Haze Sky Quotes

We've searched our database for all the quotes and captions related to Haze Sky. Here they are! All 100 of them:

When you develop an infatuation for someone you always find a reason to believe that this is exactly the person for you. It doesn’t need to be a good reason. Taking photographs of the night sky, for example. Now, in the long run, that’s just the kind of dumb, irritating habit that would cause you to split up. But in the haze of infatuation, it’s just what you’ve been searching for all these years.
Alex Garland (The Beach)
For with my intuition I knew that this man was repeating a pattern over and over again: courting a woman with his intelligence and sympathy, claiming her emotionally; then, when she began to claim in return, running away. And the better a woman was, the sooner he would begin to run. I knew this with my intuition, and yet I sat there in my dark room, looking at the hazed wet brilliance of the purple London night sky, longing with my whole being.
Doris Lessing (The Golden Notebook)
You married me while I was sleeping?" I asked in amazement. They sky was beginning to bruise with the purple haze, and in it, I could see Chase's face glow a little deeper copper. "You hit me for kissing you. It seemed in my best interest to marry you while you were passed out.
Kristen Simmons (Article 5 (Article 5, #1))
The summer of 2019 had overstayed its welcome in Florida, lingering well into September. As if to make a point about global warming, the rabid sun scorched the waters of Biscayne Bay for weeks, generating a haze of humidity that blurred the line between the windless sea and the sky above. Not to be accused of playing favorites, the sun’s rays beat down on the land with equal spite, pummeling grass, palms, and bushes into limp submission. The heat weaponized asphalt roads and cement sidewalks, the shimmery mirages above them a clear warning to all living things to stay away or burn.
J.K. Franko (Eye for Eye (Talion #1))
The man in black fled across the desert and the gunslinger followed. The desert was the apotheosis of all deserts, huge, standing to the sky for what looked like eternity in all directions. It was white and blinding and waterless and without feature save for the faint, cloudy haze of the mountains which sketched themselves on the horizon and the devil-grass which brought sweet dreams, nightmares, death. An occasional tombstone sign pointed the way, for once the drifted track that cut its way through the thick crust of alkali had been a highway. Coaches and buckas had followed it. The world had moved on since then. The world had emptied.
Stephen King (The Gunslinger (The Dark Tower, #1))
Eagle's flight of loneliness soars so high Around its sigh, no more alone the sky Other birds remain away, clouds pass by Between shrouds of life and haze sun rays die
Munia Khan
I AM RESTLESS AM restless. I am athirst for far-away things. My soul goes out in a longing to touch the skirt of the dim distance. O Great Beyond, O the keen call of thy flute! I forget, I ever forget, that I have no wings to fly, that I am bound in this spot evermore. I am eager and wakeful, I am a stranger in a strange land. Thy breath comes to me whispering an impossible hope. Thy tongue is known to my heart as its very own. O Far-to-seek, O the keen call of thy flute! I forget, I ever forget, that I know not the way, that I have not the winged horse. I am listless, I am a wanderer in my heart. In the sunny haze of the languid hours, what vast vision of thine takes shape in the blue of the sky! O Farthest end, O the keen call of thy flute! I forget, I ever forget, that the gates are shut everywhere in the house where I dwell alone!
Rabindranath Tagore
The sun had set, but a faint pastel haze lingered in the mid-summer sky.
R.J. Lawrence (The Fortunate Only)
He is my favorite smell, my favorite sound, my favorite sight. He will never know how much I love him because he does not remember the day Darrow and I conceived him, or the months I carried him inside me, or the minute he came into the world, the moment he said his first word or took his first step, or made me laugh for the first time. I remember all those things, and all the things about them. Where the sun lay in the sky, how his father’s eyes sparkled, what I feared in those moments, what I hoped for his life to be. That season of life is a haze to him, but when I die and reflect on my life, I know I will still believe that season was the meaning of mine.
Pierce Brown (Light Bringer (Red Rising Saga, #6))
Those roads provided breath-taking views. There's something special about an empty road going on and on and on to the horizon where the sun burns the world away into a dancing, shmmering heat haze that reflects the crystal blue sky, literally blurring the line between heaven and earth.
Dave Gorman
The desert was the apotheosis of all deserts, huge, standing to the sky for what looked like eternity in all directions. It was white and blinding and waterless and without feature save for the faint, cloudy haze of the mountains which sketched themselves on the horizon and the devil-grass which brought sweet dreams, nightmares, death. An occasional tombstone sign pointed the way, for once the drifted track that cut its way through the thick crust of alkali had been a highway. Coaches and buckas had followed it. The world had moved on since then. The world had emptied.
Stephen King (The Gunslinger (The Dark Tower, #1))
Gray. The overcast skies had the colour of deadened stones, and seemed closer than usually, as though they were phlegmatically observing my every movement with their apathetic emptily blue-less eyes; each tiny drop of hazy rain drifting around resembled transparent molten steel, the pavement looked like it was about to burst into disconsolate tears, even the air itself was gray, so ultimate and ubiquitous that colour was everywhere around me. Gray...
Simona Panova (Nightmarish Sacrifice (Cardew))
You are…” “Devilishly handsome? Wickedly clever?” He turned back to the western sky, where it still carried the haze of fire. “Stunningly charismatic?” “That wasn’t what I was going for,” I told him. “More like ridiculous.” “Endearingly ridiculous,” he corrected.
Jennifer L. Armentrout
Moscow, just past midwinter, and the haze of ten thousand fires rose to meet a smothering sky. To the west a little light lingered, but in the east the clouds mounded up, bruise-colored in the livid dusk, buckling with unfallen snow.
Katherine Arden (The Girl in the Tower (The Winternight Trilogy, #2))
You feel other people’s pain deeply.” “Well don’t know bout all that but I know what it’s like ta lose a daughter. They gonna be in a haze for a long time ta come. It’ll be all they think bout.” “Does it get easier over time?” “No, it don’t. But you learn ta function anyway.
Victor Methos (Black Sky (A Mystery-Thriller))
At that instant a dazzling claw of lightning streaked down the length of the sky. The hedge and the distant trees seemed to leap forward in the brilliance of the flash. Immediately upon it came the thunder: a high, tearing noise, as though some huge thing were being ripped to pieces close above, which deepened and turned to enormous blows of dissolution. Then the rain fell like a waterfall. In a few seconds the ground was covered with water and over it, to a height of inches, rose a haze formed of a myriad minute splashes. Stupefied with the shock, unable even to move, the sodden rabbits crouched inert, almost pinned to the earth by the rain.
Richard Adams (Watership Down (Watership Down, #1))
On his back, Robert must have had time to see something beautiful, and not just the ugliness of a city street at the end of life. Even with the tremendous pain in his badly gutted belly he would have looked up beyond the fire escapes and the windows with their glittery trees and television glows, to the sky about the rooftops. A sky shimmery with the possibilities of the death; lights exaggerated, the heavens peeled back- a swirling haze of nebulae and comets - in some distant place, intimations of the new beginning into which he would soon journey
Oscar Hijuelos (Mr. Ives' Christmas)
The NELLIE, a cruising yawl, swung to her anchor without a flutter of the sails, and was at rest. The flood had made, the wind was nearly calm, and being bound down the river, the only thing for it was to come to and wait for the turn of the tide. The sea-reach of the Thames stretched before us like the beginning of an interminable waterway. In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.
Joseph Conrad (Heart of Darkness: and Selections from The Congo Diary)
Everyone tends to think of October as being an autumn month. Not so much in south Alabama, usually. There, it's another warm, if not hot, summer month. But the Alabama summer heat will sometimes get broken by cooler days. The haze of the depth of summer lifts, the humidity backs off, and the sky takes on a clearer, sharper blueness that the more languid summer days rarely could manage. And sometimes, there will be a day where the temperature gives a clear peek of what's coming.
J.F. Smith
During the night a fine, delicate summer rain had washed the plains, leaving the morning sky crisp and clean. The sun shone warm—soon to bake the earth dry. It cast a purple haze across the plain—like a great, dark topaz. In the trees the birds sang, while the squirrels jumped from branch to branch in seeming good will, belying the expected tension of the coming days.
Cate Campbell Beatty (Donor 23)
You are the stars," I whispered, our mouths so close that if I moved an inch in, we'd be pressed against one another's lips. Fuck, that was corny, and fuck, I didn't even care. Hazel made me want to be the corniest asshole alive. "You've been my light, my muse, my inspiration. Haze ... you are every star in the goddamn sky. You are my galaxy.
Brittainy C. Cherry (The Wreckage of Us)
[Eugenides] looked from Eddis to the window, where the visible sky was already dark. He looked back, his gaze a little sharper, and said, "You forgot me." Eddis shoved her hands into the pockets of her trousers.. "Don't lie," Eugenides said, pressing her. "You charged off in a haze of glory to chase the vile Mede from our shore, and you never gave me a thought until they were gone." He twisted to address Attolia. "You forgot me, too," he accused. Attolia answered cooly, "You were fed.
Megan Whalen Turner (The Queen of Attolia (The Queen's Thief, #2))
She’d hoped to close her eyes and dream of sparkly winged horses flying through a bright blue sky. Instead, black-cloaked figures haunted her mind, snatching her from the shadows and dragging her away in a drugged haze. Sharp bonds sliced her wrists and ankles as someone shouted questions she didn’t know the answers to. Then fiery hands seared her skin and ghostly whispers swirled through the blackness. They would find her. She would never escape them again .
Shannon Messenger (Exile (Keeper of the Lost Cities, #2))
It was an unusual sunset. Having sat behind opaque drapery all day, I had not realized that a storm was pushing in and that much of the sky was the precise shade of old suits of armor one finds in museums. At the same time, patches of brilliance engaged in a territorial dispute with the oncoming onyx of the storm. Light and darkness mingled in strange ways both above and below. Shadows and sunshine washed together, streaking the landscape with an unearthly study of glare and gloom. Bright clouds and black folded into each other in a no-man's land of the sky. The autumn trees took on the appearance of sculptures formed in a dream, their leaden-colored trunks and branches and iron-red leaves all locked in an infinite and unliving moment, unnaturally timeless. The gray lake slowly tossed and tumbled in a dead sleep, nudging unconsciously against its breakwall of numb stone. A scene of contradiction and ambivalence, a tragicomedic haze over all. A land of perfect twilight.
Thomas Ligotti (The Nightmare Factory)
In the evening, the summer haze hovers over the fields like a translucent amber blanket waiting to put the crops to bed, tucking them in sweetly before the chill of the night descends over all. The locusts buzz in the distance and the mosquitoes gather around the porch lights as we play cards and sip lemonade. It's muggy, but a comfortable kind of humid, like natures hug on your sun-kissed skin.
Sky Ashton (10 Sexy Stories Thank You Our Readers Erotica Bundle)
Summer came whirling out of the night and stuck fast. One morning late in November everybody got up at Cloudstreet and saw the white heat washing in through the windows. The wild oats and buffalo grass were brown and crisp. The sky was the color of kerosene. The air was thin and volatile. Smoke rolled along the tracks as men began to burn off on the embankment. Birds cut singing down to a few necessary phrases, and beneath them in the streets, the tar began to bubble. The city was full of Yank soldiers; the trams were crammed to standing with them. The river sucked up the sky and went flat and glittery right down the middle of the place and people went to it in boats and britches and barebacked. Where the river met the sea, the beaches ran north and south, white and broad as highways in a dream, and men and babies stood in the surf while gulls hung in the haze above, casting shadows on the immodest backs of the oilslicked women.
Tim Winton
The days were brief and attenuated and the season appeared to be fixed - neither summer nor winter, spring nor fall. A thermal haze of inexpressible sweetness, though bearing tiny bits of grit or mica, had eased into the Valley from the industrial region to the north and there were nights when the sun set at the western horizon as if it were sinking through a porous red mass, and there were days when a hard-glaring moon like bone remained fixed in a single position, prominent in the sky. ("Family")
Joyce Carol Oates (American Fantastic Tales: Terror and the Uncanny from the 1940s to Now)
a handful of straggling stars were biting through the sky's milky haze
Ocean Vuong (On Earth We're Briefly Gorgeous)
I just gazed at the smoke haze above Lundene, the darkness darkening a summer sky, and wished I were a bird, high in that nothingness, vanishing.   Haesten
Bernard Cornwell (The Burning Land (The Saxon Stories, #5))
I am listless, I am a wanderer in my heart. In the sunny haze of the languid hours, what vast vision of thine takes shape in the blue of the sky!
Rabindranath Tagore (The Gardener)
In winter you wake up in this city, especially on Sundays, to the chiming of its innumerable bells, as though behind your gauze curtains a gigantic china teaset were vibrating on a silver tray in the pearl-gray sky. You fling the window open and the room is instantly flooded with this outer, peal-laden haze, which is part damp oxygen, part coffee and prayers. No matter what sort of pills, and how many, you've got to swallow this morning, you feel it's not over for you yet. No matter, by the same token, how autonomous you are, how much you've been betrayed, how thorough and dispiriting in your self-knowledge, you assume there is still hope for you, or at least a future. (Hope, said Francis Bacon, is a good breakfast but bad supper.) This optimism derives from the haze, from the prayer part of it, especially if it's time for breakfast. On days like this, the city indeed acquires a porcelain aspect, what with all its zinc-covered cupolas resembling teapots or upturned cups, and the tilted profile of campaniles clinking like abandoned spoons and melting in the sky. Not to mention the seagulls and pigeons, now sharpening into focus, now melting into air. I should say that, good though this place is for honeymoons, I've often thought it should be tried for divorces also - both in progress and already accomplished. There is no better backdrop for rapture to fade into; whether right or wrong, no egoist can star for long in this porcelain setting by crystal water, for it steals the show. I am aware, of course, of the disastrous consequence the above suggestion may have for hotel rates here, even in winter. Still, people love their melodrama more than architecture, and I don't feel threatened. It is surprising that beauty is valued less than psychology, but so long as such is the case, I'll be able to afford this city - which means till the end of my days, and which ushers in the generous notion of the future.
Joseph Brodsky
Schizophrenia rolls in like a slow fog, becoming imperceptibly thicker as time goes on. At first, the day is bright enough, the sky is clear, the sunlight warms your shoulders. But soon, you notice a haze beginning to gather around you, and the air feels not quite so warm. After a while, the sun is a dim lightbulb behind a heavy cloth. The horizon has vanished into a gray mist, and you feel a thick dampness in your lungs as you stand, cold and wet, in the afternoon dark.
Elyn R. Saks (The Center Cannot Hold: My Journey Through Madness)
Each in His Own Tongue A fire mist and a planet, A crystal and a cell, A jellyfish and a saurian, And caves where the cave men dwell; Then a sense of law and beauty, And a face turned from the clod — Some call it Evolution, And others call it God. A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields, And the wild geese sailing high; And all over upland and lowland The charm of the goldenrod — Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in; Come from the mystic ocean, Whose rim no foot has trod — Some of us call it Longing, And others call it God. A picket frozen on duty, A mother starved for her brood, Socrates drinking the hemlock, And Jesus on the rood; And millions who, humble and nameless, The straight, hard pathway plod — Some call it Consecration, And others call it God.
William Herbert Carruth
Today there is a pleasant very light haze over the whole sky, and the sea has a misleadingly docile silvered look, as if the substantial wavelets were determined to stroke the rocks as hard as they could without showing any trace of foam. It is a compact radiant complacent sort of sea, very beautiful. There ought to be seals, the waves themselves are almost seals today, but still I scan the water in vain with my long-distance glasses. Enormous yellow-beaked gulls perch on the rocks and stare at me with brilliant glass eyes. A shadow-cormorant skims the glycerine sea. The rocks are thronged with butterflies. The temperature remains high. I wash my clothes and dry them on the lawn. I have been swimming every day and feel very fit and salty. Still no move from Lizzie, but I am not worried. I feel happy in my silence. If the gods have some treat in store for Lizzie and me, good. If not, also good. I feel innocent and free. Perhaps it is all that swimming.
Iris Murdoch (The Sea, the Sea)
Haze stood for a few minutes, looking over at the scene. His face seemed to reflect the entire distance across the clearing and on beyond, the entire distance that extended from his eyes to blank gray sky that went on, depth after depth, into space.
Flannery O'Connor (Wise Blood)
Roman Centurion's Song" LEGATE, I had the news last night - my cohort ordered home By ships to Portus Itius and thence by road to Rome. I've marched the companies aboard, the arms are stowed below: Now let another take my sword. Command me not to go! I've served in Britain forty years, from Vectis to the Wall, I have none other home than this, nor any life at all. Last night I did not understand, but, now the hour draws near That calls me to my native land, I feel that land is here. Here where men say my name was made, here where my work was done; Here where my dearest dead are laid - my wife - my wife and son; Here where time, custom, grief and toil, age, memory, service, love, Have rooted me in British soil. Ah, how can I remove? For me this land, that sea, these airs, those folk and fields suffice. What purple Southern pomp can match our changeful Northern skies, Black with December snows unshed or pearled with August haze - The clanging arch of steel-grey March, or June's long-lighted days? You'll follow widening Rhodanus till vine and olive lean Aslant before the sunny breeze that sweeps Nemausus clean To Arelate's triple gate; but let me linger on, Here where our stiff-necked British oaks confront Euroclydon! You'll take the old Aurelian Road through shore-descending pines Where, blue as any peacock's neck, the Tyrrhene Ocean shines. You'll go where laurel crowns are won, but -will you e'er forget The scent of hawthorn in the sun, or bracken in the wet? Let me work here for Britain's sake - at any task you will - A marsh to drain, a road to make or native troops to drill. Some Western camp (I know the Pict) or granite Border keep, Mid seas of heather derelict, where our old messmates sleep. Legate, I come to you in tears - My cohort ordered home! I've served in Britain forty years. What should I do in Rome? Here is my heart, my soul, my mind - the only life I know. I cannot leave it all behind. Command me not to go!
Rudyard Kipling
The desert. No seasons of bloom and decay. Just the endless turn of night and day. Out of time: and she is gazing- not over it, taken into it, for it has no measure of space, features that mark distance from here to there. In a film of haze there is no horizon, the pallor of sand, pink-traced, lilac-luminous with its own colour of faint light, has no demarcation from land to air. Sky-haze is indistinguishable from sand-haze. All drifts together, and there is no onlooker; the desert is eternity.
Nadine Gordimer (The Pickup)
By the time they had called at the baker's and climbed to the top of Cap Diamant, the sun, dropping with incredible quickness, had already disappeared. They sat down in the blue twilight to eat their bread and await the turbid afterglow which is peculiar to Quebec in autumn; the slow, rich, prolonged flowing-back of crimson across the sky, after the sun has sunk behind the dark ridges of the west. Because of the haze in the air the colour seems thick, like a heavy liquid, welling up wave after wave, a substance that throbs, rather than a light.
Willa Cather (Shadows on the Rock)
The hard air was still sulphureous, but they were both used to it. Round the near horizon went the haze, opalescent with frost and smoke, and on the top lay the small blue sky; so that it was like being inside an enclosure, always inside. Life always a dream or a frenzy, inside an enclosure.
D.H. Lawrence (Lady Chatterley’s Lover)
My mouth was open to the sky and all the stars fell in. I swallowed each and every one and they burned like whiskey goin' down.
Haze McElhenny - Postcards from Fentress
I remember days Or at least I try But as years go by They're sort of haze And the bluest ink Isn't really sky And at times I think I would gladly die For a day of sky
Stephen Sondheim
Mount Pinatubo was the most powerful volcanic eruption in nearly one hundred years. Within two hours of the main blast, sulfuric ash had reached twenty-two miles into the sky. By the time it was done, Pinatubo had discharged more than 20 million tons of sulfur dioxide into the stratosphere. What effect did that have on the environment? As it turned out, the stratospheric haze of sulfur dioxide acted like a layer of sunscreen, reducing the amount of solar radiation reaching the earth. For the next two years, as the haze was settling out, the earth cooled off by an average of nearly 1 degree Fahrenheit, or .5 degrees Celsius. A single volcanic eruption practically reversed, albeit temporarily, the cumulative global warming of the previous hundred years.
Steven D. Levitt (SuperFreakonomics: Global Cooling, Patriotic Prostitutes And Why Suicide Bombers Should Buy Life Insurance)
That first night, as they admired how wide the sky stretched above and beyond them, how bright the stars were here, how they could actually see the haze of the Milky Way cut its swath across the sky, Finn lowered his eyes to hers, and she saw something there that she only then realized she hadn't seen from him before: hope. "Maybe nothing has to be as complicated as we make it," he said. "Maybe life really is this simple.
Jessica Strawser (Almost Missed You)
What a wonderful day it was to get into the outdoors. The sky above the tree branches was blue, dappled by fast-running clouds shifting the autumn sunlight between sharp spangles of yellow light and an amber haze.
Laird Koenig (The Little Girl Who Lives Down the Lane)
Through my tear-hazed vision, the sky seemed bright-too bright. The stars were dancing. My head ached as I tried to take it in-the battle we had fought, the city smoking below me, all the wandering light in the sky above.
Heather Fawcett (All the Wandering Light (Even the Darkest Stars, #2))
I could see, in the haze to the north, the tall stacks of the mighty Borden phosphate and fertilizer plant in Bradenton, spewing lethal fluorine and sulphuric-acid components into the vacation sky. In the immediate area it is known bitterly as the place where Elsie the Cow coughed herself to death. I have read where it had been given yet another two years to correct its massive and dangerous pollution. Big Borden must have directors somewhere. Maybe, like the Penn Central directors, they are going to sit on their respective docile asses until the roof falls in. There are but two choices. Either they know they condone poisoning and don't give a damn, or they don't know they condone poisoning and don't give a damn. Anybody can walk into any brokerage office and be told where to look to find a complete list of the names of the directors and where they live. Drop the fellows a line, huh?
John D. MacDonald (The Turquoise Lament (Travis McGee #15))
Why describe God as organic? More and more I realize that my own understanding of God is largely polluted. I have preconceived notions, thoughts and biases when it comes to God. I have a tendency to favor certain portions of Scripture over others. I have a bad habit of reading some stories with a been-there-done-that attitude, knowing the end of the story before it begins, and in the process denying God's ability to speak to me through it once again. ...The result is that my understanding and perception of God is clouded, much like the dingy haze of pollution that hands over most major cities. The person in the middle of a city looking up at the sky doesn't aways realize just how much their view and perceptions are altered by the smog. Without symptoms such as burning eyes or an official warning of scientists or media, no one may even notice just how bad the pollution has become. That's why I describe God as organic.
Margaret Feinberg
In the offing the sea and the sky were welded together without a joint, and in the luminous space the tanned sails of the barges drifting up with the tide seemed to stand still in red clusters of canvas sharply peaked, with gleams of varnished sprits. A haze rested on the low shores that ran out to sea in vanishing flatness. The air was dark above Gravesend, and farther back still seemed condensed into a mournful gloom, brooding motionless over the biggest, and the greatest, town on earth.
Joseph Conrad
Sirius Sojourn by Stewart Stafford Cottage in an aromatic meadow, Summer's languid haze hanging, The old windmill's sundial stilled, Chirping birds and insect drones. Flowing brooks at a funereal pace, A bloated lull duels exiguous energy, Thick air's blanketing somnolence, Liquid refreshment soothes inertia. Salmon sundown slithers to a siesta, In a clear purple sky nodding assent, The intense day imperceptibly eased, As the night's humid embrace begins. © Stewart Stafford, 2022. All rights reserved.
Stewart Stafford
The morning sea of silence broke into ripples of bird songs; and the flowers were all merry by the roadside; and the wealth of gold was scattered through the rift of the clouds while we busily went on our way and paid no heed. We sang no glad songs nor played; we went not to the village for barter; we spoke not a word nor smiled; we lingered not on the way. We quickened our pace more and more as the time sped by. The sun rose to the mid sky and doves cooed in the shade. Withered leaves danced and whirled in the hot air of noon. The shepherd boy drowsed and dreamed in the shadow of the banyan tree, and I laid myself down by the water and stretched my tired limbs on the grass. My companions laughed at me in scorn; they held their heads high and hurried on; they never looked back nor rested; they vanished in the distant blue haze. They crossed many meadows and hills, and passed through strange, far-away countries. All honour to you, heroic host of the interminable path! Mockery and reproach pricked me to rise, but found no response in me. I gave myself up for lost in the depth of a glad humiliation---in the shadow of a dim delight. The repose of the sun-embroidered green gloom slowly spread over my heart. I forgot for what I had travelled, and I surrendered my mind without struggle to the maze of shadows and songs. At last, when I woke from my slumber and opened my eyes, I saw thee standing by me, flooding my sleep with thy smile. How I had feared that the path was long and wearisome, and the struggle to reach thee was hard!
Rabindranath Tagore (Gitanjali)
Beyond the tilled plain, beyond the toy roofs, there would be a slow suffusion of inutile loveliness, a low sun in a platinum haze with a warm, peeled-peace tinge pervading the upper edge of a two-dimensional, dove-gray cloud fusing with the distant amorous mist. There might be a line of spaced trees silhouetted against the horizon, and hot still noons above a wilderness of clover, and Claude Lorrain clouds inscribed remotely into misty azure with only their cumulus part conspicuous against the natural swoon of the background
Vladimir Nabokov (Lolita)
There in the highlands, clear weather held for much of the time. The air lacked its usual haze, and the view stretched on and on across rows of blue mountains, each paler than the last until the final ranks were indistinguishable from the sky. It was as if all the world might be composed of nothing but valley and ridge.
Charles Frazier (Cold Mountain)
It was one of those great iron afternoons in London: the yellow sun being teased apart by a thoasand chimneys breathing, fawning upward without shame. This smoke is more than the day’s breath, more than dark strength--it is an imperial presence that lives and moves. People were crossing the streets and squares, going everywhere. Busses were grinding off, hundreds of them, down the long concrete viaducts, smeared with years’ pitiless use and no pleasure, into haze-gray, grease black, red lead and pale aluminum, between scrap heaps that towered high as blocks of flats, down side-shoving curves into roads clogged with Army convoys, other tall busses and canvas lorries, bicycles and cars, hitching now and then, over it all the enormous gas ruin of the sun among the smokestacks, the barrage balloons, power lines and chimneys brown as aging indoor wood, brown growing deeper, approaching black through an instant-- perhaps the true turn of the sunset-- that is wine to you, wine and comfort. The Moment was 6:43:16 British Double Summer Time: the sky beaten like Death’s drum, still humming, and Slothrop’s cock--say what? yes lookit inside his GI undershorts here’s a sneaky hardon stirring, ready to jump-- well great God where’d that come from? There is in his history, and likely, God help him, in his dossier, a peculiar sensitivity to what is revealed in the sky. (But a harden?)
Thomas Pynchon (Gravity’s Rainbow)
The sun's still keeping the sky somewhat colored, even though it's already gone down beyond the horizon. There are strips of patterned pinks and oranges layered up like sideways colored bars. A Los Angeles sunset, made beautiful by a screen of haze, pollution, and trash. It says a lot about this city. It says a lot about the people who live here.
Nic Sheff (Tweak: Growing Up On Methamphetamines)
It was one of those warm, still, almost tropical nights, so rarely seen on the northern waters, when a profound calm reigns in the moonless heavens, and the hush of absolute repose rests upon the tired, storm-vexed sea. There was not the faintest breath of air to stir even the reef-points of the motionless sails, or roughen the dark, polished mirror of water around the ship. A soft, almost imperceptible haze concealed the line of the far horizon, and blended sky and water into one great hollow sphere of twinkling stars. Earth and sea seemed to have passed away, and our motionless ship floated, spell-bound, in vacancy - the only earthly object in an encircling universe of stars and planets.
George Kennan (Tent Life in Siberia: An Incredible Account of Siberian Adventure, Travel, and Survival)
They followed the remnants of a road down which once had spun the wheels of lacquered carriages carrying verbena-scented ladies who twittered like linnets in the shade of parasols; and leathery cotton-rich gentlemen gruffing at each through a violet haze of Havana smoke, and their children, prim little girls with mint crushed in their handkerchiefs, and boys with mean blackberry eyes, little boys who sent their sisters screaming with tales of roaring tigers. Gusts of autumn, exhaling through the inheriting weeds, grieved for the cruel velvet children and their virile bearded fathers: Was, said the weeds, Gone, said the sky, Dead, said the woods, but the full laments of history were left to the Whippoorwill.
Truman Capote (Other Voices, Other Rooms)
He saw two stars collapse against one another and a nova form; it flared up and then, as he watched, it began to die out. He saw it turn from a furiously blazing ring into a dim core of dead iron and then he saw it cool into darkness. More stars cooled with it; he saw the force of entropy, the method of the Destroyer of Forms, retract the stars into dull reddish coals and then into dust-like silence. A shroud of thermal energy hung uniformly over the world, over this strange and little world for which he had no love or use. It's dying, he realized. The universe. The thermal haze spread on and on until it became only a disturbance, nothing more; the sky glowed weakly with it and then flickered. Even the uniform thermal disbursement was expiring. How strange and goddamn awful, he thought. He got to his feet, moved a step toward the door. And there, on his feet, he died. They found him an hour later. Seth Morley stood with his wife at the far end of the knot of people jammed into the small room and said to himself, "to keep him from helping with the prayer". "The same force that shut down the transmitter," Ignatz Thugg said. "They knew; they knew if he phrased the prayer it would go through. Even without the relay." He looked gray and frightened. All of them did, Seth Morley noticed. Their faces, in the light of the room, had a leaden, stone-like cast. Like, he thought, thousand-year-old idols. Time, he thought, is shutting down around us. It is as if the future is gone, for all of us.
Philip K. Dick (A Maze of Death)
She blew a warm breeze on his face and rustled his hair and embraced him in a warm haze and he felt her nonthreatening presence. She looked down and saw his face stained with tears, nobody could reach him in his grief but she could. He saw her and blew her a kiss goodbye. She flew down in a haze in a white dress with wings and whispered into his ear “please don’t cry I am in a better place. Marriage was forever. Love and life was forever. My body died but my soul lives on for eternity”. (Katie) “The rain stopped suddenly and the grey sky cleared into a bright blue colour and a glowing warm orange sun appeared to show her appreciation. A perfect blue sky remained on the dark winter’s day until after the ceremony and the hailstone and rain commenced again and the dark sky reappeared as the funeral car drove away
Annette J. Dunlea
Time means succession, and succession, change: Hence timelessness is bound to disarrange Schedules of sentiment. We give advice 570  To widower. He has been married twice: He meets his wives; both loved, both loving, both Jealous of one another. Time means growth, And growth means nothing in Elysian life. Fondling a changeless child, the flax-haired wife Grieves on the brink of a remembered pond Full of a dreamy sky. And, also blond, But with a touch of tawny in the shade, Feet up, knees clasped, on a stone balustrade The other sits and raises a moist gaze 580  Toward the blue impenetrable haze. How to begin? Which first to kiss? What toy To give the babe? Does that small solemn boy Know of the head-on crash which on a wild March night killed both the mother and the child? And she, the second love, with instep bare In ballerina black, why does she wear The earrings from the other’s jewel case? And why does she avert her fierce young face?
Vladimir Nabokov (Pale Fire)
The best benchside exoticisms January could offer were all on show—the starling, the dandelion, the blown seeds and the birds skeining against the grey clouds, hazing it and mazing it, a featherlight kaleidoscope noon-damp and knowing the sky was never truly grey, just filled with a thousand years of birds’ paths, and wishful seeds, a bird-seed sky as something meddled and ripe and wish-hot, the breeze bird-breath soft like a—what—heart stopped in a lobby above one’s lungs as well it might, as might it will—seeds take a shape too soft to be called a burr, like falling asleep on a bench with the sun on your face, seeds in a shape too soft to be called a globe, too breakable to be a constellation, too tough to not be worth wishing upon, the crowd of birds, an unheard murmuration (pl. n.) not led by one bird but a cloud-folly of seeds, blasted by one of countless breaths escaping from blasted wished-upon clock as a breath, providing a clockwork with no regard to time nor hands, flocking with no purpose other than the clotting and thrilling and thrumming, a flock as gathered ellipses rather than lines of wing and bone and beak, falling asleep grey-headed rather than young and dazzling—more puff than flower—collecting the ellipses of empty speech bubbles, the words never said or sayable, former pauses in speech as busy as leaderless birds, twisting, blown apart softly, to warm and colour even the widest of skies.
Eley Williams (The Liar's Dictionary)
She saw Daniel hovering over her in his simple peasant's clothes...but then, a moment later, he was bare-chested, with long blond hair...and suddenly he wore a knight's helmet, whose visor he lifted to kiss her lips...but before he did,he shifted into his present self, the Daniel she'd left in her parents' backyard in Thunderbolt when she stepped through into time. This was the Daniel, she realized, she'd been looking for all along. She reached for him,she called his name, but then he changed again. And again. She saw more Daniels than she'd ever thought possible,each one more gorgeous than the last.They folded into each other like a vast accordion, each image of him tilting and altering in the light of the sky behind him.The cut of his nose,the line of his jawbone, the tone of his skin,the shape of his lips, all whirled in and out of focus,morphing all the time. Everything changed except his eyes. His violet eyes always stayed the same. They haunted her,hiding something terrible,something she didn't understand. Something she didn't want to understand. Fear? In the visions,the terror in Daniel's eyes was so intense Luce actually wanted to look away from their beauty. What could someone as powerful as Daniel fear? There was only one thing: Luce's dying. She was experiencing a montage of her death over and over and over again. This was what Daniel's eyes looked like, throughout time,just before her life went up in flames. She had seen this fear in him before.She hated it because it always meant their time was over.She saw it now in every one of his faces. The fear flashed from infinite times and places. Suddenly,she knew there was more: He wasn't afraid for her,not because she was walking into the darkness of another death.He didn't fear that it might cause her pain. Daniel was afraid of her. "Lu Xin!" his voice cried out to her from the battlefield. She could see him through the haze of visions.He was the only thing coming in clearly-because everything else around her was lit up startingly white.Everything inside her was,too.Was her love of Daniel burning her up? Was it her own passion,not his,that destroyed her every time? "No!" His hand reached out for hers. But it was too late.
Lauren Kate (Passion (Fallen, #3))
Grover took his reed pipes out of his pocket. “No searcher has ever come back. Once they set out, they disappear. They’re never seen alive again.” “Not once in two thousand years?” “No.” “And your dad? You have no idea what happened to him?” “None.” “But you still want to go,” I said, amazed. “I mean, you really think you’ll be the one to find Pan?” “I have to believe that, Percy. Every searcher does. It’s the only thing that keeps us from despair when we look at what humans have done to the world. I have to believe Pan can still be awakened.” I stared at the orange haze of the sky and tried to understand how Grover could pursue a dream that seemed so hopeless. Then again, was I any better? “How are we going to get into the Underworld?” I asked him. “I mean, what chance do we have against a god?” “I don’t know,” he admitted. “But back at Medusa’s, when you were searching her office? Annabeth was telling me—” “Oh, I forgot. Annabeth will have a plan all figured out.” “Don’t be so hard on her, Percy. She’s had a tough life, but she’s a good person. After all, she forgave me.…” His voice faltered.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
Have you ever watched a storm approaching on a hot summer’s day? It’s especially spectacular in the mountains. At first there’s nothing to see, but you feel a sort of weariness that tells you something is in the air. Then you hear thunder - just a rumble here and there- you can’t quite tell where it is coming from. All of a sudden, the mountains seem strangely near. There isn't a breath of wind, yet dense clouds pile up in the sky. And now the mountains have almost vanished behind a wall of haze. Clouds rush in from all sides, but still there’s no wind. There’s more thunder now, and everything around looks eir and menacing. You wait and wait. And then, suddenly, it erupts. At first it is almost a release. The storm descends into the valley. There’s thunder and lightning everywhere. The rain clatters down in huge drops. The storm is trapped in the narrow cleft of the valley and thunderclaps echo and reverberate off the steep mountain sides. The wind buffets you from every angle. And when the storm finally moves away, leaving in its place a clear, still, starlit night, you can hardly remember where those thunderclouds were, let alone which thunderclap belonged to which flash of lightning.
E.H. Gombrich (A Little History of the World)
The Luxembourg is within five minutes’ walk of the rue Notre Dame des Champs, and there he sat under the shadow of a winged god, and there he had sat for an hour, poking holes in the dust and watching the steps which lead from the northern terrace to the fountain. The sun hung, a purple globe, above the misty hills of Meudon. Long streamers of clouds touched with rose swept low on the western sky, and the dome of the distant Invalides burned like an opal through the haze. Behind the Palace the smoke from a high chimney mounted straight into the air, purple until it crossed the sun, where it changed to a bar of smouldering fire. High above the darkening foliage of the chestnuts the twin towers of St. Sulpice rose, an ever-deepening silhouette.
Robert W. Chambers (Complete Weird Tales of Robert W. Chambers)
Blue vision of depth lost in height, - sea and sky interblending through luminous haze. The day is of spring, and the hour morning. Only sky and sea, - one azure enormity... In the fore, ripples are catching a silvery light, and threads of foam are swirling. But a little further off no motion is visible, nor anything save color: dim warm blue of water widening away to melt into blue of air. Horizon there is none: only distance soaring into space, - infinite concavity hollowing before you, and hugely arching above you, - the color deepening with the height. But far in the midway-blue there hangs a faint, faint vision of palace towers, with high roofs horned and curved like moons, - some shadowing of splendor strange and old, illumined by a sunshine soft as memory.
Lafcadio Hearn (Kwaidan: Stories and Studies of Strange Things)
My eye keeps escaping towards the big blue lacquered door that I've had painted in a trompe-l'oeil on the back wall. I would like to call Mrs. Cohen back and tell her there's no problem for her son's bar mitzvah, everything's ready: I would like to go through that door and disappear into the garden my mind's eye has painted behind it. The grass there is soft and sweet, there are bulrushes bowing along the banks of a river. I put lime trees in it, hornbeams, weeping elms, blossoming cherries and liquidambars. I plant it with ancient roses, daffodils, dahlias with their melancholy heavy heads, and flowerbeds of forget-me-nots. Pimpernels, armed with all the courage peculiar to such tiny entities, follow the twists and turns between the stones of a rockery. Triumphant artichokes raise their astonished arrows towards the sky. Apple trees and lilacs blossom at the same time as hellebores and winter magnolias. My garden knows no seasons. It is both hot and cool. Frost goes hand in hand with a shimmering heat haze. The leaves fall and grow again. row and fall again. Wisteria climbs voraciously over tumbledown walls and ancient porches leading to a boxwood alley with a poignant fragrance. The heady smell of fruit hangs in the air. Huge peaches, chubby-cheeked apricots, jewel-like cherries, redcurrants, raspberries, spanking red tomatoes and bristly cardoons feast on sunlight and water, because between the sunbeams it rains in rainbow-colored droplets. At the very end, beyond a painted wooden fence, is a woodland path strewn with brown leaves, protected from the heat of the skies by a wide parasol of foliage fluttering in the breeze. You can't see the end of it, just keep walking, and breathe.
Agnès Desarthe (Chez Moi: A Novel)
And now this mofiient also had come and gone. The dark- red sun still hung, round as a ball, above the blue snowdrifts on the skyline, and the snowy plain greedily sucked in its juicy pineapple light, when the sleigh swept into sight and vanished. “ Good-bye, Lara, until we meet in the next world, AGAIN YARYKINO 441 good-bye, my Icwe, my inexhaustible, everlasting joy. I’ll never see you again. I’ll never, never see you again.’* It was getting dark. Swiftly the bronze-red patches of sunset on the ^low faded and went out. The soft, ashy dis- tance filled with lilac dusk turning to deep mauve, and its smoky haze smudged the fine tracery of the roadside birch^ lightly hand-drawn on the pink sky, pale as thou^ it had sudd^y grown shallow. Grief had sharpened Yury’s vision and quickened his per- ception a hundredfold. The very air surrounding him seemed unique. The evening breathed witness of all that had befallen him. As if there had never been such a dusk before and evening were falling now for the first time in order to console him in his loneliness and bereavement. As if the valky were not always girded by woods growing on the surrounding hills and facing away from the horizon, but the trees had only taken up their places now, rising out of the ground on purpose to offer their condolences. He almost waved away the tangible beauty of the hour like a crowd of persistent friends, almost said to the lingering afterglow: “Thank you, thank you, I’ll be all right.” Still standing on the veranda, he turned his face to the closed door, his back to the world. “ My bri^t sun has set something was repeating this inside him, as if to learn it by heart. He had not the strength to say these words out loud
Boris Pasternak (Doctor Zhivago)
As he approached the swire at the head of the dell – that little delightful verge from which in one moment the eastern limits and shores of the Lothian arise on the view, - as he approached it, I say, and a little space from the height, he beheld, to his astonishment, a bright halo in the cloud of haze, that rose in a semi-circle over his head like a pale rainbow. He was struck motionless at the view of the lovely vision; for it so chanced that he had never seen the same appearance before, though common at early morn. But he soon perceived the cause of the phenomenon, and that it proceeded from the rays of the sun from a pure unclouded morning sky striking upon this dense vapour which refracted them. But the better all the works of nature are understood, the more they will be ever admired. That was a scene that would have entranced the man of science with delight, but which the uninitiated and sordid man would have regarded less than the mole rearing up his hill in silence and in darkness.
James Hogg (The Private Memoirs and Confessions of a Justified Sinner)
THE sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow, spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woollen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp reused it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue fingerprint of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.
Virginia Woolf (The Waves)
FALL, SIERRA NEVADA This morning the hermit thrush was absent at breakfast, His place was taken by a family of chickadees; At noon a flock of humming birds passed south, Whirling in the wind up over the saddle between Ritter and Banner, following the migration lane Of the Sierra crest southward to Guatemala. All day cloud shadows have moved over the face of the mountain, The shadow of a golden eagle weaving between them Over the face of the glacier. At sunset the half-moon rides on the bent back of the Scorpion, The Great Bear kneels on the mountain. Ten degrees below the moon Venus sets in the haze arising from the Great Valley. Jupiter, in opposition to the sun, rises in the alpenglow Between the burnt peaks. The ventriloquial belling Of an owl mingles with the bells of the waterfall. Now there is distant thunder on the east wind. The east face of the mountain above me Is lit with far off lightnings and the sky Above the pass blazes momentarily like an aurora. It is storming in the White Mountains, On the arid fourteen-thousand-foot peaks; Rain is falling on the narrow gray ranges And dark sedge meadows and white salt flats of Nevada. Just before moonset a small dense cumulus cloud, Gleaming like a grape cluster of metal, Moves over the Sierra crest and grows down the westward slope. Frost, the color and quality of the cloud, Lies over all the marsh below my campsite. The wiry clumps of dwarfed whitebark pines Are smoky and indistinct in the moonlight, Only their shadows are really visible. The lake is immobile and holds the stars And the peaks deep in itself without a quiver. In the shallows the geometrical tendrils of ice Spread their wonderful mathematics in silence. All night the eyes of deer shine for an instant As they cross the radius of my firelight. In the morning the trail will look like a sheep driveway, All the tracks will point down to the lower canyon. “Thus,” says Tyndall, “the concerns of this little place Are changed and fashioned by the obliquity of the earth’s axis, The chain of dependence which runs through creation, And links the roll of a planet alike with the interests Of marmots and of men.
Kenneth Rexroth (Collected Shorter Poems)
There were many skies. The sky was invaded by great white clouds, flat on the bottom but round and billowy on top. The sky was completely cloudless, of a blue quite shattering to the senses. The sky was a heavy, suffocating blanket of grey cloud, but without promise of rain. The sky was thinly overcast. The sky was dappled with small, white, fleecy clouds. The sky was streaked with high, thin clouds that looked like a cotton ball stretched a part. The sky was a featureless milky haze. The sky was a density of dark and blustery rain clouds that passed by without delivering rain. The sky was painted with a small number of flat clouds that looked like sandbars. The sky was a mere block to allow a visual effect on the horizon: sunlight flooding the ocean, the vertical edges of between light and shadow perfectly distinct. The sky was a distant black curtain of falling rain. The sky was many clouds at many levels, some thick and opaque, others looking like smoke. The sky was black and spitting on my smiling face. The sky was nothing but falling water, a ceaseless deluge that wrinkled and bloated my skin and froze me stiff.
Yann Martel (Life of Pi)
We stood upon a hill, green and studded with pale stones. Below us was forest, bluebells undulating among the trees, a tide of purple dissolving into shadow. There was a lake-- no, two lakes, the second a mere line of glitter in the distance. At our back, behind the nexus and extending to the northern horizon, were mountains of indigo and layered shadow, some darkened to black by the moody sky overhead, some greyed and smudged by shafts of sunlight. Must I even say it? It was beautiful--- of course it was. The forest in particular, which glinted here and there with silver as the wind rode the branches, as if someone had clambered into the canopy to hang baubles. And yet I had the sense that I was not seeing the entirety of it, that the shadows were thicker here, more obscuring, than those in the mortal realm, and many of the details were clouded by a dreamlike haze. Even now, as I write these words--- I am still in Wendell's kingdom!--- I find the memory of that view trying to slip from my mind like a bird darting through the boughs, so that I catch only the flickering edge of it. Perhaps there is some enchantment embedded in the place, or perhaps it is simply too much for my mortal eyes to take in. Where the Trees Have Eyes.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
Clouds, unrolling like carpets, spreading, trailing wisps and rag-ends, rushed towards a point near mid-heaven, dampening the dayblue sky to a pearl-gray from which the translucence slowly ebbed, as additional layers were healed above, banking, mounting higher, pressing lower, darkening, dining, hazing the outlines of trees and Rocky heights, transforming the lower figures of men and animals into shifting things a quarter of shadow and going for half, while the rains were yet withheld, the mists rolled and rose, dew came afresh to the grasses, windows were filmed and beaded, moisture collected, ran upon, dripped from leaves, sounds came distorted, as though the entire world had been bedded in cotton, birds flew near to the ground in their courses toward the hills, the wings died down and caressed, small animals paused, raised their muzzles, turned them slowly, shook themselves, cocked their heads, then moved was if seeking some hidden Ark, beyond the foothills, in the mist, above the places the searchers combed, and the thunder held its breath, the lightning stayed its stroke, the rain remained unshed, the temperature slipped downward, cloud feel upon cloud and, super drawn from the spectrum, the colors drained out of the world, leaving behind a newsreel frame or the impression of a cave, shadows sliding on it's farther walls, changing, irregular, wet.
Roger Zelazny (To Die in Italbar)
The sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woolen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp raised it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue finger-print of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.
Virginia Woolf (The Waves)
We tend to be unaware that stars rise and set at all. This is not entirely due to our living in cities ablaze with electric lights which reflect back at us from our fumes, smoke, and artificial haze. When I discussed the stars with a well-known naturalist, I was surprised to learn that even a man such as he, who has spent his entire lifetime observing wildlife and nature, was totally unaware of the movements of the stars. And he is no prisoner of smog-bound cities. He had no inkling, for instance, that the Little Bear could serve as a reliable night clock as it revolves in tight circles around the Pole Star (and acts as a celestial hour-hand at half speed - that is, it takes 24 hours rather than 12 for a single revolution). I wondered what could be wrong. Our modern civilization does not ignore the stars only because most of us can no longer see them. There are definitely deeper reasons. For even if we leave the sulphurous vapours of our Gomorrahs to venture into a natural landscape, the stars do not enter into any of our back-to-nature schemes. They simply have no place in our outlook any more. We look at them, our heads flung back in awe and wonder that they can exist in such profusion. But that is as far as it goes, except for the poets. This is simply a 'gee whiz' reaction. The rise in interest in astrology today does not result in much actual star-gazing. And as for the space programme's impact on our view of the sky, many people will attentively follow the motions of a visible satellite against a backdrop of stars whose positions are absolutely meaningless to them. The ancient mythological figures sketched in the sky were taught us as children to be quaint 'shepherds' fantasies' unworthy of the attention of adult minds. We are interested in the satellite because we made it, but the stars are alien and untouched by human hands - therefore vapid. To such a level has our technological mania, like a bacterial solution in which we have been stewed from birth, reduced us. It is only the integral part of the landscape which can relate to the stars. Man has ceased to be that. He inhabits a world which is more and more his own fantasy. Farmers relate to the skies, as well as sailors, camel caravans, and aerial navigators. For theirs are all integral functions involving the fundamental principle - now all but forgotten - of orientation. But in an almost totally secular and artificial world, orientation is thought to be un- necessary. And the numbers of people in insane asylums or living at home doped on tranquilizers testifies to our aimless, drifting metaphysic. And to our having forgotten orientation either to seasons (except to turn on the air- conditioning if we sweat or the heating system if we shiver) or to direction (our one token acceptance of cosmic direction being the wearing of sun-glasses because the sun is 'over there'). We have debased what was once the integral nature of life channelled by cosmic orientations - a wholeness - to the ennervated tepidity of skin sensations and retinal discomfort. Our interior body clocks, known as circadian rhythms, continue to operate inside us, but find no contact with the outside world. They therefore become ingrown and frustrated cycles which never interlock with our environment. We are causing ourselves to become meaningless body machines programmed to what looks, in its isolation, to be an arbitrary set of cycles. But by tearing ourselves from our context, like the still-beating heart ripped out of the body of an Aztec victim, we inevitably do violence to our psyches. I would call the new disease, with its side effect of 'alienation of the young', dementia temporalis.
Robert K.G. Temple (The Sirius Mystery: New Scientific Evidence of Alien Contact 5,000 Years Ago)
Any Day Wiped clean by times stumbling gate Reflecting toward my inner hate I see sweet life spring anew I touch a birth with what I do As the dawn's warming rays Melt morning's beguiling haze I realize the truth of lies A new year's hope with spirit flies I wake the same as every day I speak the words I always say I see the sky the same again And now know change comes only when A choice is made in spite of time A goal is set without a chime Choice renders void the voice To hearken in a New Year's choice
Roberto Vecchi (Dragon Within: Redemption)
The equidistant sea and sky were divided for her by the line of gravity like an hour-glass, through which a ship wrapped in pink-mauve haze passed from one element to the other, coming down over the horizon
Nadine Gordimer (Burger's Daughter)
WHILE ROLLING A fifty-gallon drum of water from the canal to his potato garden, Bob Turk heard the roar, glanced up into the haze of the midafternoon Martian sky, and saw the great blue interplan ship. In the excitement he waved. And then he read the words painted on the side of the ship and his joy became alloyed with care. Because this great pitted hull, now lowering itself to a rear-end landing, was a carny ship, come to this region of the fourth planet to transact business. The painting spelled out: FALLING STAR ENTERTAINMENT ENTERPRISES PRESENTS FREAKS, MAGIC, TERRIFYING STUNTS, AND WOMEN! The final word had been painted largest of all.
Philip K. Dick (Selected Stories Of Philip K. Dick)
Beautiful in the frost and mist-covered hills above the Dnieper, the life of the City hummed and steamed like a many-layered honeycomb. All day long smoke spiralled in ribbons up to the sky from innumerable chimney-pots. A haze floated over the streets, the packed snow creaked underfoot, houses towered to five, six and even seven storeys. By day their windows were black, while at night they shone in rows against the deep, dark blue sky . . .
Anna Reid (Borderland: A Journey Through the History of Ukraine)
Over and above this, however, she found that half of her honestly desired to stay. As well as the courage, she lacked the pure inclination to go which she had felt a few moments ago. A new sensation had replaced it. A permeating coma, a warm haze of noises and conversation, wrapped her comfortably around – together with something more. What that something more was she did not quite know. She sat there and let it flow through her. It was a glow, and a kind of premonition. It was certainly a spiritual, but much more emphatically a physical, premonition of good about to befall. It was like the effect on the body of good news, without the good news – a delicious short cut to that inconstant elation which was so arduously won by virtue from the everyday world. It engendered the desire to celebrate nothing for no reason. She asked herself whether this was intoxication. She decided that at any rate it was a foretaste of it, and in a flash understood what had been a closed book to her until now – the temptations and perils of alcohol. She decided that she was growing up – that yet another of the veiled mysteries of the world had been illuminated by experience. Experience – that was the thing. Sitting there, she exulted in experience.Over and above this, however, she found that half of her honestly desired to stay. As well as the courage, she lacked the pure inclination to go which she had felt a few moments ago. A new sensation had replaced it. A permeating coma, a warm haze of noises and conversation, wrapped her comfortably around – together with something more. What that something more was she did not quite know. She sat there and let it flow through her. It was a glow, and a kind of premonition. It was certainly a spiritual, but much more emphatically a physical, premonition of good about to befall. It was like the effect on the body of good news, without the good news – a delicious short cut to that inconstant elation which was so arduously won by virtue from the everyday world. It engendered the desire to celebrate nothing for no reason. She asked herself whether this was intoxication. She decided that at any rate it was a foretaste of it, and in a flash understood what had been a closed book to her until now – the temptations and perils of alcohol. She decided that she was growing up – that yet another of the veiled mysteries of the world had been illuminated by experience. Experience – that was the thing. Sitting there, she exulted in experience.
Patrick Hamilton (Twenty Thousand Streets Under the Sky (Twenty Thousand Streets Under the Sky, #1-3))
From a distance the leaves shimmered in the sky and created a mystical eucalyptus haze.
Kate O'Donnell (Untidy Towns)
The day was stifling, humidity in the high nineties, a threat of rain on the horizon. Though it was full light, the sun was not shining. A thick miasma of haze blanketed the sky, turning the blue to gray. Nashville in the summer. The
J.T. Ellison (All The Pretty Girls (Taylor Jackson, #1))
The unchecked growth of many summers, rising and declining, has lessened the penetration of the light in a way one rarely sees in farmland now. The hazed-over raggedness of sky above these lush, neglected fields gives a sense of mystery, of something rare and wild that has run away to hide, of something infinitely regretful fretting at the edge of the light, like a big moth fumbling at a window. This is a place where the last of the persecuted may for a time find refuge and seclusion. In the amber of the sunlight that lies between the high hedges, there is preserved an air of the past, the presence of an older summer. Under the surface of the visible world I can always hear the soft wolf-stride of the rapacious world beyond.
J.A. Baker (The Peregrine: The Hill of Summer & Diaries: the Complete Works of J. A. Baker)
As We Sail By We float Through purple velvet skies Out where, black holes are born And the Milky-Way dies We fly Through purple hazed skies Out where, nebulas fade And an apricot sun spies We coast Through purple blue skies Out where, the platinum moon sits and Supernovas explode as we sail by Excerpt from: Exegesis, a Decade of Poetry, by Mekael © Mekael Shane 2009
Mekael Shane
The sun had set long since. Bright stars shone out here and there in the sky. A red glow as of a conflagration spread above the horizon from the rising full moon, and that vast red ball swayed strangely in the gray haze. It grew light. The evening was ending, but the night had not yet come. Pierre got up and left his new companions, crossing between the campfires to the other side of the road where he had been told the common soldier prisoners were stationed. He wanted to talk to them. On the road he was stopped by a French sentinel who ordered him back. Pierre turned back, not to his companions by the campfire, but to an unharnessed cart where there was nobody. Tucking his legs under him and dropping his head he sat down on the cold ground by the wheel of the cart and remained motionless a long while sunk in thought. Suddenly he burst out into a fit of his broad, good-natured laughter, so loud that men from various sides turned with surprise to see what this strange and evidently solitary laughter could mean. "Ha-ha-ha!" laughed Pierre. And he said aloud to himself: "The soldier did not let me pass. They took me and shut me up. They hold me captive. What, me? Me? My immortal soul? Ha-ha-ha! Ha-ha-ha!..." and he laughed till tears started to his eyes. A man got up and came to see what this queer big fellow was laughing at all by himself. Pierre stopped laughing, got up, went farther away from the inquisitive man, and looked around him. The huge, endless bivouac that had previously resounded with the crackling of campfires and the voices of many men had grown quiet, the red campfires were growing paler and dying down. High up in the light sky hung the full moon. Forests and fields beyond the camp, unseen before, were now visible in the distance. And farther still, beyond those forests and fields, the bright, oscillating, limitless distance lured one to itself. Pierre glanced up at the sky and the twinkling stars in its faraway depths. "And all that is me, all that is within me, and it is all I!" thought Pierre. "And they caught all that and put it into a shed boarded up with planks!" He smiled, and went and lay down to sleep beside his companions.
Leo Tolstoy (War and Peace)
Morocco in front of me, Spain to one side, lost in the haze…. And over there, across the immense Ocean, bluer and bluer the more it looks toward the sky, Cuba; yearning and battling for her freedom…with the flames of her fires edging the clouds with red and highlighting the colors of her flag, falling at times, but never defeated!
Tom Gjelten (Bacardi and the Long Fight for Cuba)
The last remnants of the night’s mist had burned away, and the red sun was rising behind the sky’s usual haze of blackish clouds.
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
You are...' 'Devilishly handsome? Wickedly clever?' He turned back tot he western sky, where it still carried the haze of fire. 'Stunningly charismatic?' 'That wasn't what I was going for,' I told him. 'More like ridiculous.' 'Endearing ridiculous,' he corrected.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
The sky was hazed over and not a breeze stirred the surface of the sea, at the margin of which the small waves were breaking in a listless line, over and over, like a hem being turned endlessly by a sleepy seamstress
John Banville (The Sea)
climbed back out of the pit, the rain beginning to ease and the clouds parting above me. But it wasn’t the sun that appeared, it was the stars. I frowned at the heavens, the edges of day meeting the darkest of nights right at the centre of the sky. I tried to blink away the illusion as shock rang through me, but it remained there and two constellations shone bright and burning at the centre of it all. Serpens and Draco. The snake and the dragon. The ones linked to my Order and Inferno’s. I looked for Dante as the beating of my heart in my chest seemed to sound from outside me too. The world became a blur at the edges of the night, the sunlight turning to a milky haze beyond the circle of darkness I was cast in.
Caroline Peckham (Warrior Fae (Ruthless Boys of the Zodiac, #5))
The Pacific must be the place where, even though there were no hills, no mountains, no trees, the sky would be everywhere— not just a thin and hateful strip, but a deep and endless blue that came all the way down, that touched the sea. In that sky the colors would blur, as if you were looking at them through a haze of tears.
Lois Lowry (Autumn Street)
Walked on the battery with Louis Young† in the moon-light. It was lovely! The tide was full. The waters of the bay rippled up against the stones with a pleasing gurgle. The shores of the opposite island of St John’s were seen dimly in the distance; the clump of tall pines standing out a darker shade in the haze. The whole bay was light, silver-like, with ships spotting it, their watch-lights trembling like stars, and reflected below in the water. The sky was perfectly cloudless, intensely blue. The moon full and sharply defined—no haze tip there. The air full of fragrance. The houses along the bay with their piazzas, so strange, so tropical-looking. All still and calm. Is it reality? or I am dreaming, and in fancy conjuring up the shadow of some half-forgotten story? It is real. I have seen it. And I love to remember it as the farewell scene of Charleston. Taken
Jennie Holton Fant (The Travelers' Charleston: Accounts of Charleston and Lowcountry, South Carolina, 1666-1861)
A Sunset I love the evenings, passionless and fair, I love the evens, Whether old manor-fronts their ray with golden fulgence leavens, In numerous leafage bosomed close; Whether the mist in reefs of fire extend its reaches sheer, Or a hundred sunbeams splinter in an azure atmosphere On cloudy archipelagos. Oh, gaze ye on the firmament! A hundred clouds in motion, Up-piled in the immense sublime beneath the winds' commotion, Their unimagined shapes accord: Under their waves at intervals flame a pale levin through, As if some giant of the air amid the vapors drew A sudden elemental sword. The sun at bay with splendid thrusts still keeps the sullen fold; And momently at distance sets, as a cupola of gold, The thatched roof of a cot a-glance; Or on the blurred horizon joins his battle with the haze; Or pools the blooming fields about with inter-isolate blaze, Great moveless meres of radiance. Then mark you how there hangs athwart the firmament's swept track, Yonder a mighty crocodile with vast irradiant back, A triple row of pointed teeth? Under its burnished belly slips a ray of eventide, The flickerings of a hundred glowing clouds in tenebrous side With scales of golden mail ensheathe. Then mounts a palace, then the air vibrates--the vision flees. Confounded to its base, the fearful cloudy edifice Ruins immense in mounded wrack; Afar the fragments strew the sky, and each envermeiled cone Hangeth, peak downward, overhead, like mountains overthrown When the earthquake heaves its hugy back. These vapors, with their leaden, golden, iron, bronz¨¨d glows, Where the hurricane, the waterspout, thunder, and hell repose, Muttering hoarse dreams of destined harms, 'Tis God who hangs their multitude amid the skiey deep, As a warrior that suspendeth from the roof-tree of his keep His dreadful and resounding arms! All vanishes! The Sun, from topmost heaven precipitated, Like a globe of iron which is tossed back fiery red Into the furnace stirred to fume, Shocking the cloudy surges, plashed from its impetuous ire, Even to the zenith spattereth in a flecking scud of fire The vaporous and inflam¨¨d spaume. O contemplate the heavens! Whenas the vein-drawn day dies pale, In every season, every place, gaze through their every veil? With love that has not speech for need! Beneath their solemn beauty is a mystery infinite: If winter hue them like a pall, or if the summer night Fantasy them starre brede.
Victor Hugo
But a day came when the sky was a haze of snow-clouds, and all the beauty of autumn had gone by. As evening drew on, Kyril summoned the cousins to his private chamber. Philip found him seated by the window. The first stars of snow had just fallen on the ledge outside. Philip bowed low. ‘”My lord, Linda means no disrespect, but she begged me to tell you that she promised to dance with Thawn. She cannot come until her promise is fulfilled.” Kyril laughed. “Most proper! But I do not honor her too highly, for no doubt she enjoys paying such a debt. This is well, for I wished to speak to you alone. Sit down.” Philip took the stool beside him. Kyril’s smile faded; his face was serious as he gazed down at his young guest. “But I think you know what I will say.” “You mean to send us home.” Kyril nodded. “Ygerna made a pact; it is for me now to fulfill it. But even if I offered it to you, Philip, would you choose to stay?” Philip shook his head. “No, my lord. The strangest and most wonderful adventures of my life have happened here, but this is not my home.” “And what of Linda?” For a long moment there was silence. At last Philip stirred and looked up at Kyril’s face. Very quietly he replied, “You were right when you said that the thought of rescuing her sustained me. And at that time I didn’t care whether she wanted to come back with me or not, because I was certain I knew what was best. Now…” He stopped and then with an effort continued. “I can’t imagine being without her; I can’t imagine what my uncle and aunt would say. But I know I cannot force her to return. She must make her own decision.” “I rejoice,” said Kyril gently, “that you have grown in wisdom. For no human being can possess another, Philip: not even out of love.” The door opened, and Linda stood on the threshold. She made Kyril a deep curtsey; her cheeks were flushed from dancing. He smiled and held out his hand. “Welcome, Linda! Are you discharged of all your debts?” “Yes, my lord!” She laughed and, running toward him, kissed the outstretched hand. “Why did you summon us?” “The time has come to speak of your return.” Philip looked at her. “I’ve decided to go back, Linda.” Kyril said, “For Philip, the good sorrow of leave-taking is unmixed with doubt. He knows what he must do. But for you, Linda, the decision may not be so easy. Therefore, I ask you once again: which of the two worlds is your home?” “Here I was born,” said Linda softly, “and here I discovered what I truly am. I am grateful for that knowledge; perhaps a time will come when I can remember it without pain. But I don’t belong here.” She drew a deep, uncertain breath. “I’ve tried to persuade myself, but I can’t. As a baby I might have died but for the love Philip’s family has shown me. I belong with them. If he goes, I will go with him.
Ruth Nichols (The Marrow of the World)
Four Springtimes Lost: And In The Fifth We Stand Four springtimes lost: and in the fifth we stand, here in this quiet hour of glory, still, while o'er the bridal land the westering sun dwells in untroubled gold, a bridegroom proud of his permitted will, whom grateful rapture suffers not be bold, but tender now and bland his amber locks and bended gaze are shed, brimming, above the couch'd and happy clime: all is content and ripe delight, full-fed. And as your fingers brush my hand so too the winning time would charm me from regretful reverie that keeps me somewhat sad, remembering — not the old woodland days, for thou art near and hold'st them safely hid to rise and shine again, when waning skies shall bid — but later dawns o' the year, away from thee liv'd thro', even here, and golden embraces of the light-hearted time when I was sad at heart, remembering the clear enchantments of our single year, our woodland prime of love, its violet-budded vow, receding ever now farther and farther down the past, a gleam that turns to softest pearl the luminous haze drifting between in from the golden days when I was sad at inmost heart, remembering thee and the woodland season of bright laughter: — so in my perverse and most loitering dream (O fading, fading days!) each season claims the homage due, long after its glory has faded to an outcast thing.
Christopher Brennan (Xxi Poems, 1893, 1897: Towards The Source)
A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields, And the wild geese sailing high; And all over upland and lowland The charm of the goldenrod. Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in; Come from the mystic ocean, Whose rim no foot has trod. Some of us call it Longing, And others call it God
William Herbert Carruth (Each in his own tongue: and other poems,)
A haze on the far horizon, The infinite, tender sky, The ripe, rich tint of the cornfields, And the wild geese sailing high; And all over upland and lowland The charm of the goldenrod. Some of us call it Autumn, And others call it God. Like tides on a crescent sea beach, When the moon is new and thin, Into our hearts high yearnings Come welling and surging in; Come from the mystic ocean, Whose rim no foot has trod. Some of us call it Longing, And others call it God.
William Herbert Carruth (Each in his own tongue: and other poems,)
Crazy thing about dirt roads. Get very much rain and they’d pack down like tracks of clay, sticking to tires and caking to the wheel wells. Have a drought, though, and the dust would puff up for what seemed like a mile following a car’s path, turning the sky into a dingy haze. Dirt-colored smoke. Maybe Holly had lived there long enough that her heart mirrored the roads. It had been one heck of a dry season, but she’d seen a few showers lately. If she could just learn hang onto those downpours a little longer, maybe the dry days wouldn’t cause such a deep ache.
Christina Coryell (Written in the Dust (Backroads #2))
The beginning of June was hot. I took a journey, and of course, immediately everything was new. When you travel your first discovery is that you do not exist. The phlox bloomed in its faded purples; on the hillside, phallic pines. Foreigners under the arcades, in the basket shops. A steamy haze blurred the lines of the hills. A dirty, exhausting sky. Already the summer seemed to be passing away. Soon the boats would be gathered in, ferries roped to the dock.
Elizabeth Hardwick (Sleepless Nights)
When a cold front moves through the area, it pulls air pollution, dust, and haze with it, often providing excellent viewing conditions with very stable air. Periods immediately after a heavy rain are often best of all; the rain does a wonderful job of clearing dust from the air, which improves atmospheric transparency, stabilizes the air, and reduces the effects of light pollution. (It doesn’t matter how much light escapes into the air if there’s nothing for it to reflect from.)
Robert Bruce Thompson (Astronomy Hacks: Tips and Tools for Observing the Night Sky)