Boring Monday Quotes

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She was a woman who made mistakes, who sometimes cried on a Monday morning or at night alone in bed. She was a woman who often became bored with her life and found it hard to get up for work in the morning. She was a woman who more often than not had a bad hair day, who looked in the mirror and wondered why she couldn't just drag herself to the gym more often; she was a woman who sometimes questioned what reason had she to live on this planet. She was a woman who sometimes just got things wrong. On the other hand, she was a woman with a million happy memories, who knew what it was like to experience true love and who was ready to experience more life, more love and make new memories.
Cecelia Ahern (P.S. I Love You (P.S. I Love You, #1))
Our history teacher had the most boring voice in the world and no teaching skils to speak of. Every single class, he read aloud in a monotonous tone. Yeah, fascinating. Double history on a Monday morning was a punishment from God.
Claire Farrell (Verity (Cursed, #1))
The show doesn’t go on because it’s ready; it goes on because it’s 11:30. This is something Lorne [Michaels] has said often about Saturday Night Live, but I think it’s a great lesson about not being too precious about your writing. You have to try your hardest to be at the top of your game and improve every joke you can until the last possible second, and then you have to let it go. You can’t be that kid standing at the top of the waterslide, overthinking it. You have to go down the chute. (And I’m from a generation where a lot of people died on waterslides, so this was an important lesson for me to learn.) You have to let people see what you wrote. It will never be perfect, but perfect is overrated. Perfect is boring on live TV. What I learned about ‘bombing’ as an improviser at Second City was that bombing is painful, but it doesn’t kill you. No matter how badly an improv set goes, you will still be physically alive when it’s over. What I learned about bombing as a writer at Saturday Night is that you can’t be too worried about your ‘permanent record.’ Yes, you’re going to write some sketches that you love and are proud of forever—your golden nuggets. But you’re also going to write some real shit nuggets. And unfortunately, sometimes the shit nuggets will make it onto the air. You can’t worry about it. As long as you know the difference, you can go back to panning for gold on Monday.
Tina Fey (Bossypants)
Before I knew it, my daily schedule had started to look a lot like this: Monday: Woke up, thought of Ryder; went to school, stared at Ryder; had lunch with J, gaped at Ryder; went to PE, brooded over Ryder's absence; went home, thought of Ryder; took a drive "accidentally" passing by Dave's Garage, spied on Ryder; came home, thought of Ryder; had dinner, no appetite due to lack-of Ryder; went to bed, tossed and turned thinking about Ryder. Tuesday: See above, with minor adjustments. Wednesday: Ryder wasn't in school, my world collapsed Thursday: Same as Monday and Tuesday Friday: See above. Saturday: Nightmarishly long, boring. Drove by Dave's Garage twice, hoping to see Ryder. Sunday: See above, minus the drive-by. But, yay, tomorrow I'll see Ryder in school! God bless Mondays.
Ramona Wray (Hex: A Witch and Angel Tale)
Sometimes, when I’m bored, I can’t help but think what my life would be like if I hadn’t written the book. Monday, I would’ve played bridge. And tomorrow night, I’d be going to the League meeting and turning in the newsletter. Then on Friday night, Stuart would take me to dinner and we’d stay out late and I’d be tired when I got up for my tennis game on Saturday. Tired and content and . . . frustrated. Because Hilly would’ve called her maid a thief that afternoon, and I would’ve just sat there and listened to it. And Elizabeth would’ve grabbed her child’s arm too hard and I would’ve looked away, like I didn’t see it. And I’d be engaged to Stuart and I wouldn’t wear short dresses, only short hair, or consider doing anything risky like write a book about colored housekeepers, too afraid he’d disapprove. And while I’d never lie and tell myself I actually changed the minds of people like Hilly and Elizabeth, at least I don’t have to pretend I agree with them anymore.
Kathryn Stockett (The Help)
They knew humans by nature are stupid and bored and would do something like unleash hell on the world if it meant not having to go to their dead-end jobs on Monday morning.
Adam Silvera (History is All You Left Me)
To work for the sheer joy of it, to wake up and be really excited on a Monday, to love what you do so much that the idea of a long vacation looks boring - that's living.
Manoj Arora (From the Rat Race to Financial Freedom)
If I was a color, I would be white, vast in my blankness. Pure, whole, virginal, predictable. Boring. The colors thrown at me didn't bleed into my canvas and leave a mark. The colors washed out with nothing but water. That's what made this story so hard to remember. It's hard facing a mirror and seeing all you are made of and all you couldn't absorb.
Tiffany D. Jackson (Monday's Not Coming)
A remarkable consensus of Democratic and Republican editorial writers held that Roosevelt would be as “conservative” as McKinley. The very unanimity of this opinion seemed contrived, as if to soothe a nervous stock market. The financial pages reported that “Severe Shocks,” “Feverish Trading,” and “Heavy Declines” had hit Wall Street on Friday, when the Gold Dollar President began to die. Roosevelt knew little about money—it was one of the few subjects that bored him—but even he could see that one false move this weekend might bring about a real panic on Monday.
Edmund Morris (Theodore Rex)
Palmolive wrote the lyrics to ‘Newtown’ too. The song was originally called ‘Drugtown’, but I changed it to ‘Newtown’, thinking about all the new towns that are springing up around the edges of London, like Milton Keynes and Crawley. The young people growing up there are so bored, they take loads of drugs and drive around really fast or beat each other up at football matches, then they get up and commute to their dull jobs on Monday morning. Palmolive made up these great words like ‘televisina’ and ‘footballina’ as drug names, I think only a foreigner could do that.
Viv Albertine (Clothes, Clothes, Clothes. Music, Music, Music. Boys, Boys, Boys)
Fridays always felt different anyway. Friday afternoons especially. Everyone felt it, pupils and teachers alike. You could get away with more on a Friday afternoon because no one was entirely there anyway. Everyone was on a sort of threshold and often did and said anomalous things with the tacit understanding that in the cold light of Monday morning whatever had been said and done last thing on a Friday belonged to a completely different world and ought not to be acknowledged or referred to in any way, now that we were all so firmly installed back in this very familiar and boring one.
Claire-Louise Bennett (Checkout 19)
When I visit Maggie's farm on Monday, she takes me from field to field in her pickup truck, showing me the fruit they just started harvesting for the summer markets: yellow Sentry peaches, white nectarines, red plums, baby apricots. We spin past patches of Chantenay carrots and orchards of Honeycrisp apples, both of which they'll pick later in the season, after the raspberries, the canes already bursting with ruby and gold fruit. Back in April, the peach trees bore masses of fluffy, sweet-smelling pink blossoms, but now dozens of fuzzy, round fruits hang from their branches like Christmas ornaments, the ripe ones so juicy you can't eat them without wearing a bib.
Dana Bate (A Second Bite at the Apple)
I spend most of my Mondays with blood. I am a hematologist by training. I study blood and treat blood diseases, including cancers and precancers of white blood cells. On Monday, I arrive much earlier than my patients, when the morning light is still aslant across the black slate of the lab benches. I close the shutters and peer through the microscope at blood smears. A droplet of blood has been spread across a glass slide, to make a film of single cells, each stained with special dyes. The slides are like previews of books, or movie trailers. The cells will begin to reveal the stories of the patients even before I see them in person. I sit by the microscope in the darkened room, a notepad by my side, and whisper to myself as I go through the slides. It’s an old habit; a passerby might well consider me unhinged. Each time I examine a slide, I mumble out the method that my hematology professor in medical school, a tall man with a perpetually leaking pen in his pocket, taught me: “Divide the main cellular components of blood. Red cell. White cell. Platelet. Examine each cell type separately. Write what you observe about each type. Move methodically. Number, color, morphology, shape, size.” It is, by far, the favorite time of my day at work. Number, color, morphology, shape, size. I move methodically. I love looking at cells, in the way that a gardener loves looking at plants—not just the whole but also the parts within the parts: the leaves, the fronds, the precise smell of loam around a fern, the way the woodpecker has bored into the high branches of a tree. Blood speaks to me—but only if I pay attention.
Siddhartha Mukherjee (The Song of the Cell: An Exploration of Medicine and the New Human)
There is nothing more pleasant in the world than having found your dream and living it. Working for the simple pleasure of working, getting up in the morning and being excited about the idea that it's Monday, loving what we do to the point that the prospect of a long vacation seems boring to us that's it, life
Rhonda Byrne (Hero (The Secret, #4))
We got bored so easily, and yet, as soon as something unfamiliar happened, we did everything to work things out as quickly as possible. For what? So we could get bored again.
Cara Dee (We Have Till Monday (We Have Till Dawn #2))
MONDAY IN HOLY WEEK “The Voice of my Beloved.” Once I ached for thy dear sake: Wilt thou cause Me now to ache? Once I bled for thee in pain: Wilt thou rend My Heart again? Crown of thorns and shameful tree, Bitter death I bore for thee, Bore My Cross to carry thee, And wilt thou have nought of Me?
Christina Rossetti (Complete Poetical Works of Christina Rossetti)
His preaching was incisive, direct and forceful, and he used to say he knew when he had delivered a good sermon by the number of abusive letters he received on Monday. He had no patience with equivocators. “There isn’t any way to protect yourself from the truth, except to like it,” he told me. His forcefulness was kept balanced by a great human gentleness and by the quietness of his deep and unshakable belief. He walked like a man who bore a light inside him, and many who came to see him in serious trouble or bewildered by pain, told afterward that, sitting in front of him and looking into his eyes, their problems seemed solved before they had spoken them.
Kathrine Kressmann Taylor (Day of No Return)
For long seconds, neither of them moved. The only sound in the forest was the wind luffing through the trees, their labored breathing, and the soft thud of their heartbeats. Then Call muttered something beneath his breath. Gathering his long limbs, he lifted himself away from her and regained his feet. His shaft was still hard, big and thick and jutting forward through his open fly as if they hadn’t just made wildly passionate love. Call rid himself of the condom, zipped his faded jeans, and turned to find her groping for her sweater, pulling it on to cover her naked breasts. Swearing, he reached down and snatched up her jeans and pink satin panties, which were tangled together and refused to come apart. “Here.” She blushed as he unwound the fabric, handing her first the panties, then the jeans, which she hurriedly pulled on. She didn’t look at him. Her cheeks were hot and her lacy pink bra still lay embarrassingly on the ground. She snatched it up and stuffed it into the pocket of her jeans. Charity swallowed, made herself turn and face him, tried to muster some sort of smile. “I…um…I don’t suppose we can blame this on your relief at finding me alive and safe.” He shook his head, his eyes still fixed on her face. “I don’t think so.” “Just lust then, I suppose.” He shrugged those wide shoulders and she wished he would put his shirt back on so she didn’t have to remember all that smooth muscle moving beneath her hands. “So it’s just a one-night stand.” His head came up. Eyes as blue as the sky bored into her. “In case you haven’t noticed, the sun is still up.” “The sun is always up in this place. What does that have to do with anything?” He pulled on his shirt and she suddenly wished he were bare-chested again. “It has to do with the fact that the night hasn’t even begun.” Her eyebrows shot up. “You’re not…you’re not saying what I think you are.” “I’m saying exactly what you think I am. If you believe what just happened is anything besides a warm-up, sugar, you had better think again. If I wasn’t worried that Maude might sent the Mounties up here to find us if we don’t get back soon, we’d start over again right here.” “B-but you said…we both said--” “I know exactly what we said. It’s a little late to be worrying about that now.” He looked at her and his deep voice softened. “Besides, I never really believed one night with you would be enough.” Relief trickled through her. Whatever was happening between them, it wasn’t over yet. She gave him a reluctant smile. “I never believed it either.” “Come on.” Call reached out and caught her hand. “It’s Friday. We’ve got the whole weekend ahead of us. Maybe by Monday, we’ll have had enough of each other.” “Maybe,” she said. But Charity didn’t really believe it and from the burning glance Call gave her, she didn’t think he did either.
Kat Martin (Midnight Sun (Sinclair Sisters Trilogy, #1))
There were many things I loved about this place, but being lectured like that wasn’t one of them. The masses bored me, the Sunday school was monotonous, many of the priests distant and cold, and so many of the parishioners vile to each other Monday thru Saturday who suddenly changed their tune between ten and eleven o’clock on Sunday mornings. It was all such a lie.
Penelope Douglas (Hideaway (Devil's Night, #2))