Roads Funny Quotes

We've searched our database for all the quotes and captions related to Roads Funny. Here they are! All 100 of them:

Always go to other people's funerals, otherwise they won't come to yours.
Yogi Berra (When You Come to a Fork in the Road, Take It!: Inspiration and Wisdom from One of Baseball's Greatest Heroes)
It's funny how you can forget everything except people loving you. Maybe that's why humans find it so hard getting over love affairs. It's not the pain they're getting over, it's the love.
Melina Marchetta (On the Jellicoe Road)
Ever heard of the rule of three? he shouts as we run. No! If you save somebody's life three times, their life belongs to you. You saved my life today, that makes once. Save it twice more an I'm all yers.
Moira Young (Blood Red Road (Dust Lands, #1))
Marry me, he says. I got all my own teeth, I wash twice a year an I'll cut you in fer half the business here.
Moira Young (Blood Red Road (Dust Lands, #1))
And she says, “Then let’s just take the effing road and get ourselves to Haven.” I smile, a little. “You said effing,” I say. “You actually said the word effing.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
Isn't that someone we know?" asked Horace. He pointed to where a cloaked figure sat by the side of the road a few hundred meters away, arms wrapped around his knees. Close by him, a small shaggy horse cropped the grass growing at the edge of the drainage ditch that ran beside the road. "So it is," Halt replied. "And he seems to have brought Will with him.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
I ain't never seen a creature like that before, she says. He's so smart, he's- More, like a person than a bird? I says. Yeah, she says. That's it. Whatever you do, I says, don't tell him that. I'll never hear the end of it.
Moira Young (Blood Red Road (Dust Lands, #1))
Please. If you were mostly dead in the middle of the road I'd obviously stop. And then I'd watch you die." Kate to Will
Elizabeth Scott (Perfect You)
I remember love. It's what I have to keep on reminding myself. It's funny how you can forget everything except people loving you. Maybe that's why humans find it so hard getting over love affairs. It's not the pain they're getting over, it's the love.
Melina Marchetta (On the Jellicoe Road)
I guess when you turn off the main road, you have to be prepared to see some funny houses.
Stephen King (Stephen King 6: The Bachman Books/Thinner/The Tommyknockers)
I've never met anyone as quietly brave and strong as you. I've never met a woman so unassuming, so kind, and so selfless. You are a complex lady." His mouth curled up at the corners. "And you are smart, and passionate, and funny, and exciting, and you blow me fucking away.
Samantha Young (Down London Road (On Dublin Street, #2))
I can only drive slowly." "That's all right." "And I can only do left turns." Rose ran downstairs, grabbed a road atlas, and ran triumphantly back up again. "Wales is left! Look! It's left all the way!
Hilary McKay (Saffy's Angel (Casson Family, #1))
Bike lane: the section of the road that accommodates wide loads and has speed bumps to protect drunk drivers.
Bauvard (Some Inspiration for the Overenthusiastic)
I mean, drink driving is bad, drug driving is bad, but what is driving whilst under the influence of a fuc%ing nymphomaniac in your lap? How many years will this get me, if I do manage to keep my eyes on the road and not drive us off it first?
Jimmy Tudeski (Uck It List)
People are funny. They want the front of the bus, the middle of the road and the back of the church. —Mrs. Miracle
Debbie Macomber (Call Me Mrs. Miracle (Angelic Intervention #8))
You're on a road show with your penis, and trust me, I'm the last person who wants to get in your way. But I'm telling you, operation occupy-my-vagina is a no-go for the evening.
Addison Moore (Someone to Love (Someone to Love, #1))
I wouldna cross the road to see a scrawny woman if she was stark naked and dripping wet. ~Jamie Fraser
Diana Gabaldon
Madison answered. “I said, ‘The Queen thinks the King’s a pussy for sending her to retrieve me. I dare him to catch me if he can.
Gracen Miller (Pandora's Box (The Road to Hell #1))
She leans over an says things that make him throw his head back an laugh like he never heard nuthin so funny in his life. It's sick-makin. Or it would be, if I cared. Which I don't. Liar, whispers the voice inside my head. Liar, liar, liar.
Moira Young (Blood Red Road (Dust Lands, #1))
Somebody had tipped the American continent like a pinball machine and all the goofballs had come rolling to LA in the southwest corner. I cried for all of us. There was no end to the American sadness and the American madness. Someday we'll all start laughing and roll on the ground when we realize how funny it's been.
Jack Kerouac (On the Road: The Original Scroll)
His phone rang again, and he turned it on speaker. “Adair residence—” “Shut up, Cabe.” Silas’s voice filled the car. “Your Lexus isn’t a residence, and I know you’re driving, because I’m watching your GPS dot move down the road.
Jane Washington (Charcoal Tears (Seraph Black, #1))
Over the road there was a church: a modern gray building, which constantly played a recording of church bells. Strange it was. Why no proper bells? I never went in but I bet it was a robot church for androids, where the Bible was in binary and their Jesus had laser eyes and metal claws.
Russell Brand (My Booky Wook)
Officer, I know I was going faster than 55MPH, but I wasn't going to be on the road an hour.
Steven Wright
I stared at Irys. My Story Weaver had to be laughing his blue ass off right now. My future appeared to be a long twisted road fraught with knots, tangles and traps. Just the way I liked it.
Maria V. Snyder (Magic Study (Study, #2))
Life is strange and funny with many winding roads ahead...but the roads of greed and  hypocrisy will lead to a person's downfall each and every time.
Timothy Pina
I hear Mr. Palmer tell Hannah that it was an electrical fault. Five arsonists in one school and it ends up being something so technically boring.
Melina Marchetta (On the Jellicoe Road)
It’s funny how life moves in a complete circle sometimes. There might be lots of bumps in the road and maybe even a few cliffs, but it’s a journey, and sometimes it can bring you to the most wonderful places.
Nyrae Dawn (Searching for Beautiful)
I’ve seen daggers pierce the chest, Children dying in the road, Crawling things hooked and baited, Rapists bound and then castrated, Villains singed in public square. Yet none these sights did make me cringe Like when my Love cut all her hair.
Roman Payne
I dream of a world where chickens can cross the road without having their motives questioned.
Oliver Markus Malloy (Bad Choices Make Good Stories - Finding Happiness in Los Angeles (How The Great American Opioid Epidemic of The 21st Century Began, #3))
I have never wanted to punch a highway in the face as badly as I do right now.
Seanan McGuire (Sparrow Hill Road (Ghost Roads, #1))
Marcus couldn't believe it. Dead. A dead duck. OK, he'd been trying to hit it on the head with a piece of sandwich, but he tried to do all sorts of things, and none of them had ever happened before. He'd tried to get the highest score on the Stargazer machine in the kabab shop on Hornsey road - nothing. He'd tried to read Nicky's thoughts by staring at the back of his head every maths lesson for a week - nothing. It really annoyed him that the only thing he'd ever achieved through trying was something he hadn't really wanted to do that much in the first place. And anyway, since when did hitting a bird with a sandwich ever kill it? People spend half their lives throwing things at the ducks in Regent's Park. How come he managed to pick a duck that pathetic?
Nick Hornby (About a Boy)
I wrote to you for a year and you never wrote back. I rang you over and over again and you would never come to the phone. What part of that gives the impression that I didn’t care? ~Jonah Griggs
Melina Marchetta (On the Jellicoe Road)
Neythen looked perplexed. 'My mum always said I'm named after a saint, not an illness.' 'Which one?' 'Well he had his head chopped off, see? And then he picked it up and carried it down the road a time. All the way back home, I think.' 'Messy,' Piers said. 'Not to mention unlikely, though one has to think of chickens and their post-mortal abilities. Did she think that you would inherit the same gift?' Neythen blinked. 'No, my lord.' 'Perhaps she was just hopeful. It behooves mothers to look ahead to this sort of possibility, after all. I'm tempted to behead you just to see if she was right.Sometimes the most unlikely superstitions turn out to have a basis in fact.
Eloisa James (When Beauty Tamed the Beast (Fairy Tales, #2))
It is funny how the things we hate are the things we miss most when they are gone
Erin Bowman (Vengeance Road (Vengeance Road, #1))
It's funny how you can't ask difficult questions in a familiar place, how you have to stand back a few feet and see things in a new way before you realize nothing that is happening to you is normal. The trouble with you and me is we are used to what is happening to us. We grew into our lives like a kernel beneath the earth, never able to process the enigma of our composition...Nothing is normal. It is all rather odd, isn't it, our eyes in our heads, our hands with five fingers, the capacity to understand beauty, to feel love, to feel pain.
Donald Miller (Through Painted Deserts: Light, God, and Beauty on the Open Road)
Do you see that man in the black Porsche?" I asked the women. They squinted out at Ranger. "Yes," they said."Your partner." "He's homeless. He's looking for a place to stay and he might be interested in renting Singh's room." Mrs.Apusenja's eyes widened. "We could use the income."She looked at Nonnie and then back at Ranger. "Is he married?" "Nope. He's single. He's a real catch." Connie did something between a gasp and a snort and buried her head back behind the computer. "Thank you for everything." Mrs.Apusenja said. "I suppose you are not such a bad slut. I will go talk to your partner.: "Omigod," Connie said, when the door closed behind the Apusenja's. "Ranger's going to kill you." The Apusenjas stood beside the Porsche, talkig to Ranger for a few long minutes, giving him the big sales pitch. The pitch wound down, Ranger responded, and Mrs. Apusenja looked disappointed. The two women crossed the road and got into the burgundy Escort and quickly drove away. Ranger turned his head in my direction and our eyes met. His expression was still bemused, but this time it was the sort of bemused expression a kid has when he's pulling the wings off a fly. "Uh-Oh,"Connie said. I whipped around and faced Connie. "Quick, give me an FTA. You're backed up, right? For God's sake, give me something fast. I need a reason to stand here until he calms down!" Connie shoved a pile of folders at me. "Pick one. Any one! Oh shit, he's getting out of his car.".... He leaned into me and his lips brushed the shell of my ear. "Feeling playful?" "I don't know what you're talking about." "Watch your back babe. I will get even." -Ranger and Stephanie
Janet Evanovich (To the Nines (Stephanie Plum, #9))
Oz lists the hem of his shirt, exposing his cut abs, and wipes his brow with the material. Oh my with chocolate on top. That was just beautiful.
Katie McGarry (Nowhere But Here (Thunder Road, #1))
Ove looks at the group assembled around him, as if he's been kidnapped and taken to a parallel universe. For a moment he thinks about swerving off the road, until he realises that the worst case scenario would be that they all accompanied him into the afterlife.
Fredrik Backman (A Man Called Ove)
IT'S MORNING, TIME to get up, so get up, Arturo, and look for a job. Get out there and look for what you'll never find. You're a thief and you're a crab-killer and a lover of women in clothes closets. You'll never find a job! Every morning I got up feeling like that. Now I've got to find a job, damn it to hell. I ate breakfast, put a book under my arm, pencils in my pocket, and started out. Down the stairs I went, down the street, sometimes hot and sometimes cold, sometimes foggy and sometimes clear. It never mattered, with a book under my arm, looking for a job. What job, Arturo? Ho ho! A job for you? Think of what you are, my boy! A crab-killer. A thief. You look at naked women in clothes closets. And you expect to get a job! How funny! But there he goes, the idiot, with a big book. Where the devil are you going, Arturo? Why do you go up this street and not that? Why go east - why not go west? Answer me, you thief! Who'll give you a job, you swine - who? But there's a park across town, Arturo. It's called Banning Park. There are a lot of beautiful eucalyptus trees in it, and green lawns. What a place to read! Go there, Arturo. Read Nietzsche. Read Schopenhauer. Get into the company of the mighty. A job? fooey! Go sit under a eucalyptus tree reading a book looking for a job.
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
Have you never outright sinned, then?” “I disobeyed Patti when she told me to stay away from you.” “Right. I remember that one. So just once, then?” “There was this other time...” I thought about the two girls in the bathroom and stopped myself, blanching. “Yes? Go on,” he urged. He watched the road, but excitement underscored his tone. I rubbed my dampening palms down my shorts. “The night we met, I sort of...well, I flat-out told a lie. On purpose.” I thought he was trying not to smile. “To me?” he asked. “No. About you.” Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame. “Continue. Please.” “There were these girls in the bathroom talking about you, and for some reason, I don't know why, it upset me, and I told them...thatyouhadanSTD.” I covered my face in shame and he burst into laughter. I thought he might drive off the road. Well, it was kind of funny in an ironic way, because he couldn't keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn't offended. “I wondered if you were ever going to tell me!” he said through spurts of hilarity. Duh! Of course he'd been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind. We started catching our breath again a few minutes later, only to break into another round of merriment. “Do you forgive me, then?” I asked when we finally settled down and I wiped my eyes. “Yes, yes. I've had worse said about me.
Wendy Higgins (Sweet Evil (Sweet, #1))
I’m trying to decide whether to tell you two to get a room or go barf in the trash can,” Emma said. “I’m leaning toward the second choice. You are both getting way too weird. And gross.” Cal barked out a laugh and slid his fingers down my arm to entwine with mine. His touch, and Emma’s comments, only made me blush more. Looks like Emma saw Cal lick my face after all. Now that wasn’t awkward or anything.
E.J. Stevens (Legend of Witchtrot Road (Spirit Guide, #3))
Wait, is this a nice-ish way of telling me we had sex and I was lousy? That's how you can tell I'm inexperienced? Because, if so, that's just rude. And what were you doing at Shenanigans? And how did you find me on the road?" Gabriel looked wounded. "To answer your questions in order: The only body fluid I exchanged with you is blood--" "That's very comforting, thank you.
Molly Harper (Nice Girls Don't Have Fangs (Jane Jameson, #1))
I remember the first time I saw you,” Allie said. “I thought you smelled me first.” “Right,” said Allie. “The chocolate. But then I saw you as I sat up in the dead forest, thinking I knew you. At the time, I thought I must have seen you through the windshield when our cars crashed…. But that wasn’t it. I think, way back then, I was seeing you as you are now. Isn’t that funny?” “Not as funny as the way I always complained, and the way you always bossed me around!” They embraced and held each other for a long time. “Don’t forget me,” Nick said. “No matter where your life goes, no matter how old you get. And if you ever get the feeling that someone is looking over your shoulder, but there’s nobody there, maybe it’ll be me.” “I’ll write to you,” said Allie, and Nick laughed. “No really. I’ll write the letter then burn it, and if I care just enough it will cross into Everlost.” “And,” added Nick, “it will show up as a dead letter at that the post office Milos made cross into San Antonio!” Allie could have stood there saying good-bye forever, because it was more than Nick she was saying good-bye to. She was leaving behind four years of half-life in a world that was both stunningly beautiful, and hauntingly dark. And she was saying good-bye to Mikey. I’ll be waiting for you, he had said…. Well, if he was, maybe she wasn’t saying good-bye at all. Nick hefted the backpack on his shoulder. “Shouldn’t you be heading off to Memphis?” he said. “You’d better hit the road…. Jack.” Then he chuckled by his own joke, and walked off.
Neal Shusterman (Everfound (The Skinjacker Trilogy, #3))
It’s important to understand that in the Third World most driving is done with the horn, or “Egyptian Brake Pedal,” as it is known. There is a precise and complicated etiquette of horn use. Honk your horn only under the following circumstances: 1. When anything blocks the road 2. When anything doesn’t. 3. When anything might. 4. At red lights 5. At green lights. 6. At all other times.
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
Isn't it funny how the moments that define our lives the most are almost always the smallest? A scattering of almost inconsequential seconds that steer our course; the proverbial butterfly wings which produce the hurricane of our lives. Single sentences, concepts, and choices-especially choices-which make or break who you are, and who you will become.
Brandon M. Herbert (Walking Wolf Road (The Wolf Road Chronicles, #1))
What’s a TH?” “A Traffic Hazard,” Heeb clarified. “Oh you mean because the woman is so hot she’ll take your eyes off the road?” Narc confirmed. “Exactly.
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
Never follow the crowd.... Until and unless you're crossing the road...
Sanhita Baruah
Funny how people don't really see each other. Men and women. They invent each other in their minds and then they see what they invent.They don't really see each other. Now she was in love with him and she didn't even know his real name, didn't know anything real about him.
Andrew Klavan (Dynamite Road (Weiss & Bishop, #1))
Kann man Selbstbewusstsein eigentlich irgendwo in einer Dose kaufen? Du scheinst das ja zu löffeln wie andere Nutella.” “Klar, haben sie jetzt drüben bei Wal-Mart. Aber nur für Kunden über 1,60. Tut mir leid, knapp verpasst.
Martina Riemer (Road to Hallelujah (Herzenswege #1))
Cam’s grin was wicked as his hand coasted up my waist to cup my breast. He squeezed it, setting off a weird mixture of painful tenderness and a bolt of lust to my sex. “My eyes!” Cole yelled. Cam and I jerked apart, and I twisted my head to see my brother standing in the doorway in his pyjamas, his hair falling in wet locks across his forehead. His forearm covered his eyes. “I’m fucking blind,” he growled and turned around, bumping into the wall before remembering to drop his arm. After that he stomped out of the flat, the door slamming in his wake. Horrified, I looked up into Cam’s face, my eyes wide. “I think I should let him get away with using the ‘f’ word on this occasion.” Cam snorted, laughter sputtering as he dropped his head to my chest, his whole body shaking with amusement. I felt an irrepressible giggle escape me despite my mortification for myself and Cole. “It’s not funny. We’ve scarred him. I better check on him.” Cam shook his head, his eyes bright with mirth. “You’re the last person he wants to see right now … I’m sure he’s barricaded himself in his room and is doing anything he can to burn the image of me dry-humping his sister out of his mind.
Samantha Young (Down London Road (On Dublin Street, #2))
Those unearthly eyes were so close, she could see the reflection of her own furious expression in their depths. “I’d rather watch you take a lover than die at my hands.” She knew how much those words must’ve tortured him. Even now, the air was staining bloodred with anger. “And would you let that man live?” she whispered. No response. That gave her hope even when hope seemed impossible. “Then we fight, Judd.” She dared to place her hand gently on his chest. He flinched but didn’t move away. “We fight until every avenue is closed and then we dig under the roadblocks. Because I am not walking away from us.” Strong words, but she was shaking. He could destroy her with a few careless comments. “You’re the strongest, most determined woman I know.” He played his fingers along the strands of her hair. “You’d make mincemeat out of a lesser man. It’s a good thing you belong to me.” Relief almost collapsed her knees. “Not funny.” “I’m serious.” Something very male moved over his face. “If you say yes now, I won’t let you go if you decide I’m not what you want later on down the road. You say yes, you say yes forever. Be sure.
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
The funny thing about money is that you can't take it with you, so don’t try to.
Aaron Lauritsen (100 Days Drive: The Great North American Road Trip)
Asking someone else to drive your sports car is like asking someone else to kiss your girlfriend.
Amit Kalantri (Wealth of Words)
She was smart like that, and lucky like that, and people loved the hell out of her. They didn’t love the hell out of me; they ran the hell away from me. It wasn’t like I was a bad person or anything, I just … had a lot of accidents. I didn’t mean accidents like I ate glue and then peed myself on a regular basis. I just tripped more than usual, and accidently set things on fire more than what would be considered ‘normal’. I got kicked out of the village school only one moon-cycle before graduation for accidently making one of the teachers bald. How do you accidently make someone bald? That’s a good question. All you really need is a bucket of warm tar to accidently toss onto the back of their head. How do you get a bucket of warm tar? You don’t go looking for it or anything—or at least I didn’t. It was just sitting on the road outside the school and I thought I should carry it inside to ask what it was.
Jaymin Eve (Trickery (Curse of the Gods, #1))
Had I known that any contact from this beautiful stranger would forever change me – would mark me for the rest of my life, wreck me from the inside out, completely break me down until I was nothing but a memory of who I used to be – I would still have made the same choice. Funny, how people always say they want second chances, yet had I been given one. I would have travelled down the same road. Every. Single. Time.
Rachel Van Dyken (Toxic (Ruin, #2))
I waved my hand like a frantic dust mop fingers spread ludicrously wide apart as if to say “What jolly fun ” What I wanted to do actually was to leap to my feet strike a pose and burst into one of those “Yo-ho for the open road ” songs they always play in the cinema musicals but I stifled the urge and settled for a ghastly grin and an extra twiddle of the fingers.
Alan Bradley (A Red Herring Without Mustard (Flavia de Luce, #3))
Chuckling, Jason picked up the bucket of explosives. Rachel felt the moment slipping away. There was so much she wanted to say. What if something happened to him? What if she never told him how much she appreciated his coming back to Lyrian for her? How much she cared about him? There were too many feelings to translate into words. "See you later," she managed. "Not if I see you first," Jason said, starting toward the main doors of the temple. She watched him walking away. Were those the last words he would say to her? She stalked after him. "You can't leave with a joke." He glanced back. "Why not?" "What if I die?" "Then at least I cheered you up before the end." "That wasn't a cheerful joke. It was a teasing joke. And not even a very good one." "Fine. Why did the baby cross the road?" "No jokes," Rachel complained, striding alongside him. "I guess it's more fitting that we should end with an argument." "I just mean there are certain times when jokes aren't appropriate." "Which makes them more needed and funny.
Brandon Mull (Chasing the Prophecy (Beyonders, #3))
It’s funny, you learn a lot about people when you’re on the road like that. Every morning, for example, Bill would have a cup of coffee, a glass of orange juice, a glass of milk, and a beer. Always in the same order. I asked him why he did it once. ‘Well,’ he said, ‘the coffee’s to wake me up, the orange juice is to give me some vitamins to stop me getting sick, the milk’s to coat my stomach for the rest of the day, and the beer’s to put me back to sleep again.’
Ozzy Osbourne (I Am Ozzy)
Dont act like you are walking around with a Tshirt that says "I give Up!" on the front and on the back saying "I never started trying!" People can bring you down, situations happen, YOU can feel like Life is the shittiest thing to deal with. BLAH BLAH BLAH.. If you're walking through Hell, keep going! Everyday there's a new challenge. Face it! Deal with it! Move on! To every problem there is a solution or a way around it.. Stop being a sour mongral and think life owes you something.. No one will do anything for you these days. Start fighting. Get rid of ALL the shit people in your Life. Grow some balls of steel and work progressively through everything. Step by Step or what ever mad method you have to get you back in line again. Who cares, if people don't like you, BURN that mother of a bridge down. It was never meant to be.. Build New ones! Many roads to cross and new paths on life to Explore.. It starts with YOU.. And if people want to judge you, tell them to F/O and look in the mirror. Time for a new game.. It's called "Take over the World" WHOOOP WHOOOP!!
Timothy Padayachee
Several months ago there was a somewhat, in some people's eyes, relatively normal Cal--or by and large normal--the best he was able to be as half Auphe. Occasionally he did lose his shit, attacked and ate deer while on road trips through the woods, created massive holes in between dimensions to shove through malevolently murderous pucks, and once in a while ripped out an Auphe's throat with his teeth. He also opened a gate or two to save his friends, blew up an antihealer from the inside out to save the world, cleaned his guns while watching porn, and generally was a smart-ass to everyone. Normal.
Rob Thurman (Doubletake (Cal Leandros, #7))
So, reader, should you ever find yourself writing about the world, take care not to nibble at the many tempting symbols she sets squarely in your path, or you'll be baited into saying things you don't really mean, and offending the people you want most to entertain. Develop, if you can, the technique of the pall bearers and myself: smile, to be sure -- for fucking dogs are truly funny -- but walk on and say nothing, as though you hadn't noticed.
John Barth (The Floating Opera / The End of the Road)
The fact that has got to be faced is that to abolish class-distinctions means abolishing a part of yourself. Here am I, a typical member of the middle class. It is easy for me to say that I want to get rid of class-distinctions, but nearly everything I think and do is a result of class-distinctions. All my notions — notions of good and evil, of pleasant and unpleasant, of funny and serious, of ugly and beautiful — are essentially middle-class notions; my taste in books and food and clothes, my sense of honour, my table manners, my turns of speech, my accent, even the characteristic movements of my body, are the products of a special kind of upbringing and a special niche about half-way up the social hierarchy.
George Orwell (The Road to Wigan Pier)
A bush-warbler, Coming to the verandah-edge, Left its droppings On the rice-cakes.
Matsuo Bashō (The Narrow Road to the Deep North and Other Travel Sketches (Yuasa))
What had I expected? Ilya Morozova by the side of the road in a golden halo, holding up a sign that read “You were right, Alina. This way to the firebird”?
Leigh Bardugo (Ruin and Rising (The Shadow and Bone Trilogy, #3))
Funny, I think I’ve finally had my fill of revenge now. And with luck, I’ve at last started you out on the road to your own recovery.
Kanae Minato (Confessions)
I didn't actually know what regret tasted like—but I imagined if it did have a flavor, it would be lutefisk.
Angela N. Blount (Once Upon an Ever After (Once Upon a Road Trip #2))
Australia is filled with roundabouts and everyone drives on the wrong side of the road. In the end we decided to split up the work and I feverishly watched the GPS and yelled, "Left! Right! ROUNDABOUT!
Jenny Lawson (Furiously Happy: A Funny Book About Horrible Things)
To truly fail in life is to never try. When you fall on your face, it is an opportunity for you to find the road again. It may remind you how hard the road is, but you will never forget its presence once you make contact.
H.L. Stephens
The only furniture in the dank space was a flimsy cot. Water dripped steadily in one corner. A hole in the floor appeared to serve as a latrine. What most caught Kendra's eye were the messages scratched on the wall. She roamed the cell, reading the crudely inscribed phrases. "Seth rules! Welcome to Seth's House. Seth rocks! Seth was here. Now it's your turn. Seth Sorenson forever. Enjoy the food! If you're reading this, you can read. All roads lead to Seth. Is it still dripping? Seth haunts these halls. You're in a Turkish prison! Seth is the man! Use the meal mats as toilet paper." And so forth. Cold, hopeless, and alone, Kendra found herself giggling at the messages her brother had scrawled. He must have been so bored!
Brandon Mull (Keys to the Demon Prison (Fablehaven, #5))
I cried for all of us. There was no end to the American sadness and the American madness. Someday we'll all start laughing and roll on the ground when we realize how funny it's been. Until then there is a lugubrious seriousness I love in all of this.
Jack Kerouac (On the Road: The Original Scroll)
The night we met, I sort of... well, I flat-out told a lie. On purpose.” I thought he was trying not to smile. “To me?” he asked. “No. About you.” Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame. “Continue. Please.” “There were these girls in the bathroom talking about you, and for some reason, I don’t know why, it upset me, and I told them... thatyouhadanSTD.” I covered my face in shame and he burst into laughter. I thought he might drive off the road. Well, it was kind of funny in an ironic way, because he couldn’t keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn’t offended. “I wondered if you were ever going to tell me!” he said through spurts of hilarity. Duh! Of course he’d been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind.
Wendy Higgins (Sweet Evil (The Sweet Trilogy, #1))
I wasn’t afraid of the Germans, not me,” an old bag would whine, “I went straight up to them and said, ‘This house belongs to the mother of a French officer’—and they didn’t say a word.” And another woman would say, “Bullets were flying all around me, but it’s funny, I wasn’t scared, not a bit.” It was understood that everyone would embellish their tales with terrifying scenes. As for Charles, he would simply reply, “That’s odd. Everything seemed quite normal to me. There were a lot of people on the road, but that’s all.” He imagined their surprise and smiled, feeling smug. He needed to feel smug. When he thought about his apartment in Paris, his heart broke.
Irène Némirovsky (Suite Française)
Here's a note to the parents of addicted children: choose your music carefully. Avoid Louis Armstrong's "What a Wonderful World", from the Polaroid or Kodak or whichever commercial, and the songs "Turn Around" and "Sunrise, Sunset" and - there are thousands more. Avoid Cyndi Lauper's "Time After Time," and this one, Eric Clapton's song about his son. Leonard Cohen's "Hallelujah" sneaked up on me one time. The music doesn't have to be sentimental. Springsteen can be dangerous. John and Yoko. Bjork. Dylan. I become overwhelmed when I hear Nirvana. I want to scream like Kurt Cobain. I want to scream at him. Music isn't all that does it. There are millions of treacherous moments. Driving along Highway 1, I will see a peeling wave. Or I will reach the fork where two roads meet near Rancho Nicasio, where we veered to the left in carpool. A shooting star on a still night at the crest of Olema Hill. With friends, I hear a good joke - one that Nic would appreciate. The kids do something funny or endearing. A story. A worn sweater. A movie. Feeling wind and looking up, riding my bike. A million moments.
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
Redemption is a funny thing. There are infinite ways to get lost and just as many roads to find a path home. We fall back on the wisdom of our earliest teachers and find our innocence in their eyes. We ask more of ourselves and actually live up to it. We open our hearts one more time ready to be screwed over, but hoping for that unconditional acceptance. We quiet the active cynic in our minds and let the biggest dope we know, the dreamer within, start to give directions again. The message becomes clear: take it easy on yourself, have patience, forgive, be merciful … have mercy.
John Stamos (If You Would Have Told Me)
Finally, we entered Chetaube County, my imaginary birthplace, where the names of the little winding roads and minuscule mountain communities never failed to inspire me: Yardscrabble, Big Log, Upper, Middle and Lower Pigsty, Chicken Scratch, Cooterville, Felchville, Dust Rag, Dough Bag, Uranus Ridge, Big Bottom, Hooter Holler, Quickskillet, Buck Wallow, Possum Strut ... We always say a picture speaks a thousand words, but isn’t the opposite equally true?
Sol Luckman (Beginner's Luke (Beginner's Luke, #1))
It’s a funny thing because Britain was in a terrible state in those days. It limped from crisis to crisis. It was known as the Sick Man of Europe. It was in every way poorer than now. Yet there were flower beds in roundabouts, libraries and post offices in every village, cottage hospitals in abundance, council housing for all who needed it. It was a country so comfortable and enlightened that hospitals maintained cricket pitches for their staff and mental patients lived in Victorian palaces.
Bill Bryson (The Road to Little Dribbling: More Notes from a Small Island)
Which road leads to the Wicked Witch of the West?" asked Dorothy. "There is no road," answered the Guardian of the Gates. "No one ever wishes to go that way." "How, then, are we to find her?" inquired the girl. "That will be easy," replied the man, "for when she knows you are in the country of the Winkies she will find you, and make you all her slaves." "Perhaps not," said the Scarecrow, "for we mean to destroy her." "Oh, that is different," said the Guardian of the Gates. "No one has ever destroyed her before, so I naturally thought she would make slaves of you, as she has of the rest. But take care; for she is wicked and fierce, and may not allow you to destroy her. Keep to the West, where the sun sets, and you cannot fail to find her.
L. Frank Baum (The Wonderful Wizard of Oz)
Ain’t it queer that she’d take to stones, bugs, and butterflies, and save them. Now they are going to bring her the very thing she wants the worst. Lord, but this is a funny world when you get to studying! Looks like things didn’t all come by accident. Looks as if there was a plan back of it, and somebody driving that knows the road, and how to handle the lines. Anyhow, Elnora’s in the wagon, and when I get out in the night and the dark closes around me, and I see the stars, I don’t feel so cheap.
Gene Stratton-Porter (A Girl of the Limberlost (Limberlost, #2))
Without having to think about it, I knew Julian and Zav were sitting in the front seats and Sasha was in the back. I could imagine her leaning forward from time to time, asking for a joke to be repeated or pointing out some funny road sign. Trying to campaign for her own existence, before finally giving up and lying back on the seat. Letting their conversation thicken into meaningless noise while she watched the road, the passing orchards. The branches flashing with the silver ties that kept away birds. —
Emma Cline (The Girls)
New Rule: Republicans must stop pitting the American people against the government. Last week, we heard a speech from Republican leader Bobby Jindal--and he began it with the story that every immigrant tells about going to an American grocery store for the first time and being overwhelmed with the "endless variety on the shelves." And this was just a 7-Eleven--wait till he sees a Safeway. The thing is, that "endless variety"exists only because Americans pay taxes to a government, which maintains roads, irrigates fields, oversees the electrical grid, and everything else that enables the modern American supermarket to carry forty-seven varieties of frozen breakfast pastry.Of course, it's easy to tear government down--Ronald Reagan used to say the nine most terrifying words in the Englishlanguage were "I'm from the government and I'm here to help." But that was before "I'm Sarah Palin, now show me the launch codes."The stimulus package was attacked as typical "tax and spend"--like repairing bridges is left-wing stuff. "There the liberals go again, always wanting to get across the river." Folks, the people are the government--the first responders who put out fires--that's your government. The ranger who shoos pedophiles out of the park restroom, the postman who delivers your porn.How stupid is it when people say, "That's all we need: the federal government telling Detroit how to make cars or Wells Fargo how to run a bank. You want them to look like the post office?"You mean the place that takes a note that's in my hand in L.A. on Monday and gives it to my sister in New Jersey on Wednesday, for 44 cents? Let me be the first to say, I would be thrilled if America's health-care system was anywhere near as functional as the post office.Truth is, recent years have made me much more wary of government stepping aside and letting unregulated private enterprise run things it plainly is too greedy to trust with. Like Wall Street. Like rebuilding Iraq.Like the way Republicans always frame the health-care debate by saying, "Health-care decisions should be made by doctors and patients, not government bureaucrats," leaving out the fact that health-care decisions aren't made by doctors, patients, or bureaucrats; they're made by insurance companies. Which are a lot like hospital gowns--chances are your gas isn't covered.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
I'm the one who should apologize,' he said. 'I want to help, but I know I won't be able to. I haven't go the answers to anything.' 'That's what men think, isn't it?' 'What?' 'That unless you've got some answer, unless you can say, "Oh, I know this bloke in Essex Road who can fix that for you", then it's not worth bothering.' Will shifted in his seat and didn't say anything. That was precisely what he thought; in fact, he had spent half the evening trying to think of the name of the bloke in Essex Road, metaphorically speaking.
Nick Hornby (About a Boy)
I look up at her, rolling her mouth and smiling down. I look at the map. It’s not a brain, clearly; it’s a map; can’t she see the rivers and highways and interchanges? But I see how it could look like a brain, like if all roads were twisted neurons, pulling your emotions from one place to another, bringing the city to life. A working brain is probably a lot like a map, where anybody can get from one place to another on the freeways. It’s the nonworking brains that get blocked, that have dead ends, that are under construction like mine.
Ned Vizzini (It's Kind of a Funny Story)
For my friend Fong,” he says, and begins singing John Denver. If you didn’t know it already, now you do: old dudes from rural Taiwan are comfortable with their karaoke and when they do karaoke for some reason they love no one like they love John Denver. Maybe it’s the dream of the open highway. The romantic myth of the West. A reminder that these funny little Orientals have actually been Americans longer than you have. Know something about this country that you haven’t yet figured out. If you don’t believe it, go down to your local karaoke bar on a busy night. Wait until the third hour, when the drunk frat boys and gastropub waitresses with headshots are all done with Backstreet Boys and Alicia Keys and locate the slightly older Asian businessman standing patiently in line for his turn, his face warmly rouged on Crown or Japanese lager, and when he steps up and starts slaying “Country Roads,” try not to laugh, or wink knowingly or clap a little too hard, because by the time he gets to “West Virginia, mountain mama,” you’re going to be singing along, and by the time he’s done, you might understand why a seventy-seven-year-old guy from a tiny island in the Taiwan Strait who’s been in a foreign country for two-thirds of his life can nail a song, note perfect, about wanting to go home.
Charles Yu (Interior Chinatown)
Sind das Schneeengel, die sie da nachmacht?" Und dabei dachte ich, Kelsey wäre verrückt. Obwohl Sarah, wie sie sich im Bett wälzte, eigentlich ganz süß aussah – auf die schräge Art. „Oh Gott, ist die knuffig. Darf ich sie behalten, bitte, bitte“, flehte Kelsey neben mir und ihre Augen leuchten, was mich kurz zum Lachen brachte. „Sie ist kein Chihuahua, denn du behalten kannst.“ Kelsey schmollte, was bedeutete, dass sie auf ihre typische Art, die Unterlippe wie ein Kleinkind nach vorne schob. „Aber ich füttere sie auch und bin ganz lieb zu ihr. Versprochen.“ In diesem Moment stoppte Sarah abrupt mit ihren Bewegungen, setzte sich auf die Knie und starrte uns mit roten Wangen an. Zuerst blickte sie zu Kelsey, zu mir und dann wieder zu Kelsey, bevor sie bei mir hängen blieb. „Hat sie etwa gerade gesagt, ich sei ein Hund?“ Ich prustete los und Kelsey zwinkerte Sarah zu. „Eigentlich hat sie gesagt, dass du knuffig bist und sie dich behalten will, worauf ich gemeint habe, du bist kein Chihuahua.“ „Das ist aber auch nicht besser“, gab sie irritiert zurück, und ich zuckte mit den Schultern. „Es gibt aber Schlimmeres." (Johnny)
Martina Riemer (Road to Hallelujah (Herzenswege #1))
His grip on the wheel tightened as we left the limits of DC and reached the beltway. Through the blur of rain pelting the windows, we could just make out the shapes of the new highway lights and cameras that would be installed over the next few months. Right now, though, our only real sources of light were the car itself and the glow of the capital's light pollution. "Did I really always side with him?" I wondered aloud "I swear I didn't mean to...." Chubs risked a quick glance at me, then fixed his eyes back on the road. "It's not about choosing sides. I shouldn't have ever said that. I'm sorry. You know how I get when my blood sugar is low. He's Lee–he's funny and nice and he dresses like a walking hug." He does wear a lot of flannel," I said. But you're those things, too. Don't make that face just to try to prove me wrong. You are." "I don't feel that way," he admitted. "But I always got that you guys had something different. I respect that. I've never been... It's harder for me to open up to people." The headlights caught the raindrops sliding off the windshield and made them glow like shooting tars. He was making it sound like one friendship was better or more important than the other. That wasn't true. They were just different. The love was exactly the same. They only difference was that Liam had lost a little sister; a part of me had always felt like he wanted to prove to himself that he could save at least one of us. "I always understood you," I told him. "Just like you always understood me.
Alexandra Bracken (The Darkest Legacy (The Darkest Minds, #4))
There’s a pretty good old rowboat. I’ll take you out for a row after supper.” “No, I will,” said Jesse. “Let me. I found her first, didn’t I, Winnie Foster? Listen, I’ll show you where the frogs are, and…” “Hush,” Tuck interrupted. “Everyone hush. I’ll take Winnie rowing on the pond. There’s a good deal to be said and I think we better hurry up and say it. I got a feeling there ain’t a whole lot of time.” Jesse laughed at this, and ran a hand roughly through his curls. “That’s funny, Pa. Seems to me like time’s the only thing we got a lot of.” But Mae frowned. “You worried, Tuck? What’s got you? No one saw us on the way up. Well, now, wait a bit--yes, they did, come to think of it. There was a man on the road, just outside Treegap. But he didn’t say nothing.” “He knows me, though,” said Winnie. She had forgotten, too, about the man in the yellow suit, and now, thinking of him, she felt a surge of relief. “He’ll tell my father he saw me.” “He knows you?” said Mae, her frown deepening. “But you didn’t call out to him, child. Why not?” “I was too scared to do anything ,” said Winnie honestly. Tuck shook his head. “I never thought we’d come to the place where we’d be scaring children,” he said. “I guess there’s no way to make it up to you, Winnie, but I’m sure most awful sorry it had to happen like that. Who was this man you saw?” “I don’t know his name,” said Winnie. “But he’s a pretty nice man, I guess.” In fact, he seemed supremely nice to her now, a kind of savior. And then she added, “He came to our house last night, but he didn’t go inside.” “Well, that don’t sound too serious, Pa,” said Miles. “Just some stranger passing by.” “Just the same, we got to get you home again, Winnie,” said Tuck, standing up decisively. “We got to get you home just as fast as we can. I got a feeling this whole thing is going to come apart like wet bread. But first we got to talk, and the pond’s the best place. The pond’s got answers. Come along, child. Let’s go out on the water.
Natalie Babbitt (Tuck Everlasting)
Susan Baker and the Anne Shirley of other days saw her coming, as they sat on the big veranda at Ingleside, enjoying the charm of the cat's light, the sweetness of sleepy robins whistling among the twilit maples, and the dance of a gusty group of daffodils blowing against the old, mellow, red brick wall of the lawn. Anne was sitting on the steps, her hands clasped over her knee, looking, in the kind dusk, as girlish as a mother of many has any right to be; and the beautiful gray-green eyes, gazing down the harbour road, were as full of unquenchable sparkle and dream as ever. Behind her, in the hammock, Rilla Blythe was curled up, a fat, roly-poly little creature of six years, the youngest of the Ingleside children. She had curly red hair and hazel eyes that were now buttoned up after the funny, wrinkled fashion in which Rilla always
L.M. Montgomery (Rainbow Valley (Anne of Green Gables #7))
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
From then on, write up to this day, I fear that I walk funny, in other words, that I walk like a woman. When I find myself walking at my on pace, I almost immediately slow down. And I learnt what men do not do. They not wet their dry lips by running their tongues over them. They don't trot after their mothers into the kitchen. They don't use face powder. They don't sit on a motorbike behind a woman. They don't need mirrors in the rooms where they might change their clothes. On trips, they can go behind the tree. They don't even need an enclosed space to take a dump; they can do it in the open. They shouldn't be afraid of other people seeing their bodies. If there is only one bathroom they can bathe in the open. When caned in class, I do not cry. They do not buy tamarind rom the lady who sells it on the road and they certainly do not sit by her side and eat it.
Sachin Kundalkar (Cobalt Blue)
(I typed this up myself) MY SKY We were outside in the street me and some other kids kicking the ball before dinner and Sky was chasing chasing chasing with his feet going every which way and his tail wag-wag-wagging and his mouth slob-slob-slobbering and he was all over the place smiling and wagging and slobbering and making us laugh and my dad came walking up the street he was way down there near the end I could see him after he got off the bus and he was walk-walk-walking and I saw him wave and he called out "Hey there, son!" and I didn't see the car coming from the other way until someone else- one of the big kids- called out "Car!" and I turned around and saw a blue car blue car splattered with mud speeding down the road And I saw Sky going after the ball wag-wag-wagging his tail and I called him "Sky! Sky!" and he turned his head but it was too late because the blue car blue car splattered with mud hit Sky thud thud thud and kept on going in such a hurry so fast so many miles to go it couldn't even stop and Sky was just there in the road lying on his side with his legs bent funny and his side heaving and he looked up at me and I said "Sky! Sky! Sky!" and then my dad was there and he lifted Sky out of the road and laid him on the grass and Sky closed his eyes and he never opened them again ever.
Sharon Creech (Love That Dog (Jack, #1))
What I remember most clearly is how it felt. I’d just finished painting a red fire engine-like the one I often walked past near my grandparents’ house. Suddenly the teachers, whose names I've long forgotten, closed in on my desk. They seemed unusually impressed, and my still dripping fire engine was immediately and ceremoniously pinned up. I don’t know what they might have said, but their unexpected attention and having something I’d made given a place of honor on the wall created an overwhelming and totally unfamiliar sense of pride inside me. I loved that feeling, and I wanted to feel it again and again. That desire, I suppose, was the beginning of my career. I have no idea where my fire engine painting ended up, but I never forgot the basic layout. Several decades later, it served as the inspiration for this sketch for an illustration in a book called Why the chicken crossed the Road.
David Macaulay
Irma, she said. But I had started to walk away. I heard her say some more things but by then I had yanked my skirt up and was running down the road away from her and begging the wind to obliterate her voice. She wanted to live with me. She missed me. She wanted me to come back home. She wanted to run away. She was yelling all this stuff and I wanted so badly for her to shut up. She was quiet for a second and I stopped running and turned around once to look at her. She was a thimble-sized girl on the road, a speck of a living thing. Her white-blond hair flew around her head like a small fire and it was all I could see because everything else about her blended in with the countryside. He offered you a what? she yelled. An espresso! I yelled back. It was like yelling at a shorting wire or a burning bush. What is it? she said. Coffee! I yelled. Irma, can I come and live-- I turned around again and began to run.
Miriam Toews (Irma Voth)
Dating yes. But she thinks we're, uh, more than dating." "Oh," he says, thoughtful. Then he grins. "Oh." The reason her lips are turning his favorite color is because Emma's mom thinks they've been dating and mating. The blush extends down her neck and disappears into her T-shirt. He should probably say something to make her feel more comfortable. But teasing her seems so much more fun. "Well then, the least she could do is give us some privacy-" "Ohmysweetgoodness!" She snatches her backpack from the seat and marches around her car to the driver's side. Before she can get the door unlocked, he plucks the key from her fingers and tucks it into his jeans' pocket. She moves to retrieve it, but stops when she realizes where she's about to go fishing. He's never seen her this red. He laughs. "Calm down, Emma. I'm just kidding. Don't leave." "Yeah, well, it's not funny. You should have seen her this morning. She almost cried. my mom doesn't cry." She crosses her arms again but relaxes against her door. "She cried? That's pretty insulting." She cracks a tiny grin. "Yeah, it's an insult to me. She thinks I would...would..." "More than date me?" She nods. He steps toward her and puts his hand beside her on the car, leaning in. A live current seems to shimmy up his spine. What are you doing? "But she should know that you don't even think of me like that. That it would never even cross your mind," he murmurs. She looks away, satisfying his unspoken question-it has crossed her mind. The same way it crosses his. How often? Does she feel the voltage between them, too? Who cares, idiot? She belongs to Grom. Or are you going to let a few sparks keep you from uniting the kingdoms? He pulls back, clenching his teeth. His pockets are the only safe place for his hands at the moment. "Why don't I meet her then? You think that would make her feel better?" "Um." She swipes her hair to the other side of her face. Her expression falls somewhere between shock and expectation. And she had every right to expect it-he's been entertaining the idea of kissing her for over two weeks now. She fidgets the door handle. "Yeah, it might. She won't let me go anywhere-especially with you-if she doesn't meet you first." "Should I be afraid?" She sighs. "Normally I would say no. But after this morning..." She shrugs. "How about I follow you to your house so you can drop off your car? Then she can interrogate me. When she sees how charming I am, she'll let you ride to the beach with me." She rolls her eyes. "Just don't be too charming. If you're too smooth, she'll never believe-just don't overdue it, okay?" "This is getting complicated," he says, unlocking her car. "Just remember, this is your idea and your fault. Now would be the time to back out." He chuckles and opens the door for her. "Don't lose me on the road.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
tell me off or worse—beat me? What can I say? I stare momentarily out of the window. The car is heading back across the bridge. We are both shrouded in darkness, masking our thoughts and feelings, but we don’t need the night for that. “Why, Anastasia?” Christian presses me for an answer. I shrug, trapped. I don’t want to lose him. In spite of all his demands, his need to control, his scary vices, I have never felt as alive as I do now. It’s a thrill to be sitting here beside him. He’s so unpredictable, sexy, smart, and funny. But his moods…oh—and he wants to hurt me. He says he’ll think about my reservations, but it still scares me. I close my eyes. What can I say? Deep down I would just like more, more affection, more playful Christian, more…love. He squeezes my hand. “Talk to me, Anastasia. I don’t want to lose you. This last week…” We’re coming near to the end of the bridge, and the road is once more bathed in the neon light of the street lamps so his face is intermittently in the light and the dark. And it’s such a
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
The General went out to find that none of his G.I.s were there. One finally ran up, panting heavily. "Sorry, sir! I can explain, you see I had a date and it ran a little late. I ran to the bus but missed it, I hailed a cab but it broke down, found a farm, bought a horse but it dropped dead, ran 10 miles, and now I’m here." The General was very skeptical about this explanation but at least he was here so he let the G.I. go. Moments later, eight more G.I.s came up to the general panting, he asked them why they were late. "Sorry, sir! I had a date and it ran a little late, I ran to the bus but missed it, I hailed a cab but it broke down, found a farm, bought a horse but it dropped dead, ran 10 miles, and now I’m here." The General eyed them, feeling very skeptical but since he let the first guy go, he let them go, too. A ninth G.I. jogged up to the General, panting heavily. "Sorry, sir! I had a date and it ran a little late, I ran to the bus but missed it, I hailed a cab but..." "Let me guess," the General interrupted, "it broke down." "No," said the G.I., "there were so many dead horses in the road, it took forever to get around them.
Adam Smith (Funny Jokes: Ultimate LoL Edition (Jokes, Dirty Jokes, Funny Anecdotes, Best jokes, Jokes for Adults) (Comedy Central Book 1))
She was a hunchback with a sweet smile. She smiled sweetly at anything; she couldn't help it; the trees, me, the grass, anything. The basket pulled her down, dragging her toward the ground. She was such a tiny woman, with a hurt face, as if slapped forever. She wore a funny old hat, an absurd hat, a maddening hat, a hat to make me cry, a hat with faded red berries on the brim. And there she was, smiling at everything, struggling across the carpet with a heavy basket containing Lord knew what, wearing a plumed hat with red berries. I got up. It was so mysterious. There I was, like magic, standing up, my two feet on the ground, my eyes drenched. I said, "Let me help." She smiled again and gave me the basket. We began to walk. She led the way. Beyond the trees it was stifling. And she smiled. It was so sweet it nearly tore my head off. She talked, she told me things I never remembered. It didn't matter. In a« dream she held me, in a dream I followed under the blinding sun. For blocks we went forward. I hoped it would never end. Always she talked in a low voice made of human music. What words! What she said! I remembered nothing. I was only happy. But in my heart I was dying. It should have been so. We stepped from so many curbs, I wondered why she did not sit upon one and hold my head while I drifted away. It was the chance that never came again. That old woman with the bent back! Old woman, I feel so joyfully your pain. Ask me a favor, you old woman you! Anything. To die is easy. Make it that. To cry is easy, lift your skirt and let me cry and let my tears wash your feet to let you know I know what life has been for you, because my back is bent too, but my heart is whole, my tears are delicious, my love is yours, to give you joy where God has failed. To die is so easy and you may have my life if you wish it, you old woman, you hurt me so, you did, I will do anything for you, to die for you, the blood of my eighteen years flowing in the gutters of Wilmington and down to the sea for you, for you that you might find such joy as is now mine and stand erect without the horror of that twist. I left the old woman at her door. The trees shimmered. The clouds laughed. The blue sky took me up. Where am I? Is this Wilmington, California? Haven't I been here before? A melody moved my feet. The air soared with Arturo in it, puffing him in and out and making him something and nothing. My heart laughed and laughed. Goodbye to Nietzsche and Schopenhauer and all of you, you fools, I am much greater than all of you! Through my veins ran music of blood. Would it last? It could not last. I must hurry. But where? And I ran toward home. Now I am home. I left the book in the park. To hell with it. No more books for me. I kissed my mother. I clung to her passionately. On my knees I fell at her feet to kiss her feet and cling to her ankles until it must have hurt her and amazed her that it was I.
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
Where are you going this hot day, Mis’ DeJong?” Selina sat up very straight. “To Bagdad, Mrs. Pool.” “To — Where’s that? What for?” “To sell my jewels, Mrs. Pool. And to see Aladdin, and Harun-al-Rashid and Ali Baba. And the Forty Thieves.” Mrs. Pool had left her rocker and had come down the steps. The wagon creaked on past her gate. She took a step or two down the path, and called after them. “I never heard of it. Bag — How do you get there?” Over her shoulder Selina called out from the wagon seat. “You just go until you come to a closed door. And you say ‘Open Sesame!’ and there you are.” Bewilderment shadowed Mrs. Pool’s placid face. As the wagon lurched on down the road it was Selina who was smiling and Mrs. Pool who was serious. The boy, round eyed, was looking up at his mother. “That’s out of Arabian Nights, what you said. Why did you say that?” Suddenly excitement tinged his voice. “That’s out of the book. Isn’t it? Isn’t it! We’re not really ——” She was a little contrite, but not very. “Well, not really, perhaps. But ’most any place is Bagdad if you don’t know what will happen in it. And this is an adventure, isn’t it, that we’re going on? People in disguise in the Haymarket. Caliphs, and princes, and slaves, and thieves, and good fairies, and witches.” “In the Haymarket! That Pop went to all the time! That is just dumb talk.
Edna Ferber (So Big)
BROADBENT [stiffly]. Devil is rather a strong expression in that connexion, Mr Keegan. KEEGAN. Not from a man who knows that this world is hell. But since the word offends you, let me soften it, and compare you simply to an ass. [Larry whitens with anger]. BROADBENT [reddening]. An ass! KEEGAN [gently]. You may take it without offence from a madman who calls the ass his brother--and a very honest, useful and faithful brother too. The ass, sir, is the most efficient of beasts, matter-of-fact, hardy, friendly when you treat him as a fellow-creature, stubborn when you abuse him, ridiculous only in love, which sets him braying, and in politics, which move him to roll about in the public road and raise a dust about nothing. Can you deny these qualities and habits in yourself, sir? BROADBENT [goodhumoredly]. Well, yes, I'm afraid I do, you know. KEEGAN. Then perhaps you will confess to the ass's one fault. BROADBENT. Perhaps so: what is it? KEEGAN. That he wastes all his virtues--his efficiency, as you call it--in doing the will of his greedy masters instead of doing the will of Heaven that is in himself. He is efficient in the service of Mammon, mighty in mischief, skilful in ruin, heroic in destruction. But he comes to browse here without knowing that the soil his hoof touches is holy ground. Ireland, sir, for good or evil, is like no other place under heaven; and no man can touch its sod or breathe its air without becoming better or worse. It produces two kinds of men in strange perfection: saints and traitors. It is called the island of the saints; but indeed in these later years it might be more fitly called the island of the traitors; for our harvest of these is the fine flower of the world's crop of infamy. But the day may come when these islands shall live by the quality of their men rather than by the abundance of their minerals; and then we shall see. LARRY. Mr Keegan: if you are going to be sentimental about Ireland, I shall bid you good evening. We have had enough of that, and more than enough of cleverly proving that everybody who is not an Irishman is an ass. It is neither good sense nor good manners. It will not stop the syndicate; and it will not interest young Ireland so much as my friend's gospel of efficiency. BROADBENT. Ah, yes, yes: efficiency is the thing. I don't in the least mind your chaff, Mr Keegan; but Larry's right on the main point. The world belongs to the efficient.
George Bernard Shaw (John Bull's Other Island)
But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)
Jack Kerouac (Big Sur)
You said to step on the brake to put us into drive, then to step on the right one to-" "Not at the same time!" "Well, you should have told me that. How was I supposed to know?" I snort. "You acted like the freaking Dalai Lama when I tried to tell you how to shift gears. I told you, one was for go and one was for stop. You can't stop and go at the same time! You have to make up your mind." From the expression on her face, she's either about to punch me or call me something really bad. She opens her mouth, but the really bad something doesn't come out; she shuts it again. Then she giggles. Now I've seen everything. "Galen tells me that all the time," she chortles. "That I can never make up my mind." Then she bursts out laughing so hard she spits all over the steering wheel. She keeps laughing until I'm convinced an unknown force is tickling her senseless. What? As far as I can tell, her indecisiveness almost got us killed. Killed isn't funny. "You should have seen your face," she says, between gulps of breaths. "You were all, like-" And she makes the face of a drunk clown. "I bet you wet yourself, didn't you?" She cracks herself up so much she clutches her side as if she's holding in her own guts. I feel my lips fracture into a smile before I can stop them. "You were more scared than me. You swallowed like ten flies while you were screaming." She spits all over the steering wheel again. And I spew laughter onto the dash. It takes a good five minutes for us to sober up enough for another driving lesson. My throat is dry, and my eyes are wet when I say, "Okay, now. Let's concentrate. The sun is going down. These woods probably get pretty creepy at night." She clears her throat, still giggling a little. "Okay. Concentrate. Right." "So, this time, when you take your foot off the brake, the car will go on its own. There, see?" We slink along the road at an idle two miles per hour. She huffs up at her bangs. "This is boring. I want to go faster." I start to say, "Not too fast," but she squashes the gas under her foot, and my words are snatched away by the wind. She gives a startled shout, which I find hypocritical because after all, I'm the one helpless in the passenger seat, and she's the one screaming like a teapot, turning the wheel back and forth like the road isn't straight as a pencil. "Brake, brake, brake!" I shout, hoping repetition will somehow penetrate the small part of her brain that actually thinks. Everything happens fast. We stop. There's a crunching sound. My face slams into the dash. No wait, the dash becomes an airbag. Rayna's scream is cut off by her airbag. I open my eyes. A tree. A freaking tree. The metal frame groans, and something under the hood lets out a mechanical hiss. Smoke billows up from the front, the universal symbol for "you're screwed." I turn to the rustling sound beside me. Rayna is wrestling with the airbag like it has attacked her instead of saved her life. "What is this thing?" she wails, pushing it out of her way and opening the door. One Mississippi...two Mississippi... "Well, are you just going to sit there? We have a long walk home. You're not hurt are you? Because I can't carry you." Three Mississippi...four Mississippi... "What are those flashing blue lights down there?
Anna Banks (Of Poseidon (The Syrena Legacy, #1))