Storms Never Last Quotes

We've searched our database for all the quotes and captions related to Storms Never Last. Here they are! All 100 of them:

Never lose hope. Storms make people stronger and never last forever.
Roy T. Bennett (The Light in the Heart)
Difficulties and adversities viciously force all their might on us and cause us to fall apart, but they are necessary elements of individual growth and reveal our true potential. We have got to endure and overcome them, and move forward. Never lose hope. Storms make people stronger and never last forever.
Roy T. Bennett (The Light in the Heart)
[...] just remember, the storm doesn't last forever. It can scare you; it can shake you to your core. But it never lasts. The rain subsides, the thunder dies, and the winds calm to a soft whisper. And that moment after the storm clouds pass, when all is silent and still, you find peace. Quiet, gentle peace.
S.L. Jennings (Fear of Falling (Fearless, #1))
Lines I die but when the grave shall press The heart so long endeared to thee When earthy cares no more distress And earthy joys are nought to me. Weep not, but think that I have past Before thee o'er the sea of gloom. Have anchored safe and rest at last Where tears and mouring can not come. 'Tis I should weep to leave thee here On that dark ocean sailing drear With storms around and fears before And no kind light to point the shore. But long or short though life may be 'Tis nothing to eternity. We part below to meet on high Where blissful ages never die.
Emily Brontë
I have no will, unless it be the will never to decide. I have been so overwhelmed by the many storms that have broken over my head, that I am become passive in the hands of the Almighty, like a sparrow in the talons of an eagle. I live, because it is not ordained for me to die.
Alexandre Dumas (The Count of Monte Cristo)
There's an east wind coming all the same, such a wind as never blew on England yet. It will be cold and bitter, Watson, and a good many of us may wither before its blast. But it's God's own wind none the less and a cleaner, better stronger land will lie in the sunshine when the storm has cleared.
Arthur Conan Doyle (His Last Bow (Sherlock Holmes, #8))
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
Luke Davies (Candy)
With every strike of lightning Comes a memory that lasts Not a word is left unspoken As the thunder starts to crash Maybe I should give up Standing out in the rain Need to know if it's over Cause I would leave you alone I'm flooded with all this pain Knowing that I'll never hold her Like I did before the storm
Jonas Brothers
Good old Watson! You are the one fixed point in a changing age. There's an east wind coming all the same, such a wind as never blew on England yet. It will be cold and bitter, Watson, and a good many of us may wither before its blast. But it's God's own wind none the less, and a cleaner, better, stronger land will lie in the sunshine when the storm has cleared.
Arthur Conan Doyle (His Last Bow (single story))
I have traveled outside the mountains, but never lived apart from them. I always feared mountains would be as jealous, as unforgiving, as any spurned lover. Leave them and they may never take you back. Besides, I never felt a need to go. There is enough to study in these hills to last a lifetime.
Denise Giardina (Storming Heaven)
Could you bring back a man without a head?” Arya asked. “Just the once, not six times. Could you?” “I have no magic, child. Only prayers. That first time, his lordship had a hole right through him and blood in his mouth, I knew there was no hope. So when his poor torn chest stopped moving, I gave him the good god’s own kiss to send him on his way. I filled my mouth with fire and breathed the flames inside him, down his throat to lungs and heart and soul. The last kiss it is called, and many a time I saw the old priests bestow it on the Lord’s servants as they died. I had given it a time or two myself, as all priests must. But never before had I felt a dead man shudder as the fire filled him, nor seen his eyes come open. It was not me who raised him, my lady. It was the Lord. R’hllor is not done with him yet. Life is warmth, and warmth is fire, and fire is God’s and God’s alone.” Arya felt tears well in her eyes. Thoros used a lot of words, but all they meant was no, that much she understood.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
I live my life in growing orbits which move out over the things of the world. Perhaps I can never achieve the last, but that will be my attempt. I am circling around God, around the ancient tower, and I have been circling for a thousand years, and I still don’t know if I am a falcon, or a storm, or a great song.
Rainer Maria Rilke
Is the beauty of the Whole really enhanced by our agony? And is the Whole really beautiful? And what is beauty? Throughout all his existence man has been striving to hear the music of the spheres, and has seemed to himself once and again to catch some phrase of it, or even a hint of the whole form of it. Yet he can never be sure that he has truly heard it, nor even that there is any such perfect music at all to be heard. Inevitably so, for if it exists, it is not for him in his littleness. But one thing is certain. Man himself, at the very least, is music, a brave theme that makes music also of its vast accompaniment, its matrix of storms and stars. Man himself in his degree is eternally a beauty in the eternal form of things. It is very good to have been man. And so we may go forward together with laughter in our hearts, and peace, thankful for the past, and for our own courage. For we shall make after all a fair conclusion to this brief music that is man.
Olaf Stapledon (Last and First Men)
You'll get over it...' It's the cliches that cause the trouble. To lose someone you love is to alter your life for ever. You don't get over it because 'it' is the person you loved. The pain stops, there are new people, but the gap never closes. How could it? The particularness of someone who mattered enough to greive over is not made anodyne by death. This hole in my heart is in the shape of you and no-one else can fit it. Why would I want them to? I've thought a lot about death recently, the finality of it, the argument ending in mid-air. One of us hadn't finished, why did the other one go? And why without warning? Even death after long illness is without warning. The moment you had prepared for so carefully took you by storm. The troops broke through the window and snatched the body and the body is gone. The day before the Wednesday last, this time a year ago, you were here and now you're not. Why not? Death reduces us to the baffled logic of a small child. If yesterday why not today? And where are you? Fragile creatures of a small blue planet, surrounded by light years of silent space. Do the dead find peace beyond the rattle of the world? What peace is there for us whose best love cannot return them even for a day? I raise my head to the door and think I will see you in the frame. I know it is your voice in the corridor but when I run outside the corridor is empty. There is nothing I can do that will make any difference. The last word was yours. The fluttering in the stomach goes away and the dull waking pain. Sometimes I think of you and I feel giddy. Memory makes me lightheaded, drunk on champagne. All the things we did. And if anyone had said this was the price I would have agreed to pay it. That surprises me; that with the hurt and the mess comes a shaft of recognition. It was worth it. Love is worth it.
Jeanette Winterson (Written on the Body)
Sand whispered behind him as Lorcan stepped up to his side. “I will go with you. I will help you get her back.” Gavriel rasped, “We’ll find her.” Aedion at last looked away from Lysandra at that. But he said nothing to his father—had said nothing to him at all since they’d landed on the beach. Elide took a limping step closer, her voice as raw as Gavriel’s. “Together. We’ll go together.” Lorcan gave the Lady of Perranth an assessing look that she made a point to ignore. His eyes flickered as he said to Rowan, “Fenrys is with her. He’ll know we’re coming for her—try to leave tracks if he can.” If Maeve didn’t have him on lockdown. But Fenrys had battled the blood oath every day since swearing it. And if he was all that now stood between Cairn and Aelin … Rowan didn’t let himself think about Cairn. About what Maeve had already had him do, or would do to her before the end. No—Fenrys would fight it. And Aelin would fight it. Aelin would never stop fighting. Rowan
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Old Spice           Every Sunday afternoon he dresses in his old army uniform, tells you the name of every man he killed. His knuckles are unmarked graves.   Visit him on a Tuesday and he will describe the body of every woman he could not save. He’ll say she looked like your mother and you will feel a storm in your stomach.   Your grandfather is from another generation– Russian degrees and a school yard Cuban national anthem, communism and religion. Only music makes him cry now.   He married his first love, her with the long curls down to the small of her back. Sometimes he would pull her to him, those curls wrapped around his hand like rope.   He lives alone now. Frail, a living memory reclining in a seat, the room orbiting around him. You visit him but never have anything to say. When he was your age he was a man. You retreat into yourself whenever he says your name.   Your mother’s father, “the almost martyr, can load a gun under water in under four seconds.   Even his wedding night was a battlefield. A Swiss knife, his young bride, his sobs as he held Italian linen between her legs.   His face is a photograph left out in the sun, the henna of his beard, the silver of his eyebrows the wilted handkerchief, the kufi and the cane.   Your grandfather is dying. He begs you Take me home yaqay, I just want to see it one last time; you don’t know how to tell him that it won’t be anything like the way he left it.
Warsan Shire (Teaching My Mother How to Give Birth)
All day the storm lasted. The windows were white and the wind never stopped howling and screaming. It was pleasant in the warm house. Laura and Mary did their lessons, then Pa played the fiddle while Ma rocked and knitted, and bean soup simmered on the stove. All night the storm lasted, and all the next day. Fire-light danced out of the stove's draught, and Pa told stories and played the fiddle.
Laura Ingalls Wilder (On the Banks of Plum Creek (Little House, #4))
And anyway, never, never apologise the morning after for what your hormones were telling you last night.
Paul Russell (The Coming Storm)
The storm never lasts, but the sun never stops shinning.
Matshona Dhliwayo
There's a funny fool. I have a riddle for you, Shagwell. Why do you care if she screams? Oh, wait, I know." He shouted "SAPPHIRES," as loudly as he could. Cursing, Rorge kicked at his stump again. Jaime howled. I never knew there was such agony in the world, was the last thing he remembered thinking. It was hard to say how long he was gone, but when the pain spit him out, Urswyck was there, and Vargo Hoat himself. "Thee'th not to be touched," the goat screamed, spraying spittle all over Zollo. "Thee hath to be a maid, you foolth! Thee'th worth a bag of thapphireth!" And from then on, every night Hoat put guards on them, to protect them from his own. Two nights passed in silence before the wench finally found the courage to whisper, "Jaime? Why did you shout out?" "Why did I shout out 'sapphires,' you mean? Use your wits, wench. Would this lot have cared if I shouted 'rape'?" "You did not need to shout at all." "You're hard enough to look at with a nose. Besides, I wanted to make the goat say, 'thapphireth.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
He kissed me like I was the empire he was sworn to protect and would die a thousand deaths to keep secure. He kissed me like I was a woman with a deep dark wildness that needed to be fed and he knew just how to do it. He kissed me like he was dying and this was the last kiss he would ever taste. Then his kiss changed and his tongue was velvet and silk as he kissed me like I was fine bone china that needed exacting care and gentleness. Then the storm built in both of us and I ground myself against him, and he was searching with his kiss and his hands sliding down to my ass for the part of me that was a savage animal and so was he and we were going to forget the world and “become two primal, uncomplicated beasts fucking as if the universe depended on our passion to fuel it. And I was pretty sure we could. I felt something building in me, a hunger that was exhilarated to be alive and knew it could come out and play as hard as it wanted, because I could never break this man. Not even with all my superpowers. I could dump every bit of myself on him and never have to worry about giving him a heart attack or breaking a bone or giving him a black eye by accident. He could handle anything. My high temper, my need for adventure and stimulation, my intellect, rages, and rants, my sheer physical strength, even the darkness of my shadow-self. He was a broad-shouldered beast. He was hard and capable and permanent and had an immortal heart. A frenzy of lust exploded inside me and I met the savagery of his kiss with all the savagery in my soul, and there is one fuck of a lot of it.
Karen Marie Moning (Feversong (Fever, #9))
That day will never come. I’ll be the last bachelor standing.” Dylan made a show of looking at his watch. “And if I hustle, I can still meet, mingle and be the answer to some woman’s sexual prayers. Let’s hit it before she settles on second best.
Jory Strong (Storm's Faeries (Supernatural Bonds, #2))
The storm never lasts forever and there is sunshine on the other side.
Annette Camp
The storm never lasts forever. You just have to endure because when you do come out of it, you only grow stronger from it." -A Darker Demise (My Salvation)
M. C. Ryder
They wrapped her corpse in silver, a shroud in moonglow made... with an Ancient's chain they lowered her, while in pain their eyes did fade. Oh now the storm is raging, the ship has seen its last, and she will never see the sun... as long as the bones stand strong and fast.
Sana Takeda (Monstress, Vol. 2: The Blood)
At last, Manon found Asterin's gaze, tears now rolling down her Second's face. Not from fear or pain, but in farewell. A hundred years--and yet Manon wish she'd had more time. For a heartbeat, she thought of that sky-blue mare in the aerie, the wyvern that would wait and wait for a rider who would never return. Thought of a green rocky land spreading to the western sea. Hand trembling, Asterin pressed her fingers to her brow and extended them. "Bring our people home, Manon," she breathed.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
Oh, grassy glades! oh ever vernal endless landscapes in the soul; in ye,—though long parched by the dead drought of the earthly life,— in ye, men yet may roll, like young horses in new morning clover; and for some few fleeting moments, feel the cool dew of the life immortal on them. Would to God these blessed calms would last. But the mingled, mingling threads of life are woven by warp and woof: calms crossed by storms, a storm for every calm. There is no steady unretracing progress in this life; we do not advance through fixed gradations, and at the last one pause:— through infancy’s unconscious spell, boyhood’s thoughtless faith, adolescence’ doubt (the common doom), then scepticism, then disbelief, resting at last in manhood’s pondering repose of If. But once gone through, we trace the round again; and are infants, boys, and men, and Ifs eternally. Where lies the final harbor, whence we unmoor no more? In what rapt ether sails the world, of which the weariest will never weary? Where is the foundling’s father hidden? Our souls are like those orphans whose unwedded mothers die in bearing them: the secret of our paternity lies in their grave, and we must there to learn it.
Herman Melville (Moby-Dick or, The Whale)
The Last Song of Grimbeard the Ghastly I sailed so far to be a King but the time was never right I lost my way on a stormy past, got wrecked in starless night But let my heart be wrecked by hurricanes and my ship by storm weather I know I am a Hero, and a Hero is… forever In another time, another place, I could have been a King But in my castle’s ruined towers the lonely seabirds sing I burned up my Tomorrows, I cannot go back ever But I am still a Hero, and a Hero is… forever
Cressida Cowell (How to Betray a Dragon's Hero (How to Train Your Dragon, #11))
When he pursed his lips and dropped a hand into his coat pocket, the last thing Nur expected him to pull out was a cricket ball. "I'd hoped for a disruptor at least," she muttered reprovingly. The Doctor slipped three fingers around the ball and hefted it experimentally. "I thought we'd try something a little less excessive." He breathed gently on to the maroon leather and polished it on his leg as the Sontaran finally tossed the Kshatriya aside and stopped to pick up its fallen weapon. He stepped around the corner, sighting along his free arm as the Sontaran straightened, its back fully turned. The cricket ball flashed down the length of the corridor in the blink of an eye, punching into the back of the Sontaran's collar and ricocheting away. To Nur's astonishment, the alien spasmed and crashed to the floor like a falling tree. "Out for a duck," the Doctor commented, blowing across his fingertips. "I've never seen anything killed by a cricket ball before." "You haven't yet. He'll wake up in a few minutes.
David A. McIntee (Doctor Who: Lords of the Storm)
Maybe before a big storm rolls in, you’ll use it to catch fireflies (see, I did remember something, city mouse. But they’re still lightning bugs down here). And if you do, just remember, the storm doesn’t last forever. It can scare you; it can shake you to your core. But it never lasts. The rain subsides, the thunder dies, and the winds calm to a soft whisper. And that moment after the storm clouds pass, when all is silent and still, you find peace. Quiet, gentle peace. That’s what I wish for you. Even if you couldn’t find it with me.
S.L. Jennings (Fear of Falling (Fearless, #1))
I never know the answer. They bear legitimate witness to my incompetence, my inebriation until the curtains part for showtime. And at last, I’m able to retreat. Shake off the pretense that I’m actually doing something. Melt into the backstage dark, a ghost spying on the living. Tonight? Tonight’s different. Look at me, I’m here. Right here behind the curtain. In the eye of the storm. I’m standing on my legs. Standing straight. Standing tall. I’m a shining tower of calm behind the curtain. My body emanating two works: All’s Well. And al is well. Not dying at all for once. Not a ghost for once. Not even pale.
Mona Awad (All's Well)
The hills below crouched on all fours under the weight of the rainforest where liana grew and soldier ants marched in formation. Straight ahead they marched, shamelessly single-minded, for soldier ants have no time for dreaming. Almost all of them are women and there is so much to do - the work is literally endless. So many to be born and fed, then found and buried. There is no time for dreaming. The life of their world requires organization so tight and sacrifice so complete there is little need for males and they are seldom produced. When they are needed, it is deliberately done by the queen who surmises, by some four-million-year-old magic she is heiress to, that it is time. So she urges a sperm from the private womb where they were placed when she had her one, first and last copulation. Once in life, this little Amazon trembled in the air waiting for a male to mount her. And when he did, when he joined a cloud of others one evening just before a summer storm, joined colonies from all over the world gathered fro the marriage flight, he knew at last what his wings were for. Frenzied, he flied into the humming cloud to fight gravity and time in order to do, just once, the single thing he was born for. Then he drops dead, having emptied his sperm into his lady-love. Sperm which she keeps in a special place to use at her own discretion when there is need for another dark and singing cloud of ant folk mating in the air. Once the lady has collected the sperm, she too falls to the ground, but unless she breaks her back or neck or is eaten by one of a thousand things, she staggers to her legs and looks for a stone to rub on, cracking and shedding the wings she will never need again. Then she begins her journey searching for a suitable place to build her kingdom. She crawls into the hollow of a tree, examines its walls and corners. She seals herself off from all society and eats her own wing muscles until she bears her eggs. When the first larvae appear, there is nothing to feed them, so she gives them their unhatched sisters until they are old enough and strong enough to hunt and bring their prey back to the kingdom. That is all. Bearing, hunting, eating, fighting, burying. No time for dreaming, although sometimes, late in life, somewhere between the thirtieth and fortieth generation she might get wind of a summer storm one day. The scent of it will invade her palace and she will recall the rush of wind on her belly - the stretch of fresh wings, the blinding anticipation and herself, there, airborne, suspended, open, trusting, frightened, determined, vulnerable - girlish, even, for and entire second and then another and another. She may lift her head then, and point her wands toward the place where the summer storm is entering her palace and in the weariness that ruling queens alone know, she may wonder whether his death was sudden. Or did he languish? And if so, if there was a bit of time left, did he think how mean the world was, or did he fill that space of time thinking of her? But soldier ants do not have time for dreaming. They are women and have much to do. Still it would be hard. So very hard to forget the man who fucked like a star.
Toni Morrison (Tar baby)
If I had only known, it was the last walk in the rain I'd keep you out for hours in the storm I would hold your hand, like a life line to my heart Underneath the thunder we'd be warm If I had only known, it was our last walk in the rain If I had only known, I'd never hear your voice again I'd memorize each thing you ever said And on those lonely nights, I could think of them once more And keep your words alive inside my head If I had only known, I'd never hear your voice again You were the treasure in my hand You were the one who always stood beside me So unaware, I foolishly believed that you would always be there But then there came a day and I turned my head and you slipped away If I had only known, it was my last night by your side I'd pray a miracle would stop the dawn And when you'd smile at me, I would look into your eyes And make sure you know my love, for you goes on and on If I had only known, if I had only known Oh the love I would've shown, if I had only known
Jana Stanfield
Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea.
Susan Dennard (Truthwitch (The Witchlands, #1))
It was as if the rain clouds had reached as far as they could. The gray darkness gave way to a bright and wonderful blue like Linus had never seen before. The rain stopped as they passed out of the storm and into the sun. He closed his eyes briefly, feeling the warmth through the glass against his face. He couldn’t remember the last time he’d felt sunlight.
T.J. Klune (The House in the Cerulean Sea (The House in the Cerulean Sea, #1))
It's true. The storms won't last forever. The nasty weather will never last. There is always that light at the end of the tunnel.
Diana Rose Morcilla
Being broken is like a storm. It’s all consuming while it lasts, but it’s never permanent. Even the clouds run out of rain.
Miranda Lyn (Chaos and Destiny (Fae Rising #2))
Kylo had rummaged through these hopes and fears, things he had no right to. But as he searched, something had changed. Even as he callously rifled through her mind, he had somehow revealed his own. Rey found herself in his mind even as he invaded hers. She felt his rage, like a ruinous storm that filled his head, and his hatred, and his lust to dominate and humiliate those who wronged him. But she also felt his hurt, and his loneliness. And his fear -- that he would never prove as strong as Darth Vader, the ghost who haunted his dreams. Kylo had retreated at finding Rey in his head -- had practically fled from her. But that had not been the end of that strange, sudden connection. She had seen more -- far more. Somehow, almost instinctually, she knew how he accessed some of the powers at his command -- even though she didn't understand them. It was as if his training had become hers, unlocking and flinging open door after door in her mind. But now Rey couldn't shut those doors -- and she feared what had been set loose. Kylo had urged her to let him be her teacher -- had pleaded with her, almost.
Jason Fry (The Last Jedi: Expanded Edition (Exclusive Edition) (Star Wars))
My pain builds like storm clouds―massive, dark, and heavy with teardrops. Moisture falls torrential as if my world is a violent, eternal downpour; however, at long last the source runs dry and the bitter storm does cease. Blue skies dare to glow where the gloom has dissipated. I breathe it in, hoping to cleanse my inner soul. A laden heart tells me the truth: the clear sky is an illusion. Old pain rushes back like a flood, providing means for clouds to form and expand once again until it is too much to bear and the heaviness turns to rain. I cannot find refuge from this woe. It is my never-ending heartache.
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
It is beginning." Pak Eng and Laughing Chan and Peter all look at Hock Seng with respect. "You were right." Hock Seng nods impatiently. "I learn." The storm is gathering. The megodonts must do battle. It is their fate. The power sharing of the last coup could never last. The beasts must clash and one will establish final dominance. Hock Seng murmurs a prayer to his ancestors that he will come out of this maelstrom alive.
Paolo Bacigalupi (The Windup Girl)
There is a book of Revelation in every one’s life, as there is in the Bible. Anne read hers that bitter night, as she kept her agonized vigil through the hours of storm and darkness. She loved Gilbert – had always loved him! She knew that now. She knew that she could no more cast him out of her life without agony than she could have cut off her right hand and cast it from her. And the knowledge had come too late – too late even for the bitter solace of being with him at the last. If she had not been so blind – so foolish – she would have had the right to go to him now. But he would never know that she loved him – he would go away from this life thinking that she did not care. Oh, the black years of emptiness stretching before her! She could not live through them – she could not! She cowered down by her window and wished, for the first time in her gay young life, that she could die, too. If Gilbert went away from her, without one word or sign or message, she could not live. Nothing was of any value without him. She belonged to him and he to her. In her hour of supreme agony she had no doubt of that. He did not love Christine Stuart – never had loved Christine Stuart. Oh, what a fool she had been not to realize what the bond was that had held her to Gilbert – to think that the flattered fancy she had felt for Roy Gardner had been love. And now she must pay for her folly as for a crime.
L.M. Montgomery
I will never understand Christians. I have seen men and women whip themselves till their backs were nothing but strips of flesh hanging from exposed ribs, watched pilgrims limp on bleeding broken feet to worship the tooth of the whale that swallowed Jonah, and seen a man hammer nails through his own feet. What god wants such nonsense? And why prefer a god who wants you to torture yourself instead of worshipping Eostre who wants you to take a girl into the woods and make babies?
Bernard Cornwell (Warriors of the Storm (The Last Kingdom, #9))
My love, I walked for thirty years under the sky without ever doubting that I lived in glory; I never wavered; I never stumbled; I was a reveler and a loudmouth, if ever there was one, as stupid and useless as the sparrows and the peacocks; I wiped my mouth on the cuff of my sleeve, tramped into the house with mud on my feet and burped many's a time amid the laughter and the wine. But I always held my head high in the storm because I loved you and you loved me back, and our love mightn't have been all silk and poetry but we could look at each other and know we'd drown all our woes. Love doesn't save, it raises you up and makes you bigger, it lights you up from inside and carves out that light like wood in the forest. It nestles in the hollows of empty days, of thankless tasks, of useless hours, it doesn't drift along on golden rafts or sparkling rivers, it doesn't sing or shine and it never proclaims a thing. But at night, once the room's been swept and the embers covered over and the children are asleep - at night between the sheets, with slow gazes, not moving or speaking - at night, at last, when we're weary of our meager lives and the trivialities of our insignificant existence, each of us becomes the well where the other can draw water, and we love each other and learn to love ourselves.
Muriel Barbery (The Life of Elves)
But, in the ocean of faces where every fierce and furious expression was in vivid life, there were two groups of faces—each seven in number—so fixedly contrasting with the rest, that never did sea roll which bore more memorable wrecks with it. Seven faces of prisoners, suddenly released by the storm that had burst their tomb, were carried high overhead: all scared, all lost, all wondering and amazed, as if the Last Day were come, and those who rejoiced around them were lost spirits. Other seven faces there were, carried higher, seven dead faces, whose drooping eyelids and half-seen eyes awaited the Last Day. Impassive faces, yet with a suspended—not an abolished—expression on them; faces, rather, in a fearful pause, as having yet to raise the dropped lids of the eyes, and bear witness with the bloodless lips, “THOU DIDST IT!” Seven
Charles Dickens (A Tale of Two Cities)
The Troubadours Etc." Just for this evening, let's not mock them. Not their curtsies or cross-garters or ever-recurring pepper trees in their gardens promising, promising. At least they had ideas about love. All day we've driven past cornfields, past cows poking their heads through metal contraptions to eat. We've followed West 84, and what else? Irrigation sprinklers fly past us, huge wooden spools in the fields, lounging sheep, telephone wires, yellowing flowering shrubs. Before us, above us, the clouds swell, layers of them, the violet underneath of clouds. Every idea I have is nostalgia. Look up: there is the sky that passenger pigeons darkened and filled— darkened for days, eclipsing sun, eclipsing all other sound with the thunder of their wings. After a while, it must have seemed that they followed not instinct or pattern but only one another. When they stopped, Audubon observed, they broke the limbs of stout trees by the weight of the numbers. And when we stop we'll follow—what? Our hearts? The Puritans thought that we are granted the ability to love only through miracle, but the troubadours knew how to burn themselves through, how to make themselves shrines to their own longing. The spectacular was never behind them. Think of days of those scarlet-breasted, blue-winged birds above you. Think of me in the garden, humming quietly to myself in my blue dress, a blue darker than the sky above us, a blue dark enough for storms, though cloudless. At what point is something gone completely? The last of the sunlight is disappearing even as it swells— Just for this evening, won't you put me before you until I'm far enough away you can believe in me? Then try, try to come closer— my wonderful and less than.
Mary Szybist (Incarnadine: Poems)
Personal happiness is an end game; it is not an immediate necessity. A person whom attains lasting happiness will necessarily endure many hardships. People earn happiness by courageously braving the storms of life, instead of merely existing. A person must steep oneself in the type of experiences that girds one when times on the streets are the meanest. I will garner a comforting sense of self-satisfaction from taking the longer and more difficult road to personal happiness. I can never again work exclusively for money. I shall seek truth wherever it exists, muster the courage to plunge along headfirst without fear, maintain personal dreams when all hope seems lost, and adamantly refuse to be mollified or satisfied with anything less than my very best work. I will dedicate personal efforts to mining my substratum while maintaining a diligent stewardship of a cherished central individuality.
Kilroy J. Oldster (Dead Toad Scrolls)
The duke he quit tending door and went around the back way and come on to the stage and stood up before the curtain and made a little speech, and praised up this tragedy, and said it was the most thrillingest one that ever was; and so he went on a-bragging about the tragedy, and about Edmund Kean the Elder, which was to play the main principal part in it; and at last when he’d got everybody’s expectations up high enough, he rolled up the curtain, and the next minute the king come a-prancing out on all fours, naked; and he was painted all over, ring-streaked-and-striped, all sorts of colors, as splendid as a rainbow. And – but never mind the rest of his outfit; it was just wild, but it was awful funny. The people most killed themselves laughing; and when the king got done capering and capered off behind the scenes, they roared and clapped and stormed and haw-hawed till he come back and done it over again, and after that they made him do it another time. Well, it would make a cow laugh to see the shines that old idiot cut.
Mark Twain (The Adventures of Huckleberry Finn)
Rey found herself in his mind even as he invaded hers. She felt his rage, like a ruinous storm that filled his head, and his hatred, and his lust to dominate and humiliate those who had wronged him. But she also felt his hurt, and his loneliness. And his fear - that he would never prove as strong as Darth Vader, the ghost who haunted his dreams
Jason Fry (Star Wars: The Last Jedi (Star Wars Novelizations, #8))
Rain is the last thing you want when you're chasing someone in Miami. They drive shitty enough as it is, but on top of that, snow is a foreign concept, which means they never got the crash course in traction judgment for when pavement slickness turns less than ideal. And because of the land-sea temperature differential, Florida has regular afternoon rain showers. Nothing big, over in a jiff. But minutes later, all major intersections in Miami-Dade are clogged with debris from spectacular smash-ups. In Northern states, snow teaches drivers real fast about the Newtonian physics of large moving objects. I haven't seen snow either, but I drink coffee, so the calculus of tire-grip ratio is intuitive to my body.
Tim Dorsey (Pineapple Grenade (Serge Storms, #15))
The foundation of any empire is not guns, something that Hitler and Stalin never grasped. It is money, and the envy that brings. But more important than money or guns is the technology that represents the future and the culture that speaks of being contemporary. All lasting empires are empires of the mind and soul, empires that cause others to crave to emulate them.
George Friedman (The Storm Before the Calm: America's Discord, the Coming Crisis of the 2020s, and the Triumph Beyond)
In a little wind-lull, Tea Cake touched Janie and said, ‘Ah reckon you wish now you had of stayed in yo’ big house ’way from such as dis, don’t yuh?’ ‘Naw.’ ‘Naw?’ ‘Yeah, naw. People don't die till dey time come nohow, don't keer where you at. Ah’m wid mah husband in uh storm, dat’s all.’ ‘Thanky, Ma’am. But ’sposing you wuz tuh die, now. You wouldn’t git mad at me for draggin’ yuh heah?’ ‘Naw. We been tuhgether round two years. If you kin see de light at daybreak, you don’t keer if you die at dusk. It’s so many people never seen de light at all. Ah wuz fumblin’ round and God opened de door.’ He dropped to the floor and put his head in her lap. ‘Well then, Janie, you meant whut you didn’t say, ’cause Ah never knowed you wuz so satisfied wid me lak dat, Ah kinda thought—’ The wind came back with triple fury, and put out the light for the last time. They sat in company with the others in other shanties, their eyes straining against crude walls and their souls asking if He meant to measure their puny might against His. They seemed to be staring at the dark, but their eyes were watching God.
Zora Neale Hurston
But instead of letting me see any ray of hope, God afflicted me with a most grievous martyrdom which lasted for three days. It brought sharply home to me the bitter grief felt by the Blessed Virgin and St. Joseph as they searched for the Child Jesus. I was alone in a desert waste — or rather, my soul was like a fragile skiff tossing without a pilot in a stormy sea. I knew that Jesus was there, asleep in my craft, but the night was too black for me to see Him. All was darkness. Not even a flash of lightning pierced the clouds. There’s nothing reassuring about lightning, but, at least, if the storm had burst, I should have been able to glimpse Jesus. But it was night, the dark night of the soul. Like Jesus during His Agony in the Garden, I felt myself abandoned and there was no help for me on earth or in heaven. God had abandoned me. Nature herself seemed to share my misery. The sun never shone once during those three days and the rain fell in torrents. I have noticed that, at all the important moments of my life, nature has mirrored my soul. When I wept the sky wept with me, and when I was happy the sun shone without a cloud in the sky.
John Beevers (The Autobiography of Saint Therese: The Story of a Soul)
She was only twenty-three, not even a quarter of a century old.She had spent the last five years living exclusively in the human world. Now her wild nature was calling to her. Gregori was touching something untamed in her, something to which she had forbidden herself access. Something wild and unhibited and incredibly sensuous. Savannah looked up at his dark, handsome face. It was so male. So carnal. So powerful. Gregori. The Dark One. Just looking at him made her go weak with need. One glance from his slashing silver eyes could bring a rush of liquid heat, fire racing through her.She became soft and pliant. She became his. Gregori's palm cupped her face. "Whatever you are thinking is making you fear me,Savannah," he said softly. "Stop it." "You're making me into something I'm not," she whispered. "You are Carpathian, my lifemate. You are Savannah Dubrinsky. I cannot take any of those things from you. I do not want a puppet, or a different woman. I want you as you are." His voice was soft and compelling. He lifted her in his arms,carried her to his bed and tucked the covers around her. The storm lashed at the windows and whistled against the walls. Gregori wove the safeguards in preparation for their sleep. Savannah as exhausted, her eyes already trying to close. Then he slipped into the bed and gathered her into his arms. "I would never change anything about you,ma patite, not even your nasty little temper." She settled against his body as if she was made for it.He felt the brush of her lips against his chest and the last sigh of air as it escaped from her lungs. Gregori lay awake for a long time, watching as the dawn crept forward, pushing away the night. One wave of his hand closed and locked the heavy shutters over the windows. Still he lay awake, holding Savannah close. Because he had always known he was dangerous, he had feared for mortals and immortals alike at his hand. But somehow,perhaps naively, he had thought that once he was bound to his lifemate, he would become tamer, more domesticated. His fingers bunched in her hair. But Savannah made him wild. She made him far more dangerous than he had ever been. Before Savannah, he had had no emotions. He had killed when it necessary because it was necessary. He had feared nothing because he loved nothing and had nothing to lose. Now he had everything to lose.And so he was more dangerous.For no one, nothing, would ever threaten Savannah and live.
Christine Feehan (Dark Magic (Dark, #4))
I knew it was my duty to my own legend to survive this trial. But I was still crippled by my own devices. Imagine me as a great fully-rigged man-of-war. Four masts, great bulwarks of oak and five score cannon. All my life I have sailed smooth seas and waters that parted for me by virtue of my own splendor. Never tested. Never riled. A tragic existence, if ever there was one. “But at long last: a storm! And when I met it I found my hull . . . rotten. My planks leaking brine, my cannon brittle, powder wet. I foundered upon the storm. Upon you, Darrow of Lykos.” He sighs. “And it was my own fault.” I war between wanting to punch him in the mouth and surrendering into my curiosity by letting him continue. He’s a strange man with a seductive presence. Even as an enemy, his flamboyance fascinated me. Purple capes in battle. A horned Minotaur helmet. Trumpets blaring to signal his advance, as if welcoming all challengers. He even broadcast opera as his men bombarded cities. After so much isolation, he’s delighting in imposing his narrative upon us. “My peril is thus: I am, and always have been, a man of great tastes. In a world replete with temptation, I found my spirit wayward and easy to distract. The idea of prison, that naked, metal world, crushed me. The first year, I was tormented. But then I remembered the voice of a fallen angel. ‘The mind is its own place, and in itself can make a heaven of hell, or a hell of heaven.’ I sought to make the deep not just my heaven, but my womb of rebirth. “I dissected the underlying mistakes which led to my incarceration and set upon an internal odyssey to remake myself. But—and you would know this, Reaper—long is the road up out of hell! I made arrangements for supplies. I toiled twenty hours a day. I reread the books of youth with the gravity of age. I perfected my body. My mind. Planks were replaced; new banks of cannon wrought in the fires of solitude. All for the next storm. “Now I see it is upon me and I sail before you the paragon of Apollonius au Valii-Rath. And I ask one question: for what purpose have you pulled me from the deep?” “Bloodyhell, did you memorize that?” Sevro mutters.
Pierce Brown (Iron Gold)
Let us have Men, Men who will say a word to their souls and keep it—keep it not when it is easy, but keep it when it is hard—keep it when the storm roars and there is a white-streaked sky and blue thunder before, and one’s eyes are blinded and one’s ears deafened with the war of opposing things; and keep it under the long leaden sky and the gray dreariness that never lifts. Hold unto the last: that is what it means to have a Dominant Idea.
George H. Smith (Individualism: A Reader)
Elide licked her fingers clean of the berry juice, dirt and all, and hissed as she stood on stiff, sore legs. She wouldn’t last long without food but couldn’t risk venturing into a village with the money Manon had given her, or toward any of the hunters’ fires she’d spotted these past few weeks. No—she had seen enough of the kindness and mercy of men. She would never forget how those guards had leered at her naked body, why her uncle had sold her to Duke Perrington.
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
This may be our last transmit for some time, we cannot spare the power. Sandstorm continues unabated, it will never end. We are down to 17% energy levels and have deactivated all non-essential systems. Solar array unable to recharge batteries due to darkened sky, running at only 7% efficiency. Plutonium power source has failed and attempts by EVA to find the fault have proved fatal. Those who have ventured outside to investigate have not returned. If the storm does not clear we
Gerald M. Kilby (Colony One Mars (Colony Mars, #1))
If you had to explain why the four major services could never work together,” Fleming said, “it’s because they all speak a different language. For example, if you needed to secure a building, the Navy would turn off the lights and lock the doors. The Air Force would sign a long-term lease or buy it outright. The Army would occupy the building and forbid entry to anyone else. And the Marines would assault the building and defend it to the death with suppressing fire and artillery support.
William Alan Webb (Standing in the Storm (The Last Brigade, #2))
Imagine a single survivor, a lonely fugitive at large on mainland Mauritius at the end of the seventeenth century. Imagine this fugitive as a female. She would have been bulky and flightless and befuddled—but resourceful enough to have escaped and endured when the other birds didn’t. Or else she was lucky. Maybe she had spent all her years in the Bambous Mountains along the southeastern coast, where the various forms of human-brought menace were slow to penetrate. Or she might have lurked in a creek drainage of the Black River Gorges. Time and trouble had finally caught up with her. Imagine that her last hatchling had been snarfed by a [invasive] feral pig. That her last fertile egg had been eaten by a [invasive] monkey. That her mate was dead, clubbed by a hungry Dutch sailor, and that she had no hope of finding another. During the past halfdozen years, longer than a bird could remember, she had not even set eyes on a member of her own species. Raphus cucullatus had become rare unto death. But this one flesh-and-blood individual still lived. Imagine that she was thirty years old, or thirty-five, an ancient age for most sorts of bird but not impossible for a member of such a large-bodied species. She no longer ran, she waddled. Lately she was going blind. Her digestive system was balky. In the dark of an early morning in 1667, say, during a rainstorm, she took cover beneath a cold stone ledge at the base of one of the Black River cliffs. She drew her head down against her body, fluffed her feathers for warmth, squinted in patient misery. She waited. She didn't know it, nor did anyone else, but she was the only dodo on Earth. When the storm passed, she never opened her eyes. This is extinction.
David Quammen (The Song of the Dodo: Island Biogeography in an Age of Extinction)
Order Out of Chaos ... At the right temperature ... two peptide molecules will stay together long enough on average to find a third. Then the little trio finds a fourth peptide to attract into the little huddle, just through the random side-stepping and tumbling induced by all the rolling water molecules. Something extraordinary is happening: a larger structure is emerging from a finer system, not in spite of the chaotic and random motion of that system but because of it. Without the chaotic exploration of possibilities, the rare peptide molecules would never find each other, would never investigate all possible ways of aggregating so that the tape-like polymers emerge as the most likely assemblies. It is because of the random motion of all the fine degrees of freedom that the emergent, larger structures can assume the form they do. Even more is true when the number of molecules present becomes truly enormous, as is automatically the case for any amount of matter big enough to see. Out of the disorder emerges a ... pattern of emergent structure from a substrate of chaos.... The exact pressure of a gas, the emergence of fibrillar structures, the height in the atmosphere at which clouds condense, the temperature at which ice forms, even the formation of the delicate membranes surrounding every living cell in the realm of biology -- all this beauty and order becomes both possible and predictable because of the chaotic world underneath them.... Even the structures and phenomena that we find most beautiful of all, those that make life itself possible, grow up from roots in a chaotic underworld. Were the chaos to cease, they would wither and collapse, frozen rigid and lifeless at the temperatures of intergalactic space. This creative tension between the chaotic and the ordered lies within the foundations of science today, but it is a narrative theme of human culture that is as old as any. We saw it depicted in the ancient biblical creation narratives of the last chapter, building through the wisdom, poetic and prophetic literature. It is now time to return to those foundational narratives as they attain their climax in a text shot through with the storm, the flood and the earthquake, and our terrifying ignorance in the face of a cosmos apparently out of control. It is one of the greatest nature writings of the ancient world: the book of Job.
Tom McLeish (Faith and Wisdom in Science)
Berlin. November 18, 1917. Sunday. I think Grosz has something demonic in him. This new Berlin art in general, Grosz, Becher, Benn, Wieland Herzfelde, is most curious. Big city art, with a tense density of impressions that appears simultaneous, brutally realistic, and at the same time fairy-tale-like, just like the big city itself, illuminating things harshly and distortedly as with searchlights and then disappearing in the glow. A highly nervous, cerebral, illusionist art, and in this respect reminiscent of the music hall and also of film, or at least of a possible, still unrealized film. An art of flashing lights with a perfume of sin and perversity like every nocturnal street in the big city. The precursors are E.T.A. Hoffmann, Breughel, Mallarmé, Seurat, Lautrec, the futurists: but in the density and organization of the overwhelming abundance of sensation, the brutal reality, the Berliners seem new to me. Perhaps one could also include Stravinsky here (Petrushka). Piled-up ornamentation each of which expresses a trivial reality but which, in their sum and through their relations to each other, has a thoroughly un-trivial impact. All round the world war rages and in the center is this nervous city in which so much presses and shoves, so many people and streets and lights and colors and interests: politics and music hall, business and yet also art, field gray, privy counselors, chansonettes, and right and left, and up and down, somewhere, very far away, the trenches, regiments storming over to attack, the dying, submarines, zeppelins, airplane squadrons, columns marching on muddy streets, Hindenburg and Ludendorff, victories; Riga, Constantinople, the Isonzo, Flanders, the Russian Revolution, America, the Anzacs and the poilus, the pacifists and the wild newspaper people. And all ending up in the half-darkened Friedrichstrasse, filled with people at night, unconquerable, never to be reached by Cossacks, Gurkhas, Chasseurs d'Afrique, Bersaglieris, and cowboys, still not yet dishonored, despite the prostitutes who pass by. If a revolution were to break out here, a powerful upheaval in this chaos, barricades on the Friedrichstrasse, or the collapse of the distant parapets, what a spark, how the mighty, inextricably complicated organism would crack, how like the Last Judgment! And yet we have experienced, have caused precisely this to happen in Liège, Brussels, Warsaw, Bucharest, even almost in Paris. That's the world war, all right.
Harry Graf Kessler (Journey to the Abyss: The Diaries of Count Harry Kessler, 1880-1918)
I began writing this story by subverting the dominant discourse, but that did not last long. My story decided to assert its independence. I tried to rupture all vestiges of received form, but my story fought back. It wanted to go live with its Aristotelian parents. "I'm sick of being experimented on," it said. "What's so lame about catharsis?" Then it stormed out of the barber shop, mid trim, and fumbled down the sidewalk, weak from surgery, thin in description, gaping with holes, and absolutely riddled with bruised sentences. I watched it with binoculars, but decided not to chase after it. I never liked that story anyway.
Christopher Higgs (The Complete Works of Marvin K. Mooney)
The odd sensation I had while cooking would often last through the meal, then dissolve as I climbed the stairs. I would enter my room and discover the homework books I had left on the bed had disappeared into my backpack. I’d look inside my books and be shocked to find that the homework had been done. Sometimes it had been done well, at others it was slapdash, the writing careless, my own handwriting but scrawled across the page. As I read the work through, I would get the creepy feeling that someone was watching me. I would turn quickly, trying to catch them out, but the door would be closed. There was never anyone there. Just me. My throat would turn dry. My shoulders would feel numb. The tic in my neck would start dancing as if an insect was burrowing beneath the surface of the skin. The symptoms would intensify into migraines that lasted for days and did not respond to treatment or drugs. The attack would come like a sudden storm, blow itself out of its own accord or unexpectedly vanish. Objects repeatedly went missing: a favourite pen, a cassette, money. They usually turned up, although once the money had gone it had gone for ever and I would find in the chest of drawers a T-shirt I didn’t remember buying, a Depeche Mode cassette I didn’t like, a box of sketching pencils, some Lego.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
Today, I declare your rule to be at its end. Your cities are not your cities. Your vessels are not your vessels. Your planets are not your planets. They were built by us. And they belong to us, the common trust of man. Now we take them back. Never mind the darkness you spread, never mind the night you summon, we will rage against it. We will howl and fight till our last breath, not just in the mines of Mars, but on the shores of Venus, on the dunes of Io’s sulfur seas, in the glacial valleys of Pluto. We will fight in the towers of Ganymede and the ghettos of Luna and the storm-stricken oceans of Europa. And if we fall, others will take our place, because we are the tide. And we are rising.” Then
Pierce Brown (Morning Star (Red Rising, #3))
My perfect storm was nothing permanent. But of course it's far from the last storm I'll face. There will be many more. The key is building fires where you can. Warm yourself up as you wait for the tempest to pass. These fires, the routines, habits, relationships, and coping mechanisms you built, help you to look at the rain and see fertilizer instead of a flood. If you want the lushest green of life and you do, the grey is part of the natural cycle. You are not flawed. You're a human. You have gifts to share with the world and when the darkness comes, when you're fighting the demons, just remember. I'm right there fighting with you. You're not alone. The gems I found were forged in the struggle. Never, ever give up.
Timothy Ferriss (Tools of Titans: The Tactics, Routines, and Habits of Billionaires, Icons, and World-Class Performers)
Mankind has never been in this position before. Without having improved appreciably in virtue or enjoying wiser guidance, it has got into its hands for the first time the tools by which it can unfailingly accomplish its own extermination. That is the point in human destinies to which all the glories and toils of men have at last led them. They would do well to pause and ponder upon their new responsibilities. Death stands at attention, obedient, expectant, ready to serve, ready to shear away the peoples en masse; ready, if called on, to pulverise, without hope of repair, what is left of civilisation. He awaits only the word of command. He awaits it from a frail, bewildered being, long his victim, now—for one occasion only—his Master.
Winston S. Churchill (The Gathering Storm: The Second World War, Volume 1 (Winston Churchill World War II Collection))
The entire idea of it was arrogant and defiant and grandiose. Anna loved it. As she walked across a wide empty plain of steel that should have been covered in topsoil and crops, she thought that this audaciousness was exactly what humanity had lost somewhere in the last couple of centuries. When ancient maritime explorers had climbed into their creaking wooden ships and tried to find ways to cross the great oceans of Earth, had their voyage been any less dangerous than the one the Mormons had been planning to attempt? The end point any less mysterious? But in both cases, they’d been driven to find out what was on the other side of the long trip. Driven by a need to see shores no one else had ever seen before. Show a human a closed door, and no matter how many open doors she finds, she’ll be haunted by what might be behind it. A few people liked to paint this drive as a weakness. A failing of the species. Humanity as the virus. The creature that never stops filling up its available living space. Hector seemed to be moving over to that view, based on their last conversation. But Anna rejected that idea. If humanity were capable of being satisfied, then they’d all still be living in trees and eating bugs out of one another’s fur. Anna had walked on a moon of Jupiter. She’d looked up through a dome-covered sky at the great red spot, close enough to see the swirls and eddies of a storm larger than her home world. She’d tasted water thawed from ice as old as the solar system itself. And it was that human dissatisfaction, that human audacity, that had put her there. Looking at the tiny world spinning around her, she knew one day it would give them the stars as well.
James S.A. Corey (Abaddon's Gate (The Expanse, #3))
See around, you shall find how relations oscillate between love and hate; it is the misery we our self create. What love really is we hardly know in spite of the big descriptions we all so eagerly throw. Some seek it to run away from a dark past, they think salvation through it shall forever last. They forget, it is their psychological need which they mistook to be love otherwise it is a simple greed. We brought it down from profundity to mere clinging and addiction, it then no longer serves as a benediction. The ancient texts declared it to be the elixir of life but the modern human reduced it to be a mere reason for strife. Who truly loved have become scattered fragments of folklore, the beautiful suffering of it was such they always wanted more. They never looked for it in outer shapes and forms and perhaps created it all from their inner storms.
Rabjot Singh
Only in America do we ask our writers to believe they don't matter as a condition of writing. It is time to end this. Much of my time as a student was spent doubting the importance of my work, doubting the power it had to reach anyone or do anything of significance. I was already tired o hearing about how the pen was mightier than the sword by the time I was studying writing. Swords, it seemed to me, won all the time. By the time I found that Auden quote -- "poetry makes nothing happen" -- I was more than ready to believe what I thought he was saying. But books were still to me as they had been when I found them: the only magic. My mother's most common childhood memory of me is of standing next to me trying to be heard over the voice of the page. I didn't really commit to writing until I understood that it meant making that happen for someone else. And in order to do that, I had to commit the chaos inside of me to an intricate order, an articulate complexity. To write is to tell a ticket to escape, not from the truth, but into it. My job is to make something happen in a space barely larger than the span of your hand, behind your eyes, distilled out of all that I have carried, from friends, teachers, people met on planes, people I have only seen in my mind, all my mother and father ever did, every favorite book, until it meets and distills from you, the reader, something out of the everything it finds in you. All of this meets along the edge of a sentence like this on, as if the sentence is a fence, with you on one side and me on the other. When the writing works best, I feel like I could poke one of these words out of place and find the writer's eye there, looking through to me. If you don't know what I mean, what I mean is this: when I speak of walking through a snowstorm, you remember a night from your childhood full of snow, or from last winter, say, driving home at night, surprised by a storm. When I speak of my dead friends and poetry, you may remember your own dead friends, or if none of your friends are dead, you may imagine how it might feel to have them die. You may think of your poems, or poems you've seen or heard. You may remember you don't like poetry. Something new is made from my memories and yours as you read this. It is not my memory, not yours, and it is born and walks the bridges and roads of your mind, as long as it can. After it has left mine. All my life I've been told this isn't important, that it doesn't matter, that it could never matter. And yet I think it does. I think it is the real reason the people who would take everything from us say this. I think it's the same reason that when fascists come to power, writers are among the first to go to jail. And that is the point of writing.
Alexander Chee (How to Write an Autobiographical Novel)
It's never going to stop,’ Malenfant whispered. ‘It will consume the Solar System, the stars—’ This isn't some local phenomenon, Malenfant. This is a fundamental change in the structure of the universe. It will never stop. It will sweep on, growing at light speed, a runaway feedback fueled by the collapse of the vacuum itself. The Galaxy will be gone in a hundred thousand years, Andromeda, the nearest large galaxy, in a couple of million years. It will take time, but eventually— ‘The future has gone,’ Malenfant said. ‘My God. That’s what this means, isn’t it? The downstream can’t happen now. All of it is gone. The colonization of the Galaxy; the settlement of the universe; the long, patient fight against entropy...’ That immense future had been cut off to die, like a tree chopped through at the root. ‘Why, Michael? Why have the children done this? Burned the house down, destroyed the future—’ Because it was the wrong future. Michael looked around the sky. He pointed to the lumpy, spreading edge of the unreality bubble. There. Can you see that? It's already starting... ‘What is?’ The budding... The growth of the true vacuum region is not even. There will be pockets of the false vacuum—remnants of our universe—isolated by the spreading true vacuum. The fragments of false vacuum will collapse. Like— ‘Like black holes.’ And in that instant, Malenfant understood. ‘That’s what this is for. This is just a better way of making black holes, and budding off new universes. Better than stars, even.’ Much better. The black holes created as the vacuum decay proceeds will overwhelm by many orders of magnitude the mere billion billion that our universe might have created through its stars and galaxy cores. ‘And the long, slow evolution of the universes, the branching tree of cosmoses?...’ We have changed everything, Malenfant. Mind has assumed responsibility for the evolution of the cosmos. There will be many daughter universes—universes too many to count, universes exotic beyond our imagining—and many, many of them will harbor life and mind. ‘But we were the first.’ Now he understood. This was the purpose. Not the long survival of humankind into a dismal future of decay and shadows, the final retreat into the lossless substrate, where nothing ever changed or grew. The purpose of humankind—the first intelligence of all—had been to reshape the universe in order to bud others and create a storm of mind. We got it wrong, he thought. By striving for a meaningless eternity, humans denied true infinity. But we reached back, back in time, back to the far upstream, and spoke to our last children—the maligned Blues—and we put it right. This is what it meant to be alone in the universe, to be the first. We had all of infinite time and space in our hands. We had ultimate responsibility. And we discharged it. We were parents of the universe, not its children.
Stephen Baxter (Time (Manifold #1))
Or when you keep a sex-addiction meeting under surveillance because they’re the best places to pick up chicks.” Serge looked around the room at suspicious eyes. “Okay, maybe that last one’s just me. But you should try it. They keep the men’s and women’s meetings separate for obvious reasons. And there are so many more opportunities today because the whole country’s wallowing in this whiny new sex-rehab craze after some golfer diddled every pancake waitress on the seaboard. That’s not a disease; that’s cheating. He should have been sent to confession or marriage counseling after his wife finished chasing him around Orlando with a pitching wedge. But today, the nation is into humiliation, tearing down a lifetime of achievement by labeling some guy a damaged little dick weasel. The upside is the meetings. So what you do is wait on the sidewalk for the women to get out, pretending like you’re loitering. And because of the nature of the sessions they just left, there’s no need for idle chatter or lame pickup lines. You get right to business: ‘What’s your hang-up?’ And she answers, and you say, ‘What a coincidence. Me, too.’ Then, hang on to your hat! It’s like Forrest Gump’s box of chocolates. You never know what you’re going to get. Most people are aware of the obvious, like foot fetish or leather. But there are more than five hundred lesser-known but clinically documented paraphilia that make no sexual sense. Those are my favorites . . .” Serge began counting off on his fingers. “This one woman had Ursusagalmatophilia, which meant she got off on teddy bears—that was easily my weirdest three-way. And nasophilia, which meant she was completely into my nose, and she phoned a friend with mucophilia, which is mucus. The details on that one are a little disgusting. And formicophilia, which is being crawled on by insects, so the babe bought an ant farm. And symphorophilia—that’s staging car accidents, which means you have to time the air bags perfectly
Tim Dorsey (Pineapple Grenade (Serge Storms #15))
He whirled,almost violently,and stared at her accusingly. "Damn it, Gennie, I've had my head lopped off." It was her turn to stare.Her fingers went numb against the stoneware. Her pulse seemed to stop long enough to make her head swim before it began to race. The color drained from her face until it was like porcelain against the glowing green of her eyes.On another oath, Grant dragged a hand through his hair. "You're spilling the coffee," he muttered, then stuck his hands in his pockets. "Oh." Gennie looked down foolishly at the tiny twin puddles that were forming on the floor,then set down the mugs. "I'll-I'll wipe it up." "Leave it." Grant grabbed her arm before she could reach for a towel. "Listen,I feel like someone's just given me a solid right straight to the gut-the kind that doubles you over and makes your head ring at the same time.I feel that way too often when I look at you." When she said nothing, he took her other arm and shook. "In the first place I never asked to have you walk into my life and mess up my head. The last thing I wanted was for you to get in my way,but you did.So now I'm in love with you, and I can tell you,I'm not crazy about the idea." Gennie found her voice, though she wasn't quite certain what to do with it. "Well," she managed after a moment, "that certainly puts me in my place." "Oh,she wants to make jokes." Disgusted, Grant released her to storm over to the coffee. Lifting a mug, he drained half the contents, perversely pleased that it scalded his throat. "Well, laugh this off," he suggested as he slammed the mug down again and glared. "You're not going anywhere until I figure out what the hell I'm going to do about you." Struggling against conflicting emotions of amusement,annoyance,and simple wonder, she put her hands on her hips. The movement shifted the too-big robe so that it threatened to slip off one shoulder. "Oh,really? So you're going to figure out what to do about me, like I was an inconvenient head cold." "Damned inconvenient," he muttered. "You may not have noticed, but I'm a grown woman with a mind of my own, accustomed to making my own decisions. You're not going to do anything about me," she told him as her temper began to overtake everything else. She jabbed a finger at him,and the gap in the robe widened. "If you're in love with me, that's your problem. I have one of my own because I'm in love with you." "Terrific!" he shouted at her. "That's just terrific.We'd both have been better off if you'd waited out that storm in a ditch instead of coming here." "You're not telling me anything I don't already know," Gennie retorted, then spun around to leave the room. "Just a minute." Grant had her arm again and backed her into the wall. "You're not going anywhere until this is settled." "It's settled!" Tossing her hair out of her face, she glared at him. "We're in love with each other and I wish you'd go jump off that cliff.If you had any finesse-" "I don't." "Any sensitivty," she continued, "you wouldn't announce that you were in love with someone in the same tone you'd use to frighten small children.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
I didn’t want you to apply just because I’m going to be in New York. Or hell, even worse, not apply because I’m going to be there. I was going to tell you in person. And then the scout shows up at the game tonight, and what was I supposed to do? My mom is freaking out; you’re freaking out.” He throws his hands in the air in frustration. “I’ve totally fucked this up.” It hits me then, the truth of the situation. He made his decision about Columbia on his own, and he wanted me to be able to do the same. Of course. Hell, if it hadn’t been for the storm bringing us together like it did, I probably would have turned down NYU rather than risk going off to New York with him, and that’s the truth. I drop my gaze to the ground and take a deep breath, cursing myself for being such an idiot. “No, you haven’t,” I say at last, raising my eyes to meet his confused ones. “Haven’t what?” “Fucked it up.” I take a tentative step toward him. “I get it now. God, Ryder. Why do you have to be so perfect?” “Perfect? I’ve been in love with you for so long now, and I’ve never managed to get it right, not once.” I have to bite my lip to keep from grinning. “News flash--I think you’ve finally got it this time.” His smile makes my heart leap. “Do you have any idea what was going through my head when you first told me about NYU? I couldn’t believe it. It was like…like a gift fell right into my lap. Like winning the lottery. All this time I thought going off to New York would mean leaving you behind. And now--” “Now we both better get in,” I finish for him, though it probably wasn’t what he was going to say. I mean, he’s a shoo-in for Columbia. Perfect grades, high SATs, and a superstar quarterback the likes of which the Ivy League rarely sees. He’s every college admissions director’s dream. But me? If I get into NYU, it’ll be by the skin of my teeth. Because they want geographic diversity or something lame like that. I’m nothing special. “Where will you go if you don’t get into NYU?” he asks. “Where else?” I say. “Ole Miss, with Lucy and Morgan.” “Then Ole Miss is my backup too. Here’s the thing, Jem. I’m going wherever you’re going--whether it’s New York or Oxford. I’m not missing my chance this time.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Oh, good. I was worried you’d taken ill.” “Why?” Elizabeth asked as she took a sip of the chocolate. It was cold as ice! “Because I couldn’t wake-“ “What time is it?” Elizabeth cried. “Nearly eleven.” “Eleven! But I told you to wake me at eight! How could you let me oversleep this way?” she said, her sleep-drugged mind already groping wildly for a solution. She could dress quickly and catch up with everyone. Or… “I did try,” Berta exclaimed, hurt by the uncharacteristic sharpness in Elizabeth’s tone, “but you didn’t want to wake up.” “I never want to awaken, Berta, you know that!” “But you were worse this morning than normal. You said your head ached.” “I always say things like that. I don’t know what I’m saying when I’m asleep. I’ll say anything to bargain for a few minutes’ more sleep. You’ve known that for years, and you always shake me awake anyway.” “But you said,” Berta persisted, tugging unhappily a her apron, “that since it rained so much last night you were sure the trip to the village wouldn’t take place, so you didn’t have to arise at all.” “Berta, for heaven’s sake!” Elizabeth cried, throwing off the covers and jumping out of bed with more energy than she’d ever shown after such a short period of wakefulness. “I’ve told you I’m dying of diphtheria to make you go away, and that didn’t succeed!” “Well,” Berta shot back, marching over to the bell pull and ringing for a bath to be brought up, “when you told me that, your face wasn’t pale and your head didn’t feel hot to my touch. And you hadn’t dragged yourself into bed as if you could hardly stand when it was half past one in the morning!” Contrite, Elizabeth slumped down in the bed. “It’s not your fault that I sleep like a hibernating bear. And besides, if they didn’t go to the village, it makes no difference at all that I overslept.” She was trying to resign herself to the notion of spending the day in the house with a man who could look at her across a roomful of diners and make her heart leap when Berta said, “They did go to the village. Last night’s storm was more noise and threat than rain.” Closing her eyes for a brief moment, Elizabeth emitted a long sigh. It was already eleven, which meant Ian had already begun his useless vigil at the cottage.
Judith McNaught (Almost Heaven (Sequels, #3))
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
Nobody is ever made happy by winning the lottery, buying a house, getting a promotion or even finding true love. People are made happy by one thing and one thing only – pleasant sensations in their bodies. A person who just won the lottery or found new love and jumps from joy is not really reacting to the money or the lover. She is reacting to various hormones coursing through her bloodstream and to the storm of electric signals flashing between different parts of her brain. Unfortunately for all hopes of creating heaven on earth, our internal biochemical system seems to be programmed to keep happiness levels relatively constant. There's no natural selection for happiness as such - a happy hermit's genetic line will go extinct as the genes of a pair of anxious parents get carried on to the next generation. Happiness and misery play a role in evolution only to the extent that they encourage or discourage survival and reproduction. Perhaps it's not surprising, then, that evolution has moulded us to be neither too miserable nor too happy. It enables us to enjoy a momentary rush of pleasant sensations, but these never last for ever. Sooner of later they subside and give place to unpleasant sensations. (...) Some scholars compare human biochemistry to an air-conditioning system that keeps the temperature constant, come heatwave or snowstorm. Events might momentarily change the temperature, but the air-conditioning system always returns the temperature to the same set point. Some air-conditioning systems are set at twenty-five degrees Celsius. Others are set at twenty degrees. Human happiness conditioning systems also differ from person to person. On a scale from one to ten, some people are born with a cheerful biochemical system that allows their mood to swing between levels six and ten, stabilising with time at eight. Such a person is quite happy even if she lives in an alienating big city, loses all her money in a stock-exchange crash and is diagnosed with diabetes. Other people are cursed with a gloomy biochemistry that swings between three and seven and stabilises at five. Such an unhappy person remains depressed even if she enjoys the support of a tight-knit community, wins millions in the lottery and is as healthy as an Olympic athlete (...) incapable of experiencing anything beyond level seven happiness. Her brain is simply not built for exhilaration, come what may. (...) Buying cars and writing novels do not change our biochemistry. They can startle it for a fleeting moment, but it is soon back to the set point.
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Jackson. Wait.” He didn’t turn to face me when I finally reached him. Staring at his back, I scrambled for something to say. Why hadn’t I thought this through? In the end, watching him not even turn to face me, anger won out. “What the fuck, Jackson?” “Go back to your fiancée.” With a growl, I gripped his shoulder, forcing him to turn and then shoving him back into the wall. His eyes looked like they were holding back their own storm, daring me to push one more time. I was about to push a whole lot harder if it meant getting something out of him. “Talk to me.” I wanted it to be a command, but it came out as more of a plea. He took a deep breath, closing his eyes. When he opened them, I almost stepped back from how angry they were. “What do you want me to say? You’re not gay,” he sneered, beginning to back me up with each word. “You would never. Which I found pretty damn shocking since you loved being deep inside me, spilling your cum. Fucking me—a man—like a desperate fucking freight train.” He threw my words I’d stupidly sputtered to his brother back in my face. “I’m sorry,” I whispered. “Fuck you,” Jackson growled before bumping my shoulder to walk past me. Digging my hands in my hair, frustration rose inside me, pulling me under, drowning me. I was losing control and I couldn’t breathe because of it. “I’M SORRY, OKAY?” I shouted. “I fucked up. I panicked. This is all new to me—liking a guy. Fooling around with you when I’m engaged. I can’t just talk about it. I fucking panicked and I’m sorry. So fucking sorry.” He let my apology linger, and I held my breath waiting. “Okay.” Okay? Okay? Was he fucking kidding me? I spilled my guts and it was okay? “No. It’s not fucking okay. This isn’t okay.” A fiery burn built behind my eyes, stinging my nose, but I wasn’t going to stop because he finally turned back to me. “I miss you. You won’t touch me, or kiss me, or sit with me, or hold me. Nothing. And I fucking miss you.” I choked on the last few words praying he wouldn’t turn away. It was the most honest I’d been with him—with myself—about my feelings for him. My heart thundered, and hands trembled from how nervous I was. Nervous that the words felt so right coming from my lips. Nervous about what it really meant, that I left Carina behind, so I could chase Jackson down and plead with him to not leave me. “Can we please go back? Can you please forgive me?” It wasn’t just about sex and exploring. Right there in the stairwell, getting lost in him, begging him to stay and care, it hit me. I was falling in love with him. With a man. I was falling in love with Jackson. While my fiancée sat upstairs, I realized I was falling in love with my best friend.
Fiona Cole (Lovers (Voyeur, #2))
In the chapter entitled “You Can’t Pray a Lie” in Twain’s beloved novel Adventures of Huckleberry Finn, Huck Finn has helped hide Miss Watson’s runaway slave, Jim. But Huck thought he was committing a sin in helping a runaway slave. Huck had learned in Sunday school “that people that acts as I’d been acting … goes to everlasting fire.” So in an act of repentance in order to save his soul, Huck wrote a note to Miss Watson and told her where she could find her runaway slave. Now Huck was ready to pray his “sinner’s prayer” and “get saved.” I felt good and all washed clean of sin for the first time I had ever felt so in my life, and I knowed I could pray now. But I didn’t do it straight off but laid the paper down and set there thinking—thinking how good it was all this happened so, and how near I come to being lost and going to hell. And went on thinking. And got to thinking over our trip down the river; and I see Jim before me all the time: in the day and in the night-time, sometimes moonlight, sometimes storms, and we a-floating along, talking and singing and laughing. But somehow I couldn’t seem to strike no places to harden me against him, but only the other kind. I’d see him standing my watch on top of his’n, ‘stead of calling me, so I could go on sleeping; and see how glad he was when I come back out of the fog; and when I come to him again in the swamp, up there where the feud was; and such-like times; and would always call me honey and pet me and do everything he could think of for me, and how good he always was; and at last I struck the time I saved him by telling the men we had smallpox aboard, and he was so grateful, and said I was the best friend old Jim ever had in the world and the only he’s got now; and then I happened to look around and see the paper. It was a close place. I took it up, and held it in my hand. I was a-trembling, because I’d got to decide, forever, betwixt two things, and I knowed it. I studied a minute, sort of holding my breath, and then says to myself: “All right, then, I’ll go to hell”—and tore it up. It was awful thoughts and awful words but they was said. And I let them stay said; and never thought no more about reforming.1 Huck Finn had been shaped by the Christianity he’d found in his Missouri Sunday school—a Christianity focused on heaven in the afterlife while preserving the status quo of the here and now. Huck thought that helping Jim escape from slavery was a sin, because that’s what he had been taught. He knew he couldn’t ask God to forgive him until he was ready to “repent” and betray Jim. Huck didn’t want to go to hell; he wanted to be saved. But Huck loved his friend more, so he was willing to go to hell in order to save his friend from slavery.
Brian Zahnd (A Farewell to Mars: An Evangelical Pastor's Journey Toward the Biblical Gospel of Peace)
Statement Preliminary to the Invention of Solace Whether they bend as compliantly as black leaves Curved and hanging in the heavy dew in the grey dawn, Or whether they wait as motionless as ice-coated Insects and spears of roots on a northern cliff; Whether they tighten once like the last white edge Of primrose taken suddenly skyward By a gust of frost, or swallow as hard as stones Careened and scattered by a current of river; Whether they mourn by the bright light of grief Running like a spine of grass straight through the sound Of their songs, or whether they fall quietly Through indefinite darkness like a seed of sorrel Bound alive beneath snow; whether they mourn in multitudes, blessed like a congregation of winter forest moaning for the white drifting children of storms they can never remember, or whether they grieve separately, divided even from themselves, parted like golden plovers blown and calling over a buffeted sea; something must come to them, something as clear and fair and continuous as the eye of the bluegill open in calm water, something as silent as the essential spaces of breath heard inside the voice naming all of their wishes, something touching them in the same way the sun deep in the pit of the pear touches the spring sky by the light of its own leaf. A comfort understood like that must be present now and possible.
Pattiann Rogers (Quickening Fields (Penguin Poets))
Is it Randall?” Oscar sounded out the name with care, as if testing dangerous waters. Camille closed her eyes and turned her face away from him, not wanting to have to see him when she said what she needed to say. “I have a duty, Oscar, just like my mother did. She failed at hers and look what happened; she destroyed so much. My father asked me not to say anything, but if I don’t marry Randall…I’m sorry, Oscar, I just have to.” Camille tried to edge by him, but Oscar held her back with his arm. “Do you think I’m a fool, Camille? Don’t try to blame marrying Randall on some duty you think you have.” She parted her lips to insist he was wrong. He cut her off. “If this is how you really feel, then you had no right to ask me to stay with you that night. You gave me a taste of what being with you might be like, and now you’re asking me to walk away. Who do you think you are?” Camille shook her head. He wasn’t listening. He had no idea how difficult it was for her, too, to have that one taste, that single moment of pure bliss to feed off of for the rest of her life. “I don’t have a choice-“ He slammed his fist against the pantry shelf behind her. “I don’t have a bank vault filled with money, or ten suits hanging in my closet to choose from each morning. I know I couldn’t give you all the things he could, but I can give you something he’ll never be able to. I love you, Camille,” he said, his mouth so close to hers his breath moistened her lips. “I love you. Not your last name or your pretty face or all the business opportunities you could bring me.” He laid his palm just beneath her neck, his thumb caressing the skin above where her heart lay. “Just you.” She stared at him, unblinking, unable to breathe, let alone speak. Oscar’s arm fell away. “You do have a choice, Camille. Or should I already be calling you Mrs. Jackson?” He stormed from the pantry, Camille on his heels. Promise or no promise to her father, she had to tell Oscar everything. “Please, Oscar, wait, if you’ll just listen-“ The companionway steps rattled, and Ira bounded into the galley. Oscar scooped up his shirt and shoved his arms inside the sleeves as Ira kicked out a bench at the table and sat down. “I’ve never been so friggin’ tried in my life,” Ira said, grabbing a mug for coffee. “And I once played a game of poker that lasted two days. Camille ignored him, Oscar’s anger still stinging. She’d created a massive mass. Ira peered at her, then at Oscar. “Why’re you two all red in the face?” he asked. Then his cheeks drew up and his teeth glistened. Oscar caught him before he could speak. “Save it, Ira,” he said, quickly glancing at Camille. She couldn’t plead with him to listen to her explain with Ira there. Oscar buttoned his shirt and left the galley. Ira directed his wily grin toward her. “Save it, Ira,” she echoed, and resumed scrubbing the floor.
Angie Frazier (Everlasting (Everlasting, #1))
The loud rasp of leather yanked through Carson’s belt loops sent her attention to his torso. “What are you doing?” London’s panicked gaze shot to his face. “I don’t have a collar on me.” “I am wholly disinterested in being collared.” “One weekend, London.” He grasped one of her hips with his free hand. “If you’re disappointed at any time, you can walk. I’ll never speak of it again. Our work together will go unaffected. No one—and I mean no one—but us will know.” “Would you put that in writing?” Her eyes filled with mischief. Priceless. London lured him toward a lightning storm. He could play. Hell, nothing appealed in the moment more than a weekend playing with London. Yes, this is what he wanted. Now he needed to know if she was willing. “I’ll do one better.” He snaked the belt around her waist until the leather rested against her hips. “I’m not a notch on a belt.” “You could never be a notch, London Chantelle. You’re the whole belt, sugar.” Her face softened, and the playfulness in her eyes died. He recognized the deliberation behind them, the wonder if she’d be safe, here and at work. London needn’t have worried. She might get scared, but mutual satisfaction was the only way his brand of sexual fulfillment worked. “Say yes or no.” He pressed his torso to her corseted body, the last space between her body and his obliterated. “But say yes.” “What will happen if I say yes?” “What you want. What you’ve probably always wanted.” Her eyes misted with a surprising vulnerability. “Yes.
Elizabeth SaFleur (Untouchable (Elite Doms of Washington, #2))
Mama made the coach stop at a barber shop around the corner from their house. 'Go in there,' she told Francie, 'and get your father’s cup.' Francie didn't know what she meant. 'What cup?' she asked. 'Just ask for his cup.' Francie went in. There were two barbers but no customers. One of the barbers sat on one of the chairs in a row against the wall. His left ankle rested on his right knee and he cradled a mandolin. He was playing 'O, Sole Mio.' Francie knew the song. Mr. Morton had taught it to them saying the title was 'Sunshine.' The other barber was sitting in one of the barber chairs looking at himself in the long mirror. He got down from the chair as the girl came in. 'Yes?' he asked. 'I want my father’s cup.' 'The name?' 'John Nolan.' 'Ah, yes. Too bad.' He sighed as he took a mug from the row of them on a shelf. It was a thick white mug with 'John Nolan' written on it in gold and fancy block letters. There was a worn-down cake of white soap at the bottom of it and a tired-looking brush. He pried out the soap and put it and the brush in a bigger unlettered cup. He washed Johnny’s cup. While Francie waited, she looked around. She had never been inside a barber shop. It smelled of soap and clean towels and bay rum. There was a gas heater which hissed companionably. The barber had finished the song and started it over again. The thin tinkle of the mandolin made a sad sound in the warm shop. Francie sang Mr. Morton’s words to the song in her mind. Oh, what’s so fine, dear, As a day of sunshine. The storm is past at last. The sky is blue and clear. Everyone has a secret life, she mused.
Betty Smith
But whether I’m on deck or below it, I’ll never be far.” “Shall I take that as a promise? Or a threat?” She sauntered toward him, hands cocked on her hips in an attitude of provocation. His eyes swept her body, washing her with angry heat. She noted the subtle tensing of his shoulders, the frayed edge of his breath. Even exhausted and hurt, he still wanted her. For a moment, Sophia felt hope flicker to life inside her. Enough for them both. And then, with the work of an instant, he quashed it all. Gray stepped back. He gave a loose shrug and a lazy half-smile. If I don’t care about you, his look said, you can’t possibly hurt me. “Take it however you wish.” “Oh no, you don’t. Don’t you try that move with me.” With trembling fingers, she began unbuttoning her gown. “What the devil are you doing? You think you can just hike up your shift and make-“ “Don’t get excited.” She stripped the bodice down her arms, then set to work unlacing her stays. “I’m merely settling a score. I can’t stand to be in your debt a moment longer.” Soon she was down to her chemise and plucking coins from the purse tucked between her breasts. One, two, three, four, five… “There,” she said, casing the sovereigns on the table. “Six pounds, and”-she fished out a crown-“ten shillings. You owe me the two.” He held up open palms. “Well, I’m afraid I have no coin on me. You’ll have to trust me for it.” “I wouldn’t trust you for anything. Not even two shillings.” He glared at her a moment, then turned on his heel and exited the cabin, banging the door shut behind him. Sophia stared at it, wondering whether she dared stomp after him with her bodice hanging loose around her hips. Before she could act on the obvious affirmative, he stormed back in. “Here.” A pair of coins clattered to the table. “Two shillings. And”-he drew his other hand from behind his back-“your two leaves of paper. I don’t want to be in your debt, either.” The ivory sheets fluttered as he released them. One drifted to the floor. Sophia tugged a banknote from her bosom and threw it on the growing pile. To her annoyance, it made no noise and had correspondingly little dramatic value. In compensation, she raised her voice. “Buy yourself some new boots. Damn you.” “While we’re settling scores, you owe me twenty-odd nights of undisturbed sleep.” “Oh, no,” she said, shaking her head. “We’re even on that regard.” She paused, glaring a hole in his forehead, debating just how hateful she would make this. Very. “You took my innocence,” she said coldly-and completely unfairly, because they both knew she’d given it freely enough. “Yes, and I’d like my jaded sensibilities restored, but there’s no use wishing after rainbows, now is there?” He had a point there. “I suppose we’re squared away then.” “I suppose we are.” “There’s nothing else I owe you?” His eyes were ice. “Not a thing.” But there is, she wanted to shout. I still owe you the truth, if only you’d care enough to ask for it. If only you cared enough for me, to want to know. But he didn’t. He reached for the door. “Wait,” he said. “There is one last thing.” Sophia’s heart pounded as he reached into his breast pocket and withdrew a scrap of white fabric. “There,” he said, unceremoniously casting it atop the pile of coins and notes and paper. “I’m bloody tired of carrying that around.” And then he was gone, leaving Sophia to wrap her arms over her half-naked chest and stare numbly at what he’d discarded. A lace-trimmed handkerchief, embroidered with a neat S.H.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Violent Storm" Those who have chosen to pass the night Entertaining friends And intimate ideas in the bright, Commodious rooms of dreams Will not feel the slightest tremor Or be wakened by what seems Only a quirk in the dry run Of conventional weather. For them, The long night sweeping over these trees And houses will have been no more than one In a series whose end Only the nervous or morbid consider. But for us, the wide-awake, who tend To believe the worst is always waiting Around the next corner or hiding in the dry, Unsteady branch of a sick tree, debating Whether or not to fell the passerby, It has a sinister air. How we wish we were sunning ourselves In a world of familiar views And fixed conditions, confined By what we know, and able to refuse Entry to the unaccounted for. For now, Deeper and darker than ever, the night unveils Its dubious plans, and the rain Beats down in gales Against the roof. We sit behind Closed windows, bolted doors, Unsure and ill at ease While the loose, untidy wind, Making an almost human sound, pours Through the open chambers of the trees. We cannot take ourselves or what belongs To us for granted. No longer the exclusive, Last resorts in which we could unwind, Lounging in easy chairs, Recalling the various wrongs We had been done or spared, our rooms Seem suddenly mixed up in our affairs. We do not feel protected By the walls, nor can we hide Before the duplicating presence Of their mirrors, pretending we are the ones who stare From the other side, collected In the glassy air. A cold we never knew invades our bones. We shake as though the storm were going to hurl us down Against the flat stones Of our lives. All other nights Seem pale compared to this, and the brilliant rise Of morning after morning seems unthinkable. Already now the lights That shared our wakefulness are dimming And the dark brushes against our eyes.
Mark Strand (Reasons for Moving)
One of the extraordinary things about life is the sort of places it’s prepared to put up with living. Anywhere it can get some kind of a grip, whether it’s the intoxicating seas of Santraginus V, where the fish never seem to care whatever the heck kind of direction they swim in, the fire storms of Frastra, where, they say, life begins at 40,000 degrees, or just burrowing around in the lower intestine of a rat for the sheer unadulterated hell of it, life will always find a way of hanging on in somewhere. It will even live in New York, though it’s hard to know why. In the wintertime the temperature falls well below the legal minimum, or rather it would do if anybody had the common sense to set a legal minimum. The last time anybody made a list of the top hundred character attributes of New Yorkers, common sense snuck in at number 79. In the summer it’s too darn hot. It’s one thing to be the sort of life form that thrives on heat and finds, as the Frastrans do, that the temperature range between 40,000 and 40,004 is very equable, but it’s quite another to be the sort of animal that has to wrap itself up in lots of other animals at one point in your planet’s orbit, and then find, half an orbit later, that your skin’s bubbling. Spring is overrated. A lot of the inhabitants of New York will honk on mightily about the pleasures of spring, but if they actually knew the first thing about the pleasures of spring they would know of at least 5,983 better places to spend it than New York, and that’s just on the same latitude. Fall, though, is the worst. Few things are worse than fall in New York. Some of the things that live in the lower intestines of rats would disagree, but most of the things that live in the lower intestines of rats are highly disagreeable anyway, so their opinion can and should be discounted. When it’s fall in New York, the air smells as if someone’s been frying goats in it, and if you are keen to breathe, the best plan is to open a window and stick your head in a building.
Douglas Adams (The Ultimate Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide to the Galaxy #1-5))
German voters never gave the Nazis a majority of the popular vote, as is still sometimes alleged. As we saw in the last chapter, the Nazis did indeed become the largest party in the German Reichstag in the parliamentary election of July 31, 1932, with 37.2 percent of the vote. They then slipped back to 33.1 percent in the parliamentary election of November 6, 1932. In the parliamentary election of March 6, 1933, with Hitler as chancellor and the Nazi Party in command of all the resources of the German state, its score was a more significant but still insufficient 43.9 percent. More than one German in two voted against Nazi candidates in that election, in the teeth of intimidation by Storm Troopers. The Italian Fascist Party won 35 out of 535 seats, in the one free parliamentary election in which it participated, on May 15, 1921. At the other extreme, neither Hitler nor Mussolini arrived in office by a coup d’état. Neither took the helm by force, even if both had used force before power in order to destabilize the existing regime, and both were to use force again, after power, in order to transform their governments into dictatorships (as we will see shortly). Even the most scrupulous authors refer to their “seizure of power,” but that phrase better describes what the two fascist leaders did after reaching office than how they got into office. Both Mussolini and Hitler were invited to take office as head of government by a head of state in the legitimate exercise of his official functions, on the advice of civilian and military counselors. Both thus became heads of government in what appeared, at least on the surface, to be legitimate exercises of constitutional authority by King Victor Emmanuel III and President Hindenburg. Both these appointments were made, it must be added at once, under conditions of extreme crisis, which the fascists had abetted. Indeed no insurrectionary coup against an established state has ever so far brought fascists to power. Authoritarian dictatorships have several times crushed such attempts.
Robert O. Paxton (The Anatomy of Fascism)
For several seconds, we stand there staring each other down. Anger radiates off the both of us in waves, crackling like electricity. And then…he sort of staggers back. All his swagger, his bravado, crumbles away in a split second, just like that. “Why do we keep doing this? Yelling at each other like this?” I let out my breath in a huff. “Because you always piss me off, that’s why, acting all smug and superior.” “Yeah, and you always throw temper tantrums like some kind of spoiled brat. That’s just who we are. We’re not perfect.” He takes a deep, rattling breath. “But we’re good together, Jem.” He’s right. I know he is, but… “You say you love me, but you can’t even be bothered to tell me that you’re applying to a school in the same city as me? Not until the cat’s out the bag and everyone knows? What am I supposed to think, Ryder?” He rakes a hand through his hair. “Don’t you get it? I want you to follow your dreams. To do what you want to do with your life--not what your parents want, or what Nan wants, or what I want. I didn’t want to take that away from you. If you knew I was thinking about going to Columbia…” He shakes his head. “Then what? I’m having a hard time following your logic here.” He sighs, his enormous shoulders seeming to sag. “I didn’t want you to apply just because I’m going to be in New York. Or hell, even worse, not apply because I’m going to be there. I was going to tell you in person. And then the scout shows up at the game tonight, and what was I supposed to do? My mom is freaking out; you’re freaking out.” He throws his hands in the air in frustration. “I’ve totally fucked this up.” It hits me then, the truth of the situation. He made his decision about Columbia on his own, and he wanted me to be able to do the same. Of course. Hell, if it hadn’t been for the storm bringing us together like it did, I probably would have turned down NYU rather than risk going off to New York with him, and that’s the truth. I drop my gaze to the ground and take a deep breath, cursing myself for being such an idiot. “No, you haven’t,” I say at last, raising my eyes to meet his confused ones. “Haven’t what?” “Fucked it up.” I take a tentative step toward him. “I get it now. God, Ryder. Why do you have to be so perfect?” “Perfect? I’ve been in love with you for so long now, and I’ve never managed to get it right, not once.” I have to bite my lip to keep from grinning. “News flash--I think you’ve finally got it this time.
Kristi Cook (Magnolia (Magnolia Branch, #1))
On quitting Bretton, which I did a few weeks after Paulina’s departure—little thinking then I was never again to visit it; never more to tread its calm old streets—I betook myself home, having been absent six months. It will be conjectured that I was of course glad to return to the bosom of my kindred. Well! the amiable conjecture does no harm, and may therefore be safely left uncontradicted. Far from saying nay, indeed, I will permit the reader to picture me, for the next eight years, as a bark slumbering through halcyon weather, in a harbour still as glass—the steersman stretched on the little deck, his face up to heaven, his eyes closed: buried, if you will, in a long prayer. A great many women and girls are supposed to pass their lives something in that fashion; why not I with the rest? Picture me then idle, basking, plump, and happy, stretched on a cushioned deck, warmed with constant sunshine, rocked by breezes indolently soft. However, it cannot be concealed that, in that case, I must somehow have fallen overboard, or that there must have been wreck at last. I too well remember a time—a long time—of cold, of danger, of contention. To this hour, when I have the nightmare, it repeats the rush and saltness of briny waves in my throat, and their icy pressure on my lungs. I even know there was a storm, and that not of one hour nor one day. For many days and nights neither sun nor stars appeared; we cast with our own hands the tackling out of the ship; a heavy tempest lay on us; all hope that we should be saved was taken away. In fine, the ship was lost, the crew perished. As far as I recollect, I complained to no one about these troubles. Indeed, to whom could I complain? Of Mrs. Bretton I had long lost sight. Impediments, raised by others, had, years ago, come in the way of our intercourse, and cut it off. Besides, time had brought changes for her, too: the handsome property of which she was left guardian for her son, and which had been chiefly invested in some joint-stock undertaking, had melted, it was said, to a fraction of its original amount. Graham, I learned from incidental rumours, had adopted a profession; both he and his mother were gone from Bretton, and were understood to be now in London. Thus, there remained no possibility of dependence on others; to myself alone could I look. I know not that I was of a self-reliant or active nature; but self-reliance and exertion were forced upon me by circumstances, as they are upon thousands besides; and when Miss Marchmont, a maiden lady of our neighbourhood, sent for me, I obeyed her behest, in the hope that she might assign me some task I could undertake.
Charlotte Brontë (Villette)
Miss Prudence Mercer Stony Cross Hampshire, England 7 November 1854 Dear Prudence, Regardless of the reports that describe the British soldier as unflinching, I assure you that when riflemen are under fire, we most certainly duck, bob, and run for cover. Per your advice, I have added a sidestep and a dodge to my repertoire, with excellent results. To my mind, the old fable has been disproved: there are times in life when one definitely wants to be the hare, not the tortoise. We fought at the southern port of Balaklava on the twenty-fourth of October. Light Brigade was ordered to charge directly into a battery of Russian guns for no comprehensible reason. Five cavalry regiments were mowed down without support. Two hundred men and nearly four hundred horses lost in twenty minutes. More fighting on the fifth of November, at Inkerman. We went to rescue soldiers stranded on the field before the Russians could reach them. Albert went out with me under a storm of shot and shell, and helped to identify the wounded so we could carry them out of range of the guns. My closest friend in the regiment was killed. Please thank your friend Prudence for her advice for Albert. His biting is less frequent, and he never goes for me, although he’s taken a few nips at visitors to the tent. May and October, the best-smelling months? I’ll make a case for December: evergreen, frost, wood smoke, cinnamon. As for your favorite song…were you aware that “Over the Hills and Far Away” is the official music of the Rifle Brigade? It seems nearly everyone here has fallen prey to some kind of illness except for me. I’ve had no symptoms of cholera nor any of the other diseases that have swept through both divisions. I feel I should at least feign some kind of digestive problem for the sake of decency. Regarding the donkey feud: while I have sympathy for Caird and his mare of easy virtue, I feel compelled to point out that the birth of a mule is not at all a bad outcome. Mules are more surefooted than horses, generally healthier, and best of all, they have very expressive ears. And they’re not unduly stubborn, as long they’re managed well. If you wonder at my apparent fondness for mules, I should probably explain that as a boy, I had a pet mule named Hector, after the mule mentioned in the Iliad. I wouldn’t presume to ask you to wait for me, Pru, but I will ask that you write to me again. I’ve read your last letter more times than I can count. Somehow you’re more real to me now, two thousand miles away, than you ever were before. Ever yours, Christopher P.S. Sketch of Albert included As Beatrix read, she was alternately concerned, moved, and charmed out of her stockings. “Let me reply to him and sign your name,” she begged. “One more letter. Please, Pru. I’ll show it to you before I send it.” Prudence burst out laughing. “Honestly, this is the silliest things I’ve ever…Oh, very well, write to him again if it amuses you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
I am first affrighted and confounded with that forelorn solitude, in which I am plac'd in my philosophy, and fancy myself some strange uncouth monster, who not being able to mingle and unite in society, has been expell'd all human commerce, and left utterly abandon'd and disconsolate. Fain wou'd I run into the crowd for shelter and warmth; but cannot prevail with myself to mix with such deformity. I call upon others to join me, in order to make a company apart; but no one will hearken to me. Every one keeps at a distance, and dreads that storm, which beats upon me from every side. I have expos'd myself to the enmity of all metaphysicians, logicians, mathematicians, and even theologians; and can I wonder at the insults I must suffer? I have declar'd my disapprobation of their systems; and can I be surpriz'd, if they shou'd express a hatred of mine and of my person? When I look abroad, I foresee on every side, dispute, contradiction, anger, calumny and detraction. When I turn my eye inward, I find nothing but doubt and ignorance. All the world conspires to oppose and contradict me; tho' such is my weakness, that I feel all my opinions loosen and fall of themselves, when unsupported by the approbation of others. Every step I take is with hesitation, and every new reflection makes me dread an error and absurdity in my reasoning. For with what confidence can I venture upon such bold enterprises, when beside those numberless infirmities peculiar to myself, I find so many which are common to human nature? Can I be sure, that in leaving all established opinions I am following truth; and by what criterion shall I distinguish her, even if fortune shou'd at last guide me on her foot-steps? After the most accurate and exact of my reasonings, I can give no reason why I shou'd assent to it; and feel nothing but a strong propensity to consider objects strongly in that view, under which they appear to me. Experience is a principle, which instructs me in the several conjunctions of objects for the past. Habit is another principle, which determines me to expect the same for the future; and both of them conspiring to operate upon the imagination, make me form certain ideas in a more intense and lively manner, than others, which are not attended with the same advantages. Without this quality, by which the mind enlivens some ideas beyond others (which seemingly is so trivial, and so little founded on reason) we cou'd never assent to any argument, nor carry our view beyond those few objects, which are present to our senses. Nay, even to these objects we cou'd never attribute any existence, but what was dependent on the senses; and must comprehend them entirely in that succession of perceptions, which constitutes our self or person. Nay farther, even with relation to that succession, we cou'd only admit of those perceptions, which are immediately present to our consciousness, nor cou'd those lively images, with which the memory presents us, be ever receiv'd as true pictures of past perceptions. The memory, senses, and understanding are, therefore, all of them founded on the imagination, or the vivacity of our ideas.
David Hume (A Treatise of Human Nature)
The translucent, golden punch tastes velvety, voluptuous and not off-puttingly milky. Under its influence, I stage a party for my heroines in my imagination, and in my flat. It's less like the glowering encounter I imagined between Cathy Earnshaw and Flora Poste, and more like the riotous bash in Breakfast at Tiffany's. Not everyone is going to like milk punch. So there are also dirty martinis, and bagels and baklava, and my mother's masafan, Iraqi marzipan. The Little Mermaid is in the bath, with her tail still on, singing because she never did give up her soaring voice. Anne Shirley and Jo March are having a furious argument about plot versus character, gesticulating with ink-stained hands. Scarlett is in the living room, her skirts taking up half the space, trying to show Lizzy how to bat her eyelashes. Lizzy is laughing her head off ut Scarlett has acquired a sense of humour, and doesn't mind a bit. Melanie is talking book with Esther Greenwood, who has brought her baby and also the proofs of her first poetry collection. Franny and Zooey have rolled back the rug and are doing a soft shoe shuffle in rhinestone hats. Lucy Honeychurch is hammering out some Beethoven (in this scenario I have a piano. A ground piano. Well, why not?) Marjorie Morningstar is gossiping about directors with Pauline and Posy Fossil. They've come straight from the shows they're in, till in stage make-up and full of stories. Petrova, in a leather aviator jacket, goggles pushed back, a chic scarf knotted around her neck, is telling the thrilling story of her latest flight and how she fixed an engine fault in mid-air. Mira, in her paint-stained jeans and poncho, is listening, fascinated, asking a thousand questions. Mildred has been persuaded to drink a tiny glass of sherry, then another tiny glass, then another and now she and Lolly are doing a wild, strange dance in the hallway, stamping their feet, their hair flying wild and electric. Lolly's cakes, in the shape of patriarchs she hates, are going down a treat. The Dolls from the Valley are telling Flora some truly scandalous and unrepeatable stories, and she is firmly advising them to get rid of their men and find worthier paramours. Celie is modelling trousers of her own design and taking orders from the Lace women; Judy is giving her a ten-point plan on how to expand her business to an international market. She is quite drunk but nevertheless the plan seems quite coherent, even if it is punctuated by her bellowing 'More leopard print, more leopard print!' Cathy looks tumultuous and on the edge of violent weeping and just as I think she's going to storm out or trash my flat, Jane arrives, late, with an unexpected guest. Cathy turns in anticipation: is it Heathcliff? Once I would have joined her but now I'm glad it isn't him. It's a better surprise. It's Emily's hawk. Hero or Nero. Jane's found him at last, and has him on her arm, perched on her glove; small for a bird of prey, he is dashing and patrician looking, brown and white, observing the room with dark, flinty eyes. When Cathy sees him, she looks at Jane and smiles. And in the kitchen is a heroine I probably should have had when I was four and sitting on my parents' carpet, wishing it would fly. In the kitchen is Scheherazade.
Samantha Ellis
Slowly crossing the deck from the scuttle, Ahab leaned over the side, and watched how his shadow in the water sank and sank to his gaze, the more and the more that he strove to pierce the profundity. But the lovely aromas in that enchanted air did at last seem to dispel, for a moment, the cankerous thing in his soul. That glad, happy air, that winsome sky, did at last stroke and caress him; the step-mother world, so long cruel - forbidding - now threw affectionate arms round his stubborn neck, and did seem to joyously sob over him, as if over one, that however wilful and erring, she could yet find it in her heart to save and to bless. From beneath his slouched hat Ahab dropped a tear into the sea; nor did all the pacific contain such wealth as that one wee drop. Starbuck saw the old man; saw him, how he heavily leaned over the side; and he seemed to hear in his own true heart the measureless sobbing that stole out of the centre of the serenity around. Careful not to touch him, or be noticed by him, he yet drew near to him, and stood there. Ahab turned. "Starbuck!" "Sir." "Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
Herman Melville
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day- very much such a sweetness as this- I struck my first whale- a boy-harpooneer of eighteen! Forty- forty- forty years ago!- ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain’s exclusiveness, which admits but small entrance to any sympathy from the green country without- oh, weariness! heaviness! Guinea-coast slavery of solitary command!- when I think of all this; only half-suspected, not so keenly known to me before- and how for forty years I have fed upon dry salted fare- fit emblem of the dry nourishment of my soul!- when the poorest landsman has had fresh fruit to his daily hand, and broken the world’s fresh bread to my mouldy crusts- away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow- wife? wife?- rather a widow with her husband alive? Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey- more a demon than a man!- aye, aye! what a forty years’ fool- fool- old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God!- crack my heart!- stave my brain!- mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearthstone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board!- lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!” “Oh, my Captain! my Captain! noble soul! grand old heart, after all! why should any one give chase to that hated fish! Away with me! let us fly these deadly waters! let us home! But Ahab’s glance was averted; like a blighted fruit tree he shook, and cast his last, cindered apple to the soil. “What is it, what nameless, inscrutable, unearthly thing is it; what cozening, hidden lord and master, and cruel, remorseless emperor commands me; that against all natural lovings and longings, I so keep pushing, and crowding, and jamming myself on all the time; recklessly making me ready to do what in my own proper, natural heart, I durst not so much as dare? Is Ahab, Ahab? Is it I, God, or who, that lifts this arm? But if the great sun move not of himself; but is an errand-boy in heaven; nor one single star can revolve, but by some invisible power; how then can this one small heart beat; this one small brain think thoughts; unless God does that beating, does that thinking, does that living, and not I. By heaven, man, we are turned round and round in this world, like yonder windlass, and Fate is the handspike.
Herman Melville (Moby-Dick or, The Whale)
Difficult times never last. Patient to preserve is a peaceful altitude for surviving the stormy waters.
Lailah Gifty Akita
I’m tired, my head hurts, and the last thing I want is to play referee between you two. Get over it.” She storms off, unable to stop the smug smile stretching her face at their stunned silence. The way people respond to her demands—all flabbergasted and slack-jawed—will never get old.
Laura Kreitzer (Burning Falls (Summer Chronicles, #3))
So I sat for a few more minutes, trying to think, and realizing only that I was still not as good at it as I used to be. Maybe I never really was. I’d probably just been stumbling along wrapped in a cloud of ignorant luck, unaware that there was a huge storm of Retribution trailing along behind me. It had caught up to me at last, and I wasn’t going to think myself out of it.
Jeff Lindsay (Dexter Is Dead (Dexter, #8))
Listening and Answering Throughout most of the great Old Testament book that bears his name, Job cries out to God in agonized prayer. For all his complaints, Job never walks away from God or denies his existence—he processes all his pain and suffering through prayer. Yet he cannot accept the life God is calling him to live. Then the skies cloud over and God speaks to Job “out of the whirlwind” (Job 38:1). The Lord recounts in vivid detail his creation and sustenance of the universe and of the natural world. Job is astonished and humbled by this deeper vision of God (Job 40:3–5) and has a breakthrough. He finally prays a mighty prayer of repentance and adoration (Job 42:1–6). The question of the book of Job is posed in its very beginning. Is it possible that a man or woman can come to love God for himself alone so that there is a fundamental contentment in life regardless of circumstances (Job 1:9)?97 By the end of the book we see the answer. Yes, this is possible, but only through prayer. What had happened? The more clearly Job saw who God was, the fuller his prayers became—moving from mere complaint to confession, appeal, and praise. In the end he broke through and was able to face anything in life. This new refinement and level of character came through the interaction of listening to God’s revealed Word and answering in prayer. The more true his knowledge of God, the more fruitful his prayers became, and the more sweeping the change in his life. The power of our prayers, then, lies not primarily in our effort and striving, or in any technique, but rather in our knowledge of God. You may respond, “But God spoke audible words to Job out of a storm. I wish God spoke to me like that.” The answer is—we have something better, an incalculably clearer expression of God’s character. “In the past God spoke to our ancestors through the prophets at many times and in various ways, but in these last days he has spoken to us by his Son . . . the radiance of God’s glory and the exact representation of his being” (Heb 1:1–3). Jesus Christ is the Word of God (John 1:1–14) because no more comprehensive, personal, and beautiful communication of God is possible. We cannot look directly at the sun with our eyes. The glory of it would immediately overwhelm and destroy our sight. We have to look at it through a filter, and then we can see the great flames and colors of it. When we look at Jesus Christ as he is shown to us in the Scriptures, we are looking at the glory of God through the filter of a human nature. That is one of the many reasons, as we shall see, that Christians pray “in Jesus’ name.” Through Christ, prayer becomes what Scottish Reformer John Knox called “an earnest and familiar talking with God,” and John Calvin called an “intimate conversation” of believers with God, or elsewhere “a communion of men with God”—a two-way communicative interaction.98 “For through [Christ] we . . . have access to the Father by one Spirit” (Eph 2:18).
Timothy J. Keller (Prayer: Experiencing Awe and Intimacy with God)
The Blood Dagger competition. Talis thought of the sparring competition held once a year, and froze, realizing he’d forgotten all about it. Wasn’t it only a few days away? With Mara injured, they’d moved the date, but Talis knew that House Lei and House Storm would never allow Talis and Mara to forfeit to the likes of Nikulo and Rikar, his sparring partner. Claiming rights to holding the Blood Dagger for a year meant far too much to the royal houses, especially since their house had lost claim to the victor’s rights over the last few years.
John Forrester (Fire Mage (Blacklight Chronicles, #1))
Mr. Crabtree looked at him for a moment, blinked, nodded, then turned back to Sophie. “Why’re you dressed like that?” Sophie looked down and realized with horror that she’d completely forgotten she was wearing men’s clothes. Men’s clothes so big that she could barely keep the breeches from falling to her feet. “My clothes were wet,” she explained, “from the rain.” Mr. Crabtree nodded sympathetically. “Quite a storm last night. That’s why we stayed over at our daughter’s. We’d planned to come home, you know.” Benedict and Sophie just nodded. “She doesn’t live terribly far away,” Mr. Crabtree continued. “Just on the other side of the village.” He glanced over at Benedict, who nodded immediately. “Has a new baby,” he added. “A girl.” “Congratulations,” Benedict said, and Sophie could see from his face that he was not merely being polite. He truly meant it. A loud clomping sound came from the stairway; surely Mrs. Crabtree returning with breakfast. “I ought to help,” Sophie said, jumping up and dashing for the door. “Once a servant, always a servant,” Mr. Crabtree said sagely. Benedict wasn’t sure, but he thought he saw Sophie wince. A minute later, Mrs. Crabtree entered, bearing a splendid silver tea service. “Where’s Sophie?” Benedict asked. “I sent her down to get the rest,” Mrs. Crabtree replied. “She should be up in no time. Nice girl,” she added in a matter-of-fact tone, “but she needs a belt for those breeches you lent her.” Benedict felt something squeeze suspiciously in his chest at the thought of Sophie-the-housemaid, with her breeches ’round her ankles. He gulped uncomfortably when he realized the tight sensation might very well be desire. Then he groaned and grabbed at his throat, because uncomfortable gulps were even more uncomfortable after a night of harsh coughing. “You need one of my tonics,” Mrs. Crabtree said. Benedict shook his head frantically. He’d had one of her tonics before; it had had him retching for three hours. “I won’t take no for an answer,” she warned. “She never does,” Mr. Crabtree added. “The tea will work wonders,” Benedict said quickly, “I’m sure.” But Mrs. Crabtree’s attention had already been diverted. “Where is that girl?” she muttered, walking back to the door and looking out. “Sophie! Sophie!” “If you can keep her from bringing me a tonic,” Benedict whispered urgently to Mr. Crabtree, “it’s a fiver in your pocket.” Mr. Crabtree beamed. “Consider it done!” “There she is,” Mrs. Crabtree declared. “Oh, heaven above.” “What is it, dearie?” Mr. Crabtree asked, ambling toward the door. “The poor thing can’t carry a tray and keep her breeches up at the same time,” she replied, clucking sympathetically. “Aren’t you going to help her?” Benedict asked from the bed. “Oh yes, of course.” She hurried out. “I’ll be right back,” Mr. Crabtree said over his shoulder. “Don’t want to miss this.” “Someone get the bloody girl a belt!” Benedict yelled grumpily. It didn’t seem quite fair that everyone got to go out to the hall and watch the sideshow while he was stuck in bed.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
You brought sunshine to my dreary existence, Carrie. I can’t bear the thought of losing you.” “You won’t.” Again she kissed him, dousing the last smidgen of his concern. “I’ll never leave you again.” She whispered the promise against his mouth, and at her words, a deep, abiding love burned inside him, a love that would weather life’s storms. Peyton had no doubt that God created Carrie especially for him to love, cherish, and protect—and to make him a better man. “And no matter what,” he promised in return, “I’ll love you till the day I die.
Andrea Boeshaar (A Thousand Shall Fall (Shenandoah Valley Saga #1))