Examine Me Quotes

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My name is Herondale," the boy said cheerfully. "William Herondale, but everyone calls me Will. Is this really your room? Not very nice, is it?" He wandered toward the window, pausing to examine the stacks of books on her bedside table, and then the bed itself. He waved a hand at the ropes. "Do you often sleep tied to the bed?
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
When I examine myself and my methods of thought, I come to the conclusion that the gift of fantasy has meant more to me than any talent for abstract, positive thinking.
Albert Einstein
My silences had not protected me. Your silence will not protect you. But for every real word spoken, for every attempt I had ever made to speak those truths for which I am still seeking, I had made contact with other women while we examined the words to fit a world in which we all believed, bridging our differences.
Audre Lorde (The Cancer Journals)
When I am lonely for boys it’s their bodies I miss. I study their hands lifting the cigarettes in the darkness of the movie theaters, the slope of a shoulder, the angle of a hip. Looking at them sideways, I examine them in different lights. My love for them is visual: that is the part of them I would like to possess. Don’t move, I think. Stay like that, let me have that.
Margaret Atwood (Cat’s Eye)
Day 24. Situation is growing worse. My captors continue to find new and horrific ways to torture me. When not working, Agent Scarlet spends her days examining fabric swatches for bridesmaid dresses and going on about how in love she is. This usually causes Agent Boring Borscht to regale us with stories of Russian weddings that are even more boring than his usual ones. My attempts at escape have been thwarted thus far. Also, I am out of cigarettes. Any assistance or tobacco products you can send will be greatly appreciated. -Prisoner 24601
Richelle Mead (The Golden Lily (Bloodlines, #2))
Let me guess,” Thorne said. “Breaking and entering?” After a long silence of examining the retracting mechanism, the girl wrinkled her nose. “Two counts of treason, if you must know. And resisting arrest, and unlawful use of bioelectricity. Oh, and illegal immigration, but honestly, I think that's a little excessive.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
I examined the poets, and I look on them as people whose talent overawes both themselves and others, people who present themselves as wise men and are taken as such, when they are nothing of the sort. From poets, I moved to artists. No one was more ignorant about the arts than I; no one was more convinced that artists possessed really beautiful secrets. However, I noticed that their condition was no better than that of the poets and that both of them have the same misconceptions. Because the most skillful among them excel in their specialty, they look upon themselves as the wisest of men. In my eyes, this presumption completely tarnished their knowledge. As a result, putting myself in the place of the oracle and asking myself what I would prefer to be — what I was or what they were, to know what they have learned or to know that I know nothing — I replied to myself and to the god: I wish to remain who I am. We do not know — neither the sophists, nor the orators, nor the artists, nor I— what the True, the Good, and the Beautiful are. But there is this difference between us: although these people know nothing, they all believe they know something; whereas, I, if I know nothing, at least have no doubts about it. As a result, all this superiority in wisdom which the oracle has attributed to me reduces itself to the single point that I am strongly convinced that I am ignorant of what I do not know.
Socrates
Peeta rinses the pearl off in the water and hands it to me. “For you.” I hold it out on my palm and examine its iridescent surface in the sunlight. Yes, I will keep it. For the few remaining hours of my life I will keep it close. This last gift from Peeta. The only one I can really accept. Perhaps it will give me strength in the final moments.
Suzanne Collins (Catching Fire (The Hunger Games, #2))
Do you remember infinity?” Slowly, I turned around. “What about it?” Tossing something toward me, he said, “Catch.” I reached out and caught it in the air. A silver necklace. I held it up and examined it. The infinity necklace. It didn’t shine the way it used to; it looked a bit coppery now. But I recognized it. Of course I recognized it. “What is this?” I asked. “You know what it is,” he said. I shrugged. “Nope, sorry.” I could see that he was both hurt and angry. “Okay, then. You don’t remember it. I’ll remind you. I bought you that necklace for your birthday.” My birthday. It had to have been for my sixteenth birthday. It was the only year he ever forgot to buy me a birthday present—the last summer we’d all been together at the beach house, when Susannah was still alive.
Jenny Han (We'll Always Have Summer (Summer #3))
You certainly do heal fast. But you'll still have some impressive bruises, so if I were you I'd avoid your father for the rest of the night." "I'll just tell him you abuse me," Helen said with a shrug. She jumped off the examining table. "And I'll tell him you like it," he teased back.
Josephine Angelini (Starcrossed (Starcrossed, #1))
As I examine my life through this book, I can't help but wonder if my mother was right. Maybe I really was what I ate. And maybe if she'd let me eat a little more sugar, I'd have come out sweeter.
Jen Lancaster (Pretty in Plaid)
Matthias examined the posters. "One hundred thousand kruge!" He shot a disbelieving glower at Kaz. "You're hardly worth that." The hint of a smile tugged at Kaz's lips. "As the market wills it." "Tell me about it," said Jesper. "They're only offering thirty thousand for me." "Your lives are at stake," said Wylan. "How can you act like this is a competition?" "We're stuck in a tomb, merchling. You take the action where you find it.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
He carried a pipe in his left hand, and as he examined Will at his leisure, he exhaled sending a cloud of sweet-smelling, cough-induced smoke. 'Finally broke down and admitted you're in love with me, have you?'He inquired of Will. 'I do enjoy these suprise midnight declarations.' He leaned against the doorway and waved a languid ringed hand. "Go along, have at it.
Cassandra Clare
You have to predict and examine and understand every argument the other side is going to throw at you. It's not about being the one who's right. It's about showing them why they're wrong.
Cherrie Lynn (Rock Me (Ross Siblings, #2))
Screw up my life?" He stared at me for a second and then said, deadpan, "I'm a five-foot-three, thirty-seven-year-old, single, Jewish medical examiner who needs to pick up his lederhosen from the dry cleaners so that he can play in a one-man polka band at Oktoberfest tomorrow." He pushed up his glasses with his forefinger, folded his arms, and said, "Do your worst.
Jim Butcher (Dead Beat (The Dresden Files, #7))
She gave him a brief, mysterious smile. “You were watching me. I felt you before I saw you.” So? This is a crime? he thought, determined not to retreat. Did you study cultural physiology? The eyes of Italian males are hardwired from birth to examine, observe, even caress, if you will, the female form. Any form. Some we glance at. Some we don’t really see, like our mothers and sisters. Some we ignore, and some we store as reference for the future. Got it?
Vincent Panettiere (Shared Sorrows)
Because all seven-year-olds deserve superheroes. And anyone who doesn’t agree needs their head examined.
Fredrik Backman (My Grandmother Asked Me to Tell You She's Sorry)
If you want your children to be intelligent, read them fairy tales. If you want them to be more intelligent, read them more fairy tales.When I examine myself and my methods of thought, I come to the conclusion that the gift of fantasy has meant more to me than any talent for abstract, positive thinking
Albert Einstein
In researching this volume, I interviewed veterans who had been at the front during World War II. I read countless books, examined film footage, and listened to many detailed and intense stories firsthand, but the one comment that affected me the most came from a former soldier who lowered his gaze to the tabletop and said, ‘I never watch war movies.
Hiromu Arakawa (Fullmetal Alchemist Complete Box Set)
I will call no being good who is not what I mean when I apply that epithet to my fellow creatures; and if such a creature can sentence me to hell for not so calling him, to hell I will go .
John Stuart Mill (An examination of Sir William Hamilton's philosophy, and of the principal philosophical questions discussed in his writings)
One had to cram all this stuff into one's mind for the examinations, whether one liked it or not. This coercion had such a deterring effect on me that, after I had passed the final examination, I found the consideration of any scientific problems distasteful to me for an entire year.
Albert Einstein
You examine me, Miss Eyre", said he. "Do you think me handsome?" I should have deliberated, have replied to this question by something conventionally vague and polite; but the answer somehow slipped from my tongue before I was aware: "No, sir.
Charlotte Brontë (Jane Eyre)
Poirot said placidly, “One does not, you know, employ merely the muscles. I do not need to bend and measure the footprints and pick up the cigarette ends and examine the bent blades of grass. It is enough for me to sit back in my chair and think. It is this – ” he tapped his egg-shaped head – “this, that functions!
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
The fates have informed me that your examination in June will concern the Orb, and I am anxious to give you sufficient practice. Hermione snorted. "Well honestly... 'the fates have informed her'... Who sets the exam? She does!
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
He stared down at me, and i examined his beautiful eyes up close, something i'd never tire of doing.
Tammara Webber (Easy (Contours of the Heart, #1))
...The next time I opened my eyes, I was in the morgue. This, all by itself, is enough to really ruin your day. I was lying on the examining table, and Butters, complete with his surgical gown and his tray of autopsy instruments, stood over me. 'I'm not dead!' I sputtered. 'I'm not dead!' - Harry Dresden, Death Masks, Jim Butcher
Jim Butcher (Death Masks (The Dresden Files, #5))
Oh, dear me." Nathalie sank back down in the chair and examined her Uggs. "The sarcasm could've started dripping off her and stained the floor. "Is it conspiracy, treachery, murder, or open warfare? I'll have to choose my lipstick accordingly.
Lilith Saintcrow (Defiance (Strange Angels, #4))
I hope when people ask what you're going to do with your English degree and/or creative writing degree you'll say: 'Continue my bookish examination of the contradictions and complexities of human motivation and desire;' or maybe just: 'Carry it with me, as I do everything that matters.' And then smile very serenely until they say, 'Oh.
Cheryl Strayed (Tiny Beautiful Things: Advice on Love and Life from Dear Sugar)
You don't know me, dude," he says, not smiling this time. Gonzo examines his cards, prepping for his next move. "People always think that they know other people, but they don't. Not really. I mean, maybe they know things about them, like they won't eat doughnuts or they like action movies or whatever. But they don't know what their friends do in their rooms alone at night or what happened to them when they were kids or if they feel ****ed up for no reason at all.
Libba Bray (Going Bovine)
I am not nostalgic. Belonging does not interest me. I had once thought that it did. Until I examined the underpinnings. One is mislead when one looks at the sails and majesty of tall ships instead of their cargo.
Dionne Brand (A Map to the Door of No Return)
You don't regret it?" She shakes her head, her smile sad, "No." "Good," I murmur. "Because I've always had a thing for short hair." "Oh, really?" She laughs as I sway us in a circle. "It's true. Among other things, of course." I shrug a shoulder. "Short hair. Ocean-blue eyes. Twenty-eight freckles. And"- I pause, examining her with a tilt of my head-"how tall are you?" She blinks in confusion. "Umm, about five and a half feet?" "Five and a half feet," I continue evenly. "The terrifying ability to kick a man's ass. Stunning smile. Ridiculously stubborn. Hair like molten silver. Quick to threaten me with a dagger." I smile down at her. "Should I go on?
Lauren Roberts (Reckless (The Powerless Trilogy, #2))
How many of us acted and spoke out and fought for beliefs that we held because our environment told us to? As much as I wanted to blame my England, I knew the blame sat with me. I hadn't trained myself to discern. To examine. To seek the source.
Nadine Brandes (Fawkes)
For me, and for many of us, our first waking thought of the day is “I didn’t get enough sleep.” The next one is “I don’t have enough time.” Whether true or not, that thought of not enough occurs to us automatically before we even think to question or examine it. We spend most of the hours and the days of our lives hearing, explaining, complaining, or worrying about what we don’t have enough of. ...Before we even sit up in bed, before our feet touch the floor, we’re already inadequate, already behind, already losing, already lacking something. And by the time we go to bed at night, our minds are racing with a litany of what we didn’t get, or didn’t get done, that day. We go to sleep burdened by those thoughts and wake up to that reverie of lack. ...This internal condition of scarcity, this mind-set of scarcity, lives at the very heart of our jealousies, our greed, our prejudice, and our arguments with life.
Brené Brown (Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead)
She turned to examine Dr. Breed, looking at him with helpless reproach. She hated people who thought too much. At that moment, she struck me as an appropriate representative for almost all mankind.
Kurt Vonnegut Jr. (Cat’s Cradle)
For me, and for many of us, our first waking thought of the day is "I didnt get enough sleep." The next one is "I don't have enough time." Whether true or not, that thought of not enough occurs to us automatically before we even think to question or examine it. We spend most of the hours and the days of our lives hearing, explaining, complaining, or worrying about what we don't have enough of... Before we even sit up in bed, before our feet touch the floor, we're already inadequate, already behind, already losing, already lacking something. And by the time we go to bed at night, our minds are racing with a litany of what we didn't get, or didn't get done, that day. We go to sleep burdened by those thoughts and wake up to that reverie of lack... This internal condition of scarcity, this mind-set of scarcity, lives at the very heart of our jealousies, our greed, our prejudice, and our arguments with life
Lynne Twist (The Soul of Money: Transforming Your Relationship with Money and Life)
What do you need?" I asked, sitting beside him and fumbling through the mishmash in my lap. "How about this?" I examined a container and read the label. "Will belladonna do?" "That's a poison, dear.I'd prefer if you didn't give me that." Even with his ghastly injury,his dry humor survived.
Cayla Kluver (Allegiance (Legacy, #2))
In my terms, I settled for the realities of life, and submitted to its necessities: if this, then that, and so the years passed. In Adrian's terms, I gave up on life, gave up on examining it, took it as it came. And so, for the first time, I began to feel a more general remorse - a feeling somewhere between self-pity and self-hatred - about my whole life. All of it. I had lost the friends of my youth. I had lost the love of my wife. I had abandoned the ambitions I had entertained. I had wanted life not to bother me too much, and had succeeded - and how pitiful that was.
Julian Barnes (The Sense of an Ending)
What really annoys me are the ones who write to say, I am doing your book for my final examinations and could you please tell me what the meaning of it is. I find it just so staggering--that you're supposed to explain the meaning of your book to some total stranger! If I knew what the meanings of my books were, I wouldn't have bothered to write them.
Margaret Drabble
I braced my hands on my hips, examining the drop, the trees, the lake beyond. "What did I do wrong?" Azriel, who had been sharpening Truth-Teller in his lap, flicked his hazel eyes up to me. "Aside from the tree?
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
One day, the old wise Socrates walks down the streets, when all of the sudden a man runs up to him "Socrates I have to tell you something about your friend who..." "Hold up" Socrates interrupts him "About the story you're about to tell me, did you put it trough the three sieves?" "Three sieves?" The man asks "What three sieves?" "Let's try it" Socrates says. "The first sieve is the one of truth, did you examine what you were about to tell me if it is true?" Socrates asks. "Well no, I just overheard it" The man says. "Ah, well then you have used the second sieve, the sieve of good?" Socrates asks "Is it something good what you're about to tell me?" "Ehm no, on the contrary" the man answers. "Hmmm" The wise man says "Let's use the third sieve then, is it necessary to tell me what you're so exited about?" "No not necessary" the man says. "Well" Socrates says with a smile "If the story you're about to tell me isn't true, good or necessary, just forget it and don't bother me with it.
Socrates
I tell you, the old-fashioned doctor who treated all diseases has completely disappeared, now there are only specialists, and they advertise all the time in the newspapers. If your nose hurts, they send you to Paris: there's a European specialist there, he treats noses. You go to Paris, he examines your nose: I can treat only your right nostril, he says, I don't treat left nostrils, it's not my specialty, but after me, go to Vienna, there's a separate specialist there who will finish treating your left nostril.
Fyodor Dostoevsky (The Brothers Karamazov)
Why should we cherish “objectivity”, as if ideas were innocent, as if they don’t serve one interest or another? Surely, we want to be objective if that means telling the truth as we see it, not concealing information that may be embarrassing to our point of view. But we don’t want to be objective if it means pretending that ideas don’t play a part in the social struggles of our time, that we don’t take sides in those struggles. Indeed, it is impossible to be neutral. In a world already moving in certain directions, where wealth and power are already distributed in certain ways, neutrality means accepting the way things are now. It is a world of clashing interests – war against peace, nationalism against internationalism, equality against greed, and democracy against elitism – and it seems to me both impossible and undesirable to be neutral in those conflicts.
Howard Zinn (Declarations of Independence: Cross-Examining American Ideology)
I had never considered myself to be a dishonest person, hating the idea that I was capable of such mendacity and deceit, but the more I examined the architecture of my life, the more I realized how fraudulent were its foundations. The belief that I would spend the rest of my time on earth lying to people weighed heavily on me and at such times I gave serious consideration to taking my own life.
John Boyne (The Heart's Invisible Furies)
I know you've been aching to have your hands on my staff," I said to Ascher, as Nicodemus examined the altar for himself. I held out my hand. "But I'd rather be the one fondling my tool. Wizards are weird like that." "Wow," she said, and flashed me a grin, her face flushed, excited. "You left me nowhere to go with that one. I have nothing to add.
Jim Butcher (Skin Game (The Dresden Files, #15))
Hey!" Lauren Moffat's voice, sounding noticeably irritated, floated up to us. "What-ew! What's in my hair?" We all three ducked beneath our table so Lauren couldn't see us if she realized what was happening and looked up. I could see her between the slits of the fencing around the balcony, but I knew she couldn't see me. She was shaking out her hair. Becca, crouching across from me, had to put her hands across her mouth to keep from giggling. Jason looked like he was about to pee in his pants, he was trying so hard not to laugh. What's the matter, babe?" Mark came out from beneath the balcony, putting his wallet into his back pocket. There's something--sand or something-in my hair," Lauren said, still fluffing out her hair-which you could tell she didn't want to do, since she flat-ironed it so straight. Mark leaned in closer to examine Lauren's hair. "Looks okay to me," he said. Which just made us laugh harder, until tears were streaming out of the corners of our eyes.
Meg Cabot
Let me look at you.” I pull away and put my hands on his cheeks, examining his face. Blue eyes, of course. And how could I forget that mouth? Thin pink lips with one crooked corner always suggesting a mocking smile. My God, how had I never noticed before how handsome he is? “You need a haircut.” He rubs the side of his thumb over my cheekbone. “You’re beautiful.
Cristin Terrill (All Our Yesterdays)
Art has to be a kind of confession. I don’t mean a true confession in the sense of that dreary magazine. The effort it seems to me, is: if you can examine and face your life, you can discover the terms with which you are connected to other lives, and they can discover them, too — the terms with which they are connected to other people. This has happened to every one of us, I’m sure. You read something which you thought only happened to you, and you discovered it happened 100 years ago to Dostoyevsky. This is a very great liberation for the suffering, struggling person, who always thinks that they are alone. This is why art is important. Art would not be important if life were not important, and life is important. Most of us, no matter what we say, are walking in the dark, whistling in the dark. Nobody knows what is going to happen to them from one moment to the next, or how one will bear it. This is irreducible. And it’s true for everybody. Now, it is true that the nature of society is to create, among its citizens, an illusion of safety; but it is also absolutely true that the safety is always necessarily an illusion. Artists are here to disturb the peace. They have to disturb the peace. Otherwise, chaos.
James Baldwin
I don't know how to choose work that illuminates what my life is about. I don't know what my life is about and don't examine it. My life will define itself as I live it. The movies will define themselves as I make them. As long as the theme is something I care about at the moment, it's enough for me to start work. Maybe work itself is what my life is about.
Sidney Lumet (Making Movies)
Bidding the wizard farewell, he turned to his daughter, who held up her finger and said, “Daddy, look — one of the gnomes actually bit me!” “How wonderful! Gnome saliva is enormously beneficial!” said Mr. Lovegood, seizing Luna’s outstretched finger and examining the bleeding puncture marks. “Luna, my love, if you should feel any burgeoning talent today — perhaps an unexpected urge to sing opera or to declaim in Mermish — do not repress it! You may have been gifted by the Gernumblies!” Ron, passing them in the opposite direction, let out a loud snort.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
A mother's body remembers her babies--the folds of soft flesh, the softly furred scalp against her nose. Each child has its own entreaties to body and soul. It's the last one, though, that overtakes you. I can't dare say I loved the others less, but my first three were all babies at once, and motherhood dismayed me entirely. . . . That's how it is with the firstborn, no matter what kind of mother you are--rich, poor, frazzled half to death or sweetly content. A first child is your own best food forward, and how you do cheer those little feet as they strike out. You examine every turn of flesh for precocity, and crow it to the world. But the last one: the baby who trails her scent like a flag of surrender through your life when there will be no more coming after--oh, that's love by a different name. She is the babe you hold in your arms for an hour after she's gone to sleep. If you put her down in the crib, she might wake up changed and fly away. So instead you rock by the window, drinking the light from her skin, breathing her exhaled dreams. Your heart bays to the double crescent moons of closed lashes on her cheeks. She's the one you can't put down.
Barbara Kingsolver (The Poisonwood Bible)
Maybe it's just not the right time for us to be married. I don't want to be a bounty hunter for the rest of my life, but I certainly don't want to be a housewife right now. And I really don't want to be married to someone who gives me ultimatums. And maybe Joe needs to examine what he wants from a wife. He was raised in a traditional Italian household with a stay-at-home mother and domineering father. If he wants a wife who will fit into that mold, I'm not for him. I might be a stay-at-home mother someday, but I'll always be trying to fly off the garage roof. That's just who I am.
Janet Evanovich (Seven Up (Stephanie Plum, #7))
However, one thing that grave illness does is to make you examine familiar principles and seemingly reliable sayings. And there's one that I find I am not saying with quite the same conviction as I once used to: In particular, I have slightly stopped issuing the announcement that "whatever doesn't kill me makes me stronger." In fact, I now sometimes wonder why I ever thought it profound... In the brute physical world, and the one encompassed by medicine, there are all too many things that could kill you, don't kill you, and then leave you considerably weaker.
Christopher Hitchens (Mortality)
I was taken to an examining room where a big butch nurse practitioner came in and asked me if I was pregnant. “No way!” Was I sexually active? “Nope!” Had I ever been molested? “Well,” I said, trying to make a joke, “Oprah says the only answers to that question are ‘Yes’ and ‘I don’t remember.’ ” I laughed. We were having fun. The nurse looked at me, concerned/annoyed.
Tina Fey (Bossypants)
Kid 1: *examining my gorgeous strawberry and blueberry pies*: Wow, Mom, your pies don’t look awful this time. Me (Ilona): ... ~A little later~ Kid 2: *wandering into the kitchen* Kid 1: Hey, you’ve got to see these pies. *opening the stove* Kid 2: Wow. They are not ugly this time. Kid 1: I know, right?
Ilona Andrews
And once upon a time I wondered: Is writing epic fantasy not somehow a betrayal? Did I not somehow do a disservice to my own reality by paying so much attention to the power fantasies of disenchanted white men? But. Epic fantasy is not merely what Tolkien made it. This genre is rooted in the epic — and the truth is that there are plenty of epics out there which feature people like me. Sundiata’s badass mother. Dihya, warrior queen of the Amazighs. The Rain Queens. The Mino Warriors. Hatshepsut’s reign. Everything Harriet Tubman ever did. And more, so much more, just within the African components of my heritage. I haven’t even begun to explore the non-African stuff. So given all these myths, all these examinations of the possible… how can I not imagine more? How can I not envision an epic set somewhere other than medieval England, about someone other than an awkward white boy? How can I not use every building-block of my history and heritage and imagination when I make shit up? And how dare I disrespect that history, profane all my ancestors’ suffering and struggles, by giving up the freedom to imagine that they’ve won for me.
N.K. Jemisin
I’m not much older now than I was then, but in a lot of ways, obviously, I’m a different person. So it is easy for me to recognize that I made some good decisions and some bad ones. But it’s telling that, with this, I knew it was a bad idea even then but I still couldn’t control myself. Knowing something is a bad idea does not always decrease the odds that you will do it. If I had examined my motivations on this one, I probably wouldn’t have liked what I found, so I didn’t.
Hank Green (An Absolutely Remarkable Thing (The Carls, #1))
As I have discovered by examining my past, I started out as a child. Coincidentally, so did my brother. My mother did not put all her eggs in one basket, so to speak: she gave me a younger brother named Russell, who taught me what was meant by "survival of the fittest.
Bill Cosby
Truthfulness, honor, is not something which springs ablaze of itself; it has to be created between people. This is true in political situations. The quality and depth of the politics evolving from a group depends in large part on their understanding of honor. Much of what is narrowly termed "politics" seems to rest on a longing for certainty even at the cost of honesty, for an analysis which, once given, need not be re-examined…It isn't that to have an honorable relationship with you, I have to understand everything, or tell you everything at once, or that I can know, beforehand, everything I need to tell you. It means that most of the time I am eager, longing for the possibility of telling you. That these possibilities may seem frightening, but not destructive to me. That I feel strong enough to hear your tentative and groping words. That we both know we are trying, all the time, to extend the possibilities of truth between us.
Adrienne Rich
We will not quarrel for the greater share of blame annexed to that evening,” said Elizabeth. “The conduct of neither, if strictly examined, will be irreproachable; but since then, we have both, I hope, improved in civility.” I cannot be so easily reconciled to myself. The recollection of what I then said, of my conduct, my manners, my expressions during the whole of it, is now, and has been many months, inexpressibly painful to me. Your reproof, so well applied, I shall never forget: ’had you behaved in a more gentlemanlike manner.’ Those were your words. You know not, you can scarcely conceive, how they have tortured me;–though it was some time, I confess, before I was reasonable enough to allow their justice.
Jane Austen
I choke on a gasp, because oh my God, his penis is right there. And it’s impressive. Beside me, Carin is also quick to examine the goods. “Now that’s what I’m talking about! Well, hello there, Manaconda!” she calls to the model before sweeping her gaze over the other females in attendance. “Ladies, I think Spector deserves a slow clap right now, no?” Now I’m the one fighting laughter, because damned if the ladies don’t all break out in a slow, slow clap that leads to a burst of applause followed by whistles and catcalls.
Elle Kennedy (The Goal (Off-Campus, #4))
Most people prefer to think that their resentment is entirely the fault of the person they resent, and that twisted logic seems to make sense in their minds. But it makes no sense to me at all... But it's a popular point of view. Probably because it's so much easier. It relieves you of the burden of any and all self-examination. (Nathan to Nat)
Catherine Ryan Hyde (When I Found You)
There are times when I long to sweep away half the things I am expected to learn; for the overtaxed mind cannot enjoy the treasure it has secured at the greatest cost. ... When one reads hurriedly and nervously, having in mind written tests and examinations, one's brain becomes encumbered with a lot of bric-a-brac for which there seems to be little use. At the present time my mind is so full of heterogeneous matter that I almost despair of ever being able to put it in order. Whenever I enter the region of my mind I feel like the proverbial bull in the china shop. A thousand odds and ends of knowledge come crashing about my head like hailstones, and when I try to escape them, theme goblins and college nixies of all sorts pursue me, until I wish – oh, may I be forgiven the wicked wish! – that I might smash the idols I came to worship.
Helen Keller (The Story of My Life: With Her Letters (1887 1901) and a Supplementary Account of Her Education Including Passages from the Reports and Letters of Her Teacher Anne Mansfield Sullivan by John Albert Macy)
When my sons told me about what they'd found, I went to the priests of Belar and had them examine the auguries. This is the year to go. The ice up there won't be as thick again for years and years. Then they cast my own auguries, and from what they say, this could be the most fortunate year in my whole life." "Do you actually believe that superstitious nonsense?" I demanded. "Are you so gullible that you think that somebody can foretell the future by fondling a pile of sheep guts?" He looked a little injured. "This was important, Belgarath. I certainly wouldn't trust sheep's entrails for something like this." "I'm glad to hear that." "We used a horse instead. Horse guts never lie.
David Eddings (Belgarath the Sorcerer)
I sucked a huge breath of air into my collapsed lungs. Once I could breathe again, I examined Ren’s back. His white shirt was dirty and torn, and his skin was scratched and bleeding in several places. I took a wet shirt from the bag to clean his scratches, while removing little pieces of gravel embedded in his skin. When I was finished, I grabbed Ren around the waist in a fierce hug. He wrapped his arms around me and pulled me close. I whispered against his chest quietly but firmly, “Thank you. But don’t ever…ever…ever do that again!” He laughed. “If I get results like this, I surely will do it again.” “You will not!” Ren reluctantly let me go, and I began mumbling, complaining about tigers, men, and bugs. He seemed very pleased with himself for surviving a near-death experience. I could practically hear him chanting to himself: I overcame. I conquered. I’m a man, etc, etc. I smirked. men! No matter what century they’re from, they’re all the same.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
The proposition that we can look into another person's heart with perfect clarity strikes me as a fool's game. I don't care how well we think we should understand them, or how much we love them. All it can do is cause us pain. Examining your own heart, however, is another matter. I think it's possible to see what's in there if you work hard enough at it. So in the end maybe that’s the challenge: to look inside your own heart as perceptively and seriously as you can, and to make peace with what you find there. If we hope to truly see another person, we have to start by looking within ourselves.
Haruki Murakami (Hombres sin mujeres)
I was sitting in my lab, my hand spread open on the table, while the skull examined my palm. I'd worn a mark there for years--an unblemished patch of skin amidst all the burn scars, in the perfect shape of the angelic sigil that was Lasciel's name. The mark was gone. In its place was just an irregular patch of unburned skin. "It looks like there's no mark there anymore," Bob said. I sighed. "Thank you, Bob," I said. "It's good to have a professional opinion." "Well, what did you expect?" Bob said. The skull swiveled around on the table and tilted up to look at my face. "Hmmmmm. And you say the entity isn't responding to you anymore?" "No. And she's always jumped every time I said frog." "Interesting," Bob said. "What's that supposed to mean?" "Well, from what you told me, this psychic attack the entity blocked for you was quite severe." I shivered, remembering. "Yeah." "And the process she used to accelerate your brain and shield you was traumatic as well." "Right. She said it could cause me brain damage." "Uh-huh," Bob said. "I think it did." "Huh?" "See what I mean?" Bob asked cheerfully. "You're thicker already." "Harry get hammer," I said. "Smash stupid talky skull.
Jim Butcher (White Night (The Dresden Files, #9))
Govinda said: "But what you call thing, is it something real, something intrinsic? Is it not only the illusion of Maya, only image and appearance? Your stone, your tree, are they real?" "This also does not trouble me much," said Siddhartha. "If they are illusion, then I also am illusion, and so they are always of the same nature as myself. It is that which makes them so lovable and venerable. That is why I can Love them. And here is a doctrine at which you will laugh. It seems to me, Govinda, that love is the most imortant thing in the world. It may be important tp great thinkers to examine the world, to explain an despise it. But I think it is only important to love the world, not to despise it, not for uus to hate each other, but to be able to regard the world and ourselves and all beings with love, admiration and respect.
Hermann Hesse
since I started the Saint Remi Auxiliary for the orphanage. The other auxiliary ladies babble on about Louis—how steadfast, gentle, and loyal he was, never once mentioning his failing wool and wine business. I’ve given them all Etiquette for Ladies. Their words drift to the ceiling with the candle smoke, as my fingers examine the gift Louis gave me last year for my thirty-ninth birthday. I’d hoped for canvas and paints, but he gave me a chatelaine. “Everything you ever need hanging from your belt.” He’d demonstrated each item with such pride, I hid my disappointment. “Thimble, watch, scissors, and measuring tape for your needlework, a funnel for your oils, a pencil, a pantry key, a wax letter seal, and a vial of smelling salts. Uncorking the
Rebecca Rosenberg (Madame Pommery, Creator of Brut Champagne)
Let me guess,” Thorne said. “Breaking and entering?” After a long silence of examining the retracting mechanism, the girl wrinkled her nose. “Two counts of treason, if you must know. And resisting arrest, and unlawful use of bioelectricity. Oh, and illegal immigration, but honestly, I think that’s a little excessive.” He squinted at the back of her head, a twitch developing in his left eye. “How old are you?” “Sixteen.
Marissa Meyer (Scarlet (The Lunar Chronicles, #2))
Lost, I am Lost! My fates have doomed my death. The more I strive, I love; the more I love, The less I hope. I see my ruin, certain. What judgement or endeavors could apply To my incurable and restless wounds I throughly have examined, but in vain. Oh, that it were not in religion sin To make our love a god and worship it! I have even wearied heaven with prayers, dried up The spring of my continual tears, even starved My veins with daily fasts; what wit or art Could counsel, I have practiced. But, alas, I find all these but dreams and old men's tales To fright unsteady youth; I'm still the same. Or I must speak or burst. Tis not, I know, My lust, but tis my fate that leads me on. Keep fear and low fainthearted shame with slaves! I'll tell her that I love her, through my heart Were rated at the price of that attempt.
John Ford (' Tis Pity She's a Whore (New Mermaids))
No duties. I don’t have to be profound. I don’t have to be artistically perfect. Or sublime. Or edifying. I just wander. I say: ‘You were running, That’s fine. It was the thing to do.’ And now the music of the worlds transforms me. My planet enters a different house. Trees and lawns become more distinct. Philosophies one after another go out. Everything is lighter yet not less odd. Sauces, wine vintages, dishes of meat. We talk a little of district fairs, Of travels in a covered wagon with a cloud of dust behind, Of how rivers once were, what the scent of calamus is. That’s better than examining one’s private dreams. And meanwhile it has arrived. It’s here, invisible. Who can guess how it got here, everywhere. Let others take care of it. Time for me to play hooky. Buena notte. Ciao. Farewell.
Czesław Miłosz
I rarely suffer lengthy emotional distress from contact with other people. A person may anger or annoy me, but not for long. I can distinguish between myself and another as beings of two different realms. It's a kind of talent (by which I do not mean to boast: it's not an easy thing to do, so if you can do it, it is a kind of a talent - a special power). When someone gets on my nerves, the first thing I do is transfer the object of my unpleasant feelings to another domain, one having no connection with me. Then I tell myself, Fine, I'm feeling bad, but I've put the source of these fellings into another zone, away from here, where I can examine it and deal with it later in my own good time. In other words, I put a freeze on my emotions. Later, when I thaw them out to perform the examination, I do occasionally find my emotions in a distressed state, but that is rare. The passage of time will usuallly extract the venom from most things and render them harmless. Then sooner or later, I forget about them.
Haruki Murakami (The Wind-Up Bird Chronicle)
I intercepted Chaol, and he informed me of your ‘condition.’ You’d think a man in his position wouldn’t be so squeamish, especially after examining all of those corpses.” Calaena opened an eye and frowned as Dorian sat on her bed. “I’m in a state of absolute agony and I can’t be bothered.” “It can’t be that bad,” he said, fishing a deck of cards from his jacket. “Want to play?” “I already told you that I don’t feel well.” “You look fine to me.” He skillfully shuffled the deck. “Just one game.” “Don’t you pay people to entertain you?” He glowered, breaking the deck. “You should be honored by my company.” “I’d be honored if you would leave.” “For someone who relies on my good graces, you’re very bold.” “Bold? I’ve barely begun.” Lying on her side, she curled her knees to her chest. He laughed, pocketing the deck of cards. “Your new canine companion is doing well, if you wish to know.” She moaned into her pillow. “Go away. I feel like dying.” “No fair maiden should die alone,” he said, putting a hand on hers. “Shall I read to you in your final moments? What story would you like?” She snatched her hand back. “How about the story of the idiotic prince who won’t leave the assassin alone?” “Oh! I love that story! It has such a happy ending, too—why, the assassin was really feigning her illness in order to get the prince’s attention! Who would have guessed it? Such a clever girl. And the bedroom scene is so lovely—it’s worth reading through all of their ceaseless banter!” “Out! Out! Out! Leave me be and go womanize someone else!” She grabbed a book and chucked it at him.
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
I've got a lot to download on your mercy and grace. I've always rushed up to You and dumped whatever it was and hurried away, fascinated by my own busyness. I want to turn all this over to You slowly, carefully, examining every fragment as I pass it off, so there'll never be any question about it again. Every time I've dumped and run, I've nearly always run back and snatched it out of Your hands. Help me in this.......Right now, I'm certain of only one thing - that You love us, and that's where we all have to begin.
Jan Karon
James eyed Matthew. “Thomas,” he said, in a low voice. “Maybe a healing rune?” Thomas nodded and approached Matthew cautiously, as one might approach a stray cat on the street. Some time ago James had discovered that healing runes sobered Matthew up: not entirely, but enough. “Push up your sleeve, then, there’s a good fellow,” Thomas said, seating himself on the arm of Matthew’s chair. “Let’s wake you up and James can tell us whatever mad thing he has planned.” “It seems somehow blasphemous to use Marks to rid oneself of the effects of alcohol,” Matthew added, as Thomas put his stele away. The Mark in question gleamed, new-made, on Matthew’s wrist. He looked already more clear-eyed, and less as if he were about to fall asleep or be sick. “I’ve seen you use your stele to part your hair,” said James dryly, as he began to examine the window locks. “The Angel gave me this hair,” replied Matthew. “It’s one of the Shadowhunters’ gifts. Like the Mortal Sword.” “Now that is blasphemy,” said Thomas.
Cassandra Clare (Chain of Gold (The Last Hours, #1))
We have everyday habits—formative practices—that constitute daily liturgies. By reaching for my smartphone every morning, I had developed a ritual that trained me toward a certain end: entertainment and stimulation via technology. Regardless of my professed worldview or particular Christian subculture, my unexamined daily habit was shaping me into a worshiper of glowing screens. Examining my daily liturgy as a liturgy—as something that both revealed and shaped what I love and worship—allowed me to realize that my daily practices were malforming me, making me less alive, less human, less able to give and receive love throughout my day. Changing this ritual allowed me to form a new repetitive and contemplative habit that pointed me toward a different way of being-in-the-world.
Tish Harrison Warren (Liturgy of the Ordinary: Sacred Practices in Everyday Life)
With school turning out more runners, jumpers, racers, tinkerers, grabbers, snatchers, fliers, and swimmers instead of examiners, critics, knowers, and imaginative creators, the word 'intellectual,' of course, became the swear word it deserved to be. You always dread the unfamiliar. Surely you remember the boy in your own school class who was exceptionally ‘bright,’ did most of the reciting and answering while the others sat like so many leaden idols, hating him. And wasn’t it this bright boy you selected and tortured after hours? Of course it was. We must all be alike. Not everyone born free and equal, as the Constitution says, but everyone made equal. Each man the image of every other; then all are happy, for there are no mountains to make them cower, to judge themselves again. So! A book is a loaded gun in the house next door. Burn it. Take the shot from the weapon. Breach man's mind. Who knows who might be the target of the well-read man? Me?
Ray Bradbury (Fahrenheit 451)
I let out a huff and forced a smile. “You’re a vampire.” I stated. Dean tilted his chin up and smiled. “I have no fangs.” He said through his teeth. I examined the glistening white canines. They were normal, just like mine. “You retract them when you don’t need them.” I said. Dean moved across the table and put his face up to mine. His mouth was a torturous breath away from my own. “Then why haven’t I sucked your blood Lina?” He whispered right before pressing his soft lips against mine. Then he inched towards my neck and lingered his lips on my pulse. His soft breathing tickled my skin and triggered a chill that shot up my spine. My blood jumped to a rush and began to throb for him. If he were a vampire, I swear I’d let him suck me. “Why aren’t I biting you right now?” He whispered. It took everything I had in me not to melt into the seat and land as a puddle on the ground. -Mindy-
E.M. Jade (Captivated (Affliction, #1))
In the letter he left for the coroner he had explained his reasoning (for suicide): that life is a gift bestowed without anyone asking for it; that the thinking person has a philosophical duty to examine both the nature of life and the conditions it comes with; and that if this person decides to renounce the gift no one asks for, it is the moral and human duty to act on the consequences of that decision. ... Alex showed me a clipping from the Cambridge Evening News. 'Tragic Death of "Promising" Young Man.' ... The verdict of the coroner's inquest had been that Adrian Flinn (22) had killed himself 'while the balance of his mind was disturbed.' ... The law, and society, and religion all said it was impossible to be sane, healthy, and kill yourself. Perhaps those authorities feared that the suicide's reasoning might impugn the nature and value of life as organised by the state which paid the coroner?
Julian Barnes (The Sense of an Ending)
it’s a terrible feeling when you first fall in love. your mind gets completely taken over, you can’t function properly anymore. the world turns into a dream place, nothing seems real. you forget your keys, no one seems to be talking English and even if they are you don’t care as you can’t hear what they’re saying anyway, and it doesn’t matter since your not really there. things you cared about before don’t seem to matter anymore and things you didn’t think you cared about suddenly do. I must become a brilliant cook, I don’t want to waste time seeing my friends when I could be with him, I feel no sympathy for all those people in India killed by an earthquake last night; what is the matter with me? It’s a kind of hell, but you feel like your in heaven. even your body goes out of control, you can’t eat, you don’t sleep properly, your legs turn to jelly as your not sure where the floor is anymore. you have butterflies permanently, not only in your tummy but all over your body - your hands, your shoulders, your chest, your eyes everything’s just a jangling mess of nerve endings tingling with fire. it makes you feel so alive. and yet its like being suffocated, you don’t seem to be able to see or hear anything real anymore, its like people are speaking to you through treacle, and so you stay in your cosy place with him, the place that only you two understand. occasionally your forced to come up for air by your biggest enemy, Real Life, so you do the minimum then head back down under your love blanket for more, knowing it’s uncomfortable but compulsory. and then, once you think you’ve got him, the panic sets in. what if he goes off me? what if I blow it, say the wrong thing? what if he meets someone better than me? Prettier, thinner, funnier, more like him? who doesn’t bite there nails? perhaps he doesn’t feel the same, maybe this is all in my head and this is just a quick fling for him. why did I tell him that stupid story about not owning up that I knew who spilt the ink on the teachers bag and so everyone was punished for it? does he think I'm a liar? what if I'm not very good at that blow job thing and he’s just being patient with me? he says he loves me; yes, well, we can all say words, can’t we? perhaps he’s just being polite. of course you do your best to keep all this to yourself, you don’t want him to think you're a neurotic nutcase, but now when he’s away doing Real Life it’s agony, your mind won’t leave you alone, it tortures you and examines your every moment spent together, pointing out how stupid you’ve been to allow yourself to get this carried away, how insane you are to imagine someone would feel like that about you. dad did his best to reassure me, but nothing he said made a difference - it was like I wanted to see Simon, but didn’t want him to see me.
Annabel Giles (Birthday Girls)
I grew up back and forth between the British Isles: England, Ireland, Scotland, Wales. I spent short periods of time in France, Italy, and South Africa. This is my first time in the States. I was disappointed by Atlanta at first — I'd wanted to live in New York-but it's grown on me.” Everything about Kaidan was exciting and exotic. This was my first time traveling away from home, and he'd already seen so much. I ate my apple, glad it was crisp and not soft. “Which was your favorite place?” I asked. “I've never been terribly attached to any place. I guess it would have to be...here.” I stopped midchew and examined his face. He wouldn't look at me. He was clenching his jaw, tense. Was he serious or was he teasing me? I swallowed my bite. “The Texas panhandle?” I asked. “No.” He seemed to choose each word with deliberate care. “I mean here in this car. With you.” Covered in goose bumps, I looked away from him and stared straight ahead at the road, letting my hand with the apple fall to my lap. He cleared his throat and tried to explain. “I've not talked like this with anyone, not since I started working, not even to the only four people in the world who I call friends. You have Patti, and even that boyfriend of yours. So this has been a relief of sort. Kind of...nice.” He cleared his throat again. Oh, my gosh. Did we just have a moment? I proceeded with caution, hoping not to ruin it. “It's been nice for me, too,” I said. “I've never told Jay anything. He has no idea. You're the only one I've talked to about it all, except Patti, but it's not the same. She learned the basics from the nun at the convent where I was born.” “You were born in a convent,” he stated. “Yes.” “Naturally.
Wendy Higgins (Sweet Evil (Sweet, #1))
I smelled smoke right before hearing the "pop" like a firecracker had gone off. Splatters of something thick coated my back even as a thud reverberated behind me. I whirled around to gape at what was left of the ghoul. His body pitched forward on the drive-way, nothing but a smoldering mess left where his head had been. Much slower, I turned around to see Vlad examining his fingernails, as if his hands weren't still ablaze in the flames that had blasted the ghoul's head off moments before. "What the hell was that?" I gasped. "Premature inflamation," he replied. "Happens sometimes. Very embarrassing. I don't like to talk about it.
Jeaniene Frost (This Side of the Grave (Night Huntress, #5))
My trip to the former Yugoslavia had opened the world for me, and my hunger for the world. In doing so, it undid the contained, safe borders of my existence. Suddenly a woman weeping over her lost son in an image on the front page of The New York Times was no longer a theoretical entity. She was real, a woman I might have met, might have known. I was connected to her. I could no longer divorce myself from her pain, her suffering. Initially this was overwhelming. I had nightmares. I felt restless and wrong in my comforting life in America. Everything seemed absurd and pointless. I came to understand why we block out the pain and atrocities of others. That pain, if we allow it to enter us, makes our lives impossible. It forces us to examine our own values and reality. It insists that we be responsible for others. It thrusts us into the messy world where there are no easy solutions or reasons, only struggles and questions. It creates great fissures in the landscape of our insulated, so-called safe reality. Fissures that, once split open, can never close again. It compels us to act.
V (formerly Eve Ensler)
I pause, examining her eyes, and then move forward with caution. “So if I kissed you right now, I wouldn’t be taking advantage of you?” “No, but I might be taking advantage of you. Your breath smells about as bad as the bottle.” She fans her nose with a smile. “Trust me. You can take advantage of me and I won’t mind, even when I sober up.” I press my lips to hers, feeling my heart thump in my chest as her breath catches. It grows silent as we lie with our foreheads touching and our breaths mingling. I place my hand on her hip, shutting my eyes, feeling the intensity of the moment like an open wound.
Jessica Sorensen (The Coincidence of Callie & Kayden (The Coincidence, #1))
A stout, middle-aged man, with enormous owl-eyed spectacles, was sitting somewhat drunk on the edge of a great table, staring with unsteady concentration at the shelves of books. As we entered he wheeled excitedly around and examined Jordan from head to foot. “What do you think?” he demanded impetuously. “About what?” He waved his hand toward the book-shelves. “About that. As a matter of fact you needn’t bother to ascertain. I ascertained. They’re real.” “The books?” He nodded. “Absolutely real — have pages and everything. I thought they’d be a nice durable cardboard. Matter of fact, they’re absolutely real. Pages and — Here! Lemme show you.” Taking our scepticism for granted, he rushed to the bookcases and returned with Volume One of the “Stoddard Lectures.” “See!” he cried triumphantly. “It’s a bona-fide piece of printed matter. It fooled me. This fella’s a regular Belasco. It’s a triumph. What thoroughness! What realism! Knew when to stop, too — didn’t cut the pages. But what do you want? What do you expect?
F. Scott Fitzgerald (The Great Gatsby)
[J]ust the sight of this book, even though it was of no authority, made me wonder how it happened that so many different men – and learned men among them – have been and are so inclined to express both in speaking and in their treatises and writings so many wicked insults about women and their behaviour. Not only one or two ... but, more generally, from the treatises of all philosophers and poets and from all the orators – it would take too long to mention their names – it seems that they all speak from one and the same mouth. Thinking deeply about these matters, I began to examine my character and conduct as a natural woman and, similarly, I considered other women whose company I frequently kept, princesses, great ladies, women of the middle and lower classes, who had graciously told me of their most private and intimate thoughts, hoping that I could judge impartially and in good conscience whether the testimony of so many notable men could be true. To the best of my knowledge, no matter how long I confronted or dissected the problem, I could not see or realise how their claims could be true when compared to the natural behaviour and character of women.
Christine de Pizan (The Book of the City of Ladies)
When once more alone, I reviewed the information I had got; looked into my heart, examined its thoughts and feelings, and endeavoured to bring back with a strict hand such as had been straying through imagination's boundless and trackless waste, into the safe fold of common sense. Arraigned to my own bar, Memory having given her evidence of the hopes, wishes, sentiments I had been cherishing since last night--of the general state of mind in which I had indulged for nearly a fortnight past; Reason having come forward and told, in her quiet way a plain, unvarnished tale, showing how I had rejected the real, and rapidly devoured the ideal--I pronounced judgement to this effect-- That a greater fool than Jane Eyre had never breathed the breath of life; that a more fantastic idiot had never surfeited herself on sweet lies, and swallowed poison as if it were nectar. "You," I said, "a favourite with Mr. Rochester? You're gifted with the power of pleasing him? You're of importance to him in any way? Go!--your folly sickens me. And you have derived pleasure from occasional tokens of preference--equivocal tokens shown by a gentleman of family and a man of the world to dependent and novice. How dared you? Poor stupid dupe! Could not even self-interest make you wiser? You repeated to yourself this morning the brief scene of last night? Cover your face and be ashamed! He said something in praise of your eyes, did he? Blind puppy! Open their bleared lids and look on your own accursed senselessness! It does no good to no woman to be flattered by her superior, who cannot possibly intend to marry her; and it is madness in all women to let a secret love kindle within them, which, if unreturned and unknown, must devour the life that feeds it; and if discovered and responded to, must lead into miry wilds whence there is no extrication. "Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own pictures, faithfully, without softening on defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.' "Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imageine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution... "Whenever, in the future, you should chance to fancy Mr. Rochester thinks well of you, take out these two pictures and compare them--say, "Mr. Rochester might probably win that noble lady's love, if he chose to strive for it; is it likely he would waste a serious thought on this indignent and insignifican plebian?" "I'll do it," I resolved; and having framed this determination, I grew calm, and fell asleep.
Charlotte Brontë (Jane Eyre)
That a work of the imagination has to be “really” about some problem is, again, an heir of Socialist Realism. To write a story for the sake of storytelling is frivolous, not to say reactionary. The demand that stories must be “about” something is from Communist thinking and, further back, from religious thinking, with its desire for self-improvement books as simple-minded as the messages on samplers. The phrase “political correctness” was born as Communism was collapsing. I do not think this was chance. I am not suggesting that the torch of Communism has been handed on to the political correctors. I am suggesting that habits of mind have been absorbed, often without knowing it. There is obviously something very attractive about telling other people what to do: I am putting it in this nursery way rather than in more intellectual language because I see it as nursery behavior. Art — the arts generally — are always unpredictable, maverick, and tend to be, at their best, uncomfortable. Literature, in particular, has always inspired the House committees, the Zhdanovs, the fits of moralizing, but, at worst, persecution. It troubles me that political correctness does not seem to know what its exemplars and predecessors are; it troubles me more that it may know and does not care. Does political correctness have a good side? Yes, it does, for it makes us re-examine attitudes, and that is always useful. The trouble is that, with all popular movements, the lunatic fringe so quickly ceases to be a fringe; the tail begins to wag the dog. For every woman or man who is quietly and sensibly using the idea to examine our assumptions, there are 20 rabble-rousers whose real motive is desire for power over others, no less rabble-rousers because they see themselves as anti-racists or feminists or whatever.
Doris Lessing
Within sixty-minute limits or one-hundred-yard limits or the limits of a game board, we can look for perfect moments or perfect structures. In my fiction I think this search sometimes turns out to be a cruel delusion. No optimism, no pessimism. No homesickness for lost values or for the way fiction used to be written. Everybody seems to know everything. Subjects surface and are totally exhausted in a matter of days or weeks, totally played out by the publishing industry and the broadcast industry. Nothing is too arcane to escape the treatment, the process. Making things difficult for the reader is less an attack on the reader than it is on the age and its facile knowledge-market. The writer is the person who stands outside society, independent of affiliation and independent of influence. The writer is the man or woman who automatically takes a stance against his or her government. There are so many temptations for American writers to become part of the system and part of the structure that now, more than ever, we have to resist. American writers ought to stand and live in the margins, and be more dangerous. Writers in repressive societies are considered dangerous. That’s why so many of them are in jail. Some people prefer to believe in conspiracy because they are made anxious by random acts. Believing in conspiracy is almost comforting because, in a sense, a conspiracy is a story we tell each other to ward off the dread of chaotic and random acts. Conspiracy offers coherence. I see contemporary violence as a kind of sardonic response to the promise of consumer fulfillment in America... I see this desperation against the backdrop of brightly colored packages and products and consumer happiness and every promise that American life makes day by day and minute by minute everywhere we go. Discarded pages mark the physical dimensions of a writer’s labor. Film allows us to examine ourselves in ways earlier societies could not—examine ourselves, imitate ourselves, extend ourselves, reshape our reality. It permeates our lives, this double vision, and also detaches us, turns some of us into actors doing walk-throughs. Every new novel stretches the term of the contract—let me live long enough to do one more book. You become a serious novelist by living long enough.
Don DeLillo
Let us consider that we are all partially insane. It will explain us to each other, it will unriddle many riddles, it will make clear and simple many things which are involved in haunting and harassing difficulties and obscurities now. That is a simple rule, and easy to remember. When I, a thoughtful and unbiased Presbyterian, examine the Koran, I know that beyond any question every Mohammedan is insane; not in all things, but in religious matters. When a thoughtful and unbiased Mohammedan examines the Westminster Catechism, he knows that beyond any question I am spiritually insane. I cannot prove to him that he is insane, because you never can prove anything to a lunatic--for that is part of his insanity and the evidence of it. He cannot prove to me that I am insane, for my mind has the same defect that afflicts his. All democrats are insane, but not one of them knows it; none but the republicans and mugwumps know it. All the republicans are insane, but only thee democrats and mugwumps can perceive it. The rule is perfect; in all matters of opinion our adversaries are insane. When I look around me I am often troubled to see how many people are mad. This should move us to be charitable toward one anothers lunacies.
Mark Twain
I am not my uncle. I am not my father, but I do subscribe to the twenty rules he taught me from the cradle. One, if you’re afraid to fight, then you’ll never win. Two, in times of tragedy and turmoil, you’ll learn who your true friends are. Treasure them because they are few and far between. Three, know your enemies, and never become your own worst one. Four, be grateful for those enemies. They will keep you honest and ever striving to better yourself. Five, listen to all good advice, but never substitute someone else’s judgment for your own. Six, all men and women lie. But never lie to yourself. Seven, many will flatter you. Befriend the ones who don’t, for they will remind you that you’re human and not infallible. Eight, never fear the truth. It’s the lies that will destroy you. Nine, your worst decisions will always be those that are made out of fear. Think all matters through with a clear head. Ten, your mistakes won’t define you, but your memories, good and bad, will. Eleven, be grateful for your mistakes as they will tell you who and what you’re not. Twelve, don’t be afraid to examine the past, it’s how you learn what you don’t want to do again. Thirteen, there’s a lot to be said for not knowing better. Fourteen, all men die. Not everyone lives. Fifteen, on your deathbed, your greatest regrets will be what you didn’t do. Sixteen, don’t be afraid to love. Yes, it’s a weakness that can be used against you. But it’s also a source of the greatest strength you will ever know. Seventeen, the past is history written in stone that can’t be altered. The future is transitory and never guaranteed. Today is the only thing you can change for certain. Have the courage to do so and make the most of it because it could be all you’ll ever have. Eighteen, you can be in a crowd, surrounded by people, and still be lonely. Nineteen, love all, regardless of what they do. Trust only those you have to. Harm none until they harm you. And twenty… Never be afraid to kill or destroy your enemies. They won’t hesitate to kill or destroy you.” - Darling Cruel
Sherrilyn Kenyon
How imperious the homicidal madness must have become if they’re willing to pardon—no, forget!—the theft of a can of meat! True, we have got into the habit of admiring colossal bandits, whose opulence is revered by the entire world, yet whose existence, once we stop to examine it, proves to be one long crime repeated ad infinitum, but those same bandits are heaped with glory, honors, and power, their crimes are hallowed by the law of the land, whereas, as far back in history as the eye can see—and history, as you know is my business—everything conspires to show that a venial theft, especially of inglorious foodstuffs, such as bread crusts, ham, or cheese, unfailingly subjects its perpetrator to irreparable opprobrium, the categoric condemnation of the community, major punishment, automatic dishonor, and inexpiable shame, and this for two reasons, first because the perpetrator of such an offense is usually poor, which in itself connotes basic unworthiness, and secondly because his act implies, as it were, a tacit reproach to the community. A poor man’s theft is seen as a malicious attempt at individual redress . . . Where would we be? Note accordingly that in all countries the penalties for petty theft are extrememly severe, not only as a means of defending society, but also as a stern admonition to the unfortunate to know their place, stick to their caste, and behave themselves, joyfully resigned to go on dying of hunger and misery down through the centuries forever and ever . . . Until today, however, petty thieves enjoyed one advantage in the Republic, they were denied the honor of bearing patriotic arms. But that’s all over now, tomorrow I, a theif, will resume my place in the army . . . Such are the orders . . . It has been decided in high places to forgive and forget what they call my momentary madness, and this, listen carefully, in consideration of what they call the honor of my family. What solicitude! I ask you, comrade, is it my family that is going to serve as a strainer and sorting house for mixed French and German bullets? . . . It’ll just be me wont it? And when I’m dead is the honor of my family going to bring me back to life?
Louis-Ferdinand Céline (Journey to the End of the Night)
Like Leontius, the young Athenian in Plato, I presume that you are reading this because you desire a closer look, and that you, too, are properly disturbed by your curiosity. Perhaps, in examining this extremity with me, you hope for some understanding, some insight, some flicker of self-knowledge – a moral, or a lesson, or a clue about how to behave in this world: some such information. I don’t discount the possibility, but when it comes to genocide, you already know right from wrong. The best reason I have come up with for looking closely into Rwanda’s stories is that ignoring them makes me even more uncomfortable about existence and my place in it. The horror, the horror, interests me only insofar as a precise memory of the offense is necessary to understand its legacy.
Philip Gourevitch (We Wish to Inform You That Tomorrow We Will Be Killed with Our Families)
Ms. Terwilliger didn’t have a chance to respond to my geological ramblings because someone knocked on the door. I slipped the rocks into my pocket and tried to look studious as she called an entry. I figured Zoe had tracked me down, but surprisingly, Angeline walked in. "Did you know," she said, "that it’s a lot harder to put organs back in the body than it is to get them out?" I closed my eyes and silently counted to five before opening them again. “Please tell me you haven’t eviscerated someone.” She shook her head. “No, no. I left my biology homework in Miss Wentworth’s room, but when I went back to get it, she’d already left and locked the door. But it’s due tomorrow, and I’m already in trouble in there, so I had to get it. So, I went around outside, and her window lock wasn’t that hard to open, and I—” "Wait," I interrupted. "You broke into a classroom?" "Yeah, but that’s not the problem." Behind me, I heard a choking laugh from Ms. Terwilliger’s desk. "Go on," I said wearily. "Well, when I climbed through, I didn’t realize there was a bunch of stuff in the way, and I crashed into those plastic models of the human body she has. You know, the life size ones with all the parts inside? And bam!" Angeline held up her arms for effect. "Organs everywhere." She paused and looked at me expectantly. "So what are we going to do? I can’t get in trouble with her." "We?" I exclaimed. "Here," said Ms. Terwilliger. I turned around, and she tossed me a set of keys. From the look on her face, it was taking every ounce of self-control not to burst out laughing. "That square one’s a master. I know for a fact she has yoga and won’t be back for the rest of the day. I imagine you can repair the damage—and retrieve the homework—before anyone’s the wiser.” I knew that the “you” in “you can repair” meant me. With a sigh, I stood up and packed up my things. “Thanks,” I said. As Angeline and I walked down to the science wing, I told her, “You know, the next time you’ve got a problem, maybe come to me before it becomes an even bigger problem.” "Oh no," she said nobly. "I didn’t want to be an inconvenience." Her description of the scene was pretty accurate: organs everywhere. Miss Wentworth had two models, male and female, with carved out torsos that cleverly held removable parts of the body that could be examined in greater detail. Wisely, she had purchased models that were only waist-high. That was still more than enough of a mess for us, especially since it was hard to tell which model the various organs belonged to. I had a pretty good sense of anatomy but still opened up a textbook for reference as I began sorting. Angeline, realizing her uselessness here, perched on a far counter and swing her legs as she watched me. I’d started reassembling the male when I heard a voice behind me. "Melbourne, I always knew you’d need to learn about this kind of thing. I’d just kind of hoped you’d learn it on a real guy." I glanced back at Trey, as he leaned in the doorway with a smug expression. “Ha, ha. If you were a real friend, you’d come help me.” I pointed to the female model. “Let’s see some of your alleged expertise in action.” "Alleged?" He sounded indignant but strolled in anyways. I hadn’t really thought much about asking him for help. Mostly I was thinking this was taking much longer than it should, and I had more important things to do with my time. It was only when he came to a sudden halt that I realized my mistake. "Oh," he said, seeing Angeline. "Hi." Her swinging feet stopped, and her eyes were as wide as his. “Um, hi.” The tension ramped up from zero to sixty in a matter of seconds, and everyone seemed at a loss for words. Angeline jerked her head toward the models and blurted out. “I had an accident.” That seemed to snap Trey from his daze, and a smile curved his lips. Whereas Angeline’s antics made me want to pull out my hair sometimes, he found them endearing.
Richelle Mead (The Fiery Heart (Bloodlines, #4))
To begin with, this case should never have come to trial. The state has not produced one iota of medical evidence that the crime Tom Robinson is charged with ever took place... It has relied instead upon the testimony of two witnesses, whose evidence has not only been called into serious question on cross-examination, but has been flatly contradicted by the defendant. Now, there is circumstantial evidence to indicate that Mayella Ewel was beaten - savagely, by someone who led exclusively with his left. And Tom Robinson now sits before you having taken the oath with the only good hand he possesses... his RIGHT. I have nothing but pity in my heart for the chief witness for the State. She is the victim of cruel poverty and ignorance. But my pity does not extend so far as to her putting a man's life at stake, which she has done in an effort to get rid of her own guilt. Now I say "guilt," gentlemen, because it was guilt that motivated her. She's committed no crime - she has merely broken a rigid and time-honored code of our society, a code so severe that whoever breaks it is hounded from our midst as unfit to live with. She must destroy the evidence of her offense. But what was the evidence of her offense? Tom Robinson, a human being. She must put Tom Robinson away from her. Tom Robinson was to her a daily reminder of what she did. Now, what did she do? She tempted a *****. She was white, and she tempted a *****. She did something that, in our society, is unspeakable. She kissed a black man. Not an old uncle, but a strong, young ***** man. No code mattered to her before she broke it, but it came crashing down on her afterwards. The witnesses for the State, with the exception of the sheriff of Maycomb County have presented themselves to you gentlemen, to this court in the cynical confidence that their testimony would not be doubted, confident that you gentlemen would go along with them on the assumption... the evil assumption that all Negroes lie, all Negroes are basically immoral beings, all ***** men are not to be trusted around our women. An assumption that one associates with minds of their caliber, and which is, in itself, gentlemen, a lie, which I do not need to point out to you. And so, a quiet, humble, respectable *****, who has had the unmitigated TEMERITY to feel sorry for a white woman, has had to put his word against TWO white people's! The defendant is not guilty - but somebody in this courtroom is. Now, gentlemen, in this country, our courts are the great levelers. In our courts, all men are created equal. I'm no idealist to believe firmly in the integrity of our courts and of our jury system - that's no ideal to me. That is a living, working reality! Now I am confident that you gentlemen will review, without passion, the evidence that you have heard, come to a decision and restore this man to his family. In the name of GOD, do your duty. In the name of God, believe... Tom Robinson
Harper Lee (To Kill a Mockingbird)
I came to another passageway and paused to examine the scene. I saw myself dead and lying on the ground with Ren kneeling beside me. He leaned over my inert body investigating. I heard him whisper, “Kelsey? Is it you? Kelsey, please. Talk to me. I need to know if it’s really you.” He picked my body up and cradled it lovingly in his arms. I checked to make sure he had the gada and the backpack, which he did, but I’d been fooled before. Then he said, “Don’t leave me, Kells.” I closed my eyes and listened to his voice begging me to live. My heart started thumping wildly, a different reaction than I’d had in the past visions. I took a step closer and hit a barrier again. I spoke to him softly, “Ren? I’m here. Don’t give up.” He raised his head as if he’d heard me. “Kelsey? I can hear you, but I can’t see you. Where are you?” He lowered me, or the body that looked like me, to the ground, and it disappeared. I told him, “Close your eyes and feel your way to me.” He stood slowly and closed his eyes. I closed my eyes too, and tried to focus not on his voice but on his heart. I imagined my hand on his chest, feeling the strong thump of his heart beneath my fingers. My body seemed to move of its own volition, and I took several steps forward. I concentrated on Ren, his laugh, his smile, how I felt being near him, then, suddenly, my hand touched his chest, and I could feel his heart beating. He was there. I opened my eyes slowly and looked at him. He reached out a hand to touch my hair, but then he pulled it back. “Is it really you this time, Kells?” “Well, I’m no maggoty corpse, if that’s what you mean.” He grinned. “That’s a relief. No maggoty corpse would be that sarcastic.” I countered, “Well, how do I know it’s really you?” He considered my question for a moment and then ducked his head to kiss me. He tugged me flush up against his chest, pulling me closer than I even thought possible, and then his lips touched mine. His kiss started out warm and soft, but quickly turned hungry and demanding. His hands ran up my arms, to my shoulders, and then cupped my neck. I wrapped my arms around his waist and luxuriated in the kiss. When he finally pulled back, my heart was pounding in response. When the power of speech returned, I quipped, “Well, even if it isn’t really you, I’ll take this version.” He laughed and relief flooded both of us. “Kells, I think you’d better hold my hand the rest of the way.” I smiled gaily back at him. “No problem.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
When those who have been placed in my life to lead me and train me betray me and turn against me, as Saul turned against David, I will follow the example of David and refuse to let hope die in my heart. Holy Spirit, empower me to be a spiritual father or mother to those who need me to disciple, love, support, and encourage them. Father, raise up spiritual leaders in our land who can lead others with justice, mercy, integrity, and love. Allow me to be one of these leaders. When I am cut off from my father [physical or spiritual] through his insecurity, jealousy, or pride, cause me to recognize that as You did with David, You want to complete Your work in my life. Holy Spirit, release me from tormenting thoughts or self-blame and striving for acceptance. Cause me to seek only Your acceptance and restoration. I refuse to allow the enemy to cause me to seek revenge against those who have wronged me. I will not raise my hand against the Lord’s anointed or seek to avenge myself. I will leave justice to You. Father, cause my heart to be pure as David’s was pure. Through Your power, O Lord, I will refuse to attack my enemies with my tongue, for I will never forget that both death and life are in the power of the tongue (Prov. 18:21). I will never seek to sow discord or separation between myself and my Christian brothers and sisters, for it is an abomination to my Lord. I will remain loyal to my spiritual leaders even when they have rejected me or wronged me. I choose to be a man [or woman] after the heart of God, not one who seeks to avenge myself. Holy Spirit, like David I will lead my Christian brother and sister to honor our spiritual leaders even in the face of betrayal. I refuse to sow discord among brethren. I will show kindness to others who are in relationship with the ones who have wronged me. Like David I will find ways to honor them and will not allow offense to cause me to disrespect them. Father, only You are worthy to judge the intents and actions of myself or of those around me. I praise You for Your wisdom, and I submit to Your leading. Lord, I choose to remain loyal to those in a position of authority over me. I choose to focus on the calling You have placed on my life and to refuse to be diverted by the actions of others, even when they have treated me wrongly. Father, may You be able to examine my life and know and see that there is neither evil nor rebellion in my heart toward others (1 Sam.24:11).
John Bevere (The Bait of Satan: Living Free from the Deadly Trap of Offense)
He sighed and grabbed my left arm, examining the tattoo. “What were you thinking? Didn’t you know I’d come as soon as I could?” I yanked my arm from him. “I was dying! I had a fever—I was barely able to keep conscious! How was I supposed to know you’d come? That you even understood how quickly humans can die of that sort of thing? You told me you hesitated that time with the naga.” “I swore an oath to Tamlin—” “I had no other choice! You think I’m going to trust you after everything you said to me at the manor?” “I risked my neck for you during your task. Was that not enough?” His metal eye whirred softly. “You offered up your name for me—after all that I said to you, all I did, you still offered up your name. Didn’t you realize I would help you after that? Oath or no oath?” I hadn’t realized it would mean anything to him at all. “I had no other choice,” I said again, breathing hard. “Don’t you understand what Rhys is?” “I do!” I barked, then sighed. “I do,” I repeated, and glared at the eye in my palm. “It’s done with. So you needn’t hold to whatever oath you swore to Tamlin to protect me—or feel like you owe me anything for saving you from Amarantha. I would have done it just to wipe the smirk off your brothers’ faces.” Lucien clicked his tongue, but his remaining russet eye shone. “I’m glad to see you didn’t sell your lively human spirit or stubbornness to Rhys.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
So what's your doll's name?" Boo asked me. "Barbie," I said. "All their names are Barbie." "I see," she said. "Well, I'd think that would get boring, everyone having the same name." I thought about this, then said, "Okay, then her name is Sabrina." "Well, that's a very nice name," Boo said. I remember she was baking bread, kneading the dough between her thick fingers. "What does she do?" "Do?" I said. "Yes." She flipped the dough over and started in on it from the other side. "What does she do?" "She goes out with Ken," I said. "And what else?" "She goes to parties," I said slowly. "And shopping." "Oh," Boo said, nodding. "She can't work?" "She doesn't have to work," I said. "Why not?" "Because she's Barbie." "I hate to tell you, Caitlin, but somebody has to make payments on that town house and the Corvette," Boo said cheerfully. "Unless Barbie has a lot of family money." I considered this while I put on Ken's pants. Boo started pushing the dough into a pan, smoothing it with her hand over the top. "You know what I think, Caitlin?" Her voice was soft and nice, the way she always spoke to me. "What?" "I think your Barbie can go shopping, and go out with Ken, and also have a productive and satisfying career of her own." She opened the oven and slid in the bread pan, adjusting its position on the rack. "But what can she do?" My mother didn't work and spent her time cleaning the house and going to PTA. I couldn't imagine Barbie, whose most casual outfit had sequins and go-go boots, doing s.uch things. Boo came over and plopped right down beside me. I always remember her being on my level; she'd sit on the edge of the sandbox, or lie across her bed with me and Cass as we listened to the radio. "Well," she said thoughtfully, picking up Ken and examining his perfect physique. "What do you want to do when you grow up?" I remember this moment so well; I can still see Boo sitting there on the floor, cross- legged, holding my Ken and watching my face as she tried to make me see that between my mother's PTA and Boo's strange ways there was a middle ground that began here with my Barbie, Sab-rina, and led right to me. "Well," I said abruptly, "I want to be in advertising." I have no idea where this came from. "Advertising," Boo repeated, nodding. "Okay. Advertising it is. So Sabrina has to go to work every day, coming up with ideas for commercials and things like that." "She works in an office," I went on. "Sometimes she has to work late." "Sure she does," Boo said. "It's hard to get ahead. Even if you're Barbie." "Because she wants to get promoted," I added. "So she can pay off the town house. And the Corvette." "Very responsible of her," Boo said. "Can she be divorced?" I asked. "And famous for her commercials and ideas?" "She can be anything," Boo told me, and this is what I remember most, her freckled face so solemn, as if she knew she was the first to tell me. "And so can you.
Sarah Dessen (Dreamland)
The year was 1987, but it might as well have been the Summer of Love: I was twenty, had hair down to my shoulders, and was dressed like an Indian rickshaw driver. For those charged with enforcing our nation’s drug laws, it would have been only prudent to subject my luggage to special scrutiny. Happily, I had nothing to hide. “Where are you coming from?” the officer asked, glancing skeptically at my backpack. “India, Nepal, Thailand…” I said. “Did you take any drugs while you were over there?” As it happens, I had. The temptation to lie was obvious—why speak to a customs officer about my recent drug use? But there was no real reason not to tell the truth, apart from the risk that it would lead to an even more thorough search of my luggage (and perhaps of my person) than had already commenced. “Yes,” I said. The officer stopped searching my bag and looked up. “Which drugs did you take? “I smoked pot a few times… And I tried opium in India.” “Opium?” “Yes.” “Opium or heroin? “It was opium.” “You don’t hear much about opium these days.” “I know. It was the first time I’d ever tried it.” “Are you carrying any drugs with you now?” “No.” The officer eyed me warily for a moment and then returned to searching my bag. Given the nature of our conversation, I reconciled myself to being there for a very long time. I was, therefore, as patient as a tree. Which was a good thing, because the officer was now examining my belongings as though any one item—a toothbrush, a book, a flashlight, a bit of nylon cord—might reveal the deepest secrets of the universe. “What is opium like?” he asked after a time. And I told him. In fact, over the next ten minutes, I told this lawman almost everything I knew about the use of mind-altering substances. Eventually he completed his search and closed my luggage. One thing was perfectly obvious at the end of our encounter: We both felt very good about it.
Sam Harris (Lying)