Pedals Love Quotes

I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!

Then she tried to bore herself to sleep by thinking about things like yogurt and the structure of a gas pedal.

Life ain’t about coasting. It’s about pushin’ the damn gas pedal all the way to the floor. Same goes for fun and love, no coasting. Pedal to the floor.

Sometimes day and night reverse. Sometimes up goes down and down goes up, and love turns into hate, and the things you counted on get washed out from under your feet, leaving you pedaling in the air.

That’s the secret. You find what you love and you go for it. Life ain’t about coasting. It’s about pushin’ the damn gas pedal all the way to the floor. Same goes for fun and love, no coasting. Pedal to the floor.

I pedaled as fast as I could... as if I were escaping from longing, from innocence, from her. Time has passed, and I have loved many women. And as they've held me close... and asked if I will remember them, I've said, "Yes, I will remember you." But the only one I've never forgotten is the one who never asked... Malena

Sometimes day and night reverse. Sometimes up goes down and down goes up, and love turns into hate, and the things you counted on get washed out from under your feet, leaving you pedaling in the air. Sometimes people stop loving you. And that's the kind of darkness that never gets fixed, no matter how many moons rise again, filling the sky with a weak approximation of light.

With the supplies gathered, he went over to the stainless-steel sink and pressed the foot pedal to get the water running. While he washed his hands, he said quietly, "If I could, I would." "Excuse me?" Qhuinn pumped some suds into his palms and scrubbed all the way up his forearms. Which was overkill, but if Blay wanted him superclean, then that was what he was going to be. "If I could love a guy like that, it would be you.

It was true love, Ted. I looked over, saw this guy, and I totally lost my mind. I know he's loud and in-your-face, but whenever I look at him I feel a little weak-kneed. And when I drive him - forget about it. He's fast and wild and a little unruly, and I can feel his throaty rumbles all through my body when I bury that gas pedal. That beast has forever ruined me for all other vehicles.

As I pedaled my bike slowly home, I realized one more thing. I didn’t have to wonder if I’d ever be passionate or happy again. I was happy, even as I tasted tears on my lips, along with Will’s last kiss; even though part of me dreaded this day, my first without Will. I was happy because I knew I’d never forget Will. Even if parts of this summer faded from my memory over time, even if Will’s face grew vague in my mind, I’s never forget what it had felt like to be with him for a few short months. What it had been like to be sixteen and in love for the first time. I wouldn’t forget that – not ever.

Every morning when I wake up and look in the mirror, I see a black face and I love it. Sure, I've been to Paris and grew up surfing, and yes, I speak like I'm in a commercial. But I'm just like the women you see walking on the side of the road with their laundry baskets and their Bibles. I'm just like the old men pedaling their rusty bicycles. I'm no different from the men who drive your tractors or the woman who probably raised you. I'm just like them, no better and no worse. I'm black, Remy, which means everything and nothing

You see, even then, I knew. It wasn't a trick. It wasn't a show. Sometimes day and night reverse. Sometimes up goes down and down goes up, and love turns into hate, and the things you counted on get washed out from under your feet, leaving you pedaling in the air. Sometimes people stop loving you. And that's the kind of darkness that never gets fixed, no matter how many moons rise again, filling the sky with a weak approximation of light.

In cricket- be fit, be alert and be Sachin.

Century was an occasional thing in cricket, Sachin made it frequent.

The American really loves nothing but his automobile: not his wife his child nor his country nor even his bank-account first (in fact he doesn't really love that bank-account nearly as much as foreigners like to think because he will spend almost any or all of it for almost anything provided it is valueless enough) but his motor-car. Because the automobile has become our national sex symbol. We cannot really enjoy anything unless we can go up an alley for it. Yet our whole background and raising and training forbids the sub rosa and surreptitious. So we have to divorce our wife today in order to remove from our mistress the odium of mistress in order to divorce our wife tomorrow in order to remove from our mistress and so on. As a result of which the American woman has become cold and and undersexed; she has projected her libido on to the automobile not only because its glitter and gadgets and mobility pander to her vanity and incapacity (because of the dress decreed upon her by the national retailers association) to walk but because it will not maul her and tousle her, get her all sweaty and disarranged. So in order to capture and master anything at all of her anymore the American man has got to make that car his own. Which is why let him live in a rented rathole though he must he will not only own one but renew it each year in pristine virginity, lending it to no one, letting no other hand ever know the last secret forever chaste forever wanton intimacy of its pedals and levers, having nowhere to go in it himself and even if he did he would not go where scratch or blemish might deface it, spending all Sunday morning washing and polishing and waxing it because in doing that he is caressing the body of the woman who has long since now denied him her bed.

For if a mother unconsciously wishes to keep a baby addicted to her, there is no better strategy than being inconsistently available. Nothing makes a laboratory rat push a pedal more furiously than an inconsistent reward.

Sachin has infinite capacity for taking pains and still making runs.

The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects … Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. That man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was a part of the monster, a robot in the seat … The driver could not control it – straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the ‘cat, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent the tractor out, had somehow gotten into the driver’s hands, into his brain and muscle, had goggled him and muzzled him – goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the land as it smelled; his feet did not stamp the clods or feel the warmth and power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did not know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor – its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with blades – not plowing but surgery … The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, had no connection with the bread. The land bore under iron, and under iron gradually died; for it was not loved or hated, it had no prayers or curses.

Like That" Love me like a wrong turn on a bad road late at night, with no moon and no town anywhere and a large hungry animal moving heavily through the brush in the ditch. Love me with a blindfold over your eyes and the sound of rusty water blurting from the faucet in the kitchen, leaking down through the floorboards to hot cement. Do it without asking, without wondering or thinking anything, while the machinery’s shut down and the watchman’s slumped asleep before his small TV showing the empty garage, the deserted hallways, while the thieves slice through the fence with steel clippers. Love me when you can’t find a decent restaurant open anywhere, when you’re alone in a glaring diner with two nuns arguing in the back booth, when your eggs are greasy and your hash browns underdone. Snick the buttons off the front of my dress and toss them one by one into the pond where carp lurk just beneath the surface, their cold fins waving. Love me on the hood of a truck no one’s driven in years, sunk to its fenders in weeds and dead sunflowers; and in the lilies, your mouth on my white throat, while turtles drag their bellies through slick mud, through the footprints of coots and ducks. Do it when no one’s looking, when the riots begin and the planes open up, when the bus leaps the curb and the driver hits the brakes and the pedal sinks to the floor, while someone hurls a plate against the wall and picks up another, love me like a freezing shot of vodka, like pure agave, love me when you’re lonely, when we’re both too tired to speak, when you don’t believe in anything, listen, there isn’t anything, it doesn’t matter; lie down with me and close your eyes, the road curves here, I’m cranking up the radio and we’re going, we won’t turn back as long as you love me, as long as you keep on doing it exactly like that.

Sachin is a genius in the world of cricket leaving behind all those who are only talented and intelligent.

Sachin plays not only to be remembered but also to be repeated.

¨Sometimes day and night reverse. Sometimes up goes down and down goes up, and love turns into hate, and the things you counted on get washed out from under your feet, leaving you pedaling in the air. Sometimes people stop loving you. And that´s the kind of darkness that never gets fixed, no matter how many moons rise again, filling the sky with a weak approximation of light¨

No. I was driving Tristan's car." Ivy heard the sharp intake of breath. "When I saw the window, I tried to stop the car. I stepped on the brake, but the car wouldn't slow down. Then I heard his voice. 'Ivy, stop! Stop! Don't you see, Ivy? Ivy, stop!' But I couldn't stop. I couldn't slow down. I pressed down the pedal over and over. I had no brakes!" Ivy felt cold all over. Gregory's arms were around her, but his own skin was cold with sweat. "Why were there no brakes?" she whispered. "Am I remembering, Gregory? What am I remembering?

Sometimes day and night reverse. Sometimes uo goes down and down goes up, and love turns into hate and the things you counted on get washed out from under your feet, leaving you pedaling in the air. Sometimes people stop loving you. And that's the kind of darkness that never gets fixed, no matter how many moons rise again, filling the sky with a weak approximation of light.

«Brixie’s blog was huge. That had to be it. Brixie had a monster fashion blog. All those Los Angeles girls with their feet on the pedals of daddy’s sports car... Speedometers twitched in Milan whenever those girls changed their shoes... And Brixie knew how to make the girls in L.A. change their shoes. Dr. Gustav Y. Svante had warned him about this. This was an Internet thing: “disintermediation.”»

When it was time for me to leave, I thanked Mrs. Odom, climbed on Lenny’s bike, and set off for home. As I pedaled up the road, I turned and glanced back at the Odoms’ house. I remembered that first day on the school bus when I had seen it and thought it was so sad-looking. Then I pictured all those boys in that little kitchen getting loved on by their mama and that house didn’t look one bit sad anymore.

I bent down and, and as our lips came together, I understood why people made such a big deal about this. First there was the novelty of it: the weird sensation of my lips pressed against hers, and the warm air sighing in and out of our noses, and the mysterious dark hollows behind our teeth. After that came the disappearing. The walls of the room fell away, the ceiling vanished, and we floated up, up to the stars, suspended in a clear crystal bubble... Our kiss contained us, it contained all of our hopes and fears and wants, and even more. It contained the world: Indians praying to painted gods, and skinny Chinese men pedaling their bicycles to work, and the glossy black water of a bayou at night, where, above it in a soft yellow room, a boy kissed a girl for the very first time while the silver-and-gold sparks of a comet rained down on them......

You see, even then, I knew. It wasn’t a trick. It wasn’t a show. Sometimes day and night reverse. Sometimes up goes down and down goes up, and love turns into hate, and the things you counted on get washed out from under your feet, leaving you pedaling in the air. Sometimes people stop loving you. And that’s the kind of darkness that never gets fixed, no matter how many moons rise again, filling the sky with a weak approximation of light.

Sounds of The Fleetwoods singing, “Come Softly to Me” and Robin Luke singing “Susie Darlin” and Little Anthony popping the vocal on “I Ran All the Way Home.” Were they all hits in that summer of 1960? Yes and no. Mostly yes. In the long purple evenings when rock and roll from WLAM blurred into night baseball from WCOU, time shifted. I think it was all 1960 and that the summer went on for a space of years, held magically intact in a web of sounds: the sweet hum of crickets, the machine-gun roar of playing-cards riffling against the spokes of some kid’s bicycle as he pedaled home for a late supper of cold cuts and iced tea, the flat Texas voice of Buddy Knox singing “Come along and be my party doll, and I’ll make love to you, to you,” and the baseball announcer’s voice mingling with the song and with the smell of freshly cut grass: “Count’s three and two now. Whitey Ford leans over ... shakes off the sign ... now he’s got it ... Ford pauses ... pitches ... and there it goes! Williams got all of that one! Kiss it goodbye! RED SOX LEAD, THREE TO ONE!” Was Ted Williams still playing for the Red Sox in 1960? You bet your ass he was—.316 for my man Ted. I remember that very clearly. Baseball

The thing I remember from the Letters Page in those antique days was the way the OBs signed off. There was Yours faithfully, Yours sincerely, and I have the honour to be, sir, your obedient servant. But the ones I always looked for - and which I took to be the true sign of an Old Bastard - simply ended like this: Yours etc. And then the newspaper drew even more attention to the sign-off by printing it: Yours &c. Yours &c. I used to muse about that. What did it mean? Where did it come from? I imagined some bespatted captain of industry dictating his OB’s views to his secretary for transmission to the Newspaper of Record which he doubtless referred to with jocund familiarity as ‘The Thunderer’. When his oratorical belch was complete, he would say ‘Yours, etc,’ which Miss ffffffolkes would automatically transcribe into, ‘I have the honour to be, sir, one of the distinguished Old Bastards who could send you the label off a tin of pilchards and you would still print it above this my name,’ or whatever, and then it would be, ‘Despatch this instanter to The Thunderer, Miss ffffffolkes.’ But one day Miss ffffffolkes was away giving a handjob to the Archbishop of York, so they sent a temp. And the temp wrote Yours, etc, just as she heard it and The Times reckoned the OB captain a very gusher of wit, but decided to add their own little rococo touch by compacting it further to &c., whereupon other OBs followed the bespatted lead of the captain of industry, who claimed all the credit for himself. There we have it: Yours &c. Whereupon, as an ardent damp-ear of sixteen, I took to the parodic sign-off: Love, &c. Not all my correspondents unfailingly seized the reference, I regret to say. One demoiselle hastened her own de-accessioning from the museum of my heart by informing me with hauteur that use of the word etc., whether in oral communication or in carven prose, was common and vulgar. To which I replied, first, that ‘the word’ et cetera was not one but two words, and that the only common and vulgar thing about my letter - given the identity of its recipient - was affixing to it the word that preceded etc. Alack, she didn’t respond to this observation with the Buddhistic serenity one might have hoped. Love, etc. The proposition is simple. The world divides into two categories: those who believe that the purpose, the function, the bass pedal and principal melody of life is love, and that anything else - everything else - is merely an etc.; and those, those unhappy many, who believe primarily in the etc. of life, for whom love, however agreeable, is but a passing flurry of youth, the pattering prelude to nappy-duty, but not something as solid, steadfast and reliable as, say, home decoration. This is the only division between people that counts.

When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal. I turn off the ignition and look at her. "So, how are you and Toraf doing?" She cocks her head at me. "What does that have to do with driving?" Aside from delaying it? "Nothing," I say, shrugging. "Just wondering." She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine." "He didn't seem to think so." She shoots me a look. "He can be oversensitive sometimes. I explained that to him." Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself. She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-" "Now who's being oversensitive?" I say, grinning. She does love him. "Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity. Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first." It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod. She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic. "D is for drive, right?" she says. "Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive." "I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move. "Okay, now you'll want to step on the right pedal, which is the gas-" The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it. "Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled. "Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry. "Are you freaking kidding me? You're the one driving!

[J.Ivy:] We are all here for a reason on a particular path You don't need a curriculum to know that you are part of the math Cats think I'm delirious, but I'm so damn serious That's why I expose my soul to the globe, the world I'm trying to make it better for these little boys and girls I'm not just another individual, my spirit is a part of this That's why I get spiritual, but I get my hymns from Him So it's not me, it's He that's lyrical I'm not a miracle, I'm a heaven-sent instrument My rhythmatic regimen navigates melodic notes for your soul and your mental That's why I'm instrumental Vibrations is what I'm into Yeah, I need my loot by rent day But that is not what gives me the heart of Kunte Kinte I'm tryina give us "us free" like Cinque I can't stop, that's why I'm hot Determination, dedication, motivation I'm talking to you, my many inspirations When I say I can't, let you or self down If I were of the highest cliff, on the highest riff And you slipped off the side and clinched on to your life in my grip I would never, ever let you down And when these words are found Let it been known that God's penmanship has been signed with a language called love That's why my breath is felt by the deaf And why my words are heard and confined to the ears of the blind I, too, dream in color and in rhyme So I guess I'm one of a kind in a full house Cuz whenever I open my heart, my soul, or my mouth A touch of God reigns out [Chorus] [Jay-Z (Kanye West)] Who else you know been hot this long, (Oh Ya, you know we ain't finished) Started from nothing but he got this strong, (The ROC is in the building) Built the ROC from a pebble, pedalled rock before I met you, Pedalled bikes, got my nephews pedal bikes because they special, Let you tell that man I'm falling, Well somebody must've caught him, Cause every fourth quarter, I like to Mike Jordan 'em, Number one albums, what I got like four of dem, More of dem on the way, The Eight Wonder on the way, Clear the way, I'm here to stay, Y'all can save the chitter chat, this and that, this and Jay, Dissin' Jay 'ill get you mased, When I start spitting them lyrics, niggas get very religious, Six Hail Maries, please Father forgive us, Young, the Archbishop, the Pope John Paul of y'all niggas, The way y'all all follow Jigga, Hov's a living legend and I tell you why, Everybody wanna be Hov and Hov still alive.

The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

I used to be a roller coaster girl" (for Ntozake Shange) I used to be a roller coaster girl 7 times in a row No vertigo in these skinny legs My lipstick bubblegum pink As my panther 10 speed. never kissed Nappy pigtails, no-brand gym shoes White lined yellow short-shorts Scratched up legs pedaling past borders of humus and baba ganoush Masjids and liquor stores City chicken, pepperoni bread and superman ice cream Cones. Yellow black blending with bits of Arabic Islam and Catholicism. My daddy was Jesus My mother was quiet Jayne Kennedy was worshipped by my brother Mark I don’t remember having my own bed before 12. Me and my sister Lisa shared. Sometimes all three Moore girls slept in the Queen. You grow up so close never close enough. I used to be a roller coaster girl Wild child full of flowers and ideas Useless crushes on polish boys in a school full of white girls. Future black swan singing Zeppelin, U2 and Rick Springfield Hoping to be Jessie’s Girl I could outrun my brothers and Everybody else to that reoccurring line I used to be a roller coaster girl Till you told me I was moving too fast Said my rush made your head spin My laughter hurt your ears A scream of happiness A whisper of freedom Pouring out my armpits Sweating up my neck You were always the scared one I kept my eyes open for the entire trip Right before the drop I would brace myself And let that force push my head back into That hard iron seat My arms nearly fell off a few times Still, I kept running back to the line When I was done Same way I kept running back to you I used to be a roller coaster girl I wasn’t scared of mountains or falling Hell, I looked forward to flying and dropping Off this earth and coming back to life every once in a while I found some peace in being out of control allowing my blood to race through my veins for 180 seconds I earned my sometime nicotine pull I buy my own damn drinks & the ocean Still calls my name when it feels my toes Near its shore. I still love roller coasters & you grew up to be Afraid of all girls who cld ride Fearlessly like me.

The children crowded about the women in the houses. What we going to do Ma? Where we going to go? The women said, We don’t know, yet. Go out and play. But don’t go near your father. He might whale you if you go near him. And the women went on with the work, but all the time they watched the men squatting in the dust–perplexed and figuring. ... The tractors came over the roads and into the fields, great crawlers moving like insects, having the incredible strength of insects. They crawled over the ground, laying the track and rolling on it and picking it up. Diesel tractors, puttering while they stood idle; they thundered when they moved, and then settled down to a droning roar. Snub-nosed monsters, raising the dust and sticking their snouts into it, straight down the country, across the country, through fences, through dooryards, in and out of gullies in straight lines. They did not run on the ground, but on their own roadbeds. They ignored hills and gulches, water courses, fences, houses. The man sitting in the iron seat did not look like a man; gloved, goggled, rubber dust mask over nose and mouth, he was part of the monster, a robot in the seat. The thunder of the cylinders sounded through the country, became one with the air and the earth, so that earth and air muttered in sympathetic vibration. The driver could not control it–straight across country it went, cutting through a dozen farms and straight back. A twitch at the controls could swerve the cat’, but the driver’s hands could not twitch because the monster that built the tractor, the monster that sent that tractor out, had somehow got into the driver’s hands, into his brain and muscle, had goggled him and muzzled him–goggled his mind, muzzled his speech, goggled his perception, muzzled his protest. He could not see the land as it was, he could not smell the power of the earth. He sat in an iron seat and stepped on iron pedals. He could not cheer or beat or curse or encourage the extension of his power, and because of this he could not cheer or whip or curse or encourage himself. He did now know or own or trust or beseech the land. If a seed dropped did not germinate, it was no skin off his ass. If the young thrusting plant withered in drought or drowned in a flood of rain, it was no more to the driver than to the tractor. He loved the land no more than the bank loved the land. He could admire the tractor–its machined surfaces, its surge of power, the roar of its detonating cylinders; but it was not his tractor. Behind the tractor rolled the shining disks, cutting the earth with its blades–not plowing but surgery, pushing the cut earth to the right where the second row of disks cut it and pushed it to the left; slicing blades shining, polished by the cut earth. And behind the disks, the harrows combing with iron teeth so that the little clods broke up and the earth lay smooth. Behind the harrows, the long seeders–twelve curved iron penes erected in the foundry, orgasms set by gear, raping methodically, raping without passion. The driver sat in his iron seat and he was proud of the straight lines he did not will, proud of the tractor he did not own or love, proud of the power he could not control. And when that crop grew, and was harvested, no man had crumbled a hot clod in his fingers and let the earth sift past his fingertips. No man had touched the seed, or lusted for the growth. Men ate what they had not raised, and had no connection to the bread. The land bore under iron, and under iron gradually died; for it was not love or hated, it had no prayers or curses.

Every Inch of the Way is a great page turning adventure which is as close as you can get, without actually saddling up and pedalling yourself into the unknown. It takes real magic to turn a great adventure, into a great book. For one thing, most people can't relate to the mindset of the long distance cyclist and I found myself laughing along to Tom's thoughts and observations, wondering if they were in - jokes, shared by those who had seen the world at the speed of a bike, for example his relationship with Serbia's stray dogs! . But his anecdotes have a great balance of the cultures and places, as opposed to just inward reflections, so I am sure would be enjoyed by anyone with an interest in travel and human experience. A lovely story, written from the heart.

That's the secret. You find what you love and you go for it. Life ain't about coasting. It's about pushin' the damn gas pedal all the way to the floor. Same goes for fun and love, no coasting. Pedal to the floor.

Football is like riding a bicycle; you have to pedal a bike continuously, otherwise you will fall off.

If you’re going to be sitting watching television, or writing a book, or lazily enjoying the Internet, you might as well be pedaling your feet while you are doing it.

Oil Change instructions for Women: 1. Pull up to Dealership when the mileage reaches 5,000 miles since the last oil change. 2. Relax in the waiting room while enjoying a cup of coffee. 3. 15 minutes later, scan debit card and leave, driving a properly maintained vehicle. Money spent: Oil Change:$24.00 Coffee: Complementary TOTAL: $24.00 Oil Change instructions for Men: 1. Wait until Saturday, drive to auto parts store and buy a case of oil, filter, kitty litter, hand cleaner and a scented tree, and use your debit card for $50.00. 2. Stop to buy a case of beer, (debit $24), drive home. 3. Open a beer and drink it. 4. Jack truck up. Spend 30 minutes looking for jack stands. 5. Find jack stands under kid's pedal car. 6.. In frustration, open another beer and drink it. 7. Place drain pan under engine. 8. Look for 9/16 box end wrench. 9. Give up and use crescent wrench. 10. Unscrew drain plug. 11. Drop drain plug in pan of hot oil: splash hot oil on you in process. Cuss. 12. Crawl out from under truck to wipe hot oil off of face and arms. Throw kitty litter on spilled oil. 13. Have another beer while watching oil drain. 14. Spend 30 minutes looking for oil filter wrench. 15. Give up; crawl under truck and hammer a screwdriver through oil filter and twist off. 16. Crawl out from under truck with dripping oil filter splashing oil everywhere from holes. Cleverly hide old oil filter among trash in trash can to avoid environmental penalties. Drink a beer. 17. Install new oil filter making sure to apply a thin coat of oil to gasket surface. 18. Dump first quart of fresh oil into engine. 19. Remember drain plug from step 11. 20. Hurry to find drain plug in drain pan. 21. Drink beer. 22. Discover that first quart of fresh oil is now on the floor. Throw kitty litter on oil spill. 23. Get drain plug back in with only a minor spill. Drink beer. 24. Crawl under truck getting kitty litter into eyes. Wipe eyes with oily rag used to clean drain plug. Slip with stupid crescent wrench tightening drain plug and bang knuckles on frame removing any excess skin between knuckles and frame. 25. Begin cussing fit. 26. Throw stupid crescent wrench. 27. Cuss for additional 5 minutes because wrench hit truck and left dent. 28. Beer. 29. Clean up hands and bandage as required to stop blood flow. 30. Beer. 31. Dump in five fresh quarts of oil. 32. Beer. 33. Lower truck from jack stands. 34. Move truck back to apply more kitty litter to fresh oil spilled during any missed steps. 35. Beer. 36. Test drive truck. 37. Get pulled over: arrested for driving under the influence. 38. Truck gets impounded. 39. Call loving wife, make bail. 40. 12 hours later, get truck from impound yard. Money spent: Parts: $50.00 DUI: $2,500.00 Impound fee: $75.00 Bail: $1,500.00 Beer: $20.00 TOTAL: $4,145.00 But you know the job was done right!

You find what you love and you go for it. Life ain't about coasting. It's about pushin' the damn gas pedal all the way to the floor.

Underneath the starry sky, amidst the town's nocturnal embrace, I pedaled forward with a renewed sense of optimism, accompanied by the harmonies that echoed the elation within my soul.

The thrill of being entirely surrounded by the forest – this forest – wrapped itself around me. I could have been the only person alive. It was fabulous. The trees rustled and rasped with the wisdom of a thousand years, and it seemed as if every other creature kept silence in honour of their age and beauty. I soared through dozens of miniature spotlights, where the sun’s rays flickered through chinks in the verdant roof above my head, illuminating the insects in their dance shows, warming my skin with an ancient blessing. Nothing mattered for those two miles. My messy life unravelled like a snagged jumper behind me as I pedalled on, swallowed up by the mystery and

Let's raise our children together: let them ride the same school buses, learn the same history, swing in the same playgrounds, pedal their bikes down the same streets, share their same city. Then we shall see face to face. Halleluiah.

And putting on a new blade, getting your oldest boy to hold up the hitch so you can get at it, the first mosquito of the new season buzzes blood-thirstily past your ear with that eye-watering hum that always makes you think it’s the sound loonies must hear just before they kill all their kids or close their eyes on the Interstate and put the gas pedal to the floor or tighten their toe on the trigger of the .30-.30 they just jammed into their quackers; and then your boy’s sweat-slicked fingers slip and one of the other round harrow blades scrapes skin from your arm and looking around in that kind of despairing, heartless flicker of time, when it seems you could just give it all over and take up drinking or go down to the bank that holds your mortgage and declare bankruptcy, at that moment of hating the land and the soft suck of gravity that holds you to it, you also love it and understand how it knows darkness and has always known it.

He knew she must’ve said some real fly shit that ticked his mother off. Nice let V lean her body weight on him as he walked her out the front door. When he looked down at her he was trying his hardest not to laugh but his Aunt was rocking the jail house cornrows under a stocking cap and her wig was halfway on her head. Nice tried to get her back right and fix her wig the best way he could. He was trying to save her dignity and not have her out here looking crazier than she already did when she stepped out of the house that morning with that wig on. Nice put the pedal to the medal to drive V back to her house as she cried and blubbered drunkenly in the passenger seat about Cathy doing her dirty.

instability, the discomfort of the relationship—feed back into the low self-esteem and self-doubt that triggered the over-involvement to start with. The only way out appears to be deeper enmeshment, getting so close to the SOP that those blowups won’t happen. Soon the cycle hums, fully in place, with both parties pedaling as fast as they can.

March 6: Emmeline Snively, head of the Blue Book Modeling Agency, sends Norma Jeane to Joseph Jasgur for test shots. In The Birth of Marilyn, Jeannie Sakol reports Jasgur’s first impressions: “What he saw was not too encouraging. Her hips were too broad and would photograph even broader if he didn’t take special pains. Her loose pink wool sweater and check pedal pushers only exaggerated the imperfections of her figure and emphasized her need to lose some weight. As for her hair, it was thick and wild and reddish brown, its natural curliness obviously impossible to control—although she had equally obviously tried to do just that with a saucy beret. The colour, Jasgur realized, was totally wrong for her blue eyes and peach blossom skin tones. If ever a girl should be blonde it was this girl who was so patiently enduring his professional scrutiny. . . . She didn’t have a chance, he thought, until he looked into her eyes. . . . A lovely vivid blue, they gazed at him with a calm and quiet dignity, neither arrogant nor seductive. There was something there. Jasgur shakes his head with amazement that has never left him in forty-five years. ‘I never thought that something would take her so far.’” He finds her shy and anxious. Other photographers report similar experiences with her. But in front of the camera, Jasgur remembered, “[S]he was relaxed, no trace of self-consciousness. Even in those formative days, I think she trusted the camera more than she trusted people.

Seriously?” she asked, face alight with anger. “Did you forget where the gas pedal was? Or did you hope I would die of old age before we got here?

Kenzie Denune pedaled the bicycle harder, her thighs burning from the exertion. Thanks to a car that refused to start, she was going to be late for her job interview at Iverson Loch Manor. Grunting and pounding from the shrubs ahead, near the road's edge, snagged her attention. Naked shoulders glistened in the afternoon sun. Back muscles bulged and undulated with every thrust. “Bloody hell. Come fer me. Come.” In all of Mathe Bay in the Scottish Highlands, only one deep masculine voice had the power to raise the hair on her arms like this. A man with braided russet-colored hair that brushed broad shoulders inked with a bear's claw marks, woven into an intricate tribal design - Bryce Matheson. Damn him to hell. Who's he shagging in broad daylight? Out in the open, no less. Has he no shame? ... “I canna keep pounding at ye like this all bloody day. Me back is about to give out.” Bryce moaned and groaned again, obviously in the throes of ecstasy. The bear-shifting bastard. She eased up on the brakes to whiz past his love nest of bushes and brambles. “I'll not give up until I get ye wild cherry. Let me push both me thumbs and most of me fingers in here and....." My God, what's he doing to her? Kenzie couldna resist one fleeting glance over her shoulder. Her front wheel plunged into a pothole and the bike pitched... as she toppled across the grit. The force of the impact, combined with the slant of the narrow road, caused her to roll toward Bryce and his current conquest. No! No, God, no!

He’d made his mind up the night before, when Mikey had messaged him on Facebook to say that he’d managed to fix his brakes. They were officially ‘good to go’. And go was precisely what Norm intended to do. He didn’t care where. As long as they went somewhere. And the fact that it was a lovely day was the icing on the cake. Or, as Norm preferred to think of it, the extra cheese topping on a twelve inch deep crust margherita pizza from Wikipizza.     For once, all was well in Norm’s world as he pedalled down the street. Relatively well, anyway. About as well as could be expected. Not that Norm’s expectations were ever all that great. But at least he’d been allowed out. Officially allowed out, that was. He hadn’t had to sneak out without his dad knowing. The so-called ban had been lifted, once his mum had explained to his dad why Norm had gone over to see Mikey in the first place.

when I am running on fumes you fill me up. igniting my engine to throttle a bit harder. A bit faster. you rev me up regardless of the number of bumps, regardless of the amount of twists and turns in the road ahead. my heart belongs to you. propelling me towards the sunset. the reason I speed down the street in this passionate flight. Not afraid to jump any unsuspecting hill. most might think that I am crazy, the way that I drive. if they knew the reason why, they'd press the pedal down as well. when I am running on fumes, rev me up, rev me up. Baby rev me up. I am a well-oiled machine with a place to be. whether towards the moon or the sun. you're the gasoline that ignites the spark that pushes me to go a little further.

I loved the way the pedal steel could make even the goofiest song sound a little bit wistful.

There are two ways to approach the role of new stepdad: You can go the friendly route—soft-pedal, build some trust. Don’t worry, I’m not trying to replace your dad. Or you can seize the opportunity to lead that totalitarian regime you’ve always dreamed of. I am your parent! You will respect me! Clyde opted for the latter. He immediately instated something he called Heavy Chore Day—aka, Saturday. Like Sunday Mass, attendance was mandatory but HCD lasted much longer. The whole family was up and working by 0800 and the workday lasted eight hours. Duties were segregated between men’s work (in the yard) and women’s work (in the house). If there were any holdover friends from a Friday night sleepover, they were welcome to stay, “but if you’re here, you need to contribute.” Our friends quickly learned to request early pickup times. Clyde’s vibe was all drill sergeant. “Police the lawn for anything that ain’t grass or dog shit. Shovel the dog shit. After you mow, edge the perimeter.” Half the jobs didn’t even make sense: “Move this pile of rocks to the other end of the yard. Dig a hole over here, cart the dirt in the wheelbarrow over there and make a dirt hill.

Thus begins my only sustained conversation in the Grand Canyon, as the man and I walk the second half of South Kaibab Trail together. I learn he’s on his way to a water treatment plant at the Colorado River. “I treat sewage water and recycle it to use at Phantom Ranch,” he explains. A self-described “Steward of the Grand Canyon,” he’s been doing this work all his life – a job he took over from his uncle and grandfather before him. “No matter the weather I hike to the plant every other week,” he says. “I stay for about a week at a time.” This week he’s on a special mission to train some new “young bucks” in the art of water treatment. “They never last,” he shakes his head. “They think they know what they’re getting into, and then reality hits when it gets cold.” He pauses, staring down the emerald Colorado River snaking below us. Then he swings around, looking me straight in the eyes, “I have given up everything I love for this canyon.” He resumes his speed walk as I trail clumsily behind him, trying to keep up. My bike bounces on my back.

Dispassionate scrutiny may well help us to find the sort of person we should fall in love with in order to have the best chances of being happy; but by itself it does not do much to make us fall in love. There are precise laws of physics that can describe mathematically all of the forces at play as I pedal and turn my bicycle, but it is the feel for the thing, and not my knowledge of mathematics, that allowed me to learn to ride it. No amount of biochemical facts is sufficient to prevent chronic stress from producing ulcers in my stomach. And no accumulation of facts about the way things are can ever dispel the mystery of why there is something rather than nothing.

Nevertheless, it also means that someone would be passing on. One day later, we were married at the small red brick church, which she went to as a young girl. It was the day at last; it was here; there she was walking down the aisle. With the flower pedals, everywhere. I remember seeing the angel oak trees with their leaves blowing in the breeze; it was the perfect heartwarming day. As I walked into the church. At that time, there were daisy and lily flowers all over the place on the floor, with the colors of white and pink in her bouquet, and some were even in her lovely hair, around the white lace veil, and of course next to the glittery silver princess tiara, which she wore. However, there was no one to give her away, but right before the ceremony, this older gentleman walked up to Kristen, he could barely stand or speak, yet he got up on his own two feet, he was very weak, he said that he was living with lung cancer. Yet he said- ‘I’ll do it for the little lady.’ That gentleman’s name was Greg; he said that he knew Nevaeh, and he knew Kristen’s mom, from way back when, so we both said okay, we all thought that was sweet of him to do. We said our vows, ‘I take you, to be my soul mate, to love what I know of you, and trusting what I do not yet know.’ ‘To love and hold and to grow old, as one soul. To get to be with you all the days of my life. While falling even more in love with you every day, as we pray. To keep you in my life.’ ‘I promise to love, and cherish you through whatever life may bring our way, as we become- us!’ We both quoted a remarkable saying by an astonishing person. ‘Love it is like the cupid's arrow, that hits at the most unlikely times. We chose to be as one forever and ever to never- ever forget that bond… now and forever!’ (We all said –Amen! in the house of the Lord.) You may kiss the bride! Brandon- and I did! Kristen- The kiss was magnificent and sweet. Then we walked out of the church together off into the sunset. Nevaeh- I am glad that I got to be there to see them be married!

She stepped on the trashcan's foot pedal and tossed her dress and shoes in the garbage. The warrior in her shouted as if she'd done something amazing...until she remembered how much the shoes had cost. She'd thought of setting them on fire in the bathtub, but it seemed a bit over the top, and even she wasn't that dramatic. The trashcan would do. She'd move forward smarter, stronger, and happy to have cut the dead weight from her life. Small Town Hero, Kim Koby

Some people think they can have “down time” for protracted periods. But you can’t take your foot off the pedal. Winners don’t “chillax”. They work all the time. They win precisely because they can keep going when others have tired and given up. If you get into the habit of relaxing, freewheeling and treating yourself, you will definitely lose when you come up against someone who does none of those things. A theory states that winners have higher natural levels of pain-killing chemicals in their systems. They can keep going because they are more pain resistant. They don’t need to take time off, to recuperate, to recharge their batteries. They just keep going, and that gives them an unbeatable competitive advantage. If you want to be a winner, you should train yourself to keep going even when you’re desperate to stop. If you master that skill, you will definitely succeed. Never let up. Keep grinding out work day in and day out. Eventually it will be second nature to you, and you will be able to produce good work in all circumstances. Of course, you must be engaged in an activity you love. You can’t keep putting in excessive effort if every moment is like torture, if you hate what you’re doing.

Sachin's pedal sweep confirmed that physical conditions and age cannot stop you from hitting boundaries.

Sachin is passionate for cricket and fame is passionate for Sachin.

Thanks to technology, the future generation will be able to see Sachin's recorded innings and will accept that our generation was most lucky.

Translated into the terms of modern sports psychology these ‘peak experiences’ took place when I let go – the race that I was just ‘training through,’ or that for some reason or another didn’t matter was almost always when the sensations were the best. Indifferent to the outcome, the calm of my well-worn warm-up routine would give way to legs that turned the pedals with such inexplicable effortlessness that it felt as if I had been made to ride a bicycle. This isn’t to say I always won – that the sensations always correlated to the external result – but on race days like this I at least never got in my own way. On days like this I loved racing my bicycle.