Weeds Smoking Quotes

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smoke weed
Bob Marley (Butternut Hollow Pond)
I wish we were all hippies and did yoga, lived in cottages, smoked weed, accepted everyone for who they are, and listened to wonderful music. I wish money didn't make us who we are. I just wish we could redo society.
Bob Marley
Before all hope died I used to have this stupid dream that shit could be saved, that we would be in bed together like the old times, with the fan on, the smoke from our weed drifting above us, and I'd finally try to say the words that could have saved us.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
If passionate love is the coke of love, companionate love is like having a glass of wine or smoking a few hits of some mild weed.
Aziz Ansari (Modern Romance: An Investigation)
Prison is for rapists, thieves, and murderers. If you lock someone up for smoking a plant that makes them happy, then you're the fucking criminal.
Joe Rogan
One hundred and fifty years ago, the monster began, this country had become a place of industry. Factories grew on the landscape like weeds. Trees fell, fields were up-ended, rivers blackened. The sky choked on smoke and ash, and the people did, too, spending their days coughing and itching, their eyes turned forever toward the ground. Villages grew into town, towns into cities. And people began to live on the earth rather than within it.
Patrick Ness (A Monster Calls)
Wet towel under the door,' said Barry. 'It's what you do when you're smoking weed in a hotel and you don't want everyone calling security. You're always supposed to have a towel. I read about it in a guide for hitchhiking through the galaxy.
Christopher Moore (Bite Me (A Love Story, #3))
Okay. how about that time when you smoked all that weed that you thought was laced with something? You fell into the tub, but you refused to get out because you were convinced that the back of your head was going to fall off? "That third story happened to a guy named Jace in my dorm. Me and Sam and another guy in our hall took turns reading "Paradise Lost" through the locked door. I think it made him more paranoid, though." "That's not true," he says. "Well, he *seemed* more paranoid to me," I say. "And he still gets a little weired out when any one mentions angels.
Holly Black (White Cat (Curse Workers, #1))
The Wild Man doesn’t come to full life through being “natural,” going with the flow, smoking weed, reading nothing, and being generally groovy. Ecstasy amounts to living within reach of the high voltage of the golden gifts. The ecstasy comes after thought, after discipline imposed on ourselves, after grief.
Robert Bly (Iron John: A Book About Men)
What are the dead, anyway, but waves and energy? Light shining from a dead star? That, by the way, is a phrase of Julian's. I remember it from a lecture of his on the Iliad, when Patroklos appears to Achilles in a dream. There is a very moving passage where Achilles overjoyed at the sight of the apparition – tries to throw his arms around the ghost of his old friend, and it vanishes. The dead appear to us in dreams, said Julian, because that's the only way they can make us see them; what we see is only a projection, beamed from a great distance, light shining at us from a dead star… Which reminds me, by the way, of a dream I had a couple of weeks ago. I found myself in a strange deserted city – an old city, like London – underpopulated by war or disease. It was night; the streets were dark, bombed-out, abandoned. For a long time, I wandered aimlessly – past ruined parks, blasted statuary, vacant lots overgrown with weeds and collapsed apartment houses with rusted girders poking out of their sides like ribs. But here and there, interspersed among the desolate shells of the heavy old public buildings, I began to see new buildings, too, which were connected by futuristic walkways lit from beneath. Long, cool perspectives of modern architecture, rising phosphorescent and eerie from the rubble. I went inside one of these new buildings. It was like a laboratory, maybe, or a museum. My footsteps echoed on the tile floors.There was a cluster of men, all smoking pipes, gathered around an exhibit in a glass case that gleamed in the dim light and lit their faces ghoulishly from below. I drew nearer. In the case was a machine revolving slowly on a turntable, a machine with metal parts that slid in and out and collapsed in upon themselves to form new images. An Inca temple… click click click… the Pyramids… the Parthenon. History passing beneath my very eyes, changing every moment. 'I thought I'd find you here,' said a voice at my elbow. It was Henry. His gaze was steady and impassive in the dim light. Above his ear, beneath the wire stem of his spectacles, I could just make out the powder burn and the dark hole in his right temple. I was glad to see him, though not exactly surprised. 'You know,' I said to him, 'everybody is saying that you're dead.' He stared down at the machine. The Colosseum… click click click… the Pantheon. 'I'm not dead,' he said. 'I'm only having a bit of trouble with my passport.' 'What?' He cleared his throat. 'My movements are restricted,' he said. 'I no longer have the ability to travel as freely as I would like.' Hagia Sophia. St. Mark's, in Venice. 'What is this place?' I asked him. 'That information is classified, I'm afraid.' 1 looked around curiously. It seemed that I was the only visitor. 'Is it open to the public?' I said. 'Not generally, no.' I looked at him. There was so much I wanted to ask him, so much I wanted to say; but somehow I knew there wasn't time and even if there was, that it was all, somehow, beside the point. 'Are you happy here?' I said at last. He considered this for a moment. 'Not particularly,' he said. 'But you're not very happy where you are, either.' St. Basil's, in Moscow. Chartres. Salisbury and Amiens. He glanced at his watch. 'I hope you'll excuse me,' he said, 'but I'm late for an appointment.' He turned from me and walked away. I watched his back receding down the long, gleaming hall.
Donna Tartt (The Secret History)
Sometimes in the shadows the view would light up, usually when he was smoking weed, as if the contrast knob of Creation had been messed with just enough to give everything an underglow, a luminous edge, and promise that the night was about to turn epic somehow.
Thomas Pynchon (Inherent Vice)
A woman with an extraordinary oral fixation is a rarity, a blessing, a righteous investment.
A.K. Kuykendall
The stories in books hate the stories in newspapers, David's mother would say. Newspaper stories were like newly caught fish, worthy of attention only for as long as they remained fresh, which was not very long at all. They were like the street urchins hawking the evening editions, all shouty and insistent, while stories- real stories, proper made-up stories-were like stern but helpful librarians in a well-stocked library. Newspaper stories were as insubstantial as smoke, as long-lived as mayflies. They did not take root but were instead like weeds that crawled along the ground, stealing the sunlight from more deserving tales.
John Connolly (The Book of Lost Things (The Book of Lost Things, #1))
I smoke weed all day. I'm a very successful addict. And a smart one. And a very charismatic one
Eddie Humbert
People who smoke would have probably been regarded as fools or insane, if only a percentage of people who smoke smoked.
Mokokoma Mokhonoana
I smoked weed while she danced on the roof and threw me smiles every now and again. I watched her with a smirk. Life was good.
L.J. Shen (Vicious (Sinners of Saint, #1))
Give me priests. Give me men with feathers in their hair, or tall domed hats, female oracles in caves, servants of the python, smoking weed and reading palms. A gypsy fortuneteller with a foot-peddle ouija board and a gold fish bowl for a crystal ball knows more about the world than many of the great thinkers of the West. Mumbling priests swinging stink cans on their chains and even witch doctors conjuring up curses with a well-buried elephant tooth have a better sense of their places in the world. They know this universe is brimming with magic, with life and riddles and ironies. They know that the world might eat them, and no encyclopedia could stop it
N.D. Wilson (Notes From The Tilt-A-Whirl: Wide-Eyed Wonder in God's Spoken World)
I get drunk and high like in high school. I smoke weed out of a can, I drink wine out of a box. I used to be more hardcore in my self-destruction, but I am back to basics now.
Chloé Caldwell (Women)
A great writer is a blitzed illusionist of portable magic. You're welcome.
A.K. Kuykendall
The marijuana paradox - although associated with increased appetite and calorie consumption, regular use of cannabis, protects against diabetes and obesity. How it manages to do so, however, is still anybody's guess!
The Fitness Doc
Why drink and drive when you can smoke and fly?
Don Santo
He smelled good. Sweat and motorcycle and wintergreen. No stinking weed smoke. No perfume. No sadness. He smelled like love.
Bryn Greenwood (All the Ugly and Wonderful Things)
Tim Tebow's Dad turned a screw-up into a testimony when a fire to burn weeds in a field got out of control. With his family still smelling like smoke from containing the fire, he conducted a lesson from verses where James compares danger of speech to an out-of-control spark.
Tim Tebow (Through My Eyes: A Quarterback's Journey: Young Reader's Edition)
He smokes too much weed. I can taste it in his spunk. I need to get him to eat more pineapple to sweeten his seed. I’m like the Iron Chef of ball batter.
Jaden Wilkes (Dirty Little Freaks)
He was a nice guy, Jimmy, but rich or not he was dumb as a bag of retards, and smoking all that weed didn't help.
Chuck Wendig (Blackbirds (Miriam Black, #1))
Rice is great when you’re hungry and you want two thousand of something.”     —Mitch Hedberg
Holden Blunts (The Quotable Stoner: More that 1,100 Baked, Lit-Up, and Zonked-Out Quotes in Tribute to (and as a Result of) Smoking Weed)
The image is an example of how horror writers view our world. A view that is far from the norm. Their writing always seeking that visceral fear in us all.
A.K. Kuykendall
Marijuana is fuel for a creative mind. Fuck this prohibition.
A.K. Kuykendall
Only those who’re high on the herb can truly appreciate Marley. Lean back, enjoy life and really listen to him. '…every little thing gonna be alright…
A.K. Kuykendall
The illegality of cannabis is outrageous, an impediment to full utilization of a drug which helps produce the serenity and insight, sensitivity and fellowship so desperately needed in this increasingly mad and dangerous world.”     —CARL SAGAN
Holden Blunts (The Quotable Stoner: More that 1,100 Baked, Lit-Up, and Zonked-Out Quotes in Tribute to (and as a Result of) Smoking Weed)
Sitting here on the steps of the Supreme Court smoking weed, under the “Equal Justice Under Law” motto, staring into the stars, I’ve finally figured out what’s wrong with Washington, D.C. It’s that all the buildings are more or less the same height and there’s absolutely no skyline, save for the Washington Monument touching the night sky like a giant middle finger to the world.
Paul Beatty (The Sellout)
He was a boy breaking out and into himself at once. That's what I wanted—not merely the body, desirable as it was, but its will to grow into the very world that rejects its hunger. Then I wanted more, the scent, the atmosphere of him, the taste of French fries and peanut butter under the salve of his tongue, the salt around his neck from two hour drives to nowhere and a Burger King at the edge of the county, a day of tense talk with his old man, the rust from the electric razor he shared with that old man, how I would always find it on the sink in its sad plastic case, the tobacco, weed and cocaine smoke on his fingers mixed with motor oil, all of it accumulating into the afterscent of wood smoke caught and soaked in his hair, as if when he came to me, his mouth wet and wanting, he came from a place on fire, a place he could never return to.
Ocean Vuong (On Earth We're Briefly Gorgeous)
It was strange to stand there in front of the mirror and see myself like I was my own best friend, a kid wanted to hang with forever. This was a boy I could travel to the seacoasts with, a boy I'd like to meet up with in foreign cities like Calcutta and London and Brazil, a boy I could trust who also had a good sense of humor and liked smoked oysters from a can and good weed and the occasional 40 ounces of malt. If I was going to be alone for the rest of my life this was the person I wanted to be alone with.
Russell Banks (Rule of the Bone)
For he realized at last that the spiritual balm he had always found in silent things was simply the assurance that the passions and agonies of man were without meaning, roots, or duration - no more part of the permament background of the world than the curls of blue smoke that from time to time were wafted through the valley from the autumn bonfires of weeds and rubbish, and that he could see winding like blue wraiths in and out of the foilage of the trees.
Hope Mirrlees (Lud-in-the-Mist)
SPRING POEM It is spring, my decision, the earth ferments like rising bread or refuse, we are burning last year's weeds, the smoke flares from the road, the clumped stalks glow like sluggish phoenixes / it wasn't only my fault / birdsongs burst from the feathered pods of their bodies, dandelions whirl their blades upwards, from beneath this decaying board a snake sidewinds, chained hide smelling of reptile sex / the hens roll in the dust, squinting with bliss, frogbodies bloat like bladders, contract, string the pond with living jelly eyes, can I be this ruthless? I plunge my hands and arms into the dirt, swim among stones and cutworms, come up rank as a fox, restless. Nights, while seedlings dig near my head I dream of reconciliations with those I have hurt unbearably, we move still touching over the greening fields, the future wounds folded like seeds in our tender fingers, days I go for vicious walks past the charred roadbed over the bashed stubble admiring the view, avoiding those I have not hurt yet, apocalypse coiled in my tongue, it is spring, I am searching for the word: finished finished so I can begin over again, some year I will take this word too far.
Margaret Atwood (You are Happy)
1. I told you that I was a roadway of potholes, not safe to cross. You said nothing, showed up in my driveway wearing roller-skates. 2. The first time I asked you on a date, after you hung up, I held the air between our phones against my ear and whispered, “You will fall in love with me. Then, just months later, you will fall out. I will pretend the entire time that I don’t know it’s coming.” 3. Once, I got naked and danced around your bedroom, awkward and safe. You did the same. We held each other without hesitation and flailed lovely. This was vulnerability foreplay. 4. The last eight times I told you I loved you, they sounded like apologies. 5. You recorded me a CD of you repeating, “You are beautiful.” I listened to it until I no longer thought in my own voice. 6. Into the half-empty phone line, I whispered, “We will wake up believing the worst in each other. We will spit shrapnel at each other’s hearts. The bruises will lodge somewhere we don’t know how to look for and I will still pretend I don’t know its coming.” 7. You photographed my eyebrow shapes and turned them into flashcards: mood on one side, correct response on the other. You studied them until you knew when to stay silent. 8. I bought you an entire bakery so that we could eat nothing but breakfast for a week. Breakfast, untainted by the day ahead, was when we still smiled at each other as if we meant it. 9. I whispered, “I will latch on like a deadbolt to a door and tell you it is only because I want to protect you. Really, I’m afraid that without you I mean nothing.” 10. I gave you a bouquet of plane tickets so I could practice the feeling of watching you leave. 11. I picked you up from the airport limping. In your absence, I’d forgotten how to walk. When I collapsed at your feet, you refused to look at me until I learned to stand up without your help. 12. Too scared to move, I stared while you set fire to your apartment – its walls decaying beyond repair, roaches invading the corpse of your bedroom. You tossed all the faulty appliances through the smoke out your window, screaming that you couldn’t handle choking on one more thing that wouldn’t just fix himself. 13. I whispered, “We will each weed through the last year and try to spot the moment we began breaking. We will repel sprint away from each other. Your voice will take months to drain out from my ears. You will throw away your notebook of tally marks from each time you wondered if I was worth the work. The invisible bruises will finally surface and I will still pretend that I didn’t know it was coming.” 14. The entire time, I was only pretending that I knew it was coming.
Miles Walser
...the unmistakable smell of poverty, a mixture of cigarette smoke, weed, stale sweat, and fried food.
Allison Leotta (Discretion (Anna Curtis, #2))
Before all hope died I used to have this stupid dream that shit could be saved, that we would be in bed together like the old times, with the fan on, the smoke from our weed drifting above us, and I'd finally try to say words that could have saved us. ________ ________ ________.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
During social studies, otherwise known as Dad's cirriculum as the Ways and Means of the Indefatigable White People, my father used to warn me about listening to rap or the blues with Caucasian strangers. And as I got older, I'd be admonished not to play Monopoly, drink more than two beers, or smoke weed with them either. For such activities can breed a false sense of familiarity . And nothing, from a hungry jungle cat to the African ferryboat, is more dangerous than a white person on what they think is familiar ground.
Paul Beatty (The Sellout)
Hey,hey,hey. Smoke weed everyday
Dave Chappelle
If Fric reported what had happened in the attic, Mr. Truman would think that he’d been smoking weed. He would lose whatever
Dean Koontz (The Face)
smoked a bit of weed
Jennifer L. Armentrout (Dream of You (Wait for You, #4.5))
Shockingly, he’s still silent. Calm as a weed smoking cow. I still don’t get it.
Kim Fox (The Grisly Grizzlies: Kneecap (The Grizzly Bear Shifters of Redemption Creek, #3))
Ignorance leads to anger, which leads to hate. They need to smoke a little weed and meditate.
Stephanie Foxe (Misfit Angel (Misfit Pack #2))
I don’t really do drugs apart from salad sometimes.
Alain Bremond-Torrent (running is flying intermittently (CATEMPLATIONS 1))
Writing to me is like hitting the herb. No problems, Mon. No worries.
A.K. Kuykendall
That time of the month for a woman with a good lover is an unwelcome vacation.
A.K. Kuykendall
I'm going to tell you a phenomenal anticlimactic story that will fuck you up. But first I must roll, lick, burn, blow...
A.K. Kuykendall
I felt safe, relaxed, totally at ease, silly and unself-conscious. That was it. Before long I was smoking weed every day.
Alex Michaelides (The Silent Patient)
He smelled good. Sweat and motorcycle and wintergreen. No stinking weed smoke.
Bryn Greenwood (All the Ugly and Wonderful Things)
What’s an Ashram?” he asked, blankly. Misunderstanding my hesitation, his face lit up in comprehension. Winking slyly, he asked, “Is it a place you go to smoke weed and have lots of sex?
Grace G. Payge (A narrow escape from an ordinary life: A true story)
Reagan’s Drugs Czar, Carlton Turner, said that kids deserved to die as a punishment for smoking poisoned weed, to teach them a lesson. Two years later, he called for the death penalty for all drug users. On
Shaun Attwood (Pablo Escobar: Beyond Narcos (War On Drugs Book 1))
Sex with a writer should be on any and everyone’s bucket list. Like a box of chocolates, you’d have no clue which of our multiple personalities you’d encounter. Odds are, you’d find that perfect lover. So perfect this inamorata and/or inamorato that your psyche would forever be consumed with hopes that you’d, again, experience, even for a brief moment, the all-encompassing magmatism of that carnal deity within.
A.K. Kuykendall
These things matter to me, Daniel, says the man with six days to live. They are sitting on the porch in the last light. These things matter to me, son. The way the hawks huddle their shoulders angrily against hissing snow. Wrens whirring in the bare bones of bushes in winter. The way swallows and swifts veer and whirl and swim and slice and carve and curve and swerve. The way that frozen dew outlines every blade of grass. Salmonberries thimbleberries cloudberries snowberries elderberries salalberries gooseberries. My children learning to read. My wife's voice velvet in my ear at night in the dark under the covers. Her hair in my nose as we slept curled like spoons. The sinuous pace of rivers and minks and cats. Fresh bread with too much butter. My children's hands when they cup my face in their hands. Toys. Exuberance. Mowing the lawn. Tiny wrenches and screwdrivers. Tears of sorrow, which are the salt sea of the heart. Sleep in every form from doze to bone-weary. Pay stubs. Trains. The shivering ache of a saxophone and the yearning of a soprano. Folding laundry hot from the dryer. A spotless kitchen floor. The sound of bagpipes. The way horses smell in spring. Red wines. Furnaces. Stone walls. Sweat. Postcards on which the sender has written so much that he or she can barely squeeze in the signature. Opera on the radio. Bathrobes, back rubs. Potatoes. Mink oil on boots. The bands at wedding receptions. Box-elder bugs. The postman's grin. Linen table napkins. Tent flaps. The green sifting powdery snow of cedar pollen on my porch every year. Raccoons. The way a heron labors through the sky with such a vast elderly dignity. The cheerful ears of dogs. Smoked fish and the smokehouses where fish are smoked. The way barbers sweep up circles of hair after a haircut. Handkerchiefs. Poems read aloud by poets. Cigar-scissors. Book marginalia written with the lightest possible pencil as if the reader is whispering to the writer. People who keep dead languages alive. Fresh-mown lawns. First-basemen's mitts. Dish-racks. My wife's breasts. Lumber. Newspapers folded under arms. Hats. The way my children smelled after their baths when they were little. Sneakers. The way my father's face shone right after he shaved. Pants that fit. Soap half gone. Weeds forcing their way through sidewalks. Worms. The sound of ice shaken in drinks. Nutcrackers. Boxing matches. Diapers. Rain in every form from mist to sluice. The sound of my daughters typing their papers for school. My wife's eyes, as blue and green and gray as the sea. The sea, as blue and green and gray as her eyes. Her eyes. Her.
Brian Doyle (Mink River)
Smoke a bowl and you can do this for hours,” one of the guys says. “Just kidding. No drugs in the major leagues.” As we cut the clay, there are no bowls to smoke—though according to one sod farm worker, weed goes well with anything turf-related: “You can’t be a grass man and not be a grass man,” he says—but there is an easy intimacy among the crew, a kind of in-this-together camaraderie, and for a few minutes I feel like one of them, too.
Rafi Kohan (The Arena: Inside the Tailgating, Ticket-Scalping, Mascot-Racing, Dubiously Funded, and Possibly Haunted Monuments of American Sport)
Pretty trippy writing in a fog. I wrote some of the most beautiful shit I had ever written in my life, but you or I will never know what I wrote. I had no typewriter ribbon in my typewriter. Pretty trippy writing in a fog.
A.K. Kuykendall
The Wild Man can only come to full life inside when the man has gone through the serious disciplines suggested by taking the first wound, doing kitchen and ashes work, creating a garden, bringing wild flowers to the Holy Woman, experiencing the warrior, riding the red, the white, and the black horses, learning to create art, and receiving the second heart. The Wild Man doesn’t come to full life through being “natural,” going with the flow, smoking weed, reading nothing, and being generally groovy. Ecstasy amounts to living within reach of the high voltage of the golden gifts. The ecstasy comes after thought, after discipline imposed on ourselves, after grief.
Robert Bly (Iron John: A Book about Men)
I know that good Muslims didn't smoke weed or snort coke or drink champagne but I was going through an awful lot of shit. I'm sure Allah knew that my shit was just overwhelming and that I wasn't strong enough then to deal with it
Mike Tyson
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
You don't know this yet but most people you thank for their service joke about killing babies and fucking their mothers. They have wet dreams about pink mist, about shake 'n' bakes, about enfilade fire. They're chronic masturbators, philanderers, and alcoholics. They wish for five hundred-pounders to drop on mosques just so the call to prayer will stop, they take bumps of coke before they get behind the gun, and smoke weed in the corners of FOB's to even out. They shoot dogs out of boredom.
Matt Young (Eat the Apple: A Memoir)
I thought smoking weed would tranquilize my senses and distort my connection to reality. But capitalism tranquilizes your senses in a way that weed can't. Capitalism makes you cling to the belief that you're fundamentally unworthy and that the right product is out there, somewhere, to bring about evolution. It makes you hungry for something other than what's happening inside yourself. But cannabis unlocks a world beyond capitalistic greed in which you're able to enjoy right now, today. A world in which you're allowed to be yourself.
Jessamyn Stanley (Yoke: My Yoga of Self-Acceptance)
I don't need you making me feel like an evil person every time I do something. I gave up smoking weed for you and that's a pretty big thing. I can't hold your hand 24 hours a day. Can't hold you 24 hours a day. Can't kiss you 24 hours a day. Can't have sex 24 hours a day.
Jeffrey Brown (Clumsy)
menu. Before dinner, Keith and Sloane had smoked weed. Sloane always did the perfect amount of every drug. Sometimes the perfect amount meant overdoing it, and so that was what she’d do. Alcohol, for example. Sometimes, she knew, it was appropriate to be a little too drunk.
Lisa Taddeo (Three Women)
All around the smell of that necro-smoke, that nether-weed. And up and at the hedonist impulse, rejoice, rejoice, in the disconnect my pretty things, fly monkeys, fly! The hip chick in the back, her legs uncrossed to let in air and let out pretention as the lights are down and it’s not necessary, nor should it be even with the lights up, all around faces, turned away and yet minds knowing, knowing there is a presence, a power about the room, the charge is different than it was before this small chick came in. Rejoice, simpatico, rejoice. It’s her night. A night of the explosion. Pow—bang-ka-boom and yet it’s whispered and yet it’s heard through the walls at 3 A.M. by attentive ears and hands clenching in the frustration of being unsolicited by the owner of this spectacle. A woman’s sigh of ecstasy, and his tears at being not the cause.
Benjamin R. Smith (June Cleaver Sexual Deviant)
Ronan: I’m at the Meet Up and I kicked everyone out to smoke weed and think about you in peace. I miss you and I’m going to fuck you when I find you, my crazy belle. Oh, and my calls have started with the PI. I’m going to convince Ethan to file a missing person report. You’re going down. Ronan: I fucking miss you, though.
Rina Kent (Vicious Prince (Royal Elite, #5))
It actually went pretty well, until they got onto the topic of marijuana. “So you got caught smoking weed your freshman and sophomore years,” said the Rockets interviewer. “What happened your junior year?” Williams just shook his head and said, “They stopped testing me. And if you’re not going to test me, I’m gonna smoke!
Michael Lewis (The Undoing Project: A Friendship That Changed Our Minds)
If the virus and the inequalities it creates were ever to leave us, America’s extremities would fade. They wouldn’t disappear—no country on Earth can claim that—but some things would no longer be considered normal. There would no longer be those who are taught Latin and those who are barely taught to read. There would no longer be too many people who count their wealth in the multimillions and too many who live hand to mouth. A space launch would not be hard followed by a riot. White college kids would not smoke weed in their dorms while their black peers caught mandatory sentences for selling it to them. America would no longer be that thrilling place of unbelievable oppositions and spectacular violence that makes more equitable countries appear so tame and uneventful in comparison. But the questions have become: Has America metabolized contempt? Has it lived with the virus so long that it no longer fears it? Is there a strong enough desire for a different America within America?
Zadie Smith (Intimations)
When I wanted to quit smoking cannabis a few years ago and found that I couldn’t do it under my own steam I went in search of a self-help book to show me the way. Annoyingly all I could find were books on how to cultivate the damn stuff. So to exact my revenge on the world of publishing I decided to one day write that book myself.
Chris Sullivan (The Joy of Quitting Cannabis: Freedom From Marijuana)
The physical suffering of the disease and its aspect of evil mystery were expressed in a strange Welsh lament which saw “death coming into our midst like black smoke, a plague which cuts off the young, a rootless phantom which has no mercy for fair countenance. Woe is me of the shilling in the armpit! It is seething, terrible … a head that gives pain and causes a loud cry … a painful angry knob … Great is its seething like a burning cinder … a grievous thing of ashy color.” Its eruption is ugly like the “seeds of black peas, broken fragments of brittle sea-coal … the early ornaments of black death, cinders of the peelings of the cockle weed, a mixed multitude, a black plague like halfpence, like berries.…
Barbara W. Tuchman (A Distant Mirror: The Calamitous 14th Century)
I took the jar of weed from its hiding place and started rolling a joint. I’d been smoking marijuana since university. I first encountered it during my first term, alone and friendless at a fresher party, too paralyzed with fear to initiate a conversation with any of the good-looking and confident young people around me. I was planning my escape when the girl standing next to me offered me something. I thought it was a cigarette until I smelled the spicy, pungent, curling black smoke. Too shy to refuse, I accepted it and brought the joint to my lips. It was badly rolled and coming unstuck, unraveling at the end. The tip was wet and stained red from her lipstick. It tasted different from a cigarette; it was richer, rawer, more exotic.
Alex Michaelides (The Silent Patient)
That’s why I smoke weed. It’s additive to my journey. It makes getting from here to there manageable and comfortable. There’s this odd concept of functionality that people apply to some things but not others. Our feet need cushioning. Our skin needs protecting. Our muscles need exercise. Our asses need wiping. But our brains? Don’t touch those! They’re perfect, and if you’re having a hard time with yours and are smoking weed, it’s bad! Unfortunately, as well designed as people are, we just aren’t completely cut out for this world we live in. We need shoes, sunblock, exercise, toilet paper—and weed. People criticize weed for changing your view of reality. But sunglasses literally change your view of reality, and nobody gives them a hard time for it.
Seth Rogen (Yearbook)
If I’d realised how much that pressure would build inside me, the slow descent into a dull existence, days blemished with concern for my dad and whether I’m looking after him properly — well, I would have stayed out late some nights, lost my virginity at sixteen instead of still having it, developed a fondness for alcohol, sat at bars, smoked weed, danced at clubs, and turned strangers into friends.
Jessica George (Maame)
With blood and tears we spill our fears.” She waved a hand over the cauldron, and the liquid within began to stir. “A pinch of salt times four to close and bolt the door. Weeds to bind, berries to blind. My children he will not see, and they will live safe and free. Pretty petals tinged with hate, scented sweet and so to bait. Boil it all in fire and smoke, and on this potion Cabhan chokes. When I call he comes to me, as I will, so mote it be.
Nora Roberts (Dark Witch (The Cousins O'Dwyer Trilogy, #1))
Seth's official reason for still smoking weed is that he doesn't want to, quote, go native, meaning end up one more suit on the train. (He in fact does wear a suit to work.) He wants them to, quote, live nicely, in a big house where family can come visit (kids, of course, in the back of his mind), but at the same time he doesn't want to get less crazy. So he'll smoke up before he goes for a run, and he's found a dentist in Danbury who still gives gas.
David Gates
I can see him now, the victim of labyrinthine machinations that carved away his ears and tongue: a mute prince tossed into a slaver's galley and lost at sea, and at sea until the pink weed filled his head with death, and he fell in step behind the dealer that fed a habit in exchange for cheap muscle. And now, the lost king slept mute among beggar boys and rats spreading crowns in a knighthood of orphans and drugs. Who knows his true history? All we know is his fate among the smoke.
J.M. McDermott (We Leave Together (Dogsland #3))
So I learned about life,” said Oryx. “Learned what?” said Jimmy. He shouldn’t have had the pizza, and the weed they’d smoked on top of that. He was feeling a little sick. “That everything has a price.” “Not everything. That can’t be true. You can’t buy time. You can’t buy . . .” He wanted to say love, but hesitated. It was too soppy. “You can’t buy it, but it has a price,” said Oryx. “Everything has a price.” “Not me,” said Jimmy, trying to joke. “I don’t have a price.” Wrong, as usual.
Margaret Atwood (Oryx and Crake (MaddAddam, #1))
one day, the boy with a difficult name laid with a boy who shall remain nameless in the sun & they rolled a round waiting for something to burn. the next day, the boy with the difficult name woke up in a blue sweat, walked the rim of the lake & though nothing burned, something was growing from the ashes, for mosquitos flew away from his skin, ticks latched onto his ankle & turned to smoke, weeds & willows bowed green spines to him & he swore he heard the dirt singing his name saying it right
Danez Smith (Don't Call Us Dead)
One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.
Henry Wadsworth Longfellow
It tasted different from a cigarette; it was richer, rawer, more exotic. I swallowed down the thick smoke and tried not to cough. Initially all I felt was a little light on my feet. Like sex, clearly more fuss was made over marijuana than it merited. And then – a minute or so later – something happened. Something incredible. It was like being drenched in an enormous wave of well-being. I felt safe, relaxed, totally at ease, silly and unselfconscious. And that was it. It didn’t take long before I was smoking weed every day.
Alex Michaelides (The Silent Patient)
One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin. As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed,long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.
Henry Wadsworth Longfellow
A kind of unspoken grand bargain was forged between the anti-Establishment and the Establishment. Going forward, individuals would be permitted as never before to indulge their self-expressive and hedonistic impulses. But capitalists in return would be unshackled as well, free to indulge their own animal spirits with fewer and fewer fetters in the forms of regulation, taxes, or social opprobrium. “Do your own thing” has a lot in common with “Every man for himself.” If it feels good, do it: for some that will mean smoking weed and watching porn—and for others, opposing modest gun regulation and paying yourself four hundred times what you pay your employees.
Kurt Andersen (Fantasyland: How America Went Haywire: A 500-Year History)
Awkward conversations. They’re the heart of the drug trade. The driving force that keeps criminals out of jail is paranoia. You can think you know people, but the truth is, you never know who they’re talking to. The life of an outlaw: Around every corner lies a cop. In every basement waits a bust. Every friend is the guy who sells you out to keep his own ass out of jail. Sure, it was rare, but you just never knew. The result was a series of shorthand and euphemisms so obscure even the pros often weren’t sure what they were talking about. Sales became pickups. Pot, ganja, bud, or weed became lettuce, green, happy, herb, smoke... the list went on, and changed from dealer to dealer.
Daniel Younger (Zen and the Art of Cannibalism: A Zomedy)
They followed the remnants of a road down which once had spun the wheels of lacquered carriages carrying verbena-scented ladies who twittered like linnets in the shade of parasols; and leathery cotton-rich gentlemen gruffing at each through a violet haze of Havana smoke, and their children, prim little girls with mint crushed in their handkerchiefs, and boys with mean blackberry eyes, little boys who sent their sisters screaming with tales of roaring tigers. Gusts of autumn, exhaling through the inheriting weeds, grieved for the cruel velvet children and their virile bearded fathers: Was, said the weeds, Gone, said the sky, Dead, said the woods, but the full laments of history were left to the Whippoorwill.
Truman Capote (Other Voices, Other Rooms)
There was another inspiring moment: a rough, choppy, moonlit night on the water, and the Dreadnaught's manager looked out the window suddenly to spy thousands of tiny baitfish breaking the surface, rushing frantically toward shore. He knew what that meant, as did everyone else in town with a boat, a gaff and a loaf of Wonder bread to use as bait: the stripers were running! Thousands of the highly prized, relatively expensive striped bass were, in a rare feeding frenzy, suddenly there for the taking. You had literally only to throw bread on the water, bash the tasty fish on the head with a gaff and then haul them in. They were taking them by the hundreds of pounds. Every restaurant in town was loading up on them, their parking lots, like ours, suddenly a Coleman-lit staging area for scaling, gutting and wrapping operations. The Dreadnaught lot, like every other lot in town, was suddenly filled with gore-covered cooks and dishwashers, laboring under flickering gaslamps and naked bulbs to clean, wrap and freeze the valuable white meat. We worked for hours with our knives, our hair sparkling with snowflake-like fish scales, scraping, tearing, filleting. At the end of the night's work, I took home a 35-pound monster, still twisted with rigor. My room-mates were smoking weed when I got back to our little place on the beach and, as often happens on such occasions, were hungry. We had only the bass, some butter and a lemon to work with, but we cooked that sucker up under the tiny home broiler and served it on aluminum foil, tearing at it with our fingers. It was a bright, moonlit sky now, a mean high tide was lapping at the edges of our house, and as the windows began to shake in their frames, a smell of white spindrift and salt saturated the air as we ate. It was the freshest piece of fish I'd ever eaten, and I don't know if it was due to the dramatic quality the weather was beginning to take on, but it hit me right in the brainpan, a meal that made me feel better about things, made me better for eating it, somehow even smarter, somehow . . . It was a protein rush to the cortex, a clean, three-ingredient ingredient high, eaten with the hands. Could anything be better than that?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Breast Growth Tips Ok, here's a tip if you want to grow your breasts. It's not the weed that does it, it's the getting off pills. Annie, for example, had been on pills since she was 16, so nearly 20 years. It took her about 5 months to get completely off pills, with the aid of cannabis and hash, and another 2 months for her breasts to grow. Yes, I helped her with all of this. If she says otherwise, she's lying, as she often does. The growth is not caused by cannabis, but by getting away from the growth-stunting pills. In Annie's case, there was another factor, the activating of her chakras etc. That is important as well. So, to recap, in order to grow your breasts: a. Get off pills and stay off. b. Smoke cannabis and hash to help with a. c. Activate your chakras and kundalini. d. Play with your new boobies. Oil the nipples, it keeps them moist and prevents chafing. That is all. ~ Sienna
Sienna McQuillen
And what about your companions? What about Legolas and me?’ cried Gimli, unable to contain himself longer. ‘You rascals, you woolly-footed and wool-pated truants! A fine hunt you have led us! Two hundred leagues, through fen and forest, battle and death, to rescue you! And here we find you feasting and idling – and smoking! Smoking! Where did you come by the weed, you villains? Hammer and tongs! I am so torn between rage and joy, that if I do not burst, it will be a marvel!’ ‘You speak for me, Gimli,’ laughed Legolas. ‘Though I would sooner learn how they came by the wine.’ ‘One thing you have not found in your hunting, and that’s brighter wits,’ said Pippin, opening an eye. ‘Here you find us sitting on a field of victory, amid the plunder of armies, and you wonder how we came by a few well-earned comforts!’ ‘Well-earned?’ said Gimli. ‘I cannot believe that!’ The Riders laughed. ‘It cannot be doubted that we witness the meeting of dear friends,’ said Théoden.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
Is that what we do? We pitch our tents, do our little clown shows, and then take off up the road to the next town ahead? Leaving our science-fictional debris on the blasted dirt to poison the minds of future generations, like the alien litter in STALKER and ROADSIDE PICNIC. Flying cars rusting out like Saturn Five rockets propped up as roadkill talismans at Kennedy, leaking toxins into the soil. Jetpacks oozing fuel from cracks in their tanks and poisoning the grass. Three-ring moonbases crumbling in the solar wind. Birdshit on the time machines. Big fat rats scavenging broken packs of food capsules, Best Before Date of 1971. A Westinghouse Robot Smoking Companion, vintage of 1931, slumped up against a tree, tin fingers still twitching for a cigarette. Vines growing through a busted cyberspace deck. The shreds of inflatable furniture designed for the space hospitals of 1955. Lizards perched atop a weather control cannon. Atomic batteries mouldering inside the grips of laser pistols abandoned in the weeds.
Warren Ellis (CUNNING PLANS: Talks By Warren Ellis)
We met with no Indians, but we found the places on the neighboring hills where they had lain to watch our proceedings. There was an art in their contrivance of those places, that seems worth mention. It being winter, a fire was necessary for them; but a common fire on the surface of the ground would by its light have discovered their position at a distance. They had therefore dug holes in the ground about three feet diameter, and somewhat deeper; we saw where they had with their hatchets cut off the charcoal from the sides of burnt logs lying in the woods. With these coals they had made small fires in the bottom of the holes, and we observ'd among the weeds and grass the prints of their bodies, made by their laying all round, with their legs hanging down in the holes to keep their feet warm, which, with them, is an essential point. This kind of fire, so manag'd, could not discover them, either by its light, flame, sparks, or even smoke: it appear'd that their number was not great, and it seems they saw we were too many to be attacked by them with prospect of advantage.
Benjamin Franklin (The Complete Harvard Classics - ALL 71 Volumes: The Five Foot Shelf & The Shelf of Fiction: The Famous Anthology of the Greatest Works of World Literature)
5. Mr. Koenig reports that he detected traces of smoke and an uncharacteristic odor in the hallway, which in his opinion was “weed.” 6. Mr. Koenig reports that he tracked the noise and smell to Room 1605. 7. Mr. Koenig reports that he knocked on the door and identified himself, at which time the music was turned off and all noise ceased. The momentary silence was followed by giggling. 8. Mr. Koenig reports that Ms. Griffin, wearing a hotel robe, approached him in the hallway and strongly suggested he was knocking on the wrong door, as Room 1605 belonged to her son, Kyle, who was asleep. 9. Mr. Koenig reports that after he explained to Ms. Griffin that Room 1605 was the source of the noise, she then expressed her low opinion of him, using words such as “idiot,” “moron,” and “incompetent dummy.” 10. Mr. Koenig reports that he advised Ms. Griffin of Westin policy regarding verbal abuse. Ms. Griffin then expressed her low opinion of the Westin facility with terms such as “dump,” “fleabag,” and “pig hole.” 11. Mr. Koenig reports that while Ms. Griffin’s negative assessment continued, her husband, WARREN GRIFFIN, appeared in the hallway, squinting and wearing boxer shorts.
Maria Semple (Where'd You Go, Bernadette)
The good intentions of Weekend are exactly what Brody finds frustrating: these are simply people, not stand-ins for some impossibly noble ideal that the corporate gay community longs for and embraces—that upbeat and (yes) bland role model in which everything’s constantly experienced through the lens of identity politics and ideology, and with rules on how people should express themselves within a certain range of propriety. Some in that adamant community took issue with Weekend at initial screenings—according to IFC, who released it—and wished the movie had been more “gay positive,” worrying whether the guys were using condoms and concerned about the amount of weed they smoked, and the beer they drank, and cocaine they shared on Saturday night—on top of which they actually disagreed (blasphemy alert) about the importance of gay marriage. It seemed that some in the smiling corporate gay community blindly refused to understand the movie on its own terms. As A. O. Scott wrote in The New York Times, “Weekend is about the paradoxes and puzzlements of gay identity in a post-identity-politics era.” The shock of Weekend is that there is no political cause at the heart of it.
Bret Easton Ellis (White)
Cannabis, the sensation that had reignited in America and helped bring hemp’s recreational usage back to prominence in a quiet, steady British counter-culture, had helped dispel much of the prejudice, entitlement and arrogance that had eluded the careful eye of Simon’s mother, undermining her care during the once-restlessly energetic yet gentle soul’s dedicated mothering of the studious boy. It took root in his thoughts and expectations. Bravado and projection replaced genuine yet understated confidence; much of that which had been endearing in him ceased to be seen, to his mother’s despondency. A bachelor of the arts, the blissfully apathetic raconteur left university, having renounced his faith and openly claiming to feel no connection, either socially or intellectually with the student life and further study. Personal failures and parental despair combined to sober the-21yr old frustrated essayist and tentative poet. Cannabis, ironically sought following the conclusion of his stimulant-fuelled student years, had finally levelled him out, and provided the introspection needed to dispel the lesser demons of his nature. Reefer Madness, such insanity – freely distributed for the mass-consumer audience of the west! Curiosity pushed the wealthy young man’s interest in the plant to an isolated purchase, and thence to regular use. Wracked by introspection, the young man struggled through several months of instability and self-doubt before readjusting his focus to chase goals. Once humorous, Reefer Madness no longer amused him, and he dedicated an entire afternoon to writing an ultimately unpublished critique of the film, that descended into an impassioned defence of the plant. He began to watch with keen interest, as the critically-panned debacle of sheer slapstick silliness successfully struck terror into the hearts of a large section of non-marijuana smoking people in the west. The dichotomy of his own understanding and perception only increased the profound sense of gratitude Simon felt for the directional change in which his life was heading. It helped him escape from earlier attachments to the advantage of his upbringing, and destroyed the arrogance that, he realised with shock, had served to cloud years of his judgement. Thus, positive energy led to forward momentum; the mental readjustment silenced doubts, which in turn brought peace, and hope.
Daniel S. Fletcher (Jackboot Britain)
The Pillowcase" is printed with iridescent fish, each facing a different direction. I bought it for you at the Portland Goodwill our last semester in college. Spring break we brought it camping. I pretended I’d eaten sardines before, pretended I liked them. I don’t remember what you said when the condom broke. Probably ‘Oh, shit.’ The next day we drove into town. I took a pill and another pill and it was over. I couldn’t tell the difference, could have told my friends but didn’t, just made lots of dead baby jokes and went to bed in your dorm room. You’d put painter’s tape on all the edges. With the pillowcase, it was like living in the blueprint of an aquarium. I slept there the night I smoked Sasha’s weed and you stayed up for hours rubbing my back, telling fairytales so I wouldn’t totally lose it. I slept there the night I tried reading you Haruki Murakami’s Sleep but fell asleep. I slept there the night after the day I lost the bet and had to wear a lampshade on my head and your professor said ‘Nice hat.’ Later I learned she owns a lamp in the shape of a woman. I slept there the night you said ‘I think I’m falling in love with you,’ igniting a great unendurable belongingness, like a match in a forest fire. I burned so long so quiet you must have wondered if I loved you back. I did, I did, I do.
Annelyse Gelman (Everyone I Love is a Stranger to Someone)
Anyone reading or rereading Infinite Jest will notice an interesting pertinence: throughout the book, Wallace’s flat, minor, one-note characters walk as tall as anyone, peacocks of diverse idiosyncrasy. Wallace doesn’t simply set a scene and novelize his characters into facile life; rather, he makes an almost metaphysical commitment to see reality through their eyes. A fine example of this occurs early in Infinite Jest, during its “Where was the woman who said she’d come” interlude. In it we encounter the paranoid weed addict Ken Erdedy, whose terror of being considered a too-eager drug buyer has engendered an unwelcome situation: he is unsure whether or not he actually managed to make an appointment with a woman able to access two hundred grams of “unusually good” marijuana, which he very much wants to spend the weekend smoking. For eleven pages, Erdedy does nothing but sweat and anticipate this woman’s increasingly conjectural arrival with his desired two hundred grams. I suspect no one who has struggled with substance addiction can read this passage without squirming, gasping, or weeping. I know of nothing else in the entirety of literature that so convincingly inhabits a drug-smashed consciousness while remaining a model of empathetic clarity. The literary craftsman’s term for what Wallace is doing within the Erdedy interlude is free indirect style, but while reading Wallace you get the feeling that bloodless matters of craftsmanship rather bored him. Instead, he had to somehow psychically become his characters, which is surely why he wrote so often, and so well, in a microscopically close third person. In this very specific sense, Wallace may be the closest thing to a method actor in American literature, which I cannot imagine was without its subtle traumas. And Erdedy is merely one of Infinite Jest’s hundreds of differently damaged walk-on characters! Sometimes I wonder: What did it cost Wallace to create him?
David Foster Wallace (Infinite Jest)
What they do not know is that this plain brown girl will build her nest stick by stick, make it her own inviolable world, and stand guard over its every plant, weed, and doily, even against him. In silence will she return the lamp to where she put it in the first place; remove the dishes from the table as soon as the last bite is taken; wipe the doorknob after a greasy hand has touched it. A sidelong look will be enough to tell him to smoke on the back porch. Children will sense instantly that they cannot come into her yard to retrieve a ball. But the men do not know these things. Nor do they know that she will give him her body sparingly and partially. He must enter her surreptitiously, lifting the hem of her nightgown only to her navel. He must rest his weight on his elbows when they make love, ostensibly to avoid hurting her breasts but actually to keep her from having to touch or feel too much of him. While he moves inside her, she will wonder why they didn’t put the necessary but private parts of the body in some more convenient place—like the armpit, for example, or the palm of the hand. Someplace one could get to easily, and quickly, without undressing. She stiffens when she feels one of her paper curlers coming undone from the activity of love; imprints in her mind which one it is that is coming loose so she can quickly secure it once he is through. She hopes he will not sweat—the damp may get into her hair; and that she will remain dry between her legs—she hates the glucking sound they make when she is moist. When she senses some spasm about to grip him, she will make rapid movements with her hips, press her fingernails into his back, suck in her breath, and pretend she is having an orgasm. She might wonder again, for the six hundredth time, what it would be like to have that feeling while her husband’s penis is inside her. The closest thing to it was the time she was walking down the street and her napkin slipped free of her sanitary belt. It moved gently between her legs as she walked. Gently, ever so gently. And then a slight and distinctly delicious sensation collected in her crotch. As the delight grew, she had to stop in the street, hold her thighs together to contain it. That must be what it is like, she thinks, but it never happens while he is inside her. When he withdraws, she pulls her nightgown down, slips out of the bed and into the bathroom with relief.
Toni Morrison (The Bluest Eye)
The genius of the current caste system, and what most distinguishes it from its predecessors, is that it appears voluntary. People choose to commit crimes, and that’s why they are locked up or locked out, we are told. This feature makes the politics of responsibility particularly tempting, as it appears the system can be avoided with good behavior. But herein lies the trap. All people make mistakes. All of us are sinners. All of us are criminals. All of us violate the law at some point in our lives. In fact, if the worst thing you have ever done is speed ten miles over the speed limit on the freeway, you have put yourself and others at more risk of harm than someone smoking marijuana in the privacy of his or her living room. Yet there are people in the United States serving life sentences for first-time drug offenses, something virtually unheard of anywhere else in the world. The notion that a vast gulf exists between “criminals” and those of us who have never served time in prison is a fiction created by the racial ideology that birthed mass incarceration, namely that there is something fundamentally wrong and morally inferior about “them.” The reality, though, is that all of us have done wrong. As noted earlier, studies suggest that most Americans violate drug laws in their lifetime. Indeed, most of us break the law not once but repeatedly throughout our lives. Yet only some of us will be arrested, charged, convicted of a crime, branded a criminal or felon, and ushered into a permanent undercaste. Who becomes a social pariah and excommunicated from civil society and who trots off to college bears scant relationship to the morality of crimes committed. Who is more blameworthy: the young black kid who hustles on the street corner, selling weed to help his momma pay the rent? Or the college kid who deals drugs out of his dorm room so that he’ll have cash to finance his spring break? Who should we fear? The kid in the ’hood who joined a gang and now carries a gun for security, because his neighborhood is frightening and unsafe? Or the suburban high school student who has a drinking problem but keeps getting behind the wheel? Our racially biased system of mass incarceration exploits the fact that all people break the law and make mistakes at various points in their lives and with varying degrees of justification. Screwing up—failing to live by one’s highest ideals and values—is part of what makes us human.
Michelle Alexander (The New Jim Crow: Mass Incarceration in the Age of Colorblindness)
Nevertheless, it would be prudent to remain concerned. For, like death, IT would come: Armageddon. There would be-without exaggeration-a series of catastrophes. As a consequence of the evil in man...-no mere virus, however virulent, was even a burnt match for our madness, our unconcern, our cruelty-...there would arise a race of champions, predators of humans: namely earthquakes, eruptions, tidal waves, tornados, typhoons, hurricanes, droughts-the magnificent seven. Floods, winds, fires, slides. The classical elements, only angry. Oceans would warm, the sky boil and burn, the ice cap melt, the seas rise. Rogue nations, like kids killing kids at their grammar school, would fire atomic-hydrogen-neutron bombs at one another. Smallpox would revive, or out of the African jungle would slide a virus no one understood. Though reptilian only in spirit, the disease would make us shed our skins like snakes and, naked to the nerves, we'd expire in a froth of red spit. Markets worldwide would crash as reckless cars on a speedway do, striking the wall and rebounding into one another, hurling pieces of themselves at the spectators in the stands. With money worthless-that last faith lost-the multitude would riot, race against race at first, God against God, the gots against the gimmes. Insects hardened by generations of chemicals would consume our food, weeds smother our fields, fire ants, killer bees sting us while we're fleeing into refuge water, where, thrashing we would drown, our pride a sodden wafer. Pestilence. War. Famine. A cataclysm of one kind or another-coming-making millions of migrants. Wearing out the roads. Foraging in the fields. Looting the villages. Raping boys and women. There'd be no tent cities, no Red Cross lunches, hay drops. Deserts would appear as suddenly as patches of crusty skin. Only the sun would feel their itch. Floods would sweep suddenly over all those newly arid lands as if invited by the beach. Forest fires would burn, like those in coal mines, for years, uttering smoke, making soot for speech, blackening every tree leaf ahead of their actual charring. Volcanoes would erupt in series, and mountains melt as though made of rock candy till the cities beneath them were caught inside the lava flow where they would appear to later eyes, if there were any eyes after, like peanuts in brittle. May earthquakes jelly the earth, Professor Skizzen hotly whispered. Let glaciers advance like motorboats, he bellowed, threatening a book with his fist. These convulsions would be a sign the parasites had killed their host, evils having eaten all they could; we'd hear a groan that was the going of the Holy Ghost; we'd see the last of life pissed away like beer from a carouse; we'd feel a shudder move deeply through this universe of dirt, rock, water, ice, and air, because after its long illness the earth would have finally died, its engine out of oil, its sky of light, winds unable to catch a breath, oceans only acid; we'd be witnessing a world that's come to pieces bleeding searing steam from its many wounds; we'd hear it rattling its atoms around like dice in a cup before spilling randomly out through a split in the stratosphere, night and silence its place-well-not of rest-of disappearance. My wish be willed, he thought. Then this will be done, he whispered so no God could hear him. That justice may be served, he said to the four winds that raged in the corners of his attic.
William H. Gass (Middle C)
Are you interested in medical marijuana but have no idea what it is? In recent years, there is a growing cry for the legalization of cannabis because of its proven health benefits. Read on as we try to look into the basics of the drug, what it really does to the human body, and how it can benefit you. Keep in mind that medical marijuana is not for everyone, so it’s important that you know how you’re going to be using it before you actually use it. What is Marijuana? Most likely, everyone has heard of marijuana and know what it is. However, many people hold misconceptions of marijuana because of inaccurate news and reporting, which has led to the drug being demonized—even when numerous studies have proven the health benefits of medical marijuana when it is used in moderation. (Even though yes, weed is also used as a recreational drug.) First and foremost, medical marijuana is a plant. The drug that we know of is made of its shredded leaves and flowers of the cannabis sativa or indica plant. Whatever its strain or form, all types of cannabis alter the mind and have some degree of psychoactivity. The plant is made of chemicals, with tetrahydrocannabinol (THC) being the most powerful and causing the biggest impact on the brain. How is Medical Marijuana Used? There are several ways medical weed is used, depending on the user’s need, convenience and preference. The most common ways are in joint form, and also using bongs and vaporizers. But with its growing legalization, we’re seeing numerous forms of cannabis consumption methods being introduced (like oils, edibles, drinks and many more). ● Joint – Loose marijuana leaves are rolled into a cigarette. Sometimes, it’s mixed with tobacco to cut the intensity of the cannabis. ● Bong – This is a large water pipe that heats weed into smoke, which the user then inhales. ● Vaporizer – Working like small bongs, this is a small gadget that makes it easier to bring and use weed practically anywhere. What’s Some Common Medical Marijuana Lingo? We hear numerous terms from people when it comes to describing medical marijuana, and this list continually grows. An example of this is the growing number of marijuana nicknames which include pot, grass, reefer, Mary Jane, dope, skunk, ganja, boom, chronic and herb among many others. Below are some common marijuana terms and what they really mean. ● Bong – Water pipe that allows for weed to be inhaled ● Blunt – Hollowed-out cigar with the tobacco replaced with weed ● Hash – Mix of medical weed and tobacco ● Joint – Rolled cigarette-like way to consume medical cannabis How Does It Feel to be High? When consumed in moderation, weed’s common effects include a heightened sense of euphoria and well-being. You’ll most likely talk and laugh more. At its height, the high creates a feeling of pensive dreaminess that wears off and becomes sleepiness. In a group setting, there are commonly feelings of exaggerated physical and emotional sensitivity as well as strong feelings of camaraderie. Medical marijuana also has a direct impact on a person’s speech patterns, which will get slower. There will be an impairment in your ability to carry out conversations. Cannabis also affects short-term memory. The usual high that one gets from cannabis can last for about two hours; when you overindulge, it can last for up to 12 hours. Is Using Medical Marijuana Safe? Medical cannabis is scientifically proven to be safer compared to alcohol or nicotine. Marijuana is slowly being legalized around the world because of its numerous health benefits, particularly among people suffering from mental illness like depression, anxiety and stress. It also has physical benefits, like helping in managing pain and the treatment of glaucoma and cancer.
Kurt
Spinach Rollups This recipe is from my friend Susan Zilber. Susan moved away to New York, but I bet she still makes these.   5 to 8 flour tortillas (the large burrito size) 16-ounce package frozen chopped spinach ¼ cup mayonnaise ½ cup softened cream cheese ¼ cup sour cream 1/8 cup dried chopped onion ¼ cup bacon bits 1 Tablespoon Tabasco sauce   Cook the spinach and drain it, squeezing out all the moisture. (Cheesecloth inside a strainer works well for this.) Mix together all ingredients except the tortillas. Spread small amount of spinach mixture out on the face of a tortilla. Roll it up and place it in a plastic freezer bag. Continue spreading and rolling tortillas until the spinach mixture is gone. Fold the plastic bag over when all the rollups are inside to make sure they stay tightly rolled. Refrigerate for at least 4 hours. (Overnight is best.) Slice with a sharp knife, arrange on a platter, and serve as appetizers. Susan says to tell you that once she started to make these and found that she was out of sour cream. She used all cream cheese instead, and they were delicious. Hannah’s Addition to Susan’s Rollups 5 to 8 flour tortillas (the large burrito size) 6 ounces chopped smoked salmon (or lox) 1 cup (8 ounces) softened cream cheese ¼ cup dried chopped onions 1 teaspoon freshly ground black pepper 1 teaspoon dill weed (of course fresh is best)   Mix all the ingredients except the tortillas together in a bowl. Spread small amount of the salmon mixture out on the face of a tortilla. Roll it up and place it in a plastic freezer bag. Continue spreading and rolling tortillas until the salmon mixture is gone. Fold the plastic bag over when all the rollups are inside to make sure they stay tightly rolled. Refrigerate for at least 4 hours. (Overnight is best.) Slice with a sharp knife, arrange on a platter, and serve as appetizers. I made Susan’s Spinach Rollups too, and after I cut them the next day, I arranged both kinds on the platter in contrasting rings. It looked gorgeous.
Joanne Fluke (Joanne Fluke Christmas Bundle: Sugar Cookie Murder, Candy Cane Murder, Plum Pudding Murder, & Gingerbread Cookie Murder (Hannah Swensen))
While we sat at the bar, Dave told me the most important advice about talking to women I had ever received, and that was to be as relaxed as possible and not fear rejection. Dave then began hooking up with some girl who looked like a hybrid of Rosie O’Donnell and Miss Piggy, leaving me alone to ponder his words.” “When I was in 8th grade, there was this girl named Sandra who I used to ride the school bus with. Sandra was about 5’2, 120 lbs, and looked like the Hamburglar. She was the prettiest girl in my class.” “In my mind I was the life of the party and felt as though I could do no wrong when it came to interacting with the opposite sex. That was until Marissa caught me red handed hooking up with some girl who looked like a combination of John Madden and Andre the Giant, tapping me on the shoulder and kicking me square in the nuts.” “I was starting to feel bad about how I treated women. Oh wait, no I wasn’t. The girls at Binghamton were nothing more than a bunch of dumb sluts that just wanted to get drunk and suck dick, and besides, they were all going to make a lot more money than me in the future. So I may as well catch brains while these bitches were dumb enough to blow me.” “Out of all the people I could’ve stumbled into blackout drunk, why did it have to be THE MOOSE? As son as she saw me her 300 lb frame waddled over, and she jammed her tongue down my throat, devouring me as though I were a Big Mac. This was embarrassing. Here I was making out with some girl who looked like Eric Cartman in a dress, and everybody was watching. My life was effectively over.” “After annihilating Ruben’s toilet, I looked over my shoulder for some much-needed toilet paper, when to my shock and dismay there was not a single sheet of paper in sight. There’s no way in hell I was rejoining the party covered in poop and I would have wiped my ass with anything. That’s when I noticed his New York Yankees bath towel.” “I spent the rest of my week off getting completely shitfaced with Chris, and that’s when I realized I might be developing a drinking problem. At Bar None, hooking up with some girl who looked like the Loch Ness Monster; this shit had to stop. Alcohol was turning me into a drunken mess, and I vowed right then and there to quit drinking and start smoking more weed immediately.” “I got a new roommate. His name was Erick and he was an ex-marine. Erick and I didn’t know each other, but he knew Kevin, and he also knew that I didn’t shower and that last semester I left a used condom on the floor for two weeks without throwing it away. Eric therefore did not want to live with me.” “Believe it or not, I got another job working with the disabled. See, Manny was nice enough to hook me up with a position as a job coach at the Lavelle School for the Blind. The kid’s name was Fred and he was blind with cerebral palsy. Fred loved dogs and I loved smoking week. Bad combination, and I was fired with 3 days left in the program after allowing Fred to run across the street into oncoming traffic, because I had smoked a bowl an hour earlier. Manny and I never spoke again.” “My life was a dream and a nightmare rolled into one. Here I was living this carefree existence, getting drunk, boning bitches, and playing Sega Genesis in between. Oh wait, what am I talking about? My life was awesome. It’s the rest of my life that’s going to suck.
Alexander Strenger
It could indeed, lord,’ said Merry. ‘For one thing,’ said Théoden, ‘I had not heard that they spouted smoke from their mouths.’ ‘That is not surprising,’ answered Merry; ‘for it is an art which we have not practised for more than a few generations. It was Tobold Hornblower, of Longbottom in the Southfarthing, who first grew the true pipe-weed in his gardens, about the year 1070 according to our reckoning. How old Toby came by the plant...’ ‘You do not know your danger, Théoden,’ interrupted Gandalf. ‘These hobbits will sit on the edge of ruin and discuss the pleasures of the table, or the small doings of their fathers, grandfathers, and great-grandfathers, and remoter cousins to the ninth degree, if you encourage them with undue patience. Some other time would be more fitting for the history of smoking. Where is Treebeard, Merry?
Anonymous