Wearing Skirt Quotes

We've searched our database for all the quotes and captions related to Wearing Skirt. Here they are! All 100 of them:

If you wear a short enough skirt, the party will come to you.
Dorothy Parker
That's beautiful,' Valkyrie said, looking at it. Isn't it? This necklace has cost two very fine men their lives. At times, I wear it in tribute to their sacrifice. Other times, I wear it because it goes with this skirt.
Derek Landy (Playing with Fire (Skulduggery Pleasant, #2))
It's a kilt, dumbass. It's only a skirt if I'm wearing underwear.
Damon Suede (Hot Head (Head, #1))
I forced myself to stop thinking about Daemon, about anything I didn’t want to share with Archer, which was pretty much everything right now. So I thought about belly dancing foxes wearing grass skirts. Archer snorted. “You’re weird.
Jennifer L. Armentrout (Opposition (Lux, #5))
She's wearing a tight red sweater and a red skirt and enough makeup to scare a hooker.
Kathryn Stockett (The Help)
As far as I was concerned men were something you had around the place, not particularly interesting, but quite harmless. I had never shown the slightest feeling for them, and apart from my never wearing a skirt, saw nothing else in common between us.
Jeanette Winterson (Oranges Are Not the Only Fruit)
He caught her wrist and pulled her until she was straddling him. His hand smoothed down the outside of her right thigh. "Thank you for wearing a skirt tonight. From the bottom of my heart, thank you.
Cherrie Lynn (Leave Me Breathless (Ross Siblings, #3))
No wonder men did not want women to wear bloomers. What could women accomplish if they did not have to continually mind their skirts, keep them from dragging in the mud or getting trampled on the steps of an omnibus? If they had pockets! With pockets, women could conquer the world!
Theodora Goss (The Strange Case of the Alchemist's Daughter (The Extraordinary Adventures of the Athena Club, #1))
It’s only when you wear your skirt an inch below the knee," she says cooly, her eyes glued to mine.
Ruby Granger (Erimentha Parker's To Do List: A Bullying Story)
If the justification for controlling women's bodies were about women themselves, then it would be understandable. If, for example, the reason was 'women should not wear short skirts because they can get cancer if they do.' Instead the reason is not about women, but about men. Women must be 'covered up' to protect men. I find this deeply dehumanizing because it reduces women to mere props used to manage the appetites of men.
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
Femininity is wearing shoes that make it difficult to run, skirts that inhibit movement, and underclothes that interfere with blood circulation. It can hardly be coincidental that the clothes men find most flattering on a woman are precisely those that make it most difficult for her to defend herself against aggression.
Suzanne Brøgger (Deliver Us From Love)
I realized then that pants and skirts, like gender itself, were not seen as equal in our society. To wear pants was to be dressed for power. But to wear a skirt was to be dressed to wash the dishes.
Tiffany McDaniel (Betty)
At one O'Clock, Miss Celia comes in the kitchen and says she's ready for her first cooking lesson. She settles on a stool. She's wearing a tight red sweater and a red skirt and enough makeup to scare a hooker.
Kathryn Stockett (The Help)
Finally I grinned and said, "I won't eat meat if it's been overcooked." She (Amarinda) glanced up at me, confused, and I added, "I thought you should know that, since we're going to be friends now." Amarinda's smile widened. "I think it's unfair that women aren't allowed to wear trousers. They seem far more comfortable than dresses." I chuckled. "They're not. Every year I think fashion invents one more piece I have to add to my wardrobe." "And one more layer to my skirts." She thought for a moment, then said, "I think it's funny when you're rude to the cook. I shouldn't admit that, but his face turns all sorts of colors when you are and there's nothing he can do about it." "He can overcook my meat.
Jennifer A. Nielsen (The Runaway King (Ascendance, #2))
It's such a little thing, this skirt. For other girls, maybe it's makeup or a sport or having sex or not having sex or writing or music or kicking ass in school or wearing your hair so it looks like the sun's unruly rays. I think every girl has a thing or two, tiny details in her life that say This is me. I'm done hiding. I'm done feeling ashamed.
Ashley Herring Blake (Girl Made of Stars)
Wishes For Sons i wish them cramps. i wish them a strange town and the last tampon. I wish them no 7-11. i wish them one week early and wearing a white skirt. i wish them one week late. later i wish them hot flashes and clots like you wouldn't believe. let the flashes come when they meet someone special. let the clots come when they want to. let them think they have accepted arrogance in the universe, then bring them to gynecologists not unlike themselves.
Lucille Clifton
Some of them are wearing skirts that I'm pretty sure are supposed to be belts.
Adam Selzer (I Kissed a Zombie, and I Liked It)
living with a teenage daughter is like living with the Taliban a mum is not allowed to laugh, sing, dance or wear short skirts
Kathy Lette
Crazy isn´t always what they say it is. It´s not always the old woman wearing sneakers and a skirt and a scarf, wandering around with a shopping cart, hollering at no one, nothing, tumbling through years in her head. No. Sometimes it is a girl wearing boots and jeans and a sweater, arms crossed in front of her, shivering, wandering through the streets at night, all night, murmuring to no one, nothing, tumbling through the strange unreal dimensions in her head.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Tal told me he loved me, and told me and told me, but you don't tell someone that and then tell them they're not experienced enough in bed and should read a book or something to learn, or they should try wearing deep-red lipstick and tight skirts to look hot like their best friend once in a while. If Tal hadn't lied to me when he said he loved me, I might not be without a future right now, a sucker who was so chickenshit she allowed herself to believe a false dream from a false god. I'm not sure I ever even liked Tal, much less loved him.
Rachel Cohn (Nick & Norah's Infinite Playlist)
Joseph Beringer...dances around behind me singing some poorly rhymed and slightly dirty song about my [racing] odds at my skirts. 'I don't even wear skirts,' I snap at him. 'Especially,' he says, 'in my daydreams.
Maggie Stiefvater (The Scorpio Races)
They were not asked to adhere to the same rules. If there were countless guidelines women had to follow; cover your drink, stick close to others, don't wear short skirts. Their behaviour was the constant, while we were the variable expected to change. When did it become our job to do all the preventing and managing? And if houses existed where many girls got hurt, shouldn't we hold guys to a higher standard instead of reprimanding the girl? Why was passing out considered more reprehensible than fingering the passed out person?
Chanel Miller (Know My Name)
Now I had babies confuse before. John Green Dudley, first word out a that boy's mouth was Mama and he was looking straight at me. But then pretty soon he calling everybody including hisself Mama and calling his daddy Mama too... Nobody worry bout it. Course when he start playing dress-up in his sister's Jewel Taylor twirl skirts and wearing Chanel No. 5, we all get a little concern.
Kathryn Stockett (The Help)
My lower lip trembled as I climbed into the passenger seat and buckled myself in with shaky hands. Archer passed me a quick glance, and I forced myself to stop thinking about Daemon, about anything I didn’t want to share with Archer, which was pretty much everything right now. So I thought about belly dancing foxes wearing grass skirts.
Jennifer L. Armentrout (Opposition (Lux, #5))
This is the best thing to wear for today, you understand. Because I don't like women in skirts and the best thing is to wear pantyhose or some pants under a short skirt, I think. Then you have the pants under the skirt and then you can pull the stockings up over the pants underneath the skirt. And you can always take off the skirt and use it as a cape. So I think this is the best costume for today.
Edith Bouvier Beale
She looked for the deposition transcript she had dropped, she turned around and— —the entire audience in the galley cried out in shock. Unbeknownst to Payton, when she had fallen her skirt—those damn slim-fit skirts she liked so much—had torn at the seam and now gaped open, and sweet Jesus, she was wearing a thong and two tiny white butt cheeks peeked out from between the folds of her skirt— J.D.’s jaw nearly hit the floor.
Julie James (Practice Makes Perfect)
You give thanks for small things. I gave thanks that I was wearing jeans, not a skirt. People start trying to kill you, you stop wearing skirts.
Glen Duncan (Talulla Rising (The Last Werewolf, #2))
women who miraculously spend their working day wearing bondage-tight skirts and vertiginous, destabilizing heels which make their feet look bound the erogenous zones of crushed muscles and cramped bones, encased in upmarket strippers’ heels and if she has to cripple herself to signal her education, talent, intellect, skills and leadership potential then so be it
Bernardine Evaristo (Girl, Woman, Other)
LINA's RULES OF SCOOTER RIDING: 1. Never ride a scooter sopping wet. 2. Never ride a scooter wearing a short skirt. 3. Try to pay attention to the light signals. Otherwise, every time the driver accelerates you'll smash into him and you'll have this awkward untangling moment and then you'll worry he's thinking you're doing it on purpose. 4. If by chance you aren't abiding by rule number two, be sure to avoid eye contact with male drivers. Otherwise they'll honk enthusiastically every time your skirt flies up.
Jenna Evans Welch (Love & Gelato (Love & Gelato, #1))
Archer passed me a quick glance, and I forced myself to stop think about Daemon, about anything I didn't want to share with Archer, which was pretty much everything right now. So I thought about belly dancing foxes wearing grass skirts.
Jennifer L. Armentrout (Opposition (Lux, #5))
The first time I taught a writing class in graduate school, I was worried. Not about the teaching material, because I was well prepared and I was teaching what I enjoyed. Instead I was worried about what to wear. I wanted to be taken seriously. I knew that because I was female, I would automatically have to prove my worth. And I was worried that if I looked too feminine, I would not be taken seriously. I really wanted to wear my shiny lip gloss and my girly skirt, but I decided not to. I wore a very serious, very manly, and very ugly suit. The sad truth of the matter is that when it comes to appearance, we start off with men as the standard, as the norm. Many of us think that the less feminine a woman appears, the more likely she is to be taken seriously. A man going to a business meeting doesn’t wonder about being taken seriously based on what he is wearing—but a woman does.
Chimamanda Ngozi Adichie (We Should All Be Feminists)
Halt?" he said diffidently. He heard a deep sigh from the short, slightly built man riding beside him. Mentally he kicked himself. I thought you must be coming down with some illness for a moment there," Halt said straight faced. "It must be two or three minutes since you've asked a question." Commited now, Horace continued. One of those girls," he began, and immediately felt the Ranger's eyes on him. "She was wearing a very short skirt." There was the slightest pause. Yes?" Halt prompted, not sure where this conversation was leading. Horace shrugged uncomfortably. The memory of the girl, and her shapely legs, was causing his cheeks to burn with embarrassment again. Well," he said uncertainly, "I just wondered if that was normal over, that's all." Halt considered the serious young face beside him. He cleared his throat several times. I believe that sometimes Gallican girls take jobs as couriers. he said. Couriers. They carry messages from one person to another. Or from one buisness to another, in towns and cities." Halt checked to see if Horace seemed to believe him so far. There seemed no reason to think otherwise, so he added: "Urgent messages." Urgent messages," Horace replied, still not seeing the connection. But he seemed inclined to believe what Halt was saying, so the older man continued. And I suppose for a really urgent message, one would have to run." Now he saw a glimmer of understanding in the boy's eyes. Horace nodded several times as he made the connection. So, the short skirts...they'd be to help them run more easily?" he suggested. Halt nodded in his turn. It would be more sensible for of dress than long skirts, if you wanted to do a lot of runnig." He shot a quick look at Horace to see if his gentle teasing was not being turned back on himself-to see if, in fact, the boy realized Halt was talking nosense and was simply leading him on. Horace's face, however, was open and believing. I suppose so," Horace replied finally, then added in a softer voice, "They certainly look a lot better that way too.
John Flanagan (The Icebound Land (Ranger's Apprentice, #3))
I can’t cut back. I’ve turned into a sex addict. I get within a foot of Ranger or Morelli and I’m ready to go … and go, and go, and go, and go.” “That’s a lot of going. I’m a retired professional, and it’d be a lot of going even for me. What you need are granny panties. You put on a big ol’ pair of ugly granny panties and you won’t be dropping your drawers no more. And even if you forget in the heat of the moment, and you pull your skirt up over your head, you’re not gonna see no action on account granny panties have a deflating effect on a man. Your man’s gonna be going unh ah, no way am I getting busy with a woman wearing granny panties.
Janet Evanovich (Smokin' Seventeen (Stephanie Plum, #17))
Women were more concerned about their skirts getting caught up in the wheels, and sat astride wearing Bloomers which turned them into Lesbians.
Jacky Fleming (The Trouble With Women)
Men are all the same. Novelty amongst themselves displeases and upsets them – but if the novelty is wearing a skirt, they go crazy for it. (Les hommes sont tous les mêmes. L'étrangeté leur déplaît, d'homme à homme, et les blesse ; mais si l'étrangeté porte des jupes, ils en raffolent.)
Jules Barbey d'Aurevilly (Les Diaboliques)
It is quite certain that the skirt means female dignity, not female submission; it can be proved by the simplest of all tests. No ruler would deliberately dress up in the recognized fetters of a slave; no judge would would appear covered with broad arrows. But when men wish to be safely impressive, as judges, priests or kings, they do wear skirts, the long, trailing robes of female dignity. The whole world is under petticoat government; for even men wear petticoats when they wish to govern.
G.K. Chesterton (What's Wrong with the World)
It's the strange thing about you mystics, how often your little ecstasies wear a skirt.
John Updike (Rabbit, Run (Rabbit Angstrom, #1))
How do I look at her?" Mason laughs. "Like you're a starving dog and she's wearing a skirt made of meat.
Cheryl McIntyre (Sometimes Never (Sometimes Never, #1))
[I]n America, wrongs can be righted, warriors can wear skirts and blouses, and the bravest hearts may beat in girls only five feet tall.
Michelle Markel (Brave Girl: Clara and the Shirtwaist Makers' Strike of 1909)
You'll want all your strength for the wedding night." I cannot think why I should need strength," she said, ignoring a host of spine-tingling images rising in her mind's eye. "All I have to do is lie there." "Naked," he said grimly. "Truly?" She shot him a glance from under her lashes. "Well, if I must, I must, for you have the advantage of experience in these matters. Still, I do wish you'd told me sooner. I should not have put the modiste to so much trouble about the negligee." "The what?" "It was ghastly expensive," she said, "but the silk is as fine as gossamer, and the eyelet work about the neckline is exquisite. Aunt Louisa was horrified. She said only Cyprians wear such things, and it leaves nothing to the imagination." Jessica heard him suck in his breath, felt the muscular thigh tense against hers. "But if it were left to Aunt Louisa," she went on,"I should be covered from my chin to my toes in thick cotton ruffled with monstrosities with little bows and rosebuds. Which is absurd, when an evening gown reveals far more, not to mention--" "What color?" he asked. His low voice had roughened. "Wine red," she said, "With narrow black ribbons threaded through the neckline. Here." She traced a plunging U over her bosom. "And there's the loveliest openwork over my...well, here." She drew her finger over the curve of her breast a bare inch above the nipple. "And openwork on the right side of the skirt. From here" --she pointed to her hip--"down to the hem. And I bought---" "Jess." Her name was a strangled whisper. "--slippers to match," she continued." Black mules with--" "Jess." In one furious flurry of motion he threw down the reins and hauled her into his lap.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
I am the happiest man in the world and here's why: I walk down a street and I see a woman, not tall but well-proportioned, very dark-haired, very neat in her dress, wearing a dark skirt with deep pleats that swing with the rhythm of her rather quick steps; her stockings, of dark color, are carefully, impeccably smooth; her face is not smiling, this woman walks down the street without trying to please, as if she were unconscious of what she represented: a good carnal image of woman, a physical image, more than a sexy image, a sexual image. --Francois Truffaut, "Is Truffaut the Happiest Man on Earth? Yes," 1970
François Truffaut
When someone dies they can be any age you remember can't they ' she asked. As I tried to think of a reply she continued 'You probably think about the grown-up Tess because you were still close to her. But when I woke up I thought of her when she was three wearing a fairy skirt I'd got her in the Woolworth's and a policeman's helmet. Her wand was a wooden spoon. On the bus yesterday I imagined holding her when she was two days old. I felt the warmth of her. I remembered all her fingers clasped around my finger so tiny they didn't even meet. I remembered the shape of her head and stroking the nape of her neck till she slept. I remembered her smell. She smelled of innocence. Other times she's thirteen and so pretty that I worry for her everytime I see a man look at her. All of those Tesses is my daughter.
Rosamund Lupton (Sister)
Well, this is a nice surprise," he said. He looked us over. Jill had changed into her normal clothes during her isolation today, but I still had on the Amberwood blouse and skirt. "Sage, aren't you guys supposed to have uniforms? This looks like what you usually wear." "Cute," I said, suppressing an eye roll. Adrian gave me a mock bow. "Careful. You almost smiled.
Richelle Mead (Bloodlines (Bloodlines, #1))
The suspense is killin’ me, Pigeon!” Travis called. I walked out, fidgeting with my dress while Travis stood in front of me, blank-faced. America elbowed him and he blinked. “Holy shit.” “Are you ready to be freaked out?” America asked. “I’m not freaked out, she looks amazing,” Travis said. I smiled and then slowly turned around to show him the steep dip of the fabric in the back of the dress. “Okay, now I’m freakin’ out,” he said, walking over to me “Okay, now I’m freakin’ out,” he said, walking over to me and turning me around. “You don’t like it?” I asked. “You need a jacket.” He jogged to the rack and then hastily draped my coat over my shoulders. “She can’t wear that all night, Trav,” America chuckled. “You look beautiful, Abby,” Shepley said as an apology for Travis’ behavior. Travis’ expression was pained as he spoke. “You do. You look incredible…but you can’t wear that. Your skirt is…wow, your legs are…your skirt is too short and it’s only half a dress! It doesn’t even have a back on it!” I couldn’t help but smile. “That’s the way it’s made, Travis.” “Do you two live to torture each other?” Shepley frowned. “Do you have a longer dress?” Travis asked. I looked down. “It’s actually pretty modest in the front. It’s just the back that shows off a lot of skin.” “Pigeon,” he winced with his next words, “I don’t want you to be mad, but I can’t take you to my frat house looking like that. I’ll get in a fight the first five minutes we’re there, Baby.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I avoided any theme parks or museums where the employees dressed true to period. Complete nightmare. I also spent a lot of time trying not to touch people.Unless they were wearing a hoop skirt. And they were standing in my way.
Myra McEntire (Hourglass (Hourglass, #1))
Orlando curtseyed; she complied; she flattered the good man's humours as she would not have done had his neat breeches been a woman's skirts, and his braided coat a woman's satin bodice. Thus, there is much to support the view that it is clothes that wear us and not we them' we may make them take the mould of arm or breast, but they mould our hearts, our brains, our tongues to their liking.
Virginia Woolf (Orlando)
Next time she flew off a cliff, she would try to remember to wear her worsted skirts. Perhaps then, ouch, she would not have to suffer additional bruising.
Cindy Anstey (Love, Lies and Spies)
The heavy black she had worn for years was gone; her dress was of turquoise-colored silk, bright and soft as the evening sky. It belled out full from her hips, and all the skirt was embroidered with thin silver threads and seed pearls and tiny crumbs of crystal, so that it glittered softly, like rain in April. She looked at the magician, speechless. “Do you like it?” “Where—” “It’s like a gown I saw a princess wear once, at the Feast of Sun-return in the New Palace in Havnor,” he said, looking at it with satisfaction. “You told me to show you something worth seeing. I show you yourself.
Ursula K. Le Guin (The Tombs of Atuan (Earthsea Cycle, #2))
Wind whips under my skirt. My tights are no protection against the frigid air, so I burrow deeper into my new velvet jacket, slightly remorseful for not wearing something more substantial. If I freeze to death, I just have to remember it's for the sake of fashion.
Michelle Warren (Wander Dust (The Seraphina Parrish Trilogy, #1))
Never, ever link Chizalum’s appearance with morality. Never tell her that a short skirt is “immoral.” Make dressing a question of taste and attractiveness instead of a question of morality. If you clash over what she wants to wear, never say things like “You look like a prostitute,” as I know your mother once told you. Instead, say, “That dress doesn’t flatter you like this other one.” Or doesn’t fit as well. Or doesn’t look as attractive. Or is simply ugly. But never “immoral.” Because clothes have absolutely nothing to do with morality. Try
Chimamanda Ngozi Adichie (Dear Ijeawele, or A Feminist Manifesto in Fifteen Suggestions)
They wear their secrets like glittering diamonds, embroidery woven through their lavish buba tops and wrapped iro skirts. Their lies and lily-scented perfumes taint the honeyed aroma of sweet cakes I am no longer allowed to eat.
Tomi Adeyemi (Children of Blood and Bone (Legacy of Orïsha, #1))
I push my body off the ground, blood seeping between my toes. For the first time in over a century I stand on my own two feet. The gown I wear drapes off my shoulders, and my drenched skirts stick to my legs. I am a thing made of lace and blood. Swathed in silk and dripping with the dark deeds of men. I suppose I’m finally clothed accordingly.
Laura Thalassa (The Queen of All that Lives (The Fallen World, #3))
My ears hear what others cannot hear; small faraway things people cannot normally see are visible to me. These senses are the fruits of a lifetime of longing, longing to be rescued, to be completed. Just as the skirt needs the wind to billow, I'm not formed by things that are of myself alone. I wear my father's belt tied around my mother's blouse, and shoes which are from my uncle. This is me. Just as a flower does not choose its color, we are not responsible for what we have come to be. Only once you realize this do you become free, and to become adult is to become free.
India Stoker
Parents always think they have to talk to their daughters about guys. We shouldn’t wear short skirts and shouldn’t go out alone and shouldn’t get drunk and shouldn’t let guys like us too much. But you don’t have to talk to us about guys because we already know all that, for fuck’s sake, because we’re the ones they rape!! Talk to your damn sons instead!!! Teach them to talk to one another and teach them to stop one another. Raise just one fucking boy somewhere who can become a head teacher who understands that when boys pull girls by the hair, it’s the fucking boys there’s something wrong with. Tell your sons that if they have to THINK about whether or not they’ve had sex with a girl who didn’t want it, then they HAVE!!! If you can’t understand if the girl you’re having sex with wants it or not, then you’ve never had fucking sex with a girl who wants it. Stop telling your daughters. We already know it all.
Fredrik Backman (The Winners (Beartown, #3))
The moment Brooklyn Walsh walked into my office I wanted her. No, scratch that, I wanted to fuck her. To pull up that tight little skirt she was wearing and drive myself balls deep into what would no doubt be the sweetest pussy I’ve ever had. But
Carter Blake (Pretend to be Mine)
Unlike her parents, and her other relatives, her grandmother had not admonished Ashima not to eat beef or wear skirts or cut off her hair or forget her family the moment she landed in Boston. Her grandmother had not been fearful of such signs of betrayal; she was the only person to predict, rightly, that Ashima would never change.
Jhumpa Lahiri (The Namesake)
What were you doing to that cat, boy?” Myrcella asked again, sternly. To her brother she said, “He’s a ragged boy, isn’t he? Look at him.” She giggled. “A ragged dirty smelly boy,” Tommen agreed. They don’t know me, Arya realized. They don’t even know I’m a girl. Small wonder; she was barefoot and dirty, her hair tangled from the long run through the castle, clad in a jerkin ripped by cat claws and brown roughspun pants hacked off above her scabby knees. You don’t wear skirts and silks when you’re catching cats. Quickly she lowered her head and dropped to one knee. Maybe they wouldn’t recognize her. If they did, she would never hear the end of it. Septa Mordane would be mortified, and Sansa would never speak to her again from the shame.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
Onua smiled. She knew an old grievance when she heard one. “Then why wear ’em? Get yourself breeches and a shirt like me.” Daine gaped at her. “Men’s gear? With folk talking about me all the time as is?” Onua shook her head. “You’re not home now. The rules have changed.” Daine opened her mouth to object—then closed it. She looked at her skirts. To be rid of them, and the petticoats . . . it hit her, really hit her, that she was free of Snowsdale. What could they do to her now?
Tamora Pierce (Wild Magic (Immortals, #1))
Her skirt was nice, but she was wearing a dull-colored blouse that wasn't at all attractive. I'd have to remember to tell her not to wear it when she was with me if the two of us were going to get together, I thought
Jonas Karlsson (The Room)
Until the sixteenth century, men—priests, academics, judges, merchants, princes, and many others—wore skirts, or robes. For men, the skirt was a 'sign of leisure and a symbol of dignity,' writes Quentin Bell. This is still true for men in high positions. After all, can you imagine the Pope, or Professor Dumbledore, wearing trousers? Have you ever seen a depiction of God wearing pants?
Tim Gunn (Tim Gunn's Fashion Bible)
When I meet a pretty girl and beg her: "Be so good as to come with me," and she walks past without a word, this is what she means to say: "You are no Duke with a famous name, no broad American with Red Indian figure, level, brooding eyes and a skin tempered by the air of the prairies and the rivers that flow through them, you have never journeyed to the seven seas and voyaged on them wherever they may be, I don't know where. So why, pray, should a pretty girl like myself go with you?" "You forget that no automobile swings you through the street in long thrusts; I see no gentlemen escorting you in a close half-circle, pressing on your skirts from behind and murmuring blessings on your head; your breasts are well laced into your bodice, but your thighs and hips make up for that restraint; you are wearing a taffeta dress with a pleated skirt such as delighted all of us last autumn, and yet you smile-inviting mortal danger-from time to time." "Yes, we're both in the right, and to keep us from being irrevocably aware of it, hadn't we better just go our separate ways home?
Franz Kafka
She'd become an English major for the purest and dullest of reasons: because she liked to read. The university’s “British and American Literature Course Catalog” was, for Madeleine, what its Bergdorf equivalent was for her roommates. A course listing like “English 274: Lily’s Euphues” excited Madeleine the way a pair of Fiorucci cowboy boots did Abby. “English 450A: Hawthorne and James” filled Madeleine with an expectation of sinful hours in bed not unlike what Olivia got from wearing a Lycra skirt and leather blazer in Danceteria. Even as a girl in their house in Prettrybrook, Madeleine wandered into the library, with its shelves of books rising higher than she could reach … and the magisterial presence of all those potentially readable words stopped her in her tracks.
Jeffrey Eugenides
Excuse me while I throw this down, I’m old and cranky and tired of hearing the idiocy repeated by people who ought to know better. Real women do not have curves. Real women do not look like just one thing. Real women have curves, and not. They are tall, and not. They are brown-skinned, and olive-skinned, and not. They have small breasts, and big ones, and no breasts whatsoever. Real women start their lives as baby girls. And as baby boys. And as babies of indeterminate biological sex whose bodies terrify their doctors and families into making all kinds of very sudden decisions. Real women have big hands and small hands and long elegant fingers and short stubby fingers and manicures and broken nails with dirt under them. Real women have armpit hair and leg hair and pubic hair and facial hair and chest hair and sexy moustaches and full, luxuriant beards. Real women have none of these things, spontaneously or as the result of intentional change. Real women are bald as eggs, by chance and by choice and by chemo. Real women have hair so long they can sit on it. Real women wear wigs and weaves and extensions and kufi and do-rags and hairnets and hijab and headscarves and hats and yarmulkes and textured rubber swim caps with the plastic flowers on the sides. Real women wear high heels and skirts. Or not. Real women are feminine and smell good and they are masculine and smell good and they are androgynous and smell good, except when they don’t smell so good, but that can be changed if desired because real women change stuff when they want to. Real women have ovaries. Unless they don’t, and sometimes they don’t because they were born that way and sometimes they don’t because they had to have their ovaries removed. Real women have uteruses, unless they don’t, see above. Real women have vaginas and clitorises and XX sex chromosomes and high estrogen levels, they ovulate and menstruate and can get pregnant and have babies. Except sometimes not, for a rather spectacular array of reasons both spontaneous and induced. Real women are fat. And thin. And both, and neither, and otherwise. Doesn’t make them any less real. There is a phrase I wish I could engrave upon the hearts of every single person, everywhere in the world, and it is this sentence which comes from the genius lips of the grand and eloquent Mr. Glenn Marla: There is no wrong way to have a body. I’m going to say it again because it’s important: There is no wrong way to have a body. And if your moral compass points in any way, shape, or form to equality, you need to get this through your thick skull and stop with the “real women are like such-and-so” crap. You are not the authority on what “real” human beings are, and who qualifies as “real” and on what basis. All human beings are real. Yes, I know you’re tired of feeling disenfranchised. It is a tiresome and loathsome thing to be and to feel. But the tit-for-tat disenfranchisement of others is not going to solve that problem. Solidarity has to start somewhere and it might as well be with you and me
Hanne Blank
When he’d watched her in the past, he hadn’t understood why she would wear such conservative tops, then such provocative skirts. Yes, they went past her knees, but they also stretched so enticingly over her ass. He’d finally figured it out. Holly didn’t realize how those expensive materials molded over her generous curves. Cade knew females liked to ask, “Does my ass look big in this?” But considering Holly as an example, he’d begun to suspect that women really couldn’t determine what their asses looked like. Oh, well. A question for the ages.
Kresley Cole (Dark Desires After Dusk (Immortals After Dark, #5))
- If a woman wears short skirt in the company of man it means "I want to fuck", if she talks with a man when she wears short skirt it means "I want to fuck just you". - And if I have no clothes now? - It means that I'm gonna fuck you right now!
Bryanna Reid (Ветви Дуба)
This one, I guess," he says. I look over at the counter, he is looking back at me. He is holding a riding crop: "I'd like to try it out." There is a peculiar shift: from one second to the next I have become disoriented, I am on alien territory, in a foreign century. He walks a few steps to where I am half sitting on the desk, one foot on the floor, the other dangling. He pulls my skirt up my left leg, which is resting on the desk, steps back and strikes me across the inner thigh. The searing pain is an inextricable part of a wave of excitement; every cell in my body is awash with lust. It is silent in the small, dusty room. The clerks behind the counter have frozen. He slowly smooths down my skirt and turns to the older man, who is wearing a suit and still looks like an accountant, though a deep flush is spreading upward from his shirt collar. "This one will do.
Elizabeth McNeill (Nine and a Half Weeks: A Memoir of a Love Affair)
but she was wearing a short skirt.” it doesn’t matter. “but she never screamed for help.” it doesn’t matter. “but she had a lot to drink.” it doesn’t matter. “but she waited so long to tell.” it doesn’t matter. “but she consented to it before.” it doesn’t matter. “but they were hopelessly in love.” it doesn’t matter. —believe her, no matter what.
Amanda Lovelace (Flower Crowns and Fearsome Things)
SEPTIMUS: My lady, I was alone with my thoughts in the gazebo, when Mrs Chater ran me to ground, and I being in such a passion, in an agony of unrelieved desire -- LADY CROOM: Oh....! SEPTIMUS: -- I thought in my madness that the Chater with her skirts over her head would give me the momentary illusion of the happiness to which I dared not put a face. (Pause.) LADY CROOM: I do not know when I have received a more unusual compliment, Mr Hodge. I hope I am more than a match for Mrs Chater with her head in a bucket. Does she wear drawers? SEPTIMUS: She does. LADY CROOM: Yes, I have heard that drawers are being worn now. It is unnatural for women to be got up like jockeys. I cannot approve.
Tom Stoppard (Arcadia)
Lou, honey, I'll buy you a new pair of shoes if you'll stop flashing your panties at everyone sitting across the room from us. You are wearing panties, right?" I glance up and across at Stefan. His words register a moment later and my head swivels toward the other side of the room. There are a number of people staring at me. One of them is Detective Terry Shay. Or I think it is. He's not looking directly at me. He's looking up my skirt
Ronda Thompson (Confessions of a Werewolf Supermodel)
...but I do very emphatically believe there is an enormous amount of the androgynous in any all-or-nothing prose writer, or even a would-be one. I think that if he titters at male writers who wear invisible skirts he does so at his eternal peril. I'll say no more on the subject. This is precisely the sort of confidence that can be easily and juicily Abused.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
He lifted a single eyebrow as he adjusted his pants, zipping his fly. The sound made my back stiffen and I realized how close we’d just been to copulating in the back of a car. “I think you look good just like that.” I stared at him for two seconds before I smacked him on his infuriatingly well-muscled shoulder. “My shirt is ripped open and…” I frantically twisted in my seat and may have shrieked, “Where are my underwear?!” There was no amusement in his voice when he responded, “Someplace safe.” My eyes widened further and, I knew, my mouth hung open dumbly. I was about to lose my mind. “Give them back-” “You don’t need them-” “-to me right now-” “-and you should try new things-” “I am not leaving this limo while commando!” The passenger door on Quinn’s side opened and I yanked the skirt I was wearing back to my midcalf. I didn't miss his dark smile when it was clear that I was not likely to push the underwear issue further until we were in private. And, by then, it likely wouldn't matter.
Penny Reid (Neanderthal Seeks Human (Knitting in the City, #1))
Then Cheery Littlebottom had arrived in Ankh-Morpork and had seen that there were men out there who did not wear chain mail or leather underwear, but did wear interesting colors and exciting makeup, and these men were called "women." And in the little bullet head the thought had arisen: "Why not me?" Now she was being denounced in cellars and dwarf bars across the city as the first dwarf in Ankh-Morpork to wear a skirt. It was hard-wearing brown leather and as objectively erotic as a piece of wood but, as some older dwarfs would point out, somewhere under there were his knees* *They couldn't bring themselves to utter the word "her.
Terry Pratchett (The Fifth Elephant (Discworld, #24; City Watch, #5))
„Most men would say this isn’t women’s work.“ There was no mistaking the challenge in her tone. „My father was one of them“, admitted Arent. „He taught me that women were frail creatures purposely crippled by God that men might prove their virtue by protecting them. Sounded right enough. Until I went to war and saw men pleading for their lives while women swung hoes at the knights trying to take their land.“ His tone hardened. „Strong is strong and weak is weak. And it doesn’t matter if you wear breeches or skirts if you’re the latter. Life will hammer you flat.
Stuart Turton (The Devil and the Dark Water)
Is the mask magic?" he demanded with sudden, passionate interest. "Yes." I bowed my head, so that our eyes no longer met. "I made it magic to keep you safe. The mask is your friend, Erik. As long as you wear it, no mirror can ever show you the face again." He was silent then and when I showed him the new mask he accepted it without question and put it on hastily with his clumsy, bandaged fingers. But when I stood up to go, he reacted with panic and clutched at my grown. "Don't go! Don't leave me here in the dark." "You are not in the dark," I said patiently. "Look, I have left the candle ..." But I knew, as I looked at him, that it would have made no difference if I had left him fifty candles. The darkness he feared was in his own mind and there was no light in the universe powerful enough to take that darkness from him. With a sigh of resignation I sat back on the bed and began to sing softly; and before I had finished the first verse, he was asleep. The bandages on his hands and wrists showed white and eerie in the candle-light, as I eased my skirts from his grasp. I knew that Marie was right. Physically and mentally, I had scarred him for life.
Susan Kay (Phantom)
My life is hard. No one would rob me of that. The clothes I am wearing came out of a knotted up black plastic trash bag from a resale shop downtown. And not the downtown where shiny cars wink at you in the sunlight. If a car winks at you in this area it’s being driven by a person you would be best to avoid. My side of downtown is crumbling and skirted by chain link fences. --Rocky Evans
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
Women in the West who insisted on wearing the full-skirted modes of the nineteenth century—including the hoop-skirt, the bustle, and Mother Hubbards—fought a continual battle against a hostile environment. The fact that flowing yards of silk and satin eventually won out over buckskin and rawhide is only one more confirmation of the theory that woman’s vanity can conquer all, any place and any time.
Dee Brown (The Gentle Tamers: Women of the Old Wild West)
She slid a slim volume of poetry off the shelf and returned to her chair, swishing her rather unnattractive skirts before she sat down. Benedict frowned. He'd never really noticed before how ugly her dress was. Not as bad as the one Mrs. Cabtree had lent her, but certainly not anything designed to bring out the best in a woman. He ought to buy her a new dress. She would never accept it,of course, but maybe if her current garments were accidentally burned... "Mr. Bridgerton?" But how could he manage to burn her dress? She'd have to not be wearing it, and that posed a certain challenge in and of itself... "Are you even listening to me?" Sophie demanded. "Hmmm?" "You're not listening to me." "Sorry," he admitted. "My apologies. My mind got away from me. Please continue." She began anew, and in his attempt to show how much attention he was paying her, he focused his eyes on her lips, which proved to be a big mistake. Because suddenly those lips were all he could see, and he couldn't stop thinking about kissing her, and he knew- absolutely knew-that if one of them didn't leave the room in the next thirty seconds, he was going to do something for which he'd owe her a thousand apologies. Not that he didn't plan to seduce her. Just that he'd rather do it with a bit more finesse. "Oh, dear," he blurted out. Sophie gave him an odd look. He didn't blame her. He sounded like a complete idiot. He didn't think he'd uttered the phrase, "Oh,dear," in years. If ever. Hell,he sounded like his mother. "Is something wrong?" Sophie asked. "I just remembered something," he said, rather stupidly, in his opinion. She raised her brows in question. "Something that I'd forgotten," Benedict said. "The things one remembers," she said, looking exceedingly amused, "are most often things one had forgotten.
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
For a moment, I was perfectly relaxed, and I began enjoying the sight of this beautifully candlelit room full of well-dressed people. Then Mr. Merchant made a grab for my décolletage from behind, and I almost spilled the punch. “One of those dear, pretty little roses slipped out of place,” he claimed, with an insinuating grin. I stared at him, baffled. Giordano hadn’t prepared me for a situation like this, so I didn’t know the proper etiquette for dealing with Rococo gropers. I looked at Gideon for help, but he was so deep in conversation with the young widow that he didn’t even notice. If we’d been in my own century, I’d have told Mr. Merchant to keep his dirty paws to himself or I’d hit back, whether or not any little roses had really slipped. But in the circumstances, I felt that his reaction was rather—discourteous. So I smiled at him and said, “Oh, thank you, how kind. I never noticed.” Mr. Merchant bowed. “Always glad to be of service, ma’am.” The barefaced cheek of it! But in times when woman had no vote, I suppose it wasn’t surprising if they didn’t get any other kind of respect either. The talking and laughter gradually died away as Miss Fairfax, a thin-nosed lady wearing a reed-green dress, went over to the pianoforte, arranged her skirts, and placed her hands on the keys. In fact, she didn’t play badly. It was her singing that was rather disturbing. It was incredibly . . . well, high-pitched. A tiny bit higher, and you’d have thought she was a dog whistle.
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
The aroma of chicken broth and beef pie wafted into the parlor. She set down the tray of food on the low table next to him. “Are you all right?” He grunted. “You don’t want to eat anything?” “No.” He did not want to tax his stomach for the next twelve hours. “So what now? Are we going on the run?” He removed his arm from his face and opened his eyes. She was sitting on the carpet before the low table, wearing his gray, hooded tunic, but not his trousers. Her legs were bare below mid-thigh. The sight jolted him out of his lethargy. “Where are your trousers?” “They had no braces and won’t stay up. Besides, it’s warm enough in here.” He was feeling quite hot. It was not unusual to see girls in short robes come summertime in Delamer. But in England skirts always skimmed the ground and men went mad for a glimpse of feminine ankles. So much skin—boys at school would faint from overexcitement. He might have been a bit unsteady too, if he were not already lying down. “You never answered my question,” she said, as if the view of long, shapely legs should not scramble his thoughts at all.
Sherry Thomas (The Burning Sky (The Elemental Trilogy, #1))
So if I asked you to wear my skirt and juggle my high heels, you would?” I joked. I could only see Andrew's face in profile, but a grin overtook his earlier grim expression, and he laughed. “I draw the line at wearing women’s clothing.” “Are you sure?” I whispered seductively, nibbling on his earlobe. “That’s cheating,” he said, his breath hitching. I kissed down his neck. “If all else fails, I’ll never rule out using my womanly wiles.” “I refuse to be used as a pawn by my devious lover,” he countered, grinning. I abruptly pulled away from him. “Ah, well, it never hurts to try.
Laura Kreitzer (Fallen Legion (Timeless, #4))
What to wear on a Minnesota farm? The older farmers I know wear brown polyester jumpsuits, like factory workers. The younger ones wear jeans, but the forecast was for ninety-five degrees with heavy humidity. The wardrobe of Quaker ladies in their middle years runs to denim skirts and hiking boots. This outfit had worked fine for me in England. But one of my jobs in Minnesota will be to climb onto the industrial cuisinart in the hay barn and mix fifty-pound bags of nutritional supplement and corn into blades as big as my body. Getting a skirt caught in that thing would be bad news for Betty Crocker.
Mary Rose O'Reilley (The Barn at the End of the World: The Apprenticeship of a Quaker, Buddhist Shepherd)
Carefully she spread open the skirt of the dress and found the place where Ellen’s necklace lay hidden in the pocket. The little Star of David still gleamed gold. “Papa?” she said, returning to the balcony, where her father was standing with the others, watching the rejoicing crowd, She opened her hand and showed him the necklace. “Can you fix this? I have kept it all this long time. It was Ellen’s.” Her father took it from her and examined the broken clasp. “Yes,” he said. “I can fix it. When the Rosens come home, you can give it back to Ellen.” “Until then,” Annemarie told him, “I will wear it myself.
Lois Lowry (Number the Stars)
Touching the copper of the ankh reminded me of another necklace, a necklace long since lost under the dust of time. That necklace had been simpler: only a string of beads etched with tiny ankhs. But my husband had brought it to me the morning of our wedding, sneaking up to our house just after dawn in a gesture uncharacteristically bold for him. I had chastised him for the indiscretion. "What are you doing? You're going to see me this afternoon... and then every day after that!" "I had to give you these before the wedding." He held up the string of beads. "They were my mother's. I want you to have them, to wear them today.” He leaned forward, placing the beads around my neck. As his fingers brushed my skin, I felt something warm and tingly run through my body. At the tender age of fifteen, I hadn't exactly understood such sensations, though I was eager to explore them. My wiser self today recognized them as the early stirrings of lust, and . . . well, there had been something else there too. Something else that I still didn't quite comprehend. An electric connection, a feeling that we were bound into something bigger than ourselves. That our being together was inevitable. "There," he'd said, once the beads were secure and my hair brushed back into place. "Perfect.” He said nothing else after that. He didn't need to. His eyes told me all I needed to know, and I shivered. Until Kyriakos, no man had ever given me a second glance. I was Marthanes' too-tall daughter after all, the one with the sharp tongue who didn't think before speaking. (Shape-shifting would eventually take care of one of those problems but not the other.) But Kyriakos had always listened to me and watched me like I was someone more, someone tempting and desirable, like the beautiful priestesses of Aphrodite who still carried on their rituals away from the Christian priests. I wanted him to touch me then, not realizing just how much until I caught his hand suddenly and unexpectedly. Taking it, I placed it around my waist and pulled him to me. His eyes widened in surprise, but he didn't pull back. We were almost the same height, making it easy for his mouth to seek mine out in a crushing kiss. I leaned against the warm stone wall behind me so that I was pressed between it and him. I could feel every part of his body against mine, but we still weren't close enough. Not nearly enough. Our kissing grew more ardent, as though our lips alone might close whatever aching distance lay between us. I moved his hand again, this time to push up my skirt along the side of one leg. His hand stroked the smooth flesh there and, without further urging, slid over to my inner thigh. I arched my lower body toward his, nearly writhing against him now, needing him to touch me everywhere. "Letha? Where are you at?” My sister's voice carried over the wind; she wasn't nearby but was close enough to be here soon. Kyriakos and I broke apart, both gasping, pulses racing. He was looking at me like he'd never seen me before. Heat burned in his gaze. "Have you ever been with anyone before?" he asked wonderingly. I shook my head. "How did you ... I never imagined you doing that...” "I learn fast.” He grinned and pressed my hand to his lips. "Tonight," he breathed. "Tonight we ...” "Tonight," I agreed. He backed away then, eyes still smoldering. "I love you. You are my life.” "I love you too." I smiled and watched him go.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
Jill had always wanted to know what it was like to be allowed to wear her hair long, to put on a pretty skirt, to sit next to her sister and hear people cooing over what a lovely matched pair they were. She liked sports, yes, and she liked reading her books; she liked knowing things. She would probably have been a soccer player even if her father hadn't insisted, would definitely have watched spaceships on TV and superheroes in the movies, because the core of who Jill was had nothing to do with the desires of her parents and everything to do with the desires of her heart. But she would have done some of those things in a dress. Having half of everything she wanted denied to her for so long had left her vulnerable to them: they were the forbidden fruit, and like all forbidden things, even the promise of them was delicious.
Seanan McGuire (Down Among the Sticks and Bones (Wayward Children, #2))
None of us really cheer for glory, prizes, tourneys. None of us, maybe, know why we do it at all, except it is like a rampart against the routine and groaning afflictions of the school day. You wear that jacket, like so much armor, game days, the flipping skirts. Who could touch you? Nobody could.   My question is this: The New Coach. Did she look at us that first week and see past the glossed hair and shiny legs, our glittered brow bones and girl bravado? See past all that to everything beneath, all our miseries, the way we all hated ourselves but much more everyone else? Could she see past all of that to something else, something quivering and real, something poised to be transformed, turned out, made? See that she could make us, stick her hands in our glitter-gritted insides and build us into magnificent teen gladiators?
Megan Abbott (Dare Me)
Someday in our future it may be possible for women everywhere not to be restricted to those roles society deems natural, God-given, or appropriately feminine. A woman will not need to be disguised as a man to go outside, to climb a tree, or to make money. She will not need to make an effort to resemble a man, or to think like one. Instead, she can speak a language that men will want to understand. She will be free to wear a suit or a skirt or something entirely different. She will not count as three-quarters of a man, and her testimony will not be worth half a man's. She will be recognized as someone's sister, mother, and daughter. And maybe, someday, her identity will not be confined to how she relates to a brother, a son, or a father. Instead, she will be recognized as an individual, whose life holds value only in itself.
Jenny Nordberg (The Underground Girls of Kabul: In Search of a Hidden Resistance in Afghanistan)
Almanzo could see his feet, but of course Alice's were hidden under her skirts. Her hoops rounded out, and she had to pull them back and stoop to drop the seeds neatly into the furrow. Almanzo asked her if she didn't want to be a boy. She said yes, she did. Then she said no, she didn't. "Boys aren't pretty like girls, and they can't wear ribbons." "I don't care how pretty I be," Almanzo said. "And I wouldn't wear ribbons anyhow." "Well, I like to make butter and I like to patch quilts. And cook, and sew, and spin. Boys can't do that. But even if I be a girl, I can drop potatoes and sow carrots and drive horses as well as you can." "You can't whistle on a grass stem," Almanzo said.
Laura Ingalls Wilder (Farmer Boy (Little House, #2))
[33]* In the seventh month, when the heat is dreadful, everything in the building is kept open all through the night, and it’s delightful to wake on moonlit nights and lie there looking out. Dark nights too are delightful, and as for the sight of the moon at dawn, words cannot describe the loveliness. Picture her lying there, on a fresh new mat 1 placed near the outer edge of the gleaming wooden aisle-room floor, the low standing curtain pushed to the back of the room in a quite unseemly way. 2 It should normally be placed at the outer edge, but perhaps she’s concerned about being seen from within. Her lover must have already left. She is lying asleep, a robe drawn up over her head 3 – it is pale greyish-violet with deep violet inner lining, the outer surface a little faded, or perhaps it is a stiffish robe of rich gleaming damask. Beneath this, she is wearing a clove-tan or yellow gossamer-silk shift, and the long strings of her unlined scarlet skirted trousers trailing undone from below the hem of her clothing tell us that she must have fallen asleep with trousers still untied after her lover departed. The soft luxury of hair that lies piled in waves beside her speaks of its wonderful length.
Sei Shōnagon (The Pillow Book)
you see, my whole life is tied up to unhappiness it's father cooking breakfast and me getting fat as a hog or having no food at all and father proving his incompetence again i wish i knew how it would feel to be free it's having a job they won't let you work or no work at all castrating me (yes it happens to women too) it's a sex object if you're pretty and no love or love and no sex if you're fat get back fat black woman be a mother grandmother strong thing but not woman gameswoman romantic woman love needer man seeker dick eater sweat getter fuck needing love seeking woman it's a hole in your shoe and buying lil sis a dress and her saying you shouldn't when you know all too well that you shouldn't but smiles are only something we give to properly dressed social workers not each other only smiles of i know your game sister which isn't really a smile joy is finding a pregnant roach and squashing it not finding someone to hold let go get off get back don't turn me on you black dog how dare you care about me you ain't go no good sense cause i ain't shit you must be lower than that to care it's a filthy house with yesterday's watermelon and monday's tears cause true ladies don't know how to clean it's intellectual devastation of everybody to avoid emotional commitment "yeah honey i would've married him but he didn't have no degree" it's knock-kneed mini skirted wig wearing died blond mamma's scar born dead my scorn your whore rough heeeled broken nailed powdered face me whose whole life is tied up to unhappiness cause it's the only for real thing i know
Nikki Giovanni
I have a sweet tooth and I am not ashamed. That's all there is to it. No need to mention donuts at all." "How about buns?" She looked back over her shoulder and caught him staring at her ass. She was wearing a tight black skirt for no other reason than she'd had a strange urge to feel sexy after Hassan shredded her the other day. She gave a little wiggle before she walked into the restaurant and was rewarded with the sound of his sharp intake of breath. "Layla?" "Yes?" She turned in the doorway, caught a cheeky smile. "I like sweet things, too.
Sara Desai (The Marriage Game (Marriage Game, #1))
Xaden's head snaps in my direction. 'Violence?' I take a step and then another, holding my frame upright with muscle memory I didn't have last year, and begin to cross. Xaden swings his legs up and then fucking jumps to his feet. 'Turn around right now!' he shouts. 'Come with me,' I call over the wind, bracing myself as gust whips my skirt against my legs. 'Should have gone with the pants,' I mutter and keep walking. He's already coming my way, his strides just as long and confident as if he was on solid ground, eating up the distance between us as I move forward slowly until we meet. 'What the fuck are you doing out here?' he asks, locking his hands on my waist. He's in riding leathers, not a dress uniform, and he's never looked better. What am I doing out here? I'm risking everything to reach him. And if he rejects me... No. There's no room for fear on the parapet. 'I could ask you the same thing.' His eyes widen. 'You could have fallen and died!' 'I could say the same thing.' I smile, but it's shaky. The look in his eyes is wild, like he's been driven past the point where he can contain himself in the neat, apathetic façade he usually wears in public. It doesn't scare me. I like him better when he's real with me, anyway. 'And did you stop to think that if you fall and die, then I can die?' He leans in and my pulse jumps. 'Again,' I say softly, resting my hands on his firm chest, right above his heartbeat, 'I could say the same thing.' Even if Xaden's death wouldn't kill Sgaeyl, I'm not sure I could survive it.' Shadows rise, darker than the night that surrounds us. 'You're forgetting that I wield shadows, Violence. I'm just as safe out here as I am in the courtyard. Are you going to wield lightning to break your fall?' Fine. That's a good point. 'I... perhaps did not think that part through as thoroughly as you,' I admit. I wanted to be close to him, so I got close, parapet be damned.' 'You're seriously going to be the death of me.' His fingers flex at my waist. 'Go back.' It's not a rejection, not with the way he's looking at me. We've been sparring emotionally for the past month, hell, even longer than that, and one of us has to expose our jugular. I finally trust him enough to know he won't go for the kill. 'Only if you do. I want to be whereever you are.' And I mean it. Everyone else- everything else in the world can fall away and I won't care as long as I'm with him.
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
I kind of was beginning to feel like I was being underutilized [as Teen Ambassador to the UN]. I mean, there were a lot more important issues out there for teens that I could have been bringing international attention to than what kids see out their windows. I mean, instead of sitting in the White House press office for three hours after school every Wednesday, or attending International Festival of the Child concerts, I could have been out there alerting the public to the fact that in some countries, it is still perfectly legal for men to take teen brides -- even multiple teen brides! What was that all about? And what about places like Sierra Leone, where teens and even younger kids routinely get their limbs chopped off as "warnings" against messing with the warring gangs that run groups of diamond traffickers? And hello, what about all those kids in countries with unexploded land mines buried in the fields where they'd like to play soccer, but can't because it's too dangerous? And how about a problem a little closer to home? How about all the teenagers right here in America who are taking guns to school and blowing people away? Where are they getting these guns, and how come they think shooting people is a viable solution to their problems? And why isn't anybody doing anything to alleviate some of the pressures that might lead someone to think bringing a gun to school is a good thing? How come nobody is teaching people like Kris Parks to be more tolerant of others, to stop torturing kids whose mothers make them wear long skirts to school?
Meg Cabot (All-American Girl (All-American Girl, #1))
We could come up with a reasonable explanation for your wearing it. Would that help?" wheedled Sophronia. "Justification for my trotting around wearing a lady's undergarments? I hardly see how." Soap's eyes were sparkling with amusement, and Vieve was dimpling openly at the very idea of Pillover in a skirt. Pillover stood holding the petticoat between thumb and forefinger as if it were contaminated with some dreaded chemical. "Go on, pull it on over you clothes and go out there," Sophronia urged. "You could say you were running some experiment dangerous to your nether regions," suggested Vieve. "You could say you were testing the response time of the maid mechanicals," suggested Sophronia. "You could say you like ladies' undergarments," suggested Soap. "I'm doomed." Pillover rolled his eyes and flapped the petticoat.
Gail Carriger (Etiquette & Espionage (Finishing School, #1))
[High angel] Carter's fucked-up sense of humor in action.' [The angel] Lucinda flushed deep crimson. 'How can you use such language so carelessly? You sound like you're… like you're in a locker room!" I smoothed down my tank top. 'No way. I'd never wear this in a locker room.' 'Yeah, it isn't even in school colors,' said Peter. I couldn't resist toying with the guardian. 'If i were in a locker room, i'd probably have on a short cheerleader skirt. And no underwear.' Peter continued playing off me. 'And you'd do that one cheer, right? The one with your hands splayed against the shower wall and ass sticking out?' 'That's me,' i agreed. 'Always ready to take one for the team.' Even Cody[, the other vampire] flushed at our crassness. Lucinda was practically purple. 'You–you two have no sense of decency! None at all.
Richelle Mead (Succubus Blues (Georgina Kincaid, #1))
first time Calypso came to check on him, it was to complain about the noise. “Smoke and fire,” she said. “Clanging on metal all day long. You’re scaring away the birds!” “Oh, no, not the birds!” Leo grumbled. “What do you hope to accomplish?” He glanced up and almost smashed his thumb with his hammer. He’d been staring at metal and fire so long he’d forgotten how beautiful Calypso was. Annoyingly beautiful. She stood there with the sunlight in her hair, her white skirt fluttering around her legs, a basket of grapes and fresh-baked bread tucked under one arm. Leo tried to ignore his rumbling stomach. “I’m hoping to get off this island,” he said. “That is what you want, right?” Calypso scowled. She set the basket near his bedroll. “You haven’t eaten in two days. Take a break and eat.” “Two days?” Leo hadn’t even noticed, which surprised him, since he liked food. He was even more surprised that Calypso had noticed. “Thanks,” he muttered. “I’ll, uh, try to hammer more quietly.” “Huh.” She sounded unimpressed. After that, she didn’t complain about the noise or the smoke. The next time she visited, Leo was putting the final touches on his first project. He didn’t see her until she spoke right behind him. “I brought you—” Leo jumped, dropping his wires. “Bronze bulls, girl! Don’t sneak up on me like that!” She was wearing red today—Leo’s favorite color. That was completely irrelevant. She looked really good in red. Also irrelevant. “I wasn’t sneaking,” she said. “I was bringing you these.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
It starts before you can remember: you learn, as surely as you learn to walk and talk, the rules for being a girl... Put a little color on your face. Shave your legs. Don’t wear too much makeup. Don’t wear short skirts. Don’t distract the boys by wearing bodysuits or spaghetti straps or knee socks. Don’t distract the boys by having a body. Don’t distract the boys. Don’t be one of those girls who can’t eat pizza. You’re getting the milk shake too? Whoa. Have you gained weight? Don’t get so skinny your curves disappear. Don’t get so curvy you aren’t skinny. Don’t take up too much space. It’s just about your health. Be funny, but don’t hog the spotlight. Be smart, but you have a lot to learn. Don’t be a doormat, but God, don’t be bossy. Be chill. Be easygoing. Act like one of the guys. Don’t actually act like one of the guys. Be a feminist. Support the sisterhood. Wait, are you, like, gay? Maybe kiss a girl if he’s watching though—that’s hot. Put on a show. Don’t even think about putting on a show, that’s nasty. Don’t be easy. Don’t give it up. Don’t be a prude. Don’t be cold. Don’t put him in the friend zone. Don’t act desperate. Don’t let things go too far. Don’t give him the wrong idea. Don’t blame him for trying. Don’t walk alone at night. But calm down! Don’t worry so much. Smile! Remember, girl: It’s the best time in the history of the world to be you. You can do anything! You can do everything! You can be whatever you want to be! Just as long as you follow the rules.
Candace Bushnell (Rules for Being a Girl)
There was another line of argument that nagged at me: the suggestion that boys simply could not help themselves. As if he never had a choice. I have told each of my girls heading off to college: If you walk in front of a semi truck expect to get hit. Don't walk in front of a semi. If you go to a frat party expect to get drunk, drugged and raped. Don't go to a frat party. You went to a frat and got assaulted? What did you expect? I'd heard this in college, freshman girls in frats compared to sheep in a slaughterhouse. I understand you are not supposed to walk into a lion's den because you could be mauled. But lions are wild animals. And boys are people, they have minds, live in a society with laws. Groping others was not a natural reflex, biologically built in. It was a cognitive action they were capable of controlling. It seemed once you submitted to walking through fraternity doors, all laws and regulation ceased. They were not asked to adhere to the same rules, yet there were countless guidelines women had to follow: cover your drink, stick close to others, don't wear short skirts. Their behavior was the constant, while we were the variable expected to change. When did it become our job to do all the preventing and managing? And if houses existed where many young girls were getting hurt, shouldn't we hold the guys in these houses to a higher standard, instead of reprimanding the girls? Why was passing out considered more reprehensible than fingering the passed-out person?
Chanel Miller (Know My Name)
She was a hunchback with a sweet smile. She smiled sweetly at anything; she couldn't help it; the trees, me, the grass, anything. The basket pulled her down, dragging her toward the ground. She was such a tiny woman, with a hurt face, as if slapped forever. She wore a funny old hat, an absurd hat, a maddening hat, a hat to make me cry, a hat with faded red berries on the brim. And there she was, smiling at everything, struggling across the carpet with a heavy basket containing Lord knew what, wearing a plumed hat with red berries. I got up. It was so mysterious. There I was, like magic, standing up, my two feet on the ground, my eyes drenched. I said, "Let me help." She smiled again and gave me the basket. We began to walk. She led the way. Beyond the trees it was stifling. And she smiled. It was so sweet it nearly tore my head off. She talked, she told me things I never remembered. It didn't matter. In a« dream she held me, in a dream I followed under the blinding sun. For blocks we went forward. I hoped it would never end. Always she talked in a low voice made of human music. What words! What she said! I remembered nothing. I was only happy. But in my heart I was dying. It should have been so. We stepped from so many curbs, I wondered why she did not sit upon one and hold my head while I drifted away. It was the chance that never came again. That old woman with the bent back! Old woman, I feel so joyfully your pain. Ask me a favor, you old woman you! Anything. To die is easy. Make it that. To cry is easy, lift your skirt and let me cry and let my tears wash your feet to let you know I know what life has been for you, because my back is bent too, but my heart is whole, my tears are delicious, my love is yours, to give you joy where God has failed. To die is so easy and you may have my life if you wish it, you old woman, you hurt me so, you did, I will do anything for you, to die for you, the blood of my eighteen years flowing in the gutters of Wilmington and down to the sea for you, for you that you might find such joy as is now mine and stand erect without the horror of that twist. I left the old woman at her door. The trees shimmered. The clouds laughed. The blue sky took me up. Where am I? Is this Wilmington, California? Haven't I been here before? A melody moved my feet. The air soared with Arturo in it, puffing him in and out and making him something and nothing. My heart laughed and laughed. Goodbye to Nietzsche and Schopenhauer and all of you, you fools, I am much greater than all of you! Through my veins ran music of blood. Would it last? It could not last. I must hurry. But where? And I ran toward home. Now I am home. I left the book in the park. To hell with it. No more books for me. I kissed my mother. I clung to her passionately. On my knees I fell at her feet to kiss her feet and cling to her ankles until it must have hurt her and amazed her that it was I.
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
Cecily let her cheek fall to Leta’s shoulder and hugged her back. It felt so nice to be loved by someone in the world. Since her mother’s death, she’d had no one of her own. It was a lonely life, despite the excitement and adventure her work held for her. She wasn’t openly affectionate at all, except with Leta. “For God’s sake, next you’ll be rocking her to sleep at night!” came a deep, disgusted voice at Cecily’s back, and Cecily stiffened because she recognized it immediately. “She’s my baby girl,” Leta told her tall, handsome son with a grin. “Shut up.” Cecily turned a little awkwardly. She hadn’t expected this. Tate Winthrop towered over both of them. His jet-black hair was loose as he never wore it in the city, falling thick and straight almost to his waist. He was wearing a breastplate with buckskin leggings and high-topped mocassins. There were two feathers straight up in his hair with notches that had meaning among his people, marks of bravery. Cecily tried not to stare at him. He was the most beautiful man she’d ever known. Since her seventeenth birthday, Tate had been her world. Fortunately he didn’t realize that her mad flirting hid a true emotion. In fact, he treated her exactly as he had when she came to him for comfort after her mother had died suddenly; as he had when she came to him again with bruises all over her thin, young body from her drunken stepfather’s violent attack. Although she dated, she’d never had a serious boyfriend. She had secret terrors of intimacy that had never really gone away, except when she thought of Tate that way. She loved him… “Why aren’t you dressed properly?” Tate asked, scowling at her skirt and blouse. “I bought you buckskins for your birthday, didn’t I?” “Three years ago,” she said without meeting his probing eyes. She didn’t like remembering that he’d forgotten her birthday this year. “I gained weight since then.” “Oh. Well, find something you like here…” She held up a hand. “I don’t want you to buy me anything else,” she said flatly, and didn’t back down from the sudden menace in his dark eyes. “I’m not dressing up like a Lakota woman. In case you haven’t noticed, I’m blond. I don’t want to be mistaken for some sort of overstimulated Native American groupie buying up artificial artifacts and enthusing over citified Native American flute music, trying to act like a member of the tribe.” “You belong to it,” he returned. “We adopted you years ago.” “So you did,” she said. That was how he thought of her-a sister. That wasn’t the way she wanted him to think of her. She smiled faintly. “But I won’t pass for a Lakota, whatever I wear.” “You could take your hair down,” he continued thoughtfully. She shook her head. She only let her hair loose at night, when she went to bed. Perhaps she kept it tightly coiled for pure spite, because he loved long hair and she knew it. “How old are you?” he asked, trying to remember. “Twenty, isn’t it?” “I was, give years ago,” she said, exasperated. “You used to work for the CIA. I seem to remember that you went to college, too, and got a law degree. Didn’t they teach you how to count?” He looked surprised. Where had the years gone? She hadn’t aged, not visibly.
Diana Palmer (Paper Rose (Hutton & Co. #2))
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace. Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops. One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward. It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . . I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place. The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best. It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt. But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing. Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
D. Todd Christofferson