Weaving Direct Quotes

...The pages and pages of complex, impenetrable calculations might have contained the secrets of the universe, copied out of God's notebook. In my imagination, I saw the creator of the universe sitting in some distant corner of the sky, weaving a pattern of delicate lace so fine that that even the faintest light would shine through it. The lace stretches out infinitely in every direction, billowing gently in the cosmic breeze. You want desperately to touch it, hold it up to the light, rub it against your cheek. And all we ask is to be able to re-create the pattern, weave it again with numbers, somehow, in our own language; to make the tiniest fragment our own, to bring it back to eart.

Do you think I am trying to weave a spell? Perhaps I am; but remember your fairy tales. Spells are used for breaking enchantments as well as for inducing them. And you and I have need of the strongest spell that can be found to wake us from the evil enchantment of worldliness which has been laid upon us for nearly a hundred years. Almost our whole education has been directed to silencing this shy, persistent, inner voice; almost all our modem philosophies have been devised to convince us that the good of man is to be found on this earth.

Just as life is made up of day and night, and song is made up of music and silence, friendships, because they are of this world, are also made up of times of being in touch and spaces in-between. Being human, we sometimes fill these spaces with worry, or we imagine the silence is some form of punishment, or we internalize the time we are not in touch with a loved one as some unexpressed change of heart. Our minds work very hard to make something out of nothing. We can perceive silence as rejection in an instant, and then build a cold castle on that tiny imagined brick. The only release from the tensions we weave around nothing is to remain a creature of the heart. By giving voice to the river of feelings as they flow through and through, we can stay clear and open. In daily terms, we call this checking in with each other, though most of us reduce this to a grocery list: How are you today? Do you need any milk? Eggs? Juice? Toilet paper? Though we can help each other survive with such outer kindnesses, we help each other thrive when the checking in with each other comes from a list of inner kindnesses: How are you today? Do you need any affirmation? Clarity? Support? Understanding? When we ask these deeper questions directly, we wipe the mind clean of its misperceptions. Just as we must dust our belongings from time to time, we must wipe away what covers us when we are apart.

I want to do something, right here, right now, to shame them, to make them accountable, to show the Capitol that whatever they do or force us to do there is a part of every tribute they can't own. That Rue was more than a piece in their Games. And so am I. "A few steps into the woods grows a bank of wildflowers. Perhaps they are really weeds of some sort, but they have blossoms in beautiful shades of violet and yellow and white. I gather an armful and come back to Rues's side. Slowly, one stem at a time, I decorate her body in the flowers. Covering the ugly wound. Wreathing her face. Weaving her hair with bright colors. "They'll have to show it. Or, even if they choose to turn the cameras elsewhere at this moment, they'll have to bring them back when they collect the bodies and everyone will see her then and know I did it. I step back and take a last look at Rue. She really could be asleep in that meadow after all. ""Bye, Rue," I whisper. I press the three middle fingers of my left hand against my lips and hold them out in her direction. Then I walk away without looking back.

Alignment begins with a constituency of one. These are the individuals whose substance is real, pure and nonnegotiable. They share their vulnerabilities and fears in complement to their strengths. They are comfortable weaving all parts of their lives together in an integrated way. Our level of effectiveness, contribution and integrity of work and life are in direct correlation with our level of integration, self-actualization and total alignment fo body, mind and spirit.

In my imagination, I saw the creator of the universe sitting in some distant corner of the sky, weaving a pattern of delicate lace so fine that even the faintest light would shine through it. The lace stretches out infinitely in every direction, billowing gently in the cosmic breeze. You want desperately to touch it, hold it up to the light, rub it against your cheek. And all we ask is to be able to re-create the pattern, weave it again with numbers, somehow, in our own language; to make even the tiniest fragment our own, to bring it back to earth.

Medieval technology could raise marvels of architecture 200 feet in the air, it could conceive the mechanics of a loom capable of weaving patterned cloth, and of a gearshaft capable of harnessing the insubstantial air to turn a heavy millstone, but it failed to conceive the fore-and-aft rig and swinging boom capable of adapting sails to the direction of the wind. By such accident of the human mind, war, trade, and history are shaped.

Money. An instrument invented in ancient temple complexes, to keep track of debt: counters that acquired mobility and went a-walking, weaving webs of debt into vast and intricate meshes, enslaving and directing the labor of billions in service of the obligations created by its issuance. . . . Money: a shadow play projected on the walls of our minds by the dark sun of debt.

We bumped into other silent lines of kids going in the same direction. We looked like we were much younger and our lines were headed to the cafeteria or recess or the carpool line. Or it could’ve been a fire drill. Except for the stone-faced police officers weaving between us with rifles.

1. The consciousness that created the universe dwells within us. 2. We exist in the energy web and are one with it. 3. Consciousness weaves and directs energy. 4. Everything exists for us as a possibility.

I thought of our family, sometimes, as a tapestry: a perfect blending and weaving of colored threads that produced an enviable picture on our surface, while underneath we were a tangled maze of knots and stitches, colliding and separating in our own directions, united only in the mandate to keep the outward appearances lovely.

She was this girl living in a bottomless hole of her thoughts. One day she saw a light. She felt the warmth and walked in its direction. It was there that she found him. He spoke to her and wove tendrils of love on her heart. His compassion was over whelming for her. His words, his love, his eyes- everything about him was so pure, so true. Her heart was getting intertwined with the love he was bestowing upon her. The mesh of affection he weaved around her heart made it breathe. And live. Vine by vine the mesh thickened. Today, he is her beloved. They are inseparable. He smiles, she smiles. They weave dreams. She loves him beyond infinity. He has her heart strings. And as he walks, she walks with him.

It is a formidable list of jobs: the whole of the spinning industry, the whole of the dyeing industry, the whole of the weaving industry. The whole catering industry and—which would not please Lady Astor, perhaps—the whole of the nation’s brewing and distilling. All the preserving, pickling and bottling industry, all the bacon-curing. And (since in those days a man was often absent from home for months together on war or business) a very large share in the management of landed estates. Here are the women’s jobs—and what has become of them? They are all being handled by men. It is all very well to say that woman’s place is the home—but modern civilisation has taken all these pleasant and profitable activities out of the home, where the women looked after them, and handed them over to big industry, to be directed and organised by men at the head of large factories. Even the dairy-maid in her simple bonnet has gone, to be replaced by a male mechanic in charge of a mechanical milking plant.

The shock to our systems Made us both trip; We fell, The pair of us, In different directions.

Some things are too great to come at directly. Just as we may weave back and forth as we climb a hill, and appear to be going round in circles, yet all the while are coming closer to the summit, so in our religious and spiritual life things may seem circuitous; we may think we have come back to the same spot, but always, if we press on, it is a little higher, a little closer to the truth.

How are you defining the truth of who you are? By whose standards? What subtle lies has the serpent been weaving into your understanding of God’s intentions for you? How have they been corrupting your identity? What is that corruption costing you? Peace? Joy? The ability to connect with others who need you to be there for them? The ability to hear from God about His direction for your life?

A dozen snowflakes hit the road and all common sense pours directly out of drivers’ brains. Half of the people drive fifteen miles an hour and the other half weave in and out of lanes doing seventy-five.

The true nature of the world is veiled, and if you shine a bright light on it, you can’t expose that truth; it melts away with the shadows in which it was cloaked. The truth is too awesome for us to stare directly at it, and we are meant to glimpse it only at the periphery of our vision. If the landscape of your mind is too dark with fear or doubt or anger, you are blind to all truth. But if your mental landscape is too bright with certitude and arrogance, you are snow-blind and likewise unable to see what lies before you. Only the moonlit mind allows wonder, and it is in the thrall of wonder that you can see the intricate weave of the world of which you are but one thread, one fantastic and essential thread.

A shabby looking old man was walking their way. It must be a relative of one of the men, wandering in the wrong direction as they often did. Where were they going to put this one? He was wearing a pulled-down hat and he had a long beard. He was weaving towards her, his feet tripping unsteadily.Even though she could not see his face, there was something oddly familiar about him. She stared hard, trying to make it out. He put up his hand and waved. She stared again. "That's your father," said Tom.

My prolonged study of these photographs led me to appreciate the importance of preserving certain moments for prosperity, and as time moved forwards I also came to see what a powerful influence these framed scenes exerted over us as we went about our daily lives. To watch my uncle pose my brother a maths problem, and at the same time to see him in a picture taken thirty-two years earlier; to watch my father scanning the newspaper and trying, with a half-smile, to catch the tail of a joke rippling across the crowded room, and at that very same moment to see a picture of him to me that my grandmother had framed and frozen these memories so that we could weave them into the present.When, in the tones ordinarily preserved for discussing the founding of a nation, my grandmother spoke of my grandfather who had died so young, and pointed at the frames on the tables and the walls, it seemed that she, like me, was pulled in two direction , wanting to get on with life but also longing to capture the moment of perfection, savouring the ordinary life but still honouring the ideal. But even as I pondered these dilemmas-if you plucked a special moment from life and framed it, were you defying death, decay and the passage of time, or were you submitting to them? - I grew very bored with them.

I have written various words, verbs, adjectives, and adverbs, and bits of dismantled sentences, fragments of expressions and descriptions and all kinds of tentative combinations. Every now and again I pick up one these particles, these molecules of texts, hold it up to the light and examine it carefully, turn it in various directions, lean forward and rub or polish it, hold it up to the light again, rub it again slightly, then lean forward and fit it into the texture of the cloth I am weaving. Then I stare at it from different angles, still not entirely satisfied, and take it out again and replace it with another word, or try to fit it into another niche in the same sentence, then remove, file it down a tiny bit more, and try to fit it in again, perhaps at a slightly different angle. Or deploy it differently. Perhaps farther down the sentence. Or at the beginning of the next one. Or should I cut it off and make it into a one-word sentence on its own? I stand up. Walk around the room. Return to the desk. Stare at it for a few moments or longer, cross out the whole sentence or tear up the whole page. I give up in despair. I curse myself aloud and curse writing in general and the language as a whole, despite which I sit down and start putting the whole thing together all over again. [p.268]

I'm not a book snub nor a person snub. All books, just as all people deserve a chance. Some seem to weave into your life, while others may not be a perfect fit. Some may only be brief encounters before you head in separate directions. Others just grasp hold of you and become a permanent part of you. No matter...They all deserve a chance

They weave between the trees and bracken, leaves and sticks cracking beneath their feet, grey flints and white chalk jutting like shards of bone glinting through the soil. Out of the direct sunlight, the air is soft and green, as if they walk through cool water. The further they go, the thicker the insidious ivy scaling the beech tree trunks and the denser the canopy.

Moore has been noted for the number of appositeness, as well as novelty of his similes; and the renown thus acquired is indicial of his deficiency in that noble merit- the noblest of all. No poet thus distinguished was ever richly ideal. Pope and Cowper are instances. Direct similes are of too palpably artificial a character to be artistical. An artist will always contrive to weave his illustrations into the metaphorical form.

Life is very tricky and we must deal with it as it is. If we do not first master it ourselves we cannot help anyone else. In the seclusion of concentrated thought lies hidden the factory of all accomplishment. Remember that. In this factory continuously weave your will pattern for attaining success over opposing difficulties. Exercise your will continuously. During the day and at night you have many opportunities to work in this factory, if you do not waste your time. At night I withdraw from the world’s demands and am by myself, an absolute stranger to the world; it is a blank. Alone with my will power, I turn my thoughts in the desired direction until I have determined in my mind exactly what I wish to do and how to do it. Then I harness my will to the right activities and it creates success. In this way I have effectively used my will power many times. But it won’t work unless the application of will power is continuous.

All too frequently we take a different view of our trials and temptations. We tend to see them as isolated nightmares. God, however, sees them from a different perspective. They are important and connected punctuation marks in the biography of grace He is writing in our lives. They give formation, direction, and character to our lives. They are all part of the tapestry He is weaving in history. He uses them to build up our strength and to prepare us to surmount greater obstacles, perhaps fiercer temptations.

There was just enough room for the tonga to get through among the bullock-carts, rickshaws, cycles and pedestrians who thronged both the road and the pavement--which they shared with barbers plying their trade out of doors, fortune-tellers, flimsy tea-stalls, vegetable-stands, monkey-trainers, ear-cleaners, pickpockets, stray cattle, the odd sleepy policeman sauntering along in faded khaki, sweat-soaked men carrying impossible loads of copper, steel rods, glass or scrap paper on their backs as they yelled 'Look out! Look out!' in voices that somehow pierced though the din, shops of brassware and cloth (the owners attempting with shouts and gestures to entice uncertain shoppers in), the small carved stone entrance of the Tinny Tots (English Medium) School which opened out onto the courtyard of the reconverted haveli of a bankrupt aristocrat, and beggars--young and old, aggressive and meek, leprous, maimed or blinded--who would quietly invade Nabiganj as evening fell, attempting to avoid the police as they worked the queues in front of the cinema-halls. Crows cawed, small boys in rags rushed around on errands (one balancing six small dirty glasses of tea on a cheap tin tray as he weaved through the crowd) monkeys chattered in and bounded about a great shivering-leafed pipal tree and tried to raid unwary customers as they left the well-guarded fruit-stand, women shuffled along in anonymous burqas or bright saris, with or without their menfolk, a few students from the university lounging around a chaat-stand shouted at each other from a foot away either out of habit or in order to be heard, mangy dogs snapped and were kicked, skeletal cats mewed and were stoned, and flies settled everywhere: on heaps of foetid, rotting rubbish, on the uncovered sweets at the sweetseller's in whose huge curved pans of ghee sizzled delicioius jalebis, on the faces of the sari-clad but not the burqa-clad women, and on the horse's nostrils as he shook his blinkered head and tried to forge his way through Old Brahmpur in the direction of the Barsaat Mahal.

The (unratified) Preamble of the European Constitution begins by stating that it draws inspiration “from the cultural, religious and humanist inheritance of Europe, from which have developed the universal values of the inviolable and inalienable rights of the human person, democracy, equality, freedom and the rule of law.”3 This may easily give one the impression that European civilization is defined by the values of human rights, democracy, equality, and freedom. Countless speeches and documents draw a direct line from ancient Athenian democracy to the present-day European Union, celebrating twenty-five hundred years of European freedom and democracy. This is reminiscent of the proverbial blind man who takes hold of an elephant’s tail and concludes that an elephant is a kind of brush. Yes, democratic ideas have been part of European culture for centuries, but they were never the whole. For all its glory and impact, Athenian democracy was a halfhearted experiment that survived for barely two hundred years in a small corner of the Balkans. If European civilization for the past twenty-five centuries has been defined by democracy and human rights, what are we to make of Sparta and Julius Caesar, of the Crusaders and the conquistadores, of the Inquisition and the slave trade, of Louis XIV and Napoleon, of Hitler and Stalin? Were they all intruders from some foreign civilization? In truth, European civilization is anything Europeans make of it, just as Christianity is anything Christians make of it, Islam is anything Muslims make of it, and Judaism is anything Jews make out of it. And they have made of it remarkably different things over the centuries. Human groups are defined more by the changes they undergo than by any continuity, but they nevertheless manage to create for themselves ancient identities thanks to their storytelling skills. No matter what revolutions they experience, they can usually weave old and new into a single yarn.

When we dwell on a desire in our conscious minds, we involve ourselves in rational attempts to satisfy it, attempts that bind our energy into structured schemes that defy the fluid essence of power. We waste our energy weaving dreams—tapestries of method and motivation, expectation and fear of failure—veils that keep us from seeing ourselves as nodes of power linked directly to Infinity. But when we repress our desires, they shrink away from consciousness to turn in on themselves—becoming discrete entities—and if we can pour enough energy into them (even as we keep the thought of them out of our waking minds), they will sink down into the wellsprings of Fate, where the energy will be able to adjust Fate's flow according to our wills.

half-century before, at Stalin’s direct order, NKVD executioners slaughtered fifteen thousand Polish military officers and threw the bodies into rows of mass graves. The month-long operation in Kalinin, Katyn, and Starobelsk was part of Stalin’s attempt to begin the domination of Poland. The young officers had been among the best-educated men in Poland, and Stalin saw them as a potential danger, as enemies-in-advance. For decades after, Moscow put the blame for the killings on the Nazis, saying the Germans had carried out the massacres in 1941, not the NKVD in 1940. The Kremlin propaganda machine sustained the fiction in speeches, diplomatic negotiations, and textbooks, weaving it into the vast fabric of ideology and official history that sustained the regime and its empire.

Cunningly done, O Francis, puissant comte de Sevigny. Nothing crude. Nothing too rich, or sickly, or posturing. Songs like a lost hearth-fire, that one had known from one’s childhood; songs rarely come upon, and the rest like new lovers, moving in their unfamiliarity. Songs which spoke direct to the heart. To the heart, and not to the intellect. She looked at Lymond. The dark wood of his chair defined his head. His profile, pure as the flowered spurs on his porcelain, was turned from the singers. His lids at first she thought were closed; and then she realized that he was fully occupied. He was watching time, and his guests; and guiding noiselessly through his maîtres d’hôtel the weaving pattern of footmen, pages, sommelier. Tonight he had no hostess and equally needed none. He had done this, somewhere, many times, and it was effortless.

As already suggested, when the individual first learns who it is that he must now accept a his own, he is likely, at the very least, to feel some ambivalence; for these others will not only be patently stigmatized, and thus not like the normal person he knows himself to be, but ma also have other attributes with which he finds it difficult to associate himself. What may end up as a freemasonry may begin with a shudder. A newly blind girl on a visit to The Lighthouse [probably the Chicago Lighthouse, one of the oldest social service agencies in Chicago serving the blind or visually impaired] directly from leaving the hospital provides an illustration: „My questions about a guide dog were politely turned aside. Another sighted worker took me in tow to show me around. We visited the Braille library; the classrooms; the clubrooms where the blind members of the music and dramatic groups meet; the recreation hall where on festive occasion the blind play together; the cafeteria, where all the blind gather to eat together; the huge workshops where the blind earn a subsistence income by making mops and brooms, weaving rugs, caning chairs. As we moved from room to room, I could hear the shuffling of feet, the muted voices, the tap-tap-tapping of canes. Here was the safe, segregated world of the sightless — a completely different world, I was assured by the social worker, from the one I had just left…. I was expected to join this world. To give up my profession and to earn my living making mops. The Lighthouse would be happy to teach me how to make mops. I was to spend the rest of my life making mops with other blind people, eating with other blind people, dancing with other blind people. I became nauseated with fear, as the picture grew in my mind. Never had I come upon such destructive segregation.“ (p.37)

Dear God, I love this tree. I love the light filtering through the moss and the leaves. I love all your earth songs—the breeze rustling through the grass, the rhythm of crickets, the beating of wings. I love the rain water in the bird bath and the dragonflies that flit over it. I love the air so laden with moisture that the dew rains out of the tree and bathes my face. I love the artistic little prayers that the spiders weave through the woods. I love the way you blend daylight into darkness, how dusk softens the sharp edges of the world. I love the way the moon changes shape every night. I love the slope of your hills—horizons inside and out. I feel that I’m part of it, that it’s part of me. Here, surrounded and permeated by your creation, I feel you. I feel life. I know myself connected. O God, is there anything you’ve made that can’t pour life and healing into me? When I think of the simplicity and extravagance of creation, I want to bend down and write the word yes across the earth so that you can see it.

I gave him my best cryptic smile. He grimaced. “What have you found out?” he asked. “I’m not at liberty to tell you that.” Not with the Pack suspect. He leaned forward more, letting the moonlight fall on his face. His gaze was direct and difficult to hold. Our stares locked and I gritted my teeth. Five seconds into the conversation and he was already giving me the alpha-stare. If he started clicking his teeth, I’d have to make a run for it. Or introduce him to my sword. “You will tell me what you know now,” he said. “Or?" He said nothing, so I elaborated. “See, this kind of threat usually has an ‘or’ attached to it. Or an ‘and.’ ‘Tell me and I’ll allow you to live’ or something like that.” His eyes ignited with gold. His gaze was unbearable now. “I can make you beg to tell me everything you know,” he said and his voice was a low growl. It sent icy fingers of terror down my spine. I gripped Slayer’s hilt until it hurt. The golden eyes were burning into my soul. “I don’t know,” I heard my own voice say, “you look kinda out of shape to me. How long has it been since you took care of your own dirty work?” His right hand twitched. Muscles boiled under the taut skin and fur burst, sheathing the arm. Claws slid from thickened fingers. The hand snapped inhumanly fast. I weaved back and it fanned my face, leaving no scars. A strand of hair fell onto my left cheek, severed from my braid. The claws retracted. “I think I still remember how,” he said. A spark of magic ran from my fingers into Slayer’s hilt and burst into the blade, coating the smooth metal in a milky-white glow. Not that the glow actually did anything useful, but it looked bloody impressive. “Any time you want to dance,” I said. He smiled, slow and lazy. “Not laughing anymore, little girl?” He was impressive, I’d give him that. I turned the blade, warming up my wrist. The saber drew a tight glowing ellipse in the air, flinging tiny drops of luminescence on the dirty floor. One of them fell close to the Beast Lord’s foot and he moved away. “I wonder if all this changing has made you sluggish.” “Bring your pig-sticker and we’ll find out.

These things-the beauty, the memory of our own past-are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited. Do you think I am trying to weave a spell? Perhaps I am; but remember your fairy tales. Spells are used for breaking enchantments as well as for inducing them. And you and I have need of the strongest spell that can be found to wake us from the evil enchantment of worldliness which has been laid upon us for nearly a hundred years. Almost our whole education has been directed to silencing this shy, persistent, inner voice; almost all our modem philosophies have been devised to convince us that the good of man is to be found on this earth. And yet it is a remarkable thing that such philosophies of Progress or Creative Evolution themselves bear reluctant witness to the truth that our real goal is elsewhere.

Paint in several colors was squeezed out of tubes and mixed and applied to woven fabric stretched on a wooden frame so artfully we say we see a woman hanging out a sheet rather than oil on canvas. Ana Teresa Fernandez’s image on that canvas is six feet tall, five feet wide, the figure almost life-size. Though it is untitled, the series it’s in has a title: Telaraña. Spiderweb. The spiderweb of gender and history in which the painted woman is caught; the spiderweb of her own power that she is weaving in this painting dominated by a sheet that was woven. Woven now by a machine, but before the industrial revolution by women whose spinning and weaving linked them to spiders and made spiders feminine in the old stories. In this part of the world, in the creation stories of the Hopi, Pueblo, Navajo, Choctaw, and Cherokee peoples, Spider Grandmother is the principal creator of the universe. Ancient Greek stories included an unfortunate spinning woman who was famously turned into a spider as well as the more powerful Greek fates, who spun, wove, and cut each person’s lifeline, who ensured that those lives would be linear narratives that end. Spiderwebs are images of the nonlinear, of the many directions in which something might go, the many sources for it; of the grandmothers as well as the strings of begats. There’s a German painting from the nineteenth century of women processing the flax from which linen is made. They wear wooden shoes, dark dresses, demure white caps, and stand at various distances from a wall, where the hanks of raw material are being wound up as thread. From each of them, a single thread extends across the room, as though they were spiders, as though it came right out of their bellies. Or as though they were tethered to the wall by the fine, slim threads that are invisible in other kinds of light. They are spinning, they are caught in the web. To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not just straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out.

He plunged into the foliage, and was swept into a humid, wet world of towering trees, animal chirps and thick ferns. After a few steps, he turned, and could barely make out the village. He walked a few more steps. He could see nothing now except for the thick trees and long ferns and grasses that surrounded him. He was enveloped into the confined space between trees, surrounded by the jungle heat and staccato chirps. He turned in the direction of the village, but could only see thick, dense trees. Hoping his sense of direction had not been muddled, he turned back around to the direction of the alleged ocean, and kept walking. Now the calls he heard sounded more and more strange. How far had he walked by now? The jungle, or rain forest, whatever it was, did not relent, and he kept on weaving into narrow gaps between the sturdy ferns and towering trees, pressing onwards. This continued for a seemingly oppressive amount of time, and he began to doubt his decision. To come to this place. To take a chance with his life, which was going in the right direction. Why couldn’t he be happy with the normal and mundane, he cursed, scolding his own stubbornness

The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited. Do you think I am trying to weave a spell? Perhaps I am; but remember your fairy tales. Spells are used for breaking enchantments as well as for inducing them. And you and I have need of the strongest spell that can be found to wake us from the evil enchantment of worldliness which has been laid upon us for nearly a hundred years. Almost our whole education has been directed to silencing this shy, persistent, inner voice; almost all our modem philosophies have been devised to convince us that the good of man is to be found on this earth. And yet it is a remarkable thing that such philosophies of Progress or Creative Evolution themselves bear reluctant witness to the truth that our real goal is elsewhere.

Contempt for causes, for consequences and for reality. Whenever an evil chance event a sudden storm or a crop failure or a plague strikes a community, the suspicion is aroused that custom has been offended in some way or that new practices now have to be devised to propitiate a new demonic power and caprice. This species of suspicion and reflection is thus a direct avoidance of any investigation of the real natural causes of the phenomenon: it takes the demonic cause for granted. This is one spring of the perversity of the human intellect which we have inherited: and the other spring arises close beside it, in that the real natural consequences of an action are, equally on principle, accorded far less attention than the supernatural (the so-called punishments and mercies administered by the divinity). Certain ablutions are, for example, prescribed at certain times: one bathes, not so as to get clean, but because it is prescribed. One learns to avoid, not the real consequences of uncleanliness, but the supposed displeasure of the gods at the neglect of an ablution. Under the pressure of superstitious fear one suspects there must be very much more to this washing away of uncleanliness, one interprets a second and third meaning into it, one spoils one's sense for reality and one's pleasure in it, and in the end accords reality a value only insofar as it is capable of being a symbol. Thus, under the spell of the morality of custom, man despises first the causes, secondly the consequences, thirdly reality, and weaves all his higher feelings (of reverence, of sublimity, of pride, of gratitude, of love) into an imaginary world: the so-called higher world. And the consequences are perceptible even today: wherever a man's feelings are exalted, that imaginary world is involved in some way. It is a sad fact, but for the moment the man of science has to be suspicious of all higher feelings, so greatly are they nourished by delusion and nonsense. It is not that they are thus in themselves, or must always remain thus: but of all the gradual purifications awaiting mankind, the purification of the higher feelings will certainly be one of the most gradual.

You think that time is a single thread. It is a weaving, a tapestry that extends forever in all directions.

Expect, at some point, to want to run away from all this. It’s a little like opening a can of worms, or maybe caterpillars—you may want to shove them all back inside. But as you walk this path, you will also have glimpses of feeling freer, of a more direct connection to your life and the people in it. And once the pull of that greater freedom and authenticity takes hold, it becomes harder to turn back. It’s as though an inner volcano has started to erupt, and despite the danger, we welcome the release. The pain of the truth still feels better than the pain of self-deception. As we settle into the process, at some point we tend to go through a natural grieving as we let go of old identities, familiar habits and ways of being. Eventually those caterpillars disperse, weaving themselves into protective cocoons while shedding their former identity. Unraveling the membranes of our schema patterns, we too begin to emerge from our cocoons, feeling lighter and more alive—as if, metaphorically, we were growing wings.

Aedus reached into the center console and pulled out a pair of sunglasses. There was hardly a cloud in the sky. He drove for ten minutes before the helicopter came in sight, gradually descending towards the airport in his opposite direction. He looked around for a place to make a U-turn, but there was no legal turn available. Aedus sighed. The things a good guy has to do. He made a turn onto a side road and looped back around, tires squealing. In an action movie he’d just make a U-turn wherever, speed down the road, and weave in and out of traffic. Alas, this wasn’t an action movie and he wasn’t a certain Jason Bour—no time to think about that. The airport was coming up quick and as bustling as ever.

But I promise, I will not allow my limitations to lessen the pleasure you experience during our association." A blush pinked her cheeks. But she did not look away. "And what of your pleasure, my lord?" Her voice was soft and low. Smoky, like her eyes. It weaved through Avenell's senses and hit him hard in the gut. Heat scored through his insides on a direct path to his loins. He had suspected from the start that her gentle manner had lured him so strongly. But the unexpected boldness in her query had an intense effect on him. His arousal roughened his tone as he answered, "My pleasure is assured. Do not doubt that." The pink in her cheeks spread down across her chest and the upper swell of her breasts, but still she held his gaze. He wondered what she might be thinking. Her stillness was disconcerting when he sensed so much going on inside her.

Words knit the skein between and among women. And the language of gesture and expression, all merging to fashion a tapestry that, as every woman understood, could tear in but one direction, by deliberate, vicious effort. A friendship among women knew but one enemy, and that was malice. Thus, the more words, the tighter the weave.

The Weaving We stand here, surrounded by the sacred mountains, at the sipapu, where our world began. We come from the four corners of this earth, walking in love, bringing our knowledge of many cultures, many languages. Seeking understanding, growth and change, for ourselves, our nations, our world. This is our intention! Here at this time we create a new world, we weave a new reality! We pray for assistance and request witness, from the sacred energies of our world! AIR - Winds of the 4 directions, winds that move the stars WATER - Rain, rivers, springs FIRE - Our sun, lightning that dances on the sky EARTH - Our mother, her sand, her cliffs, her mountains OUR BROTHERS - The four legs, the winged ones, water children and those that creep and crawl OUR SISTERS - The standing people, from mighty tree to smallest flower OUR OWN HUMAN RACE - From our ancestors who first walked this land, to our children's children, seven generations distant, most of all we call upon OUR SELVES, here and now, to witness and strive. We are here to create a weaving of a new reality.

An Angel told me that all of creation, further than the eye can see, can be thought of as a great tree. Its branches, twigs, and leaves have lives and directions of their own. They grow—winding, weaving, deviating, breaking, dying—as fate allows. Still, no matter their lives and directions, they all share the same trunk & the same roots, the same singular point of origin. Like the roots under the soil of the ground, we may not see them, but we know they’re there. Without roots, the tree would fall over in the wind or it would die from lack of nutrients. The Angel said that there once existed a single universe at the root, a grandfather universe, which most sentient beings might call “Heaven.” It was a glorious place that burned with otherworldly flames that radiated from the angelic host and the God of gods so that it was never dark and never night. A great disaster came upon Heaven: the very first rebellion, the very first war.

Because memory is reconstructive, it is subject to confabulation—confusing an event that happened to someone else with one that happened to you or coming to believe that you remember something that never happened. In reconstructing a memory, people draw on many sources. When you remember your fifth birthday party, you may have a direct recollection of your younger brother putting his finger in the cake and spoiling it for you, but you will also incorporate information that you got later from family stories, photographs, home videos, and birthday parties you’ve seen on television. You weave all these elements together into one integrated account. If someone hypnotizes you and regresses you to your fifth birthday party, you’ll tell a lively story about it that will feel terribly real to you, but it will include many of those party details that never actually happened. After a while, you won’t be able to distinguish your actual memory from subsequent information that crept in from elsewhere. That phenomenon is called “source confusion,” otherwise known as the “where did I hear that?” problem.

Life as art or life as project, woman. See, Rockefeller knew what he wanted from an early age. He built his life around it. He told himself that his life was going to be a certain way, and he planned the trajectory so it would go in that direction. Anything that didn’t add to his vision of that life, his project, he wouldn’t do. His family, his friends, his health, all of it came second to his project. “Morrison went the opposite way. He painted a canvas with his time—a beautiful painting of emotion, imagination, and poetry. Experience coming together to weave this tapestry of pleasure and pain. That’s it, sister. That’s all you got. Life as art or project. So you gotta choose. In my opinion, the best choice is the painting. Make life your painting.

Dick delves in subsequent letters into the possible Jungian meaning of all this, the significance of ancient Rome in his mystical experiences, and the sibyl as representing his “anima,” the inner source of his own prophetic capacity. Recall here Morgan Robertson’s belief that his own muse was likewise a feminine spirit of some sort. We can observe Dick here beginning to weave these dream images into his evolving self-mythology and what became a major metaphysical strand in his Exegesis, as well as the novel VALIS that was based on his experiences. In his search for a meaning behind all these coincidences—an answer to the question “why me?”—Dick understandably gropes in many different directions for an explanation and attaches great, mostly Jungian significance to the symbols. Yet he does not go down the path of thinking he is simply accessing archetypes in the collective unconscious. Rather, he is drawn to the conclusion that somehow the ancient world is still present, only camouflaged—or indeed, that we are still in it. It all seems to confirm a dream remembered from his youth that was much like the “B___ Grove” dreams, in which he had searched for a story in Astounding Stories called “The Empire Never Ended.” That story, he had felt certain, contained all the mysteries of existence. As a result of some of his visions and experiences in 1974, Dick came to believe he was possibly a reincarnated Christian from ancient Rome.38 We are rewarded best by bracketing the various interpretations, the Exegesis per se, and looking at Dick’s project as a making of something, a creation of meaningful narratives to be read by other people, a reaching out. The term “cry for help” may sound a bit extreme, but it is not. It was during this black period of his life, most specifically in February 1976, when Tessa left him and took their son, that he attempted suicide via drug overdose, slitting his wrists, and carbon monoxide poisoning in his garage, all at the same time. Fortunately, all three plans failed. Setting aside the metaphysics and cosmology, what was Dick trying to say in his writing during this period—to Claudia, to Tessa, to his readers, and to posterity? And what whispered message was he straining to hear from his own precognitive unconscious? Arguably, he wanted to hear the same thing Morgan Robertson managed to hear, loud and clear, when news of the Titanic’s fatal collision with an iceberg splashed across the front page of The New York Times on April 15, 1912. Both in his Exegesis and in his private correspondence with friends like Claudia, Dick flickered between two basic stances on his experience: the secret persistence of the ancient world underneath the veneer of mid-1970s Orange County, and the idea that he was haunting himself from his own future. These are not incompatible ideas in the sense that they both point to our old friend Mister Block Universe, where the past still exists and the future already exists—and by implication, nothing is subject to alteration.

Dick delves in subsequent letters into the possible Jungian meaning of all this, the significance of ancient Rome in his mystical experiences, and the sibyl as representing his “anima,” the inner source of his own prophetic capacity. Recall here Morgan Robertson’s belief that his own muse was likewise a feminine spirit of some sort. We can observe Dick here beginning to weave these dream images into his evolving self-mythology and what became a major metaphysical strand in his Exegesis, as well as the novel VALIS that was based on his experiences. In his search for a meaning behind all these coincidences—an answer to the question “why me?”—Dick understandably gropes in many different directions for an explanation and attaches great, mostly Jungian significance to the symbols. Yet he does not go down the path of thinking he is simply accessing archetypes in the collective unconscious. Rather, he is drawn to the conclusion that somehow the ancient world is still present, only camouflaged—or indeed, that we are still in it. It all seems to confirm a dream remembered from his youth that was much like the “B___ Grove” dreams, in which he had searched for a story in Astounding Stories called “The Empire Never Ended.” That story, he had felt certain, contained all the mysteries of existence. As a result of some of his visions and experiences in 1974, Dick came to believe he was possibly a reincarnated Christian from ancient Rome.

You can smash a snow globe with a ball-peen hammer and be disappointed that the glass is actually plastic and the snow actually ground-up Styrofoam. • You can laminate anything by winding it in plastic wrap before a five-minute tumble on Cotton in the dryer. • You can microwave a lightbulb for nearly twenty beautiful seconds as it turns in there like a pink comet before it finally goes supernova. • You can safely remove your Helmet and whack your head repeatedly on the drywall, weaving an orange velvet into your vision, before you manage to leave a dent. • You can cover a wall dent by hanging a masterpiece over it and claiming that you need the work at eye level to properly appreciate it. • You can simulate immortality by sticking a rubberhandled flathead screwdriver directly into the outlet and only trip a breaker. • You can ride the laundry basket down the carpeted stairs like a mine cart four times until it catches and ejects you to the bottom, where you strike your elbow and it swells red as a hot-water bottle. • You can safely light the fluff on your sweatpants with a barbecue lighter and send flame rolling over your legs like poured blue water, leaving a crispy black stubble. • You can halt a fan if you thrust your hand into the blades bravely—only when you hesitate will your knuckles be rapped. • You can stick the chilly steel tube of the vacuum to your belly and generate a hideous yet painless bruise, and these pulsating circles when placed carefully can form an Olympic symbol that lasts well into a second week. Of course his mother’s catching wind of any of

Orion's Tips for Sane Witchcraft (Ponder and Apply to Living) Know your boundaries. Find time for stillness. Look within! Do not confuse spirituality with egotism. Don't abuse power or give it to those who would abuse you with it. Live your life as an expression of conscious creation and divine revelation. Seek counsel daily with your source, your center, and your ancestors. Don't get lazy, crazy, or otherwise in your own way. Remember grace! It brings wisdom and unlocks more vast knowledge. Be sincere in all that you do. Never compromise (especially your integrity) or be compromised. If you lose yourself, you have nothing. Choose what matters and feed it. (Starve the bane, feed the blessing.) Get the lesson and get on with life. Too often life is what happens when you are busy doing something else. Maintain an attitude of thanksgiving. For in doing so, you give gratitude to source and maintain inner fertile space to receive more. Thank the source and its good spirits at the beginning and ending of each day. If you wake up in the morning, your day has already started out good . . . build from that position. Don't wait for a reason to be happy when it is right in front of you. Claim the direction of your spirit! Fall in love with being you. The seed of divinity is within you; live your truth. Give no enduring interest to what is not spirit while seeking spiritual truth in everything. Do not stray away from your faith in yourself and the source (for in truth they are one). You are guided by the source. Do not be bandied about by the waves of life or you will crash onto the rocks of doubt. Daily, reaffirm your connection with spirit. Renew yourself on the new moment and release the fetters of yesterday to their rightful home . . . yesterday. Weave your web to attract that which you desire . . . then seize it. A witch need not hunt when he or she can attract. If you fall down . . . move what tripped you, get up, dust yourself off, and above all, don't give up walking. In chaotic times, seek the eye of the storm, poise yourself there, and find the wisdom in the stillness. Give thanks for all opportunities to grow.

It takes no more intellectual effort than that exercised in choosing a pair of socks, or slicing a piece of cheesecake, to understand that the Dominican friar, St. Thomas Aquinas, was emphatically, hopelessly wrong. It was not goodness that spilled out into the world, shaping that which had no shape, bonum diffusivum sui, but a spectacular weave of perversion born of a simple but ultimately irresistible compulsion to explore and experience through evolving proxies that single thing an uncreated aseitic being—God—could never alone explore or ever directly experience: death, and all the exotic abstractions associated to it.

This week, to practice luring your dog to follow your lead, I want you to play the Follow the Lure game that you learned about in Week One (see Chapter Nine for details). Adapt the game for walk time by palming a treat in the hand on the side where you walk your dog. I walk dogs on the left side, so I palm the treat in my left hand. The other hand holds the leash handle. Move your dog-side hand, with the palmed treat, toward your dog’s nose to get his attention. Allow him to sniff the treat before luring him to follow you in a new direction. Change directions often, luring him in circles and weaving between obstacles. Make it fun with start-stop-sit-and-turn routines. As you learn more behaviors and cues, mix those in, too.

The Roads of Ireland There are no straight roads In Ireland. They weave, twist, Hump, dive, turn, writhe, And dance; And even when they vow To run direct before you, They’ve got doubling back In mind. Ahhhhhhhhh… They’re the true map Of the Irish soul. Séamas Ó Flannagáin

I weave through LA's famous Farmers Market, which is really more of an outdoor food court, and now I'm a few minutes late. And the place is packed and there's still the uncertainty about where to meet when I look down and realize I'm wearing yellow pants. Yellow pants. Really? Sometimes I don't know what I'm thinking. They're rolled at the cuff and paired with a navy polo and it looks like maybe I just yacht my yacht, and I'm certain to come off as an asshole. I thin about canceling, or at least delaying so I can go home and change, but the effort that would require is unappealing, and this date is mostly for distraction. And when I round the last stall--someone selling enormous eggplants, more round than oblong, I see him, casually leaning against a wall, and something inside my body says there you are. 'There you are.' I don't understand them, these words, because they seem too deep and too soulful to attach to the Farmers Market, this Starbucks or that, a frozen yogurt place, or confusion over where to meet a stranger. They're straining to define a feeling of stunning comfort that drips over me, as if a water balloon burst over my head on the hottest of summer days. My knees don't buckle, my heart doesn't skip, but I'm awash in the warmth of a valium-like hug. Except I haven't taken a Valium. Not since the night of Lily's death. Yet here is this warm hug that makes me feel safe with this person, this Byron the maybe-poet, and I want it to stop. This--whatever this feeling is--can't be a real feeling, this can't be a tangible connection. This is just a man leaning against a stall that sells giant eggplants. But I no longer have time to worry about what this feeling is, whether I should or shouldn't be her, or should or should't be wearing yellow pants, because there are only maybe three perfect seconds where I see him and he has yet to spot me. Three perfect seconds to enjoy the calm that has so long eluded me. 'There you are.' And then he casually lifts his head and turns my way and uses one foot to push himself off the wall he is leaning agains. We lock eyes and he smiles with recognition and there's a disarming kindness to his face and suddenly I'm standing in front of him. 'There you are.' It comes out of my mouth before I can stop it and it's all I can do to steer the words in a more playfully casual direction so he isn't saddled with the importance I've placed on them. I think it comes off okay, but, as I know from my time at sea, sometimes big ships turn slowly. Byron chuckles and gives a little pump of his fist. 'YES! IT'S! ALL! HAPPENING! FOR! US!' I want to stop in my tracks, but I'm already leaning in for a hug, and he comes the rest of the way, and the warm embrace of seeing him standing there is now an actual embrace, and it is no less sincere. He must feel me gripping him tightly, because he asks, 'Is everything okay?' No. 'Yes, everything is great, it's just...' I play it back in my head what he said, the way in which he said it, and the enthusiasm which only a month had gone silent. 'You reminded me of someone is all.' 'Hopefully in a good way.' I smile but it takes just a minute to speak. 'In the best possible way.' I don't break the hug first, but maybe at the same time, this is a step. jenny will be proud. I look in his eyes, which I expect to be brown like Lily's but instead are deep blue like the waters lapping calmly against the outboard sides of 'Fishful Thinking.' 'Is frozen yogurt okay?' 'Frozen yogurt is perfect.

Our mission is to help bring your vision to life and help you make your dream home a reality with our custom made window treatments, bedding, upholstery and custom furniture. All of our work is manufactured in our own in-house workroom by our qualified craftsman and supervised from beginning to end by the Dream House Interiors owner, Farzi. We source the best upholstery fabrics and custom drapery in Thousand Oaks CA directly from the greatest mills all over the world, straight to Dream House Interiors. We have over 10,000 fabrics, so your options definitely aren’t limited. As one of the largest fabric buyers in the nation, we have special access to the top weaving mills and print houses – and the best prices too! We even have performance fabrics that work beautifully for both indoor and outdoor use.

The true nature of the world is veiled, and if you shine a bright light on it, you can't expose that truth; it melts away with the shadows in which it was cloaked. The truth is too awesome for us to stare directly at it, and we are meant to glimpse it only at the periphery of our vision. If the landscape of your mind is too dark with fear or doubt or anger, you are blind to all truth. But if your mental landscape is too bright with certitude and arrogance, you are snow-blind and likewise unable to see what lies before you. Only the moonlit mind allows wonder, and it is in the thrall of wonder that you can see the intricate weave of the world of which you are but one thread, one fantastic and essential thread.

THE EARTH WITHOUT A SPIRITUAL DIMENSION except for the smallest white button of mushroom leading the rank-and-file up the rotting trunk of the oak, except for bulb, corm, pip, and spore and the passive mien of the autumn field when the off-kilter scatter and skyward rattle of grasshoppers have disappeared and except for the crowd of acacia thorns pointing toward all destinations possible in every direction out from the stem center of their circumferences and aside from the moss-and-mire covered bones of stripped roots and crippled branches left piled akimbo to molder among the beetles in the sinless murk of the forest floor, except for gorge, gulch, gully, and ravine, except for the moment waiting in the fist of the sycamore’s tufted fruit and in the sting of the loon’s longing before it cries and in the poise of the desert swallowtail before it lifts from the dry mountain wash and in the aim of the alligator’s undeviating glare before it swirls and sinks in the generative and ancient slough, except for the moment waiting in the green walls of palm spikes, pendants and rosettes, knots and currents of saw grasses and orchids, in the tight weave and bloat of prayers and weapons, in the moment before I move out into the empty plain of the open sky silent with sea-light, as if I were a wild and divine thing myself, to be going I know not where.

Braid groups have many important practical applications. For example, they are used to construct efficient and robust public key encryption algorithms.7 Another promising direction is designing quantum computers based on creating complex braids of quantum particles known as anyons. Their trajectories weave around each other, and their overlaps are used to build “logic gates” of the quantum computer.8 There are also applications in biology. Given a braid with n threads, we can number the nails on the two plates from 1 to n from left to right. Then, connect the ends of the threads attached to the nails with the same number on the two plates. This will create what mathematicians call a “link”: a union of loops weaving around each other. In the example shown on this picture, there is only one loop. Mathematicians’ name for it is “knot.” In general, there will be several closed threads. The mathematical theory of links and knots is used in biology: for example, to study bindings of DNA and enzymes.9 We view a DNA molecule as one thread, and the enzyme molecule as another thread. It turns out that when they bind together, highly non-trivial knotting between them may occur, which may alter the DNA. The way they entangle is therefore of great importance. It turns out that the mathematical study of the resulting links sheds new light on the mechanisms of recombination of DNA. In mathematics, braids are also important because of their geometric interpretation. To explain it, consider all possible collections of n points on the plane. We will assume that the points are distinct; that is, for any two points, their positions on the plane must be different. Let’s choose one such collection; namely, n points arranged on a straight line, with the same distance between neighboring points. Think of each point as a little bug. As we turn on the music, these bugs come alive and start moving on the plane. If we view the time as the vertical direction, then the trajectory of each bug will look like a thread. If the positions of the bugs on the plane are distinct at all times – that is, if we assume that the bugs don’t collide – then these threads will never intersect. While the music is playing, they can move around each other, just like the threads of a braid. However, we demand that when we stop the music after a fixed period of time, the bugs must align on a straight line in the same way as at the beginning, but each bug is allowed to end up in a position initially occupied by another bug. Then their collective path will look like a braid with n threads. Thus, braids with n threads may be viewed as paths in the space of collections of n distinct points on the plane.10

There remained a main melody, or a path through a maze—a maze that was like the delta of the Po. He seemed to look down on it as he sang it. A great number of channels were weaving down a slightly tilted plain. Each channel was a mathematical specialty—some of them shallow and disappearing into the sand, but most making their loop and reconnecting to other flows. A few were the kind of deep channels that ships would use. Upstream they coalesced until there were fewer, scattered streams. Fewer tributaries rather than more, leading up in different directions to sources, often at springs. Water out of the rock. This was, he saw, an image of mathematics in time. Or maybe it was all time, or humanity in time; but it was the mathematics that sprang out at him. The fewer channels upstream, in the distant past, well before his time, were where Aurora’s tutorial now led him. Then he was flying over the time stream, or in it, sometimes returning upstream to view a contemporaneous discipline. Mainly he had a general sense of flying downstream, over or occasionally inside some eternal landscape, the nature of which could not be discerned. He inhabited an image he had heard some time before, of history as a river, in which people were water, eroding the banks and depositing soil elsewhere downstream, so that the banks slowly changed and the river ran otherwise than it had, without the water ever noticing the changed courses of the braiding stream.

Is . . . everything proceeding as it should? With . . . the baby?” The smile in her eyes deepened. “Yes, everything is fine. It’s normal to have these pains. I had the same with Andrew.” “And how many weeks are left before the baby is expected?” “Five, at least. Andrew came three weeks early but I’d been sick with him. The doctor said that had a lot to do with it. And as you can see, I’m fit as a fiddle now.” She shrugged. “A very big fiddle.” He smiled at the look on her face. “I can’t imagine you being any more beautiful than you are right now, Aletta. You . . . shine from the inside out.” She shook her head. “That’s probably just perspiration from building the nativity.” They laughed, then she looked down at her hand still tucked in his. She gently started to pull away, but he brought her hand to his lips and kissed it. Once, twice, her skin like silk. Her gaze lowered from his eyes to his mouth, and the simple gesture sent something akin to a thunderbolt through him. There’d been plenty of times when he’d looked at her and wished he’d earned the liberty to kiss her, to hold her close. But never more so than right at that moment. As though she’d read his thoughts, her cheeks flushed crimson. Jake traced a feather path with his thumb across her lower lip, and her mouth opened slightly. He told himself to move slowly where this woman was concerned. But when she closed her eyes, that was all the answer he needed. He kissed her gently at first, her mouth softer, sweeter than he’d imagined. But when a soft sigh rose in her throat, he drew her closer and she slipped her arms around his neck. He deepened the kiss, weaving his hands into her hair and— “Mama! We’re here to help with the star!” Jake drew back slightly and broke the kiss, hearing the boys barreling in their direction. Aletta looked up at him and smiled, and whatever determination he’d had to move slowly where she was concerned vanished completely. “Mama?” Andrew called. “I’m coming,” she answered and stood, smoothing the sides of her hair then the front of her dress. Jake rose along with her and reached over and tucked a wayward curl back into place, then kissed her on the forehead.

The call of God is the expression of God’s nature, not ours. God providentially weaves the threads of His call through our lives, and only we can distinguish them. It is the threading of God’s voice directly to us over a certain concern, and it is useless to seek another person’s opinion of it. Our dealings over the call of God should be kept exclusively between ourselves and Him.

A directed story GM is a fortune teller who predicts that awesome things will happen to you in the future. An emergent story GM is a bard who weaves a story about the awesome things that you made happen.

As well as protection, Athena brings further gifts to the work of healing from trauma. Past trauma can be transformed through ‘physical experiences that directly contradict the helplessness, rage and collapse that are part of trauma’ and which foster a renewed sense of self-mastery. Because trauma tends to be experienced in ‘isolated fragments,’ treatment particularly needs to engage the entire organism, ‘body, mind, and brain.’ Athena’s domain includes reading and writing, weaving and handicraft: creative skills which help the survivor engage fully in activities which strengthen new neural pathways for pleasure and joy.

The hot tub girl was the one before the one with the legs, and after the one with the boobs," Dan snorted, weaving slightly on his feet. "And I think he had a couple of models in between from the modeling agency start-up that he was considering adding to his portfolio." "I told you we should have invested in that one," Marco said, making no effort to keep his voice down. "He was swimming in tits and ass." He looked over at Daisy. "Pardon my French." Daisy gave him a cold smile. "Quel salaud!" Liam didn't speak French, but from the look on Daisy's face he suspected what she'd said wasn't polite. "So who is she really?" Dan gave him a nudge, keeping his voice low. "I mean, come on, man. You and her?" "I'm his parole officer." Daisy grabbed Liam's arm and tugged him in the opposite direction. "He's on an escorted day pass. Move aside because I have to have him back in his cell by eleven P.M." Dan's eyes widened. "No shit? What did he do?" "He swam in the wrong hot tub." Daisy fixed Dan with a glare. "Next time, check their ID.

When the threads of fortune change direction, how many are caught in the trap of their weaving?

Great Queen Modthryth perpetrated terrible wrongs. If any retainer ever made bold to look her in the face, if an eye not her lord’s stared at her directly during daylight, the outcome was sealed: he was kept bound in hand-tightened shackles, racked, tortured until doom was pronounced—death by the sword, slash of blade, blood-gush and death qualms in an evil display. Even a queen outstanding in beauty must not overstep like that. A queen should weave peace, not punish the innocent with loss of life for imagined insults.

There’s only two ways to make it in life, Rollins. Jim Morrison, or John Rockefeller.” “What?” “Life as art or life as project, woman. See, Rockefeller knew what he wanted from an early age. He built his life around it. He told himself that his life was going to be a certain way, and he planned the trajectory so it would go in that direction. Anything that didn’t add to his vision of that life, his project, he wouldn’t do. His family, his friends, his health, all of it came second to his project. “Morrison went the opposite way. He painted a canvas with his time—a beautiful painting of emotion, imagination, and poetry. Experience coming together to weave this tapestry of pleasure and pain. That’s it, sister. That’s all you got. Life as art or project. So you gotta choose. In my opinion, the best choice is the painting. Make life your painting.

Multi-colored lines of light formed a kind of dome covered in a faceted geometric network of jewels, the whole dome spinning silently. The jewelled dome seemed to become a kind of lens, through which I could see into other worlds beyond, where the points of light were stars and galaxies. At first there were tiny scintillating sparks of light against a velvety blackness. They merge to become a brilliantly colored, weaving, flowing tapestry of geometric forms, extending infinitely in all directions. Then this kaleidoscopic field of patterns dissolved my body into it, so that I don’t see it anymore – I have become part of it (RM).

MY CODE OF ETHICS I. I believe in the Golden Rule as the basis of all human conduct; therefore, I will never do to another person that which I would not be willing for that person to do to me if our positions were reversed. II. I will be honest, even to the slightest detail, in all my transactions with others, not alone because of my desire to be fair with them, but because of my desire to impress the idea of honesty on my own subconscious mind, thereby weaving this essential quality into my own character. III. I will forgive those who are unjust toward me, with no thought as to whether they deserve it or not, because I understand the law through which forgiveness of others strengthens my own character and wipes out the effects of my own transgressions, in my subconscious mind. IV. I will be just, generous and fair with others always, even though I know that these acts will go unnoticed and unrecorded, in the ordinary terms of reward, because I understand and intend to apply the law through the aid of which one's own character is but the sum total of one's own acts and deeds. V. Whatever time I may have to devote to the discovery and exposure of the weaknesses and faults of others I will devote, more profitably, to the discovery and correction of my own. VI. I will slander no person, no matter how much I may believe another person may deserve it, because I wish to plant no destructive suggestions in my own sub-conscious mind. VII. I recognize the power of Thought as being an inlet leading into my brain from the universal ocean of life; therefore, I will set no destructive thoughts afloat upon that ocean lest they pollute the minds of others. VIII. I will conquer the common human tendency toward hatred, and envy, and selfishness, and jealousy, and malice, and pessimism, and doubt, and fear; for I believe these to be the seed from which the world harvests most of its troubles. IX. When my mind is not occupied with thoughts that tend toward the attainment of my definite chief aim in life, I will voluntarily keep it filled with thoughts of courage, and self-confidence, and good- will toward others, and faith, and kindness, and loyalty, and love for truth, and justice, for I believe these to be the seed from which the world reaps its harvest of progressive growth. X. I understand that a mere passive belief in the soundness of the Golden Rule philosophy is of no value whatsoever, either to myself or to others; there- 32- fore, I will actively put into operation this universal rule for good in all my transactions with others. XI. I understand the law through the operation of which my own character is developed from my own acts and thoughts; therefore, I will guard with care all that goes into its development. XII. Realizing that enduring happiness comes only through helping others find it; that no act of kindness is without its reward, even though it may never be directly repaid, I will do my best to assist others when and where the opportunity appears.

Volterra,’ Olivia announced in a flat, icy voice. VOLTERRA- WE BEGAN THE STEEP CLIMB, AND THE ROAD GREW CONGESTED. As we wound higher, the cars became too close together for Olivia to weave insanely between them anymore. We slowed to a crawl behind a little tan Peugeot. ‘Olivia,’ I moaned. The clock on the dash seemed to be speeding up. ‘It's the only way in,’ she tried soothing me. But her voice was too strained to comfort. The cars continued to edge forward, one car length at a time. The sun beamed down brilliantly, seeming already overhead. The cars crept one by one toward the city. As we got closer, I could see cars parked by the side of the road with people getting out to walk the rest of the way. At first- I thought it was just impatience-something I could easily understand. But then we came around a switchback, and I could see the filled parking lot outside the city wall, the crowds of people walking through the gates. No one was being allowed to drive through. ‘Olivia,’ I whispered urgently. ‘I know,’ she said. Her face was chiseled from ice. Now that I was looking, and we were crawling slowly enough to see, I could tell that it was very windy. The people crowding toward the gate gripped their hats and tugged their hair out of their faces. Their clothes billowed around them. I also noticed that red was everywhere. Red shirts, red hats, red flags dripping like long ribbons beside the gate, whipping in the wind as I watched, the brilliant crimson scarf one woman had tied around her hair was caught in a sudden gust. It twisted up into the air above her, writhing like it was alive. She reached for it, jumping in the air, but it continued to flutter higher, a patch of bloody color against the dull, ancient walls. ‘Bell.’ Olivia spoke swiftly in a fierce, deep voice. ‘I can't see what the guard here will decide now-if this doesn't work, you're going to have to go in alone. You're going to have to run. Just keep running in the course they tell you to. Don't get lost.’ I repeated what I had said- the name repeatedly, trying to get it down. ‘Or 'the clock tower,' if they speak English. I'll go around and try to find a secluded spot somewhere behind the city where I can go over the wall.’ I nodded two times… ‘Marcel will be under the clock tower, to the north of the square. There's a narrow alleyway on the right, and he'll be in the shadow there. You have to get his attention before he can move into the sun.’ I nodded furiously. Olivia was near the front of the line. A man in a navy-blue uniform was directing the flow of traffic, turning the cars away from the full lot. They U-turned and headed back to find a place beside the road. Then it was Olivia's turn…

Still, the introduction of numbers, the standardization of types of character, ability, monster, treasure, spell, the concept of ability scores and hit-points, had profound effects when one moved from the world of 6-, 8-, 12- and 20-sided dice to one of digital interfaces. Computer games could turn fantasy into an almost entirely bureaucratic procedure: accumulation of points, the raising of levels, and so on. There was a return to the command of armies. This in turn set off a move in the other direction, by introducing role-playing back into the computer games (Elfquest, World of Warcraft …), in a constant weaving back and forth of the imperatives of poetic and bureaucratic technology. But in doing so, these games ultimately reinforce the sense that we live in a universe where accounting procedures define the very fabric of reality, where even the most absolute negation of the administered world we’re currently trapped in can only end up being yet another version of the exact same thing.

The language . words without style! whose scholars (there are none) . or dangling, about whom the water weaves its strands encasing them in a sort of thick lacquer, lodged under its flow . Caught (in mind) beside the water he looks down, listens! But discovers, still, no syllable in the confused uproar: missing the sense (though he tries) untaught but listening, shakes with the intensity of his listening .

If we stop fighting and embrace the gospel story God is weaving in our lives, we discover joy. Paul bubbles over with joy as he writes the book of Philippians, chained between two Roman soldiers. He even prays with joy: “Always in every prayer of mine for you all making my prayer with joy” (Philippians 1:4). If we pursue joy directly, it slips from our grasp. But if we begin with Jesus and learn to love, we end up with joy.