Wee Man Quotes

We've searched our database for all the quotes and captions related to Wee Man. Here they are! All 100 of them:

If a woman wanted a man to think of her constantly, she should tell him he could only have her once a wee and bam - concentration blown.
Christina Lauren (Beautiful Stranger (Beautiful Bastard, #2))
What a wee little part of a person's life are his acts and his words! His real life is led in his head, and is known to none but himself. All day long, the mill of his brain is grinding, and his thoughts, not those of other things, are his history. These are his life, and they are not written. Everyday would make a whole book of 80,000 words -- 365 books a year. Biographies are but the clothes and buttons of the man -- the biography of the man himself cannot be written.
Mark Twain
 “Well, Mr. George, I’d say that’s a long way up for us to be worried about a wee 30 feet from away down here?... I say we grant the man his error. The sky will not be scratched, and I assure you, pigeons won’t roost that high! These are things that happen...
Tom Baldwin (Macom Farm)
Writing stays. It fastens words down. A man can speak his mind and some nasty wee scuggan will write it down and who knows what he’ll do with those words? Ye might as weel nail a man’s shadow tae the wall!
Terry Pratchett (A Hat Full of Sky (Discworld, #32))
We cannae just rush in, ye ken." "Point o' order, Big Man. Ye can just rush in. We always just rush in." "Aye, Big Yan, point well made. But ye gotta know where ye're just gonna rush in. Ye cannae just rush in anywhere. It looks bad, havin' to rush oout again straight awa'.
Terry Pratchett (The Wee Free Men (Discworld, #30; Tiffany Aching, #1))
The running pants were tolerable, Drustan decided, relieved. The blue trews had clearly been a torture device and would have strangled a man's seed. Mayhap men were fashioned differently in her time. He hadn't seen one other bulge out there on the street; mayhap they all had wee carrots in their trews.
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
Yes. Just now, I was actually trying to rank 'I love you, I like you, I worship you, I have to have my cock inside you,' in terms of relative sincerity. Did I day that? he said sounding slightly startled. Yes. Weren't you listening? No, he admitted. I meant every word of it though. His hand cupped one buttock, weighing it appreciatively. Still do come to that. What, even that last one? I laughed and rubbed my forehead gently against his chest, feeling his jaw rest snugly on top of my head. Oh, aye, he said gathering me firmly against him with a sigh. I will say the flesh requires a bit of supper and a wee rest before I think of doin' it again, but the spirit is always willing. God, ye have the sweetest fat wee bum. Only seeing it makes me want to give it yea again directly. It's lucky ye're wed to a decrepit auld man, Sessenach, or ye'd be on your knees with your arse in the air this minute.
Diana Gabaldon (A Breath of Snow and Ashes (Outlander, #6))
I keep collecting books I know I'll never, never read; My wife and daughter tell me so, And yet I never heed. "Please make me," says some wistful tome, "A wee bit of yourself." And so I take my treasure home, And tuck it in a shelf. And now my very shelves complain; They jam and over-spill. They say: "Why don't you ease our strain?" "Some day," I say, "I will." So book by book they plead and sigh; I pick and dip and scan; Then put them back, distressed that I Am such a busy man. Now, there's my Boswell and my Sterne, my Gibbon and Defoe; To savor Swift I'll never learn, Montaigne I may not know. On Bacon I will never sup, For Shakespeare I've no time; Because I'm busy making up These jingly bits of rhyme. Chekov is caviar to me, While Stendhal makes me snore; Poor Proust is not my cup of tea, And Balzac is a bore. I have their books, I love their names, And yet alas! they head, With Lawrence, Joyce and Henry James, My Roster of Unread. I think it would be very well If I commit a crime, And get put in a prison cell And not allowed to rhyme; Yet given all these worthy books According to my need, I now caress with loving looks, But never, never read." (from, Book Lover)
Robert W. Service
But the men tonight were paid to kill a newlywed man and his wife,” his arms gave me a squeeze, “I lose no sleep for them and you shouldn’t either.” “But you were awake,” I pointed out. “Yes, I was, because my wee wife trembles against me in her sleep,” he informed me. God, that was sweet. “Sorry, Frey,” I whispered. “Do not be sorry, be drowsy,” he ordered.
Kristen Ashley (Wildest Dreams (Fantasyland, #1))
What you see is not what wee se. What you see is distracted by memory, by being who you are, all this time, for all these years.
Don DeLillo (Falling Man)
Thing is, as ye git aulder, this character-deficiency gig becomes mair sapping. Thir wis a time ah used tae say tae aw the teachers, bosses, dole punters, poll-tax guys, magistrates, when they telt me ah was deficient:'Hi, cool it, gadge, ah'm jist me, jist intae a different sort ay gig fae youse but, ken?' Now though, ah've goat tae concede thit mibee they cats had it sussed. Ye take a healthier slapping the aulder ye git. The blows hit hame mair. It's like yon Mike Tyson boy at the boxing, ken? Every time ye git it thegither tae make a comeback, thir's jist a wee bit mair missin. So ye fuck up again. Yip, ah'm jist no a gadge cut oot fir modern life n that's aw thir is tae it, man. Sometimes the gig goes smooth, then ah jist pure panic n it's back tae the auld weys. What kin ah dae?
Irvine Welsh (Trainspotting)
in Just- spring          when the world is mud- luscious the little lame balloonman whistles          far          and wee and eddieandbill come running from marbles and piracies and it's spring when the world is puddle-wonderful the queer old balloonman whistles far          and          wee and bettyandisbel come dancing from hop-scotch and jump-rope and it's spring and           the                     goat-footed balloonMan          whistles far and wee
E.E. Cummings (Tulips & Chimneys)
Well, my mother told me I’d be some lassie’s choice one fine day.” He reached down a hand and helped me up. “I told her,” he continued, “that I thought it was the man’s part to choose.” “And what did she say to that?” I asked. “She rolled her eyes and said ‘You’ll find out, my fine wee cockerel, you’ll find out.’ ” He laughed. “And so I have.
Diana Gabaldon (Outlander (Outlander, #1))
it's spring and the goat-footed balloonMan whistles far and wee
E.E. Cummings (Selected Poems)
When I was a wee little kid," remarked Roic, watching over their shoulders, "there was a time I thought that any skinny old man I saw was my grandfather. It was pretty confusing.
Lois McMaster Bujold (CryoBurn (Vorkosigan Saga, #14))
I decided to drop it since he liked it so much. But I glanced at it first, and then I couldn't. I held a porcelain castle no bigger than my two fists, with six wee towers, each ending in a miniature candle holder. And oh! Strung between a window in each of two towers was a gossamer thread of china from which hung-laundry! A man's hose, a robe, a baby's pinafore, all thin as a spider's web. And, painted in a window downstairs, a smiling maiden waved a silken scarf.
Gail Carson Levine (Ella Enchanted (Ella Enchanted, #1))
The English make bonny speeches, but they run to an awful wee man. And the Kerrs . . . there’s something unchancy about a left-handed race.’ ‘I’m right-handed,’ offered Will Scott. ‘Aye.’ ‘And six foot three in my hose.’ ‘Uh-huh. I didna say I wanted to run up a beanpole. Nor have I heard hide nor hair of a speech, bonny or otherwise.’ ‘I’m saving it,’ he said austerely, ‘till I’ve the theme for it.’ ‘Oh!’ said Grizel Beaton (Younger) of Buccleuch, with a squeal of delight. ‘Will Scott! Are we having our first married set-to?
Dorothy Dunnett (The Disorderly Knights (The Lymond Chronicles, #3))
A father can tell. Gregor's a good lad. A bright, fresh-air mind. Always helps his mother around the house without being asked, but he's a wee bit ..." The man paused as though he couldn't find the correct word. "Artistic. T'chut. Do ye know what I mean by that?" Mungo gave a small nod. He wasn't sure if what the man meant, and what he understood, were the same thing. "Forgive me if I've read you wrong, David. But would I be right in thinking ye are a wee bit artistic yourself?" Calum didn't wait for an answer. "See, I know lots of men would be bothered by that. But I have no problem with ye if you are. I'm just saying ... Och, well, I dunno. I say the wrong thing sometimes.
Douglas Stuart (Un lugar para Mungo)
the first riddle of the universe: asking, when is a man not a man?: telling them take their time, yungfries, and wait till the tide stops (for from the first his day was a fortnight) and offering the prize of a bittersweet crab, a little present from the past, for their copper age was yet un-minted, to the winner. One said when the heavens are quakers, a second said when Bohemeand lips, a third said when he, no, when hold hard a jiffy, when he is a gnawstick and detarmined to, the next one said when the angel of death kicks the bucket of life, still another said when the wine's at witsends, and still another when lovely wooman stoops to conk him, one of the littliest said me, me, Sem, when pappa papared the harbour, one of the wittiest said, when he yeat ye abblokooken and he zmear he zelf zo zhooken, still one said when you are old I'm grey fall full wi sleep, and still another when wee deader walkner, and another when he is just only after having being semisized, another when yea, he hath no mananas, and one when dose pigs they begin now that they will flies up intil the looft. All were wrong, so Shem himself, the doctator, took the cake, the correct solution being — all give it up? — when he is a — yours till the rending of the rocks, — Sham.
James Joyce
Weetzie and My Secret Agent Lover Man and Dirk and Duck and Cherokee and Witch Baby and Slinkster Dog and Go-Go Girl and the puppies Pee Wee, Wee Wee, Teenie Wee, Tiki Tee, and Tee Pee were driving down Hollywood Boulevard on their way to the Tick Tock Tea Room for turkey platters.
Francesca Lia Block
No a word 'bout my nails, Al. Or anything. This situation here is only because I love ma wee brother and need tae convince his bride's family that I'm totally normal and no involved with the occult, plus I'm pretending that ma uterus desperately wants a ten-month lease from some man's seed but I'm just too busy at the moment, awright?
Kevin Hearne (Ink & Sigil (Ink & Sigil, #1))
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
she sounded bothered by the interruption. “Who’s your mammy, wee man?” “My mother is Agnes Campbell Bain,” he said. “C-can you tell her it’s Shu—Hugh.” He caught himself. “Can you please tell her I don’t have any custard left.” The woman leaned back into the noise of the party. “Haw, does anybody here know an Agnes?” she asked of the room behind her. There were other voices, and then she said, “Haud on a wee minute,
Douglas Stuart (Shuggie Bain)
Tenways showed his rotten teeth. ‘Fucking make me.’ ‘I’ll give it a try.’ A man came strolling out of the dark, just his sharp jaw showing in the shadows of his hood, boots crunching heedless through the corner of the fire and sending a flurry of sparks up around his legs. Very tall, very lean and he looked like he was carved out of wood. He was chewing meat from a chicken bone in one greasy hand and in the other, held loose under the crosspiece, he had the biggest sword Beck had ever seen, shoulder-high maybe from point to pommel, its sheath scuffed as a beggar’s boot but the wire on its hilt glinting with the colours of the fire-pit. He sucked the last shred of meat off his bone with a noisy slurp, and he poked at all the drawn steel with the pommel of his sword, long grip clattering against all those blades. ‘Tell me you lot weren’t working up to a fight without me. You know how much I love killing folk. I shouldn’t, but a man has to stick to what he’s good at. So how’s this for a recipe…’ He worked the bone around between finger and thumb, then flicked it at Tenways so it bounced off his chain mail coat. ‘You go back to fucking sheep and I’ll fill the graves.’ Tenways licked his bloody top lip. ‘My fight ain’t with you, Whirrun.’ And it all came together. Beck had heard songs enough about Whirrun of Bligh, and even hummed a few himself as he fought his way through the logpile. Cracknut Whirrun. How he’d been given the Father of Swords. How he’d killed his five brothers. How he’d hunted the Shimbul Wolf in the endless winter of the utmost North, held a pass against the countless Shanka with only two boys and a woman for company, bested the sorcerer Daroum-ap-Yaught in a battle of wits and bound him to a rock for the eagles. How he’d done all the tasks worthy of a hero in the valleys, and so come south to seek his destiny on the battlefield. Songs to make the blood run hot, and cold too. Might be his was the hardest name in the whole North these days, and standing right there in front of Beck, close enough to lay a hand on. Though that probably weren’t a good idea. ‘Your fight ain’t with me?’ Whirrun glanced about like he was looking for who it might be with. ‘You sure? Fights are twisty little bastards, you draw steel it’s always hard to say where they’ll lead you. You drew on Calder, but when you drew on Calder you drew on Curnden Craw, and when you drew on Craw you drew on me, and Jolly Yon Cumber, and Wonderful there, and Flood – though he’s gone for a wee, I think, and also this lad here whose name I’ve forgotten.’ Sticking his thumb over his shoulder at Beck. ‘You should’ve seen it coming. No excuse for it, a proper War Chief fumbling about in the dark like you’ve nothing in your head but shit. So my fight ain’t with you either, Brodd Tenways, but I’ll still kill you if it’s called for, and add your name to my songs, and I’ll still laugh afterwards. So?’ ‘So what?’ ‘So shall I draw?
Joe Abercrombie (The Heroes)
Did I call them Laurel and Hardy? I meant sodding Romeo and Juliet. This is flirting, á la Gestapo underlings: She: Oh, you are so strong and manly, M'sieur Thibaut. These knots you tie are so secure. He: That is nothing. Look, I pull them so tight you cannot undo them. Try. She: It is true, I cannot! Oh, pull them tighter! He: Chérie, your wish is my command. It is my ankles, not hers, which he is binding so tightly and with such masculine charm. She: I shall have to call you in tomorrow morning as well, to do this task for me. He: You must cross the cords, so, and knot them behind - Me: Squeak! Squeak! She: Shut up and write, ya wee skrikin' Scots piece o' shite. Well, no, she did not use those exact words. But you get the idea.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
[about a book lent by a crush] Last night I read into the wee small hours. Fell asleep with my face in the book, my nose pressed up against the print. Could smell Sean on the pages, the lingering odours from his sportsbag. Man scent, liniment, damp earth.
Bob Condron (Chasing Danny Boy: Powerful Stories of Gay Celtic Eros)
Wees niet verdrietig, liefste, maar huil voor mij, Ik zal je tranen in me laten oplossen, ze zullen me herinneren Aan die andere, de tranen die je, heet en blij Op me stortte, toen je stralend mij doorzinderde, Toen je heersend als een man mij nam En even later als een kind in mijn omhelzing Stierf, je kleine dood, lief lekker ding Van me, zoals je keer op keer in me kwam. Kijk hoe ik voor je dans, hoe ik met elke lendenslag Een letter vorm, kijk goed, en lees die letters van Me af, leer me uit je hoofd, zodat ik elke dag jou mag Bezoeken, juichend, neergehurkt voor je gezicht, Opgloeiend van verlangen, hartslag van je, man Van je, in je mond getatoeëerd gedicht.
Peter Verhelst (Nieuwe sterrenbeelden)
What Dougie had actually said was You shouldn't get too up your own arse about being a dad. You get a wee man or a wee lassie to play with for a bit and the next thing you know there's this superfluous person knocking about who doesn't seem to know much about you, but it's all your fault.
James Meek (The Heart Broke In)
Whatever comes, ye must know this, gràidheag. Before ye, I was dead. Seein’ ye felt like breathin’ for the first time. A wee bit painful, at first. Then … pure joy.” He kissed the top of her head and pulled her in tighter. “A man will fight to his last scrap to keep such a miracle safe. Because without ye, I’m dead anyhow.
Elisa Braden (The Temptation of a Highlander (Midnight in Scotland, #3))
I hardly dare believe it after that horrible day last summer. I have had a heart ache ever since then. But it is gone now.” “This baby will take Joy’s place.” Said Marilla. “Oh, no no no Marilla. He can’t, nothing can ever do that. He has his own place, my dear wee man child. But little Joy has hers, and always will have it.
L.M. Montgomery
Hello, little girl,” he said, which was only his first big mistake. “I’m sure you want to know all about hedgehogs, eh?” “I did this one last summer,” said Tiffany. The man looked closer, and his grin faded. “Oh, yes,” he said. “I remember. You asked all those…little questions.” “I would like a question answered today,” said Tiffany. “Provided it’s not the one about how you get baby hedgehogs,” said the man. “No,” said Tiffany patiently. “It’s about zoology.” “Zoology, eh? That’s a big word, isn’t it.” “No, actually it isn’t,” said Tiffany. “Patronizing is a big word. Zoology is really quite short.” The teacher’s eyes narrowed further. Children like Tiffany were bad news.
Terry Pratchett (The Wee Free Men (Discworld, #30))
Jimmy shot him a look that patently said: ‘Mon noo, Wee-man, whit are ye waitin fur? Ah’ve set ye up tae get in her knickers!
Jamie Holoran (Rounder's People)
Let's worry like mad. Shall we start on a worldwide basis and work down to ourselves, or start with ourselves and spread?" "I'm going to do me-and-Peter and that dead man." "All right. I'm just going to do a wee one about Bunny and then I'll join you. Always creeping around telling tales and stealing people's tights! How can anyone be that scrofulous and live? Now if somebody bumped him off, that would make sense.
Pamela Branch (The Wooden Overcoat)
Ek dink as ek vandag na Bob Dylan se 'Mr Tambourine Man' moet luister, sal al die hartseer van die afgelope paar jaar saamkoek in my hart soos staalwol. Die skerp draadkrulle sal my hart kneus en sny en die pyn sal ondraaglik wees.
Zelda Bezuidenhout (As mens geluk kon proe)
Long stretches of empty road linked bleak and exposed settlements huddled around churches of various denominations. The Church of Scotland. The United Free Church of Scotland. The Free Church of Scotland. The Free Church of Scotland (Continuing)—the Wee Frees, as the free churches were universally known. Each one was a division of the one before. Each one a testimony to the inability of man to agree with man. Each one a rallying point for hatred and distrust of the other.
Peter May (The Blackhouse (The Lewis Trilogy, #1))
What did we talk about? I don't remember. We talked so hard and sat so still that I got cramps in my knee. We had too many cups of tea and then didn't want to leave the table to go to the bathroom because we didn't want to stop talking. You will think we talked of revolution but we didn't. Nor did we talk of our own souls. Nor of sewing. Nor of babies. Nor of departmental intrigue. It was political if by politics you mean the laboratory talk that characters in bad movies are perpetually trying to convey (unsuccessfully) when they Wrinkle Their Wee Brows and say (valiantly--dutifully--after all, they didn't write it) "But, Doctor, doesn't that violate Finagle's Constant?" I staggered to the bathroom, released floods of tea, and returned to the kitchen to talk. It was professional talk. It left my grey-faced and with such concentration that I began to develop a headache. We talked about Mary Ann Evans' loss of faith, about Emily Brontë's isolation, about Charlotte Brontë's blinding cloud, about the split in Virginia Woolf's head and the split in her economic condition. We talked about Lady Murasaki, who wrote in a form that no respectable man would touch, Hroswit, a little name whose plays "may perhaps amuse myself," Miss Austen, who had no more expression in society than a firescreen or a poker. They did not all write letters, write memoirs, or go on the stage. Sappho--only an ambiguous, somewhat disagreeable name. Corinna? The teacher of Pindar. Olive Schriener, growing up on the veldt, wrote on book, married happily, and ever wrote another. Kate Chopin wrote a scandalous book and never wrote another. (Jean has written nothing.). There was M-ry Sh-ll-y who wrote you know what and Ch-rl-tt- P-rk-ns G-lm-an, who wrote one superb horror study and lots of sludge (was it sludge?) and Ph-ll-s Wh--tl-y who was black and wrote eighteenth century odes (but it was the eighteenth century) and Mrs. -nn R-dcl-ff- S-thw-rth and Mrs. G--rg- Sh-ld-n and (Miss?) G--rg-tt- H-y-r and B-rb-r- C-rtl-nd and the legion of those, who writing, write not, like the dead Miss B--l-y of the poem who was seduced into bad practices (fudging her endings) and hanged herself in her garter. The sun was going down. I was blind and stiff. It's at this point that the computer (which has run amok and eaten Los Angeles) is defeated by some scientifically transcendent version of pulling the plug; the furniture stood around unknowing (though we had just pulled out the plug) and Lady, who got restless when people talked at suck length because she couldn't understand it, stuck her head out from under the couch, looking for things to herd. We had talked for six hours, from one in the afternoon until seven; I had at that moment an impression of our act of creation so strong, so sharp, so extraordinarily vivid, that I could not believe all our talking hadn't led to something more tangible--mightn't you expect at least a little blue pyramid sitting in the middle of the floor?
Joanna Russ (On Strike Against God)
My heart is racing like I’ve run from here to Inverness,” he said. “Or just beaten an opponent who had a great, bloody axe.” “Mine too. He’s determined.” “And wily too. He knew you were in here. I think he set you up.” “Aye. Tricky bastard.” “Not tricky enough.” A wee smile cracked her face. She tried to hold it back, but it broke through, and they both burst out laughing—in relief, but also at the absurdity of it, at what had almost happened. How he, a grown man and laird, a warrior and defender of good people, had been running from chamber to chamber trying to outwit a decrepit, interfering old man.
Alyson McLayne (Highland Conquest (The Sons of Gregor MacLeod #2))
As regards the prohibition on the utterance of the fairy name by mortals, either that of the species as a whole, or of individuals, it his undoubtedly issued from sources exceedingly ancient. It is implicit in animistic belief that the name of a man or spirit is a vital part of the individual. In some remoter areas of the world a person's name is still regarded as being equally vital or important with his spirit or soul, and to know it and pronounce it presumes power over the person or spirit to whom it belongs. Supernatural beings in general are indeed exceedingly touchy upon the subject of their names being freely bandied about, and to this rule fairies are no exception. It is for this reason that the fays have bestowed upon them such alternative titles or sobriquets as 'the good neighbours,' or 'the wee folk.' 'We find,' says Wentz, 'that taboos of a religious and social character are as common in the living fairy-faith as exorcisms. The chief one is against naming the fairies.' 'Gin ye ca' me fairy / I'll wark ye muck Ie tarrie [trouble],' says an old Scottish rhyme which popular belief put into the mouths of the elves. 'The fairies,' remarks Robert Chambers, 'are said to have been exceedingly sensitive upon the subject of their popular appellations. They considered the term 'fairy' disreputable.
Lewis Spence (British Fairy Origins)
Boxer altered his course subtly, as if that was the way he'd already been going, not looking up to acknowledge he had heard, letting his attitude convey the contempt he felt for the scrawny foreman. He stopped in front of the guy, staring at the man's dusty little workboots. Small feet, small dick. Slowly, he glanced up. "Welcome to the world, Pee-Wee. Take a look at this.
Douglas Preston (The Cabinet of Curiosities (Pendergast, #3; Nora Kelly, #0B))
Hate and anger were what had kept him alive. He had fed on them for so long, they were the only emotions he recognized, the only ones he still knew how to feel. And yet, right now, surrounded by the warmth of the three precious girls who were using him as a pillow, hate seemed very far away, crowded out by things unknown and yet familiar, impossible things. Love. A feeling of belonging. A sense of peace. He closed his eyes. It was all an illusion. He didn't belong anywhere. He didn't know what love was anymore. And peace . . . Christ, what was that? So Conor sat listening to the rain and stealing a few moments of trust and affection he did not deserve from three wee girls who were not his. And he reminded himself at least twice that night that he was not a family man.
Laura Lee Guhrke (Conor's Way)
And exactly how old are you, MacRieve?” “Twelve hundred, give or take.” She glanced back at him, as though gauging if he was jesting. When he raised his brows, she said, “Great Hekate, you’re a relic. Don’t you have a museum exhibit to be in somewhere?” He ignored her comments. “Another mystery—I dinna find a razor in your bag, but your legs and under your arms are smooth.” “I was lasered,” she said, then added, “I can hear your frown, Father Time,” surprising him because he was. She didn’t explain more, but he didn’t miss a beat. “Makes a man recall where else you’re so well groomed.” She shivered from a mere murmur in her ear. “I’m lookin’ forward tae touchin’ you there again.” “Ha! Why would you think that I would ever let you?” “I happen to ken that you’re a lusty one. And I’ve taken away your wee alternative. Tossed it into a river.” As she gasped, he said, “Took me a minute to figure out what it was—a minute more to believe you actually had it. Then imagining you using it? Had me in such a state, I could scarcely run without tripping over my own feet.” “You’re trying to embarrass me again. Give it up. I’m not going to be ashamed because I’m like every other girl my age.” “I doona want you to be ashamed—never in matters like that. And I ken you’re to turn immortal soon, know the need must be overwhelming. In fact, most females get confused by all their new lustiness,” he said. “Best to have a firm hand to guide them into immortal sex.” “And I’ll just bet that you’re happy to volunteer.” Making his tone aggrieved, he sighed, “If I must . . .
Kresley Cole (Wicked Deeds on a Winter's Night (Immortals After Dark, #3))
A rattle of dishes warned of a servant’s entry into the hall, but Christopher was incensed, and half turning with a growl, he gestured Paine back. “Get out of here, man!” “Christopher!” Erienne gasped and took two halting steps to follow the befuddled servant, but Christopher came around to face her with a glare. “Stay where you are, madam! I am not finished with you.” “You have no right to give orders here,” she protested, her own ire growing. “This is my husband’s house!” “I’ll give orders when and where I damn well please, and for once, you will stand and listen until I’m through!” More than a trifle outraged herself, Erienne hurled back her answer. “You may command the men on your ship to your will, Mister Seton, but you have no such authority here! Good day to you!” Catching up her skirts, she whirled and stalked toward the tower until she heard the sound of rapid footsteps coming behind her, then a sudden panic seized her that he would make such a scene that she would not be able to face the servants… or her husband. She raced into the entry, stepping over the puddle, and took to the stairs, forcing every bit of strength she could into her limbs. She had barely gained the fourth step when she heard sliding feet, a loud thump, and then a painful grunt followed by an angry curse. When she whirled, Christopher was just coming to rest in a heap against the wall after sliding across the floor, partway on his back. For a moment she stared aghast at the dignified man sprawled in a most undignified manner, but when he raised his head to look at her with barely contained rage, she was struck by the humor of it all. Bubbling laughter broke forth, winning from him a dark scowl of exasperation. “Are you hurt, Christopher?” she asked sweetly. “Aye! My pride has been mightily bruised!” “Oh, that will mend, sir,” she chuckled, spreading her skirts to perch primly on the step above him. Her eyes danced with a lively light that was simply dazzling to behold. “But you should take care. If such a modest spot of water can bring you down so abruptly, I would not advise sailing beyond these shores.” “ ’Tis not a spot of water that’s brought me down, but a waspish wench who sets her barbs against me at every turn.” “You dare accuse me when you come in here huffing and snorting like a raging bull?” She gave a throaty, skeptical laugh. “Really, Christopher, you ought to be ashamed of yourself. You frightened Paine and nearly made me swallow my heart.” “That’s an impossibility, madam, for that thing is surely made of cold, hard steel.” “You’re pouting,” she chided flippantly, “because I have not fallen swooning at your feet.” “I’m angry because you continually deny the fact that you should be my wife!” he stated emphatically. Footsteps on the stairs behind Erienne made them glance up. Aggie came nonchalantly down the steps, seeming unaware of Christopher’s storm-dark frown. Excusing herself, she stepped past her mistress. Finally, on reaching level footing, she contemplated the man, a twinkle of mischief in her eye. “Aren’t ye a wee bit old ter be takin’ yer leisure on the floor, sir?” He raised a brow at Erienne as that one smothered a giggle, and with a snort, got to his feet and brushed off his breeches and coatsleeve. -Christopher, Erienne, and Aggie
Kathleen E. Woodiwiss (A Rose in Winter)
When I was younger and hard-hearted, with hot, hostile artistic ambitions I yearned to charge at the aloof, faceless “thems” of our world until they said Uncle, I believed the scariest words ever spoken to be “The apple never falls far from the tree.” That whole concept inspired clinging fears in the wee hours, and a halting miserable shyness in the presence of those who seemed to be the anointed. If I fell not far from the tree, was I then fated to be, not, say, a college prof of English, but inmate 2679785? A parolee who spends seventeen years on the night shift with Custodial Services at KU Med Center in K.C., instead of a Prize-Winning Novelist with a saltbox on the Cape? An unwholesome artsy freak, and not an esteemed citizen whose voting privileges have never been revoked? I went through those pitiful, hangdog years being ashamed of my roots and origins, referring to home as “our place in the country,” and to my father as a “self-made man.” I hung my head and eenie-meenie-minie-moed when confronted at dinner tables by too many forks. I tried to give the impression that slapping an uppity snotnose silly was not the sort of act contained in my portfolio. It
Daniel Woodrell (Give Us a Kiss)
Most living things are small and easily overlooked. In practical terms, this is not always a bad thing. You might not slumber quite so contentedly if you were aware that your mattress is home to perhaps two million microscopic mites, which come out in the wee hours to sup on your sebaceous oils and feast on all those lovely, crunchy flakes of skin that you shed as you doze and toss. Your pillow alone may be home to forty thousand of them. (To them your head is just one large oily bon-bon.) And don’t think a clean pillowcase will make a difference. To something on the scale of bed mites, the weave of the tightest human fabric looks like ship’s rigging. Indeed, if your pillow is six years old—which is apparently about the average age for a pillow—it has been estimated that one-tenth of its weight will be made up of “sloughed skin, living mites, dead mites and mite dung,” to quote the man who did the measuring, Dr. John Maunder of the British Medical Entomology Center. (But at least they are your mites. Think of what you snuggle up with each time you climb into a motel bed.)‡ These mites have been with us since time immemorial, but they weren’t discovered until 1965.
Bill Bryson (A Short History of Nearly Everything)
Girls, I was dead and down in the Underworld, a shade, a shadow of my former self, nowhen. It was a place where language stopped, a black full stop, a black hole Where the words had to come to an end. And end they did there, last words, famous or not. It suited me down to the ground. So imagine me there, unavailable, out of this world, then picture my face in that place of Eternal Repose, in the one place you’d think a girl would be safe from the kind of a man who follows her round writing poems, hovers about while she reads them, calls her His Muse, and once sulked for a night and a day because she remarked on his weakness for abstract nouns. Just picture my face when I heard - Ye Gods - a familiar knock-knock at Death’s door. Him. Big O. Larger than life. With his lyre and a poem to pitch, with me as the prize. Things were different back then. For the men, verse-wise, Big O was the boy. Legendary. The blurb on the back of his books claimed that animals, aardvark to zebra, flocked to his side when he sang, fish leapt in their shoals at the sound of his voice, even the mute, sullen stones at his feet wept wee, silver tears. Bollocks. (I’d done all the typing myself, I should know.) And given my time all over again, rest assured that I’d rather speak for myself than be Dearest, Beloved, Dark Lady, White Goddess etc., etc. In fact girls, I’d rather be dead. But the Gods are like publishers, usually male, and what you doubtless know of my tale is the deal. Orpheus strutted his stuff. The bloodless ghosts were in tears. Sisyphus sat on his rock for the first time in years. Tantalus was permitted a couple of beers. The woman in question could scarcely believe her ears. Like it or not, I must follow him back to our life - Eurydice, Orpheus’ wife - to be trapped in his images, metaphors, similes, octaves and sextets, quatrains and couplets, elegies, limericks, villanelles, histories, myths… He’d been told that he mustn’t look back or turn round, but walk steadily upwards, myself right behind him, out of the Underworld into the upper air that for me was the past. He’d been warned that one look would lose me for ever and ever. So we walked, we walked. Nobody talked. Girls, forget what you’ve read. It happened like this - I did everything in my power to make him look back. What did I have to do, I said, to make him see we were through? I was dead. Deceased. I was Resting in Peace. Passé. Late. Past my sell-by date… I stretched out my hand to touch him once on the back of the neck. Please let me stay. But already the light had saddened from purple to grey. It was an uphill schlep from death to life and with every step I willed him to turn. I was thinking of filching the poem out of his cloak, when inspiration finally struck. I stopped, thrilled. He was a yard in front. My voice shook when I spoke - Orpheus, your poem’s a masterpiece. I’d love to hear it again… He was smiling modestly, when he turned, when he turned and he looked at me. What else? I noticed he hadn’t shaved. I waved once and was gone. The dead are so talented. The living walk by the edge of a vast lake near, the wise, drowned silence of the dead.
Carol Ann Duffy (The World's Wife)
The Nurse's Song This mighty man of whom I sing, The greatest of them all, Was once a teeny little thing, Just eighteen inches tall. I knew him as a tiny tot, I nursed him on my knee. I used to sit him on the pot And wait for him to wee. I always washed between his toes, And cut his little nails. I brushed his hair and wiped his nose And weighed him on the scales. Through happy childhood days he strayed, As all nice children should. I smacked him when he disobeyed, And stopped when he was good. It soon began to dawn on me He wasn't very bright, Because when he was twenty-three He couldn't read or write. "What shall we do?" his parents sob. "The boy has got the vapors! He couldn't even get a job Delivering the papers!" "Ah-ha," I said, "this little clot Could be a politician." "Nanny," he cried, "Oh Nanny, what A super proposition!" "Okay," I said, "let's learn and note The art of politics. Let's teach you how to miss the boat And how to drop some bricks, And how to win the people's vote And lots of other tricks. Let's learn to make a speech a day Upon the T.V. screen, In which you never never say Exactly what you mean. And most important, by the way, In not to let your teeth decay, And keep your fingers clean." And now that I am eighty nine, It's too late to repent. The fault was mine the little swine Became the President.
Roald Dahl (Charlie and the Great Glass Elevator (Charlie Bucket, #2))
Ah yes, the people concerned. That is very important. You remember, perhaps, who they were?’ Depleach considered. ‘Let me see-it’s a long time ago. There were only five people who were really in it, so to speak-I’m not counting the servants-a couple of faithful old things, scared-looking creatures-they didn’t know anything about anything. No one could suspect them.’ ‘There are five people, you say. Tell me about them.’ ‘Well, there was Philip Blake. He was Crale’s greatest friend-had known him all his life. He was staying in the house at the time.He’s alive. I see him now and again on the links. Lives at St George’s Hill. Stockbroker. Plays the markets and gets away with it. Successful man, running to fat a bit.’ ‘Yes. And who next?’ ‘Then there was Blake’s elder brother. Country squire-stay at home sort of chap.’ A jingle ran through Poirot’s head. He repressed it. He mustnot always be thinking of nursery rhymes. It seemed an obsession with him lately. And yet the jingle persisted. ‘This little pig went to market, this little pig stayed at home…’ He murmured: ‘He stayed at home-yes?’ ‘He’s the fellow I was telling you about-messed about with drugs-and herbs-bit of a chemist. His hobby. What was his name now? Literary sort of name-I’ve got it. Meredith. Meredith Blake. Don’t know whether he’s alive or not.’ ‘And who next?’ ‘Next? Well, there’s the cause of all the trouble. The girl in the case. Elsa Greer.’ ‘This little pig ate roast beef,’ murmured Poirot. Depleach stared at him. ‘They’ve fed her meat all right,’ he said. ‘She’s been a go-getter. She’s had three husbands since then. In and out of the divorce court as easy as you please. And every time she makes a change, it’s for the better. Lady Dittisham-that’s who she is now. Open anyTatler and you’re sure to find her.’ ‘And the other two?’ ‘There was the governess woman. I don’t remember her name. Nice capable woman. Thompson-Jones-something like that. And there was the child. Caroline Crale’s half-sister. She must have been about fifteen. She’s made rather a name for herself. Digs up things and goes trekking to the back of beyond. Warren-that’s her name. Angela Warren. Rather an alarming young woman nowadays. I met her the other day.’ ‘She is not, then, the little pig who cried Wee Wee Wee…?’ Sir Montague Depleach looked at him rather oddly. He said drily: ‘She’s had something to cry Wee-Wee about in her life! She’s disfigured, you know. Got a bad scar down one side of her face. She-Oh well, you’ll hear all about it, I dare say.’ Poirot stood up. He said: ‘I thank you. You have been very kind. If Mrs Crale didnot kill her husband-’ Depleach interrupted him: ‘But she did, old boy, she did. Take my word for it.’ Poirot continued without taking any notice of the interruption. ‘Then it seems logical to suppose that one of these five people must have done so.’ ‘One of themcould have done it, I suppose,’ said Depleach, doubtfully. ‘But I don’t see why any of themshould. No reason at all! In fact, I’m quite sure none of themdid do it. Do get this bee out of your bonnet, old boy!’ But Hercule Poirot only smiled and shook his head.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
What happened was that when they brought me in this morning, poor Fräulein Engel was sitting at the table with her back to the door, busily numbering my countless recipe cards, and I frightened the living daylights out of her by braying in a deep, stentorian voice of command and discipline, ‘Achtung, Anna Engel! Heil Hitler!’ She catapulted to her feet and threw herself into a salute that must have nearly dislocated her shoulder. I’ve never seen her look so white around the gills. She recovered almost immediately and smacked me so hard she knocked me over. When Thibaut picked me up, she smacked me again just for the sheer hell of it. Wow wow wow is my jaw sore. I suppose they are not planning another phoney interview. I can never decide if it is worth it. It was a truly hilarious moment, but all I seem to have achieved this time is a totally unexpected collusion between Engel and Thibaut. Did I call them Laurel and Hardy? I meant sodding Romeo and Juliet. This is flirting, à la Gestapo underlings: She: Oh, you are so strong and manly, M’sieur Thibaut. Those knots you tie are so secure. He: That is nothing. Look, I pull them so tight you cannot undo them. Try. She: It is true, I cannot! Oh, pull them tighter! He: Chérie, your wish is my command. It is my ankles, not hers, which he is binding so tightly and with such masculine charm. She: I shall have to call you in tomorrow morning as well, to do this task for me. He: You must cross the cords, so, and knot them behind – Me: Squeak! Squeak! She: Shut up and write, ya wee skrikin’ Scots piece o’ shite. Well, no, she did not use those exact words. But you get the idea.
Elizabeth Wein (Code Name Verity (Code Name Verity, #1))
Moreland sired some decent sons,” Rothgreb remarked. “And that’s a pretty filly they have for a sister. Not as brainless as the younger girls, either.” “Lady Sophia is very pretty.” Also kind, intelligent, sweet, and capable of enough passion to burn a man’s reason to cinders. “She’s mighty attached to the lad, though.” His uncle shot him a look unreadable in the gloom of the chilly hallways. “Women take on over babies.” “He’s a charming little fellow, but he’s a foundling. I believe she intends to foster him. Watch your step.” He took his uncle’s bony elbow at the stairs, only to have his hand shaken off. “For God’s sake, boy. I can navigate my own home unaided. So if you’re attracted to the lady, why don’t you provide for the boy? You can spare the blunt.” Vim paused at the first landing and held the candle a little closer to his uncle’s face. “What makes you say I’m attracted to Lady Sophia? And how would providing for the child endear me to her?” “Women set store by orphans, especially wee lads still in swaddling clothes. Never hurts to put yourself in a good light when you want to impress a lady.” His uncle went up the steps, leaning heavily on the banister railing. “And why would I want to impress Lady Sophia?” “You ogle her,” Rothgreb said, pausing halfway up the second flight. “I do not ogle a guest under our roof.” “You watch her, then, when you don’t think anybody’s looking. In my day, we called that ogling. You fret over her, which I can tell you as a man married for more than fifty years, is a sure sign a fellow is more than infatuated with his lady.” Vim remained silent, because he did, indeed, fret over Sophie Windham. “And you have those great, strapping brothers of hers falling all over themselves to put the two of you together.” Rothgreb paused again at the top of the steps. Vim paused too, considering his uncle’s words. “They aren’t any more strapping than I am.” Except St. Just was more muscular. Lord Val was probably quicker with his fists than Vim, and Westhaven had a calculating, scientific quality to him that suggested each of his blows would count. “They were all but dancing with each other to see that you sat next to their sister.
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
can hardly blame ye for not waiting.” I could see Ian in profile, leaning over the log basket. His long, good-natured face wore a slight frown. “Weel, I didna think it right, especially wi’ me being crippled …” There was a louder snort. “Jenny couldna have a better husband, if you’d lost both legs and your arms as well,” Jamie said gruffly. Ian’s pale skin flushed slightly in embarrassment. Jamie coughed and swung his legs down from the hassock, leaning over to pick up a scrap of kindling that had fallen from the basket. “How did ye come to wed anyway, given your scruples?” he asked, one side of his mouth curling up. “Gracious, man,” Ian protested, “ye think I had any choice in the matter? Up against a Fraser?” He shook his head, grinning at his friend. “She came up to me out in the field one day, while I was tryin’ to mend a wagon that sprang its wheel. I crawled out, all covered wi’ muck, and found her standin’ there looking like a bush covered wi’ butterflies. She looks me up and down and she says—” He paused and scratched his head. “Weel, I don’t know exactly what she said, but it ended with her kissing me, muck notwithstanding, and saying, ‘Fine, then, we’ll be married on St. Martin’s Day.’ ” He spread his hands in comic resignation. “I was still explaining why we couldna do any such thing, when I found myself in front of a priest, saying, ‘I take thee, Janet’… and swearing to a lot of verra improbable statements.” Jamie rocked back in his seat, laughing. “Aye, I ken the feeling,” he said. “Makes ye feel a bit hollow, no?” Ian smiled, embarrassment forgotten. “It does and all. I still get that feeling, ye know, when I see Jenny sudden, standing against the sun on the hill, or holding wee Jamie, not lookin’ at me. I see her, and I think, ‘God, man, she can’t be yours, not really.’ ” He shook his head, brown hair flopping over his brow. “And then she turns and smiles at me …” He looked up at his brother-in-law, grinning. “Weel, ye know yourself. I can see it’s the same wi’ you and your Claire. She’s … something special, no?” Jamie nodded. The smile didn’t leave his face, but altered somehow. “Aye,” he said softly. “Aye, she is that.” Over the port and biscuits, Jamie and
Diana Gabaldon (The Outlander Series 7-Book Bundle: Outlander, Dragonfly in Amber, Voyager, Drums of Autumn, The Fiery Cross, A Breath of Snow and Ashes, An Echo in the Bone)
How long will a man lie i’th earth ere he rot ? Clow. Fayth if a be not rotten before a die, as we haue many pockie corſes, that will ſcarce hold the laying in, a will laſt you ſom eyght yeere, or nine yeere. A Tanner will laſt you nine yeere. Ham. Why he more then another ? Clow. Why ſir, his hide is ſo tand with his trade, that a will keepe out water a great while ; & your water is a ſore decayer of your whorſon dead body, heer's a ſcull now hath lyen you i'th earth 23. yeeres. Ham. Whoſe was it ? Clow. A whorſon mad fellowes it was, whoſe do you think it was ? Ham. Nay I know not. Clow. A peſtilence on him for a madde rogue, a pourd a flagon of Reniſh on my head once ; this ſame skull ſir, was ſir Yoricks skull, the Kings Iester. Ham. This ? Clow. Een that. Ham. Alas poore Yorick, I knew him Horatio, a fellow of infinite ieſt, of moſt excellent fancie, hee hath bore me on his backe a thouſand times, and now how abhorred in my imagination it is: my gorge riſes at it. Heere hung thoſe lyppes that I haue kiſt I know not howe oft, where be your gibes now ? your gamboles, your ſongs, your flaſhes of merriment, that were wont to ſet the table on a roare, not one now to mocke your owne grinning, quite chapfalne. Now get you to my Ladies table, & tell her, let her paint an inch thicke, to this favour ſhe must come, make her laugh at that. Hora. What's that my Lord ? Ham. Dooſt thou thinke Alexander lookt a this faſhion i'th earth ? Hora. Een ſo. Ham. And ſmelt ſo pah. Hora. Een ſo my Lord. Ham. To what baſe vſes wee may returne Horatio ? Why may not imagination trace the noble duſt of Alexander, till a find it ſtopping a bunghole ? Hor. Twere to conſider too curiouſly to confider ſo. Ham. No faith, not a iot, but to follow him thether with modeſty enough, and likelyhood to leade it. Alexander dyed, Alexander was buried, Alexander returneth to duſt, the duſt is earth , of earth vvee make Lome & why of that Lome whereto he was conuerted, might they not ſtoppe a Beare-barrell ? Imperious Ceſar dead, and turn'd to Clay, Might ſtoppe a hole, to keepe the wind away. O that that earth which kept the world in awe, Should patch a wall t'expell the waters flaw. But ſoft, but ſoft awhile, here comes the King, The Queen, the Courtiers, who is this they follow? And with ſuch maimed rites ? this doth betoken, The corſe they follow, did with deſprat hand Foredoo it owne life, twas of ſome eſtate, Couch we a while and marke.
William Shakespeare
Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop. Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there. Ahab turned. "Starbuck!" "Sir." "Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
Herman Melville
should take a wee read at them before you meet her, just
Christina McKenna (The Misremembered Man (Tailorstown #1))
In this life, my body has become a withered twig, where once I stood tall. I distantly remember the lush earth and beech forests of New England --- outside my bedroom window as a child --- growing in kingdoms. My parents near me. In this life, I bubble like an old man, when once I could fly over doubts and contradictions. In this life, my memories are the smoke I choke on, burning my eyes. In this life, I remember hungers that will never return. When I was once a lover with the bluest eyes she had ever seen --- deeper than Paul Newman's, darker than Frank Sinatra's. This life! This life is coming to an end without any explanation or apology, and where every sense of my soul or ray of light through a cloud promises to be my end. This life was an abrupt and tragic dream that seized me during the wee hours of a Saturday morning as the sunrise reflected off the mirror above her vanity table, leaving me speechless just as the world faded to white.
Derek B. Miller (Norwegian by Night (Sheldon Horowitz #2))
The old general amazed himself. The woman amazed him even more. Sometime in the wee hours the exhausted boss general promised, “Tomorrow night again. Within the walls of Stormgard. Maybe in Stormshadow’s own bed.” She wanted to know the basis for his confidence. As time labored on she just got more awake and lively. But the old man fell asleep on her.
Glen Cook (The Books of the South (The Chronicles of the Black Company, #3.5-5))
No artist can create without an inspiration; no man can work so without a muse. So it is with your prince. Everything I've ever done, every piece you've ever heard, every tune I've ever scribbled in the wee hours as a Mad Prince does, they are all because of one woman, who owns me heart and soul." This was met with awwws and cries about the power of love. Eric looked out at the crowd, but his eyes didn't find hers. It didn't matter. Ariel knew he was speaking to her, and she felt her eyes moisten.
Liz Braswell (Part of Your World)
Spencer locked eyes with me and arched an eyebrow. He wasn’t going to move. He wasn’t going to check Larry’s wee wee. We were deadlocked. “You’re going to let your girlfriend see another man’s wee wee?” I asked him. “Normally, I would be upset about that, but in this case, I’m thinking I don’t have to worry. Let me know if we have to call the paramedics.
Elise Sax (Matchmaker Mysteries 5-7: From Fear to Eternity / West Side Gory / Scareplane (Matchmaker Mysteries #5-7))
He’s fair-haired, wi’ long yellow locks tied up wi’ blue ribbon. And big eyes and long lashes, too, like a lassie’s.” Hayes leered at his listeners, batting his own stubby lashes in mock flirtation. Encouraged by the laughter, he went on to describe the new Governor’s clothes—“fine as a laird’s”—his equipage and servant—“one of they Sassenachs as talks like he’s burnt his tongue”—and as much as had been overheard of the new man’s speech. “He talks sharp and quick, like he’ll know what’s what,” Hayes said, shaking his head dubiously. “But he’s verra young, forbye—he looks scarce more than a wean, though I’d reckon he’s older than his looks.” “Aye, he’s a bittie fellow, smaller than wee Angus,” Baird chimed in, with a jerk of the head at Angus MacKenzie, who looked down at himself in startlement.
Diana Gabaldon (Voyager (Outlander, #3))
wee surprise for ye. Fergus!” Fergus, likewise beaming, came from behind a wagon, ushering a slight man with windblown,
Diana Gabaldon (Drums of Autumn (Outlander, #4))
I believe I told you I love you.” “Aye, you did, at that. Although you could have sounded a wee bit happier about it.” “Should I say it again?” “Aye, I’d like to hear it.” “Very well.” Her lips twitched, but she didn’t release the sheet. “I love you, Ewan Alexander Ardmore Macrae. I must be as mad as my father, but you’ve carved a place in my heart that belongs to you alone.” He nodded with satisfaction. “That’s better.” She cast him a sidelong glance. Dear Lord, she’d caught herself an enviable specimen of a man, even if he was far too inclined to tease. “Your turn, Lord Lyle.” He heaved a theatrical sigh. “You won’t let me out of this, will you?” “No.” His hand crept to the edge of the sheet, until she slapped it away. “I’m gey eager to see what’s under there.” “You know what you have to do first. Think of this as blackmail.” “Och, you’ll make a braw countess, Charlotte Warren.” “So?” His smile faded, and he kissed her with a depth of emotion that caught her by surprise. She shivered under the wordless worship of his lips. There was passion—as he’d said, passion was integral to their love—but there was also tenderness, and care, and something that felt like reverence. By the time he raised his head, she was boneless with longing and radiant with happiness. After that kiss, he didn’t have to say the words. She knew he loved her. Dazzled
Anna Campbell (Stranded with the Scottish Earl)
He was dreaming about wee Roger, who for some reason was a grown man now, but still holding his tiny blue bear, minuscule in a broad-palmed grasp. His son was speaking to him in Gaelic, saying something urgent that he couldn’t understand, and he was growing frustrated, telling Roger over and over for Christ’s sake to speak English, couldn’t he?
Diana Gabaldon (A Leaf on the Wind of All Hallows (Outlander, #8.5))
She had disapproved, audibly, repeatedly, and eventually to my face, of my habit of going about with my head uncovered, it being her opinion that it was unseemly for a woman of my age not to wear either cap or kerch, reprehensible for the wife of a man of my husband’s position—and furthermore, that only “backcountry sluts and women of low character” wore their hair loose upon their shoulders. I had laughed, ignored her, and given her a bottle of Jamie’s second-best whisky, with instructions to have a wee nip with her breakfast and another after supper. A
Diana Gabaldon (The Fiery Cross (Outlander, #5))
McTaggart stated, “Never in my forty-five years of trapping lobsters have I seen such blatant disregard for a man’s way of living. City folk ought not to be on such a wee island with such wee minds.
Lynne Christensen (Aunt Edwina's Fabulous Wishes (The Aunt Edwina Series, #1))
Momma just got saved. I got saved a while back. Preacher said the story about a wee little man called Zaccheus. Said he climbed up in a tree to see Jesus and Jesus said ”I'm eating at your house.” I think if Jesus came to eat at my house, I'd shit. Anyway, that's how I got saved. You ever been saved?
Andy Davidson;Chris Orton;Andrew Orton (In the Valley of the Sun)
What does his lordship dae? He buys up a bunch o' islands in the Hebrides; carts in the native crofter population to Stornoway; runs them through a sapple o' Sunlight Soap, cuts their nails; learns them the English language; gets them an eight-'oors day, and starts them fishin' on scientific principles. Stornoway becomes the Port Sunlight of the North; every man has a nice wee red-tiled cottage, and a picture palace at the door, and the cod fish is fair worried oot o' its life.
Neil Munro (Erchie, My Droll Friend)
O how feeble is mans power, That if good fortune fall, Cannot adde another houre, Nor a lost houre recall But come bad chance, And wee joyne to'it our strength, And wee teach it art and length, It selfe o'r us to'advance.
John Donne (The Complete English Poems)
We are all very familiar with the concept of faery queens, whether from Mab, Titania or from Spencer’s famous poem, and British folk tradition gives the strong impression that they are widespread. Other than Oberon, faery kings are rather less frequently mentioned. We hear of an unnamed monarch in the poem King Orfeo, the ‘eldritch king’ of the ballad Sir Cawline, the elf king of Leesom Brand and, finally, the small faery man of the ballad the Wee Wee Man seems to be some sort of faery ruler or noble.113 As mentioned earlier, the sixteenth century Scottish poet Montgomerie wrote of “the King of Pharie with the court of the Elph-quene.’ It’s not apparent whether there is any major significance to his choice of wording, which seems at least to imply that the king is in some manner subservient to his consort.
John Kruse (Who's Who in Faeryland)
Someone shouted McGillivray’s name and told him to return to the right flank. An older man shouted in answer. So that was the great leader who had led and inspired so many—or rather, would inspire so many men in a wee while.
L.L. Muir (Rabby (The Ghosts of Culloden Moor, #7))
So the groom sips brandy long after his bride has gone to bed.” Rillieux stepped forward through the throng impeccably dressed, every button on his uniform polished to a shine, a grin on his face. “If she were my wife, I’d long since have joined her.” There were shouts of agreement, laughter. Morgan met Rillieux’s gaze, smiled. “A man should ne’er rush a woman when it comes to passion.” Rillieux’s smile broadened. “Or perhaps you fear you cannot rise to the occasion.” Laughter turned to guffaws as the humor became more ribald. Morgan chuckled. “You Frenchmen fight wi’ wee sabers, aye? We Highland Scots carry broadswords. They ne’er fail us.” More guffaws and a shout or two of protest. Some of the amusement faded from Rillieux’s face, his eyes betraying the hatred he’d been trying to mask. “We French are renowned the world over as lovers, while you Scots”--he spat the word—“are known for your dourness.” There was no laughter now, only silence. “Is that so?” Morgan tossed back the rest of his brandy, set the crystal snifter aside. “Then remember this—in a fort full of Frenchmen, the lass chose a Scot.
Pamela Clare (Untamed (MacKinnon's Rangers, #2))
Loneliness is inside a person,” replied Sutherland. “It is possible to be lonely in a big city. If a person is contented and has enough work to do he will not feel lonely amongst the hills … but it is a wee bit out of the way and would not do for a man with young children who were attending school. All the same it is a solid little house and comfortable. If you are going in that direction Mistress Sutherland would be pleased to give you a cup of tea.” Rhoda
D.E. Stevenson (Shoulder the Sky (Dering Family #3))
David started up the wheeled stairs to the upper floors with his sword at the ready. He expected to encounter Blackadder warriors, protecting the lady of the castle. But there were none on the stairs and none guarding the door on the first floor. Damn it. She must have escaped. He gritted his teeth as he envisioned the lady’s guards leading her through the tunnel. He was about to open the chamber door to make sure it was empty when Brian, one of his best men, came down the stairs. “Laird, I checked all the chambers while ye were in the hall,” he said. David’s jaw ached from clenching it. “There’s one door on the floor just above us that wouldn’t open with the latch,” Brian said. “Shall I break it down?” David waved him aside and pulled the ax from his belt as he raced up the stairs. “Open it!” he shouted and pounded on the door. He did not wait. She could be escaping through a secret door this very moment. Three hard whacks with his ax, and the door split. He kicked it until it swung open, then stepped through. At his first sight of the woman, his feet became fixed to the floor. He felt strange, and his vision was distorted, as if as if he had swallowed a magical potion that narrowed his sight. He could see nothing in the room but her. She was extraordinarily lovely, with violet eyes, pale skin, and shining black hair. But there was something about her, something beyond her beauty, that held him captive. She was young, much younger than he expected, and her features and form were delicate, in marked contrast to the violent emotion in her eyes. David knew to the depths of his soul that a brute like him should not be the man to claim this fragile flower, even while the word mine beat in his head like a drum. He had no notion of how long he stood staring at her before he became aware that she held a sword. It was longer still before he noticed the two wee lasses peeking out from behind her like frightened kittens. Anger boiled up in his chest. Every Blackadder man in the castle who could still draw breath should have been here, standing between him and their lady. Instead, she faced him alone with a sword she could barely lift with both hands. It was a brave, but ridiculous gesture. There was no defense against him.
Margaret Mallory (Captured by a Laird (The Douglas Legacy, #1))
After long minutes of quiet in which he thought she’d gone to sleep, Malina said, “Is it because I’m pregnant? Or too short?” She was asking about earlier. His heart clenched. “Nay, lass,” he said with a sigh. He tilted her chin up then, not for the kiss he longed to take from her, but to find the moist sparkle of her gaze in the darkness. “There isna a thing wrong with you. You are lovely as a lily in the morning mist. Any man would be proud to have you as his wife.” “Are you any man?” “Aye, lass. I’m as proud of you as I can be. Never doubt that.” “I suppose I can live with that,” she said with a wee smile. “If you won’t make love to me, then I’ll take your pride.” His heart stuttered and his cock jerked at her bold words. He hoped his plaid kept the bugger from bothering her. “I can live with it,” she pressed on, “but it would be easier for me if I knew the reason. Is it because I’m planning to leave you?” She said the last words so quietly he had to strain to hear her. Guilt lashed at him; she was desperate to understand why he didn’t want to bed her. He cupped her face, his hand covering her delicate cheek and jaw. His thumb stroked the swollen skin around her eye. It was tight and hot with healing. Malina was wounded because he’d failed to hide her box well enough. Her injury was his undoing. It tugged at his heart and made him willing to do anything to make it up to her.
Jessi Gage (Wishing for a Highlander (Highland Wishes Book 1))
Julian Barnes' Sense of an Ending won the Man Booker in 2011. I couldn't make head nor tail of it (I understood the words, they just weren't linked up in a way that made such an accolade rational), plus it was boring. I don't need wizard schools or dragons, but shouldn't something happen in a book? Isn't that what plot means? Don't you hate worthy books that make you feel like a thickie? There is something The Emperor's New Clothes about them: 'Everyone else understands this astonishing work of fiction, except you, you low-brow gimp." Critical reception only served to underscore my stupidity: 'Do not be misled by its brevity,' said Anna Brookner of The Telegraph, 'it's mystery is as deeply embedded as the most archaic of memories.' I don't know what that means either. Sense of an Ending is, however, being rather wee, perfect for stabilizing a wonky desk.
Lisa Scott
In my peripheral vision I saw someone sit next to me at the table. I turned and saw a man with a stubble-covered shaved head. There were scars on the top of his skull. His skin was olive dark, and when he smiled I saw a gold tooth that matched the gold chain dangling from his neck, urban bling-bling style. Handsome probably, in a dangerous, bad-boy way. He wore a wifebeater white T under an unbuttoned gray short-sleeve shirt. His sweatpants were black. “Look under the table,” he said to me. “Are you going to show me your wee-wee?” “Look—or die.” His accent was not French—something smoother and more refined. Nearly British or maybe Spanish, almost aristocratic. I tilted my chair back and looked. He was holding a gun on me. I left my hands on the lip of the table and tried to keep my breath steady. My eyes lifted and met his. I checked the surroundings. There was a man with sunglasses standing on the corner for absolutely no reason, trying very hard to pretend that he wasn’t watching us. “Listen to me or I will shoot you dead.” “As opposed to alive?” “What?” “Shoot someone dead versus shoot someone alive,” I said. Then: “Never mind.” “Do you see the green vehicle on the corner?” I did—not far from the sunglassed man who was trying not to look at us. It looked like a minivan or something. Two men sat in the front. I memorized the license plate and began to plan my next move. “I see it.” “If you don’t want to be shot, follow my instructions exactly. We are going to get up slowly, and you are going to get in the back of the vehicle. You will not make a fuss—” And that was when I smashed the table into his face. The
Harlan Coben (Long Lost (Myron Bolitar, #9))
Luister, liefling, ek hét jou lief, ek is bereid, méér, om altyd by jou te bly. Verstaan jy? Maar voordat jy só na my toe kan kom, is ek bang vir álle hoop, álle oorgawe gee aan moontlikhede … alewig moontlikhede … Ek wil nie “gedood word deur ’n droom”, om myself aan te haal nie. En dit sal vernietigend wees vir ons verhouding soos dit nou is. En daarom probeer ek, ten spyte van my eenheid en verbondenheid met jou, om dinge maar te aanvaar soos hulle is: goed, as ek nie by ander mans mag gaan lê nie – ek kan verstaan dat jy jaloers sal wees omdat jy my liefhet, maar Estelle is daarom ook tog iémand, én wat jy eenmaal liefgehad het, en by wie jy blý, en ek NEUL nie so nie!
Francis Galloway (Vlam in die Sneeu: Die Liefdesbriewe)
One day I saw him going into one of the lecture halls, I followed. I thought it was you when I first noticed him. I sat some distance away from the boy at the lecture hall. He was a freshman law student from a well to do family in the Philippines. I stalked him for a day before I introduced myself. Toby was new at campus and was finding his way around. We started hanging out after classes. He was attractive, charming and pleasant but lacked a certain je ne se quoi which you possess. As much as I like him I had a hunch that he wasn’t altogether the kind of man I would be totally happy in a long term relationship. My loneliness and heartaches got the better of me and I pursued this relationship half-heartedly; thinking our emotional affinity would improve with time. One evening, a week after we met we were at a pub celebrating a friend’s birthday. I was intoxicated trying to drown my sorrows from missing you. He had a wee bit too much to drink at the celebration. We ended up in my flat with our clothes scattered around us. He had a beautiful physique like yours. I began seeing you in him when we became intimate. I longed for your sweet lips and wanted to believe I was making love to you instead of Toby. Ignoring my premonitions, I plunged full steam ahead. I kissed him passionately like I did you when we were a couple. With my eyes clammed shut, I imagine holding you in my arms, caressing you and submerging fully in you. I desired no other only you.
Young (Unbridled (A Harem Boy's Saga, #2))
Though I can’t like this idea of yours, Val, simply confronting the man, no magistrate about, no one but Wee Nick on hand to enforce the king’s peace.” “Wee Nick,” said the man himself, “outranks the pusillanimous buffoon, has double his weight, double his reach, and at least five times his brain power. And should my charming presence fail to inspire him to good conduct, you will be waiting in the wings, ready to rescue us.” “Rescue
Grace Burrowes (The Virtuoso (Duke's Obsession, #3; Windham, #3))
January 25 A Wee Little Man Jesus entered Jericho and was passing through. A man was there by the name of Zacchaeus; he was a chief tax collector and was wealthy. He wanted to see who Jesus was, but being a short man he could not, because of the crowd. So he ran ahead and climbed a sycamore-fig tree to see him, since Jesus was coming that way.—Luke 19:1-4 Zacchaeus was a short man, but his encounter with Jesus Christ was powerful. The applications for us can be the same regardless of our stature or position in life. Jesus was traveling about, teaching and healing. He entered Jericho, a city important in terms of location and economic position. Trading activities had led to its becoming one of the Palestinian tax centers. And where there are taxes, there are tax collectors. Zacchaeus was not only a tax collector but the Chief tax Collector, and he was wealthy. Interesting! Were all tax collectors wealthy? If we assume his wealth came from his occupation, is it fair to also assume he was neither well-liked nor trusted? So why did this short, chief tax collector want to see Jesus? Was he just going along with the crowd? Was this the in place to be? It surely was more than curiosity because Zacchaeus was energetic and creative in his efforts—he climbed a tree. Was he reaching for the love of God? How much do we want to see Jesus? Do we just go along with others? Are we wishing for a word from him, a touch, and assurance that he loves us? Do you pray that God will touch you with his love? Would you climb a tree for Jesus? Dear God, help us to see that You are always there. Give us the desire and the willingness to do whatever it takes, even to climb a tree.
The writers of Encouraging.com (God Moments: A Year in the Word)
The Resonance of Honeyed Summer Elizabethan Sonnet Sequence abab, cdcd, efef, gg Synchronous in honeyed summer sings a choir of tremulous birch leaves, A sweet breeze surges south from the mountains to cool down the farm. To a white picket fence, among the honeybees, a steadfast garden cleaves, After blind disregard by a town plow, mended again from winter harm. A sensual scent of new mown meadow, the clash of croquet mallet to ball, A ricochet sings a tin din of two wickets and a knock into a winning stake. By the barn, night owls howl, by day gleeful wee hummingbirds enthrall. The mirth of dipping children as wakes of droning motorboats lap a lake. Bluebirds have woven a love nest in a stilted, rough-hewn, wooden house. By a stonewall wild berries grow swollen from green to a misty blue hue. As we ride bikes beside a hayfield, we rouse the flight of a russet grouse. At dawn a doe and fawn cross our lawn leaving hoof prints upon the dew. In long lemonade days, rocking and sipping on the porch, in our defense, We're in awe of honeyed summertime and the harmony of its resonance. + + +
David B. Lentz (Sonnets on the Common Man: New Hampshire Verse)
Paula had never tired of the road and its secrets: the petrol stations manned by friendly country folk, the sugary treasures hidden in milk bars, the deserted public toilets attached to grassy picnic areas in quiet, shady gullies. Meat pies and cream buns, Big Ms and barley sugar. Her father’s tuneless whistling accompanying Bing Crosby cassettes, the relaxed look on her mother’s face, Jamie’s endless backseat tournaments of I-Spy, Twenty Questions and Thumb Wars. The back aches, the bursting bladders, the bush wees. The exquisite limbo of transit, the mysteries of dirt roads in indeterminate locations. The feelings of optimism and anticipation on departure, rivalled only by the tedium of the return trip.
Fiona Higgins (Wife on the Run)
If he caught sight of ye in yer wee bit o' black lace, the man's plaid would surely stand out stiff as a banner hung across a pole.
Maeve Greyson (My Highland Lover (Highland Hearts, #1))
The man’s a Scot, wee Fergus.” Jamie’s voice was as calm as his face, but I heard the small note of strain in it. “Whisky’s what he wanted.
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Oh jetlag, you were a naughty bot, waking me up int he wee hours of the night like this and delivering a half-naked man to my room. Honestly, what was I expected to do with this?
Megan Squires (Draw Me In)
Oh jetlag, you were a naughty boy, waking me up int he wee hours of the night like this and delivering a half-naked man to my room. Honestly, what was I expected to do with this?
Megan Squires (Draw Me In)
Have ye made her your mate yet?” Cathal looked up from his work to frown at Jankyn even as the man strode across the ledger room to stand before his worktable, his hands on his hips. “Why would ye ask me that?” “I happened to get a good look at your bride’s wee, bonnie neck a week ago as ye fought with Edmee. No mark. We may heal from a bite without a scar, but an Outsider cannae. Your mother wore your father’s mark. Proudly. Do ye nay feel the need or are ye ashamed of it, try to deny it?” “The need is there,” confessed Cathal, “although I had hoped it was one of the MacNachton traits I didnae inherit from my father. As ye ken weel, every halfling is different in what remains, what weakens, and what disappears. I am nay ashamed of it, however. I but worry about how Bridget will react to it. Cowardice has held my tongue, but I must gird my wee loins and tell her soon. The need grows too strong.” Jankyn
Hannah Howell (The Eternal Highlander (McNachton Vampires, #1))
The majority of boys think the highest form of creativity is weeing a pattern into snow.
Beth Garrod (Super Awkward)
Carl finally came home and would come to see me almost every night, usually staying to the wee hours. He was working with his father in his asphalt-paving business in South Nashville and I was living in Madison, Tennessee. Between that and the time he spent with me, he wasn’t getting any sleep at all. Finally, one day he said, quite matter-of-factly, “You’re either gonna have to move to the other side of town or we’re gonna have to get married.” That, to Carl, was a proposal. People always want to know how he asked me to marry him, and I always have to say, “He didn’t exactly ask.” Part of me was thrilled that he wanted to marry me, but another part was a little taken aback. That must have been the strongest part because that was the one that answered. “You never have even said you loved me.” “Hell, you know I love you,” was Carl’s answer. I attribute this to that same kind of unspoken communication that I explained when describing life with my daddy. It is one of the Parton/Dean rules of conduct I have become a one-woman committee to abolish. Always at holidays or other family gatherings, people would hug and say good-bye, but they would never say “I love you.” Sure, I know that the love is there, but dammit, I want to hear it! I was the first one in my family, that I know of, to ever tell other family members that I loved them. One day, after I had been living away from home for many years, I was saying good-bye to Daddy when I told him, “I love you.” He responded in the usual nonverbal, look-at-the-ground Parton way, and I just couldn’t stand it anymore. I took his head between my hands and made him look me right in the eye. “You tell me you love me,” I demanded. With no small amount of embarrassment he said, “Aww, you know I love you’uns” (a mountain word meaning more than one). “Not you’uns!” I kept on. “This has got nothing to do with Cassie or Bobby or anybody else. I want to know if you”—I emphasized the word by poking my finger into his chest—“love me,” I said with an emphatic point toward myself. He tried to look to one side, but I held his face firmly. He blushed and sputtered and finally said haltingly, “I love you.” That must have been the crack in the dam. Once the top man had fallen, it was easier to teach the rest of the Partons to say “I love you.” Now it is something we all do freely. It is still not something Carl does on a regular basis. But now and then, in a kind of sidewinding way, he will say it.
Dolly Parton (Dolly: My Life and Other Unfinished Business)
In the late afternoon he was standing by a tent run by a trapper-merchant from Oregon, an Englishman named Haversham, the only man at the rendezvous in European dress, and Haversham asked, “Care for a cup of tea?” It had been a long time since McKeag had drunk tea and he said, “Don’t mind if I do.” The Englishman had two china cups and a small porcelain pot. Washing the cups with steaming water, he took down a square brown tin, opened the top carefully and placed a small portion of leaves in the pot. To McKeag they bore no visible difference from the tea leaves his mother had used, but when Haversham poured him a cup and he took his first sip, an aroma unlike any he had ever known greeted him. He sniffed it several times, then took a deep taste of the hot tea. It was better than anything he had previously tasted, better even than whiskey. What did it taste like? Well, at first it was tarry, as if the person making the tea had infused by mistake some stray ends of well-tarred rope. But it was penetrating too, and a wee bit salty, and very rich and lingering. McKeag noticed that its taste dwelled in the mouth long after that of an ordinary tea. It was a man’s tea, deep and subtle and blended in some rugged place. “What is it?” he asked. Haversham pointed to the brown canister, and McKeag said, “I can’t read.” Haversham indicated the lettering and the scene of tea-pickers in India. “Lapsang souchong,” he said. “Best tea in the world.” Impulsively McKeag asked, “You have some for sale?” “Of course. We’re the agents.” It was a tea, Haversham explained, blended in India especially for men who had known the sea. It was cured in a unique way which the makers kept secret. “But smoke and tar must obviously play a part,” he said. It came normally from India to London, but the English traders in Oregon imported theirs from China. “How long would a can like that last?” McKeag asked, cautiously again. “It’ll keep forever … with the top on.” “I mean, how many cups?” “I use it sparingly. It would last me a year.” “I’ll take two cans,” McKeag said, without asking the price. It was expensive, and as he tucked his small supply of coins back into his belt, Haversham explained, “The secret in making good lapsang souchong lies in heating the cup first. Heat it well. Then the flavor expands.” McKeag hid the canisters at the bottom of his gear, for he knew they were precious.
James A. Michener (Centennial)
No one in his family could remember talking about it. Must have been dreadful, they agreed. And, being Walkers, and Bushes, they didn't bring it up. It was only years later, when he got into politics and had to learn to retail bits of his life, that he ever tried to put words around the war. His first attempts, in the sixties, were mostly about the cahm-rah-deree and the spirit of the American Fighting Man. The Vietnam War was an issue then, and Bush was for it. (Most people in Texas were.) He said he learned "a lot about life" from his years in the Navy—but he never said what the lessons were. Later, when peace was in vogue, Bush said the war had "sobered" him with a grave understanding of the cost of conflict—he'd seen his buddies die. The voters could count on him not to send their sons to war, because he knew what it was. Still later, when he turned Presidential prospect, and every bit of his life had to be melted down to the coin of the realm–character–Bush had to essay more thoughts about the war, what it meant to him, how it shaped his soul. But he made an awful hash of it, trying to be jaunty. He told the story of being shot down. Then he added: "Lemme tell ya, that'll make you start to think about the separation of church and state . Finally, in a much-edited transcript of an interview with a minister whom he hired as liaison to the born-again crowd, Bush worked out a statement on faith and the war: something sound, to cover the bases. It wasn't foxhole Christianity, and he couldn't say he saw Jesus on the water—no, it was quieter than that.... But there, on the Finback, he spent his time standing watch on deck in the wee hours, silent, reflective, under the bright stars... "It was wonderful and energizing, a time to talk to God. "One of the things I realized out there all alone was how much family meant to me. Having faced death and been given another chance to live, I could see just how important those values and principles were that my parents had instilled in me, and of course how much I loved Barbara, the girl I knew I would marry…” That was not quite how he was recalled by the men of the Finback. Oh, they liked him: a real funny guy. And they gave him another nickname, Ellie. That was short for Elephant. What they recollected was Bush in the wardroom, tossing his head and emitting on command the roaring trumpeted squeal of the enraged pachyderm; it was the most uncanny imitation of an elephant. Nor were "sobered" or "reflective" words that leapt to Bar's mind when she remembered George at that time. The image she recalled was from their honeymoon, when she and George strolled the promenades, amid the elderly retirees who wintered at that Sea Island resort. All at once, George would scream "AIR RAID! AIR RAID!" and dive into the shrubs, while Bar stood alone and blushing on the path, prey to the pitying glances of the geezers who clucked about "that poor shell-shocked young man." But there was, once, a time when he talked about the war, at night, at home, to one friend, between campaigns, when he didn't have to cover any bases at all. "You know," he said, "it was the first time in my life I was ever scared. "And then, when they came and pulled me out ..." (Him, Dottie Bush's son, out of a million miles of empty ocean!) "Well." Bush trailed off, pleasantly, just shaking his head.
Richard Ben Cramer (What It Takes: The Way to the White House)
The man who discovered diabetes, Thomas Willis, could tell if you were diabetic by the sweetness of your wee
Alex Stephens (Phenomenal Facts 1: The Bizzare to the Brilliant (Phenomenal Facts Series))
But this man, not only was he kind, but he had a dead mother. If we had a child—and I wanted a baby, a wee creature who would be completely mine—she would not interfere with its upbringing. Nor could she ever take it away from me. It was too good to be true.
Frances Cha (If I Had Your Face)
Serious.] Meditation is not a flourishing of a mans wit, but hath a set bout at the search of the truth, beats his brain as wee use to say, hammers out a buisiness, as the gouldsmith with his mettal, he heats it and beats it turnes it on this side and then on that, fashions it on both that he might frame it to his mind; meditation is hammering of a truth or poynt propounded, that he may carry and conceive the frame and compass in his mind, not salute a truth as we pass by occasionally but solemnly entertain it into our thoughts; not look upon a thing presented as a spectator or passenger that goes by: but lay other things aside, and look at this as the work and employment for the present to take up our minds.
Jonathan Edwards (Sinners in the Hands of an Angry God and Other Puritan Sermons)
Andrew’s his best man—he’ll put on the world’s poshest stag do. They’ll be eating caviar off the abs of a high-priced rentboy, one wee dab on each part of his six-pack.
Avery Cockburn (Glasgow Lads: Books 1-3)
This trying time did take a toll on my mental bearing. I turned to classical music for the healing touch and to recoup. There were days when I would wake up in the wee hours and start practising vocal music vigorously. I never bothered if I sounded great or not; the very exercise gave me tremendous amounts of mental calmness...
K. Radhakrishnan (My Odyssey: Memoirs of the Man behind the Mangalyaan Mission)
Dr Simpson swept in through the front door. His expression of irritation and curiosity turned to one of confusion and dismay as he took in the scene that greeted him: his housemaid in another man's home after dark, his apprentice bruised and bleeding, and both of them standing over the trussed-up figure of his sister-in-law's betrothed. "I have one or two wee questions, laddie," he said quietly.
Ambrose Parry (The Way of All Flesh (Raven, Fisher, and Simpson, #1))
Git tae fuck Stevie. You’re pickin up some bad habits doon in London, ah’m tellin ye man. I fucking detest televised football. It’s like shagging wi a durex oan. Safe fuckin sex, safe fuckin fitba, safe fuckin everything. Let’s all build a nice safe wee world around ourselves, he mocked, his face contorting. Stevie had forgotten the extent of Sick Boy’s natural outrage.
Irvine Welsh (Trainspotting)
Berta says he fusses all over them when we’re not there. He’s building them a wee playpen thing.” A flicker of doubt crossed her face. “Although, he does keep calling it a baby jail.
J.D. Kirk (A Dead Man Walking (DCI Logan Crime Thrillers #18))
The healing man left me a wee bit broken so I could understand”—he looked back at his friends—“Kai and Tilly, Roe, Reece, and Jed. And dozens o’ others. When a sufferin’ creature shows up at me cottage, I get to help ’em and bring ’em here. Show ’em the way up the mountain. Fact is, they probably wouldn’t listen to me if I didn’t have this wooden stump. It’s proof that I’ve suffered too.
Colleen Elisabeth Chao (Out of the Shadow World)
And who would arise to emancipate them? You laugh. But do we not regard the machine as our slave? And do we not suffer just as indubitably from this false relationship as did the wizards of old with their androids? Back of our deep-rooted desire to escape the drudgery of work lies not only freedom from sin but freedom from work, for work has become odious and degrading. When man ate of the Tree of Knowledge he elected to find a shortcut to godhood. He attempted to rob the Creator of the divine secret, which to him spelled power. What has been the result? Sin, disease, death. Eternal warfare, eternal unrest. The little we know we use for our own destruction. Wee know not how to escape the tyranny of the convenient monsters we have created. We delude ourselves into believing that, by means of them, we shall one day enjoy leisure and bliss, but all we accomplish, to be truthful, is to create more work for ourselves, more distress, more enmity, more sickness, more death. By our ingenious inventions and discoveries we are gradually altering the face of the earth - until it becomes unrecognizable in its ugliness. Until life itself becomes unbearable..
Henry Miller (Plexus I)
Never trust a man who, when left alone in a room with a tea cosy, doesn’t try it on.
Billy Connolly (Tall Tales and Wee Stories)