Wedding Envelope Quotes

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What is this?" "It's a wedding invitation," Julie said. "I didn't order any." Julie grinned at me. "Roman." Ugh. That's right. I waved the envelope at her. "It has flowers on it." "Did you want gore, swords, and severed heads?" she asked.
Ilona Andrews (Magic Binds (Kate Daniels, #9))
We’d created meaning where there was none, but, I don’t know, isn’t that art? Or at least I think it’s the kind of art that I like, where the obsession of one person envelops other people, transforms them.
Kevin Wilson (Now Is Not the Time to Panic)
Love is art, not truth. It's like painting a scenery.' These are the things one takes from mothers. Once they die, of course, you get the strand of pearls, the blue quilt, some of the original wedding gifts - a tray shellacked with the invitation, an old rusted toaster - but the touches and the words and the moaning the night she dies, these are what you seize, save, carry around in little invisible envelopes, opening them up quickly, like a carnival huckster, giving the world a peek. They will not stay quiet. No matter how you try.
Lorrie Moore (Self-Help)
The length of the friendship never brought astonishment. After all, the majority of Baby Boomers could likely claim a long-standing friendship in their lives. No, it was always the letters: the-pen-on-paper, inside a-stamped-envelope, mailed-in-a-mailbox letter that was awe inspiring. “You’ve been writing a letter every week for almost thirty years?” The question always evokes disbelief, particularly since the dawn of the Internet and email. We quickly correct the misconception. “Well, at least one letter, but usually more. We write each other three or four letters a week. And we never wait for a return letter before beginning another.” Conservatively speaking, at just three letters a week since 1987, that would equal 4,368 letters each, but we’d both agree that estimate is much too low. We have, on occasion, written each other two letters in a single day.
Mary Potter Kenyon (Mary & Me: A Lasting Link Through Ink)
They have started to arrive. An endless cascade of luxuriously quilted envelopes, thumping onto the doormat. The wedding invitations.
David Nicholls (One Day)
Every week seems to bring another luxuriantly creamy envelope, the thickness of a letter-bomb, containing a complex invitation – a triumph of paper engineering – and a comprehensive dossier of phone numbers, email addresses, websites, how to get there, what to wear, where to buy the gifts. Country house hotels are being block-booked, great schools of salmon are being poached, vast marquees are appearing overnight like Bedouin tent cities. Silky grey morning suits and top hats are being hired and worn with an absolutely straight face, and the times are heady and golden for florists and caterers, string quartets and Ceilidh callers, ice sculptors and the makers of disposable cameras. Decent Motown cover-bands are limp with exhaustion. Churches are back in fashion, and these days the happy couple are travelling the short distance from the place of worship to the reception on open-topped London buses, in hot-air balloons, on the backs of matching white stallions, in micro-lite planes. A wedding requires immense reserves of love and commitment and time off work, not least from the guests. Confetti costs eight pounds a box. A bag of rice from the corner shop just won’t cut it anymore.
David Nicholls (One Day)
Then Aldo was standing beside me, pulling something from inside his jacket, and handing me a sealed envelope with my name scrawled across the front in a messy hand. Did Kage write this? After all we’d done, I still didn’t know what his handwriting looked like. I tore open the very end, careful not to damage the writing. Inside was a sheet of notebook paper with one sentence written on it. “That ass is mine.”   With
Maris Black (Kage (Kage Trilogy, #1))
And then his arms came around her, like a favorite Wubbie Blanket enveloping her and giving her the peace she so craved. She wanted to cry everything out. If she could release everything, then it would be easier. But those tears didn’t come, the emotions she needed to feel for her husband stayed barred behind the terrible defenses she’d erected against the hurt the world constantly gave her. Still, his arms around her gave a comfort she craved. He
Liz Talley (The Wedding War)
In Japanese culture there is an art of fixing broken pottery with gold or silver lacquer. The lacquer highlights the pottery’s flaw as a celebrated part of its history. Because the piece has been salvaged and repaired, pulled back from the edge of destruction, it is considered even more beautiful for having been broken. We’d been broken. And then we’d been pieced back together. The turmoil had been meaningful because now there was gold where the cracks used to be.
Kim Dinan (The Yellow Envelope: One Gift, Three Rules, and A Life-Changing Journey Around the World)
People like Mrs. Lee were used to only one kind of Chinese wedding banquet—the kind that took place in the grand ballroom of a five-star hotel. There would be the gorging on salted peanuts during the interminable wait for the fourteen-course dinner to begin, the melting ice sculptures, the outlandish floral centerpieces, the society matron invariably offended by the faraway table she had been placed at, the entrance of the bride, the malfunctioning smoke machine, the entrance of the bride again and again in five different gowns throughout the night, the crying child choking on a fish ball, the three dozen speeches by politicians, token ang mor executives and assorted high-ranking officials of no relation to the wedding couple, the cutting of the twelve-tier cake, someone’s mistress making a scene, the not so subtle counting of wedding cash envelopes by some cousin,* the ghastly Canto pop star flown in from Hong Kong to scream some pop song (a chance for the older crowd to take an extended toilet break), the distribution of tiny wedding fruitcakes with white icing in paper boxes to all the departing guests, and then Yum seng!†—the whole affair would be over and everyone would make the mad dash to the hotel lobby to wait half an hour for their car and driver to make it through the traffic jam.
Kevin Kwan (Crazy Rich Asians (Crazy Rich Asians, #1))
Apart from when I was working. He inhaled me. Drank me. Enveloped me. He was wildly sensual. He made me melt in his mouth like a caramel, like icing sugar. I was on a perpetual high. When I think of that period of my life, I’m at a fun fair. He always knew where to place his hands, his mouth, his kisses. He never got lost. He had a roadmap of my body, routes that he knew by heart and I didn’t even know existed. When we’d finished making love, our legs and our lips trembled in unison. We inhabited each other’s burning desire. Philippe Toussaint always said, “Violette, bloody hell, bloody fucking hell, Violette, I’ve never known anything like it! You’re a sorceress, I’m sure you’re a sorceress!” I think he was already cheating on me that first year. I think
Valérie Perrin (Fresh Water for Flowers)
Mother charged about five hundred dollars for a delivery, and this was another way midwifing changed her: suddenly she had money. Dad didn’t believe that women should work, but I suppose he thought it was all right for Mother to be paid for midwifing, because it undermined the Government. Also, we needed the money. Dad worked harder than any man I knew, but scrapping and building barns and hay sheds didn’t bring in much, and it helped that Mother could buy groceries with the envelopes of small bills she kept in her purse. Sometimes, if we’d spent the whole day flying about the valley, delivering herbs and doing prenatal exams, Mother would use that money to take me and Audrey out to eat. Grandma-over-in-town had given me a journal, pink with a caramel-colored teddy bear on the cover, and in it I recorded the first time Mother took us to a restaurant, which I described as “real fancy with menus and everything.” According to the entry, my meal came to $3.30.
Tara Westover (Educated)
Punctuation! We knew it was holy. Every sentence we cherished was sturdy and Biblical in its form, carved somehow by hand-dragged implement or slapped onto sheets by an inky key. For sentences were sculptural, were we the only ones who understood? Sentences were bodies, too, as horny as the flesh-envelopes we wore around the house all day. Erotically enjambed in our loft bed, Clea patrolled my utterances for subject, verb, predicate, as a chef in a five-star kitchen would minister a recipe, insuring that a soufflé or sourdough would rise. A good brave sentence (“I can hardly bear your heel at my nape without roaring”) might jolly Clea to instant climax. We’d rise from the bed giggling, clutching for glasses of cold water that sat in pools of their own sweat on bedside tables. The sentences had liberated our higher orgasms, nothing to sneeze at. Similarly, we were also sure that sentences of the right quality could end this hideous endless war, if only certain standards were adopted at the higher levels. They never would be. All the media trumpeted the Administration’s lousy grammar.
Jonathan Lethem
and the two of you started dating… he proposed on New Year’s Eve and you married in April of the following year.’ I nod, twisting the wedding ring on my finger. ‘And, just to confirm, you had no suspicion that he was anyone other than Dominic Stephen Gill?’ I think back to the little anomalies. The tiny signs that I was only too happy to ignore. ‘No, not at all,’ I say. ‘I’d be more than happy to take a lie detector test to that effect.’ For Christ sake, why did you say that? I ask myself. What do you think this is, an episode of Law and Order? DS Sutherland’s sorrowful expression returns, as he closes the cover of the file. ‘That won’t be necessary, Ms Palmer.’ April arrives, with its cloud of blossom and canopy of acid-bright greenery. I sign the documents selling my interest in Comida Catering Ltd and bank a substantial sum of money. I attend my first antenatal ultrasound appointment as Alice Palmer, having first removed the rings from my left hand and shoved them into the back of a drawer. And I receive a Metropolitan Police compliment slip, with three handwritten words Please See Attached. The attached is a formal document, a ‘Recorded Crime Outcome’, confirming that there would be sufficient evidence to charge the individual using the alias Ben MacAlister with the murder of Dominic Stephen Gill, if said individual were still alive. A check of the envelope reveals nothing more. I take out my phone and
Alison James (The Man She Married)
Of course, no china--however intricate and inviting--was as seductive as my fiancé, my future husband, who continued to eat me alive with one glance from his icy-blue eyes. Who greeted me not at the door of his house when I arrived almost every night of the week, but at my car. Who welcomed me not with a pat on the arm or even a hug but with an all-enveloping, all-encompassing embrace. Whose good-night kisses began the moment I arrived, not hours later when it was time to go home. We were already playing house, what with my almost daily trips to the ranch and our five o’clock suppers and our lazy movie nights on his thirty-year-old leather couch, the same one his parents had bought when they were a newly married couple. We’d already watched enough movies together to last a lifetime. Giant with James Dean, The Good, the Bad, and the Ugly, Reservoir Dogs, Guess Who’s Coming to Dinner, The Graduate, All Quiet on the Western Front, and, more than a handful of times, Gone With the Wind. I was continually surprised by the assortment of movies Marlboro Man loved to watch--his taste was surprisingly eclectic--and I loved discovering more and more about him through the VHS collection in his living room. He actually owned The Philadelphia Story. With Marlboro Man, surprises lurked around every corner. We were already a married couple--well, except for the whole “sleepover thing” and the fact that we hadn’t actually gotten hitched yet. We stayed in, like any married couple over the age of sixty, and continued to get to know everything about each other completely outside the realm of parties, dates, and gatherings. All of that was way too far away, anyway--a minimum hour-and-a-half drive to the nearest big city--and besides that, Marlboro Man was a fish out of water in a busy, crowded bar. As for me, I’d been there, done that--a thousand and one times. Going out and panting the town red was unnecessary and completely out of context for the kind of life we’d be building together. This was what we brought each other, I realized. He showed me a slower pace, and permission to be comfortable in the absence of exciting plans on the horizon. I gave him, I realized, something different. Different from the girls he’d dated before--girls who actually knew a thing or two about country life. Different from his mom, who’d also grown up on a ranch. Different from all of his female cousins, who knew how to saddle and ride and who were born with their boots on. As the youngest son in a family of three boys, maybe he looked forward to experiencing life with someone who’d see the country with fresh eyes. Someone who’d appreciate how miraculously countercultural, how strange and set apart it all really is. Someone who couldn’t ride to save her life. Who didn’t know north from south, or east from west. If that defined his criteria for a life partner, I was definitely the woman for the job.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
I took a shower after dinner and changed into comfortable Christmas Eve pajamas, ready to settle in for a couple of movies on the couch. I remembered all the Christmas Eves throughout my life--the dinners and wrapping presents and midnight mass at my Episcopal church. It all seemed so very long ago. Walking into the living room, I noticed a stack of beautifully wrapped rectangular boxes next to the tiny evergreen tree, which glowed with little white lights. Boxes that hadn’t been there minutes before. “What…,” I said. We’d promised we wouldn’t get each other any gifts that year. “What?” I demanded. Marlboro Man smiled, taking pleasure in the surprise. “You’re in trouble,” I said, glaring at him as I sat down on the beige Berber carpet next to the tree. “I didn’t get you anything…you told me not to.” “I know,” he said, sitting down next to me. “But I don’t really want anything…except a backhoe.” I cracked up. I didn’t even know what a backhoe was. I ran my hand over the box on the top of the stack. It was wrapped in brown paper and twine--so unadorned, so simple, I imagined that Marlboro Man could have wrapped it himself. Untying the twine, I opened the first package. Inside was a pair of boot-cut jeans. The wide navy elastic waistband was a dead giveaway: they were made especially for pregnancy. “Oh my,” I said, removing the jeans from the box and laying them out on the floor in front of me. “I love them.” “I didn’t want you to have to rig your jeans for the next few months,” Marlboro Man said. I opened the second box, and then the third. By the seventh box, I was the proud owner of a complete maternity wardrobe, which Marlboro Man and his mother had secretly assembled together over the previous couple of weeks. There were maternity jeans and leggings, maternity T-shirts and darling jackets. Maternity pajamas. Maternity sweats. I caressed each garment, smiling as I imagined the time it must have taken for them to put the whole collection together. “Thank you…,” I began. My nose stung as tears formed in my eyes. I couldn’t imagine a more perfect gift. Marlboro Man reached for my hand and pulled me over toward him. Our arms enveloped each other as they had on his porch the first time he’d professed his love for me. In the grand scheme of things, so little time had passed since that first night under the stars. But so much had changed. My parents. My belly. My wardrobe. Nothing about my life on this Christmas Eve resembled my life on that night, when I was still blissfully unaware of the brewing thunderstorm in my childhood home and was packing for Chicago…nothing except Marlboro Man, who was the only thing, amidst all the conflict and upheaval, that made any sense to me anymore. “Are you crying?” he asked. “No,” I said, my lip quivering. “Yep, you’re crying,” he said, laughing. It was something he’d gotten used to. “I’m not crying,” I said, snorting and wiping snot from my nose. “I’m not.” We didn’t watch movies that night. Instead, he picked me up and carried me to our cozy bedroom, where my tears--a mixture of happiness, melancholy, and holiday nostalgia--would disappear completely.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
"Derek?" I called. No answer. I took a few more steps, then called a little louder, "Derek? Are you out here?" A branch snapped in the woods. I pictured Derek, in the middle of a Change, unable to respond, and hurried toward the forest's edge. The noise stopped and I paused at the end of the path leading in, peering into the dark woods, listening. Another snap. Something like a groan. "Derek? It's me." I stepped in. It took only a few paces for the morning light to fade and darkness to envelop me. "Derek?" I jumped as he rounded a corner down the path. I didn't need full daylight to see the expression on his face at all to know I was in trouble, just the set of his shoulders and he long strides as he bore down on me. "I—" I began. "What the hell are you doing, Chloe? I said we'd come out here later and try to contact that ghost. Key word? We. If you're here—" I lifted my hands. "Okay, you caught me. I was sneaking out on my own, hoping no one would notice. That's why I've been calling your name."
Kelley Armstrong (The Reckoning (Darkest Powers, #3))
Yamuna: Toward the end of the ceremony, Swamiji, smiling broadly, picked up a small bongo drum and said, “Now we will have kirtan.” His chanting started off slowly, and he appeared fully absorbed in it. His voice was vibrant and clear, the melody simple, the cadence strong and steady. I was relieved because this part seemed easy enough—quite unlike the Sanskrit recited throughout the wedding ceremony. After a couple of repetitions of Hare Krishna, Hare Krishna, Krishna Krishna, Hare Hare, Hare Rama, Hare Rama, Rama Rama, Hare Hare, Swamiji nodded his head and other voices joined in. Over and over they repeated the three-worded mantra. When Swamiji closed his eyes, I noted that many others did so as well. I speculated that this fostered a trance-like state, but I still kept my eyes wide open so as not to miss anything. I did not chant, fearing that if I were to add my voice to the mix, it might disturb its cohesiveness, its balance. In this way, I observed and listened to the chanting for a good five minutes or so. Chanting the mantra seemed different from any group singing I had ever experienced. The first thing that struck me was its simplicity: a simple melody, an easy rhythm, and only three words. When I too closed my eyes and joined the others, it was as though I had been chanting this simple song to God forever. I soon found myself soothed and relieved of all my anxieties, though I could not understand how or why this was happening. I just surrendered to the sound and let it envelop my senses, allowing myself to trust, to call out—to open my heart to its promise.
Dinatarini Devi (Yamuna Devi: A Life of Unalloyed Devotion: Part 1:Preparing an Offering of Love)
We'd created meaning where there was none, but, I don't know, isn't that art? Or at least I think is the kind of art that I like, where the obsession of one person envelops other people, transforms them.
Kevin Wilson
We are gathered here today in the sight of God—oh shit, that part doesn’t really apply.” He consults his envelope again, then asks the crowd. “Does anyone have a pencil?” Again, he catches Felicity’s eye, and she gives him a gesture that clearly says move on. “Right. So. Not God. Sort of God—I don’t think he’d have anything against this, to be honest. But we’re here.” He looks up again from his notes, and seems to see Monty and Percy for the first time. His shoulders relax, and his face breaks into a smile so big his eyes crinkle, like there are no two people on earth he loves more. “To join these two in matrimony. And we don’t give a damn if it’s holy or not.” “Please don’t be crass at my wedding,” Monty says. His dark hair is studded with splashes of color from the wildflower garland. A single stem of yarrow has come free and is dangling down over his ear. “In lieu of scripture,” George says, as though he wasn’t interrupted, “Monty has requested I read an erotic poem.” The assembly laughs and Monty goes fantastically red. He glares at George, mouth puckered mostly to keep himself from smiling. Percy has to turn away to conceal his laughter.
Mackenzi Lee (The Nobleman's Guide to Scandal and Shipwrecks (Montague Siblings, #3))
It was one of those broadcasts where we didn't really need to say much. The pictures were gripping, none more so than the two young princes, William and Harry, walking behind their mother's horse-drawn funeral cortege. Atop her coffin, in plain view of the cameras, was an envelope - Alison read out what it said, simply, "Mummy". For everyone watching, in person or at home, it was a moment of high emotion. As for me, so was our location in front of Buckingham Palace. It was, almost to the very spot, where I had stood sixteen years before, watching along with the world as she passed by on the way to her wedding. Now there I was, watching her casket pass by on the way to her funeral.
Peter Mansbridge (Off the Record)
Even if the amount of time that each process took was exactly the same, the small batch production approach still would be superior, and for even more counterintuitive reasons. For example, imagine that the letters didn’t fit in the envelopes. With the large-batch approach, we wouldn’t find that out until nearly the end. With small batches, we’d know almost immediately.
Eric Ries (The Lean Startup: How Today's Entrepreneurs Use Continuous Innovation to Create Radically Successful Businesses)
Kim Dokja x Hansooyoung PART 1 [I shall kill you, Yoo Joonghyuk.] ~ Kim Dokja pg 4110 46. ⸢(Looks like you still don't know how it works. The heroine loses her consciousness, her hand falling away. And the male hero awakens! You see, in all the movies I've seen so far…) pg 4112 47. These idiots, I even died so that you two could talk to each other, but this…' She figured that she really needed to give these two men a harsh earful when she arrived there. But, when she pushed past the bushes and stepped forward, the ensuing spectacle freaked her out in a rather grand manner. Kwa-aaang!! Bang!!! Yoo Joonghyuk was mercilessly slamming his sword down on Kim Dokja, currently sprawled out on the ground. "Hey!! You crazy son of a bitch!!" pg 4125 48. There were plenty of things she wanted to ask, but she chose not to. Instead, she poked Kim Dokja's cheek and spoke up. "Still, this guy looks like he got completely fooled, doesn't he." "Looks that way." "How did it go?" "He went crazy and attacked me." Han Sooyoung smirked and lightly pinched Kim Dokja's cheek as if she was proud of him. pg 4127 49. the events of her dying at Yoo Joonghyuk's sword, me fighting against him, and then, passing out from his attack, and finally, sharing a conversation with Yoo Sangah inside the Library… Han Sooyoung approached the bed before I noticed it and pinched my cheek. "In any case, Kim Dokja. You can be really adorable sometimes." pg 4144 50. The moment Han Sooyoung's fist bumped into mine, she was completely enveloped in bright light. As I watched her figure disappear, I became aware once more that she had become my companion for real. pg 4165 51. ⸢And…⸥ My heart began powerfully pounding away. ⸢The woman that I used to love.⸥ pg 4189 52. Her emotionless eyes; the beauty spot just below one of them; and her lips that always mocked me for fun, now arching up in a smooth line. "Proceed with the execution pg 4191 53. "But, should you be doing something like that? She's originally your bride, isn't she?" "Correction. She was supposed to be one. The throne was usurped on the first day of the wedding, however." Oh, I see. So, it's that sort of development? I felt just a bit relieved now. Han Sooyoung and Yoo Joonghyuk as a couple? hadn't allowed any dating at the workplace yet, so hell no. pg 4202 54. ⸢By the time you're reading this book, I…⸥ I steeled my heart and read the next line of the text. ⸢…I'd still be living a pretty good life, I guess. Hahah, were you scared?⸥ This idiot… pg 4212 55. The following words were eerily similar to a certain body of text that I was familiar with. ⸢The you reading this story will definitely make it out of here alive.⸥ Han Sooyoung's afterwords came to an end there. For the longest time, I couldn't tear my eyes away from the full-stop at the end of the sentencepg4216 56. "Looks like the company's internal rules need to be changed somewhat…" pg 4234 57. She spoke in a fed-up tone of voice. And then, issued an order to me. "Marry me, Ricardo Von Kaizenix." pg 4244 58. "I didn't want to extend her 50 years by even one minute if I could help it." I was being serious here. The moment I arrived in this world and realized that Han Sooyoung had to spend 50 years here, I just couldn't escape from this one overwhelming emotion. Someone was sacrificed again because of me. Han Sooyoung who had to endure the time frame of 50 years – could she still maintain a normal, functioning mind? Was she able to maintain the ego of the Han Sooyoung that I know of?pg4254 59. Her palm smacked me in the back of the head again. God damn it, this punk… "The third method, 'Romance'." "And its contents are?" "Marry Yuri di Aristel." "And just what did you choose?" "The third method?" "And are we currently married?" "Nope." "And why the hell not?!" pg 4256
shing shong (OMNISCIENT READER'S VIEWPOINT (light novel vol2))
When my brother and I were growing up, my father would encourage us to fail. We'd sit around the dinner table and he'd ask, "What did you guys fail at this week?" If we had nothing to tell him, he'd be disappointed. The logic seems counterintuitive, but it worked beautifully. He knew that many people become paralyzed by the fear of failure. They're constantly afraid of what others will think if they don't do a great job and, as a result, take no risks. My father wanted us to try everything and feel free to push the envelope. His attitude taught me to define failure as not trying something I want to do instead of not achieving the right outcome.
Gillian Zoe Segal (Getting There: A Book of Mentors)
By age thirty, I was living a life that most people only dream of living. But it’s a strange phenomenon. When you’re caught in the whirlwind, it begins to feel commonplace. Suddenly, you begin to forget all the years of walking through the kitchen to play the wedding. You forget the people throwing quarters at you on some makeshift stage. It all becomes a distant memory. You feel elevated. People treat you differently. Now that you can afford things, you seem to get a lot of things for free. The guitar strings that I used to buy—free. The guitar itself—free. Clothes, sneakers, tennis rackets—you name it, we were being offered it. Now that we had a best-selling album and were a household name, everyone wanted us to use their brand of whatever. It was crazy. The money wasn’t bad either after all those years of eating every other day and sleeping four to a room. I remember when we got our first big royalty check. The business manager that we had used for years called John and I and said, “Come see me, I have a check for you both.” When John and I went to see him, he handed us both an envelope. I opened mine first and looked inside. When I saw the amount, I said, “Oh, this can’t be for us.” I asked, John, “How much is yours?” He said, “Two hundred and fifty thousand dollars. How much is yours?” I said, “Two hundred and fifty thousand.” All we could do was laugh. This was crazy money to us. When we started out I remember thinking, if I could make $50,000 at this I’ll be happy. Now, it looked like we were going to make a little bit more. I didn’t spend elaborately when we started making money. But I did have my little splurges. For instance, I bought a Jaguar. I remember the Jaguar salesman warning me, “Now are you sure you want to buy this car? I don’t want you spending all your money.” Eventually,
Chuck Panozzo (The Grand Illusion: Love, Lies, and My Life with Styx: The Personal Journey of "Styx" Rocker Chuck Panozzo)
Leaning back until I was lying on the bed, I rolled us over and hovered over her body. She dragged her hands through my hair and giggled when I bent low and kissed her stomach over and over. “What does it feel like?” “Nothing,” she said on a laugh as her fingertips continued to trail across my head. “You haven’t really been sick, have you? I remember that day last week, but I can’t think of anything else.” I felt shitty for not noticing, if she had been. I should have picked up on this, shouldn’t I? “Not really. There’s been times here and there, but from the horror stories I’ve heard, I don’t have it bad at all.” I nodded and kissed her stomach again before reaching over to the nightstand. Grabbing the ultrasound picture, I laid it down on the bottom of her stomach and hopped off the bed, looking for my pants. After I found them, and took my phone out of the pocket, I walked back over to Rachel and opened up the camera app. “What are you doing?” “Letting everyone know about my present.” That soft smile was back, before her eyes went wide in horror. “No! I’m in my bra and underwear!” “Calm down, Sour Patch. I’m not about to let anyone see the rest of you. You’re mine, not theirs.” All that you could see in the picture was her torso and the ultrasound picture. As soon as she gave me the okay, I set up a text to go to Mason, Candice, Maddie, Eli, and all our parents. Above the picture I typed out: MY WEDDING PRESENT, and underneath, I did a twist on Rachel’s words from the envelope: BABY RYAN 1 AND BABY RYAN 2 WILL BE HERE IN MARCH. Once
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
we’d see some tattooed fellow with a cigar in his teeth, and with what the Sunday school crowd called a “floozy” on his arm; watch the couple straddle a big Harley-Davidson and go roaring out of the red clay parking lot, enveloped in an oxygen of freedom about whose perils and rewards we could scarcely guess. At those moments, all I wanted was to quickly become old enough to drink beer, dance, get tattooed, smoke cigars, ride motorcycles, and have a floozy of my own on my arm.
Tom Robbins (Tibetan Peach Pie: A True Account of an Imaginative Life)
After a few more minutes, Josh guzzled back the rest of his beer. “Gotta head out. Elizabeth is making me go to a cake-tasting party tonight. Since when did everything about weddings turn into a damn event? I’ve had to go to a food tasting, a band showcase, and a floral-presentation party. Vegas is sounding better and better.” “Just wait.” Chase stood. “Anna had a bridal shower, a pregnancy-announcement party, and a gender-reveal party. You’re just getting started, buddy.” “What the hell is a gender-reveal party?” The parents-to-be give a sealed envelope that contains the sex of the baby to a bakery, and the baker puts pink frosting inside the cupcakes if it’s a girl and blue if it’s a boy. Then they have a party, and everyone finds out at the same time, including the parents-to-be. Pure. Fucking. Torture. Whatever happened to the kid popping out and the doctor giving it a smack and yelling it’s a boy over the thing crying?
Vi Keeland (Bossman)
removing her wedding ring and setting it down on a dresser. Looking around a house as if she’ll never see it again. Licking the edge of an envelope before sealing the letter inside. Setting the envelope next to the abandoned wedding ring. And then: Harper driving away from the house, belongings in boxes in her car. Looking back in the mirror and not feeling deflated, or sad, but liberated. Leaving, walking away from hard situations comes easily. It’s a comfort to her, not being rooted in any one spot. Ida
Tony Healey (Hope's Peak (Harper and Lane, #1))
Maybe Sloan would agree to a deal. I’d talk to someone about some of my issues if she would agree to go to grief counseling. It wasn’t me giving in to Josh like she wanted, but Sloan knew how much I hated therapists, and she’d always wanted me to see someone. I was debating how to pitch this to her when I glanced into the living room and saw it—a single purple carnation on my coffee table. I looked around the kitchen like I might suddenly find someone in my house. But Stuntman was calm, plopped under my chair. I went in to investigate and saw that the flower sat on top of a binder with the words “just say okay” written on the outside in Josh’s writing. He’d been here? My heart began to pound. I looked again around the living room like I might see him, but it was just the binder. I sat on the sofa, my hands on my knees, staring at the binder for what felt like ages before I drew the courage to pull the book into my lap. I tucked my hair behind my ear and licked my lips, took a breath, and opened it up. The front page read “SoCal Fertility Specialists.” My breath stilled in my lungs. What? He’d had a consultation with Dr. Mason Montgomery from SoCal Fertility. A certified subspecialist in reproductive endocrinology and infertility with the American Board of Obstetrics and Gynecology. He’d talked to them about in vitro and surrogacy, and he’d had fertility testing done. I put a shaky hand to my mouth, and tears began to blur my eyes. I pored over his test results. Josh was a breeding machine. Strong swimmers and an impressive sperm count. He’d circled this and put a winking smiley face next to it and I snorted. He’d outlined the clinic’s high success rates—higher than the national average—and he had gotten signed personal testimonials from previous patients, women like me who used a surrogate. Letter after letter of encouragement, addressed to me. The next page was a complete breakdown on the cost of in vitro and information on Josh’s health insurance and what it covered. His insurance was good. It covered the first round of IVF at 100 percent. He even had a small business plan. He proposed selling doghouses that he would build. The extra income would raise enough money for the second round of in vitro in about three months. The next section was filled with printouts from the Department of International Adoptions. Notes scrawled in Josh’s handwriting said Brazil just opened up. He broke down the process, timeline, and costs right down to travel expenses and court fees. I flipped past a sleeve full of brochures to a page on getting licensed for foster care. He’d already gone through the background check, and he enclosed a form for me, along with a series of available dates for foster care orientation classes and in-home inspections. Was this what he’d been doing? This must have taken him weeks. My chin quivered. Somehow, seeing it all down on paper, knowing we’d be in it together, it didn’t feel so hopeless. It felt like something that we could do. Something that might actually work. Something possible. The last page had an envelope taped to it. I pried it open with trembling hands, my throat getting tight. I know what the journey will look like, Kristen. I’m ready to take this on. I love you and I can’t wait to tell you the best part…Just say okay. I dropped the letter and put my face into my hands and sobbed like I’d never sobbed in my life. He’d done all this for me. Josh looked infertility dead in the eye, and his choice was still me. He never gave up. All this time, no matter how hard I rejected him or how difficult I made it, he never walked away from me. He just changed strategies. And I knew if this one didn’t work he’d try another. And another. And another. He’d never stop trying until I gave in. And Sloan—she knew. She knew this was here, waiting for me. That’s why she’d made me leave. They’d conspired to do this.
Abby Jimenez
On our way to the Rock or one or another of our various woodland hideouts, my buddies and I frequently passed The Bark, and we tended to pause there for long minutes and stare at the place, as if it were an evil castle where a great treasure was stored. Once in a while we’d see gentlemen emerge (after, we knew, a bout of drinking and dancing inside); we’d see some tattooed fellow with a cigar in his teeth, and with what the Sunday school crowd called a “floozy” on his arm; watch the couple straddle a big Harley-Davidson and go roaring out of the red clay parking lot, enveloped in an oxygen of freedom about whose perils and rewards we could scarcely guess. At those moments, all I wanted was to quickly become old enough to drink beer, dance, get tattooed, smoke cigars, ride motorcycles, and have a floozy of my own on my arm.
Tom Robbins (Tibetan Peach Pie: A True Account of an Imaginative Life)