Witch Magic Quotes

You believe in a book that has talking animals, wizards, witches, demons, sticks turning into snakes, burning bushes, food falling from the sky, people walking on water, and all sorts of magical, absurd and primitive stories, and you say that we are the ones that need help?

The sunset bled into the edges of the village. Smoke curled out of the cottage chimney like a crooked finger.

Magic Sandra’s seen a leprechaun, Eddie touched a troll, Laurie danced with witches once, Charlie found some goblins gold. Donald heard a mermaid sing, Susy spied an elf, But all the magic I have known I've had to make myself.

He desperately tried to think of a story to explain his involvement in her sudden appearance, without mentioning the book of magic in his possession.  

The summer sun bowing out threw slashes of colour between the buildings. London looked big, empty, and lonely. She stood in the doorway, like a cat trying to make up its mind.

Where’s my uncle?” she asked. “I don’t know who your uncle is, but if it as the guy who owned this place before I bought it, then he’s pushing up daisies.” “But it can’t be, he’s still young.

I haven’t got a clue why his bones disintegrated, but look at the bright side,” laughed Adam. “We won’t have to dispose of the body. I’ll get a pan and brush in a minute and flush him down the toilet.

The first time I called myself a 'Witch' was the most magical moment of my life.

This witch had been crafted from the darkness between the stars.

I was born on the night of Samhain, when the barrier between the worlds is whisper-thin and when magic, old magic, sings its heady and sweet song to anyone who cares to hear it.

Raya knew this type of girl – they never liked her. Usually they’d make fun of her, behind her back, but loud enough for her to hear. She was too alternative, too poor and too cynical – the foster kid – to be of any interest to these social climbers.

And she was right. No matter how they tried, the two humans, with the cat but without the microchip, couldn’t connect to headquarters. Raya heard a loud popping sound in her mind, like a huge rubber band being snapped, like a glider plane released from a Piper Cub.

He thrust his shoulders back and spoke in a whisper that sounded like the hiss of a snake. ‘Yes, the very battle between good and evil, played out even in the lowliest of lives like yours. Witches killing dogs because they did not get their favourite drink.

women don't endure simply because we can; no, women endure because we aren't given any other choice. - they wanted us weak but forced us to be strong.

She did not shut it properly because she knew that it is very silly to shut oneself into a wardrobe, even if it is not a magic one.

Magic is desire made real.

That's one form of magic, of course." "What, just knowing things?" "Knowing things that other people don't know.

That’s all magic is, really: the space between what you have and what you need.

i don't wear makeup for others the same way i don't decorate my house for others. this is my home & everything i do is for me.

To be a woman is to be warbound, knowing all the odds are stacked against you.

Magic is forgetting the world was ever other than as you willed it.

They're afraid of change, and we must change. They're afraid of the young, and we are the young. They're afraid of music, and music is our life. They're afraid of books, and knowledge, and ideas. They're most afraid of our magic.

Ready for a harsh truth? Women don’t need your validation. We already have our own.

Favorite Quotations. I speak my mind because it hurts to bite my tongue. The worth of a book is measured by what you carry away from it. It's not over till it's over. Imagination is everything. All life is an experiment. What the caterpillar calls the end of the world, the master calls the butterfly.

A black cat crossed my path, and I stopped to dance around it widdershins and to sing the rhyme, Ou va-ti mistigri? Passe sans faire de mai ici.

The Oracle rose. As one, the three witches bowed. "See?" Bran jerked his thumb at the three women. "That's how a woman should treat a man. Next time you see me, I want you to do just like them.

I smell pancakes," Al said as he jauntily smacked Pierce's hat back on the witch's head. "Did the runt make you breakfast?" Al said, leaning over the stove. "Quickest way to a woman's crotch is through her gullet, eh?" he said, leering at Pierce, who was now rinsing out the percolator. "Is it working? I'd be curious to know. I'd buy her a cake or something.

Give me something to go on, here. What kind of black magic are we talking? Elphaba,Wicked Witch of the West-type stuff or Slytherin-type stuff?

We are the blood of the witches you thought were dead. We carry witchcraft in our bones whilst magic still sings inside out heads. When the witch hunters imprisoned out ancestors when they tried to burn the magic away. Someone should have warned them that magic cannot be tamed. Because you cannot burn away what has always been aflame.

there’s nothing more powerful than human fear—not magic, not vampire strength. Nothing.

if the very idea of standing up for myself frightens you so damn much then i guess the power you thought you held over ome wasn't that impressive in the first place. -fragile masculinity

But what if the devil is just a woman who was banished to hell to stoke the flames as punishment for standing up to him?

The sound of the pages turning was the sound of magic. The dry liquid feel of paper under fingertips was what magic felt like.

Witch, do this for me, Find me a moon made of longing. Then cut it sliver thin, and having cut it, hang it high above my beloved's house, so that she may look up tonight and see it, and seeing it, sigh for me as I sigh for her, moon or no moon.

Rachel, my itchy witch," Al said as he tugged the lace at his cuffs. "We've talked about this. You simply must stop collecting nasty little men. How many do you really need, love?

I bleed twelve weeks a year, so I know a thing or two about bloodstains.

The woman said something to Roman. He stopped, turned to her, and shook his staff. She crossed her arms. I couldn't see her face, but I read the body language well enough. I shake my magic stick at you!" "Let me tell you what you can do with your stick..."

If I wanted to imprison someone until the end of days, would it not be best to use a prison that he has no desire to escape?

Curves and fat and rolls are a colossal ‘fuck you’ to the patriarchy – our accidental rebellion.

The castle of Cair Paravel on its little hill towered up above them; before them were the sands, with rocks and little pools of salt water, and seaweed, and the smell of the sea and long miles of bluish-green waves breaking for ever and ever on the beach. And oh, the cry of the seagulls! Have you ever heard it? Can you remember?

I wanted to know how humans came up with a view of the world that had so little magic in it. I needed to understand how they convinced themselves that magic wasn’t important.

It is most unlikely. But--here comes the big "but"--not impossible.

Embrace her. Embrace her darkness, and when it dawns, you will be stronger.

What do I have for the witch behind me? Do you want my life, Sorceress?

She told me that if magic gives people what they want, then not using magic can give them what they need.

She's magic, Cassandra. A single flower blooming in an endless desert.

Autumn is its own kind of magic; it reminds us of the beauty in letting go.” —A Season for Everything

I am not the one who has to change the way I think or the way I act. They are.

Though magic can shape life and death, love is the one thing it cannot control

What is magic? There is the wizard's explanation... wizards talk about candles, circles, planets, stars, bananas, chants, runes and the importance of having at least four good meals every day.

But witchy magic doesn’t listen to please and pretty please, and anyway, I didn’t really care. I only pretended to care because not caring makes me a monster.

If in any quest for magic, in any search for sorcery, witchery, legerdemain, first check the human spirit.

Fuck the idea of staying calm.

Regular people have such a hard time listening to the low hum of instinct.

You believe in a book that has talking animals, wizards, witches, demons, sticks turning into snakes, food falling from the sky, people walking on water, and all sorts of magical, absurd and primitive stories, and you say that we are the ones that need help?

It’s such a shame that you will finally have to learn that there are consequences to treating women like they’re nothing. You may have gotten to walk away, but a piece of me will follow you forever. Now, isn’t that romantic?

I saw the logic that they used, and the death of a thousand cuts as experimental scientists slowly chipped away at the belief that the world was an inexplicably powerful, magical place. Ultimately they failed, though. The magic never really went away. It waited, quietly, for people to return to it when they found the science wanting.

Hannah's magic cure for every ill," he teased. "Blueberry cake and a kitten.

call me bitch. call me villain. call me she-wolf. call me bad omen. call me your worst nightmare wearing a red-lipped smile. -even better, call me by my name.

Those old hypocrites. They talk about killing witches but the Good Book’s full of magic. Turning the Nile to blood and parting the Red Sea. What’s that if it’s not good old-fashioned magic? Want a little water into wine? No trouble! How about raising the dead man Lazarus? Just say the word!

I turned to the courtyard and waved at Roman and the witch next to him. "Is that his sister?" Andrea asked me. "No." I had spoken with both of them. "I'd asked her that. Her name is Alina, she isn't his sister, and she feels deeply sorry for his sisters, because if she had to put up with being in his presence for longer than a day, she would throw herself off the nearest bridge just to end the agony." "Well," Andrea said. "Glad she cleared that up.

So, apart from casting runes, what other hobbies do you have? Forbidden rituals, human sacrifices, torturing? –

I’m a rat,’’ Robert said. ‘’I’m not going into a reptile’s mouth.’’ Oh boy. Fine time to develop phobias

There's a little witch in all of us.

Women endure because we aren’t given any other choice.

I was going to say he's aimless," the witch replied. "I know he's a bit old to be old to living at home with his mom, but he's had a difficult time holding a job. He's worked at Wendy's, Taco Bell, and Burger King, but it all ends the same way- he challenges his manager to combat, takes over the restaurant, and enslaves his coworkers. Then it's back to video games." - Morgan le Fay

to be a woman is to be warbound, k n o w i n g all the odds are stacked against you. - & never giving up in spite of it.

That was some excellent Mary Poppins shit right there.

Haven’t you got any romance in your soul?’ said Magrat plaintively. ‘No,’ said Granny. 'I ain’t. And stars don’t care what you wish, and magic don’t make things better, and no one doesn’t get burned who sticks their hand in a fire. If you want to amount to anything as a witch, Magrat Garlick, you got to learn three things. What’s real, what’s not real, and what’s the difference.

Every spell is a journey.

I think that all women are witches, in the sense that a witch is a magical being. And a wizard, which is a male version of a witch, is kind of revered, and people respect wizards. But a witch, my god, we have to burn them. It’s the male chauvinistic society that we’re living in for the longest time, 3,000 years or whatever. And so I just wanted to point out the fact that men and women are magical beings. We are very blessed that way, so I’m just bringing that out. Don’t be scared of witches, because we are good witches, and you should appreciate our magical power.

There's a kind of magic in masks. Masks conceal one face, but they reveal another. The one that only comes out in darkness. I bet you could do just what you liked, behind a mask ... ?

Granny disapproved of magic for domestic purposes, but she was annoyed. She also wanted her tea. She threw a couple of logs into the fireplace and glared at them until they burst into flame out of sheer embarrassment.

The theater troubled her. It had a magic of its own, one that didn’t belong to her, one that wasn’t in her control. It changed the world, and said things were otherwise than they were. And it was worse than that. It was magic that didn’t belong to magical people. It was commanded by ordinary people, who didn’t know the rules. They altered the world because it sounded better.

Once upon a time... a long time ago... things that happened once perhaps but have been talked about for so long that nobody really knows. And underneath all the bits that people have added the magic swords and lamps they're all about one thing - the good hero fighting the giant or the witch or the wicked uncle. Good against bad. Good against evil.

Margo, they're afraid of us. They're afraid of everything.' And then I kept on talking without really thinking, until it turned into a chant: They're afraid of change, and we must change. They're afraid of the young, and we are the young. They're afraid of music, and music is our life. They're afraid of books, and knowledge, and ideas. They're most afraid of our magic.

You are twenty. You are not dead, although you were dead. The girl who died. And was resurrected. Children. Witches. Magic. Symbols. Remember the illogic of the fantasy. The strange tableau in the closet behind the bathroom: the feast, the beast, and the jelly-bean. Recall, remember: please do not die again. Let there be continuity at least - a core of consistency - even if your philosophy must be always a moving dynamic dialectic. The thesis is the easy time, the happy time. The antithesis threatens annihilation. The synthesis is the consummate problem.

This book is a fairy tale  in which I am the prince  and the princess. I am  the king and the queen.  I am my own wicked  witch and fairy godmother.  This book is a fairy tale  in which I’m cursed  and blessed by others.  But, finally, I am the fair y  finding my own magic.

What was it like?” Manon asked quietly. “To love.” For love was what it had been—what Asterin perhaps alone of all the Ironteeth witches had felt, had learned. “It was like dying a little every day. It was like being alive, too. It was joy so complete it was pain. It destroyed me and unmade me and forged me. I hated it, because I knew I couldn’t escape it, and knew it would forever change me. And that witchling … I loved her, too. I loved her in a way I cannot describe—other than to tell you that it was the most powerful thing I’ve ever felt, greater than rage, than lust, than magic.

Matthew kept hinting that his desire - for blood, chiefly- was so strong that it put everything else at risk. But vampires weren’t the only creatures who had to manage such strong impulses. Much of what qualified as magic was simply desire in action. Witchcraft was different- that took spells and rituals. But magic? A wish, a need, a hunger too strong to be denied- these could turn into deeds when they cross a witch’s mind.

The cards give you images and symbols to focus your vague intentions and transform them into action. Your will is the magic. In other words, you are the magic. If you can create something in your heart and then act on it to make it happen, that is magic. Very simple, very straightforward—no witches, no spells, and no broomsticks.

But I like winter. Winter is the truest of the seasons. It’s what remains after everything else is stripped away. The leaves fall. The colors fade. The branches get brittle. And if you can love the earth, understand it when all the beauty is gone and see it for what it is, that’s magic.

As they are now also your enemies, I must offer a piece of advice: 'tis dangerous to meddle in the affairs of witches. Forget your vengeance. Forget everything you've learned about this world of shadows and magic. You are wildly outmatched and woefully inadequate in the face of these women. Death is the kindest of their torments - a gift bestowed only to those who earned it.

The revival of magical beliefs is possible today because it no longer represents a social threat. The mechanization of the body is so constitutive of the individual that, at least in industrialized countries, giving space to the belief in occult forces does not jeopardize the regularity of social behavior. Astrology too can be allowed to return, with the certainty that even the most devoted consumer of astral charts will automatically consult the watch before going to work.

One picture puzzle piece Lyin' on the sidewalk, One picture puzzle piece Soakin' in the rain. It might be a button of blue On the coat of the woman Who lived in a shoe. It might be a magical bean, Or a fold in the red Velvet robe of a queen. It might be the one little bite Of the apple her stepmother Gave to Snow White. It might be the veil of a bride Or a bottle with some evil genie inside. It might be a small tuft of hair On the big bouncy belly Of Bobo the Bear. It might be a bit of the cloak Of the Witch of the West As she melted to smoke. It might be a shadowy trace Of a tear that runs down an angel's face. Nothing has more possibilities Than one old wet picture puzzle piece.

From somewhere above me, there was an irritated hiss. ‘Food.’ I strained my head upwards. ‘Hi, Brutus.’ His yellow eyes stared down at me, unblinking. ‘Food, bitch.’ I sighed. ‘I’ve told you time and time again. If you call me that, I’m not going to feed you.’ ‘Food.’ ‘Give me a minute.’ ‘Food.’ ‘I’d like the chance to get a cup of tea first.’ ‘Food.’ ‘Piss off.’ ‘Food.

telling me not all men have bad intentions doesn't do anything to reassure me. after i walk away from you, nothing will have changed. i will still be scared to leave my house after sundown. i will still find comfort in keys resting between fingers, i will still question the intentoins of every man i know i will still wonder when i am to become a story meant to warn other people's daughters, & i will still cry when i turn on the television to find yet another man getting away with well-- what they always seem to get away with. i am not the one who has to change the way i think or the way i act. they are.

People view us and our vampires as abominations," Ghastek said. "They call the undead inhuman, not realizing the irony: only humans are capable of inhumanity. Four thousand years of technology, with magic shrinking to a mere trickle before the Shift, yet the world was just as evil then as it is now. It's not vampires or werewolves who committed the worst atrocities, but average people. They are the serial killers, the child rapists, the inquisitors, the witch hunters, the perpetrators of monstrous deeds. The shackles on my wall are the symbol of humanity's capacity for cruelty. I keep them to remind myself that I must fear those who fear me.

Tiffany got up early and lit the fires. When her mother came down, she was scrubbing the kitchen floor, very hard. “Er…aren’t you supposed to do that sort of thing by magic, dear?” said her mother, who’d never really got the hang of what witchcraft was all about. “No, Mum, I’m supposed not to,” said Tiffany, still scrubbing. “But can’t you just wave your hand and make all the dirt fly away, then?” “The trouble is getting the magic to understand what dirt is,” said Tiffany, scrubbing hard at a stain. “I heard of a witch over in Escrow who got it wrong and ended up losing the entire floor and her sandals and nearly a toe.” Mrs. Aching backed away. “I thought you just had to wave your hands about,” she mumbled nervously. “That works,” said Tiffany, “but only if you wave them about on the floor with a scrubbing brush.

I thought you guys could detect witches." Jonathan muttered as soon as he got over his shock at seeing two people materialise in front of him. The wiccan sat on the floor, his shoulder being strapped with a makeshift bandage, by the ever-practical Ian. "We detect magic, not witches." Hunter clarified. "We can't feel anything out of the ordinary, unless they start casting." "Oh fantastic!" Jonathan groaned. "I'll remember that excuse later.

It means,” said Aslan, “that though the Witch knew the Deep Magic, there is a magic deeper still which she did not know. Her knowledge goes back only to the dawn of time. But if she could have looked a little further back, into the stillness and the darkness before Time dawned, she would have read there a different incantation. She would have known that when a willing victim who had committed no treachery was killed in a traitor’s stead, the Table would crack and Death itself would start working backward. And now—

Aye. You gender-malcontent. You otherling,” she said, the fog of anesthesia wearing off. She could see him clearly now. The curl of his lashes. The white flecks of skin over his dry lips. “Me too. I am a boy and a girl and a witch all wrapped into one very strange, flimsy, indecisive body. Do you think my body couldn’t decide what it wanted to be?” “I think it doesn’t matter because we get to decide what our bodies are or are not,” he answered. Aster sat up, and Theo helped her prop two pillows beneath her head. “Is that so? Then I am magic. I say it, therefore it is true,” she said.

Birthdays were wretched, delicious things when you lived in Beau Rivage. The clock stuck midnight, and presents gave way to magic. Curses bloomed. Girls bit into sharp apples instead of birthday cake, chocked on the ruby-and-white slivers, and collapsed into enchanted sleep. Unconscious beneath cobweb canopies, frozen in coffins of glass, they waited for their princes to come. Or they tricked ogres, traded their voices for love, danced until their glass slippers cracked. A prince would awaken, roused by the promise of true love, and find he had a witch to destroy. A heart to steal. To tear from the rib cage, where it was cushioned by bloody velvet, and deliver it to the queen who demanded the princess's death. Girls became victims and heroines. Boys became lovers and murderers. And sometimes... they became both.

Once upon a time there was a king who had three beautiful daughters. No, no, wait. Once upon a time there were three bears who lived in a wee house in the woods. Once upon a time there were three soldiers, tramping together down the road after the war. Once upon a time there were three little pigs. Once upon a time there were three brothers. No, this is it. This is the variation I want. Once upon a time there were three Beautiful children, two boys and a girl. When each baby was born, the parents rejoiced, the heavens rejoiced, even the fairies rejoiced. The fairies came to christening parties and gave the babies magical gifts. Bounce, effort, and snark. Contemplation and enthusiasm. Ambition and strong coffee. Sugar, curiosity, and rain. And yet, there was a witch. There's always a witch. This which was the same age as the beautiful children, and as she and they grew, she was jealous of the girl, and jealous of the boys, too. They were blessed with all these fairy gifts, gifts the witch had been denied at her own christening. The eldest boy was strong and fast, capable and handsome. Though it's true, he was exceptionally short. The next boy was studious and open hearted. Though it's true, he was an outsider. And the girl was witty, Generous, and ethical. Though it's true, she felt powerless. The witch, she was none of these things, for her parents had angered the fairies. No gifts were ever bestowed upon her. She was lonely. Her only strength was her dark and ugly magic. She confuse being spartan with being charitable, and gave away her possessions without truly doing good with them. She confuse being sick with being brave, and suffered agonies while imagining she merited praise for it. She confused wit with intelligence, and made people laugh rather than lightening their hearts are making them think. Hey magic was all she had, and she used it to destroy what she most admired. She visited each young person in turn in their tenth birthday, but did not harm them out right. The protection of some kind fairy - the lilac fairy, perhaps - prevented her from doing so. What she did instead was cursed them. "When you are sixteen," proclaimed the witch in a rage of jealousy, "you shall prick your finger on a spindle - no, you shall strike a match - yes, you will strike a match and did in its flame." The parents of the beautiful children were frightened of the curse, and tried, as people will do, to avoid it. They moved themselves and the children far away, to a castle on a windswept Island. A castle where there were no matches. There, surely, they would be safe. There, Surely, the witch would never find them. But find them she did. And when they were fifteen, these beautiful children, just before their sixteenth birthdays and when they're nervous parents not yet expecting it, the jealous which toxic, hateful self into their lives in the shape of a blonde meeting. The maiden befriended the beautiful children. She kissed him and took them on the boat rides and brought them fudge and told them stories. Then she gave them a box of matches. The children were entranced, for nearly sixteen they have never seen fire. Go on, strike, said the witch, smiling. Fire is beautiful. Nothing bad will happen. Go on, she said, the flames will cleanse your souls. Go on, she said, for you are independent thinkers. Go on, she said. What is this life we lead, if you did not take action? And they listened. They took the matches from her and they struck them. The witch watched their beauty burn, Their bounce, Their intelligence, Their wit, Their open hearts, Their charm, Their dreams for the future. She watched it all disappear in smoke.

You see, the future is a kind of stew, a soup, a vichyssoise of the present and the past. That's how you get the future: You mix up everything you did today with everything you did yesterday and all the days before and everything everyone you ever met did and anyone they ever met, too. And salt and lizard and pearl and umbrellas and typewriters and a lot of other things I'm not at liberty to tell you, because I took vows, and a witch's vows have teeth. Magic is funny like that. It's not a linear thinker. The point is if you mash it all up together and you have a big enough pot and you're very good at witchcraft, you can wind up with a cauldron full of tomorrow.

Give me priests. Give me men with feathers in their hair, or tall domed hats, female oracles in caves, servants of the python, smoking weed and reading palms. A gypsy fortuneteller with a foot-peddle ouija board and a gold fish bowl for a crystal ball knows more about the world than many of the great thinkers of the West. Mumbling priests swinging stink cans on their chains and even witch doctors conjuring up curses with a well-buried elephant tooth have a better sense of their places in the world. They know this universe is brimming with magic, with life and riddles and ironies. They know that the world might eat them, and no encyclopedia could stop it

This ain’t right, you know. She’s the one who ought to rule, fair enough. And you used magic to help her this far, and that’s all right. But it stops right here. It’s up to her what happens next. You can’t make things right by magic. You can only stop making them wrong.” Mrs. Gogol pulled herself up to her full, impressive height. “Who’s you to say what I can and can’t do here?” “We’re her godmothers,” said Granny. “That’s right,” said Nanny Ogg. “We’ve got a wand, too,” said Magrat. “But you hate godmothers, Mistress Weatherwax,” said Mrs. Gogol. “We’re the other kind,” said Granny. “We’re the kind that gives people what they know they really need, not what we think they ought to want.

What is magic? Then there is the witches' explanation, which comes in two forms, depending on the age of the witch. Older witches hardly put words to it at all, but may suspect in their hearts that the universe really doesn't know what the hell is going on and consists of a zillion trillion billion possibilities, and could become any one of them if a trained mind rigid with quantum certainty was inserted into the crack and twisted; that, if you really had to make someone's hat explode, all you needed to do was twist into that universe where a large number of hat molecules all decide at the same time to bounce off in different directions. Younger witches, on the other hand, talk about it all the time and believe it involves crystals, mystic forces, and dancing about without yer drawers on. Everyone may be right, all at the same time. That's the thing about quantum.

It was in America that horses first roamed. A million years before the birth of man, they grazed the vast plains of wiry grass and crossed to other continents over bridges of rock soon severed by retreating ice. They first knew man as the hunted knows the hunter, for long before he saw them as a means to killing other beasts, man killed them for their meat. Paintings on the walls of caves showed how. Lions and bears would turn and fight and that was the moment men speared them. But the horse was a creature of flight not fight and, with a simple deadly logic, the hunter used flight to destroy it. Whole herds were driven hurtling headlong to their deaths from the tops of cliffs. Deposits of their broken bones bore testimony. And though later he came pretending friendship, the alliance with man would ever be but fragile, for the fear he'd struck into their hearts was too deep to be dislodged. Since that neolithic moment when first a horse was haltered, there were those among men who understood this. They could see into the creature's soul and soothe the wounds they found there. Often they were seen as witches and perhaps they were. Some wrought their magic with the bleached bones of toads, plucked from moonlit streams. Others, it was said, could with but a glance root the hooves of a working team to the earth they plowed. There were gypsies and showmen, shamans and charlatans. And those who truly had the gift were wont to guard it wisely, for it was said that he who drove the devil out, might also drive him in. The owner of a horse you calmed might shake your hand then dance around the flames while they burned you in the village square. For secrets uttered softly into pricked and troubles ears, these men were known as Whisperers.

Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own. Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one. In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis... In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Swans," the banished sister can only disenchant her eleven brothers -- who are swans all day look but turn human at night -- by gathering stinging nettles barehanded from churchyard graves, making them into flax, spinning them and knitting eleven long-sleeved shirts while remaining silent the whole time. If she speaks, they'll remain birds forever. In her silence, she cannot protest the crimes she accused of and nearly burned as a witch. Hauled off to a pyre as she knits the last of the shirts, she is rescued by the swans, who fly in at the last moment. As they swoop down, she throws the nettle shirts over them so that they turn into men again, all but the youngest brother, whose shirt is missing a sleeve so that he's left with one arm and one wing, eternally a swan-man. Why shirts made of graveyard nettles by bleeding fingers and silence should disenchant men turned into birds by their step-mother is a question the story doesn't need to answer. It just needs to give us compelling images of exile, loneliness, affection, and metamorphosis -- and of a heroine who nearly dies of being unable to tell her own story.