Blocked Funny Quotes

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She moved to pinch me again but I blocked her hand. I'm no expert on girls, but when one tries to pinch you four times, I'm pretty sure that's flirting.
Ransom Riggs (Miss Peregrine's Home for Peculiar Children (Miss Peregrine's Peculiar Children, #1))
Discipline allows magic. To be a writer is to be the very best of assassins. You do not sit down and write every day to force the Muse to show up. You get into the habit of writing every day so that when she shows up, you have the maximum chance of catching her, bashing her on the head, and squeezing every last drop out of that bitch.
Lili St. Crow
I have a free couple of hours," I told him, walking toward my car, which was parked on the next block. "There's a very private, very secluded barn in Lookout Hill Park behind the carousel. I could be there in fifteen minutes." I heard the smile in his voice. "You want me bad.
Becca Fitzpatrick (Finale (Hush, Hush, #4))
Demon pox, oh demon pox Just how is it acquired? One must go down to the bad part of town Until one is very tired. Demon pox, oh demon pox, I had it all along— Not the pox, you foolish blocks, I mean this very song— For I was right, and you were wrong!
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Sometimes you fall, spinning through space, grasping for the things that keep you on this earth. Sometimes you catch them. They can be the hands of the people you love. They can be your pets- pups with funny names, cats with ferocious old souls. The thing that keeps you here can be your art. It can be things you have collected and invested with a certain sense of meaning. A flowered, buckled treasure chest of secrets. Shoes that make you taller and, therefore, closer to the heavens. A suit that belonged to your fairy godmother. A dress that makes you feel a little like the Goddess herself. Sometimes you keep falling; you don't catch anything. Sometimes you fall, spinning through space, grasping for the things that keep you here. Sometimes you catch them. Sometimes you don't. Sometimes they catch you.
Francesca Lia Block (Necklace of Kisses (Weetzie Bat, #6))
War was funny like that: one minute you could try and block it and have the most wonderful thoughts, the next you were back in the nightmare.
Mark A. Cooper (The Edelweiss Express (Edelweiss Pirates #2))
How can you stand touching her?” my sister blurted, staring at our clasped hands. “Doesn’t that hurt?” I seized on the change of topic. “These gloves are specialized rubber. They block the current.” Gretchen’s gaze traveled over Vlad, disbelief still stamped on her features. “Yeah, but how do you two do anything else, unless he has a special, currentrepelling glove for his—” “Gretchen!” my father cut her off. My cheeks felt hot. Don’t say a word, I thought to Vlad, seeing his chest tremble with suppressed laughter. “He has a natural immunity,” I gritted out.
Jeaniene Frost (Once Burned (Night Prince, #1))
A working brain is probably a lot like a map, where anybody can get from one place to another on the freeways. It's the nonworking brains that get blocked, that have dead ends, that are under construction like mine.
Ned Vizzini (It's Kind of a Funny Story)
When they bombed Hiroshima, the explosion formed a mini-supernova, so every living animal, human or plant that received direct contact with the rays from that sun was instantly turned to ash. And what was left of the city soon followed. The long-lasting damage of nuclear radiation caused an entire city and its population to turn into powder. When I was born, my mom says I looked around the whole hospital room with a stare that said, "This? I've done this before." She says I have old eyes. When my Grandpa Genji died, I was only five years old, but I took my mom by the hand and told her, "Don't worry, he'll come back as a baby." And yet, for someone who's apparently done this already, I still haven't figured anything out yet. My knees still buckle every time I get on a stage. My self-confidence can be measured out in teaspoons mixed into my poetry, and it still always tastes funny in my mouth. But in Hiroshima, some people were wiped clean away, leaving only a wristwatch or a diary page. So no matter that I have inhibitions to fill all my pockets, I keep trying, hoping that one day I'll write a poem I can be proud to let sit in a museum exhibit as the only proof I existed. My parents named me Sarah, which is a biblical name. In the original story God told Sarah she could do something impossible and she laughed, because the first Sarah, she didn't know what to do with impossible. And me? Well, neither do I, but I see the impossible every day. Impossible is trying to connect in this world, trying to hold onto others while things are blowing up around you, knowing that while you're speaking, they aren't just waiting for their turn to talk -- they hear you. They feel exactly what you feel at the same time that you feel it. It's what I strive for every time I open my mouth -- that impossible connection. There's this piece of wall in Hiroshima that was completely burnt black by the radiation. But on the front step, a person who was sitting there blocked the rays from hitting the stone. The only thing left now is a permanent shadow of positive light. After the A bomb, specialists said it would take 75 years for the radiation damaged soil of Hiroshima City to ever grow anything again. But that spring, there were new buds popping up from the earth. When I meet you, in that moment, I'm no longer a part of your future. I start quickly becoming part of your past. But in that instant, I get to share your present. And you, you get to share mine. And that is the greatest present of all. So if you tell me I can do the impossible, I'll probably laugh at you. I don't know if I can change the world yet, because I don't know that much about it -- and I don't know that much about reincarnation either, but if you make me laugh hard enough, sometimes I forget what century I'm in. This isn't my first time here. This isn't my last time here. These aren't the last words I'll share. But just in case, I'm trying my hardest to get it right this time around.
Sarah Kay
I hug her one more time and pull her down to the bed. And in my mind, I rise up from the bed and look down on us, and look down at everybody else in this hospital who might have the good fortune of holding a pretty girl right now, and then at the entire Brooklyn block, and then the neighborhood, and then Brooklyn, and then New York City, and then the whole Tri-State Area, and then this little corner of America- with laser eyes I can see into every house- and then the whole country and the hemisphere and now the whole stupid world, everyone in every bed, couch, futon, chair, hammock, love seat, and tent, everyone kissing or touching eachother... and i know that i'm the happiest of all of them.
Ned Vizzini (It's Kind of a Funny Story)
Then Leo realized something was blocking the middle of his view. Something large and fuzzy, and so close, Leo had to cross his eyes to see it properly. It was a large, ugly face. "Holy mother!" he yelped. The face backed away and came into focus. Staring down at him was a beard man in grimy blue coveralls. His face was lumpy and covered with welts, as if he'd been stung by a million bees, or dragged across gravel. Possibly both. "Humph." the man said. "Holy father, boy. I should think ou know the difference by now.
Rick Riordan
Weetzie could see him--it was a man, a little man in a turban, with a jewel in his nose, harem pants, and curly-toed slippers. "Lanky Lizards!" Weetzie exclaimed. "Greetings," said the man in an odd voice, a rich, dark purr. "Oh, shit!" Weetzie said. "I beg your pardon? Is that your wish?
Francesca Lia Block (Weetzie Bat (Weetzie Bat, #1))
Tried to escape, to block out the fact that I was being eaten alive by arachnids. For some reason the only thing I could replace it with was the image of being eaten by tiny clowns.
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
I don't want any funny business, and above all I don't want to be dragged into other people's funny business. If it's to be my head on the block, I want to know that it's doing there, and not that it's some stupid things that other people have done.
Hans Fallada (Every Man Dies Alone)
The prince set her down and dismissed his valet. The latter left with a bow and closed the door. Leaning against the wall, the prince pulled off his stockings. As he walked toward the amethyst tub, he yanked his shirt over his head. He was lean and tightly sinewed. Her little bird heart thudded. He glanced at her, his lips curved in not quite a smile. The next thing she knew, his shirt had flown through the air and landed on the cage, blocking her view toward the bathtub. “Sorry, sweetheart. I am shy.” She chirped indignantly. It was not as if she would have continued to watch him disrobe beyond a certain point.
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
I don't have mental blocks-' 'Yeah you do,' He snorts. 'You definitely do. You have severe mental constipation.' 'Mental what-
Tahereh Mafi (Unravel Me (Shatter Me, #2))
From Jess: FANG. I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions. DO YOU HAVE A JAMAICAN ACCENT? No, Mon DO YOU MOLT? Gross. WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio. HAVE YOU TOLD JEB I LOVE HIM YET? No. DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true... DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy? DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does. DO YOU USE HAIR PRODUCTS? No. Again,no. DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet. WHAT'S YOU FAVORITE MOVIE? There are a bunch WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing. WHAT'S YOUR FAVORITE SMELL? Max, when she showers. DO THESE QUESTIONS MAKE YOU ANGRY? Not really. IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so. DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody? ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again. WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy. WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast. DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above. DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside. DO YOU LIKE MAX? Duh. DO YOU LIKE ME? I think you're funny. DOES IGGY LIKE ME? Sure DO YOU WRITE DEPRESSING POETRY? No. IS IT ABOUT MAX? Ahh. No. IS IT ABOUT ARI? Why do you assume I write depressing poetry? IS IT ABOUT JEB? Ahh. ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no. WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans. DO YOU WEAR BOXERS OR BRIEFS? No freaking comment. DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal? DO YOU WEAR SUNGLASSES? Yes, cheap ones. DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see. DO YOU SMOKE APPLES, LIKE US? Huh? DO YOU PREFER BLONDES OR BRUNETTES? Whatever. DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock. ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh... WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh... WOULD YOU TELL US IF YOU WERE GAY? Yes. DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No. ARE YOU EMO? Whatever. DO YOU LIKE EGGS? Yes. I had them for breakfast. DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby. DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world? DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek! HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah DO YOU LIKE SPONGEBOB? He's okay, I guess. DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely CAN YOU COOK? Iggy cooks. DO YOU LIKE TO COOK? I like to eat. ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife? DO YOU SECRETLY HAVE INNER TURMOIL? Isn't it obvious? DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars. DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure. WHERE DID YOU LEARN TO PLAY POKER? TV. DO YOU HAVE A GOOD POKER FACE? Totally. OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes. CAN HE EVEN PLAY POKER? Iggy beats me sometimes. DO YOU LIKE POKING PEOPLE HARD? Not really. ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be. Fly on, Fang
James Patterson (Fang (Maximum Ride, #6))
It's a funny thing about bogs. You can fill them with rocks and sand and old logs and make a little fenced-in yard on top with a woodpile and chopping block - but bogs go right on behaving like bogs. Early in the spring they breathe ice and make their own mist, in remembrance of the time when they had black water and their own sedge blossoming untouched.
Tove Jansson (The Summer Book)
Small people will find your flaw and make it huge; big people will find your flaw and block it out completely, by sitting next to you. Therefore, hang out with big people.:)
Shannon L. Alder
Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.” This Santa’s beard was real, and so was his hair. He wasn’t fucking around. “I’m not really a little boy,” I pointed out. “Get on my lap, then, big boy.” I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjusted his crotch. “Ho ho ho!” he chortled. I sat gingerly on his knee, like it was a subway seat with gum on it. “Have you been a good little boy this year?” he asked. I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes. He actually wobbled with joy. “Good! Good! Then what can I bring you this Christmas?” I thought it was obvious. “A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.” “So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little in his seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.” “What?” I asked. He gestured with his eyes down to his stomach. “Go ahead.” I looked closely and saw the faint outline of an envelope beneath his red velvet coat. “You know you want it,” he whispered. The only way I could survive this was to think of it as the dare it was. Fuck off, Lily. You can’t intimidate me. I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … and his belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole time having Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear. I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked it out, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap. “Security’s here!” the elf proclaimed. The letter was in my hand, damp but intact. “He touched Santa!” a young child squealed.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
I was overwhelmed with the urge to fill every silence with words. Silence to me was a void in the universe that could suck us all in. It was my assignment to block this deadly void with words and save the world.
Ayọ̀bámi Adébáyọ̀
It’s important to understand that in the Third World most driving is done with the horn, or “Egyptian Brake Pedal,” as it is known. There is a precise and complicated etiquette of horn use. Honk your horn only under the following circumstances: 1. When anything blocks the road 2. When anything doesn’t. 3. When anything might. 4. At red lights 5. At green lights. 6. At all other times.
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
I'm sure the other kids wouldn't mind not being lectured by another toddler over the virtues of sharing and the mental benefits of toy blocks.
Hayden Thorne (Mimi Attacks (Masks, #5))
Being a self-employed means you work 12 hours a day for yourself so you don't have to work 8 hours a day for someone else.
Oliver Markus Malloy (Inside The Mind of an Introvert: Comics, Deep Thoughts and Quotable Quotes (Malloy Rocks Comics Book 1))
You shut your door to these poor women," he said so they could hear him, "and you'll answer for it the rest of your lives. You won't sleep. You'll choke on drinks. The food you eat'll block up your bowels and you'll die of your own shit.
Glendon Swarthout (The Homesman)
When I got Writer's Block, I masturbated.
Takako Shimura (放浪息子 15)
Seriously, why was it tradition to stand when the bride came in? It blocked her from seeing her groom, who was the only reason she was there in the first place.
K.R. Grace (The Phoenix (Daughters of Destiny #4))
Being self-employed means you work 12 hours a day for yourself so you don't have to work 8 hours a day for someone else.
Oliver Markus Malloy (Inside The Mind of an Introvert: Comics, Deep Thoughts and Quotable Quotes (Malloy Rocks Comics Book 1))
It be funny how the universe be blocking all your shots because you in the wrong game.
Niedria Kenny
Some women wear a miniskirt to reveal their thighs; some wear one to conceal their age.
Mokokoma Mokhonoana
It's funny how misery takes you straight back, connecting the dots through your life - the memories tumble out like sad photographs from a battered old album.
Keith Stuart (A Boy Made of Blocks)
Not for the first time in the history of the universe, someone for whom communication normally came as effortlessly as a dream was stuck for inspiration when faced with a few lines on the back of a card.
Terry Pratchett (Witches Abroad (Discworld, #12; Witches, #3))
I can’t help it: I laugh. I don’t mean too, it just kinda comes out on its own. I smoosh my hands against my mouth to block the sound, but this causes me to snort, and snot comes out of my nose. I try to cover it up and jerk my left hand up, but it bounces off my nose and I poke myself in the eye. My eyes water as I hiss and knuckle my eyeball, but I’ve still got snot on my hand and gets all up in there, making it burn even more. Ow. I want to turn and run, but I’m temporarily blinded by my own devices and I know, I just know, that this big kid is probably some popular jock and I am forever going to be stuck with the nick-name Booger Eye Snot Face. I ask God quietly if he wouldn’t mind opening the ground beneath my feet and allow me to fall down a chasm to save me from myself. The ground doesn’t open. I’m still laughing, but it’s that high-pitched thing I do when I find something really funny. I hate that laugh. It always sounds like a clan of female hyenas all going into labor at the same time. Yip! Yip! Ayyyyyyyy! Yip! Yip! Ayyyyyyyy
T.J. Klune
A working brain is probably a lot like a map, where anybody can get from one place to another on the freeways. It’s the nonworking brains that get blocked, that have dead ends, that are under construction like mine.
Ned Vizzini (It's Kind of a Funny Story)
Darling Daddy, Poor Saffy. She had a big fight in the boys toilets on Monday, did you know? A very big fight and Sarah helped and it was terrifying. Said a boy in my class who has a brother who was there. Saffy washed her hands and said Never Ever Never Dare You Touch My Brother. (Indigo). And the plug holes were blocked with hair. Love from Rose. -Sarah's mother has given us soup. Soup soup soup and then it was all gone. L.F.R.
Hilary McKay (Indigo's Star (Casson Family, #2))
Bennie's corner of Brooklyn looked different every time Sierra passed through it. She stopped at the corner of Washington Avenue and St. John's Place to take in the changing scenery. A half block from where she stood, she'd skinned her knee playing hopscotch while juiced up on iceys and sugar drinks. Bennie's brother, Vincent, had been killed by the cops on the adjacent corner, just a few steps from his own front door. Now her best friend's neighborhood felt like another planet. The place Sierra and Bennie used to get their hair done had turned into a fancy bakery of some kind, and yes, the coffee was good, but you couldn't get a cup for less than three dollars. Plus, every time Sierra went in, the hip, young white kid behind the counter gave her either the don't-cause-no-trouble look or the I-want-to-adopt-you look. The Takeover (as Bennie had dubbed it once) had been going on for a few years now, but tonight its pace seemed to have accelerated tenfold. Sierra couldn't find a single brown face on the block. It looked like a late-night frat party had just let out; she was getting funny stares from all sides--as if she was the out-of-place one, she thought. And then, sadly, she realized she was the out-of-place one.
Daniel José Older (Shadowshaper (Shadowshaper Cypher, #1))
Yes, I have a very small and mostly nerdy fan club. And much to my amazement, it grows a little larger every day. Apparently, these new recruits liked what they saw of my act on YouTube (even though everybody wishes that doofus blocking the camera had a smaller head).
James Patterson (I Funny: A Middle School Story)
No need to be embarassed. After seeing you in my cousin's nightgown, you've got nothing to hide. But why were you crying in the shower?" he murmured into her hair. She could feel his lips moving against her scalp, and feel the press of his hips through the covers, but his arms were an unyielding cage. She tried to turn over to face him, to welcome him under the covers with her, but he wouldn't let her. "I was crying because I'm frustrated! Why are you doing this?" she whispered into her pillow. "We can't, Helen," was all he said. He kissed her neck and said he was sorry over and over, but try as she might, he wouldn't let her face him. She began to feel like she was being used. "Please be patient," he begged as he stopped her hand from reaching back to touch him. She tried to sit up, to push him out of her bed, anything but suffer lying next to someone who would play with her so terribly. They wrestled a bit, but he was much better at it than she was and felt even heavier than he looked. He easily blocked every attempt she made to wrap her arms or legs or lips around him. "Do you want me at all, or do you just think it's fun to tease me like this?" she asked, feeling rejected and humiliated. "Won't you even kiss me?" She finally struggled onto her back where she could at least see his face. "If I kiss you, I won't stop," he said in a desperate whisper as he propped himself up on his elbows to look her in the eye. She looked back at him, really seeing him for the first time that night. His expression was vulnerable and uncertain. His mouth was swollen with want. His body was shaking and there was a fine layer of anxious sweat wilting his clothes. Helen relaxed back into the bed with a sigh. For some reason that obviously had nothing to do with desire, he wouldn't allow himself to be with her. "You're not laughing at me, are you?" she asked warily, just as a precaution. "No. There's nothing funny about this," he answered. He shifted himself off her and lay back down alongside her, still breathing hard. "But for some reason, you and I will never happen," she said, feeling calm. "Never say never," he said urgently, rolling back on top of her and using all of his unusually heavy mass to press her deep into the cocoon of her little-girl bed. "The gods love to toy with people who use absolutes." Lucas ran his lips around her throat and let her put her arms around him, but that was all.
Josephine Angelini (Starcrossed (Starcrossed, #1))
Your site isn't static. It's dynamically generated. Do you know what that means ?" "No." "It means the site looks different to different people. Let's say you chose the poll option that said you're in favor of tax cuts. Well there's a cookie on your machine now, and when you look at the site again, the articles are about how the government is wasting your money. The site is dynamically selecting content based on what you want. I mean, not what you want. What will piss you off. What will engage your attention and reinforce your beliefs, make you trust the site. And if you said you were against tax cuts, we'll show you stories of Republicans blocking social programs or whatever. It works every which way. Your site is made of mirrors, reflecting everyone's thoughts back at them..." "And we haven't even started talking about keywords. This is just the beginning. Third major advantage: People who use a site like this tend to ramp up their dependence on it. Suddenly all those other news sources, the ones that aren't framing every story in terms of the user's core beliefs, they start to seem confusing and strange. They start to seem biased, actually, which is kind of funny. So now you've got a user who not only trusts you, you're his major source of information on what's happening in the world. Boom, you own that guy. You can tell him whatever you like and no one's contradicting you.
Max Barry (Lexicon)
It was freezing, but the cold effortlessly numbed my feet and aching hands. I walked quietly, barefoot, to the end of the block, leaving my shoes behind to remind me how to find my way home. I stood at the end of the street, catching snow in my mouth, and laughed softly to myself as I realized that without my insomnia and anxiety and pain I’d never have been awake to see the city that never sleeps asleep and blanketed up for winter. I smiled and felt silly, but in the best possible way. As I turned and looked back toward the hotel I noticed that my footprints leading out into the city were mismatched. One side was glistening, small and white. The other was misshapen from my limp and each heel was pooled with spots of bright red blood. It struck me as a metaphor for my life. One side light and magical. Always seeing the good. Lucky. The other side bloodied, stumbling. Never quite able to keep up. It was like the Jesus-beach-footprint-in-the-sand poem, except with less Jesus and more bleeding. It was my life, there in white and red. And I was grateful for it. “Um, miss?” It was the man from the front desk leaning tentatively out of the front door with a concerned look on his face. “Coming,” I said. I felt a bit foolish and considered trying to clarify but then thought better of it. There was no way to explain to this stranger how my mental illness had just gifted me with a magical moment. I realized it would have sounded a bit crazy, but that made sense. After all, I was a bit crazy. And I didn’t even have to pretend to be good at it. I was a damn natural.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
Style is not how you write. It is how you do not write like anyone else. * * * How do you know if you're a writer? Write something everyday for two weeks, then stop, if you can. If you can't, you're a writer. And no one, no matter how hard they may try, will ever be able to stop you from following your writing dreams. * * * You can find your writer's voice by simply listening to that little Muse inside that says in a low, soft whisper, "Listen to this... * * * Enter the writing process with a childlike sense of wonder and discovery. Let it surprise you. * * * Poems for children help them celebrate the joy and wonder of their world. Humorous poems tickle the funny bone of their imaginations. * * * There are many fine poets writing for children today. The greatest reward for each of us is in knowing that our efforts might stir the minds and hearts of young readers with a vision and wonder of the world and themselves that may be new to them or reveal something already familiar in new and enlightening ways. * * * The path to inspiration starts Beyond the trails we’ve known; Each writer’s block is not a rock, But just a stepping stone. * * * When you write for children, don't write for children. Write from the child in you. * * * Poems look at the world from the inside out. * * * The act of writing brings with it a sense of discovery, of discovering on the page something you didn't know you knew until you wrote it. * * * The answer to the artist Comes quicker than a blink Though initial inspiration Is not what you might think. The Muse is full of magic, Though her vision’s sometimes dim; The artist does not choose the work, It is the work that chooses him. * * * Poem-Making 101. Poetry shows. Prose tells. Choose precise, concrete words. Remove prose from your poems. Use images that evoke the senses. Avoid the abstract, the verbose, the overstated. Trust the poem to take you where it wants to go. Follow it closely, recording its path with imagery. * * * What's a Poem? A whisper, a shout, thoughts turned inside out. A laugh, a sigh, an echo passing by. A rhythm, a rhyme, a moment caught in time. A moon, a star, a glimpse of who you are. * * * A poem is a little path That leads you through the trees. It takes you to the cliffs and shores, To anywhere you please. Follow it and trust your way With mind and heart as one, And when the journey’s over, You’ll find you’ve just begun. * * * A poem is a spider web Spun with words of wonder, Woven lace held in place By whispers made of thunder. * * * A poem is a busy bee Buzzing in your head. His hive is full of hidden thoughts Waiting to be said. His honey comes from your ideas That he makes into rhyme. He flies around looking for What goes on in your mind. When it is time to let him out To make some poetry, He gathers up your secret thoughts And then he sets them free.
Charles Ghigna
He decides to walk around the block, to clear his head and pick his path. Funny, how what makes you move is so simple and the field you must move in is so crowded.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
Writing is all about tents: sometimes you're competent, sometimes you're eloquetent.
BatWhaleDragon
Because that's the truth about people with obsessively organised plans: we're not trying to control everything in our lives. We're trying to block everything we can't.
Holly Smale (Model Misfit (Geek Girl, #2))
They told me I've got writer's cramp. So is that better than the block?
Joyce Rachelle
Ordinary humans will find it very difficult to resist this process. At present, people are happy to give away their most valuable asset—their personal data—in exchange for free email services and funny cat videos. It’s a bit like African and Native American tribes who unwittingly sold entire countries to European imperialists in exchange for colorful beads and cheap trinkets. If, later on, ordinary people decide to try to block the flow of data, they might find it increasingly difficult, especially as they might come to rely on the network for all their decisions, and even for their healthcare and physical survival.
Yuval Noah Harari (21 Lessons for the 21st Century)
Next time a man is looking at your tits, try this: Look them in the eyes, giggle lightly, and say—loudly—“It’s so funny that you’re trying to look at my boobs!” Now you’ve got everyone’s attention. Escalate your laugh into a deep, maniacal cackle. He’ll try to leave the area, but you block him with your laugh-scream and shout, “It’s so funny that you’re trying to see my titties, ’CAUSE YOU’RE NEVER GONNA SEE THEM. EVVVVVVEEEEEEERRRRRRR!! AHAHAHAHAHAHAHAHAHAHAAHAHAHAHA!!
Erin Gibson (Feminasty: The Complicated Woman's Guide to Surviving the Patriarchy Without Drinking Herself to Death)
I didn’t get far when he was suddenly behind me. He looped his finger through my belt and practically dragged me to the corner he’d been standing in. “What the fu….” “Stay still,” he ordered. “I need you to block the wind.” I didn’t have any snappy comebacks, so I simply stood there, amazed by his gruffness. Hadn’t anyone ever taught him simple manners? When I looked at him, I thought that maybe they hadn’t. I could easily imagine him as a little Mowgli type, being raised by animals in the jungle.
L.H. Cosway (Hearts of Fire (Hearts, #2))
What’s so funny?” “Lots of things. First of all, you fell asleep when you’re supposed to be protecting me. Second, you pull a wooden sword to protect against a group of horsemen. Third, it’s just Fawn and Wolf coming back.” She pointed with her right hand.
Dr. Block (The Ballad of Winston the Wandering Trader, Book 14 (The Ballad of Winston #14))
When you are a kid, playing with the other kids on your street, and everyone is fighting over who they are going to be, you have to call dibs early, as soon as you see one another, pretty much as soon as you step outside your house, even if you're halfway down the block. First dibs gets Hans Solo. Everyone knows that. You don't even have to say it. If you are first, you are Han Solo, period, end of story...I was never totally sure why everyone wanted to be Han Solo. Maybe it was because he wasn't born into it, like Luke, with the birthright and the natural talent for the Force and the premade story. Solo had to make his own story. He was a freelance protagonist, a relatively ordinary guy who got to the major leagues by being quick with a gun and a joke. He was, basically, a hero because he was funny.
Charles Yu (How to Live Safely in a Science Fictional Universe)
I look up at her, rolling her mouth and smiling down. I look at the map. It’s not a brain, clearly; it’s a map; can’t she see the rivers and highways and interchanges? But I see how it could look like a brain, like if all roads were twisted neurons, pulling your emotions from one place to another, bringing the city to life. A working brain is probably a lot like a map, where anybody can get from one place to another on the freeways. It’s the nonworking brains that get blocked, that have dead ends, that are under construction like mine.
Ned Vizzini (It's Kind of a Funny Story)
One question that I often get asked is how to overcome writer's block. And the funny thing is, I overcome it, by not overcoming it. I think it’s okay to not write. I think it’s okay not to talk, not to make, not to create, not to produce, produce, produce. How can we listen to the world if we are always talking to the world?
Ada Limon
There's a reason that dust and life go together naturally. Sometimes it comes together in the most perfect way to make the very building blocks of life. Sometimes it sweeps in and makes everything seem hazy and dark. Sometimes it gets in my amaretto and then I have to pour a new glass, but mainly that's cat's fur, which is not really the same thing.
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
He laughed with a mix of amusement and surprised appreciation. She couldn’t win. She had to know that. Yet still she fought. He hadn’t known there was a Summerlander alive still willing to confront him with such spirited defiance. Entire armies had fallen before him, yet this slight wisp of a girl dared to grapple, barehanded and defenseless, with the Winter King, a man who could slay with a glance. He dodged a fist meant to break his nose and laughed again, enjoying himself for the first time in a very long while. How lucky for him so few of Verdan’s soldiers had possessed such raw, reckless courage! A thousand like her in their ranks, and the war might have ended quite differently. His humor apparently didn’t sit well with her. She snarled and aimed another blow at his chin, which he blocked, as well as a vicious kick to his groin. He managed to block that, too—barely—but the hard toe of her boot still came close enough, with enough force, that his balls tingled from the near miss. He quit laughing. There were some things a man just didn’t find funny.
C.L. Wilson (The Winter King (Weathermages of Mystral, #1))
It’s funny—we worry about the big things, about the big decisions we make in our lives, and how they’ll affect us. Take this job or that job? Go to school? Marry; don’t marry. Move? But it’s the little decisions we make that irrevocably destroy us. Dine in or take out? Turn left here or wait a block? Each one of those little decisions drives us toward our end, and we don’t even know it.
Toni McGee Causey (The Saints of the Lost and Found)
The Takeover (as Bennie had dubbed it once) had been going on for a few years now, but tonight its pace seemed to have accelerated tenfold. Sierra couldn’t find a single brown face on the block. It looked like a late-night frat party had just let out; she was getting funny stares from all sides —as if she was the out-of-place one, she thought. And then, sadly, she realized she was the out-of-place one.
Daniel José Older (Shadowshaper (Shadowshaper Cypher #1))
Steps scuffed down the hall. A warning. From someone who knew how to remain silent. ... Cassian had just finished setting himself to rights when Azriel strode in. 'Good evening,' his brother said with a grating level of calm, striding toward the table. 'Az.' Cassian wasn't able to keep the bite out of his tone. He met his brother's too-aware stare and silently conveyed every bit of annoyance he felt at his timing. Azriel only shrugged, surveying the food the House had brought him. As if he knew exactly what he'd interrupted and took his chaperone duties very seriously. Nesta was watching them, but as soon as Cassian turned to her, she launched into movement, pushing off the table and aiming for the door. 'Good night.' She didn't wait for him to respond before she was gone. Cassian levelled a glare at Az. 'Thanks for that.' 'I don't know what you're talking about,' Az said, even as he smiled down at his food. 'Asshole.' Az chuckled. 'Don't show your hand all at once, Cass.' 'What's that supposed to mean?' Az nodded toward the doorway. 'Save something for later.' 'Busybody.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Dorian might have found it funny—so typically Celaena to make such a flamboyant return—had he not been utterly petrified. She had drawn a line in the sand. Worse than that, she’d defeated one of the king’s deadliest generals. No one had done that and lived. Ever. Somewhere in Wendlyn, his friend was changing the world. She was fulfilling the promise she’d made him. She had not forgotten him, or any of them still here. And perhaps when they figured out a way to destroy that tower and free magic from his father’s yoke, she would know her friends had not forgotten her, either. That he had not forgotten her. So Dorian let his father rage. He sat in on those meetings and shut down his revulsion and horror when his father sent a third minister to the butchering block. For Sorscha, for the promise of keeping her safe, of someday, perhaps, not having to hide what and who he was, he kept on his well-worn mask, offered banal suggestions about what to do regarding Aelin, and pretended. One last time. When Celaena got back, when she returned as she’d sworn she would … Then they would set about changing the world together.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
She was a hunchback with a sweet smile. She smiled sweetly at anything; she couldn't help it; the trees, me, the grass, anything. The basket pulled her down, dragging her toward the ground. She was such a tiny woman, with a hurt face, as if slapped forever. She wore a funny old hat, an absurd hat, a maddening hat, a hat to make me cry, a hat with faded red berries on the brim. And there she was, smiling at everything, struggling across the carpet with a heavy basket containing Lord knew what, wearing a plumed hat with red berries. I got up. It was so mysterious. There I was, like magic, standing up, my two feet on the ground, my eyes drenched. I said, "Let me help." She smiled again and gave me the basket. We began to walk. She led the way. Beyond the trees it was stifling. And she smiled. It was so sweet it nearly tore my head off. She talked, she told me things I never remembered. It didn't matter. In a« dream she held me, in a dream I followed under the blinding sun. For blocks we went forward. I hoped it would never end. Always she talked in a low voice made of human music. What words! What she said! I remembered nothing. I was only happy. But in my heart I was dying. It should have been so. We stepped from so many curbs, I wondered why she did not sit upon one and hold my head while I drifted away. It was the chance that never came again. That old woman with the bent back! Old woman, I feel so joyfully your pain. Ask me a favor, you old woman you! Anything. To die is easy. Make it that. To cry is easy, lift your skirt and let me cry and let my tears wash your feet to let you know I know what life has been for you, because my back is bent too, but my heart is whole, my tears are delicious, my love is yours, to give you joy where God has failed. To die is so easy and you may have my life if you wish it, you old woman, you hurt me so, you did, I will do anything for you, to die for you, the blood of my eighteen years flowing in the gutters of Wilmington and down to the sea for you, for you that you might find such joy as is now mine and stand erect without the horror of that twist. I left the old woman at her door. The trees shimmered. The clouds laughed. The blue sky took me up. Where am I? Is this Wilmington, California? Haven't I been here before? A melody moved my feet. The air soared with Arturo in it, puffing him in and out and making him something and nothing. My heart laughed and laughed. Goodbye to Nietzsche and Schopenhauer and all of you, you fools, I am much greater than all of you! Through my veins ran music of blood. Would it last? It could not last. I must hurry. But where? And I ran toward home. Now I am home. I left the book in the park. To hell with it. No more books for me. I kissed my mother. I clung to her passionately. On my knees I fell at her feet to kiss her feet and cling to her ankles until it must have hurt her and amazed her that it was I.
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
Sometimes you fall, spinning through space, grasping for the things that keep you on this earth. Sometimes you catch them. They can be the hands of the people you love. They can be your pets—pups with funny names, cats with ferocious old souls. The thing that keeps you here can be your art. It can be things you have collected and invested with a certain sense of meaning. A flowered, buckled treasure chest of secrets. Shoes that make you taller and, therefore, closer to the heavens. A suit that belonged to your fairy godmother. A dress that makes you feel a little like the Goddess herself. Sometimes you keep falling; you don’t catch anything.
Francesca Lia Block (Necklace of Kisses (Weetzie Bat, #6))
Scott still stares at Sid, then turns to Alice and hands her the Scotch. “We’re going to go see Joanie today,” he says. Alice grins. “And Chachi?” she asks. Sid bursts out laughing and Scott turns back to him, then places a hand on his shoulder, which makes me fear for his life. “You be quiet, son,” Scott says. “I could kill you with this hand. This hand has been places.” I shake my head and look at both Sid and Alex. Scott lifts his hand off Sid’s shoulder and turns again to his wife. “No, Alice. Our Joanie. Our daughter. We’re going to give her anything she wants.” He glares at me. “Think about what she would want, Alice. We’re going to get it for her and bring it to her. Bring it right to her bed.” “Joanie and Chachi,” Alice chants. “Joanie and Chachi!” “Shut up, Alice!” Scott yells. Alice looks at Scott as though he just said “Cheese.” She clasps her hands together and smiles, staying in the pose for a few seconds. He looks at her face and squints. “Sorry, old gal,” he says. “You go ahead and say whatever you want.” “It was funny,” Sid says. “All I was doing was laughing. She has a good sense of humor. That’s all. Maybe she knows she’s being funny. I think she does.” “I’m going to hit you,” Scott says. His arms hang alongside him, the muscles flexed, veins big like milk-shake straws. I know he’s going to hit Sid because that’s what he does. I’ve seen him hit Barry. I, too, have been hit by Scott after I beat him and his buddies at a game of poker. His hands are in fists, and I can see his knobby old-man knuckles, the many liver spots almost joining to become one big discoloration, like a burn. Then he pops his fist up toward Sid, a movement like a snake rearing its head and lunging forth. I see Sid start to bring his arm up to block his face, but then he brings it down and clutches his thigh. It’s almost as if he decided not to protect himself. The end result is a punch in his right eye, a screaming older daughter, a frightened younger daughter, a father trying to calm many people at once, and a mother-in-law cheering wildly as though we have all done something truly amazing.
Kaui Hart Hemmings (The Descendants)
It's only second period, and the whole school knows Emma broke up with him. So far, he's collected eight phone numbers, one kiss on the cheek, and one pinch to the back of his jeans. His attempts to talk to Emma between classes are thwarted by a hurricane of teenage females whose main goal seems to be keeping him and his ex-girlfriend separated. When the third period bell rings, Emma has already chosen a seat where she'll be barricaded from him by other students. Throughout class, she pays attention as if the teacher were giving instructions on how to survive a life-threatening catastrophe in the next twenty-four hours. About midway through class, he receives a text from a number he doesn't recognize. If you let me, I can do things to u to make u forget her. As soon as he clears it, another one pops up from a different number. Hit me back if u want to chat. I'll treat u better than E. How did they get my number? Tucking his phone back into his pocket, he hovers over his notebook protectively, as if it's the only thing left that hasn't been invaded. Then he notices the foreign handwriting scribbled on it by a girl named Shena who encircled her name and phone number with a heart. Not throwing it across the room takes almost as much effort as not kissing Emma. At lunch, Emma once again blocks his access to her by sitting between people at a full picnic table outside. He chooses the table directly across from her, but she seems oblivious, absently soaking up the grease from the pizza on her plate until she's got at least fifteen orange napkins in front of her. She won't acknowledge that he's staring at her, waiting to wave her over as soon as she looks up. Ignoring the text message explosion in his vibrating pocket, he opens the contain of tuna fish Rachel packed for him. Forking it violently, he heaves a mound into his mouth, chewing without savoring it. Mark with the Teeth is telling Emma something she thinks is funny, because she covers her mouth with a napkin and giggles. Galen almost launches from his bench when Mark brushes a strand of hair from her face. Now he knows what Rachel meant when she told him to mark his territory early on. But what can he do if his territory is unmarking herself? News of their breakup has spread like an oil spill, and it seems as though Emma is making a huge effort to help it along. With his thumb and index finger, Galen snaps his plastic fork in half as Emma gently wipes Mark's mouth with her napkin. He rolls his eyes as Mark "accidentally" gets another splotch of JELL-O on the corner of his lips. Emma wipes that clean too, smiling like she's tending to a child. It doesn't help that Galen's table is filling up with more of his admirers-touching him, giggling at him, smiling at him for no reason, and distracting him from his fantasy of breaking Mark's pretty jaw. But that would only give Emma a genuine reason to assist the idiot in managing his JELL-O.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Thank you, Clara,” I say. “How did you get the key?” “Dumb luck,” she says. “Those twins with the funny names dropped it just a few feet away from me.” “They… dropped it?” Those guys are the most skilled sleight-of-hand tricksters I’ve ever seen. Hard to imagine either of them dropping anything. “Yeah, they were juggling a bunch of things between them as they walked. The key just fell and they didn’t notice.” “But you did.” “Sure.” “How did you know it was the key to our police car?” She lifts the key tag to show me. It’s a clear plastic holder that’s probably meant for pictures. This one frames a piece of paper with a note scrawled in little-kid block letters: “Penryn’s police car—Super Secret.” If I ever see the twins again, it looks like I owe them a zombie-girl mud fight.
Susan Ee (World After (Penryn & the End of Days, #2))
At any rate,’ he continued, ‘we hoped that once the war was over the Oracle might start working again. When it did not … Rachel became concerned.’ ‘Who’s Rachel?’ Meg asked. ‘Rachel Dare,’ I said. ‘The Oracle.’ ‘Thought the Oracle was a place.’ ‘It is.’ ‘Then Rachel is a place, and she stopped working?’ Had I still been a god, I would have turned her into a blue-belly lizard and released her into the wilderness never to be seen again. The thought soothed me. ‘The original Delphi was a place in Greece,’ I told her. ‘A cavern filled with volcanic fumes, where people would come to receive guidance from my priestess, the Pythia.’ ‘Pythia.’ Meg giggled. ‘That’s a funny word.’ ‘Yes. Ha-ha. So the Oracle is both a place and a person. When the Greek gods relocated to America back in … what was it, Chiron, 1860?’ Chiron see-sawed his hand. ‘More or less.’ ‘I brought the Oracle here to continue speaking prophecies on my behalf. The power has passed down from priestess to priestess over the years. Rachel Dare is the present Oracle.’ From the cookie platter, Meg plucked the only Oreo, which I had been hoping to have myself. ‘Mm-kay. Is it too late to watch that movie?’ ‘Yes,’ I snapped. ‘Now, the way I gained possession of the Oracle of Delphi in the first place was by killing this monster called Python who lived in the depths of the cavern.’ ‘A python like the snake,’ Meg said. ‘Yes and no. The snake species is named after Python the monster, who is also rather snaky, but who is much bigger and scarier and devours small girls who talk too much. At any rate, last August, while I was … indisposed, my ancient foe Python was released from Tartarus. He reclaimed the cave of Delphi. That’s why the Oracle stopped working.’ ‘But, if the Oracle is in America now, why does it matter if some snake monster takes over its old cave?’ That was about the longest sentence I had yet heard her speak. She’d probably done it just to spite me. ‘It’s too much to explain,’ I said. ‘You’ll just have to –’ ‘Meg.’ Chiron gave her one of his heroically tolerant smiles. ‘The original site of the Oracle is like the deepest taproot of a tree. The branches and leaves of prophecy may extend across the world, and Rachel Dare may be our loftiest branch, but if the taproot is strangled the whole tree is endangered. With Python back in residence at his old lair, the spirit of the Oracle has been completely blocked.
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
In the longer term, by bringing together enough data and enough computing power, the data giants could hack the deepest secrets of life, and then use this knowledge not just to make choices for us or manipulate us but also to reengineer organic life and create inorganic life-forms. Selling advertisements may be necessary to sustain the giants in the short term, but tech companies often evaluate apps, products, and other companies according to the data they harvest rather than according to the money they generate. A popular app may lack a business model and may even lose money in the short term, but as long as it sucks data, it could be worth billions.4 Even if you don’t know how to cash in on the data today, it is worth having it because it might hold the key to controlling and shaping life in the future. I don’t know for certain that the data giants explicitly think about this in such terms, but their actions indicate that they value the accumulation of data in terms beyond those of mere dollars and cents. Ordinary humans will find it very difficult to resist this process. At present, people are happy to give away their most valuable asset—their personal data—in exchange for free email services and funny cat videos. It’s a bit like African and Native American tribes who unwittingly sold entire countries to European imperialists in exchange for colorful beads and cheap trinkets. If, later on, ordinary people decide to try to block the flow of data, they might find it increasingly difficult, especially as they might come to rely on the network for all their decisions, and even for their healthcare and physical survival.
Yuval Noah Harari (21 Lessons for the 21st Century)
Did I ever tell you about the man who taught his asshole to talk? His whole abdomen would move up and down you dig farting out the words. It was unlike anything I ever heard. This ass talk had sort of a gut frequency. It hit you right down there like you gotta go. You know when the old colon gives you the elbow and it feels sorta cold inside, and you know all you have to do is turn loose? Well this talking hit you right down there, a bubbly, thick stagnant sound, a sound you could smell. This man worked for a carnival you dig, and to start with it was like a novelty ventriliquist act. Real funny, too, at first. He had a number he called “The Better ‘Ole” that was a scream, I tell you. I forget most of it but it was clever. Like, “Oh I say, are you still down there, old thing?” “Nah I had to go relieve myself.” After a while the ass start talking on its own. He would go in without anything prepared and his ass would ad-lib and toss the gags back at him every time. Then it developed sort of teeth-like little raspy in-curving hooks and started eating. He thought this was cute at first and built an act around it, but the asshole would eat its way through his pants and start talking on the street, shouting out it wanted equal rights. It would get drunk, too, and have crying jags nobody loved it and it wanted to be kissed same as any other mouth. Finally it talked all the time day and night, you could hear him for blocks screaming at it to shut up, and beating it with his fist, and sticking candles up it, but nothing did any good and the asshole said to him: “It’s you who will shut up in the end. Not me. Because we dont need you around here any more. I can talk and eat and shit.” After that he began waking up in the morning with a transparent jelly like a tadpole’s tail all over his mouth. This jelly was what the scientists call un-D.T., Undifferentiated Tissue, which can grow into any kind of flesh on the human body. He would tear it off his mouth and the pieces would stick to his hands like burning gasoline jelly and grow there, grow anywhere on him a glob of it fell. So finally his mouth sealed over, and the whole head would have have amputated spontaneous — (did you know there is a condition occurs in parts of Africa and only among Negroes where the little toe amputates spontaneously?) — except for the eyes you dig. Thats one thing the asshole couldn’t do was see. It needed the eyes. But nerve connections were blocked and infiltrated and atrophied so the brain couldn’t give orders any more. It was trapped in the skull, sealed off. For a while you could see the silent, helpless suffering of the brain behind the eyes, then finally the brain must have died, because the eyes went out, and there was no more feeling in them than a crab’s eyes on the end of a stalk.
William S. Burroughs
Daniel.” Luce gripped his shoulder. “What about the library you took me to? Remember?” She closed her eyes. She wasn’t thinking so much as feeling her way through a memory buried shallowly in her brain. “We came to Vienna for the weekend…I don’t remember when, but we went to see Mozart conduct The Magic Flute…at the Theater an der Wien? You wanted to see this friend of yours who worked at some old library, his name was-“ She broke off, because when she opened her eyes, the others were staring at her, incredulous. No one, least of all Luce, had expected her to be the one to know where they would find the desideratum. Daniel recovered first. He flashed her a funny smile Luce knew was full of pride. But Arriane, Roland, and Annabelle continued to gape at her as if they’d suddenly learned she spoke Chinese. Which, come to think of it, she did. Arriane wiggled a finger around inside her ear. “Do I need to ease up on the psychedelics, did LP just recall one of her past lives unprompted at the most crucial juncture ever?” “You’re a genius,” Daniel said, leaning forward and kissing her deeply. Luce blushed and leaned in to extend the kiss a little longer, but then heard a cough. “Seriously, you two,” Annabelle said. “There will be time enough for snogs if we pull this off.” “I’d say ‘get a room’ but I’m afraid we’d never see you again,” Arriane added, which caused them all to laugh. When Luce opened her eyes, Daniel had spread his wings wide. The tips brushed away broken bits of plaster and blocked the Scale angels from view. Slung over his shoulder was the black leather satchel with the halo. The Outcasts gathered the scattered starshots back into their silver sheaths. “Wingspeed, Daniel Grigori.” “To you as well.” Daniel nodded at Phil. He spun Luce around so her back was pressed to his chest and his arms fit snugly around her waist. They clasped hands over her heart. “The Foundation Library,” Daniel said to the other angels. “Follow me, I know exactly where it is.
Lauren Kate (Rapture (Fallen, #4))
Come on. Let’s go get coffee, get your mind off it,” Silas says soothingly as I begin to take my frustration out on the bag of bread, violently twisting the end of the plastic into a knot. “I don’t like coffee,” I grumble without looking at him. Silas reaches forward and puts his hands over mine. Goose bumps erupt on my arms. He raises his eyebrows, voice gentle. “You can get chocolate milk, then. But let’s get out of here before you bend the entire loaf in half.” I sigh and look at him. Funny how he can go from being “just Silas” to Silas in a matter of seconds. I release the bread and follow him out the door, my frustration and the flutter feeling fighting for control of me. The diner Silas takes me to is just a few blocks away, a dingy but classic-looking place with black and white tile and red neon signs blinking things such as “Apple Pie!” and “Specialty Hash Browns!” We slide into a booth, and a waitress who is missing several teeth grins at us and asks us for our order. “Just a cup of coffee for me. You, Rosie?” “Chocolate milk,” I reply with a snide look at Silas. He laughs and the waitress hurries away. Then, silence. Silas rearranges the salt and pepper shakers, and I pretend to read a piece of paper outlining the history of the diner. Right. “So,” I blurt out, a little louder than I meant to, “I guess you didn’t get much time at home, did you? Back from California and now stuck here with us?” Is my voice shaking? I think my voice is shaking.
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
To Anita Pollitzer Canyon, Texas 11 September 1916 Tonight I walked into the sunset — to mail some letters — the whole sky — and there is so much of it out here — was just blazing — and grey blue clouds were rioting all through the hotness of it — and the ugly little buildings and windmills looked great against it. But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept on walking — The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and sometimes sheet lightning with a sharp bright zigzag flashing across it —. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon — Well I just sat there and had a great time all by myself — Not even many night noises — just the wind — I wondered what you are doing — It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldnt tell which house was home — I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful — Pat.
Georgia O'Keeffe
We worship The Block.” The player stared at me for a moment, screwing up his face as he tried to comprehend what I’d said. Then he started to chuckle. “You worship blocks? Like what everything is made out of?” I shook my head. “No, we worship The Block. It is a mysterious block that exists somewhere in the sky. It is said that The Block knows all and sees all. It is said that if it chose to, it could write everyone’s story in the Book of Life. Everyone from Herobrine and Notch down to the smallest endermite.” The player nodded his head. “The Block sounds pretty powerful. Have you ever seen him or her or it or whatever it is?” I shook my head. “The Block only reveals itself in dreams and trance-induced stupors.” “So, you’ve never seen it then?” “I have not. But I work every day to get to the point where I will be blessed enough to see The Block.” Tanisto nodded and pursed his lips. “Sounds kinda cool, I guess. What do you call your religion?” I leaned forward again. “We call ourselves … Blockheads.” The player nodded. He was getting a strange look on his face, like he was stifling a laugh. “It was nice talking to you. I think I’ll go find a villager to trade with. I require more ... earthly transactions.” I leaned back. “Suit yourself. But, you will never know the grand truth of the universe if you do not try to communicate with The Block.” The player nodded, but said no more before scurrying away. After the player was out of earshot, Dark Knight chuckled. “Blockheads. You just made all that up? You’re funny. I never realized.” I looked over my shoulder and hissed at him. “You have taken a vow of silence. Now, you have broken it, and you will never know the mysteries of The Block.
Dr. Block (The Ballad of Winston the Wandering Trader, Book 7 (The Ballad of Winston #7))
For a second the werewolf, er, Justin, paused, his head cocked to the side, making him look less like a throatripping-out beastie and more like a cocker spaniel. The thought made me giggle. And suddenly those yellow eyes were on me. It gave another howl, and before I even had time to think, it charged. I heard the man and woman cry out a warning as I frantically racked my brain for some sort of throatrepairing spell, which I was clearly about to need. Of course the only words I actually managed to yell at the werewolf as he ran at me were, "BAD DOG!" Then, out of the corner of my eye, I caught a flash of blue light on my left. Suddenly, the werewolf seemed to smack into an invisible wall just inches in front of me. Giving a pitiful bark, he slumped to the ground. His fur and skin began to ripple and flow until he was a normal boy in khakis and a blue blazer, whimpering pitifully. His parents got to him just as Mom ran to me, dragging my trunk behind her. "Oh my God!" she breathed. "Sweetie, are you okay?" "Fine," I said, brushing grass off my skilt. "You know," someone said off to my left, "I usually find a blocking spell to be a lot more effective than yelling 'Bad dog,' but maybe that's just me." I turned. Leaning against a tree, his collar unbuttoned and tie loose, was a smirking guy. His Hecate blazer was hanging limply in the crook of his elbow. "You are a witch, aren't you?" he continued. He pushed himself off the tree and ran a hand through his black curly hair. As he walked closer, I noticed that he was slender almost to the point of skinny, and that he was several inches taller than me. "Maybe in the future," he said, "you could endeavor not to suck so badly at it.
Rachel Hawkins (Hex Hall (Hex Hall, #1))
A splash of light snuck beneath the a dressing room door. He heard a groan. A shuffle. A bump. A heavy sigh. "Uh, too tight." He walked toward the back, stopping outside the dressing room. The door was cracked a fraction. He rested a shoulder against the wall, and glanced inside. Grace as Catwoman blew his mind. A feline fantasy. The three-way mirror tripled his pleasure. He viewed her from every angle. Hot, sleek, fierce. The lady could fight Batman in her skintight black leather catsuit and come out the winner. After a moment she scrunched her nose, slapped her palms against her thighs. Stuck out her tongue at her reflection in the mirrors. He saw what had her so frustrated. Sympathized with her disappointment. Her costume didn't fit. The front zipper hadn't fully cleared her cleavage, which was deep and visible. She wore no bra. She gave a little hop, and her breasts bounced. Full and plump. He felt a tug at his groin. Superhero lust. He cleared his throat and made his presence known. She caught his image in the corner of the glass, and reached for the fitting room chair, positioning it between them. Like that would keep him from her. He should've looked away, but couldn't. He sensed her embarrassment. Her panic. Flight? She had nowhere to go. He blocked the door. He wasn't leaving until they'd talked. "Archibald's going to love your costume," he initiated. She didn't find him funny. Her gaze narrowed behind the molded cat-eye mask with attached ears. Her fingers clenched in her elbow-length gloves. Inspired by the movie The Dark Knight, she'd added a whip and a gun holster. Her thigh-high stiletto boots were killer, adding five inches to her height. Her image would stick with him forever. She backed against the center mirror, and nervously fingered the open flaps over her breasts. A yank on the zipper broke the tab. The metal teeth parted, and the gap widened, revealing the round inner curves of her breasts. A hint of her nipples. Dusky pink. All the way down to the dent of her navel.
Kate Angell (The Cottage on Pumpkin and Vine)
Not all babies are cute when they’re born no matter how many new parents try to convince you otherwise.  This is yet another lie the half-baked “theys” lead you to believe.  Some babies are born looking like old men with wrinkled faces, age spots, and a receding hairline.                When I was born, my father George took my hospital picture over to his friend Tim’s house while my mom was still recuperating in the hospital.  Tim took one look at my picture and said, “Oh sweet Jesus, George.  You better hope she’s smart.”  It was no different with my son, Gavin.  He was funny looking.  I was his mother, so I could say that.  He had a huge head, no hair, and his ears stuck out so far I often wondered if they worked like the Whisper 2000, and he was able to pick up conversations from a block away.
Tara Sivec (Seduction and Snacks (Chocolate Lovers, #1))
Writing is like knitting. Stitch after stitch, word by word, and before you know it you have a book ... or a jumper!
Fusty Luggs
A weathered black and silver Dodge pickup towing a small motorboat pulled up behind us, and Alex circled back to greet the driver. I couldn’t see who sat behind the crusted and dirty windshield, but Alex stood at the driver’s window and pointed down the block where the boulevard disappeared into floodwater. The truck pulled ahead, maneuvered a deft U-turn, and backed toward the water. Alex motioned for me to follow. By the time I lurched my way to the truck, he and the pickup driver were sliding the boat down the trailer ramp. Sweat trickled down my neck, and if I hadn’t been afraid of being poisoned by toxic sludge, I’d have made like a pig and wallowed in the mud to cool off. I kicked at a fire hydrant, trying to jolt some of the heaviest sludge off my boots, and heard a soft laugh behind me. With a final kick that sent a spray of brown gunk flying, I turned to see what was so funny. I needed a laugh. A man leaned against the side of the pickup with his arms crossed. He was a few inches shorter than Alex, maybe just shy of six feet, with sun-streaked blond hair that reached his collar and a sleeveless blue T-shirt and khaki shorts. His tanned legs between the bottom of the shorts and the top of sturdy black shrimp boots were scored with scars, bad ones, as if whatever made them meant to do serious damage. He’d been grinning when I turned around, flashing a heart-stopping set of dimples, but when he saw my eyes linger on his legs, the grin eased into something more wary.
Suzanne Johnson (Royal Street (Sentinels of New Orleans, #1))
Emotional Channeling Technique #4: Humor Integration We even have an expression for it; laughter is the best medicine. Faye was unexpectedly let go from her job. She was devastated and fearful. But she never lost her sense of humor. When asked what her occupation was a week after her termination, she responded that she was a job search engineer. Humor can change the way you feel in an instant, if you seek it out. Many times, in the midst of fear or anguish, someone says a funny one-liner, and it breaks the ice for everyone else. Just by asking the question, “What’s funny about this?” you can change your emotions and how you feel, instantly.
Jay A. Block (101 Best Ways to Land a Job in Troubled Times)
while all of this was going on, a man’s face, a slight caricature of the artist as a young voyeur, loomed in a window over the bed and leered down at the two girls. The caption read, “What do they know about love uptown?” That’s an old and not very funny joke, and if you don’t already know it you’re not going to read it here, because it’s a bore. But it does fit the circumstances well enough.
Lawrence Block (Threesome)
The health of your body has a direct impact on the health of your brain. In fact, there are only three degrees of separation between sitting too much and dementia. You sit for long periods of time. Your body goes into hibernation mode, depressing your metabolism and increasing your blood pressure, blood sugar, and weight.7 Your high blood pressure damages your heart and its vessels. The small vessels that feed your brain get blocked, putting you at risk of small vessel disease. Without adequate blood supply, the brain’s white matter starves to death.8 White matter acts like a telephone wire that connects brain regions so they can talk to each other. When your white matter is damaged, the communication between those brain regions breaks down just like it did in that telephone game we played as kids; in the end, the message is all mixed up and everyone is confused. It was funny back then, but it’s not funny now. The white matter damage shows up like bright lights on your brain scan called white matter hyperintensities. The scary part is that your brain could be lit up like a Christmas tree but clinically silent, meaning that you may have no noticeable symptoms until it’s too
Jennifer Heisz (Move The Body, Heal The Mind: Overcome Anxiety, Depression, and Dementia and Improve Focus, Creativity, and Sleep)
It’s funny, though, how we embrace or reject our fathers. There doesn’t seem to be any middle ground.
Blake Pierce (The Perfect Block (Jessie Hunt, #2))
Anthropomorphic lava? You’re funny. Let’s put on our armor and go take a look.
Dr. Block (Kindred (Tales of the Glitch Guardians #2))
Never mind. Sorry. Everything can wait. Let’s stay on topic. You feel I’ve neglected you. Physically in general. Kissing specifically. Fair enough. Challenge accepted.” “Challenge? I didn’t issue any challenge.” Did I? “Let’s do this.” “Do what?” “I’m going to kiss you.” “Whoa!” My hands flew into the air and I moved to escape. “This is stupid.” He blocked my path. “Hold on. Not stupid at all. You have a valid point, just give me a minute.” He rolled his shoulders, shook out his arms, rocked on the balls of his feet a few times, took a deep breath, and exhaled slowly. “Okay. I’m ready.” I frowned. “You have to gear-up to kiss me?
A. Kirk (Drop Dead Demons (Divinicus Nex Chronicles, #2))
The difference between stumbling blocks and stepping stones is how you use them. Anon
M. Prefontaine (501 Quotes about Life: Funny, Inspirational and Motivational Quotes (Quotes For Every Occasion Book 9))
Did people look at me funny when I walked onto the train station with a moobloom attached to a leash made of vines? They sure did.
Write Blocked (Timmy The Traveler - Minecraft Adventurer: Nefarious in New York (Unofficial Minecraft Mystery and Adventure Series))
The public library was a small brick building two blocks away from the elementary school. A
William Ottens (Librarian Tales: Funny, Strange, and Inspiring Dispatches from the Stacks)
Whack! Came the loud sound of a blade hitting a butcher’s block from around the corner in the kitchen. “Night, bruh!” Eleu said cheerily to the now quite dead fish.
James Eldridge (Islanders: The Pacific Chronicles (Book #1))
knew it was funny, but I did like people laughing at me. “Let me try that again.
Dr. Block (Diary of a Surfer Villager, Books 11-15 (Diary of a Surfer Villager #11-15))
I asked if I could borrow Gilead's but she gave me a funny look. So funny I started laughing uncontrollably. When I couldn't stop myself I clamped my hand over my mouth and went outside. The thing about having a stress reaction is that even when you know you're having a stress reaction that knowledge doesn't seem to do you any good. I found a doorway across the road where a parked police sprinter van blocked the view from the rest of the street. I lent against the door and let myself slipped down until I was sitting with my back to it. I closed my eyes and focused on my breathing until the giggles stopped.
Ben Aaronovitch (Lies Sleeping (Rivers of London, #7))
Today, It is Halloween and you and your friends decide to go to a nearby haunted house. You are kind of scared once you are inside. The room is too dark and you seek a light source. You notice a light switch and try to turn it on, but the power is out. You are horrified, but do not have any choice- except to follow the long hallway to the three doors in the block. Behind one door is a cauldron, heating with flesh-melting oil. Behind another door is an electric chair which you must sit in. Behind the last door is a pool full of piranhas. You must go to one of the rooms to the danger. Which one would you choose to go through?
Sachin Sarkaniya (Hard Riddles Book for Smart Kids: 400 Difficult Riddles, Crime riddles, Brain Teasers & Funny Riddles for Kids to Become Smarter (Become Smarter Books))
I couldn’t tell if he found my joke funny, or thought it was funny I considered myself to be more handsome.
Write Blocked (Timmy the Traveler: Lies In London (Timmy the Traveler #1))
Where the hell are you? I scanned around me, and found nothing but shadow and merry flame and books. Two levels below. And why are you two levels below? I shoved out of my chair, back aching in protest as I stormed for the walkway and rail beyond, then peered down into the gloom. Sure enough, in a reading area two levels below, I could spy his dark hair and wings- could spy him leaning back in his chair before an identical desk, an ankle crossed over a knee. Smirking up at me. Because I can't work with you distracting me. I scowled at him. I'm distracting you? If you're sitting next to me, the last thing on my mind is reading dusty old books. Especially when you're in all that tight leather. Pig. His chuckle echoed up through the library amid the fluttering papers and scratching pens of the priestesses working throughout. ... Two hours of work, he promised me, turning back to the table and flaring his wings- a veritable screen to block my view of him. And his view of me. Then we can play. I gave him a vulgar gesture. I saw that. I did it again, and his laugh floated to me as I faced the books stacked before me and began to read.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
When I saw this pirate house I figured it was where he was headed." "How on earth could you know this was a pirate house?" "The skull and crossbones door knocker tipped me off." "Observant of you." "And the Jolly Roger flag flying from the eaves." "Well spotted." "And the fact the house is parked in the middle of Marine Parade, blocking traffic, with what appears to be a street lamp wedged beneath it." "Yes, well, we are experiencing minor technical difficulties.
India Holton (The Wisteria Society of Lady Scoundrels (Dangerous Damsels, #1))
WHY YOU DOZING BRUH?!” Eleu yelled. He lifted the pan of sauce from the fire and brought it over to a large boulder, selected a few pieces of raw meat and laid them carefully in the sauce. “Because.” Molawa responded, without opening his eyes. “I had to walk here. And my nap was interrupted…” his voice drifted off again. “By what? Your nap was interrupted by WHAT?” Eleu demanded impatiently. He was on edge: he didn’t like that the place he’d always known as safe was about to be attacked by a horde of vile creatures. Molawa opened one eye and squinted it at Eleu. “Quiet. My nap was interrupted by quiet. You know I can’t sleep if you’re not snoring in the other room, blocking out the silence.
James Eldridge (Mākaha: The Pacific Chronicles (Book #2))
passing Alien jostled Orr slightly in the crowd on the mall; it raised its left elbow to apologize, and Orr muttered, “Sorry.” It stopped, half blocking his way: and he too halted, startled and impressed by its nine-foot, greenish, armored impassivity. It was grotesque to the point of being funny; like a sea turtle, and yet like a sea turtle it possessed a strange, large beauty, a serener beauty than that of any dweller in sunlight, any walker on the earth.
Ursula K. Le Guin (The Lathe of Heaven)
Tweens are exquisitely sensitive to how they’re perceived, and they’re sponges, so adults wield enormous power to shape their values, boost their self-awareness, and help them learn to experiment, fail, and recover. Kids at this age also are curious, empathetic, perceptive, wise beyond their years, and brutally honest (which can come across as funny or mean, depending on the delivery). Middle school is a time when kids’ confidence can peak or plummet. By high school, they’re spending more time with peers and are less malleable. Which is why I view middle school as the “last best chance” to impart self-confidence and problem-solving skills—two primary building blocks of resilience. And resilience is a quality that’s sorely needed today.
Phyllis L. Fagell (Middle School Superpowers: Raising Resilient Tweens in Turbulent Times)
I couldn’t have been more disoriented. All my life my mother was my mother, nothing more. Not Greenie’s saving grace, not the funny woman in the office. But now I see there’s no such thing as a woman, one woman. There are dozens inside every one of them. I probably should’ve figured this out sooner, but what child can see the women inside her mom, what with all that Motherness blocking out everything else?
Kelly Corrigan (Glitter and Glue)
So DCI Hudson explained the legal niceties to me, and warned that he would be forced to arrest anyone who blocked the diggers. I said that I was sure he wouldn’t actually arrest anyone, and he agreed that this was true. So there we were, back to square one. Ron then asked DCI Hudson if he was proud of himself, and DCI Hudson replied that he was an overweight fifty-one-year-old divorcé, and so, by and large, no, he wasn’t. This made Donna smile. She likes him—not like that, but she likes him. I do too. I was going to say to him that he wasn’t overweight, but he actually is a bit, and as a nurse, it’s best to never sugarcoat things, even when your instinct is to be protective. Instead I told him he should never eat after six p.m.—that’s the key if you don’t want diabetes—and he thanked me. That’s when Ibrahim joined us and suggested that DCI Hudson might try Pilates, and Donna said that was something she would pay to see. Ian Ventham didn’t want to join in the fun, and told Donna and DCI Hudson that he paid their wages. Donna said in that case could she ask him about a pay rise, and that’s when Ventham started shouting the odds about this, that, and the other. People without a sense of humor will never forgive you for being funny. But that’s an aside. Anyway, Ibrahim, who is very good with this sort of thing—conflict and inadequate men and stalemates and so on—stepped in and offered to “thin the crowd out” to give everyone a bit of breathing space.
Richard Osman (The Thursday Murder Club)
AND SO THE shadow fell across us that winter afternoon in 1937, but it rested lightly. Nobody dreamed that this tiny cloud would grow until it blocked out the sky. And nobody dreamed that in this darkness each of us would be called to play a role: Father and Betsie and Mr. Kan and Willem—even the funny old Beje with its unmatching floor levels and ancient angles.
Corrie ten Boom (The Hiding Place)
List your ten favorite comedians and humorists, and search for jokes, tweets, or quotes by each of these individuals. After you amass twenty jokes, identify the subject or target of the joke, and explain why you think the joke is funny. This exercise will help you become aware of the format of successful jokes and provide you with insight into your own comedic preferences. Collect ten to fifteen cartoons or comics. As you did with the jokes, identify the target of the humor and describe why the cartoon is funny to you. You may find it helpful to continue building a file of jokes and cartoons that appeal to you. In addition to building a joke and cartoon file, you’ll need to find new material to use as the building blocks for your humor writing. Most professional humor writers begin each day by reading a newspaper, watching news on TV, and/or surfing the Internet for incidents and situations that might provide joke material. As you read this book and complete the exercises at the end of each chapter, form a daily habit of recording odd and funny news events. Everyday life is the main source for humor, so you need to keep some type of personal humor journal. To facilitate psychoanalysis, Sigmund Freud had patients complete a dream diary, and he encouraged them to associate freely during therapy. To be a successful writer and to tap into the full potential of your comic persona, you should follow an analogous approach. Record everyday events, ideas, or observations that you find funny, and do your journaling without any form of censorship. The items you list are not intended to be funny, but to serve as starting points for writing humor.
Mark Shatz (Comedy Writing Secrets: The Best-Selling Guide to Writing Funny and Getting Paid for It)
The trainers run so fast sometimes they even run out of their shoes! Caterpie likes to wear the shoes on his head and that can even make grumpy Weedle laugh. I spend most of my time in this big cave where I practice lifting rocks with my mind and telling funny stories to Caterpie and Weedle. Well that’s all the writing I’m going to do today, diary, mostly because it’s only the start of the week! Here’s hoping this week is the most fun it’ll ever be!     Tuesday
BlockBoy (Diary of a Mewtwo ( An Unofficial Pokemon Story For Children 4+ ))
I have the funniest story today Diary! There was a trainer looking for Pokémon at the entrance to my cave and he was a big, mean looking man with a funny golden ear-ring and a bandana with a bunch of blue stripes on it!   “Come out, come out, little Pokémon!” the man had said as he shined his flashlight around the cave. It was the funniest thing to see him searching around on his hands and knees, looking for Pokémon under rocks even!   I thought it would be fun to scare him even more than normal, so I decided to float upside down right behind him and tap him on the shoulder.   When he turned around he shouted super loud and ran off as fast as he could, leaving his bandana and earring behind too! That made me laugh for hours and hours.
BlockBoy (Diary of a Mewtwo ( An Unofficial Pokemon Story For Children 4+ ))