Wednesday's Child Quotes

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What doesn’t kill you doesn’t make you stronger. It just fucks you up something rotten.
Shane Dunphy (Wednesday's Child)
Monday's child is fair of face, Tuesday's child is full of grace, Wednesday's child is full of woe, Thursday's child has far to go, Friday's child is loving and giving, Saturday's child works hard for a living, But the child who is born on the Sabbath Day, Is bonny and blithe and good and gay.
Anonymous
You'll get over it...' It's the cliches that cause the trouble. To lose someone you love is to alter your life for ever. You don't get over it because 'it' is the person you loved. The pain stops, there are new people, but the gap never closes. How could it? The particularness of someone who mattered enough to greive over is not made anodyne by death. This hole in my heart is in the shape of you and no-one else can fit it. Why would I want them to? I've thought a lot about death recently, the finality of it, the argument ending in mid-air. One of us hadn't finished, why did the other one go? And why without warning? Even death after long illness is without warning. The moment you had prepared for so carefully took you by storm. The troops broke through the window and snatched the body and the body is gone. The day before the Wednesday last, this time a year ago, you were here and now you're not. Why not? Death reduces us to the baffled logic of a small child. If yesterday why not today? And where are you? Fragile creatures of a small blue planet, surrounded by light years of silent space. Do the dead find peace beyond the rattle of the world? What peace is there for us whose best love cannot return them even for a day? I raise my head to the door and think I will see you in the frame. I know it is your voice in the corridor but when I run outside the corridor is empty. There is nothing I can do that will make any difference. The last word was yours. The fluttering in the stomach goes away and the dull waking pain. Sometimes I think of you and I feel giddy. Memory makes me lightheaded, drunk on champagne. All the things we did. And if anyone had said this was the price I would have agreed to pay it. That surprises me; that with the hurt and the mess comes a shaft of recognition. It was worth it. Love is worth it.
Jeanette Winterson (Written on the Body)
But regardless, Mr. Meinert looked forward to Wednesday night the way a parent looks forward to seeing a child take those first few steps alone — alone, but not really.
Andrew Clements (The Last Holiday Concert)
Now it's different, and to me it was shockingly humble, but there with my girl in my arms and our child in her belly I knew I had reached the moment my life had been waiting for. I was going to be a father and a husband. I spanked her bottom and cranked up the tunes.
Ethan Hawke (Ash Wednesday)
I was in the fifth grade the first time I thought about turning thirty. My best friend Darcy and I came across a perpetual calendar in the back of the phone book, where you could look up any date in the future, and by using this little grid, determine what the day of the week would be. So we located our birthdays in the following year, mine in May and hers in September. I got Wednesday, a school night. She got a Friday. A small victory, but typical. Darcy was always the lucky one. Her skin tanned more quickly, her hair feathered more easily, and she didn't need braces. Her moonwalk was superior, as were her cart-wheels and her front handsprings (I couldn't handspring at all). She had a better sticker collection. More Michael Jackson pins. Forenze sweaters in turquoise, red, and peach (my mother allowed me none- said they were too trendy and expensive). And a pair of fifty-dollar Guess jeans with zippers at the ankles (ditto). Darcy had double-pierced ears and a sibling- even if it was just a brother, it was better than being an only child as I was. But at least I was a few months older and she would never quite catch up. That's when I decided to check out my thirtieth birthday- in a year so far away that it sounded like science fiction. It fell on a Sunday, which meant that my dashing husband and I would secure a responsible baby-sitter for our two (possibly three) children on that Saturday evening, dine at a fancy French restaurant with cloth napkins, and stay out past midnight, so technically we would be celebrating on my actual birthday. I would have just won a big case- somehow proven that an innocent man didn't do it. And my husband would toast me: "To Rachel, my beautiful wife, the mother of my chidren and the finest lawyer in Indy." I shared my fantasy with Darcy as we discovered that her thirtieth birthday fell on a Monday. Bummer for her. I watched her purse her lips as she processed this information. "You know, Rachel, who cares what day of the week we turn thirty?" she said, shrugging a smooth, olive shoulder. "We'll be old by then. Birthdays don't matter when you get that old." I thought of my parents, who were in their thirties, and their lackluster approach to their own birthdays. My dad had just given my mom a toaster for her birthday because ours broke the week before. The new one toasted four slices at a time instead of just two. It wasn't much of a gift. But my mom had seemed pleased enough with her new appliance; nowhere did I detect the disappointment that I felt when my Christmas stash didn't quite meet expectations. So Darcy was probably right. Fun stuff like birthdays wouldn't matter as much by the time we reached thirty. The next time I really thought about being thirty was our senior year in high school, when Darcy and I started watching ths show Thirty Something together. It wasn't our favorite- we preferred cheerful sit-coms like Who's the Boss? and Growing Pains- but we watched it anyway. My big problem with Thirty Something was the whiny characters and their depressing issues that they seemed to bring upon themselves. I remember thinking that they should grow up, suck it up. Stop pondering the meaning of life and start making grocery lists. That was back when I thought my teenage years were dragging and my twenties would surealy last forever. Then I reached my twenties. And the early twenties did seem to last forever. When I heard acquaintances a few years older lament the end of their youth, I felt smug, not yet in the danger zone myself. I had plenty of time..
Emily Giffin (Something Borrowed (Darcy & Rachel, #1))
Have you seen a leaf, a leaf from a tree?" "I have. " "I saw one recently, a yellow one, with some green,decayed on the edges. Blown about by the wind. When I was 10 years old, I'd close my eyes on purpose, in winter, and imagine a leaf – green, bright, with veins, and the sun shining. I'd open my eyes and not believe it, because it was so good, then I'd close them again. " "What's that, an allegory?" "N-no... Why? Not an allegory, simply a leaf, one leaf. A leaf is good. Everything is good." "Everything? " "Everything. Man is unhappy because he doesn't know he's happy; only because of that. It's everything, everything! Whoever learns will at once immediately become happy, that same moment. This mother-in-law will die and the girl won't remain – everything is good. I discovered suddenly. " "And if someone dies of hunger, or someone offends and dishonors the girl – is that good? " "Good. And if someone's head get smashed in for the child's sake, that's good, too; and if it doesn't get smashed in, that's good, too. Everything is good, everything. For all those who know that everything is good. If they knew it was good with them, it would be good with them, but as long as they don't know it's good with them, it will not be good with them. That's the whole thought, the whole, there isn't any more! " "And when did you find out that you were so happy? " "Last week, on Tuesday, no, Wednesday, because it was Wednesday by then, in the night.
Fyodor Dostoevsky (Demons)
One of us hadn’t finished, why did the other one go? And why without warning? Even death after long illness is without warning. The moment you had prepared for so carefully took you by storm. The troops broke through the window and snatched the body and the body is gone. The day before the Wednesday last, this time a year ago, you were here and now you’re not. Why not? Death reduces us to the baffled logic of a small child. If yesterday why not today? And where are you?
Jeanette Winterson (Written on the Body)
I kind of was beginning to feel like I was being underutilized [as Teen Ambassador to the UN]. I mean, there were a lot more important issues out there for teens that I could have been bringing international attention to than what kids see out their windows. I mean, instead of sitting in the White House press office for three hours after school every Wednesday, or attending International Festival of the Child concerts, I could have been out there alerting the public to the fact that in some countries, it is still perfectly legal for men to take teen brides -- even multiple teen brides! What was that all about? And what about places like Sierra Leone, where teens and even younger kids routinely get their limbs chopped off as "warnings" against messing with the warring gangs that run groups of diamond traffickers? And hello, what about all those kids in countries with unexploded land mines buried in the fields where they'd like to play soccer, but can't because it's too dangerous? And how about a problem a little closer to home? How about all the teenagers right here in America who are taking guns to school and blowing people away? Where are they getting these guns, and how come they think shooting people is a viable solution to their problems? And why isn't anybody doing anything to alleviate some of the pressures that might lead someone to think bringing a gun to school is a good thing? How come nobody is teaching people like Kris Parks to be more tolerant of others, to stop torturing kids whose mothers make them wear long skirts to school?
Meg Cabot (All-American Girl (All-American Girl, #1))
mother: “I am sure that if you had been told when you were a child about all the things that you were going to have to do, you would have thought you had better die at once, you would not have believed you could ever have the strength to do them.
Yiyun Li (Wednesday's Child: Stories)
I know about the little spaniel. I know what the weather was like in Massachusetts on Wednesday March 7th 1620 (cold but fair, with the wind in the east). I know the names of those who died that winter and of those who did not. I know what you ate and drank, how you furnished your houses, which of you were men of conscience and application and which were not. And I know, also, nothing. Because I cannot shed my skin and put on yours, cannot strip my mind of its knowledge and its prejudices, cannot look cleanly at the world with the eyes of a child, am as imprisoned by my time as you were by yours.
Penelope Lively (Moon Tiger)
Jeremy Bentham startled the world many years ago by stating in effect that if the amount of pleasure obtained from each be equal there is nothing to choose between poetry and push-pin. Since few people now know what push-pin is, I may explain that it is a child's game in which one player tries to push his pin across that of another player, and if he succeeds and then is able by pressing down on the two pins with the ball of his thumb to lift them off the table he wins possession of his opponent's pin. [...] The indignant retort to Bentham's statement was that spiritual pleasures are obviously higher than physical pleasures. But who say so? Those who prefer spiritual pleasures. They are in a miserable minority, as they acknowledge when they declare that the gift of aesthetic appreciation is a very rare one. The vast majority of men are, as we know, both by necessity and choice preoccupied with material considerations. Their pleasures are material. They look askance at those who spent their lives in the pursuit of art. That is why they have attached a depreciatory sense to the word aesthete, which means merely one who has a special appreciation of beauty. How are we going to show that they are wrong? How are we going to show that there is something to choose between poetry and push-pin? I surmise that Bentham chose push-pin for its pleasant alliteration with poetry. Let us speak of lawn tennis. It is a popular game which many of us can play with pleasure. It needs skill and judgement, a good eye and a cool head. If I get the same amount of pleasure out of playing it as you get by looking at Titian's 'Entombment of Christ' in the Louvre, by listening to Beethoven's 'Eroica' or by reading Eliot's 'Ash Wednesday', how are you going to prove that your pleasure is better and more refined than mine? Only, I should say, by manifesting that this gift you have of aesthetic appreciation has a moral effect on your character.
W. Somerset Maugham (Vagrant Mood)
He had been working at the wall for too long. Why he bothered the Lord only knew. After all, it went nowhere and closed in nothing. His grandfather had been a master waller in the dale, but the skill had not been passed down the generations. He supposed he liked is for the same reason he liked fishing: mindless relaxation. In an age of totalitarian utilitarianism, Gristhorpe thought, a man needs as much purposeless activity as he can find.
Peter Robinson (Wednesday's Child (Inspector Banks, #6))
This explained why Upper East Side mothers all wore tiny medallions engraved with their children’s initials around their necks. And stacking rings, one for each child, on their fingers. And entered the names of other mothers in their contacts under the names of their children, so that, on so many of my new friends’ phone and email lists, I came up not as “Wednesday Martin” but as “Eliot M/ mother, Wednesday M.” We were our children, utterly merged together.
Wednesday Martin (Primates of Park Avenue)
One of the biggest shifts in the last decade of anthropology, one of the discoveries in the field that has changed everything, is the realization that we evolved as cooperative breeders. Bringing up kids in a nuclear family is a novelty, a blip on the screen of human family life. We never did child rearing alone, isolated and shut off from others, or with just one other person, the child’s father. It is arduous and anomalous and it’s not the way it “should” be. Indeed, for as long as we have been, we have relied on other females—kin and the kindly disposed—to help us raise our offspring. Mostly we lived as Nisa did—in rangy, multifamily bands that looked out for one another, took care of one another, and raised one another’s children. You still see it in parts of the Caribbean today, where any adult in a small town can tell any kid to toe the line, and does, and the kids listen. Or in Hawaii, where kids and parents alike depend on hanai relationships—aunties and uncles, indispensible honorary relations who take a real interest in an unrelated child’s well-being and education. No, it wasn’t fire or hunting or the heterosexual dyad that gave us a leg up, anthropologists now largely concur; it was our female Homo ancestors holding and handling and caring for and even nursing the babies of other females. That is in large part why Homo sapiens flourished and flourish still, while other early hominins and prehominins bit the dust. This shared history of interdependence, of tending and caring, might explain the unique capacity women have for deep friendship with other women. We have counted on one another for child care, sanity, and survival literally forever. The loss of your child weighs heavily on me in this web of connectedness, because he or she is a little bit my own.
Wednesday Martin (Primates of Park Avenue)
My sexual exploits with my neighborhood playmates continued. I lived a busy homosexual childhood, somehow managing to avoid venereal disease through all my toddler years. By first grade I was sexually active with many friends. In fact, a small group of us regularly met in the grammar school lavatory to perform fellatio on one another. A typical week’s schedule would be Aaron and Michael on Monday during lunch; Michael and Johnny on Tuesday after school; Fred and Timmy at noon Wednesday; Aaron and Timmy after school on Thursday. None of us ever got caught, but we never worried about it anyway. We all understood that what we were doing was not to be discussed freely with adults but we viewed it as a fun sort of confidential activity. None of us had any guilty feelings about it; we figured everyone did it. Why shouldn’t they?
Aaron Fricke (Reflections of a Rock Lobster: A Story about Growing Up Gay (An AlyCat Title))
At nine o'clock every morning you will read aloud one half-hour to me. Before that you will use the time to put this room in order. Wednesday and Saturday forenoons, after half-past nine, you will spend with Nancy in the kitchen, learning to cook. Other mornings you will sew with me. That will leave the afternoons for your music. I shall, of course, procure a teacher at once for you," she finished decisively, as she arose from her chair. Pollyanna cried out in dismay. "Oh, but Aunt Polly, Aunt Polly, you haven't left me any time at all just to to live." "To live, child! What do you mean? As if you weren't living all the time!" "Oh, of course I'd be breathing all the time I was doing those things, Aunt Polly, but I wouldn't be living. You breathe all the time you're asleep, but you aren't living. I mean living doing the things you want to do: playing outdoors, reading (to myself, of course), climbing hills, talking to Mr. Tom in the garden, and Nancy, and finding out all about the houses and the people and everything everywhere all through the perfectly lovely streets I came through yesterday. That's what I call living, Aunt Polly. Just breathing isn't living!
Eleanor Porter (Pollyanna)
At the Translation Conference In our language we have no words for he or she or him or her. It helps if you put a skirt or tie or some such thing on the first page. In the case of a rape, it helps also to know the age: a child, an elderly? So we can set the tone. We also have no future tense: what will happen is already happening. But you can add a word like Tomorrow or else Wednesday. We will know what you mean. These words are for things that can be eaten. The things that can’t be eaten have no words. Why would you need a name for them? This applies to plants, birds, and mushrooms used in curses. On this side of the table women do not say No. There is a word for No, but women do not say it. It would be too abrupt. To say No, you can say Perhaps. You will be understood, on most occasions. On that side of the table there are six classes: unborn, dead, alive, things you can drink, things you can’t drink, things that cannot be said. Is it a new word or an old word? Is it obsolete? Is it formal or familiar? How offensive is it? On a scale of one to ten? Did you make it up? At the far end of the table right next to the door, are those who deal in hazards. If they translate the wrong word they might be killed or at the least imprisoned. There is no list of such hazards. They’ll find out only after, when it might not matter to them about the tie or skirt or whether they can say No. In cafés they sit in corners, backs to the wall. What will happen is already happening. IV.
Margaret Atwood (Dearly: New Poems)
Catching my eye in the mirror, Mrs. Armiger said, “Your mother tells me you’ve forgotten how to play the parlor organ, Andrew.” I began to apologize, but Mrs. Armiger hushed me. “It’s all right, dear. I understand.” She paused to adjust her hat. “In the fall, we shall begin your lessons again. We’ll get along famously this time, won’t we?” Not daring to meet Theo’s eyes, I said, “Yes, ma’am.” Mrs. Armiger smiled at Mama. “I can’t believe he’s the same boy. Do you suppose some other child put that glue in my metronome after all? Surely it wasn’t this dear angel who drew a mustache on my bust of Beethoven. Nor could he have been the rascal who climbed out my window on recital day and hid in a tree.” She squeezed my shoulder just hard enough to hurt. “No, no, no--not this sweet little fellow. It must have been some naughty boy who looked just like him.” After she and Mama shared a chuckle, Mrs. Armiger hugged me. “I believe I can make a perfect gentleman out of this child.” When Theo heard hat, the laughter he’d been struggling to control exploded in a series of loud snorts. He tried to pretend he was choking on his phosphate, but he didn’t fool Mama. “Music lessons are exactly what Theodore needs,” she told Mrs. Armiger. “The discipline will do him good. Suppose I sent both boys to you every Wednesday afternoon?” While Mrs. Armiger and Mama made plans, I stirred the chocolate sauce into my ice cream, appetite gone. Beside me, Theo seethed. He was blaming everything on me--the scolding, the music lessons, Mrs. Armiger. It was all my fault. He hated me.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
What to Do Tonight Tell your child, “You’re the expert on you. Nobody really knows you better than you know yourself, because nobody really knows what it feels like to be you.” Give your child a choice about something you may have previously decided for her. Or ask her opinion about something. (If they’re young, you can frame it as, “Do you think we should do it this way or that way?”) Have a family meeting where you problem solve together about what chores need to be done and who should do them. Give them options. Could they walk the dog instead of doing the dinner dishes? Take out the trash instead of cleaning the toilet? Do they want to do it each Sunday or each Wednesday? Morning or night? Keep a consistent schedule, but let them choose that schedule. Make a list of things your child would like to be in charge of, and make a plan to shift responsibility for some of these things from you to him or her. Ask your child whether something in his life isn’t working for him (his homework routine, bedtime, management of electronics) and if he has any ideas about how to make it work better. Do a cost-benefit analysis of any decision you make for your child that she sees differently. Tell your child about decisions you’ve made that, in retrospect, were not the best decisions—and how you were able to learn and grow from them. Have a talk in which you point out that your kid has got a good mind. Recall some times when he’s made a good decision or felt strongly about something and turned out to be right. If he’ll let you, make a list together of the things he’s decided for himself that have worked well. Tell your teen you want him to have lots of practice running his own life before he goes off to college—and that you want to see that he can run his life without running it into the ground before he goes away. Emphasize logical and natural consequences, and encourage the use of family meetings to discuss family rules or family policies more generally (e.g., no gaming during the week).
William Stixrud (The Self-Driven Child: The Science and Sense of Giving Your Kids More Control Over Their Lives)
On these lands, in both the occupied places and those left to grow wild, alongside the community and the dwindling wildlife, there lived another creature. At night, he roamed the roads that connected Arcand to the larger town across the Bay where Native people were still unwelcome two centuries on. His name was spoken in the low tones saved for swear words and prayer. He was the threat from a hundred stories told by those old enough to remember the tales. Broke Lent? The rogarou will come for you. Slept with a married woman? Rogarou will find you. Talked back to your mom in the heat of the moment? Don't walk home. Rogarou will snatch you up. Hit a woman under any circumstance? Rogarou will call you family, soon. Shot too many deer, so your freezer is overflowing but the herd thin? If I were you, I'd stay indoors at night. Rogarou knows by now. He was a dog, a man, a wolf. He was clothed, he was naked in his fur, he wore moccasins to jig. He was whatever made you shiver but he was always there, standing by the road, whistling to the stars so that they pulsed bright in the navy sky, as close and as distant as ancestors. For girls, he was the creature who kept you off the road or made you walk in packs. The old women never said, "Don't go into town, it is not safe for us there. We go missing. We are hurt." Instead, they leaned in and whispered a warning: "I wouldn't go out on the road tonight. Someone saw the rogarou just this Wednesday, leaning against the stop sign, sharpening his claws with the jawbone of a child." For boys, he was the worst thing you could ever be. "You remember to ask first and follow her lead. You don't want to turn into Rogarou. You'll wake up with blood in your teeth, not knowing and no way to know what you've done." Long after that bone salt, carried all the way from the Red River, was ground to dust, after the words it was laid down with were not even a whisper and the dialect they were spoken in was rubbed from the original language into common French, the stories of the rogarou kept the community in its circle, behind the line. When the people forgot what they had asked for in the beginning - a place to live, and for the community to grow in a good way - he remembered, and he returned on padded feet, light as stardust on the newly paved road. And that rogarou, heart full of his own stories but his belly empty, he came home not just to haunt. He also came to hunt.
Cherie Dimaline (Empire of Wild)
I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving. “I know a charm that will heal with a touch. “I know a charm that will turn aside the weapons of an enemy. “I know another charm to free myself from all bonds and locks. “A fifth charm: I can catch a bullet in flight and take no harm from it.” His words were quiet, urgent. Gone was the hectoring tone, gone was the grin. Wednesday spoke as if he were reciting the words of a religious ritual, as if he were speaking something dark and painful. “A sixth: spells sent to hurt me will hurt only the sender. “A seventh charm I know: I can quench a fire simply by looking at it. “An eighth: if any man hates me, I can win his friendship. “A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore. “Those were the first nine charms I learned. Nine nights I hung on the bare tree, my side pierced with a spear’s point. I swayed and blew in the cold winds and the hot winds, without food, without water, a sacrifice of myself to myself, and the worlds opened to me. “For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again. “An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearth and their home. “A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers. “A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle. “A fourteenth: I know the names of all the gods. Every damned one of them. “A fifteenth: I have a dream of power, of glory, and of wisdom, and I can make people believe my dreams.” His voice was so low now that Shadow had to strain to hear it over the plane’s engine noise. “A sixteenth charm I know: if I need love I can turn the mind and heart of any woman. “A seventeenth, that no woman I want will ever want another. “And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one knows but you is the most powerful secret there can ever be.” He sighed, and then stopped talking. Shadow could feel his skin crawl. It was as if he had just seen a door open to another place, somewhere worlds away where hanged men blew in the wind at every crossroads, where witches shrieked overhead in the night.
Neil Gaiman (American Gods)
You don’t know any of your father’s truths and he is considering his own death   17 To come from; clock as metronome—time as linear—verb transitive; to come from accents both the come, the from, is bacchic as a drum.   18 Because you’ve come from your own infant heart’s evisceration and you cannot remember being left, but you’ve been left and learned how to cherish the numb of it   19 To come from is to not need anyone. To legacy your aloneness so hard you break   20 love   21 you break. 22 All airports now make you weep. You come from weeping—Wednesday’s child; you come from woe.
Roger Bonair-Agard (Bury My Clothes)
ABOUT JOE. Wednesday morning. He’d been dead
Lee Child (Killing Floor (Jack Reacher, #1))
…Who through faith…whose weakness was turned to strength…. —Hebrews 11:33–34 (NIV) I probably shouldn’t have checked my computer one last time after a very tiring day. One click and I was staring in disbelief at an e-mail from our church prayer planning committee leader with more than one hundred prayer requests attached! The petitions had been gathered at our Ash Wednesday service, and no one thought about who was going to pray for them once they were placed on the altar. Although we weren’t an intercessory prayer group (we plan prayer events), our committee was elected! I was even more overwhelmed when I glanced at the list: chemotherapy, job losses, marriages falling apart, the death of young adults, anger issues, serious child behavior problems… I felt absolutely unable—and unwilling—to tackle the job. So instead of praying, I escaped to the laundry room to take the clothes out of the dryer. As I vigorously shook out a shirt, this thought came to mind: Here you are thinking it’s impossible to pray for one hundred requests. God not only hears billions of requests an hour, He also follows through and acts on them. I printed out the requests and put them by the chair where I do my morning prayers, and each morning I prayed for ten of them until I finally finished all of them. Dear Creator of the universe, help me to say yes to the spiritual tasks You assign me even when I feel unequal to the task. Amen. —Karen Barber Digging Deeper: Mk 10:45; 1 Pt 4:10–11
Guideposts (Daily Guideposts 2014)
are, what they care about, and where they “belong” has been reduced to decorative magnets that have been stuck all over the backs of their SUVs. These magnetized spheres and shapes will also tell you where they worship and where they vacation, what illnesses they’ve dealt with or would like to see eradicated, who they voted for in the last election and who they plan to vote for in the next. She was careful not to quote Melanie too closely in case her sister, who had never been a major newspaper devotee, ever happened across the column. But as Vivien typed, the words began to flow from her mind and through her fingertips in that wonderful way that she didn’t understand and tried not to question. Slowly, she began to relax, her body unclenching bit by bit as the words formed in her mind, then found their way onto the page. All of the schools their children attend from preschool to college are there like some public scrapbook. There are magnets and bumper stickers that inform you if their child made the honor roll or was once named the student of the month. Bottom line, if they or one of their children has ever done it or even thought about it, they’ve got the magnet to prove it. And every magnet deserves to be displayed on the back of the family chariot. She added a few jabs about what might drive people to reveal so much, then did some cutting and pasting until she had her observations in an order that belied the amount of editing she’d done and, instead, felt like a natural progression. And then she concluded, As it turns out, these clues aren’t even necessary because your entire
Wendy Wax (Magnolia Wednesdays)
There's something weird about Wednesday. Wednesday's child is full of woe. Wednesday is sad and anxious about who he is, where he stands in the week. The word is weird. It should be Weirdsdsay. Wednesday would like to be Latin but took his name from Woden, the Norse God. The Old English had to say Wednesdaeg, which is a bit of a mouthful. Funny things happen on Wednesday.
Clifford Thurlow (Today I'm Alice: Nine Personalities, One Tortured Mind)
Monday’s child is fair of face Tuesday’s child is full of grace Wednesday’s child is full of woe Thursday’s child has far to go Friday’s child is loving and giving Saturday’s child works hard for his living … And the child that is born on the Sabbath day Is bonny and blithe, and good and gay.
Tracey Lange (We Are the Brennans)
The saving grace, Rosalie thought, is that not all pains and not all worries are permanent. Some, time-sensitive, can be desensitized by time. How else could a parent, or anyone, go on living courageously?
Yiyun Li (Wednesday's Child: Stories)
There are two types of mothers: those who have not taught their children to be kind to themselves, and those who have not learned to be kind to their children.
Yiyun Li (Wednesday's Child: Stories)
A framed print of a white flower in a jar standing in front of a range of mountains in varying shades of blue brightened the wall opposite the window, which admitted enough sunlight to make the wooden surfaces of the sideboard gleam. Mrs. Johnson noticed Susan looking at it. “It’s a Hockney print,” she said proudly. “We bought it at the photography museum when we went to see his exhibition. It lightens up the place a bit, doesn’t it? He’s a local lad, you know, Hockney.” Her accent sounded vaguely posh and wholly put on. “Yes,” said Susan. She remembered Sandra Banks telling her about Hockney once. A local lad he might be, but he lived near the sea now in Southern California, a far cry from Bradford. “It’s very nice,” she added. “I think so,” said Mrs. Johnson. “I’ve always had an eye for a good painting, you know. Sometimes I think if I’d stuck it and not…” she looked around. “Well,…it’s too late for that now, isn’t it? A cup of tea?
Peter Robinson (Wednesday's Child)
Botolph, Wednesday May 7, 1681 On the day before we left with Joshua in his cart, I hurried to finish my chores. I checked the supplies in the larder to make sure there’d be enough butter and eggs, beef and poultry – milk, cheese, bread – to feed the boarders for a week so Ralph wouldn’t have to look for provisions right away. I try to make things easy for my son, because he’s always been absent-minded and more so since the death of his father, which came not directly from a war injury, but because days on end out of doors in the cruelest time of the year made him susceptible to illness. As a result, he succumbed to pleurisy, which a stronger man might have resisted. I closed the larder door and gazed out the window. The sunlight on the harbor seemed as yellow as lemon, as brilliant as a field of marigolds. I imagined a rainbow of fragrances – lavender, lilac, witch hazel, hawthorn – that used to please me when I was a youngster. I visited Deputy Governor Drayton early in the afternoon. People like me, a child of the first pioneers to Sagadac, don’t usually become friendly with representatives of the royal government for the same reason that we’ve stopped making friends with natives: we don’t know what they’ll think of us. I decided after my husband Cyrus died, however, to break through some of the restrictions we put on ourselves.
Richard French (In the Time of the Scythians (Witnesses, #1))
Wednesday’s child is full of woe. The
Fiona Barton (The Widow (Kate Waters, #1))
This shared history of interdependence, of tending and caring, might explain the unique capacity women have for deep friendship with other women. We have counted on one another for child care, sanity, and survival literally forever.
Wednesday Martin (Primates of Park Avenue)
That is their work, they imply, and they also imply that you, and your actual work, are fine but also neglectful and sad. They don’t say that, though. They say, Don’t worry if you can’t be there, at the mid-fall solstice sing-along, the late-winter sledding-song craft fair and potluck. Not a big deal with the mid-spring parent-student doubles badminton under-the-lights evening funmaker. No problem with the mother-daughter pajama party on every third Wednesday movie day Sound of Music bring your own guitar or lyre. No need to bring treats on your child’s birthday. No need to come in for career day. No need to swing by the opening of the new art studio which features real clay-throwing technology. Don’t care about art? Not an issue. No need, no need, no need, it’s fine, no problem, though you really are selfish and your children doomed. When they are first to try crack—they will try it and love it and sell it to our culture-loving children—we will know why.
Dave Eggers (Heroes of the Frontier)
Why was it always like that? he wondered. You call someone you love on the phone, and when you’ve finished talking, all you feel is the bloody distance between you.
Peter Robinson (Wednesday's Child (Inspector Banks, #6))
He was at an age when every odd ache or pain brought a little more fear than it had before, when colds lingered and settled on the chest.
Peter Robinson (Wednesday's Child (Inspector Banks, #6))
First, keep activities with teens one-on-one (dad and child, or stepmom and stepchild), since whole-group activities are bound to activate a teen’s urge to opt out or act out and to underscore insider/outsider dynamics as well. Minimize “all of us together” activities in spite of your urge to be the Waltons. Second, keep activities “shoulder to shoulder” rather than “eyeball to eyeball.” Puzzles, movies, and baking projects allow you to be with your teenage stepchild yet have a focus other than relating directly to each other. Finally, remember that time apart as a couple is all the more imperative for the woman with teenage stepchildren and her partner—and just retreating to your bedroom at night doesn’t count. A weekly date night can give the couple much-needed rejuvenation and relief.
Wednesday Martin (Stepmonster: A New Look at Why Real Stepmothers Think, Feel, and Act the Way We Do)
First, though, I had to find us a place. And I do mean I, because my husband promptly delegated the apartment-hunting project to me. This was ostensibly logical since, as the mother of a very young child, I had rearranged my work schedule as a writer to be “flexible” and “freelance”—I could put it on hold for days or weeks at a time. We also had a part-time nanny who could watch my son while I searched. But there was a deeper cultural logic at work, too: in Manhattan, the woman is in charge of finding a place for the family to live. She might also pay for it, or for half of it. But in heterosexual marriages, regardless of who does what, it’s usually the woman who finds the apartment.
Wednesday Martin (Primates of Park Avenue)