was a July midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber, Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared stir, unless on tiptoe - Fell on the upturn'd faces of these roses That gave out, in return for the love-light, Their odorous souls in an ecstatic death - Fell on the upturn'd faces of these roses That smiled and died in the parterre, enchanted By thee, and by the poetry of thy presence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell upon the upturn'd faces of the roses, And on thine own, upturn'd - alas, in sorrow! Was it not Fate, that, on this July midnight - Was it not Fate, (whose name is also Sorrow,) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footsteps stirred: the hated world all slept, Save only thee and me. (Oh, Heaven! - oh, G**! How my heart beats in coupling those two words!) Save only thee and me. I paused - I looked - And in an instant all things disappeared. (Ah, bear in mind the garden was enchanted!) The pearly lustre of the moon went out: The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All - all expired save thee - save less than thou: Save only divine light in thine eyes - Save but the soul in thine uplifted eyes. I saw but them - they were the world to me. I saw but them - saw only them for hours - Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a wo! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition! yet how deep - How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into a western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go - they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me - they lead me through the years. They are my ministers - yet I their slave. Their office is to illumine and enkindle - My duty, to be saved by their bright fire, And purified in their electric fire, And sanctified in their elysian fire. They fill my soul with Beauty (which is Hope,) And are far up in Heaven - the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still - two sweetly scintillant Venuses, unextinguished by the sun!

In western lands beneath the Sun the flowers may rise in Spring, the trees may bud, the waters run, the merry finches sing. Or there maybe 'tis cloudless night and swaying beeches bear the Elven-stars as jewels white amid their branching hair. Though here at journey's end I lie in darkness buried deep, beyond all towers strong and high, beyond all mountains steep, above all shadows rides the Sun and Stars for ever dwell: I will not say the Day is done, nor bid the Stars farewell.

To Helen I saw thee once-once only-years ago; I must not say how many-but not many. It was a july midnight; and from out A full-orbed moon, that, like thine own soul, soaring, Sought a precipitate pathway up through heaven, There fell a silvery-silken veil of light, With quietude, and sultriness, and slumber Upon the upturn'd faces of a thousand Roses that grew in an enchanted garden, Where no wind dared to stir, unless on tiptoe- Fell on the upturn'd faces of these roses That gave out, in return for the love-light Thier odorous souls in an ecstatic death- Fell on the upturn'd faces of these roses That smiled and died in this parterre, enchanted by thee, by the poetry of thy prescence. Clad all in white, upon a violet bank I saw thee half reclining; while the moon Fell on the upturn'd faces of the roses And on thine own, upturn'd-alas, in sorrow! Was it not Fate that, on this july midnight- Was it not Fate (whose name is also sorrow) That bade me pause before that garden-gate, To breathe the incense of those slumbering roses? No footstep stirred; the hated world all slept, Save only thee and me. (Oh Heaven- oh, God! How my heart beats in coupling those two worlds!) Save only thee and me. I paused- I looked- And in an instant all things disappeared. (Ah, bear in mind this garden was enchanted!) The pearly lustre of the moon went out; The mossy banks and the meandering paths, The happy flowers and the repining trees, Were seen no more: the very roses' odors Died in the arms of the adoring airs. All- all expired save thee- save less than thou: Save only the divine light in thine eyes- Save but the soul in thine uplifted eyes. I saw but them- they were the world to me. I saw but them- saw only them for hours- Saw only them until the moon went down. What wild heart-histories seemed to lie enwritten Upon those crystalline, celestial spheres! How dark a woe! yet how sublime a hope! How silently serene a sea of pride! How daring an ambition!yet how deep- How fathomless a capacity for love! But now, at length, dear Dian sank from sight, Into western couch of thunder-cloud; And thou, a ghost, amid the entombing trees Didst glide away. Only thine eyes remained. They would not go- they never yet have gone. Lighting my lonely pathway home that night, They have not left me (as my hopes have) since. They follow me- they lead me through the years. They are my ministers- yet I thier slave Thier office is to illumine and enkindle- My duty, to be saved by thier bright light, And purified in thier electric fire, And sanctified in thier Elysian fire. They fill my soul with Beauty (which is Hope), And are far up in heaven- the stars I kneel to In the sad, silent watches of my night; While even in the meridian glare of day I see them still- two sweetly scintillant Venuses, unextinguished by the sun!

The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin's Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes' mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin's folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge's fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin's halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. -The Song of Durin

Sejal had not thought of her home, or of India as a whole, as cool. She was dimly aware, however, of a white Westerner habit of wearing other cultures like T-shirts—the sticker bindis on club kids, sindoor in the hair of an unmarried pop star, Hindi characters inked carelessly on tight tank tops and pale flesh. She knew Americans liked to flash a little Indian or Japanese or African. They were always looking for a little pepper to put in their dish.

On the edge of the prairie, where the sun had gone down, the sky was turquoise blue, like a lake, with gold light throbbing in it. Higher up, in the utter clarity of the western slope, the evening star hung like a lamp suspended by silver chains -- like the lamp engraved up the title-page of old Latin texts, which is always appearing in new heavens and waking new desires in men.

When I see them here, in their rooms, in their offices, about their occupations, I feel an irresistible attraction in it, I would like to be here too and forget the war; but it repels me, it is so narrow, how can that fill a man’s life, he ought to smash it to bits; how can they do it, while out at the front the splinters are whining over the shell-holes and the star-shells go up, the wounded are carried back on waterproof sheets and comrades crouch in the trenches. – They are different men here, men I cannot properly understand, whom I envy and despise.

II A grief without a pang, void, dark, and drear,       A stifled, drowsy, unimpassioned grief,       Which finds no natural outlet, no relief,           In word, or sigh, or tear — O Lady! in this wan and heartless mood, To other thoughts by yonder throstle woo'd,       All this long eve, so balmy and serene, Have I been gazing on the western sky,       And its peculiar tint of yellow green: And still I gaze — and with how blank an eye! And those thin clouds above, in flakes and bars, That give away their motion to the stars; Those stars, that glide behind them or between, Now sparkling, now bedimmed, but always seen: Yon crescent Moon as fixed as if it grew In its own cloudless, starless lake of blue; I see them all so excellently fair, I see, not feel how beautiful they are! III           My genial spirits fail;           And what can these avail To lift the smothering weight from off my breast?           It were a vain endeavour,           Though I should gaze for ever On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.

He cupped his hand around her cheek, and she marveled at how perfectly his palm fit her cheek. His fingers in her hair, she waited, maybe for an eternity, for his lips to meet hers. When they did it was like being inside an exploding star. Time and space became irrelevant. She slipped her arms under his, clinging to him, his body the only thing stopping her from drifting away, untethered in space. His hand on her back slipped under layers of clothes, finding her skin. He pulled her close, and she leaned into him, feeling like she could never be close enough to him.

He comes with western winds, with evening's wandering airs, With that clear dusk of heaven that brings the thickest stars. Winds take a pensive tone, and stars a tender fire, And visions rise, and change, that kill me with desire.

If a heart could shimmer, hers did at that moment, and surely as bright as the stars in the sky.

She couldn't hold in her irritation. "What's so funny?" He reached out and touched the tip of her nose. "You.

America for Me 'Tis fine to see the Old World and travel up and down Among the famous palaces and cities of renown, To admire the crumblyh castles and the statues and kings But now I think I've had enough of antiquated things. So it's home again, and home again, America for me! My heart is turning home again and there I long to be, In the land of youth and freedom, beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars. Oh, London is a man's town, there's power in the air; And Paris is a woman's town, with flowers in her hair; And it's sweet to dream in Venice, and it's great to study Rome; But when it comes to living there is no place like home. I like the German fir-woods in green battalions drilled; I like the gardens of Versailles with flashing foutains filled; But, oh, to take your hand, my dear, and ramble for a day In the friendly western woodland where Nature has her sway! I know that Europe's wonderful, yet something seems to lack! The Past is too much with her, and the people looking back. But the glory of the Present is to make the Future free-- We love our land for what she is and what she is to be. Oh, it's home again, and home again, America for me! I want a ship that's westward bound to plough the rolling sea, To the blessed Land of Room Enough, beyond the ocean bars, Where the air is full of sunlight and the flag is full of stars.

If you’re looking at the weather, it’s shitty, with a chance of shittier.

He cast his eyes upwards and stood amazed. The snow had ceased to fall, and now, as if by a miracle, he saw above his head the clear black sky of the northern winter, decorated with the sumptuous fires of the stars. It was a canopy fit for the resplendent purity of the snows.

The star-shreds that aggregated into the most improbable and miraculous explosion of your consciousness should be appreciated with more noble sentiments than resentment and depression.

The moon grew plump and pale as a peeled apple, waned into the passing nights, then showed itself again as a thin silver crescent in the twilit western sky. The shed of leaves became a cascade of red and gold and after a time the trees stood skeletal against a sky of weathered tin. The land lay bled of its colors. The nights lengthened, went darker, brightened in their clustered stars. The chilled air smelled of woodsmoke, of distances and passing time. Frost glimmered on the morning fields. Crows called across the pewter afternoons. The first hard freeze cast the countryside in ice and trees split open with sounds like whipcracks. Came a snow flurry one night and then a heavy falling the next day, and that evening the land lay white and still under a high ivory moon.

If the multiverse turns out to be the best explanation of the fundamental physical constants, it would not be the first time we have been flabbergasted by worlds beyond our noses. Our ancestors had to swallow the discovery of the Western Hemisphere, eight other planets, a hundred billion stars in our galaxy (many with planets), and a hundred billion galaxies in the observable universe. If reason contradicts intuition once again, so much the worse for intuition. Another advocate of the multiverse, Brian Greene, reminds us: “From a quaint, small, earth-centered universe to one filled with billions of galaxies, the journey has been both thrilling and humbling. We’ve been compelled to relinquish sacred belief in our own centrality, but with such cosmic demotion we’ve demonstrated the capacity of the human intellect to reach far beyond the confines of ordinary experience to reveal extraordinary truth.

All this long eve, so balmy and serene, Have I been gazing on the western sky, And its peculiar tint of yellow green: And still I gaze—and with how blank an eye! And those thin clouds above, in flakes and bars, That give away their motion to the stars; Those stars, that glide behind them or between, Now sparkling, now bedimmed, but always seen: Yon crescent Moon, as fixed as if it grew In its own cloudless, starless lake of blue; I see them all so excellently fair, I see, not feel, how beautiful they are!

It little profits that an idle king, By this still hearth, among these barren crags, Matched with an aged wife, I mete and dole Unequal laws unto a savage race, That hoard, and sleep, and feed, and know not me. I cannot rest from travel; I will drink life to the lees. All times I have enjoyed Greatly, have suffered greatly, both with those that loved me, and alone; on shore, and when Through scudding drifts the rainy Hyades Vexed the dim sea. I am become a name; For always roaming with a hungry heart Much have I seen and known---cities of men And manners, climates, councils, governments, Myself not least, but honored of them all--- And drunk delight of battle with my peers, Far on the ringing plains of windy Troy. I am part of all that I have met; Yet all experience is an arch wherethrough Gleams that untraveled world whose margin fades Forever and forever when I move. How dull it is to pause, to make an end. To rust unburnished, not to shine in use! As though to breathe were life! Life piled on life Were all too little, and of one to me Little remains; but every hour is saved From that eternal silence, something more, A bringer of new things; and vile it were For some three suns to store and hoard myself, And this gray spirit yearning in desire To follow knowledge like a sinking star, Beyond the utmost bound of human thought. This is my son, my own Telemachus, To whom I leave the scepter and the isle--- Well-loved of me, discerning to fulfill This labor, by slow prudence to make mild A rugged people, and through soft degrees Subdue them to the useful and the good. Most blameless is he, centered in the sphere Of common duties, decent not to fail In offices of tenderness, and pay Meet adoration to my household gods, When I am gone. He works his work, I mine. There lies the port; the vessel puffs her sail; There gloom the dark, broad seas. My mariners, Souls that have toiled, and wrought, and thought with me--- That ever with a frolic welcome took The thunder and the sunshine, and opposed Free hearts, free foreheads---you and I are old; Old age hath yet his honor and his toil. Death closes all; but something ere the end, Some work of noble note, may yet be done, Not unbecoming men that strove with gods. The lights begin to twinkle from the rocks; The long day wanes; the slow moon climbs; the deep Moans round with many voices. Come, my friends. 'Tis not too late to seek a newer world. Push off, and sitting well in order smite the sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down; It may be that we shall touch the Happy Isles, And see the great Achilles, whom we knew. Though much is taken, much abides; and though We are not now that strength which in old days Moved earth and heaven, that which we are, we are--- One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.

With astonishing consistency, the people of Kültepe and Duttepe all saw the same figures in their dreams at regular intervals: Boys: the female primary-school teacher Girls: Atatürk Men: the Holy Prophet Muhammad Women: a tall, anonymous Western film star Old men: an angel drinking milk Old women: a young postman bringing good news

Earlier in the morning Company A, 1st Battalion, 5th Marines had attacked eastward into the ruins of Shuri Castle and had raised the Confederate flag. When we learned that the flag of the Confederacy had been hoisted over the very heart and soul of Japanese resistance, all of us Southerners cheered loudly. The Yankees among us grumbled, and the Westerners didn’t know what to do. Later we learned that the Stars and Stripes that had flown over Guadalcanal were raised over Shuri Castle, a fitting tribute to the men of the 1st Marine Division who had the honor of being first into the Japanese citadel.

Although Gene was white there was something of the wise and tired old Negro in him, and something very much like Elmer Hassel, the New York dope addict, in him, but a railroad Hassel, a traveling epic Hassel, crossing and recrossing the country every year, south in the winter and north in the summer, and only because he had no place he could stay in without getting tired of it and because there was nowhere to go but everywhere, keep rolling under the stars, generally the Western stars.

Hard Times Music is silenced, the dark descending slowly Has stripped unending skies of all companions. Weariness grips your limbs and within the locked horizons Dumbly ring the bells of hugely gathering fears. Still, O bird, O sightless bird, Not yet, not yet the time to furl your wings. It's not melodious woodlands but the leaps and falls Of an ocean's drowsy booming, Not a grove bedecked with flowers but a tumult flecked with foam. Where is the shore that stored your buds and leaves? Where the nest and the branch's hold? Still, O bird, my sightless bird, Not yet, not yet the time to furl your wings. Stretching in front of you the night's immensity Hides the western hill where sleeps the distant sun; Still with bated breath the world is counting time and swimming Across the shoreless dark a crescent moon Has thinly just appeared upon the dim horizon. -But O my bird, O sightless bird, Not yet, not yet the time to furl your wings. From upper skies the stars with pointing fingers Intently watch your course and death's impatience Lashes at you from the deeps in swirling waves; And sad entreaties line the farthest shore With hands outstretched and crooning 'Come, O come!' Still, O bird, O sightless bird, Not yet, not yet the time to furl your wings. All that is past: your fears and loves and hopes; All that is lost: your words and lamentation; No longer yours a home nor a bed composed of flowers. For wings are all you have, and the sky's broadening countryard, And the dawn steeped in darkness, lacking all direction. Dear bird, my sightless bird, Not yet, not yet the time to furl your wings!

and putrefaction, and fills us with nausea and retching. The nights become quiet and the hunt for copper driving-bands and the silken parachutes of the French star-shells begins. Why the driving-bands are so desirable no one knows exactly. The collectors merely assert that they are valuable. Some have collected so many that they will stoop under the weight of them when we go back.

Jasper set an intercepting course towards that Rhylonian Star Duster. Maybe we can catch them on their blind side.” “Doesn’t this ship have a cloak?” Jaq asks. “Miss Synergy, I don’t know what they teach now a’days at the Academy, but ships do not wear clothes.

I point at one of the brighter stars. "What's that big red one?" "The White Tiger to the Chinese. Westerners call it the Bull." Isn't that like life? Two people look at the same object but see two different things. I look at shoveling coal and see a job. He sees a calling.

O Light Invisible, we praise Thee! Too bright for mortal vision. O Greater Light, we praise Thee for the less; The eastern light our spires touch at morning, The light that slants upon our western doors at evening, The twilight over stagnant pools at batflight, Moon light and star light, owl and moth light, Glow-worm glowlight on a grassblade. O Light Invisible, we worship Thee! We thank Thee for the light that we have kindled, The light of altar and of sanctuary; Small lights of those who meditate at midnight And lights directed through the coloured panes of windows And light reflected from the polished stone, The gilded carven wood, the coloured fresco. Our gaze is submarine, our eyes look upward And see the light that fractures through unquiet water. We see the light but see not whence it comes. O Light Invisible, we glorify Thee!

Excellence in Western Fiction, is a member of the American Writers Hall of Fame and is a Pulitzer Prize nominee.   Vaughn is also a retired army officer, helicopter pilot with three tours in Vietnam. And received the Distinguished Flying Cross, the Purple Heart, The Bronze Star with three

As McMasters raised the shotgun, the man removed his glasses. There were fields of stars where his eyes should have been. But they weren’t reflections of the night sky. These stars were a glimpse of a dim and distant future where the very laws of physics had been reduced to relics of a forgotten age. Feeble as dying embers, they were the palsied mourners at time’s wake. McMasters could hear the ultimate silence and feel the biting cold of the one true void. The promise of the eternal nothing beckoned to him. There was a sort of peace in the death it represented, not the death of mind and body but of shape and form. It was the final revelation, the casting off of life’s illusion in favor of the void’s embrace. from "Riders of the Necronomicon

Ancient astrology was rather different from the modern horoscope. Its more learned practitioners enjoyed intellectual respectability, and there was a substantial overlap between astrology and philosophy. People would consult astrologers on anything, from the time and manner in which they were going to die to who was likely to win in the chariot-races that afternoon. The chronology of the origins and development of astrology are impossible to establish, and were debated even in the ancient world. Suffice it to say here that the Western tradition was one of many traditions: Indian, Chinese, Middle Eastern. It was Ptolemy, the Hellenistic geographer and astrologer, who first laid the technical foundations of Western astrology in his Tetrabiblos (‘Four Books’). But the rise in the prominence of astrology was closely tied to the Roman imperial regime. It greatly benefited emperors to have their sovereignty ‘written in the stars’.

The light of these candles is but the reflection of a greater light. It shines from the islands beyond the western sea. It glistens in the dew and on the lake, in the stars of the night sky, in every reflection of the spirit world. And should any of us lose the light, there will be brother or sister to guide him

[...] "I owe you", says "Your shoes are filling with your own damn blood, you must want something, just tell me, and it’s yours." But I can’t look at him, can hardly speak, I took the bullet for all the wrong reasons, I’d just as soon kill you myself, I say. You keep saying "I owe you, I owe…" but you say the same thing every time. Let’s not talk about it, let’s just not talk. Not because I don’t believe it, not because I want it any different, but I’m always saving and you’re always owing and I’m tired of asking to settle the debt. Don’t bother. You never mean it anyway, not really, and it only makes me that much more ashamed. There’s only one thing I want, don’t make me say it, just get me bandages, I’m bleeding, I’m not just making conversation. There’s smashed glass glittering everywhere like stars. It’s a Western, Henry, it’s a downright shoot-em-up. We’ve made a graveyard out of the bone white afternoon. It’s another wrong-man-dies scenario and we keep doing it, Henry, keep saying until we get it right… but we always win and we never quit, see, we’ve won again, here we are at the place where I get to beg for it [...]

He lifted his gaze to the stars scattered across the sky, then to the peaks of the hills, and to the moon carving a path between them, toward the dark line of the western horizon.

Trees teach us patience, but grass teaches us persistence.

We sat on the terrace and talked as the sun slipped into the western sea and the stars filled the sky above us.

Mister Hawe, you come along, not satisfied with ropin

I do have a girl that sets the moon and stars.

He'd stolen a kiss, and been transported to heaven. "I won't say I'm sorry, Susanna. Even if you think I should." Her lips looked kissed and a bit plump. "I didn't ask you to.

The cross has become a symbol in much of the Western world, misused by many rock stars and others who do not comprehend its significance.

Leave that cycle at home. I like a truck bed to play around in under the moon and stars.

The stars are cold.

There is the great sky again, and the stars, and the first streak of dawn, and he is walking beneath that sky, a soldier with big boots and a full belly, a little soldier in the early morning.

Through The Mecca I saw that we were, in our own segregated body politic, cosmopolitans. The black diaspora was not just our own world but, in so many ways, the Western world itself. Now, the heirs of those Virginia planters could never directly acknowledge this legacy or reckon with its power. And so that beauty that Malcolm pledged us to protect, black beauty, was never celebrated in movies, in television, or in the textbooks I’d seen as a child. Everyone of any import, from Jesus to George Washington, was white. This was why your grandparents banned Tarzan and the Lone Ranger and toys with white faces from the house. They were rebelling against the history books that spoke of black people only as sentimental “firsts”—first black five-star general, first black congressman, first black mayor—always presented in the bemused manner of a category of Trivial Pursuit. Serious history was the West, and the West was white. This was all distilled for me in a quote I once read from the novelist Saul Bellow. I can’t remember where I read it, or when—only that I was already at Howard. “Who is the Tolstoy of the Zulus?” Bellow quipped. Tolstoy was “white,” and so Tolstoy “mattered,” like everything else that was white “mattered.” And this view of things was connected to the fear that passed through the generations, to the sense of dispossession. We were black, beyond the visible spectrum, beyond civilization. Our history was inferior because we were inferior, which is to say our bodies were inferior. And our inferior bodies could not possibly be accorded the same respect as those that built the West. Would it not be better, then, if our bodies were civilized, improved, and put to some legitimate Christian use?

When first discovering a night sky, the eyes may pick out a few tiny stars. Waiting and watching reveals thousands, until it seems there is yet more light than empty blackness. So my life has been, and so it continues.

Susanna, I'm not exactly sure how to begin. Where to start. I know I was in the wrong by not telling you sooner, but I was in an incredibly tight spot." She crooked her brow. "I'm still in an incredibly tight spot?" She nodded.

I know that western sky. Sometimes when I'm alone painting, a blind lifts and I let my mind drift back. I remember walking out into the red sun in Canyon until the night fell. I'd lie down on the scorched hardness of the desert floor, looking up at the stars raining down like small silver bullets into me. It was all I wanted then – to feel that roar of the infinite that exists within our finite selves. At times it seemed unbearable – that hunger I felt once – like the edges of my skin could not contain it. I miss that.

SWIFTLY walk o'er the western wave, Spirit of Night! Out of the misty eastern cave,-- Where, all the long and lone daylight, Thou wovest dreams of joy and fear Which make thee terrible and dear,-- Swift be thy flight! Wrap thy form in a mantle grey, Star-inwrought! Blind with thine hair the eyes of Day; Kiss her until she be wearied out. Then wander o'er city and sea and land, Touching all with thine opiate wand-- Come, long-sought! When I arose and saw the dawn, I sigh'd for thee; When light rode high, and the dew was gone, And noon lay heavy on flower and tree, And the weary Day turn'd to his rest, Lingering like an unloved guest, I sigh'd for thee. Thy brother Death came, and cried, 'Wouldst thou me?' Thy sweet child Sleep, the filmy-eyed, Murmur'd like a noontide bee, 'Shall I nestle near thy side? Wouldst thou me?'--And I replied, 'No, not thee!' Death will come when thou art dead, Soon, too soon-- Sleep will come when thou art fled. Of neither would I ask the boon I ask of thee, beloved Night-- Swift be thine approaching flight, Come soon, soon!

In Uganda, for example, where abortion is illegal and sex education focuses on abstinence, the abortion rate is more than twice the rate in the United States and four times that of western Europe, where both abortion and contraception are legal and widely available. ■

When I see them here, in their rooms, in their offices, about their occupations, I feel an irresistible attraction in it, I would like to be here too and forget the war; but also it repels me, it is so narrow, how can that fill a man’s life, he ought to smash it to bits; how can they do it, while out at the front the splinters are whining over the shell-holes and the star-shells go up, the wounded are carried back on waterproof sheets and comrades crouch in the trenches. — They are different men here, men I cannot properly understand, whom I envy and despise.

Don had just starred in his second Western, The Righteous, after he had lobbied Ari Sullivan hard for one more crack at bat. This time, however, the reviews were telling a different story. Don had “manned up.” He was convincing everyone, on his sophomore try, that he was a formidable action star

When lilacs last in the dooryard bloom'd, And the great star early droop'd in the western sky in the night, I mourn'd, and yet shall mourn with ever-returning spring Ever-returning spring, trinity sure to me you bring, Lilac blooming perennial and drooping star in the west, And thought of him I love.

That a charlatan could find her way into enough parlors of upstate New York and Western Massachusetts in the early years of the twentieth century to provide a comfortable living, was not, in itself, remarkable. Anastasia, however, was, in the spectrum of spirit rappers, table turners, and ectoplasmic spinners, a practitioner of such ability that on some level, she decided, what she did was a kind of magic of its own. She’d come to the profession by way of her sister, who had correctly sensed that the pale, wide-eyed girl possessed a certain affinity for the extraordinary, and had brought her to a séance, where Edith, perceiving that the medium had affixed a scrap of iron to her boot to tap out the spirits’ “answers,” decided, in a moment of pique, to out-channel the star, tossed herself upon the carpeted table, and arching her back and tearing at her bodice, cried out in the voice of a Roman emperor named Augustus Titus.

It is an echo, in fact, from the last lines of Dante’s Divine Comedy, the lines in which Dante describes what it is to feel ecstatic bliss in the mystical union with God, to give up your entire identity and subsume it beneath the sacred power of God’s divine love, the love that moves the sun and the other stars.

raw state militias patrolling the west with seasoned troops better capable of confronting the Indians of the Great Plains. South of the Arkansas, this meant eradicating the Kiowa and the Comanche, who were blocking movement along the Santa Fe Trail into New Mexico. North of the Platte, it meant killing Red Cloud and Sitting Bull. General Ulysses S. Grant, the Army’s commander in chief, had long planned such a moment. The previous November, the day after the Sand Creek massacre, Grant summoned Major General John Pope to his Virginia headquarters to put such plans in motion. Despite his relative youth, the forty-three-year-old Pope was an old-school West Pointer and a topographical engineer-surveyor whose star had risen with several early successes on western fronts in the Civil War. It had dimmed just as rapidly when Lincoln placed him in command of the eastern forces; Pope was thoroughly outfoxed by Stonewall Jackson and James Longstreet at the Second Battle of Bull Run. Pope had been effectively exiled to St. Paul, Minnesota, until Grant recalled him to consolidate under one command a confusing array of bureaucratic Army “departments” and “districts” west of St. Louis. Grant named Pope the commanding general of a new Division of the Missouri,

Blue lady orchid Meaning: Consumed by love Thelymitra crinita | Western Australia Perennial spring-flowering orchid. Flowers are intensely blue and form a delicate star shape. Does not need a bushfire to stimulate flowering, but can be smothered by other vegetation, so periodic burns to restrict taller-growing shrubs are beneficial.

Summer of 1918 - Never has life in its niggardliness seemed to us so desirable as now; - the red poppies in the meadows round our billets, the smooth beetles on the blades of grass, the warm evenings in the cool, dim rooms, the black mysterious trees of the twilight, the stars and the flowing waters, dreams, and long sleep - O Life, life, life!

The Four Loves Killers of the Flower Moon Crazy Rich Asians The Screwtape Letters Rebecca Martha Stewart’s Homekeeping Handbook Sense and Sensibility Number the Stars The Awakening of Miss Prim The Hiding Place Church of Spies: The Pope’s Secret War Against Hitler Animal Farm Alice in Wonderland All Quiet on the Western Front And Then There Were None Antony and Cleopatra

A BRAVE AND STARTLING TRUTH We, this people, on a small and lonely planet Traveling through casual space Past aloof stars, across the way of indifferent suns To a destination where all signs tell us It is possible and imperative that we learn A brave and startling truth And when we come to it To the day of peacemaking When we release our fingers From fists of hostility And allow the pure air to cool our palms When we come to it When the curtain falls on the minstrel show of hate And faces sooted with scorn are scrubbed clean When battlefields and coliseum No longer rake our unique and particular sons and daughters Up with the bruised and bloody grass To lie in identical plots in foreign soil When the rapacious storming of the churches The screaming racket in the temples have ceased When the pennants are waving gaily When the banners of the world tremble Stoutly in the good, clean breeze When we come to it When we let the rifles fall from our shoulders And children dress their dolls in flags of truce When land mines of death have been removed And the aged can walk into evenings of peace When religious ritual is not perfumed By the incense of burning flesh And childhood dreams are not kicked awake By nightmares of abuse When we come to it Then we will confess that not the Pyramids With their stones set in mysterious perfection Nor the Gardens of Babylon Hanging as eternal beauty In our collective memory Not the Grand Canyon Kindled into delicious color By Western sunsets Nor the Danube, flowing its blue soul into Europe Not the sacred peak of Mount Fuji Stretching to the Rising Sun Neither Father Amazon nor Mother Mississippi who, without favor, Nurture all creatures in the depths and on the shores These are not the only wonders of the world When we come to it We, this people, on this minuscule and kithless globe Who reach daily for the bomb, the blade and the dagger Yet who petition in the dark for tokens of peace We, this people on this mote of matter In whose mouths abide cankerous words Which challenge our very existence Yet out of those same mouths Come songs of such exquisite sweetness That the heart falters in its labor And the body is quieted into awe We, this people, on this small and drifting planet Whose hands can strike with such abandon That in a twinkling, life is sapped from the living Yet those same hands can touch with such healing, irresistible tenderness That the haughty neck is happy to bow And the proud back is glad to bend Out of such chaos, of such contradiction We learn that we are neither devils nor divines When we come to it We, this people, on this wayward, floating body Created on this earth, of this earth Have the power to fashion for this earth A climate where every man and every woman Can live freely without sanctimonious piety Without crippling fear When we come to it We must confess that we are the possible We are the miraculous, the true wonder of this world That is when, and only when We come to it.

[Stice's] parents had met and fallen in love in a Country/Western bar in Partridge KS — just outside Liberal KS on the Oklahoma border — met and fallen in star-crossed love in a bar playing this popular Kansas C/W-bar-game where they put their bare forearms together and laid a lit cigarette in the little valley between the two forearms' flesh and kept it there till one of them finally jerked their arm away and reeled away holding their arm. Mr. and Mrs. Stice each discovered somebody else that wouldn't jerk away and reel away, Stice explained. Their forearms were still to this day covered with little white slugs of burn-scar. They'd toppled like pines for each other from the git-go, Stice explained. They'd been divorced and remarried four or five times, depending on how you defined certain jurisprudential precepts. When they were on good domestic terms they stayed in their bedroom for days of squeaking springs with the door locked except for brief sallies out for Beefeater gin and Chinese take-out in little white cardboard pails with wire handles, with the Stice children wandering ghostlike through the clapboard house in sagging diapers or woolen underwear subsisting on potato chips out of econobags bigger than most of them were, the Stice kids. The kids did somewhat physically better during periods of nuptial strife, when a stony-faced Mr. Stice slammed the kitchen door and went off daily to sell crop insurance while Mrs. Stice —whom both Mr. Stice and The Darkness called 'The Bride' —while The Bride spent all day and evening cooking intricate multicourse meals she'd feed bits of to The Brood (Stice refers to both himself and his six siblings as 'The Brood') and then keep warm in quietly rattling-lidded pots and then hurl at the kitchen walls when Mr. Stice came home smelling of gin and of cigarette-brands and toilet-eau not The Bride's own. Ortho Stice loves his folks to distraction, but not blindly, and every holiday home to Partridge KS he memorizes highlights of their connubial battles so he can regale the E.T.A. upperclass-men with them, mostly at meals, after the initial forkwork and gasping have died down and people have returned to sufficient levels of blood-sugar and awareness of their surroundings to be regaled.

Orange Immortelle Meaning: Written in the stars Waitzia acuminata | Western Australia Perennial with long, narrow leaves, and papery orange, yellow and white flowers. Spring blooming after winter rain. En masse these flowers are spectacular. Have been found in their millions across much of the scrub and desert in the west, with people often traveling long distances to see them.

He’d heard the arguments. That they were just stories. But he knew from deep personal experience playing a role in one of the most enduring legends in Western history, that stories were never just a string of pretty words on a page or attractive strangers on a screen. They climbed inside your head, reordered things. Tore up parts of you by the roots and planted new ideas. Magic, really.

In the dark pre-dawn quiet he lay facing the window by his bed and stared at the stars hanging in the western sky. They floated over the land like the dust of jewels strewn across black water. These stars had become the milestones that marked his coming passage, and he gazed at them this one last time for the sake of preserving a memory, he supposed. One last view through the windowglass of his youth.

In two days they began to come upon bones and cast-off apparel. They saw halfburied skeletons of mules with the bones so white and polished they seemed incandescent even in that blazing heat and they saw panniers and packsaddles and the bones of men and they saw a mule entire, the dried and blackened carcass hard as iron. They rode on. The white noon saw them through the waste like a ghost army, so pale they were with dust, like shades of figures erased upon a board. The wolves loped paler yet and grouped and skittered and lifted their lean snouts on the air. At night the horses were fed by hand from sacks of meal and watered from buckets. There was no more sickness. The survivors lay quietly in that cratered void and watched the whitehot stars go rifling down the dark. Or slept with their alien hearts beating in the sand like pilgrims exhausted upon the face of the planet Anareta, clutched to a namelessness wheeling in the night. They moved on and the iron of the wagontires grew polished bright as chrome in the pumice. To the south the blue cordilleras stood footed in their paler image on the sand like reflections in a lake and there were no wolves now. They took to riding by night, silent jornadas save for the trundling of the wagons and the wheeze of the animals. Under the moonlight a strange party of elders with the white dust thick on their moustaches and their eyebrows. They moved on and the stars jostled and arced across the firmament and died beyond the inkblack mountains. They came to know the nightskies well. Western eyes that read more geometric constructions than those names given by the ancients. Tethered to the polestar they rode the Dipper round while Orion rose in the southwest like a great electric kite. The sand lay blue in the moonlight and the iron tires of the wagons rolled among the shapes of the riders in gleaming hoops that veered and wheeled woundedly and vaguely navigational like slender astrolabes and the polished shoes of the horses kept hasping up like a myriad of eyes winking across the desert floor. They watched storms out there so distant they could not be heard, the silent lightning flaring sheetwise and the thin black spine of the mountain chain fluttering and sucked away again in the dark. They saw wild horses racing on the plain, pounding their shadows down the night and leaving in the moonlight a vaporous dust like the palest stain of their passing.

Away on his right he could see, rather indistinctly, the Western Mountains. On his left was the gleam of the Great River, and everything was so quiet that he could hear the sound of the waterfall at Beaversdam, a mile away. There was no difficulty in picking out the two stars they had come to see. They hung rather low in the southern sky, almost as bright as two little moons and very close together. “Are they going to have a collision?” he asked in an awestruck voice. “Nay, dear Prince,” said the Doctor (and he too spoke in a whisper). “The great lords of the upper sky know the steps of their dance too well for that. Look well upon them. Their meeting is fortunate and means some great good for the sad realm of Narnia. Tarva, the Lord of Victory, salutes Alambil, the Lady of Peace. They are just coming to their nearest.

And in the silence what followed, I reckon our eyes had some long conversation our mouths could’ve never talked through. Some long, looking talk about things gone and long since said. About cries out in the night and some long ago tangling of limbs. And about them betrayals done time and time again—by both of us—what led to me pointing the Green Man’s rifle at the man what once loved me under the Green Man’s stars.

Once I fall fast asleep. Then wakening suddenly with a start I do not know where I am. I see the stars, I see the rockets, and for a moment have the impression that I have fallen asleep at a garden fête. I don't know whether it is morning or evening, I lie in the pale cradle of the twilight, and listen for soft words which will come, soft and near—am I crying? I put my hand to my eyes, it is fantastic, am I a child?

Too soon for dinner with the parents?" I teased. "You really didn't have to feel obligated to stay, but Lil does cook some amazing Indian food." Gabriel just kissed the back of my hand and smiled slyly. "What is it you Westerners say? This isn't my first rodeo, darling!" He mocked tipping a hat. "Well that may be true, but this is a very different kind of bull," I retorted, almost jealous. "And how many rodeos exactly have you been to, sir?

The noises from outside all merge into one another, become a dream which disappears from the waking memory...he sees the woods and stars behind him, and so he moves on, an ordinary soldier, with his big boots and his webbing and his pack, making his tiny way under the sky’s great vault along the road that lies before him; a soldier who forgets things quickly and who isn’t even depressed much any more, but who just goes onwards under the great night sky.

Sejal had not often thought of her home, or of India as a whole, as cool. She was dimly aware, however, of a white Westerner habit of wearing other cultures like T-shirts—the sticker bindis on club kids, sindoor in the hair of an unmarried pop star, Hindi characters inked carelessly on tight tank tops and pale flesh. She knew Americans liked to flash a little Indian or Japanese or African. They were always looking for a little pepper to put in their dish.

The Jealous Sun The sunlight whispers in my ear, his breath a warm, sultry tease. I shrink and duck beneath a tree. My eyes squint to scan the horizon for a glimpse of the wind, but there are no ashen ribbons or golden waves in sight. He is missing. Trickling, tinkling notes reflect loudly off a chandelier of glimmering droplets. The rain sings to me, and I shield my eyes, admiring the song. Far off in my western view I expect to see snow, but the sun grows hot with jealousy, knowing this. He refuses my snowman a place to set. My sight drops to search for the man in the moon. Normally he rises dripping wet from out of the lake, often pale and naked, supple and soft to my caressing gaze. On rare occasions he dons a pumpkin robe as luminous as fire. Today he is draped in silks of the saddest blue. My heart weeps as he steals up and away. An army of stars in shining armor come to my aid, and they force the sun into the ground—a temporary grave. I am fed with a billion bubbles of laughter until I feel I will burst. But the stars will not stop giving, and I will not stop taking. A kiss brands my cheek, and I turn abruptly to find my snowman. He landed safely in the dark. We hide from the man in the moon behind a curtain of flurries to dance on polished rainbows and feast on stars until I hear a fire-red growl. The sun claws its way out of the soil, and everyone scatters.

Buddhism is not a religion in the Western sense but rather a practical set of ideas and approaches toward understanding the workings of life. To be more precise, it’s a system of practices and philosophical tenets designed to help people overcome their sufferings. It is to the soul what weightlifting is for muscles—it strengthens the self to the extent that a person’s spirit, through devoted practice, becomes impervious to external influences. And it’s open and available to everyone.

Perhaps the best known of these films were the three that Clint Eastwood starred in for director Sergio Leone: A Fistful of Dollars, For a Few Dollars More, and The Good, the Bad and the Ugly, in which he played a gunslinger or bounty hunter wandering the countryside and settling scores for a price. Eastwood’s character took the law into his own hands, but he was essentially on the side of good and order. While Eastwood’s character, a dark hero type, employed unusual means to bring about justice, viewers found him irresistible because he was inscrutable, macho, and capable. While his motives were questionable, he brings his own kind of order out of chaos—actions that readers and film viewers always appreciate. In fact, he was a man of action, was extremely self-reliant, and just didn’t give a damn—all qualities that have universal appeal. His character’s darkness was a departure from the usual heroes starring in traditional Westerns, and this stirred the viewers’ imaginations.

The sky was cloudless, the air wonderfully transparent. A perfect calm lay over the landscape. They could no longer see the sun, now concealed, along with half the western horizon, behind the vast screen of the upper cone. Stretching off to the shoreline, its enormous shadow grew ever longer as the earth's radiant star sank slowly toward the sea, its diurnal course drawing to a close. Vapors began to rise in the east, more mist than cloud, taking on all the colors of the spectrum under the effect of the solar rays.

There’s an ancient legend that infuses China’s Yangtze and Yellow Rivers with cosmological dimensions. After flowing east and out to sea, the rivers ascend and rarify, becoming the Star River (Milky Way), crosses the heavens westward and descends into western mountains to form the headwaters of the rivers, a return to earth and the cycle. China’s rivers were an extension of the Milky Way, creating a cosmological cocoon and nestles humans into the ten thousand things, and prefigures the idea that the stars as embryonic origins of chi.

His name was Mohamed. And, like so many others, he dreamt about leaving Morocco some day, for France, Spain, Germany, it didn’t matter where, but his wildest dream was about going to the United States. He knew what he had to do, had even come up with a plan, a simple one, simple but effective: seduce a Western woman, offer himself to her, show her what a Moroccan man was capable of, in other words, fuck her like an animal, make her see stars in broad daylight, screw her nonstop, drive her wild, make her worthy of him, deserving of his cock.

He swelled into the piece, his hand flat-hatting across the keyboard and thundering the lower notes like a trip-hammer. Finishing what I assumed was the first portion of the piece, he turned to look at me with his sad eyes. “Personally, I think it’s a masterpiece.” We sat there smiling at each other until we became aware of the silence and looked up once again to find the onlookers dumbstruck. I leaned his way and spoke in a low voice. “Maybe not a highbrow crowd.” Leeland immediately launched into a jazzy blues version of “This Train.” “Boy howdy.

When I see them here, in their rooms, in their offices, about their occupations, I feel an irresistible attraction in it, I would like to be here too and forget the war; but also it repels me, it is so narrow, how can that fill a man’s life, he ought to smash it to bits; how can they do it, while out at the front the splinters are whining over the shell-holes and star-shells go up, the wounded are carried back on waterproof sheets and comrades crouch in the trenches.—They are different men here, men I cannot properly understand, whom I envy and despise.

He saw her once, and in the glance, A moment’s glance of meeting eyes, His heart stood still in sudden trance: He trembled with a sweet surprise— All in the waning light she stood, The star of perfect womanhood. That summer-eve his heart was light: With lighter step he trod the ground: And life was fairer in his sight, And music was in every sound: He blessed the world where there could be So beautiful a thing as she. There once again, as evening fell And stars were peering overhead, Two lovers met to bid farewell: The western sun gleamed faint and red,

The night sky is filled brimful as a night sky can be, lit brightly as it is with clusters of planets and pulsating stars and marriages of galaxies, all of it within a wobble of dust and gas and debris unseen. There are the Dippers Little and Big tonight, a lovely Pleiades, and a throbbing red star out like a tiny heart. This is the stuff of which we are made, I say to Son, all that is of us above us. We stand together looking upward, our mouths hung open as if to swallow what's above down and into us. Looking out at the past in its far distance, where from there, he we are not.

As she reached the stairs, she made a quick detour and stepped outside. A crescent moon hung in the midnight blue sky along with trillions of twinkling stars. Out here there were no streetlights to wash out the view. She loved being able to see the stars. Tonight, the mountains were etched deep purple against the night sky. The white snowcapped tips gleamed silver. Nearer, silhouetted pine trees swayed in the breeze as if in a slow dance. “You are such a romantic,” Trask had once told her. “Are you sure you want to open a bar? You should be writing poetry.” She’d laughed. “How do you know I don’t?

My youthful dreams of the future were born from the gentle sadness of those evenings, far removed from the rest of life, when you lie in the grass beside the remains of someone else’s campfire, with your bicycle beside you, watching the purple stripes left in the western sky by the sun that has just set, and you can see the first stars in the east. I hadn’t seen or experienced very much, but I liked lots of things, and I thought that a flight to the moon would take in and make up for all the things I had passed by, in hopes of catching up with them later; how could I know that you only ever see the best things in life out of the corner of your eye?

MARKET GARDEN had won a sixty-five-mile salient that crossed five major water barriers but led nowhere. Without turning the German flank or gaining a bridgehead over the Neder Rijn, 21st Army Group had nearly doubled the perimeter to be outposted, from 150 to 280 miles. That task would entangle most of Second Army, as well as the two committed U.S. airborne divisions, which, with Eisenhower’s tacit approval, would be stuck helping the British hold this soggy landscape until mid-November, eating British oxtail soup and heavy puddings, drinking British rum, and smoking British cigarettes considered so foul that some GIs preferred to inhale torn strips of Stars and Stripes.

At the American cemetery in Henri-Chapelle, fifteen miles east of Liège, grave diggers with backhoes worked around the clock to bury as many as five hundred GIs a day. Each was interred in a hole five feet deep, two feet wide, and six and a half feet long, but only after their overshoes had been removed for reuse. One dog tag was placed in the dead man’s mouth, the other tacked to a cross or a Star of David atop the grave. Those whose tags had been lost first went to a morgue tent for photographs and dental charting. Fingertips were cleaned and injected with fluid to enhance prints, while technicians searched for laundry marks, tattoos, and other identifying clues, all to avoid conceding that here was yet another mother’s son known but to God.

Crossing the prairie he had learned something that he knew to be a contradiction: that a constant sound—like the slithering of wind-blown grass—can become its own silence. Here at the edge of the mountain ranges another lesson became clear: this dichotomous land had made some claim upon his soul. The plains seemed to go on forever, the gently rolling land seeming to mirror the endless sky. The vastness of it all gave him his first seed of hope. Here, in this spacious country where a man was constantly dwarfed by the grandeur of his surroundings, he might learn to burn up his past and let the sparks scatter to the stars. Under this broad Western sky there seemed to be more directions, more possibilities . . . not just about what to do with his life . . . but also what kind of man to be.

The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep.

The Republic, Plato writes: The stars that decorate the sky, though we rightly regard them as the finest and most perfect of visible things, are far inferior, just because they are visible, to the true realities; that is, to the true relative velocities, in pure numbers and perfect figures, of the orbits and what they carry in them, which are perceptible to reason and thought but not visible to the eye … We shall therefore treat astronomy, like geometry, as setting us problems for solution, and ignore the visible heavens, if we want to make a genuine study of the subject …127 This separation of the absolute and eternal, which can be known by logos (reason), from the purely phenomenological, which is now seen as inferior, leaves an indelible stamp on the history of Western philosophy for the subsequent two thousand years.

In fact, Hinduism�s pervading influence seems to go much earlier than Christianity. American mathematician, A. Seindenberg, has for example shown that the Sulbasutras, the ancient Vedic science of mathematics, constitute the source of mathematics in the Antic world, from Babylon to Greece : � the arithmetic equations of the Sulbasutras he writes, were used in the observation of the triangle by the Babylonians, as well as in the edification of Egyptian pyramids, in particular the funeral altar in form of pyramid known in the vedic world as smasana-cit (Seindenberg 1978: 329). In astronomy too, the "Indus" (from the valley of the Indus) have left a universal legacy, determining for instance the dates of solstices, as noted by 18th century French astronomer Jean-Sylvain Bailly : � the movement of stars which was calculated by Hindus 4500 years ago, does not differ even by a minute from the tables which we are using today". And he concludes: "the Hindu systems of astronomy are much more ancient than those of the Egyptians - even the Jews derived from the Hindus their knowledge �. There is also no doubt that the Greeks heavily borrowed from the "Indus". Danielou notes that the Greek cult of Dionysos, which later became Bacchus with the Romans, is a branch of Shivaism : � Greeks spoke of India as the sacred territory of Dionysos and even historians of Alexander the Great identified the Indian Shiva with Dionysos and mention the dates and legends of the Puranas �. French philosopher and Le Monde journalist Jean-Paul Droit, recently wrote in his book "The Forgetfulness of India" that � the Greeks loved so much Indian philosophy, that Demetrios Galianos had even translated the Bhagavad Gita �.

The Southern Cross gets the award for the greatest hype among all eighty-eight constellations. By listening to Southern Hemisphere people talk about this constellation, and by listening to songs written about it, and by noticing it on the national flags of Australia, New Zealand, Western Samoa, and Papua New Guinea, you would think we in the North were somehow deprived. Nope. Firstly, one needn’t travel to the Southern Hemisphere to see the Southern Cross. It’s plainly visible (although low in the sky) from as far north as Miami, Florida. This diminutive constellation is the smallest in the sky—your fist at arm’s length would eclipse it completely. Its shape isn’t very interesting either. If you were to draw a rectangle using a connect-the-dots method you would use four stars. And if you were to draw a cross you would presumably include a fifth star in the middle to indicate the cross-point of the two beams. But the Southern Cross is composed of only four stars, which more accurately resemble a kite or a crooked box. The constellation lore of Western cultures owes its origin and richness to centuries of Babylonian, Chaldean, Greek, and Roman imaginations. Remember, these are the same imaginations that gave rise to the endless dysfunctional social lives of the gods and goddesses. Of course, these were all Northern Hemisphere civilizations, which means the constellations of the southern sky (many of which were named only within the last 250 years) are mythologically impoverished. In the North we have the Northern Cross, which is composed of all five stars that a cross deserves. It forms a subset of the larger constellation Cygnus the swan, which is flying across the sky along the Milky Way. Cygnus is nearly twelve times larger than the Southern Cross.

On the road leading from his ranch to Samantha's, Wyat t drove his surrey up a small hill and caught his breath as the beauty of the large crescent moon dangling just out of reach over the crest A full moon would have been plump with luminescence, yet the pearly surface of the sickle still cast enough light to shadow his surroundings and seemed close enough that once he drove to the top of the hill, he'd be able to touch the bottom horn or at least toss a rope around it. He slackened the reins, slowing the horse, knowing that the higher he climbed, the sooner the illusion of closeness would disappear and he wanted to preserve for a moment the fantasy that the moon was within his grasp. The stars, by contrast, were distant pricks of diamond light farther out than a man could dream. He sighed. Life as a rancher or as a rancher's wife was not moon and stars easy or romantic. What would put stars in Samantha's eyes?

Their pupils had at all costs to be fitted for life in a world careless of the spirit, careless of the true ends of living, and thoughtful only for the means. They must be equipped for the economic struggle. They must become good business men, good engineers and chemists, good typists and secretaries, good husband-catchers, even if the process prevented them irrevocably from becoming fully alive human beings. And so the population of the Western world was made up for the most part of strange thwarted creatures, skilled in this or that economic activity, but blind to the hope and the plight of the human race. For them the sum of duty was to play the economic game shrewdly and according to rule, to keep their wives in comfort and respectability, their husbands well fed and contented, to make their offspring into quick and relentless little gladiators for the arena of world-prices. One and all they ignored that the arena was not merely the market or the stock exchange, but the sand-multitudinous waste of stars.

We find this more cosmic aspect of the Marian archetype expressed in the person of Galadriel’s own heavenly patroness, Elbereth, Queen of the Stars, who plays the role in Tolkien’s legendarium of transmitting light from the heavenly places. It is to Elbereth that the Elves sing their moving invocation: O Elbereth! Gilthoniel! We still remember, we who dwell In this far land beneath the trees, Thy Starlight on the Western seas. Tolkien would have been familiar from his childhood with one of the most popular Catholic hymns to the Virgin Mary, the tone and mood of which are markedly close to that of Tolkien’s to Elbereth (see L 213): Hail, Queen of Heaven, the ocean star, Guide of the wand’rer here below: Thrown on life’s surge, we claim thy care— Save us from peril and from woe. Mother of Christ, star of the sea, Pray for the wanderer, pray for me. Starlight on the sea: for Tolkien a particularly evocative combination, as we have seen. Light shining in darkness, representing the life, grace, and creative action of God, is the heart of Tolkien’s writing.

It was delicious in the garden. The storm had passed over long since, and it was still and warm; the sweetness of the stocks and roses filled the air with the peculiar intensity of fragrance of flowers after rain - in the evening light they had the unnatural shadowy vividness of a coloured photograph. The rain had stirred up the nightingales too - near and far, their bubbling ecstasy welled out from the dark shelter of ilexes and cypresses, and through the open windows of the villa there came presently the cool elusive sequences of Debussy's music - ghosts of melody rather than melodies, evocations rather than statements; gleams on water and pale lights in spring skies, a single star, slow waves beating in mist on a deserted shore. Grace leant back in the corner of her seat, listening, watching the leaves of the buckthorns, like little curved pencils, against the sky above her head; in the relaxation of fatigue her attention was fixed on nothing, but some part of her was profoundly aware of all these things - the scent of the flowers, the song of the nightingales, the cool western music, with its memories of her own Atlantic shores.

Cassidy had been created by Clarence Mulford, writer of formula western novels and pulpy short stories. In the stories, Cassidy was a snorting, drinking, chewing relic of the Old West. Harry Sherman changed all that when he bought the character for the movies. Sherman hired Boyd, a veteran of the silent screen whose star had faded, to play a badman in the original film. But Boyd seemed more heroic, and Sherman switched the parts before the filming began. As Cassidy, Boyd became a knight of the range, a man of morals who helped ladies cross the street but never stooped to kiss the heroine. He was literally black and white, his silver hair a vivid contrast to his black getup. He did not smoke, believed absolutely in justice, honor, and fair play, and refused to touch liquor. Boyd’s personal life was not so noble. Born in Ohio in 1898, he had arrived in Hollywood for the first golden age, working with Cecil B. DeMille in a succession of early silents. By the mid-1920s he was a major star. Wine, women, and money were his: he drank and gambled, owned estates, married five times. But it all ended when another actor named William Boyd was arrested for possession of whiskey and gambling equipment.

He lay under the great bearskin and stared out of the window at the stars of spring, no longer frosty and metallic, but as if they had been new washed and had swollen with the moisture. It was a lovely evening, without rain or cloud. The sky between the stars was of the deepest and fullest velvet. Framed in the thick western window, Alderbaran and Betelgeuse were racing Sirius over the horizon, the hunting dog-star looking back to his master Orion, who had not yet heaved himself above the rim. In at the window came also the unfolding scent of benighted flowers, for the currants, the wild cherries, the plums and the hawthorn were already in bloom, and no less than five nightingales within earshot were holding a contest of beauty among the bowery, the looming trees...He watched out at the stars in a kind of trance. Soon it would be the summer again, when he could sleep on the battlements and watch these stars hovering as close as moths above his face and, in the Milky Way at least, with something of the mothy pollen. They would be at the same time so distant that unutterable thoughts of space and eternity would baffle themselves in his sighing breast, and he would imagine to himself how he was falling upward higher and higher among them, never reaching, never ending, leaving and losing everything in the tranquil speed of space.

It is often said that the separation of the present reality from transcendence, so commonplace today, is pernicious in that it undermines the universe of fixed values. Because life on Earth is the only thing that exists, because it is only in this life that we can seek fulfillment, the only kind of happiness that can be offered to us is purely carnal. Heavens have not revealed anything to us; there are no signs that would indicate the need to devote ourselves to some higher, nonmaterial goals. We furnish our lives ever more comfortably; we build ever more beautiful buildings; we invent ever more ephemeral trends, dances, one-season stars; we enjoy ourselves. Entertainment derived from a nineteenth-century funfair is today becoming an industry underpinned by an ever more perfect technology. We are celebrating a cult of machines—which are replacing us at work, in the kitchen, in the field—as if we were pursuing the idealized ambience of the royal court (with its bustling yet idle courtiers) and wished to extend it across the whole world. In fifty years, or at most a hundred, four to five billion people will become such courtiers. At the same time, a feeling of emptiness, superficiality, and sham sets in, one that is particularly dominant in civilizations that have left the majority of primitive troubles, such as hunger and poverty, behind them. Surrounded by underwater-lit swimming pools and chrome and plastic surfaces, we are suddenly struck by the thought that the last remaining beggar, having accepted his fate willingly, thus turning it into an ascetic act, was incomparably richer than man is today, with his mind fed TV nonsense and his stomach feasting on delicatessen from exotic lands. The beggar believed in eternal happiness, the arrival of which he awaited during his short-term dwelling in this vale of tears, looking as he did into the vast transcendence ahead of him. Free time is now becoming a space that needs to be filled in, but it is actually a vacuum, because dreams can be divided into those that can be realized immediately—which is when they stop being dreams—and those that cannot be realized by any means. Our own body, with its youth, is the last remaining god on the ever-emptying altars; no one else needs to be obeyed and served. Unless something changes, our numerous Western intellectuals say, man is going to drown in the hedonism of consumption. If only it was accompanied by some deep pleasure! Yet there is none: submerged into this slavish comfort, man is more and more bored and empty. Through inertia, the obsession with the accumulation of money and shiny objects is still with us, yet even those wonders of civilization turn out to be of no use. Nothing shows him what to do, what to aim for, what to dream about, what hope to have. What is man left with then? The fear of old age and illness and the pills that restore mental balance—which he is losing, inbeing irrevocably separated from transcendence.

When it begins it is like a light in a tunnel, a rush of steel and steam across a torn up life. It is a low rumble, an earthquake in the back of the mind. My spine is a track with cold black steel racing on it, a trail of steam and dust following behind, ghost like. It feels like my whole life is holding its breath. By the time she leaves the room I am surprised that she can’t see the train. It has jumped the track of my spine and landed in my mothers’ living room. A cold dark thing, black steel and redwood paneling. It is the old type, from the western movies I loved as a kid. He throws open the doors to the outside world, to the dark ocean. I feel a breeze tugging at me, a slender finger of wind that catches at my shirt. Pulling. Grabbing. I can feel the panic build in me, the need to scream or cry rising in my throat. And then I am out the door, running, tumbling down the steps falling out into the darkened world, falling out into the lifeless ocean. Out into the blackness. Out among the stars and shadows. And underneath my skin, in the back of my head and down the back of my spine I can feel the desperation and I can feel the noise. I can feel the deep and ancient ache of loudness that litters across my bones. It’s like an old lover, comfortable and well known, but unwelcome and inappropriate with her stories of our frolicking. And then she’s gone and the Conductor is closing the door. The darkness swells around us, enveloping us in a cocoon, pressing flat against the train like a storm. I wonder, what is this place? Those had been heady days, full and intense. It’s funny. I remember the problems, the confusions and the fears of life we all dealt with. But, that all seems to fade. It all seems to be replaced by images of the days when it was all just okay. We all had plans back then, patterns in which we expected the world to fit, how it was to be deciphered. Eventually you just can’t carry yourself any longer, can’t keep your eyelids open, and can’t focus on anything but the flickering light of the stars. Hours pass, at first slowly like a river and then all in a rush, a climax and I am home in the dorm, waking up to the ringing of the telephone. When she is gone the apartment is silent, empty, almost like a person sleeping, waiting to wake up. When she is gone, and I am alone, I curl up on the bed, wait for the house to eject me from its dying corpse. Crazy thoughts cross through my head, like slants of light in an attic. The Boston 395 rocks a bit, a creaking noise spilling in from the undercarriage. I have decided that whatever this place is, all these noises, sensations - all the train-ness of this place - is a fabrication. It lulls you into a sense of security, allows you to feel as if it’s a familiar place. But whatever it is, it’s not a train, or at least not just a train. The air, heightened, tense against the glass. I can hear the squeak of shoes on linoleum, I can hear the soft rattle of a dying man’s breathing. Men in white uniforms, sharp pressed lines, run past, rolling gurneys down florescent hallways.

It is a painful irony that silent movies were driven out of existence just as they were reaching a kind of glorious summit of creativity and imagination, so that some of the best silent movies were also some of the last ones. Of no film was that more true than Wings, which opened on August 12 at the Criterion Theatre in New York, with a dedication to Charles Lindbergh. The film was the conception of John Monk Saunders, a bright young man from Minnesota who was also a Rhodes scholar, a gifted writer, a handsome philanderer, and a drinker, not necessarily in that order. In the early 1920s, Saunders met and became friends with the film producer Jesse Lasky and Lasky’s wife, Bessie. Saunders was an uncommonly charming fellow, and he persuaded Lasky to buy a half-finished novel he had written about aerial combat in the First World War. Fired with excitement, Lasky gave Saunders a record $39,000 for the idea and put him to work on a script. Had Lasky known that Saunders was sleeping with his wife, he might not have been quite so generous. Lasky’s choice for director was unexpected but inspired. William Wellman was thirty years old and had no experience of making big movies—and at $2 million Wings was the biggest movie Paramount had ever undertaken. At a time when top-rank directors like Ernst Lubitsch were paid $175,000 a picture, Wellman was given a salary of $250 a week. But he had one advantage over every other director in Hollywood: he was a World War I flying ace and intimately understood the beauty and enchantment of flight as well as the fearful mayhem of aerial combat. No other filmmaker has ever used technical proficiency to better advantage. Wellman had had a busy life already. Born into a well-to-do family in Brookline, Massachusetts, he had been a high school dropout, a professional ice hockey player, a volunteer in the French Foreign Legion, and a member of the celebrated Lafayette Escadrille flying squad. Both France and the United States had decorated him for gallantry. After the war he became friends with Douglas Fairbanks, who got him a job at the Goldwyn studios as an actor. Wellman hated acting and switched to directing. He became what was known as a contract director, churning out low-budget westerns and other B movies. Always temperamental, he was frequently fired from jobs, once for slapping an actress. He was a startling choice to be put in charge of such a challenging epic. To the astonishment of everyone, he now made one of the most intelligent, moving, and thrilling pictures ever made. Nothing was faked. Whatever the pilot saw in real life the audiences saw on the screen. When clouds or exploding dirigibles were seen outside airplane windows they were real objects filmed in real time. Wellman mounted cameras inside the cockpits looking out, so that the audiences had the sensation of sitting at the pilots’ shoulders, and outside the cockpit looking in, allowing close-up views of the pilots’ reactions. Richard Arlen and Buddy Rogers, the two male stars of the picture, had to be their own cameramen, activating cameras with a remote-control button.

Beginning in the seventeenth century, the universe was increasingly thought of as a natural system separate from God. God was thus removed from nature, creating a thorough “disenchantment of nature.”8Separated from the universe, God came increasingly to be thought of as only “out there.” The dominance of supernatural theism in modern Western Christianity has had serious consequences. When “out there” is emphasized and separated from “right here,” God’s relation to the world is distorted, and the notion of God becomes harder and harder to accept. “Out there” means something different for us than it meant when our premodern ancestors used this language. For them, “up there” or “out there” was not very far away. They thought of the universe as small with the earth at its center; the sun, moon, planets, and stars were mounted on a dome not very far above the earth. It is difficult to know how literally they took this language, but the basic notion of a small universe was shared by all. In that context, thinking of God as “our Father who art in heaven” did not make God very far away. But for us, “up there” or “out there” is very far away. If God is only “out there,” as supernatural theism suggests, then God is very distant, not intimately close. God becomes remote, absent. And the difference between a remote and absent God and “no God” is slender. So common is supernatural theism in our time that many people think its concept of God is the only meaning the word “God” can have. For them, believing in God means believing in a personlike being “out there.” Not believing this means not believing in God.

It is ascertained that the eclipses complete their whole revolution in the space of 223 months, that the eclipse of the sun takes place only at the conclusion or the commencement of a lunation, which is termed conjunction, while an eclipse of the moon takes place only when she is at the full, and is always a little farther advanced than the preceding eclipse. Now there are eclipses of both these stars in every year, which take place below the earth, at stated days and hours; and when they are above it they are not always visible, sometimes on account of the clouds, but more frequently, from the globe of the earth being opposed to the vault of the heavens. It was discovered two hundred years ago, by the sagacity of Hipparchus, that the moon is sometimes eclipsed after an interval of five months, and the sun after an interval of seven; also, that he becomes invisible, while above the horizon, twice in every thirty days, but that this is seen in different places at different times. But the most wonderful circumstance is, that while it is admitted that the moon is darkened by the shadow of the earth, this occurs at one time on its western, and at another time on its eastern side. And farther, that although, after the rising of the sun, that darkening shadow ought to be below the earth, yet it has once happened, that the moon has been eclipsed in the west, while both the luminaries have been above the horizon. And as to their both being invisible in the space of fifteen days, this very thing happened while the Vespasians were emperors, the father being consul for the third time, and the son for the second.   Detailed table of contents

Hisako Arato... ... is an expert at medicinal cooking!" MEDICINAL COOKING Based on both Western and Eastern medicinal practices, it melds together food and pharmaceutical science. It is a culinary specialty that incorporates natural remedies and Chinese medicine into recipes to promote overall dietary health. "Besides the four traditional natural remedies, I also added Jiāng Huáng, Dà huí Xiāng, and Xiāo huí Xiāng... ... to create my own original 'Medicinal Spice Mix.' Steeping them in water for an hour drew out their medicinal properties. Then I added the mutton and various vegetables and boiled them until they were tender. Some Shaoxing wine and a cilantro garnish at the end gave it a strong, refreshing fragrance. " "That's right! Now that you mention it, there's a whole lot of overlap between medicinal cooking and curry. The medicinal herbs Jiāng Huáng, Dà huí Xiāng, and Xiāo huí Xiāng are commonly called turmeric, star anise and fennel! All three of those are spices any good curry's gotta have!" "By basing her dish on those spices, she was able to tie her medicinal cooking techniques into the curry. That makes this a dish that only she could create!" "Yes. This is my version of a Medicinal Curry... It's called 'Si wu Tang Mutton Curry'!" "I can feel it! I can feel the healing energies flowing through my body!" "Delicious! The spices highlight the strong, robust flavor of the mutton perfectly! And the mild sweetness of the vegetables has seeped into the roux, mellowing the overall flavor!" Thanks to Si wu Tang, just a few bites have the curry's heat spreading through my whole body!" "Yes. Si wu Tang is said to soothe the kidneys, boost inner chi... ... and purge both body and mind of impurities!

There is one change from the Newtonian philosophy which must be mentioned now, and that is the abandonment of absolute space and time. The reader will remember a mention of this question in connection with Democritus. Newton believed in a space composed of points, and a time composed of instants, which had an existence independent of the bodies and events that occupied them. As regards space, he had an empirical argument to support his view, namely that physical phenomena enable us to distinguish absolute rotation. If the water in a bucket is rotated, it climbs up the sides and is depressed in the centre; but if the bucket is rotated while the water is not, there is no such effect. Since his day, the experiment of Foucault's pendulum has been devised, giving what has been considered a demonstration of the earth's rotation. Even on the most modern views, the question of absolute rotation presents difficulties. If all motion is relative, the difference between the hypothesis that the earth rotates and the hypothesis that the heavens revolve is purely verbal; it is no more than the difference between 'John is the father of James' and 'James is the son of John'. But if the heavens revolve, the stars move faster than light, which is considered impossible. It cannot be said that the modern answers to this difficulty are completely satisfying, but they are sufficiently satisfying to cause almost all physicists to accept the view that motion and space are purely relative. This, combined with the amalgamation of space and time into space-time, has considerably altered our view of the universe from that which resulted from the work of Galileo and Newton. But of this, as of quantum theory, I will say no more at this time.

In a civilization frankly materialistic and based upon property, not soul, it is inevitable that property shall be exalted over soul, that crimes against property shall be considered far more serious than crimes against the person. To pound one's wife to a jelly and break a few of her ribs is a trivial offence compared with sleeping out under the naked stars because one has not the price of a doss. The following illustrative cases are culled from the police court reports for a single week: South-western Police Court, London. Before Mr. Rose. John Probyn, charged with doing grievous bodily harm to a constable. Prisoner had been kicking his wife, and also assaulting another woman who protested against his brutality. The constable tried to persuade him to go inside his house, but prisoner suddenly turned upon him, knocking him down by a blow on the face, kicking him as he lay on the ground, and attempting to strangle him. Finally the prisoner deliberately kicked the officer in a dangerous part, inflicting an injury which will keep him off duty for a long time to come. Six weeks. Lambeth Police Court, London. Before Mr. Hopkins. 'Baby' Stuart, aged nineteen, described as a chorus girl, charged with obtaining food and lodging to the value of 5s., by false pretences, and with intent to defraud Emma Brasier. Emma Brasier, complainant, lodging-house keeper of Atwell Road. Prisoner took apartments at her house on the representation that she was employed at the Crown Theatre. After prisoner had been in her house two or three days, Mrs. Brasier made inquiries, and, finding the girl's story untrue, gave her into custody. Prisoner told the magistrate that she would have worked “had she not had such bad health. Six weeks hard labor.

I love you. There is no limit to what I can give to you, no time I need. Even when this world is forgotten whisper of dust between the stars, I will love you.” “Aelin Galathynius had raised an army not just to challenge Morath, but to rattle the stars.” “You will find, Rolfe, that one does not deal with Celaena Sardothien. One survives her” “Nameless is my price.” “A court that wouldn't just change the world. It would start the world over.” “Aelin had promised herself, months and months ago, that she would not pretend to be anything but what she was. She had crawled through darkness and blood and despair-she had survived.” “Aelin was insane, Dorian realized. Brilliant and wicked, but insane.” “Rowan considered for a moment, and then said, 'I have known many kings in my life, Dorian Havilliard. And it was a rare man indeed who asked for help when he needed it, who would put aside pride.'” “The Queen of Flame and Shadow, the Heir of Fire, Aelin of the Wildfire, Fireheart…” “And Elide sobbed as Manon Blackbeak emerged, smiling faintly. As Manon Blackbeak saw her and Aelin, knee-to-knee in the grass, and mouthed one word. Hope.” “The sunlight gilded the balcony as Asterin whispered, so softly that only Manon could hear, 'Bring my body back to the cabin.' Something in Manon's chest broke—broke so violently that she wondered if it was possible for no one to have heard it.” “That cocky smile widened. 'Hello, bitch,' Ansel purred. 'Hello, traitor,' Aelin purred right back... "\'Meet Ansel of Briarcliff, assassin and Queen of the Western Wastes.'” “And Manon understood in that moment that there were forces greater than obedience, and discipline, and brutality. Understood that she had not been born soulless; she had not been born without a heart. For there were both, begging her not to swing that blade.

My own observations had by now convinced me that the mind of the average Westerner held an utterly distorted image of Islam. What I saw in the pages of the Koran was not a ‘crudely materialistic’ world-view but, on the contrary, an intense God-consciousness that expressed itself in a rational acceptance of all God-created nature: a harmonious side-by-side of intellect and sensual urge, spiritual need and social demand. It was obvious to me that the decline of the Muslims was not due to any shortcomings in Islam but rather to their own failure to live up to it. For, indeed, it was Islam that had carried the early Muslims to tremendous cultural heights by directing all their energies toward conscious thought as the only means to understanding the nature of God’s creation and, thus, of His will. No demand had been made of them to believe in dogmas difficult or even impossible of intellectual comprehension; in fact, no dogma whatsoever was to be found in the Prophet’s message: and, thus, the thirst after knowledge which distinguished early Muslim history had not been forced, as elsewhere in the world, to assert itself in a painful struggle against the traditional faith. On the contrary, it had stemmed exclusively from that faith. The Arabian Prophet had declared that ‘Striving after knowledge is a most sacred duty for every Muslim man and woman’: and his followers were led to understand that only by acquiring knowledge could they fully worship the Lord. When they pondered the Prophet’s saying, ‘God creates no disease without creating a cure for it as well’, they realised that by searching for unknown cures they would contribute to a fulfilment of God’s will on earth: and so medical research became invested with the holiness of a religious duty. They read the Koran verse, ‘We create every living thing out of water’ - and in their endeavour to penetrate to the meaning of these words, they began to study living organisms and the laws of their development: and thus they established the science of biology. The Koran pointed to the harmony of the stars and their movements as witnesses of their Creator’s glory: and thereupon the sciences of astronomy and mathematics were taken up by the Muslims with a fervour which in other religions was reserved for prayer alone. The Copernican system, which established the earth’s rotation around its axis and the revolution of the planet’s around the sun, was evolved in Europe at the beginning of the sixteenth century (only to be met by the fury of the ecclesiastics, who read in it a contradiction of the literal teachings of the Bible): but the foundations of this system had actually been laid six hundred years earlier, in Muslim countries - for already in the ninth and tenth centuries Muslim astronomers had reached the conclusion that the earth was globular and that it rotated around its axis, and had made accurate calculations of latitudes and longitudes; and many of them maintained - without ever being accused of hearsay - that the earth rotated around the sun. And in the same way they took to chemistry and physics and physiology, and to all the other sciences in which the Muslim genius was to find its most lasting monument. In building that monument they did no more than follow the admonition of their Prophet that ‘If anybody proceeds on his way in search of knowledge, God will make easy for him the way to Paradise’; that ‘The scientist walks in the path of God’; that ‘The superiority of the learned man over the mere pious is like the superiority of the moon when it is full over all other stars’; and that ‘The ink of the scholars is more precious that the blood of martyrs’. Throughout the whole creative period of Muslim history - that is to say, during the first five centuries after the Prophet’s time - science and learning had no greater champion than Muslim civilisation and no home more secure than the lands in which Islam was supreme.

The question revives Kropp, more particularly as he hears there’s no more beer in the canteen. “It’s not only Himmelstoss, there are lots of them. As sure as they get a stripe or a star they become different men, just as though they’d swallowed concrete.” “That’s the uniform,” I suggest. “Roughly speaking it is,” says Kat, and prepares for a long speech; “but the root of the matter lies somewhere. For instance, if you train a dog to eat potatoes and then afterwards put a piece of meat in front of him, he’ll snap at it, it’s his nature. And if you give a man a little bit of authority he behaves just the same way, he snaps at it too. The things are precisely the same. In himself man is essentially a beast, only he butters it over like a slice of bread with a little decorum. The army is based on that; one man must always have power over the other. The mischief is merely that each one has much too much power. A non-com. can torment a private, a lieutenant a non-com., a captain a lieutenant, until he goes mad. And because they know they can, they all soon acquire the habit more or less. Take a simple case: we are marching back from the parade-ground dog-tired. Then comes the order to sing. We sing spiritlessly, for it is all we can do to trudge along with our rifles. At once the company is turned about and has to do another hour’s drill as punishment. On the march back the order to sing is given again, and once more we start. Now what’s the use of all that? It’s simply that the company commander’s head has been turned by having so much power. And nobody blames him. On the contrary, he is praised for being strict. That, of course, is only a trifling instance, but it holds also in very different affairs. Now I ask you: Let a man be whatever you like in peacetime, what occupation is there in which he can behave like that without getting a crack on the nose? He can only do that in the army. It goes to the heads of them all, you see. And the more insignificant a man has been in civil life the worse it takes him.

One key characteristic of structure is its richness. To illustrate, recall the comparison that John Rawls drew between checkers and chess when he was describing the Aristotelian principle (see page 386). Both games are played on a board with 64 squares, but they have different structures. Checkers has one kind of piece, while chess has six different kinds of pieces. The movement of any checker piece is restricted to a single square per turn unless it is capturing, while movement in chess is different for each piece. In checkers, the goal is to capture all the opponents’ pieces. In chess, the goal is to trap one particular piece. The structure of chess is objectively richer than the structure of checkers. It is no coincidence that chess has thousands of books written about tactics and strategy for every aspect of the game while checkers has a fraction of that number. The nature of accomplishment in checkers and chess is also objectively different, as reflected in their relative places in Western culture.[1] I measure the richness of a structure by three aspects: principles, craft, and tools. The scientific method offers convenient examples. Conceptually, a scientific experiment proceeds according to principles such as replicability, falsifiability, and the role of the hypothesis that apply across different scientific disciplines. The actual conduct of a classic scientific experiment involves craft—the generation of a hypothesis to be tested or a topic to be explored, the creation of the methods for doing so, and meticulous observance of protocols and procedures during the actual work. The details of craft differ not only across disciplines but within disciplines. They also have a family resemblance, in the sense that a meticulous scientist behaves in ways that are recognizable to scientists in every field—“meticulous” being one of the defining characteristics of craft practiced at a high level. Tools play a double role. Sometimes they are created in direct response to needs generated by principles and craft—accurate thermometers are an example—but at least as often, a tool turns out to have unanticipated uses that alter both principles and craft, independently expanding the realm of things a discipline can achieve. An example is the invention of the diffraction grating to study spectra of light, which 40 years later turned out to enable astronomers to study the composition of the stars.

Furthermore, it is not the people or the citizens who decide on what to vote, on which political program, at what time, and so on. It is the oligarchs and the oligarchic system that decide on this and that submit their choice to the vote of the electorate (in certain very specific cases). One could legitimately wonder, for instance, why there are not more referendums, and in particular referendums of popular initiative, in “democracy.” Cornelius Castoriadis perfectly described this state of affairs when he wrote: “The election is rigged, not because the ballot boxes are being stuffed, but because the options are determined in advance. They are told, ‘vote for or against the Maastricht Treaty,’ for example. But who made the Maastricht Treaty? It isn’t us.” It would thus be naive to believe that elections reflect public opinion or even the preferences of the electorate. For these oligarchic principles dominate our societies to such an extent that the nature of the choice is decided in advance. In the case of elections, it is the powerful media apparatus—financed in the United States by private interests, big business, and the bureaucratic machinery of party politics—that presents to the electorate the choices to be made, the viable candidates, the major themes to be debated, the range of possible positions, the questions to be raised and pondered, the statistical tendencies of “public opinion,” the viewpoint of experts, and the positions taken by the most prominent politicians. What we call political debate and public space (which is properly speaking a space of publicity) are formatted to such an extent that we are encouraged to make binary choices without ever asking ourselves genuine questions: we must be either for or against a particular political star, a specific publicity campaign, such or such “societal problem.” “One of the many reasons why it is laughable to speak of ‘democracy’ in Western societies today,” asserts Castoriadis, “is because the ‘public’ sphere is in fact private—be it in France, the United States, or England.”The market of ideas is saturated, and the political consumer is asked to passively choose a product that is already on the shelves. This is despite the fact that the contents of the products are often more or less identical, conjuring up in many ways the difference that exists between a brand-name product on the right, with the shiny packaging of the tried-and-true, and a generic product on the left, that aspires to be more amenable to the people. “Free elections do not necessarily express ‘the will of the people,’ ” Erich Fromm judiciously wrote. “If a highly advertised brand of toothpaste is used by the majority of the people because of some fantastic claims it makes in its propaganda, nobody with any sense would say that people have ‘made a decision’ in favor of the toothpaste. All that could be claimed is that the propaganda was sufficiently effective to coax millions of people into believing its claims.

I’m just saying that if this were the age in which some major divine intervention happened, whether long prophesied or completely unforeseen, there would be, in hindsight, a case that we should have seen it coming. And it shouldn’t surprise anyone if decadence ends with people looking heavenward: toward God, toward the stars, or both.

Carmichael’s volkish black nationalism and creation of new values required, as the Black Muslims insisted, shedding a false enslaving identity for a true (i.e., authentic) one rooted in black Africa. This included shedding that most obvious sign of identity, one’s name. So just as Malcolm Little dropped his “slave name” for a simple X, representing his lack of identity in a white racist society, the boxer Cassius Clay reemerged as Muhammad Ali, the basketball star Lew Alcindor as Kareem Abdul Jabbar, and the beat poet LeRoi Jones as Imamu Amiri Baraka (ignoring for the moment that Islamic names reflected an identity imposed by an earlier slave-owning elite, the Arabs). Carmichael himself became Kwame Touré, after two African dictators of the sixties, Sekou Touré of Guinea and Du Bois’s failed Pan-African savior, Kwame Nkrumah.

Newton’s God is a God who constantly watches over His creation. He provides it with universally true general laws, then thoughtfully provides man with the means to decipher them, namely reason. Newton also finally answered Henry More’s question about where God Himself was in this meticulously ordered universe. He is in between. His spirit provides the space through which all objects pass, from birds and trees to comets and stars in the sky; and His infinitude is found in the infinity of the cosmos,

Eve said if I didn’t wear a dress no one would recognize me.” Sadie laughed. “I would.” Those two words were laced with meaning and her heart swelled. They sat quietly as the sun disappeared over the horizon and they were surrounded by utter darkness and a bright spread of stars. They covered every inch of the velvet black sky.

Oh,’ cried Stephen. But what he had to say was never heard, for away on the horizon towards Tangiers there was a flash flash-flash, not unlike the repeated dart of lightning. They leapt to their feet and cupped their ears to the wind to catch the distant roar; but the wind was too strong and presently they sat down again, fixing the western sea with their telescopes. They could distinctly make out two sources, between twenty and twenty-five miles away, scarcely any distance apart – not above a degree: then three: then a fourth and fifth, and then a growing redness that did not move. ‘There is a ship on fire,’ said Jack in horror, his heart pumping so hard that he could scarcely keep the steady deep-red glow in his object-glass. ‘I hope to God it is not one of ours. I hope to God they drown the magazines.’ An enormous flash lit the sky, dazzled them, put out the stars; and nearly two minutes later the vast solemn long rumbling boom of explosion reached them, prolonged by its own echo off the African shore.

The philosophy of the ancients and the Stoics had reserved final wisdom for a chosen few. Christianity delivered those same truths, and the moral virtues that went with them, to the many, right down to slaves and the homeless. Plato was like a chef at a five-star restaurant, Origen said, who only knew recipes that appealed to his handful of wealthy diners. Jesus, by contrast, Origen says, “cooks for the multitudes”—and the multitudes have responded.41

The beliefs in individual competition and reason we have been discussing are the ones which in actuality have guided modern western development, and are not necessarily the ideal values. To be sure, the values accepted as ideal by most people have been those of the Hebrew-Christian tradition allied with ethical humanism, consisting of such precepts as love thy neighbor, serve the community, and so on. On the whole, these ideal values have been taught in schools and churches hand in hand with the emphasis on competition and individual reason. (We can see the watered-down influence of the values of “service” and “love” coming out in roundabout fashion in the “service clubs” and the great emphasis on being “well liked.”) Indeed, the two sets of values—the one running back many centuries to the sources of our ethical and religious traditions in ancient Palestine and Greece and the other born in the Renaissance—were to a considerable extent wedded. For example, Protestantism, which was the religious side of the cultural revolution beginning in the Renaissance, expressed the new individualism by emphasizing each person’s right and ability to find religious truth for himself. The marriage had a good deal to be said for it, and for several centuries the squabbles between the marriage partners were ironed out fairly well. For the ideal of the brotherhood of man was to a considerable extent furthered by economic competition—the tremendous scientific gains, the new factories and the more rapid moving of the wheels of industry increased man’s material weal and physical health immensely, and for the first time in history our factories and our science can now produce so much that it is possible to wipe starvation and material want from the face of the earth. One could well have argued that science and competitive industry were bringing mankind ever closer to its ethical ideals of universal brotherhood. But in the last few decades it has become clear that this marriage is full of conflict, and is headed for drastic overhauling or for divorce. For now the great emphasis on one person getting ahead of the other, whether it be getting higher grades in school, or more stars after one’s name in Sunday school, or gaining proof of salvation by being economically successful, greatly blocks the possibilities of loving one’s neighbor. And, as we shall see later, it even blocks the love between brother and sister and husband and wife in the same family. Furthermore, since our world is now made literally “one world” by scientific and industrial advances, our inherited emphasis on individual competitiveness is as obsolete as though each man were to deliver his own letters by his own pony express. The final eruption which showed the underlying contradictions in our society was fascist totalitarianism, in which the humanist and Hebrew-Christian values, particularly the value of the person, were flouted in a mammoth upsurgence of barbarism.

During the Peloponnesian War a brave Athenian soldier fell desperately in love with the daughter of his commander. He asked for her hand in marriage but she had to refuse. Having dedicated her life to the goddess Selene, she had vowed not to marry until an evil power called the Atrox was vanquished. The soldier swore to destroy the dark force and free his beloved from her vow. He traveled day and night until he came to the western side of the river Oceanus. There he passed through groves of barren willows and poplars until he found the cave that led to Tartarus, the land of the dead. He entered it, and when he reached the impenetrable darkness, demons swarmed around him. A towering black cloud surged toward him. He knew it was the Atrox. But instead of trembling with fear, he became intoxicated with his own bravery; he alone had the courage to face the Atrox. If he destroyed it, he would not only win his bride, but also become as powerful as any of the immortal gods. Pride overtook him as he shot his arrow. A terrible scream pierced the misty air. Then the unimaginable happened. The Atrox surrendered to him and humbly offered a gift of gold ankle bands in tribute. The young man, eager to return to his love and flaunt his victory, clasped the heavy metal bands around his legs, but as he did, flames ravaged his body and the evil he had set out to destroy consumed him. The Atrox had tricked him and given him not ornaments but shackles, condemning him to an eternity of servitude. Demons carried him away from the underworld and cast him out from Earth. Over the centuries many people have seen the young soldier in the night sky and thought of him only a falling star. He wanders the universe alone, unable to return to Earth unless summoned by his master, the Atrox.

Furthermore, it is not the people or the citizens who decide on what to vote, on which political program, at what time, and so on. It is the oligarchs and the oligarchic system that decide on this and that submit their choice to the vote of the electorate (in certain very specific cases). One could legitimately wonder, for instance, why there are not more referendums, and in particular referendums of popular initiative, in “democracy.” Cornelius Castoriadis perfectly described this state of affairs when he wrote: “The election is rigged, not because the ballot boxes are being stuffed, but because the options are determined in advance. They are told, ‘vote for or against the Maastricht Treaty,’ for example. But who made the Maastricht Treaty? It isn’t us.”127 It would thus be naive to believe that elections reflect public opinion or even the preferences of the electorate. For these oligarchic principles dominate our societies to such an extent that the nature of the choice is decided in advance. In the case of elections, it is the powerful media apparatus—financed in the United States by private interests, big business, and the bureaucratic machinery of party politics—that presents to the electorate the choices to be made, the viable candidates, the major themes to be debated, the range of possible positions, the questions to be raised and pondered, the statistical tendencies of “public opinion,” the viewpoint of experts, and the positions taken by the most prominent politicians. What we call political debate and public space (which is properly speaking a space of publicity) are formatted to such an extent that we are encouraged to make binary choices without ever asking ourselves genuine questions: we must be either for or against a particular political star, a specific publicity campaign, such or such “societal problem.” “One of the many reasons why it is laughable to speak of ‘democracy’ in Western societies today,” asserts Castoriadis, “is because the ‘public’ sphere is in fact private—be it in France, the United States, or England.”The market of ideas is saturated, and the political consumer is asked to passively choose a product that is already on the shelves. This is despite the fact that the contents of the products are often more or less identical, conjuring up in many ways the difference that exists between a brand-name product on the right, with the shiny packaging of the tried-and-true, and a generic product on the left, that aspires to be more amenable to the people. “Free elections do not necessarily express ‘the will of the people,’ ” Erich Fromm judiciously wrote. “If a highly advertised brand of toothpaste is used by the majority of the people because of some fantastic claims it makes in its propaganda, nobody with any sense would say that people have ‘made a decision’ in favor of the toothpaste. All that could be claimed is that the propaganda was sufficiently effective to coax millions of people into believing its claims.

Perhaps it is for the best.” He sighed. “Trees teach us patience, but grass teaches us persistence.

A Jewish-Christian lawyer once wrote to me that, as he considered the serious meaning of the Nuremberg war-crimes trials, “I knew then that no moral law was written on a blade of grass, in a drop of water, or even in the stars. I realized the necessity of the Divine Immutable Law as set forth in the Sacred Torah, consisting of definite commandments, statutes, ordinances and judgments.

The West Australian Football Commission (WAFC) got a second team but was not prepared to invest in that team because any investment would drain funds from other parts of the WA football system. The AFL also firmly wanted a second club in Perth to continue its growth as a truly national competition, but after seeing the Eagles play in three and win two of the five Grand Finals between 1990 and 1994, rival clubs were loathe to allow recruiting concessions that might create a second western juggernaut. Hence, the Dockers were not well resourced and light on for talent, left to fend for themselves and somehow expected to make money from day one. By the time the AFL established new clubs on the Gold Coast and in western Sydney nearly 20 years later, they had learned from previous mistakes and invested in those clubs to give them the best chance of success. The support and concessions those clubs received were phenomenal compared to Fremantle’s.

Pale crimson fingers fanned out to the east as the first rays of the sun broke over the horizon. The western sky was a deep purple, speckled with stars.

You want to know what I learned in Vietnam? I learned that if you’re lucky, I mean really lucky, you find the one thing you want in life and then you go after it; you give up everything else because all the rest of that stuff really doesn’t matter.

Do you know what I really do for a living, Walt?” “Run the state?” “I make deals. That’s what governing is—giving a little, getting a little.

Praise for THE SKY CLUB “The Sky Club portrays diverse, unexpected facets of the Appalachian region in the years of the Great Depression. It is a novel of climbing, social, financial, emotional, romantic, to a mountaintop, to The Sky Club, to risk and wealth, to danger, and, ultimately, to enduring love.” —Robert Morgan, Author of Gap Creek and Chasing the North Star “Ever since Terry Roberts took up writing about his ancestors in Western North Carolina, he has produced a remarkably varied and valuable shelf of novels.… but The Sky Club is the best one yet! Wildly original, this is a truly Appalachian novel all about money, sex, drinking, and the Great Depression

I thought, “Cosmic intelligence is not a gaseous vertebrate,” which was Thomas Henry Huxley’s description of the Christian God. It does not have a penis, so it is not a “He”. I can’t think of it as an Eastern potentate or king. All the Christian symbology, “Our Almighty King or Lord,” “Our Great Father,” etc., seems to me to be a continuation of infantile thinking projected onto the universe. I don’t think the universe is a punishing father. I don’t think it has any of the traits of an old paranoid man. It’s impossible for me to think of cosmic intelligence peeking into bedrooms, taking notes and giving people gold stars for making love the right way and black stars for doing it the wrong way. All that seems absurd to me. So, I can’t take Christianity seriously as an intellectual force. It’s a continuation of infantile anxieties. And so, the same goes for Judaism and Islam. As far as the Western World is concerned, I’m an atheist.

Over me hangs a silver canopy of stars, like the diamonds set in chandeliers out East. But I'd take these stars and the pines stretching tall enough to rake them out of the dark sky over those diamonds any day. The beautiful stillness of the night overtakes me and my eyes well with tears. There is nothing more beautiful than one's home, one's stars, and the smell of the trees standing like sentinels around the land you love.

And in case you haven’t noticed, John’s dead, Bobby’s dead, and Martin’s dead, and not a damn thing has changed—people still hang by their tribe. That’s all we are, just a loose coalition of tribes.

The day you do that to another man, we're done.

Western media mistakes the Russian word cosmonaut as being synonymous with astronaut, but they miss the heart of the concept. Russians have the word astronavt. If they wanted to call their celestial sojourners astronauts, they could. Cosmonaut, though, encompasses the Russian philosophy of cosmism. As far back as the 1850s, Nikolai Fyodorov advocated for science as the key to the future and to reaching human immortality. In 1903, Konstantin Tsiolkovsky developed the rocket equation, allowing humanity to reach for the stars. He longed to see Russians colonize not only the planets within the solar system but the galaxy as a whole. Cosmism influenced the October Revolution of 1917, launching the Communists into power. In Russian thinking, a cosmonaut is one who “strides forth from the earth to conquer planets and stars!

T is not too late to seek a newer world. Push off, and sitting well in order smite The sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. It may be that the gulfs will wash us down: It may be we shall touch the Happy Isles, And see the great Achilles, whom we knew. Tho' much is taken, much abides; and tho' We are not now that strength which in old days Moved earth and heaven, that which we are, we are; One equal temper of heroic hearts, Made weak by time and fate, but strong in will To strive, to seek, to find, and not to yield.

During the climax of his 1974 western, The Spikes Gang, when Marvin’s character is supposed to shoot his young co-star Gary Grimes (the young lad from The Summer of ’42), apparently Grimes’s look or age or both brought to mind a young soldier Marvin killed during the war.

supposed to be worth hundreds of thousands of dollars.

HonkyTonk Love [Verse] I saw you lookin' over, with that sunshine smile, Your eyes were sayin' somethin', you've been here for a while. In this honky-tonk light, I can see it clear, You're lookin' for some country, so baby, come near. [Verse 2] Boots are tappin' on the sawdust floor tonight, Guitars strummin' sweetly in the neon light. Bartender’s pourin' drinks, the band's playin' our song, So don't be shy, darlin', just come along. [Chorus] In this honky-tonk love, where cowboys dream, Stars above us light up that western scene. We'll two-step through the night, hearts on fire, In this honky-tonk love, feelin' that desire. [Verse 3] You've been hurt before, I can see it in your eyes, But with every broken heart, a new love can arise. Take my hand and trust me, we'll sway with the tune, Two lonely souls findin' love beneath the Texas moon. [Chorus] In this honky-tonk love, where cowboys dream, Stars above us light up that western scene. We'll two-step through the night, hearts on fire, In this honky-tonk love, feelin' that desire. [Bridge] Life ain't easy, it's a wild, wild ride, But tonight we got each other, there's nothin' to hide. In this honky-tonk haze, let the music play, We'll forget our troubles, dance 'em all away.

Push off, and sitting well in order smite The sounding furrows; for my purpose holds To sail beyond the sunset, and the baths Of all the western stars, until I die. —

An unusual illustration of this false paradigm comes from a 2009 New York Times article called "The No-Stats All-Star" about Shane Battier, formerly of the NBA championship team Miami Heat. Battier was considered by many inside the NBA as, at best, a replaceable cog in the machine of his team. When you google Battier you get lots of shots of the back of his head, seemingly mucking up the shot as the camera tries to focus on all-stars like Kobe Bryant and Kevin Durant. Interestingly, nearly every team he played on had the magical ability to win. When he was on the court, his teammates got better, and his opponents got worse. It was said, "Battier seems to help the team in all sorts of subtle, hard-to-measure ways, with a weird combination of obvious weaknesses and nearly invisible strengths. They call him Lego, because when he's on the court, all the pieces fit together."5 Battier's definitive strength of quietly assisting his team wasn't a power position, so despite his amazing talent he wasn't thought of as an "all-star." If you aren't putting points up on the board, racing up the curve, or leaping from one tall curve to the next, by Western cultural norms, you are second best, a polite euphemism for "loser.

A drawer under the counter held inventions that didn’t work or were partially finished.  One of the items in the drawer was a small magnetically charged gyroscope she called her perpetual machine. It didn’t work. She didn’t know how she could make it work.  On paper it should work, but Lyria hadn’t discovered the right formula yet. Perhaps she could mount the green stone on the top and call it ‘industrial’ jewelry.

He rose and standing in the dark he began to chant in a deep voice, while the echoes ran away into the roof. The world was young, the mountains green, No stain yet on the Moon was seen, No words were laid on stream or stone When Durin woke and walked alone. He named the nameless hills and dells; He drank from yet untasted wells; He stooped and looked in Mirrormere, And saw a crown of stars appear, As gems upon a silver thread, Above the shadow of his head. The world was fair, the mountains tall, In Elder Days before the fall Of mighty kings in Nargothrond And Gondolin, who now beyond The Western Seas have passed away: The world was fair in Durin’s Day. A king he was on carven throne In many-pillared halls of stone With golden roof and silver floor, And runes of power upon the door. The light of sun and star and moon In shining lamps of crystal hewn Undimmed by cloud or shade of night There shone for ever fair and bright. There hammer on the anvil smote, There chisel clove, and graver wrote; There forged was blade, and bound was hilt; The delver mined, the mason built. There beryl, pearl, and opal pale, And metal wrought like fishes’ mail, Buckler and corslet, axe and sword, And shining spears were laid in hoard. Unwearied then were Durin’s folk; Beneath the mountains music woke: The harpers harped, the minstrels sang, And at the gates the trumpets rang. The world is grey, the mountains old, The forge’s fire is ashen-cold; No harp is wrung, no hammer falls: The darkness dwells in Durin’s halls; The shadow lies upon his tomb In Moria, in Khazad-dûm. But still the sunken stars appear In dark and windless Mirrormere; There lies his crown in water deep, Till Durin wakes again from sleep. ‘I

Chester William Nimitz, Sr. was the last surviving officer to serve as a five star admiral in the Unites States Navy, holding the rank of Fleet Admiral. His career started as a midshipman at the United States Naval Academy where he graduated with honors on January 30, 1905. Becoming a submarine officer, Nimitz was responsible of the construction of the USS Nautilus, the first nuclear powered submarine. During World War II he was appointed the Commander in Chief of the Unites States Pacific Fleet known as CinCPa. His promotions led to his becoming the Chief of Naval Operations, a post he held until 1947. The rank of Fleet Admiral in the U.S. Navy is a lifetime appointment, so he never retired and remained on active duty as the special assistant to the Secretary of the Navy for the Western Sea Frontier. He held this position for the rest of his life, with full pay and benefits. In January 1966 Nimitz suffered a severe stroke, complicated by pneumonia. On February 20, 1966, at 80 years of age, he died at his quarters on Yerba Buena Island in San Francisco Bay. Chester William Nimitz, Sr. was buried with full military honors and lies alongside his wife and some military friends at the Golden Gate National Cemetery in San Bruno, California.

Paranoia is a pathological possibility built-in to all conceptual thinking, the "dark side of cognition" and the typical symptom of the "half-educated."20 Anti-Semitism is a form of paranoid projection which has long been at the heart of Western culture, and it can be expected to flourish as social conditions swell the ranks of the disgruntled "half-educated." This argument is central to the link which Adorno establishes between the "irrationalism" of fascist anti-Semitism and superficially harmless phenomena such as Astrology.

Justice.” She smiled again, but it quickly faded. “I’m surprised by you, Walt. I never thought of you as . . . as a vengeful person.” “Pharisaic, I think, is the word you’re looking for.

The “Sons of the Pioneers” are amongst America’s earliest Country/Western singing groups. One weekend we’d drive south of the border to Tijuana, Mexico and the next weekend it would be to Knott’s Berry Farm, where I heard the “Sons of the Pioneers” singing Tumbling Tumble Weeds, Cool Clear Water and other Western songs that made the group famous. On many occasions, they performed with Roy Rogers, who was a movie cowboy and Dale Evans his cowgirl wife, from Victorville, California. The “Sons of the Pioneers” were popular at that time and were inaugurated into the Country Music Hall of Fame later in 1976. It was a summer that I will never forget! Knott’s Berry Farm is a 160-acre amusement park in Buena Park, California and the singing group has a star on the Hollywood Walk of Fame on Hollywood Blvd.

Take Tom Jones and mix him with Enrico Caruso, the Italian tenor-cum-castrato singer. Then add tons of pathetic love songs, faked sex appeal and musical kleptomania focusing on Western hits from the 1970s. Spice it up with a political flexibility rare even for Central European standards and a personal status close to that of the Pope. What do you get? Karel Gott, Czech pop music's most mega-super, long-lasting and brightest star.

DTI Headquarters, Greenwich 10:41 UTC Director Laarin Andos sat at the desk in her underground office, her legs straddling Earth’s Prime Meridian. Across from her sat two of her top agents, Dulmur in the Western Hemisphere, Ranjea in the Eastern. It was, of course, a completely arbitrary distinction, but it brought Andos some comfort. Her Rhaandarite people had a strong sense of spatial as well as social orientation, and in her position it was reassuring to feel herself physically anchored by the centrality of her location. Although

To the West’s economic losers, cities like London and Chicago are not so much magnets as death stars.

In the distance, he could see a large star made out of red and green lights on the side of a barn, a reminder that Christmas was coming.

He called after me. “Well, there ain’t no hurry about nowhere and nothing—they’re always out there waitin’.

At first, as I met her, l thought she was lost until she said, "Of the rest of world, I am not afraid, Some of those who inspired me where not from here People come to me not to become, but to be I like them the way they are, they add color to my blue sea I am the friend of the restless, see them as brighter as they can be See them as they see me Restful in my arms, yet invisible is my nurturing light They smile now, nothing more precious to a mother than a happy child who is polite I am the star you want to see, the hope you want to set free Mine is the Commonwealth of the world to be" Before she walked away, she flipped a toonie into my direction and said, "Not much, but remember to give back." Those who know her are smitten by her grace Those who don't know her seek her embrace It is said that she watches over the northern abode of the gods, the gates of which, when she blushes, are marked by northern lights A rising majestic colourful totem of peace signals her tempered western profile It is her birthday tomorrow and I ask, "What do you give a beautiful lady who has everything?" Lady Canada says, "just a genuine smile.

Medieval man’s mind was far-embracing, encompassing the natural and the supernatural. It was piercing because he was tirelessly curious about nature and God. It was precise and utterly rational as shown in the age’s invention of the Scholastic method. Medieval man lived, so to speak, outside himself—in the open air amid field, stream, and mountain; under the sun, rain, and storms, never ceasing to marvel at the countless stars of the night sky. He stayed close to both his newborn infant and his dying parent. He raised his heart spontaneously in prayer. And so he knew that God was real, that life was flawed beauty, ever so lovely yet ever so fragile; and that immortality with unchanging happiness or despair was on the other side of the thin membrane of time.

She pressed his amulet to her lips, then let it fall on its chain to rest between their two bodies. “We could leave here,” she said to him. “We could run away together.” He frowned at the stars, the bubble of peacefulness that had settled around them after their lovemaking now ruptured. “I run from nothing and no one.

Again Jung wanted to make contact with “archaic man” and he asked the Pueblo chief why he thought the whites were mad. Ochwiay told him it was because they think with their heads, while the Indians think with their hearts, a remark the esoteric Egyptologist René Schwaller de Lubicz would have appreciated.43 Ochwiay’s remark led Jung to a searing vision of Roman and Christian supremacy, bringing fear and suffering to their victims with “fire, sword, torture, and Christianity.” Western civilization, Jung saw, had the “face of a bird of prey seeking with cruel intentness for distant quarry,” a mea culpa regarding indigenous people well in advance of our own fashionable political correctness. One form of “thinking with the heart” impressed Jung deeply. The Pueblos performed a ritual that they insisted helped the sun in its daily course across the heavens. Jung, of course, knew that the sun was an average-sized star and that the earth moved around it, but in their hearts the Indians knew it was a god—the god—and that without their participation it would stop rising and then “it would be night forever.

People get their benefits as individuals but we all pay the cost together, same as the doomed mice of Gough island. The problem is not just fossil fuel emissions either, humans are killing rhinos, elephants, gorillas, and countless other endangered animals for no reason other than to make a few bucks. Put another way, those of us in the Western world have allowed things to get so unfair that while I stop at a Star Bucks drive-through on the way home to get a fifth of my daily required calories from a sugar-filled ice drink, someone on the other side of the world is eating an endangered fruit bat because they have no other way to get their protein. That is where acting naturally has gotten humans so far.

The Serpent takes its smallest form and drifts through an oil slick, choking on the filth in the water, suffocating on the debris. The Turtle stands in the snow on the highest peak of the Western Heavens, gazing up at the perfectly black sky with its steadily brilliant stars, not sure what it is seeking. They cry. There is no answer.

What you mons making all the racket about? You wake me again and I’ll put the voodoo hex on you. All you only call me Tuberculosis behind my back now. You want the real thing?” Sergeant "T. B" Tinkerbelle Bettina Jones.

Abe picked up a shiny silver star, now a bit tarnished, the symbol of a happier time. The year after their daughter's death came the joy of a a newborn son,. Jeremy just squeaked into life the day before the holiday. The star was Abe's gift to his wife that Christmas. He smiled as he hung it on a branch.

The history we write in the future may start not with the rise of human civilizations, but with the deeper origins of the universe, putting off until late in the story the appearance of a tiny mammal on a tiny planet that thought itself supremely important. The little one evolved a consciousness and learned to keep records and reflect on the changes it experienced. For a brief moment it spread out to occupy all the landmasses on its home planet, circling around an obscure star. On the last of those landmasses, lying enticingly in the Western Hemisphere of their globe, humans expanded as fast and furiously as they could. They wrote down every detail of their exploits and dreamed of achieving an infinite splendor. But then one day their brains discovered the sobering truth that they face many limits. The universe, while infinite, is not infinite for them.

And then, as I got older, I left the woods and looked at fading stars, dying stars, eternal stars in their heavens, with lips that would kiss and words shaped through love songs, a life of journeys to some place far from home, unfamiliar, (a wild weird western shore) until sunset across limestone prompts us to make these, our plagiarised prayers to broken stone.

Birds of the Western Front Your mess-tin cover's lost. Kestrels hover above the shelling. They don't turn a feather when hunting-ground explodes in yellow earth, flickering star-shells and flares from the Revelation of St John. You look away from artillery lobbing roar and suck and snap against one corner of a thicket to the partridge of the war zone making its nest in shattered clods. History floods into subsoil to be blown apart. You cling to the hard dry stars of observation. How you survive. They were all at it: Orchids of the Crimea nature notes from the trench leaving everything unsaid - hell's cauldron with souls pushed in, demons stoking flames beneath - for the pink-flecked wings of a chaffinch flashed like mediaeval glass. You replace gangrene and gas mask with a dream of alchemy: language of the birds translating human earth to abstract and divine. While machine-gun tracery gutted that stricken wood you watched the chaffinch flutter to and fro through splintered branches, breaking buds and never a green bough left. Hundreds lay in there wounded. If any, you say, spotted one bird they may have wondered why a thing with wings would stay in such a place. She must have, sure, had chicks she was too terrified to feed, too loyal to desert. Like roots clutching at air you stick to the lark singing fit to burst at dawn sounding insincere above the burning bush: plough-land latticed like folds of brain with shell-ravines where nothing stirs but black rats, jittery sentries and the lice sliding across your faces every night. Where every elixir's gone wrong you hold to what you know. A little nature study. A solitary magpie blue and white spearing a strand of willow. One for sorrow. One for Babylon, Ninevah and Northern France, for mice and desolation, the burgeoning barn-owl population and never a green bough left.

The Boba Fett character is really an early version of Darth Vader. He is also very much like the man-with-no-name from the Sergio Leone Westerns.

The overall pattern of their activity focuses on memorabilia from the Russian Civil War, specifically papers and personal effects from the heirs of White Russian leaders, but they've also been looking into documents and items relating to the Argenteum Astrum, which is on our watch list--BONE SILVER STAR--along with documents relating to Western occultist groups of the pre-war period. Aleister Crowley crops up like a bad penny, naturally, but also Professor Mudd, who tripped an amber alert. Norman Mudd.

The philosopher no longer reflects on the good and true, using his intellect to understand them; he has become one with them. The reality he had contemplated is no longer outside him. He and it are one. This henosis, however, cannot be commanded or willed, although the philosopher works daily preparing the ground for it. He must be patient and allow it to happen. It is not exactly a kind of grace, as Plotinus does not believe that the One does anything; it does not bestow this union. But it is always present, always available, just as the stars are always present; it is only the proximity of the sun that obscures them. The philosopher must make himself a worthy vessel for the presence of the One by emptying himself of coarse matters. Or, to change the metaphor, he must quiet the racket within himself so that the sacred silence can be heard. It is solitary work, with no aim other than itself. Unlike Plato, Plotinus did not dream of philosopher kings, but of teachers who, like the One itself, radiate their knowledge and wisdom so that those who are drawn to the philosophical life and are capable of it may be guided in their quest.

Who is it who watches the birds and stars and changing seasons, who predicts eclipses and propounds theories about fire and water, and who tames horses and trains dogs but greets other men as creatures like himself? Socrates’s answer was astonishing. As far as we know, it was without precedent.7 It was that this “I” was a soul, something existing apart from my body, which was the true seat of normal waking intelligence and moral character: “my” fundamental identity, in fact. The word Socrates used for this soul, psyche, or “breath,” was a common one in Greek.

Our fantastic civilization has fallen out of touch with many aspects of nature, and with none more completely than with night. Primitive folk, gathered at a cave mouth round a fire, do not fear night; they fear, rather, the energies and creatures to whom night gives power; we of the age of the machines, having delivered ourselves of nocturnal enemies, now have a dislike of night itself. With lights and ever more lights, we drive the holiness and beauty of night back to the forests and the sea; the little villages, the crossroads even, will have none of it. Are modern folk, perhaps, afraid of night? Do they fear that vast serenity, the mystery of infinite space, the austerity of stars? Having made themselves at home in a civilization obsessed with power, which explains its whole world in terms of energy, do they fear at night for their dull acquiescence and the pattern of their beliefs? Be the answer what it will, to-day’s civilization is full of people who have not the slightest notion of the character or the poetry of night, who have never even seen night. Yet to live thus, to know only artificial night, is as absurd and evil as to know only artificial day. Night is very beautiful on this great beach. It is the true other half of the day’s tremendous wheel; no lights without meaning stab or trouble it; it is beauty, it is fulfilment, it is rest. Thin clouds float in these heavens, islands of obscurity in a splendour of space and stars: the Milky Way bridges earth and ocean; the beach resolves itself into a unity of form, its summer lagoons, its slopes and uplands merging; against the western sky and the falling bow of sun rise the silent and superb undulations of the dunes.

The first one is paella-style takikiomi gohan rice ball. You chop up white meat fish, clams, shrimp and squid and fry them in olive oil with garlic and saffron. And in a different pan, you fry finely chopped tomatoes, onions and green pepper in olive oil. You mix those two together and cook them with rice using a broth made from beef shank and chicken bones. Then you make that into a rice ball... ... and wrap it in Parma ham." "Oh my! It sure is something to make a paella-style takikomi gohan into a rice ball." "But when it's wrapped in Parma ham, they match perfectly." "It's completely Western, but it still tastes like a rice ball." "This is a surprise. And the judges seem to like it too." "Next is a rice ball coated in pork flakes. This is a pork flake you often see in Chinese cooking. You cook the lean pork meat in soy sauce seasoned with star anise until it becomes flaky. The filling inside is Dongpo pork--- a Chinese dish made of pork belly that's been slowly braised." "Ooh, the soft Dongpo pork came out as I bit into the rice coated in the sweet and salty pork flakes!" "Ah, the flavor and texture are superb!" "This combination is just wonderful! " "You've made Dongpo pork into such a great rice ball, it's making me cry. It looks Chinese, but it's very much a Japanese rice ball." "Now the judges are taking his side..." "And the last is a deep-fried chicken rice ball. You deep fry chicken that has been marinated in soy sauce with ginger and garlic... ...and then use that as the filling of the rice ball... ... then coat it in red shiso seasonings." "Ah, the rich taste of the deep-fried chicken is something the young people will like. And the red shiso seasoning creates a refreshing aftertaste.

We draw our strength from the great oaks of the forest […] As they take their nourishment from the soil, and from the rains that feed the soil, so we find our courage in the pattern of living things around us. They stand through storm and tempest, they grow and renew themselves. Like a grove of young oaks, we remain strong.” […] "The light of these candles is but the reflection of a greater light. It shines from the islands beyond the western sea. It gleams in the dew and on the lake, in the stars of the night sky, in every reflection of the spirit world. This light is always in our hearts, guiding our way.

There is every indication that the ancient Egyptians wanted to draw our attention to the Sphinx. They wanted us to understand that it is an astronomical clock whose dial was the four steady reference points, the Four Guardians. The Four Guardians, or as they came to be known in the Christian Era of Pisces, was also called the Four Royal Stars, or the Archangel Stars. ❖ Michael - Aldebaran – the guardian of the eastern sky as it predates the vernal equinox. ❖ Raphael - Regulus (in Leo) – the guardian of the northern sky, as it pre-announces the summer solstice. ❖ Uriel - Antares (in Scorpio) – the guardian of the western sky, as it predates the autumn equinox ❖ Gabriel - Fomalhaut – the guardian of the southern sky, as it pre-announces the winter solstice.

Today, as light pollution envelops our planet, the stars are almost gone. Instead of thousands being visible on a dark night, in today’s cities we see only a few dozen (and astronomers fear these will soon be vastly outnumbered by artificial satellites). Most people in the United States and Europe can no longer see the Milky Way at all. It is a catastrophic erosion of natural heritage: the obliteration of our connection with our galaxy and the wider universe. There has been no major outcry. Most people shrug their shoulders, glued to their phones, unconcerned by the loss of a view treated as fundamental by every other human culture in history. Yet we’re still trying to work out our place in the cosmos. Science has been wildly successful: today’s five-year-olds know more about the history, composition and nature of the physical universe than early cultures managed to glean in thousands of years. But it has also dissolved much of the meaning that those cultures found in life. Personal experience has been swept from our understanding of reality, replaced by the abstract, mathematical grid of space-time. Earth has been knocked from the center of existence to the suburbs; life reframed as a random accident; and God dismissed altogether, now that everything can be explained by physical laws. Far from having a meaningful role in the cosmic order, we’re “chemical scum,” as physicist Stephen Hawking put it, on the surface of a medium-sized planet orbiting an unremarkable star. Critics have fought this mechanistic view of humanity for centuries, often rejecting science wholesale in the process. But now even some high-profile scientists are voicing concerns that until very recently were taboo. They are suggesting that perhaps physical matter isn’t all that the universe is, all that we are. Perhaps science is only seeing half of the picture. We can explain stars and galaxies, but what about minds? What about consciousness itself? It’s shaping up to be an epic fight that just might transform the entire Western worldview.

They believe that every human is an individual, whose worth does not depend on what other people think of him or her. Each of us has within ourselves a brilliant ray of light that gives value and meaning to our lives. In modern Western schools teachers and parents tell children that if their classmates make fun of them, they should ignore it. Only they themselves, not others, know their true worth. In modern architecture, this myth leaps out of the imagination to take shape in stone and mortar. The ideal modern house is divided into many small rooms so that each child can have a private space, hidden from view, providing for maximum autonomy. This private room almost invariably has a door, and in some households it may be accepted practice for the child to close, and perhaps lock, the door. Even parents may be forbidden to enter without knocking and asking permission. The room is usually decorated as the child sees fit, with rock-star posters on the wall and dirty socks on the floor. Somebody growing up in such a space cannot help but imagine himself ‘an individual’, his true worth emanating from within rather than from without.

Sail beyond the sunset and the baths Of all the western stars until you die,

anyone approaching Spadefish. Outside, the western sky was ablaze in the pinks, oranges and golds of the departing sun. The heavens darkened to a deep indigo to the east. A few stars were already starting to twinkle through the gathering darkness. Venus rose bright and bold in the east, just below the sliver of the new moon. The darker blue sea was empty, calm.

In July, Lin Piao, China’s Minister of Defense, publishes a declaration, “Long Live the Victory of the People’s War!” which calls upon the underdeveloped nations, likened to the “rural areas of the world,” to join forces against American and Western imperialism, the “cities of the world.

While Christopher Pike loved old Westerns, he'd also sampled stories set in other times. He'd noticed something: even as technological progress improved the lives of fictional characters, it had made the jobs of the storytellers who created them more difficult.

How strong must love be to persist in the face of a powerful evil that has named it hate? How resolute must love be when its enemy uses the mass media to convince the world that it is hate? How courageous must love be to raise its banner and sound its trumpets in an age that would purge it—as hate. Of this we can be sure: at some point in the distant past, Whites were a single tribe, a single people. They were alone against a hostile world, a frosty star in the depths of an ancient darkness, ringed by the ferocity of the natural world, besieged by alien tribes and animal predators. But they were a people, together, united, and possessed by an indomitable spirit. Before us, the world’s darkness receded. Its nightmares withered in the light of our coming. Its monsters fled for the darkling holes that brooded in the shadows. We built civilization and in our victory over that which sought victory over us, we fell from grace. In our triumph, we turned to folly. We renounced our brotherhood and rejected our unity. As ungrateful children of our ancient sires, we turned to separate paths, following petty rulers who put their insignificant lives before the fundamental importance of our people, and in so doing we spilled our brothers’ blood. The darkness that we conquered is once again crawling from its thorny lairs, creeping across the world under many fair-seeming guises, now as cancers upon our civilization, now forming gangs and armies, now devouring us in our disunion. It was a song that called us from the darkness long ago, and once again that mysterious music is beckoning. We will reunite as a single people, a great ring that will circle the globe for our wellbeing, or we will perish, and the Western Light of the world will go with us. These people are my people, my nation, and even as I type, even as I ponder how today decides tomorrow a new spirit rises within us, a spirit that refuses to yield to those who seek our undoing. I have always loved our people, their heroism, their genius, their spirit, and though my heart is filled with concern for them, it sings now, it sings with the coming of the dawn. These are my people, and I love them. I was born for this; it is my destiny.

Most of the other early rockers were Welsh, too: Jerry Lee Lewis from Ferriday, Louisiana; Carl Perkins and the Everly Brothers from Tennessee; Conway Twitty (born Harold Jenkins) from Arkansas. Same with Ronnie Hawkins and Levon Helm. Even Johnny Cash and a lot of the country and western stars: Loretta Lynn. Buck Owens. Kitty Wells. Hank Williams.

Remember one things, the god has no boundaries on universal law only human law, because universal law created planets and stars and rest of cosmology which in turn given frequencies and all other forms communication that are observable and non observable in nature by human stimulus and perception or by machines that he created. He walks and talk everything becomes true, because when universe was created and already planned for destruction and recreation. These planets are stars align in nature for universal mind, it will keep on sending frequencies and communications to give signals of whats going on. these communications or signals will affect human psychology or so called western astronomy or eastern astrology. But as god is sending signal to these universal entities, whenever his subconscious asleep anything may happen if the peace is not stabilized.

Eventually, he felt an overwhelming urge to meld his voice with the notes, and he began to play his ballad for the wind. Jack sang his verses, his fingers strumming with confidence. He sang to the southern wind with its promise of strength in battle. He sang to the western wind with its promise of healing. He sang to the northern wind with its promise of vindication. The notes rose and fell, undulating like the hills far beneath him. But while the wind carried his music and his voice, the folk of the air didn’t answer. What if they refuse to come? Jack wondered, with a pulse of worry. From the corner of his eye, he watched as Adaira rose to her feet. The wind seemed to be waiting for her to move. To stand and meet it. She stood planted on the rock as Jack continued to play, shielded by Orenna’s essence. Twice, he had played for the spirits and had nearly forgotten he was a man, that he was not a part of them. But this time he held firmly to himself as he watched the folk answer. The southern wind manifested first. They arrived with a sigh and formed themselves from the gust, individualizing into men and women with hair like fire—red and amber with a trace of blue. Great feathered wings bloomed from their backs like those of a bird, and each beat of their pinions emitted a wash of warmth and longing. Jack could taste the nostalgia they offered; he drank it like a bittersweet wine, like the memories of a summer long ago. The east wind was the next to arrive. They manifested in a flurry of leaves, their hair like molten gold. Their wings were fashioned like those of a bat, long and pronged and the shade of dusk. They carried the fragrance of rain in their wings. The west wind spun themselves out of whispers, with hair the shade of midnight, long and jeweled with stars. Their wings were like those of a moth, patterned with moons, beating softly and evoking both beauty and dread as Jack beheld them. The air shimmered at their edges like a dream, as if they might melt at any moment, and their skin smelled of smoke and cloves as they hovered in place, unable to depart as Jack’s music captivated them. Half of the spirits watched him, entranced by his ballad. But half of them watched Adaira, their eyes wide and brimming with light. “It’s her,” some of them whispered. Jack missed a note. He quickly regained his place, pushing his concern aside. It felt like his nails were creating sparks on the brass strings. He sang the verse for the northern wind again. The sky darkened. Thunder rumbled in the distance as the north reluctantly answered Jack’s summoning. The air plunged cold and bitter as the strongest of the winds manifested from wisps of clouds and stinging gales. It answered the music, fragmenting into men and women with flaxen hair, dressed in leather and links of silver webs. Their wings were translucent and veined, reminiscent of a dragonfly’s, boasting every color found beneath the sun. They came reluctantly, defiantly. Their eyes bore into him like needles. Jack was alarmed by their reaction to him. Some of them hissed through their sharp teeth, while others cowered as if awaiting a death blow. His ballad came to its end, and the absence of his voice and music sharpened the terror of the moment. Adaira continued to stand before an audience of manifested spirits, and Jack was stunned by the sight of them. To know that they had rushed alongside him as he walked the east. That he had felt their fingers in his hair, felt them kiss his mouth and steal words from his lips, carrying his voice in their hands. And his music had just summoned them. His voice and song now held them captive, beholden to him. He studied the horde. Some of the spirits looked amused, others shocked. Some were afraid, and some were angry.

Punarpusha star, I represent Orion in western astrology, star child, I remember palm leaves always, I can change the universe if i want to, so kindly do not make me to repeat it again and again

Just enough time to make the announcement and answer a few questions.” Vic joined him. “But not too many.” “And then run out the door.” He shook his head. “Flight being the better part of valor in politics.

In my limited experience with politicians, I have learned that you do not have to be right all the time, but that it is absolutely essential to never appear wrong.

Even the best soldiers frayed. Lieutenant Colonel Creighton Abrams, a storied tank commander who eventually would wear four stars, wrote his wife: My heart and soul have been torn and seared by so many things already, by losses, by frustrations, by errors…. I haven’t been dry, I haven’t been warm, except for quick naps I haven’t slept for two weeks. There’s no time to eat right, there’s no time to think—it’s attack, attack, attack.

Western man discovered and colonised the world, then went on to reach for the stars, yet the enemies of the West are intent on sending Western man crawling back to the primitive call of the id. Instant unevolved animalistic pleasure is now the order of the day as the enemies of the West seek to undermine and destroy everything that once imparted the Western superego to the next generation.

Real journalism is about sticking around, taking your time to develop contacts and listening and learning about a country, its people and its politics. It really irks me how star Western journalists parachute into the latest breaking story and pontificate from a hotel rooftop as if they know what’s really going on. They don’t, they’re just good bullshitters. The real journalists are those who stick around and listen and learn, but the whole structure of TV news as it is today militates against that.

Start out when the Moon is new. Find the crescent hanging low in the sky at dusk, before it’s dark outside. The Moon will follow the Sun down, sinking on the western horizon before night fully falls. The next night, look again. The Moon is thicker now, and a little higher in the sky when you first spot it. Keep watching, and within a few days, the Moon is half illuminated—a pie sliced in two, with the visible side facing the early-evening Sun. The Moon is full when the Sun is setting, and in the following days, the Moon shrinks again. By last quarter, you can see it just ahead of the Sun in the early-morning sky, once again with its luminous half facing our nearest star. The Sun lights the Moon. It’s obvious, once you see the pattern often enough.