“
Gestalt Prayer
I do my thing and you do yours.
I am not in this world to live up to your expectations,
And you are not in this world to live up to mine.
You are you, and I am I,
And if by chance we find each other, then it is beautiful.
If not, it can't be helped.
”
”
Frederick Salomon Perls (Gestalt Therapy Verbatim)
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Desire is when you do what you want, will is when you can do what you do not want.
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P.D. Ouspensky (The Fourth Way: An Arrangement by Subject of Verbatim Extracts from the Records of Ouspensky's Meetings in London and New York, 1921-46)
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Since every country stands in numerous and various relations with the other countries of the world, and many, our own among the number, exercise actual authority over some of these, a knowledge of the established rules of international morality is essential to the duty of every nation, and therefore of every person in it who helps to make up the nation, and whose voice and feeling form a part of what is called public opinion. Let not any one pacify his conscience by the delusion that he can do no harm if he takes no part, and forms no opinion. Bad men need nothing more to compass their ends, than that good men should look on and do nothing. He is not a good man who, without a protest, allows wrong to be committed in his name, and with the means which he helps to supply, because he will not trouble himself to use his mind on the subject. It depends on the habit of attending to and looking into public transactions, and on the degree of information and solid judgment respecting them that exists in the community, whether the conduct of the nation as a nation, both within itself and towards others, shall be selfish, corrupt, and tyrannical, or rational and enlightened, just and noble.
”
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John Stuart Mill (Inaugural Address Delivered to the University of St Andrews, 2/1/1867 (Collected Works))
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Attaining consciousness is connected with the gradual liberation from mechanicalness, for man is fully and completely under mechanical laws.
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P.D. Ouspensky (The Fourth Way: An Arrangement by Subject of Verbatim Extracts from the Records of Ouspensky's Meetings in London and New York, 1921-46)
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If one does not develop, one goes down. In life, in ordinary conditions everything goes down, or one capacity may develop at the expense of another.
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P.D. Ouspensky (The Fourth Way: An Arrangement by Subject of Verbatim Extracts from the Records of Ouspensky's Meetings in London and New York, 1921-46)
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We often think we express negative emotions, not because we cannot help it, but because we should express them.
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P.D. Ouspensky (The Fourth Way: An Arrangement by Subject of Verbatim Extracts from the Records of Ouspensky's Meetings in London and New York, 1921-46)
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Maya was the most effective talker I knew. It was like she wrote essays in her brain and then recited them verbatim. She once explained to me that she thought this was part of being Black in America. “Every black person who spends time with a lot of white people eventually ends up being asked to speak for every black person,” she told me one night after it was too late to still be talking, “and I hate that. It’s really stupid. And everyone gets to respond to that idiocy however they want. But my anxiety eventually made me extremely careful about everything I said, because of course I don’t represent capital-B Black People, but if people think I do, then I still feel a responsibility to try to do it well.
”
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Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
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The purpose of education is to save young people from the paralyzing effects of wealth and poverty. (more or less verbatim quote)
”
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Kurt Hahn
“
Sydney: Can I ask you a question? Me: As long as you promise never again to start a question off with whether or not you can propose a question. Sydney: Okay, asshole. I know I shouldn't be thinking about him at all, but I'm curious. What did he wrote on that paper when we went to get my purse? And what did you write back that made hit you? Me: I agree that you shouldn't be thinking about him at all, but I'm honestly shocked it's taken you this long to ask me about it. Sydney: Well? Ugh. I hate writing it verbatim, but she wants to know, so... Me: He wrote "Are you fucking her?" Sydney: OMG! What a prick! Me: Yep. Sydney: So what did you say back to him that made him punch you? Me: I write, "Why do you think I'm here for her purse? I gave her a hundred for tonight, and now she owes me change." I reread the text, and I'm not so sure it sounds as funny as I thought it did.
”
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Colleen Hoover (Maybe Someday (Maybe, #1))
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Everything 'happens'. People can 'do' nothing. From the time we are born to the time we die things happen, happen, happen, and we think we are doing. This is our normal state in life, and even the smallest possibility to do something comes only through the work, and first only in oneself, not externally.
”
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P.D. Ouspensky (The Fourth Way: An Arrangement by Subject of Verbatim Extracts from the Records of Ouspensky's Meetings in London and New York, 1921-46)
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I told Vivvie what the person who’d answered had said, verbatim.
”
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Jennifer Lynn Barnes (The Fixer (The Fixer, #1))
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Many things are mechanical and should remain mechanical. But mechanical thoughts, mechanical feelings—that is what has to be studied and can and should be changed. Mechanical thinking is not worth a penny. You can think about many things mechanically, but you will get nothing from it.
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P.D. Ouspensky (The Fourth Way: An Arrangement by Subject of Verbatim Extracts from the Records of Ouspensky's Meetings in London and New York, 1921-46)
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Nell's husband has short-man syndrome. Eddie is one of those deadly dull people who is so upbeat that I suspect he would subconsciously like to go through the neighborhood, house by house, with a machine gun. He seems oblivious to the effect that his long, rambling monologues have on people - he doesn't notice the blank faces, the fingers flexing like those of people buried alive, the ocular tics. You could write down his words verbatim, show them to him, and he'd probably say, 'I know someone just like that!' Then he'd tell you about that person until your teeth hurt. His hostage-taking is passive-aggressive.
”
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Anne Lamott (Grace (Eventually): Thoughts on Faith)
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Intensive mothering is the ultimate female Olympics: We are all in powerful competition with each other, in constant danger of being trumped by the mom down the street, or in the magazine we're reading. The competition isn't just over who's a good mother--it's over who's the best. We compete with each other; we compete with ourselves. The best mothers always put their kids' needs before their own, period. The best mothers are the main caregivers. For the best mothers, their kids are the center of the universe. The best mothers always smile. They always understand. They are never tired. They never lose their temper. They never say, "Go to the neighbor's house and play while Mommy has a beer." Their love for their children is boundless, unflagging, flawless, total. Mothers today cannot just respond to their kids' needs, they must predict them--and with the telepathic accuracy of Houdini. They must memorize verbatim the books of all the child-care experts and know which approaches are developmentally appropriate at different ages. They are supposed to treat their two-year-olds with "respect." If mothers screw up and fail to do this on any given day, they should apologize to their kids, because any misstep leads to permanent psychological and/or physical damage. Anyone who questions whether this is the best and the necessary way to raise kids is an insensitive, ignorant brute. This is just common sense, right?
”
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Susan J. Douglas
“
There is no question of faith or belief in all this. Quite the opposite,this system teaches people to believe in absolutely nothing. You must verify everything that you see, hear and feel. Only in that way can you come to something.
”
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P.D. Ouspensky (The Fourth Way: An Arrangement by Subject of Verbatim Extracts from the Records of Ouspensky's Meetings in London and New York, 1921-46)
“
I am making a correction to one of the quotes you guys have for Sly Stallone; It's not ethical to put " " around words saying a person said something and did not. Hence the meaning of quoting someone; means that person said exactly what you're putting quotes around-Verbatim. Here's the real quote by Sly Stallone in Rocky Balboa; "It ain't about how hard you can hit it's about how hard you can get hit and keep moving forward. How much you can take and keep moving forward. That's how winning is done." Under your quote guidelines should read only enter quotes if you without a doubt are in fact quoting something someone said verbatim.
”
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Sylvester Stallone
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Q. But it seems to me there are circumstances that simply induce one to have negative emotions!
A. This is one of the worst illusions we have. We think that negative emotions are produced by circumstances, whereas all negative emotions are in us, inside us. This is a very important point. We always think our negative emotions are produced by the fault of other people or by the fault of circumstances. We always think that. Our negative emotions are in ourselves and are produced by ourselves. There is absolutely not a single unavoidable reason why somebody else's action or some circumstance should produce a negative emotion in me. It is only my weakness. No negative emotion can be produced by external causes if we do not want it. We have negative emotions because we permit them, justify them, explain them by external causes, and in this way we do not struggle with them.
”
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P.D. Ouspensky (The Fourth Way: An Arrangement by Subject of Verbatim Extracts from the Records of Ouspensky's Meetings in London and New York, 1921-46)
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Every individual, every plant, every animal
has only one inborn goal—to actualize itself as it is.
”
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Frederick Salomon Perls (Gestalt Therapy Verbatim)
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After a few minutes I stopped David and asked each group to tell him what they had “heard.” The content group fed his words back to him almost verbatim. David nodded. The emotion group picked up on his frustration, embarrassment, and helplessness. David acknowledged all of this. The group listening for intent delivered the blow: “You aren’t going to do anything about this. Right now, it’s all just words.” David blanched and disagreed with their assessment. On the very next break, he helped himself to brownies. David had given us the usual rhetoric that most of us hear and even say ourselves when trying to lose weight: “I’ve got to get a handle on this. I’m going to watch what
”
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Susan Scott (Fierce Conversations: Achieving Success at Work and in Life One Conversation at a Time)
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In true Bastien form—and keeping in mind that he’s only seven at the time—he yanks off his helmet, throws his backpack down, and lies on the ground, using the helmet for a pillow, and says to them, and I quote verbatim, ‘Later, bitches. I’m done for the day. Y'all can carry me home or call for a lift. Either way, I ain’t moving from here. My ass is too precious for this abuse.
”
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Sherrilyn Kenyon (Born of Vengeance (The League: Nemesis Rising, #10))
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Q. Surely it is easier to be objective about other people than about oneself?
A. No, it is more difficult. If you become objective to yourself you can see other people objectively, but not before, because before that it will all be coloured by your own views, attitudes, tastes, by what you like and what you dislike. To be objective you must be free from it all. You can become objective to yourself in the state of self-consciousness: this is the first experience of coming into contact with the real object.
”
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P.D. Ouspensky (The Fourth Way: An Arrangement by Subject of Verbatim Extracts from the Records of Ouspensky's Meetings in London and New York, 1921-46)
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Quoting someone and rewriting their words makes it a quote from you and not them any longer. To change the meaning of someone's words without permission is offensive enough, to then contact the quoted person and try to justify it to them is even worse. It's verbatim or bust!
”
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Stewart Stafford
“
What kind of understanding?" he murmured almost absently, his mind clearly on other, more provocative things.
The trace of amusement in his voice irritated her, as if he were merely humoring her. Savannah pushed at the solid wall of his chest to put a few inches between them. His large frame didn't budge, and she was locked in by his arm. She pushed at him again. "Forget it."
He bent his head to taste the vulnerable line of her neck, to feel her pulse in the warm, moist cavern of his mouth. His blood surged and pounded. Little jackhammers began to beat at his skull. "I am listening to every word you say, ma petite," he murmured, lost in her softness, in the scent of her. He wanted her with every fiber of his being, every cell in his body. "I could repeat each word verbatim, if you desire.
”
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Christine Feehan (Dark Magic (Dark, #4))
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7. This is a consensus view among scholars today. For one thing, Matthew used Mark as a source for many of his stories, copying out the Greek word for word in some passages. If our Matthew was a Greek translation of a Hebrew original, it would not be possible to explain the verbatim agreement of Matthew with Mark in the Greek itself.
”
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Bart D. Ehrman (Jesus, Interrupted: Revealing the Hidden Contradictions in the Bible (and Why We Don't Know About Them))
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Dialogue in the works of autobiography is quite naturally viewed with some suspicion. How on earth can the writer remember verbatim conversations that happened fifteen, twenty, fifty years ago? But 'Are you playing, Bob?' is one of only four sentences I have ever uttered to any Arsenal player (for the record the others are 'How's the leg, Bob?' to Bob Wilson, recovering from injury the following season; 'Can I have your autograph, please?' to Charlie George, Pat Rice, Alan Ball and Bertie Mee; and, well, 'How's the leg, Brian?' to Brian Marwood outside the Arsenal club shop when I was old enough to know better) and I can therefore vouch for its absolute authenticity.
”
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Nick Hornby (Fever Pitch)
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It’s true that we all construct our own knowledge, in the sense that we don’t just store facts we’ve heard verbatim. We need to interpret and synthesize to achieve true understanding.
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Natalie Wexler (The Knowledge Gap: The Hidden Cause of America's Broken Education System--and How to Fix it)
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Não podemos tentar ser mais emocionais; quanto mais tentarmos, menos emocionais seremos. Podemos tentar ser conscientes e, se nos tornarmos mais conscientes, nos tornaremos mais emocionais.
”
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P.D. Ouspensky (The Fourth Way: An Arrangement by Subject of Verbatim Extracts from the Records of Ouspensky's Meetings in London and New York, 1921-46)
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Pastor Jón: God has the virtue that one can locate Him anywhere at all, in anything at all.
Embi: In a nail, for instance?
Pastor Jón, verbatim: In school debates the question was sometimes put whether God was not incapable of creating a stone so heavy that He couldn't lift it. Often I think the Almighty is like a snow bunting abandoned in all weathers. Such a bird is about the weight of a postage stamp. Yet he does not blow away when he stands in the open in a tempest. Have you ever seen the skull of a snow bunting? He wields this fragile head against the gale, with his beak to the ground, wings folded close to his sides and his tail pointing upwards; and the wind can get no hold on him, and cleaves. Even in the fiercest squalls the bird does not budge. He is becalmed. Not a single feather stirs.
Embi: How do you know the bird is the Almighty, and not the wind?
Pastor Jón: Because the winter storm is the most powerful force in Iceland, and the snow bunting is the feeblest of all God's conceptions.
”
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Halldór Laxness (Under the Glacier)
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Thomas Jefferson thought that the United States ought to have a revolution every generation so that democracy could periodically purge itself of contaminants. He meant political revolutions; we have watered down his advice and created a succession of “lifestyle” revolutions instead. Just at the point when a radical innovation or movement might begin to elicit significant discussion within our social order, it makes the cover of Time and receives testimonials from one or two Hollywood stars. Thus elevated into harmlessness, it is soon discarded, leaving little more than a vague, residual stain on our cultural fashions.
”
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Frederick Salomon Perls (Gestalt Therapy Verbatim)
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I said, verbatim, ‘I go, and I try to get your brother. You help me and assist me in any way I ask you to, and you do as you’re told. You agree to this pact?’ to which you replied, ‘Yes, gods, I agree! Just get on with it!
”
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Callie Hart (Quicksilver (Fae & Alchemy, #1))
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Zachary's mother, Lucy, waylaid him on the third-floor landing and offered, unsolicited, her opinion that the Traumatics had been the kind of adolescently posturing, angst-mongering boy group that never interested her. Then she waited, with parted lips and a saucy challenge in her eyes, to see how her presence --the drama of being her-- was registering. In the way of such chicks, she seemed convinced of the originality of her provocation. Katz had encountered, practically verbatim, the same provocation a hundred times before, which put him in the ridiculous position now of feeling bad for being unable to pretend to be provoked: of pitying Lucy's doughty little ego, its floatation on a sea of aging-female insecurity. He doubted he could get anywhere with her even if he felt like trying, but he knew that her pride would be hurt if he didn't make at least a token effort to be disagreeable. (p. 194)
”
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Jonathan Franzen (Freedom)
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He had the quality of mind that could read a page at a glance and commit it to memory, hear a lesson and repeat it verbatim, store the names of persons, places, characters, countries in a particular box in his brain and unlock it, when he chose, without a fault in recollection, and so astonish his company—his father in particular. Naturally left-handed, he could write equally well with either hand, and could even, in later years, write two letters at the same time, one with his right hand and one with his left.
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Daphne du Maurier (The Infernal World of Branwell Brontë)
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Because this law could mean so much or so little, it held potential for causing great mischief in the world of art and politics. We needed to reduce its uncertainty, and the best way to do that, I believed, was to force a court to interpret it, which would either void or narrow the law. To make it as broad a target as possible and to assure that someone would sue us, I reproduced the Helms amendment verbatim in the terms and conditions for grant recipients. It could not be ignored there, and if it was to be declared unconstitutional, it had to appear where the courts could not ignore it either.
”
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John Frohnmayer (Leaving Town Alive)
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I sit for a few moments in the empty courtroom. If this were like old times, I would got home and tell Delia that I'd lost the hearing. I'd repeat verbatim what the judge had said, and I'd ask her to interpret it. We'd dissect my performance until she finally threw up her hands and said we were going nowhere with any of this.
She will not be back tonight, I suppose. And we're still going nowhere.
”
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Jodi Picoult (Vanishing Acts)
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Peter Drucker, in my view the father of modern management thinking, was also a master of the art of the graceful no. When Mihaly Csikszentmihalyi, the Hungarian professor most well known for his work on “flow,” reached out to interview a series of creative individuals for a book he was writing on creativity, Drucker’s response was interesting enough to Mihaly that he quoted it verbatim: “I am greatly honored and flattered by your kind letter of February 14th – for I have admired you and your work for many years, and I have learned much from it. But, my dear Professor Csikszentmihalyi, I am afraid I have to disappoint you. I could not possibly answer your questions. I am told I am creative – I don’t know what that means…. I just keep on plodding…. I hope you will not think me presumptuous or rude if I say that one of the secrets of productivity (in which I believe whereas I do not believe in creativity) is to have a VERY BIG waste paper basket to take care of ALL invitations such as yours – productivity in my experience consists of NOT doing anything that helps the work of other people but to spend all one’s time on the work the Good Lord has fitted one to do, and to do well.”8 A true Essentialist, Peter Drucker believed that “people are effective because they say no.
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Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
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Heisenberg repeated his story about the German bomb program to anyone who would listen for the rest of his life. Goudsmit, who had access to the Farm Hall reports and had seen the pathetic remnants of the Nazi nuclear program firsthand, knew Heisenberg’s story was a fabrication. But, with the existence of the Farm Hall transcripts itself classified, Goudsmit could state only that Heisenberg was lying, without explaining how he knew. The first popular account of the Manhattan Project, Brighter Than a Thousand Suns, written by the Swiss journalist Robert Jungk in 1958, repeated Heisenberg’s story almost verbatim. So did The Virus House, the first book dedicated solely to the history of the German bomb program, which relied heavily on interviews from Heisenberg and his fellow former Farm Hall detainees. (The author, David Irving, was later revealed to be a Holocaust denier.)
”
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Adam Becker (What Is Real?: The Unfinished Quest for the Meaning of Quantum Physics)
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One night when I was pregnant with Henry, I lay in bed thinking for some reason, about "Treasure Island." I realized that from the entire book there was only one sentence I remembered verbatim, something that Ben Gunn, who has been marooned for three years, says to Jim Hawkins: "Many's the long night I've dreamed of cheese -- toasted mostly." I repeated the last two words over and over again, like a mantra. "Toasted, mostly. Toasted mostly.
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Anne Fadiman (Ex Libris: Confessions of a Common Reader)
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Mario Incandenza has a severely limited range of verbatim recall. Schtitt was educated in pre-Unification Gymnasium under the rather Kanto-Hegelian idea that jr. athletics was basically just training for citizenship, that jr. athletics was about learning to sacrifice the hot narrow imperatives of the Self — the needs, the desires, the fears, the multiform cravings of the individual appetitive will — to the larger imperatives of a team (OK, the State) and a set of delimiting rules (OK, the Law).
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David Foster Wallace (Infinite Jest)
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First-century discipleship was expressed as a servant-master relationship (see Matthew 10:24). Once accepted as a disciple, a young man started as a talmidh, or beginner, who sat in the back of the room and could not speak. Then he became a distinguished student, who took an independent line in his approach or questioning. At the next level, he became a disciple-associate, who sat immediately behind the rabbi during prayer time. Finally he achieved the highest level, a disciple of the wise, and was recognized as the intellectual equal of his rabbi.'"
2. Memorizing the teacher's words: Oral tradition provided the basic way of studying. Disciples learned the teacher's words verbatim to pass along to the next person. Often disciples learned as many as
four interpretations of each major passage in the Torah.
3. Learning the teacher's way of ministry: A disciple learned how his teacher kept God's commands, including how he practiced the Sabbath, fasted, prayed, and said blessings in ceremonial situations. He would also learn his rabbi's teaching methods and the many traditions his master followed.
4. Imitating the teacher's life and character: Jesus said that when a disciple is fully taught, he "will be like his teacher" (Luke 6:40). The highest calling of a disciple was to imitate his teacher. Paul called on Timothy to follow his example (see 2 Timothy 3:10-14), and he didn't hesitate to call on all believers to do the same (see 1 Corinthians 4:14-16; 1 1:1; Philippians 4:9). One story in ancient tradition tells of a rabbinical student so devoted to his teacher that he hid in the teacher's bedchamber to discover the mentor's sexual technique. To be sure, this is a bit extreme, yet it demonstrates the level of commitment required to be a disciple.
5. Raising up their own disciples: When a disciple finished his training, he was expected to reproduce what he'd learned by finding and training his own apprentices. He would start his own school and call it after his name, such as the House of Hillel.
”
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Bill Hull (The Complete Book of Discipleship: On Being and Making Followers of Christ (The Navigators Reference Library 1))
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There is no doubt that Earth Central, the planetary and sector AIs, and even some ship and drone AIs are capable, without acquiring additional processing space, of setting up synergetic systems within themselves that result in an exponential climb in intelligence (mathematically defined as climbing beyond all known scales within minutes). So why not? Ask then why a human, capable of learning verbatim the complete works of Shakespeare, instead drinks a bottle of brandy, then giggles a lot and falls over.
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Neal Asher (Polity Agent (Agent Cormac, #4))
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The pilgrimage of Italy, which I now accomplished, had long been the object of my curious devotion. The passage of Mount Cenis, the regular streets of Turin, the Gothic cathedral of Milan, the scenery of the Boromean Islands, the marble palaces of Genoa, the beauties of Florence, the wonders of Rome, the curiosities of Naples, the galleries of Bologna, the singular aspect of Venice, the amphitheatre of Verona, and the Palladian architecture of Vicenza, are still present to my imagination. I read the Tuscan writers on the banks of the Arno; but my conversation was with the dead rather than the living, and the whole college of Cardinals was of less value in my eyes than the transfiguration of Raphael, the Apollo of the Vatican, or the massy greatness of the Coliseum. It was at Rome, on the fifteenth of October, 1764, as I sat musing amidst the ruins of the Capitol, while the barefooted fryars were singing Vespers in the temple of Jupiter, that the idea of writing the decline and fall of the City first started to my mind. After Rome has kindled and satisfied the enthusiasm of the Classic pilgrim, his curiosity for all meaner objects insensibly subsides.
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Edward Gibbon (Autobiographies; printed verbatim from hitherto unpublished MSS., with an introd. by the Earl of Sheffield. Edited by John Murray)
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Depende de como você entende essa palavra, "esotérico" significa interno. O esoterismo encerra a idéia da existência de um círculo interno da humanidade. Lembra-se de como a humanidade foi descrita como constituída de quatro círculos - o esotérico, o mesotérico e o exotérico, que formam o círculo interior, e o círculo exterior no qual vivemos? A idéia de esoterismo implica a idéia de transmissão do conhecimento; presume a existência de um grupo de pessoas a quem pertence um certo conhecimento. Não se deve compreender isso de alguma forma mística, porém mais precisamente, de forma concreta. Há muitas diferenças entre os círculos interno e externo. Por exemplo, muitas coisas que queremos descobrir ou criar só podem existir no círculo interno.
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P.D. Ouspensky (The Fourth Way: An Arrangement by Subject of Verbatim Extracts from the Records of Ouspensky's Meetings in London and New York, 1921-46)
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The memory was the only recording instrument of the great part of the population. Deeds and transfers were made permanent by beating young retainers so they would remember. The training of the Welsh poets was not practice but memorizing. On knowing 10,000 poems, one took a position. This has always been true. Written words have destroyed what must have been a remarkable instrument. The Pastons speak of having the messenger read the letter so that he could repeat it verbatim if it was stolen or lost. And some of these letters were complicated. If Malory were in prison, it is probably true that he didn't need books. He knew them. If I had only twelve books in my library I would know them by heart. And how many men had no memory in the fifteenth century? No - the book owned must have been supplemented by the book borrowed and thus by the book heard. The tremendous history of the Persian Wars of Herodotus was known by all Athenians and it was not read by them, it was read to them.
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John Steinbeck
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The earliest memory treatises described two types of recollection: memoria rerum and memoria verborum, memory for things and memory for words. When approaching a text or a speech, one could try to remember the gist, or one could try to remember verbatim. The Roman rhetoric teacher Quintilian looked down on memoria verborum on the grounds that creating such a vast number of images was not only inefficient, since it would require a gargantuan memory palace, but also unstable. If your memory for a speech hinged on knowing every word, then not only did you have a lot more to remember, but if you forgot a single word, you could end up trapped in a room of your memory palace staring at a blank wall, lost and unable to move on. Cicero agreed that the best way to memorize a speech is point by point, not word by word, by employing memoria rerum. In his De Oratore, he suggests that an orator delivering a speech should make one image for each major topic he wants to cover, and place each of those images at a locus. Indeed, the word “topic” comes from the Greek word topos, or place. (The phrase “in the first place” is a vestige from the art of memory.)
”
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Joshua Foer (Moonwalking with Einstein: The Art and Science of Remembering Everything)
“
Susannah smiled at them nervously, then looked up at the route-map. "Hello, Blaine."
"HOWDY, SUSANNAH OF NEW YORK."
Her heart was pounding, her armpits were damp, and here was something she had first discovered way back in the first grade: it was hard to begin. It was hard to stand up in front of the class and be first with your song, your joke, your report on how you spent your summer vacation ... or your riddle, for that matter. The one she had decided upon was one from Jake Chambers's crazed English essay, which he had recited to them almost verbatim during their long palaver after leaving the old people of River Crossing. The essay, titled "My Understanding of Truth," had contained two riddles, one of which Eddie had already used on Blaine.
"SUSANNAH? ARE YOU THERE, L'IL COWGIRL?"
Teasing again, but this time the teasing sounded light, good-natured. Good-humored. Blaine could be charming when he got what he wanted. Like certain spoiled children she had known.
"Yes, Blaine, I am, and here is my riddle. What has four wheels and flies?"
There was a peculiar click, as if Blaine were mimicking the sound of a man popping his tongue against the roof of his mouth. It was followed by a brief pause. When Blaine replied, most of the jocularity had gone out of his voice. "THE TOWN GARBAGE WAGON, OF COURSE. A CHILD'S RIDDLE. IF THE REST OF YOUR RIDDLES ARE NO BETTER, I WILL BE EXTREMELY SORRY I SAVED YOUR LIVES FOR EVEN A SHORT WHILE.
”
”
Stephen King (Wizard and Glass (The Dark Tower, #4))
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Artistic license, also known poetic license, narrative license, and licentiate poetical, is a colloquial term (employed occasionally as a euphemism), which denotes a license to distort the facts, alter the conventions of grammar or language, or reword pre-existing text by an artist in the name of art. Liberal usage of an artistic license to restructure basic facts can result because of conscious or unconscious acts. Artistic embellishment or misrepresentation of the facts and distortion or alteration of the compositional text frequently is the by-product of both intentional and unintentional additions and omissions. An artistic license, employed at an artist’s discretion to fill in details or gloss over factual and historical gaps, raises some ethical issues. Many stories retold verbatim would bore an audience or require inordinate time and resources to reenact, describe, and view. A dramatic license eliminates mundane details and tedious facts, spruces up the picturesque background, and glamorizes the characters’ temperament and action scenes. Is it wrong to be inventive with the facts? What degree of embroidery of a series of events and the characters’ mannerisms and attributes is acceptable? How can anyone paste together a set of facts into an interesting or compelling narrative that has literary value without engaging in some creative organization to enhance the theatrical retelling and to create juxtaposition of ideas and values?
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Kilroy J. Oldster (Dead Toad Scrolls)
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I met [Martin] Amis once, after arriving too early for a party at a bar in Manhattan. He was smaller than I expected, with a tall, handsome head... He glanced at the Roth novel I had on me, When She Was Good. ‘He stumbled there’, he said. And then he proceeded to do what’s not really done anymore at literary parties, if it ever was, and intoned verbatim:
She was so deeply imbedded in my consciousness that for the first year of school I seem to have believed that each of my teachers was my mother in disguise. As soon as the last bell had sounded, I would rush off for home, wondering as I ran if I could possibly make it to our apartment before she had succeeded in transforming herself. Invariably she was already in the kitchen by the time I arrived, and setting out my milk and cookies. Instead of causing me to give up my delusions, however, the feat merely intensified my respect for her powers. And then it was always a relief not to have caught her between incarnations anyway – even if I never stopped trying; I knew that my father and sister were innocent of my mother’s real nature, and the burden of betrayal that I imagined would fall to me if I ever came upon her unawares was more than I wanted to bear at the age of five. I think I even feared that I might have to be done away with were I to catch sight of her flying in from school through the bedroom window, or making herself emerge, limb by limb, out of an invisible state and into her apron.
And it went on. He had the first few pages of Portnoy’s Complaint to hand like a hip flask.
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Thomas Meaney
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... family men, Claude."
"Then why aren't they home with their families?"
"You haven't been listening to me, Claude. It takes lots of honey to raise a family these days..." No, it isn't even that, these teddy bears don't like honey as much as they think they do. They think they're supposed to like it, the way they're supposed to like women and children. They think they're supposed to act like real grizzlies, but they don't feel it. You can't blame them, they just don't have it inside them. What they have, what they love most, is their memories: how the Coach used to shout niceworkpal whenever they caught the big ball or somehow hit the little one, how Dad used to wink when they caught one of his jokes, how when they repeated them he almost died laughing, so they told them and told them - if they told one really well he might do it. They memorized all the conversations verbatim, that about the pussies and the coons, the homers and the balls, the cams and the bearings. They're still memorizing. You can see them almost anytime you're out driving, there in the slow car just ahead, the young man at the wheel, the old man talking, the young man leaning a little to the right in order to hear better, the old man pointing out the properties, the young man looking and listening earnestly, straining to catch the old man's last word, the last joke verbatim, the last bit of know-how about the deals and the properties and the honey. When he thinks he's learned all he can from the old man, he'll shove him out of the car. You watch, next time you're out driving. "...these
are the cream, Claude." These are the all-American fairies.
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Douglas Woolf (Wall to Wall (American Literature))
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a man approached me once with a manuscript. He felt it could be the Next Big Thing if it had the right agent. It featured a toddler he’d left after a failed relationship. The book’s opening had him arriving home in happier times, which meant verbatim dialogue between ‘Mommeeeee’ and ‘Daddeeeeee’ and ‘Widdle babieeeeeee’. It was as heartbreaking to read as the man’s relationship must have been to live, but in a bad way. And the man wasn’t crazy. He loved books, was well read – but his writing in this case played thunderous notes on an inner piano that the rest of us just don’t have. It’s not to say the story couldn’t be beautifully told, that it couldn’t give us those feelings – but it would have to build that piano first. It means the energy from our feelings can’t always be spat directly onto a page, except to write a letter we never send. That energy instead has to propel us through the journey of writing as well as we can. It means we have to be able to stand back and see our theme in all its dimensions. It means the book about the psycho lover also shows his good qualities and isn’t a straight assassination. Before starting to write we need to assure ourselves that we’re not out to settle a score (or if we are, to make sure we do it symbolically or indirectly and with craft), and that we’re not stuck in a feeling-land where little Archie’s first birthday party would feel just as amazing to everyone else as it did to us. Nobody is interested in little Archie unless something big happens at the party.
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D.B.C. Pierre (Release the Bats: Writing Your Way Out Of It)
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She must have read Shaw’s story a few years before. Yes, that must have been it. She had read the story and clearly enjoyed it, to the extent that she had copied it, verbatim, into a notebook reserved for that purpose. Then, finding an assignment due for my class, she had paged through said notebook, stumbled across Shaw’s narrative, and forgotten that Shaw, rather than Tara Tappani, was its rightful author. A simple mix-up.
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Julie Schumacher (Dear Committee Members)
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Hester had something of a gift for mimicry. She often used it in the courtroom to subtly if not immaturely undermine a prosecutor. Doing her best impression of Rick Chad, she repeated his earlier words verbatim: “This guy should be in prison, no questions asked.” “That will be up to a court of law,” Hipster Rick Chad said, “but maybe if a man acts like this, if he punches people in the face in broad daylight, he deserves to be canceled and lose his job.
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Harlan Coben (The Boy from the Woods (Wilde, #1))
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If you’re copying what someone is saying verbatim, you’re probably not processing any of it. That means that, at the most essential moment of learning, you’re utilizing most of your brain to the task of taking dictation. When you use your own words in your notes, you begin to process the information, and that greatly enhances learning.
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Jim Kwik (Limitless: Upgrade Your Brain, Learn Anything Faster, and Unlock Your Exceptional Life)
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We found that students who took notes on laptops performed worse on conceptual questions than students who took notes longhand. We show that whereas taking more notes can be beneficial, laptop note takers’ tendency to transcribe lectures verbatim rather than processing information and reframing it in their own words is detrimental to learning.
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Jim Kwik (Limitless: Upgrade Your Brain, Learn Anything Faster, and Unlock Your Exceptional Life)
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He said that?” “Verbatim.” “Holy shit.” “That was pretty much my reaction, too.” Sloane pauses. “And you didn’t throw yourself to your knees, rip open his zipper, and latch on to him like a sucker fish?” Rolling my eyes, I sigh. “And they say romance is dead.
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J.T. Geissinger (Ruthless Creatures (Queens & Monsters, #1))
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And now the reader will ask what became of the three penguins' eggs for which three human lives had been risked three hundred times a day, and three human frames strained to the utmost extremity of human endurance.
Let us leave the Antarctic for a moment and conceive ourselves in the year 1913 in the Natural History Museum in South Kensington. I had written to say that I would bring the eggs at this time. Present, myself, C.-G., the sole survivor of the three, with First or Doorstep Custodian of the Sacred Eggs. I did not take a verbatim report of his welcome; but the spirit of it may be dramatized as follows:
First Custodian. Who are you? What do you want? This ain't an egg-shop. What call have you to come meddling with our eggs? Do you want me to put the police on to you? Is it the crocodile's egg you're after? I don't know nothing about 'no eggs. You'd best speak to Mr. Brown: it's him that varnishes the eggs.
I resort to Mr. Brown, who ushers me into the presence of the Chief Custodian, a man of scientific aspect, with two manners: one, affably courteous, for a Person of Importance (I guess a Naturalist Rothschild at least) with whom he is conversing, and the other, extraordinarily offensive even for an official man of science, for myself.
I announce myself with becoming modesty as the bearer of the penguins' eggs, and proffer them. The Chief Custodian takes them into custody without a word of thanks, and turns to the Person of Importance to discuss them. I wait. The temperature of my blood rises. The conversation proceeds for what seems to me a considerable period. Suddenly the Chief Custodian notices my presence and seems to resent it.
Chief Custodian. You needn't wait.
Heroic Explorer. I should like to have a receipt for the eggs, if you please.
Chief Custodian. It is not necessary: it is all right. You needn't wait.
Heroic Explorer. I should like to have a receipt.
But by this time the Chief Custodian's attention is again devoted wholly to the Person of Importance. Feeling that to persist in overhearing their conversation would be an indelicacy, the Heroic Explorer politely leaves the room, and establishes himself on a chair in a gloomy passage outside, where he wiles away the time by rehearsing in his imagination how he will tell off the Chief Custodian when the Person of Importance retires. But this the Person of Importance shows no sign of doing, and the Explorer's thoughts and intentions become darker and darker. As the day wears on, minor officials, passing to and from the Presence, look at him doubtfully and ask his business. The reply is always the same, "I am waiting for a receipt for some penguins' eggs." At last it becomes clear from the Explorer's expression that what he is really waiting for is not to take a receipt but to commit murder. Presumably this is reported to the destined victim: at all events the receipt finally comes; and the Explorer goes his way with it, feeling that he has behaved like a perfect gentleman, but so very dissatisfied with that vapid consolation that for hours he continues his imaginary rehearsals of what he would have liked to have done to that Custodian (mostly with his boots) by way of teaching him manners.
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Apsley Cherry-Garrard (The Worst Journey in the World)
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The oral (agraphous) traditions of the papists, for they speak diversely of them. Sometimes tradition is used by them for the 'act of tradition' by which the sacred books were preserved by the church in an uninterrupted series of time (also a perpetual succession) and delivered to posterity. This is formal tradition and in this sense Origen says 'they learned by tradition that the four gospels were unquestioned in the church universal.' Second, it is often taken for the written doctrine which, being at first oral, was afterward committed to writing. Thus Cyprian says, 'Sacred tradition will preserve whatever is taught in the gospels or is found in the epistles of the apostles or in the Acts' (Epistle 74 'To Pompey'). Third, it is taken for a doctrine which does not exist in the Scriptures in so many words, but may be deduced thence by just and necessary consequence; in opposition to those who bound themselves to the express word of the Scriptures and would not admit the word homoousion because it did not occur verbatim there. Thus Basil denies that the profession of faith which we make in the Father, Son and Holy Spirit can be found in the Scriptures meaning the Apostles’ Creed, whose articles nevertheless are contained in the Scriptures as to sense (On the Spirit 8:41, 43). Fourth, it is taken for the doctrine of rites and ceremonies called 'ritual tradition.' Fifth, it is taken for the harmony of the old teachers of the church in the exposition of any passage of Scripture which, received from their ancestors, they retained out of a modest regard for antiquity because it agreed with the Scriptures. This may be called 'tradition of sense' or exegetical tradition (of which Irenaeus speaks, Against Heresies 3.3, and Tertullian often as well, Prescription Against Heretics 3:243–65). Sixth, they used the word tradition ad hominem in disputing with heretics who appealed to them not because all they approved of could not be found equally as well in the Scriptures, but because the heretics with whom they disputed did not admit the Scriptures; as Irenaeus says, 'When they perceived that they were confused by the Scriptures, they turned around to accuse them' (Against Heresies, 3.2). They dispute therefore at an advantage from the consent of tradition with the Scriptures, just as we now do from the fathers against the papists, but not because they acknowledged any doctrinal tradition besides the Scriptures. As Jerome testifies, 'The sword of God smites whatever they draw and forges from a pretended apostolic tradition, without the authority and testimony of the Scriptures' (Commentarii in prophetas: Aggaeum 1:11).
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Francis Turretin (Institutes of Elenctic Theology (Vol. 1))
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The apple pie colophon, signaling the end of the war for that Wednesday morning, splattered and the decibels were boosted for the April Ford commercial, “Come and Get Me, Cop.”
Come and get me, Cop,
Cause I’m not gonna stop
At your red light.
It was a happy little song, but how could he feel happy when he knew that Milly was probably watching it too and enjoying it in a faculty lounge somewhere, never even giving a thought for Boz, or where he was, or how he felt. Milly studied all the commercials and could play them back to you verbatim, every tremor and inflection just so. And not a milligram of her own punch. Creative? As a parrot.
Now, what if he were to tell her that? What if he told her that she would never be anything more than a second-string Grade-Z hygiene demonstrator for the Board of Education. Cruel? Boz was supposed to be cruel?
He shook his head, flip flop of auburn. “Baby, you don’t know what cruel is.”
Mickey switched off the teevee. “Oh, if you think this was something today you should have seen them yesterday. They were in this school. Parkistanis, I think. Yeah. You should have seen it. That was cruel. They wiped them out.”
“Who did?”
“Company A.” Mickey came to attention and saluted the air. Kids his age (six) always wanted to be guerillas or firemen. At ten it was pop singers. At fourteen, if they were bright (and somehow all the Hansons were bright), they wanted to write. Boz still had a whole scrapbook of the advertisements he’d written in high school. And then, at twenty …?
Don’t think about it.
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Thomas M. Disch (334)
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So in reality there was just one functioning channel, which came on at around 5 p.m., shutting down at 11 p.m. At seven o’clock, there was a news program for twenty-five minutes, almost exclusively about Kim Jong-il. There was no live film, just old photographs of him visiting factories, and the newscaster would read, verbatim, whatever he had supposedly said on those occasions. Next there was a thirty-minute music program, in which the lyrics scrolled across the screen karaoke style. The songs had titles like “Defend the Headquarters of Revolution,” which described the North Korean people as “bombs and bullets.” Then there was a slot for a drama or film, followed by another news program on the more recent movements of Kim Jong-il. This was the news that my students had mentioned watching each night. There were, of course, no commercials, but the news was sometimes interrupted by Kim Jong-il quotations that filled the screen.
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Suki Kim (Without You, There Is No Us: My Time with the Sons of North Korea's Elite)
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Mohammed was a narcissist and egoist, determined that no one else should ever rival his glory and importance and so he deliberately set out to make it impossible for any Muslim to surpass him. It was very clever for Mohammed to call himself the seal of prophets and thus for the Koran to be the last word – cutting off any future changes, and making Mohammed’s elevated status as God’s messenger permanent. The Koran is asserted to be the verbatim word of God, the last word of God, the final revelation. One has to wonder why God had to make several attempts at his revelation in the first place, using several prophets. Why not just one prophet and one revelation, explaining everything forever? Why bother with a string of Jewish prophets, before inexplicable switching to an Arab prophet to be the most important prophet of all? Muslims believe that not Mohammed but Allah was the founder of Islam. Why did Allah not simply appear to the world and declare his message? Why use these bizarre intermediaries – these strange prophets? It makes no sense at all.
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Mike Hockney (All the Rest is Propaganda (The God Series Book 12))
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IN 1922, THE new League of Nations issued its Mandate for Palestine, which formalized Britain’s governance of the country. In an extraordinary gift to the Zionist movement, the Mandate not only incorporated the text of the Balfour Declaration verbatim, it substantially amplified the declaration’s commitments.
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Rashid Khalidi (The Hundred Years' War on Palestine: A History of Settler Colonialism and Resistance, 1917–2017)
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how much is creativity under conscious control? To what extent do unconscious processes predispose to the creation of a poem or an idea? Alternatively, how important is careful preparation, logical planning, and detailed thinking-through of a sequence or a topic in advance of the act of creation? By all accounts, Kubla Khan was literally created as “a vision in a dream,” which was later recalled verbatim. It was not a consequence of any conscious effort. In fact, when Coleridge attempted to finish the poem using conscious effort, he failed completely. We have to ask how typical this is, and what other writers, artists, mathematicians, musicians, or scientists have to say about how they get their best ideas. How important is reason? How important is inspiration
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Nancy C. Andreasen (The Creating Brain: The Neuroscience of Genius)
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Start a running list of useful anecdotes, and keep adding new ones so your material doesn't get stale. You can also safely inject humor into your stories. And whatever you do, never read text bullets verbatim from a PowerPoint slide—that's the fastest way to lose everyone's attention.
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Frank Slootman (Amp It Up: Leading for Hypergrowth by Raising Expectations, Increasing Urgency, and Elevating Intensity)
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Nevertheless, the issue of Catholic marriage deserves some additional theoretical and historical consideration to prevent ambiguity. Naturally in our case it is not the arguments of “free thinkers” that turn us against this kind of marriage.
Earlier I mentioned the contamination between the sacred and the profane. It is worth recalling that marriage as a rite and sacrament involving indissolubility took shape late in the history of the Church, and not before the twelfth century. The obligatory nature of the religious rite for every union that wished to be considered more than mere concubinage was later still, declared at the Council of Trent (1563). For our purposes, this does not affect the concept of indissoluble marriage in itself, but its place, significance, and conditions have to be clarified. The consequence here, as in other cases regarding the sacraments, is that the Catholic Church finds itself facing a singular paradox: proposals intending to make the profane sacred have practically ended up making the sacred profane.
The true, traditional significance of the marriage rite is outlined by Saint Paul, when he uses not the term “sacrament” but rather “mystery” to indicate it (“it is a great mystery,” taken verbatim—Ephesians 5:31-32). One can indeed allow a higher idea of marriage as a sacred and indissoluble union not in words, but in fact. A union of this type, however, is conceivable only in exceptional cases in which that absolute, almost heroic dedication of two people in life and beyond life is present in principle. This was known in more than one traditional civilization, with examples of wives who even found it natural not to outlive the death of their husbands.
In speaking of making the sacred profane, I alluded to the fact that the concept of an indissoluble sacramental union, “written in the heavens” (as opposed to one on the naturalistic plane that is generically sentimental, and even at base merely social), has been applied to, or rather imposed on, every couple who must join themselves in church rather than in civil marriage, only to conform to their social environment. It is pretended that on this exterior and prosaic plane, on this plane of the Nietzschean “human, all too human,” the attributes of truly sacred marriage, of marriage as a “mystery,” can and must be valid. When divorce is not permitted in a society like the present, one can expect this hypocritical regime and the rise of grave personal and social problems.
On the other hand, it should be noted that in Catholicism itself the theoretical absoluteness of the marriage rite bears a significant limitation. It is enough to remember that if the Church insists on the indissolubility of the marriage bond in space, denying divorce, it has ceased to observe it in time. The Church that does not allow one to divorce and remarry does permit widows and widowers to remarry, which amounts to a breach of faithfulness, and is at best conceivable within an openly materialistic premise; in other words, only if it is thought that when one who was indissolubly united by the supernatural power of the rite has died, he or she has ceased to exist. This inconsistency shows that Catholic religious law, far from truly having transcendent spiritual values in view, has made the sacrament into a simple, social convenience, an ingredient of the profane life, reducing it to a mere formality, or rather degrading it.
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Julius Evola (Ride the Tiger: A Survival Manual for the Aristocrats of the Soul)
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The past is past. And yet — in the now, in our being, we carry much of the past with us. But we carry much of the past with us only as far as we have unfinished situations. What happened in the past is either assimilated and has become a part of us, or we carry around an unfinished situation, an incomplete gestalt. Let me give you an example. The most famous of the unfinished situations is the fact that we have not forgiven our parents. As you know, parents are never right. They are either too large or too small, too smart or too dumb. If they are stern, they should be soft, and so on. But when do you find parents who are all right? You can always blame the parents if you want to play the blaming game, and make the parents responsible for all your problems. Until you are willing to let go of your parents, you continue to conceive of yourself as a child. But to get closure and let go of the parents and say, “I am a big girl now,” is a different story. This is part of therapy — to let go of parents, and especially to forgive one’s parents, which is the hardest thing for most people to do.
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Frederick Salomon Perls (Gestalt Therapy Verbatim)
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The general definition of what ethnic cleansing consists of applies almost verbatim to the case of Palestine.
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Ilan Pappé (The Ethnic Cleansing of Palestine)
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Uber had to get creative to unlock the hard side of their network, the drivers. Initially, Uber’s focus was on black car and limo services, which were licensed and relatively uncontroversial. However, a seismic shift occurred when rival app Sidecar innovated in recruiting unlicensed, normal people as drivers on their platform. This was the “peer-to-peer” model that created millions of new rideshare drivers, and was quickly copied and popularized by Lyft and then Uber. Jahan Khanna, cofounder/chief technology officer of Sidecar, spoke of its origin: It was obvious that letting anyone sign up to be a driver would be a big deal. With more drivers, rides would get cheaper and the wait times would get shorter. This came up in many brainstorms at Sidecar, but the question was always, what was the regulatory framework that allows this to operate? What were the prior examples that weren’t immediately shut down? After doing a ton of research, we came onto a model that had been active for years in San Francisco run by someone named Lynn Breedlove called Homobiles that answered our question.22 It’s a surprising fact, but the earliest version of the rideshare idea came not from an investor-backed startup, but rather from a nonprofit called Homobiles, run by a prominent member of the LGBTQ community in the Bay Area named Lynn Breedlove. The service was aimed at protecting and serving the LGBTQ community while providing them transportation—to conferences, bars and entertainment, and also to get health care—while emphasizing safety and community. Homobiles had built its own niche, and had figured out the basics: Breedlove had recruited, over time, 100 volunteer drivers, who would respond to text messages. Money would be exchanged, but in the form of donations, so that drivers could be compensated for their time. The company had operated for several years, starting in 2010—several years before Uber X—and provided the template for what would become a $100 billion+ gross revenue industry. Sidecar learned from Homobiles, implementing their offering nearly verbatim, albeit in digital form: donations based, where the rider and driver would sit together in the front, like a friend giving you a ride. With that, the rideshare market was kicked off.
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Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
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Two essential principles of investigation came into play here. First, it is important to interview witnesses as soon after an incident as possible, in order to get the freshest possible memories of the events and to lock witnesses into their stories. Second, since guilty parties frequently coerce or persuade their friends to collaborate on a story, persons with potentially probative information are quickly split up and interviewed separately so that they can't agree on a common version of the story. Experienced detectives know that it is difficult to maintain a lie. If you didn't live it, it didn't happen, and therefore the details aren't hardwired into your mind. Liars have a hard time keeping a story straight, which is why subsequent versions are often verbatim recitations of the first telling, with very specific details offered to make the story seem truthful, while a truthful version may vary or be more vague. For this reason, it is important to lock in the details early and then keep pressure on suspected liars to see how they behave when telling their stories and how their stories hold up over time.
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Joseph K. Loughlin (Finding Amy: A True Story of Murder in Maine)
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Dusty beer bottles on both sides of the squishy steps vibrated and danced every time anyone descended down them. There were bottles on various ledges and within cases that were stacked like totem poles. The kids used a large wooden spool as a table and sat on seats torn from junk cars. They told jokes that everyone knew by heart, or stories that they could recite verbatim. The top of the spool was littered with ashtrays, full of snuffed butts, as well as empty beer
bottles, or “dead soldiers.” At the bottom of the bottles, engorged cigarette butts resembled leeches, having been drowned in a lethal cocktail of backwash and saliva. Half the cigarettes inside the ashtrays had white filters, lovingly imprinted with Gail’s pink lipstick that she’d rubbed out in the ashtray. Of late, I was smoking more, sucking on the cigarettes that I bummed off the girls. Sucking in their essence.
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Gary Floyd (Barbarians in the Halls of Power)
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Maybe you can explain how you figured out the time of death.” He flips through his report. It’s an act. He can recite verbatim the contents of his reports from twenty years ago. “In both cases, I put the time of death between one and four in the morning.” “I’ve wondered how you figured that out.” Actually, I already know. He knows I know. I still want to hear it from him. It’s a free preview of his testimony. “We look at a number of factors. First, we look at body temperature, which drops by about one and a half degrees per hour after death. Second, we look at lividity. When you die, your blood pressure goes down to zero, and your body begins to discolor. We can calculate the time of death based upon the amount of discoloration. We look at food in the victim’s stomach. We see how far the digestive process has gone. We know Mr. Holmes and Ms. Kennedy ate dinner around ten o’clock. There was undigested food in their stomachs. Mr. Holmes had crab cakes. Ms. Kennedy ate a cheeseburger. We do a number of other tests.” I try to sound like an earnest high-school student. “And from this evidence, you concluded the time of death was between one and four in the morning
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Sheldon Siegel (Higher Law (Mike Daley/Rosie Fernandez Mystery #1-4))
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Arkhip learned early in his career that a tape recorder was a crutch. Investigators depended on the recording and failed to listen to a witness’s answers. Without listening, there was no hearing; without hearing, one could not ask intelligent follow-up questions. Opportunities not taken were opportunities lost. Arkhip took notes and maximized his intuitive abilities. With years of practice, he could recall almost verbatim what a witness had said.
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Robert Dugoni (The Silent Sisters (Charles Jenkins, #3))
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Fundraisers no longer have to interrupt people at the wrong times with irrelevant communications. Nonprofits that listen effectively to donor verbatims and digital body language can be relevant and provide value to their supporters. When they do, it’s not an interruption at all. It’s engagement, and it’s welcomed.
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Greg Warner (Engagement Fundraising: How to raise more money for less in the 21st century)
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How to Communicate If You’re a Secure Attachment When: You Want to Enforce a Boundary That Was Violated “I am not sure if it was intentional, but I want to be very clear that the boundary I set has been violated again. I want to give you the benefit of the doubt, but I need you to know that this is a hard boundary for me. I will do my part to remind you and see my needs through in this area, but if this remains a habit I am definitely going to have to protect myself in this area by [insert what you’ll have to do as a consequence, not as a punishment. For example, ‘I will have to take some space in our relationship,’ ‘I will have to see you less often,’ ‘I will only be able to communicate via phone until I see that an awareness of the boundary is demonstrated in person’].” Obviously, this should depend on the nature of the boundary. If the boundary violated is something that makes you feel unsafe, there should be no further conversation except to leave the relationship. You Are Being Stonewalled “I can feel that you are shutting me out. I want to respect the space and time you may need to process right now. At the same time, if you stay in a mode of stonewalling me forever, we aren’t going to get the opportunity to get to the root of the problem and work through it together. It is my intention to try to understand you and hear what you have to say (as long as you can speak respectfully) so that I can meet your needs. I would love it if you could hear me out too. Please think about this and let me know a time when you might be ready to openly communicate about this. I promise to be respectful with my words and I ask that you do the same.” Someone Is Being Critical “You may not mean for it to happen this way, but your words are really hurting me. I’m interpreting the way you are communicating to mean that I am not good enough. If you are open to sharing more vulnerably and clearly about what you need from me, that would be greatly appreciated. Unfortunately, I do not want to hold space any longer for this type of communication, as I feel it is counterproductive.” Someone Is Being Passive-Aggressive “I am not sure if it was your intention, but that comment felt very passive-aggressive. If there is something specific you’d like to speak about directly that is bothering you, please know that you can do so and I am happy to hold space for that. What I will not hold space for, however, are passive-aggressive remarks that can be hurtful and counterproductive.” You Need to Be Heard by a Loved One “This conversation matters a lot to me, and I want to have it when you’re fully present. Are you okay to finish up what you’re doing and then turn and face me so that we can go through this together? It will take about [insert number of minutes]. If that doesn’t work right now, can you please let me know when it will?” These scripts aren’t meant to be used verbatim, but they illustrate some helpful tools for communication.
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Thais Gibson (Learning Love: Build the Best Relationships of Your Life Using Integrated Attachment Theory)
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Mark was certainly written after 70 (the year the Jerusalem temple was destroyed), but how long after is an open question We really have no evidence that Mark was written any earlier than 100, in fact, so it's simply presumption really that puts his Gospel in the first century. [...] Nothing is known of the author. Late tradition claims he was Peter's secretary, but there is no reason to trust that information, and it seems most unlikely. Mark is advocating against Torah-observant Christianity (see Chapter 10, §5) and thus would have been Peter's opponent, not representative. There is no evidence really that Matthew was written in the 80s. Nothing is known of the author. We know 'Matthew' was not an eyewitness, because he copies Mark verbatim and just modifies and adds to him [...], which is not the behavior of a witness, but of a late literary redactor. [...] John wrote after Luke-as almost everyone agrees [...] It could have been written as late as the 140s (some argue even later) or as early as the 100s (provided Luke was written in the 90s). [...] John was redacted multiple times and thus had multiple authors. 32 Nothing is known of them.
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Richard C. Carrier (On the Historicity of Jesus: Why We Might Have Reason for Doubt)
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I think about Rachel Cusk’s memoir about motherhood, A Life’s Work, which a friend gave me after Nate was born. In the introduction, Cusk writes about childbirth dividing mothers from the rest of the world, dividing women even from themselves. The line I remember verbatim is this: “When she is with them she is not herself; when she is without them she is not herself; and so it is as difficult to leave your children as it is to stay with them.” I feel this to be profoundly true. It seems impossible that the person who just fucked a stranger is the same person who Daniel and Nate call Mom. I don’t even remember how to code-switch. I don’t know how to return to a state of motherhood fast enough to relieve the babysitter and put my children to bed. So I stay motionless on the crumpled bedspread, which Not-Really-Mike and I never bothered to remove, and watch the lights of passing cars animate the blank wall. At nine thirty, it feels safe to leave—the kids should be asleep by now—and so I do.
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Molly Roden Winter (More: A Memoir of Open Marriage)
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Learning is nothing but discovery that something is possible. To teach means to show a person that somethingis possible.
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Frederick Salomon Perls (Gestalt Therapy Verbatim)
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The creative process is imagination, memories, nightmares, and dismantling certain aspects of this world and putting them back together in the dark. Songs aren’t necessarily verbatim chronicles or necessarily journal entries, they’re like smoke, it’s like it’s made out of smoke. The stuff that makes a song … well, usually a song will remind you of something, it will take you back somewhere and make you think of somebody or someplace. They’re like touchstones, or a mist.
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Paul Maher Jr. (Tom Waits on Tom Waits: Interviews and Encounters (Musicians in Their Own Words))
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Then, as she turned to walk away, Fred dropped the guillotine.
“So we’re making Ev CEO,” he said, his fork clenched in his hand. “You’re going to get a passive chairman role and a silent board seat. We have some paperwork for you and a recommendation for a lawyer.”
Jack felt like he had just been hit in the face with a baseball bat. “Say that again,” he stuttered to Fred, thinking he had heard incorrectly.
Fred repeated himself almost verbatim: We’re making Ev CEO. You’re getting a passive chairman role. You will have a silent board seat. Here’s the paperwork. Call a lawyer.
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Nick Bilton (Hatching Twitter: A True Story of Money, Power, Friendship, and Betrayal)
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He discovered a great ambition to excel, which roused him to counteract his indolence. He was uncommonly inquisitive; and his memory was so tenacious, that he never forgot any thing that he either heard or read. Mr. Hector remembers having recited to him eighteen verses, which, after a little pause, he repeated verbatim, varying only one epithet, by which he improved the line.
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Samuel Johnson (Complete Works of Samuel Johnson)
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I see ye’ve told her what it means for a Keith to claim a woman,” he said to Darcy. Looking at her across the desk, he said, “Dinna be hard on the lad. If he hadna done it, I would have, and me with three daughters for you to become second mother to. I would ha’ been good to ye, lass, but Darcy, he will worship you.” He winked at Darcy, then spread some papers on the desk and reached for the black-feathered quill. “I have the contract ready, Steafan. Begin when ye wish.” Steafan smirked at her. “What’ll it be, lass, the stocks tonight, or a wedding?” “The stocks,” she said without hesitation, relieved she seemed to have some choice in the matter. What was a night of discomfort compared to the stripping away of one’s choice? Darcy surged around the desk and shook her by the shoulders. His eyes blazed with desperation. “Dinna do this,” he said close by her ear, his voice urgent and low, private from all but perhaps Aodhan, who stood near the desk. “A person in the stocks must be stripped to their skin and placed in the courtyard for the entire clan to laugh at and spit on. I’d sooner defy my uncle and be banished from Ackergill than see you dishonored so. Dinna make me do that, I beg you.” Fear kicked her heart into her throat at Darcy’s manhandling. But as his words penetrated, she stopped fighting his hold. He was serious. He’d abandon his home, his mill, Edmund and Fran, everything he had, all to keep her from a night’s humiliation. He might be a manipulative, lying brute, but he seemed to care for her on some level. She looked hard in his eyes and saw vulnerability glowing behind a glaze of very real fear. Fear for her and for what her actions might cause him to suffer. She shoved away the sympathy he didn’t deserve. He projected an air of absolute honor, but honorable men didn’t trick women into marrying them. “You lied to me,” she seethed. “You told me you’d help me get home.” “And I will,” he said. “Do ye nay remember what I told you before Steafan came in?” She remembered the words verbatim. “Whatever happens tonight, Malina, ye need no’ fash that I’ll keep my word to you.” Malina. The mere memory of her name spoken that way softened her, damn her romantic heart. “Trust me,” he urged.
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Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
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Imagination and recollection of cherished memories of the pastimes are closely related. We do not recall memories verbatim. As our perspective changes regarding our place in the world, we shift through our recollections and revise our memories. People possess the ability to edit their memories by repressing unbearable episodes and highlighting incidences that generate fond memories. How we perceive and comprehend ourselves in the past, the present, and the future shapes our evolving sense of self. Humankind’s ability to repress unpleasant events and humankind’s ability to act as the solo editors of our germinating awareness of the world that we occupy is ultimately responsible for activating our metamorphosing sense of identity.
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Kilroy J. Oldster (Dead Toad Scrolls)
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information that my husband had archived—things I had done, he had done, words I had said, he had said, verbatim sentences he could remember spoken by himself or others or me, things we’d seen or done or places we’d been, verbatim places, verbatim people, exactly precisely factually factual things he could remember that I could not or could not quite, completely, remember. So my husband was this constant fact-checker of my life and the idea of him making things up, intentionally or not, had occurred to me, that maybe many of the things he had told me had happened, had, perhaps, never happened— Elyria, when did it occur
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Catherine Lacey (Nobody Is Ever Missing)
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During this period, I served many celebrities, including Jennifer Aniston, Vince Vaughn, Gary Oldman, Leonardo DiCaprio, Juliette Lewis, Rob Lowe, Colin Farrell, Tom Selleck, David Spade, Thomas Haden Church, Sharon Osbourne, Brad Pitt, John Malkovich, Tara Reid, Toby Maguire and Diane Keaton. You know all of them, so no explanation needed. The hardest thing about serving such famous Hollywood icons, at least for the first time, is trying not to stare at them. It’s so otherworldly to see someone like Selleck, who’s not just huge -he’s bigger than life- and who you´ve watched on big screen and small for years… they are, invariably, taller or shorter than you’d imagined. And the women are either spectacularly beautiful or very ordinary without screen makeup. But you can’t stare. It’s verbatim by ownership.
Brad Pitt was cool and very humble. He had a few Pyramid beers with a producer friend, and then took off on his motorcycle down Sunset Boulevard, heading West towards the Palisades. Am I saying that he was driving drunk? No. He was there for two hours and had two beers, so he wasn’t breaking the law. At least not with my assistance. He had been there many times before, I just hadn’t been the one serving him. I remember when he came in during his filming of Troy. He had long hair and a cast on his leg. Ironically, he had torn his Achilles’ tendon while playing Achilles in the epic film.
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Paul Hartford (Waiter to the Rich and Shameless: Confessions of a Five-Star Beverly Hills Server)
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Memory Verse Study Guide Jesus’ mission statement for the church is to make disciples. These pivotal verses (Matthew 28:18-20) are commonly referred to as the Great Commission. Putting it in context: Read Matthew 28. What key events precede Jesus’ giving the Great Commission, and how would this have affected the disciples? The memory verses are Matthew 28:18-20. Copy these verses verbatim. What do these verses teach us about Jesus? Why does Jesus stress his authority (v. 18) as a backdrop to his command to “make disciples”? How is disciplemaking to be carried out? When is a disciple made? How have these verses spoken to you this week?
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Greg Ogden (Discipleship Essentials: A Guide to Building Your Life in Christ (The Essentials Set))
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Youth in our Sunday school class can repeat almost verbatim some obscure parable we dramatized last year, and yet they forget the core doctrinal statement we taught last week. Why is this? Why does story stick with us for so long?
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Sarah Arthur (The God-Hungry Imagination: The Art of Storytelling for Postmodern Youth Ministry)
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Several times a session—and we had twenty-one of them in the general—just as he had warned, Philippe-as-Trump would say something so outlandish, none of us could quite believe it. Then he’d tell us it was almost verbatim from a Trump rally, interview, or primary debate.
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Hillary Rodham Clinton (What Happened)
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My memorization skills were so well honed at Korean school that it's now become an involuntary and automatic reflex. I have almost perfect recall of conversations I've had going back about twenty years or so. If required, I can recite an entire thirty-minute exchange verbatim. Sometimes this is useful, as when I'm arguing with a male companion about whether one of us did or did not break some previously made promise. However, my gift of recall is very annoying to other people. They forgot to tell us at Korean school that memory does not lead to a happy life.
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Euny Hong (The Birth of Korean Cool: How One Nation is Conquering the World Through Pop Culture)
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I do my thing and you do yours. I am not in this world to live up to your expectations, and you are not in this world to live up to mine. You are you and I am I, and if by chance we find each other, then it is beautiful. If not, it can’t be helped.
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Frederick Salomon Perls (Gestalt therapie verbatim)
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As a younger man, I burned with enthusiasm for my work: I was to be a warrior, the champion of reviled or exiled passions. I would assail the forces marshaled to enslave these passions, the tyrannies imposed in the name of factitious moralities, the sadistic compulsions disguised as highest law. I would be, in my silent, expensive way, the apostle of a thrilling freedom. When did it abandon me, that faith? How often have I heard it repeated, nearly verbatim, that commonplace of every educated, sophisticated patient: I don’t believe in judgment, in divine judgment; I don’t believe that someone is sitting up in the sky frowning down at me. In the past I would have thought: Yes, you do— and that is your problem. In the fullness of time I would assist them in shaking free of this secret conviction. Now, though, my calling has deserted me. The premise wasn’t wrong: most patients suffer more than they know from obscure inner persecutions. What I did not realize, however, was how deeply I myself believed in such a judgment, how along with my patients I embraced with inalienable fidelity that very conviction. This conviction did not presume a personified judge— bearded, severe, enthroned. It presumed instead a law, inhuman, abstract, and implacable, the law to which we owed our lives, the law to which we owed our reckoning. Failure, worth, crisis, potential, fulfillment. Every patient returns to these words again and again. They are the words from which my profession is made, and each of these words presumes a judgment, a mark attained or missed. No one enters my office who does not believe in his very marrow that judgment, some judgment, is absolute and fixed. The person I am meant to be: that mythical creature, that being whom each patient longs and dreads to become, is itself a judgment, a standard one does not devise but to which one must account. What or who set the standard? What or who measured the body for its soul? What or who meant them to be the people they were meant to be? I am certain: belief in judgment is not what my patients reject or grow out of. The belief in judgment is what they cling to. Beneath their affections and afflictions, judgment is their one true love.
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DeSales Harrison (The Waters & The Wild)
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It may help you to jot down a few notes to alleviate any fear of becoming tongue-tied—your name, the position or company you are interested in, how you can be reached, any questions you may have. You won’t be reading it verbatim, but it may be comforting to refer back to it now and then as your conversation progresses. Know your message clearly. Have a plan for exactly what information you want to convey and what you intend to find out. It helps to visualize your success in the call beforehand, and if you feel anxious, to do relaxation exercises before you get on the phone.
The importance of your image continues with any subsequent contact you make prior to the interview, such as your cover letter and resume.
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Jonathan Berent (Beyond Shyness: How to Conquer Social Anxieties)
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I realized I was actually in some Hilton Garden Inn somewhere in the middle of America, and I had to remind myself of what I had been doing for the last ten months. Literally, step by step, campaign stop by campaign stop, I had to rebuild my memory. Think about that for a second. I had to remind myself of breaking up with my boyfriend, leaving my home, and following a man some call a maniac around, trying to keep up with the daily lies and outrages. He lies a lot. That sounds overly negative. But you have to understand something. Most people, even those who would qualify as political junkies, have other things going on in their lives. They follow politics—but they also go to work, pick up their kids, exercise, shop for groceries, daydream, and live a full life. I do not. I live the Trump campaign. That means I live every lie. And I live every controversy. And they pile up daily. Every time Trump opens his mouth in public, I get a verbatim log of it sent to my e-mail.
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Katy Tur (Unbelievable: My Front-Row Seat to the Craziest Campaign in American History)
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so obvious on large sections of the cyber-atheist community. Cyber-Atheism is the veritable North Korea of the internet, and if you intend to interfere in any way shape or form with the minds of their people, you can expect a reaction. And a new atheist reaction is something to behold indeed. Any shard of religious identity you would dare express shall be ripped asunder, sections of your brain will be ridiculed beyond reason, well-rehearsed choruses from the sacred scriptures of Hitchens and Harris will be recited verbatim in your general direction, you will be laden with the burdens of every remotely god-believing human being for the last two thousand years, reviled as an advocator of terrorism, genital mutilation and human sacrifice, but most incongruously and insultingly of all- you will be called irrational and oppressive. And I am to believe that all this is some rather eccentric attempt at courteous discourse? But do not assume for one moment that atheism has kept to itself. Oh no. The level of dedication to the atheist cause has permeated through every single major public gathering in cyberspace; video sharing websites, social networking, wiki-sites, blogs, forums, you name it. There is no mass internet-based domain wherein the territory of new atheism has not been asserted. Videos are created, posted, shared, rated and promoted, hundreds of venerated blogs and websites consistently updated with surveys, statistical analyses, all the latest updates of religious scandal and hopeful omens of the decline of faith all woven across a large, intricate and efficient social network with totalitarian tenacity. New atheism is a well-oiled digital
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Bō Jinn (Illogical Atheism: A Comprehensive Response to the Contemporary Freethinker from a Lapsed Agnostic)
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Matthew, Mark, and Luke were all written in Greek. But Jesus probably did not speak Greek. He was a Jewish peasant. He might have known a little Greek, but his normal tongue would have been the Semitic dialect commonly spoken by the peasants of Palestine in the first century CE, Aramaic. The original oral tradition associated with Jesus would have been communicated among the peasants of Galilee also in Aramaic. Now, here is the problem. When we compare the same stories in Matthew, Mark, and Luke, they agree not just in general or in gist, but often word for word, verbatim. Not 100 percent verbatim, but often as much as 80 percent, and sometimes even more. How shall we explain this?
Does a theory of oral transmission work? Say a set of stories circulated orally in Aramaic; they were told and retold in great variety. They usually communicated the gist but were never word for word the same. Then, gradually, bilingual listeners began to repeat the stories, now sometimes in Aramaic, sometimes in Greek. Greek versions began to circulate orally, told and retold in great variety, usually communicating the gist but never being told word for word the same. Imagine the various ways in which any particular story might have been told, in two different languages, by dozens of different people, in myriad different contexts. Now imagine a story from this oral tradition beginning with Jesus, spreading around in Aramaic, then trickling over into Greek, and spreading around again in the new language; finally one particular version falls on the ears of, say, the author of Matthew, who includes it in his gospel. Now imagine that a different author, say, the author of Luke, hears the same story, but a version of it that has taken a different route through that complex process of being passed on, and he also decides to include it in his gospel. What are the chances that these two versions of the story will agree with one another, in Greek, nearly verbatim? A clever mathematician could perhaps compute the odds. Let us just say, they would be astronomical.
But that’s not all. Jesus was an aphorist and a storyteller. How many times would he have told one of his parables, a good one like the Sower? Dozens of times? Probably. But when a gospel writer includes a parable in his narrative, he can only really use it once. If he were to repeat it as Jesus actually had done, over and over again, that would be tedious. He has to choose one place to put it and one way to tell it. Now, when the authors of Matthew and Mark include the Parable of the Sower in their gospels, they both just happen to portray Jesus telling it right after a scene in which Jesus is accused of having a demon, Beelzebul, so that his family must come to try and take him away. And that story, in both gospels, follows close after a story in which Jesus is healing and exorcizing multitudes. And that story, in both gospels, follows one in which Jesus heals a man with a withered hand. And before that, in both gospels, there is a story about Jesus and his disciples passing through the grain fields of Galilee, feeding themselves from the gleanings. It is not just that Matthew, Mark, and Luke share a large number of stories, sayings, and parables, or that these common traditions often agree almost verbatim from gospel to gospel. They also present these things in the same order. Could oral tradition account for all of that? Never.
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Stephen J. Patterson (The Lost Way: How Two Forgotten Gospels Are Rewriting the Story of Christian Origins)
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Iconic hybridity, on the other hand, is the product of representing the self-translation performed by a character or an embodied narrator and therefore represents hybridity as object. The representation of this self-translation is immediate, or rather, it purports to be immediate. This verbatim reproduction is of course an illusion, as all speech and thought presentation is mediated by the narrator (see also Fludernik 2009:65). Furthermore,
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Susanne Klinger (Translation and Linguistic Hybridity: Constructing World-View (Routledge Advances in Translation and Interpreting Studies Book 7))
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What I want y’all to take from Rhythm and my story is that love is not always easy. Shit, love is hard. Now bitches, don’t let any nigga just play with your heart and emotions because he throw around the love word, but know that we make fucking mistakes. And niggas, stop chasing these thot ass bitches when you know that your soul mate is at home praying that you make it in safely. When Rhy gave me a second chance, I promised her and God himself that another chick could never even feel like she had a chance at conversing with me. So ladies, get you a Hood. A nigga who’s a little bit of crazy, nasty as hell, and madly in love with you. And niggas, well, you couldn’t find another Rhythm even if you followed the manual verbatim. Thank you all for rooting for us though. Rhythm was definitely a dope boy’s heart beat! The
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Niqua Nakell (Rhythm & Hood (A STAND ALONE NOVEL): A Dope Boy's Heartbeat)
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The initial answers are the intuitively appealing ones, the ones that come quickly and naturally to mind if we don’t pause to reflect. We let the salience of certain elements (and they were framed to be salient on purpose) draw us away from considering each element fairly and accurately. We use mindless verbatim strategies—repeating an element in the prior answer and not reflecting on the actual best strategy to solve the present problem—instead of mindful ones (in essence, substituting an intuitive question for the more difficult and time-consuming alternative, just because the two happen to seem related)
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Anonymous
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Muslims believe that every single word of the Quran was dictated verbatim by Allah, through the Archangel Gabriel, to Muhammad. The Quran is therefore not only inspired at the level of meaning but at the deeper level of the words themselves. For this reason, Muslims do not consider the Quran translatable. If it is rendered in any language other than Arabic, it is not Quran but rather an interpretation of the Quran. A book can be a true Quran only if written in Arabic.
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Nabeel Qureshi (Seeking Allah, Finding Jesus: A Devout Muslim Encounters Christianity)
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Everything is going wrong with my relationship. I know that it’s all my fault. I try everything I know to fix it, but it doesn’t work. I’m not even sure if I love him/her. Maybe I don’t know what love is. I’m so confused.” Sound familiar? It should. It is almost verbatim the story I hear when an Adult Child of an Alcoholic enters therapy because an intimate relationship is souring.
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Janet Geringer Woititz (Struggle for Intimacy)
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John's master, in allowing his slaves to marry, was much more liberal than most slave owners, who allowed their slaves no such liberty.
As a rule negro men were not allowed to marry at all, any attempt to mate with the negro women brought swift, sure horrible punishment and the species were propagated by selected make negroes, who were kept for that purpose, the owners of this provileged negro, charged a fee of one out of every four of his offspring for his services.
(Misspellings verbatim as written)
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Born In Slavery: Slave Narratives from The Federal Writers Project
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Muslims believe that every single word of the Quran was dictated verbatim by Allah, through the Archangel Gabriel, to Muhammad. The Quran is therefore not only inspired at the level of meaning but at the deeper level of the words themselves. For this reason, Muslims do not consider the Quran translatable. If it is rendered in any language other than Arabic, it is not Quran but rather an interpretation of the Quran. A book can be a true Quran only if written in Arabic. This is why it is such an important belief for Muslims that the Quran has always been exactly the same — word for word, dot for dot.
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Nabeel Qureshi (Seeking Allah, Finding Jesus: A Devout Muslim Encounters Christianity)