Wearing Simple Clothes Quotes

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I think life should be more like TV. I think all of life's problems ought to be solved in 30 minutes with simple homilies, don't you? I think weight and oral hygiene ought to be our biggest concerns. I think we should all have powerful, high-paying jobs, and everyone should drive fancy sports cars. All our desires should be instantly gratified. Women should always wear tight clothing, and men should carry powerful handguns. Life overall should be more glamorous, thrill-packed, and filled with applause, don't you think?... Then again, if real life was like that, what would we watch on television?
Bill Watterson (The Indispensable Calvin and Hobbes)
You look... amazing!" And I have to say, I agree. I'm wearing all black - but expensive black. The kind of deep, soft black that you fall into. A simple sleeveless dress from Whistles, the highest of Jimmy Choos, a pair of stunning uncut amethyst earrings. And please don't ask how much it all cost, because that's irrelevant. This is investment shopping. The biggest investment of my life. I haven't eaten anything all day so I'm nice and thin and for once my hair has fallen perfectly into shape. I look... well, I've never looked better in my life. But of course, looks are only part of the package, aren't they?
Sophie Kinsella (Confessions of a Shopaholic (Shopaholic, #1))
Was this how it worked, then, successful social integration? Was it really that simple? Wear some lipstick, go to the hairdressers and alternate the clothes you wear?
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
We love men because they can never fake orgasms, even if they wanted to. Because they write poems, songs, and books in our honor. Because they never understand us, but they never give up. Because they can see beauty in women when women have long ceased to see any beauty in themselves. Because they come from little boys. Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women. Because they are incredible lovers and never rest until we’re happy. Because they elevate sports to religion. Because they’re never afraid of the dark. Because they don’t care how they look or if they age. Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything. Because they never wear or dream of wearing high heels. Because they’re always ready for sex. Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations. Because they’re afraid to go bald. Because you always know what they think and they always mean what they say. Because they love machines, tools, and implements with the same ferocity women love jewelry. Because they go to great lengths to hide, unsuccessfully, that they are frail and human. Because they either speak too much or not at all to that end. Because they always finish the food on their plate. Because they are brave in front of insects and mice. Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots. Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between. Because for them there’s no such thing as too much adrenaline. Because when all is said and done, they can’t live without us, no matter how hard they try. Because they’re truly as simple as they claim to be. Because they love extremes and when they go to extremes, we’re there to catch them. Because they are tender they when they cry, and how seldom they do it. Because what they lack in talk, they tend to make up for in action. Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys. Because they really love their moms, and they remind us of our dads. Because they never care what their horoscope, their mother-in-law, nor the neighbors say. Because they don’t lie about their age, their weight, or their clothing size. Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to. Because when we say “I love you” they ask for an explanation.
Paulo Coelho
The way you dress is how you greet the sun and other stars.
Kamand Kojouri
MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.
Daphne Gottlieb (Final Girl)
Was this how it worked, then, successful social integration? Was it really that simple? Wear some lipstick, go to the hairdressers and alternate the clothes you wear? Someone ought to write a book, or at least an explanatory pamphlet, and pass this information on.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
Do you really see our bodies as so unworthy of wearing your clothes? But the hard truth is that a lot of people in the fashion world would really prefer that I weren’t in it. And I think a lot of plus-size women feel that way in our day-to-day lives. For us, something as simple as posting an outfit-of-the-day selfie is a political action, and we have to live with all
Kate Stayman-London (One to Watch)
Personally I like the English style better. It is not quite so brittle, and the people as a rule, just wear clothes and drink drinks. There is more sense of background, as if Cheesecake Manor really existed all around and not just the part the camera sees; there are more long walks over the Downs and the characters don’t all try to behave as if they had just been tested by MGM. The English may not always be the best writers in the world, but they are incomparably the best dull writers.
Raymond Chandler (The Simple Art of Murder)
Whether you call it Attachment Parenting, natural parenting, or simple maternal instincts, this false "return" to traditional parenting is just a more explicit and deliberate version of the often unnamed parenting gender divide. Whether you're wearing you baby or not, whether you're using cloth diapers or teaching your four-week-old to use the toilet; it's still women who are doing the bulk of child care, no matter what the parenting philosophy. Putting a fancy name to the fact that we're still doing all the goddamn work doesn't make it any less sexist or unfair
Jessica Valenti (Why Have Kids?: A New Mom Explores the Truth About Parenting and Happiness)
One of my favourite things about dining outdoors in a warmer season is that it frees hands and bares skin. ... When we don't need to wear or carry heavy clothing, our bodies feel lighter and our hands are freed for other things. Like carrying bottles of rosé; bags of stone fruit, fish, and clams; and a simple kettle and a tiny grill for a quiet, all-day beach excursion. Then we can eat well.
Kirstin Jackson
The secret was pretty simple — wearing the right clothes wasn’t as important as how you felt in them. Being beautiful was about what you did with what you had. Popularity was like that too — it was all about attitude. You had to picture who you wanted to be and then just imagine that’s who you already were.
Jennifer Solow (The Aristobrats)
I laugh at my ten-year pilgrimage— Wilted robe, tattered hat, knocking at Zen gates. In reality, the Buddha’s Law is simple: Eat your rice, drink your tea, wear your clothes.
Eiji Yoshikawa (Musashi: An Epic Novel of the Samurai Era)
We buy items that we only half like because they are on sale or a “good deal.” •We wear clothes that are so uncomfortable we need to take them off as soon as we get home. •We keep items that stopped fitting years ago just in case they fit again someday. •We wear shoes that we can hardly walk in and that leave our feet covered in blisters. •We force ourselves to wear pieces that we feel only so-so about because they were expensive and we don’t want to let that “investment” go to waste. •We wear worn-out, scruffy pieces around the house and hope nobody is going to stop by unannounced. •We wear clothes that ride up and tug in all the wrong places. •We wear outfits that don’t make us feel confident or inspired because we simply don’t have anything better in our wardrobe.
Anuschka Rees (The Curated Closet: A Simple System for Discovering Your Personal Style and Building Your Dream Wardrobe)
What exactly is a Rubik’s Cube party?” Becca asked. “It’s simple: everyone wears different colors - red shirt, blue shorts, green socks, whatever - and once you get to the party, you have to swap clothes with people until you’re wearing all of the same color.” Kinsley tsked. “Sounds like an excuse to see people in their skivvies.” I tossed my luggage onto my bed. “Yes, well, isn’t that basically the meaning of life in the first place?
R.S. Grey (Settling the Score (The Summer Games, #1))
Many of the girls wear simple dresses to church. We do not make a point of ‘dressing up,’ nor do we study one another to see what is being worn. Nor does God. It’s our hearts He views as we enter the doors to His church. Not our clothing.
Janette Oke (The Tender Years (Prairie Legacy, #1))
Balzac was pretty funny. His philosophy is plain and simple, says basically that pure materialism is a recipe for madness. The only true knowledge for Balzac seems to be in superstition. Everything is subject to analysis. Horde your energy. That’s the secret of life. You can learn a lot from Mr. B. It’s funny to have him as a companion. He wears a monk’s robe and drinks endless cups of coffee. Too much sleep clogs up his mind. One of his teeth falls out, and he says, “What does this mean?” He questions everything. His clothes catch fire on a candle. He wonders if fire is a good sign. Balzac is hilarious.
Bob Dylan (Chronicles, Volume One)
There was virtually never anything revealing or overtly sexual about her clothes, but they were indisputably sensual—precisely because Chanel gave pride of place to the body’s simple materiality: the flesh, muscle, and bone beneath the cloth. “For an outfit to be pretty, the woman wearing it must give the impression of being completely nude underneath it,” she said.
Rhonda K. Garelick (Mademoiselle: Coco Chanel and the Pulse of History)
Just then, I notice Mrs. Mulgrave giving the younger woman beside her a slight push in my direction. "This is my daughter, Maisie. She will be your maid." "Maisie?" I can't help blurting out in astonishment. I hardly recognize her. The past seven years have transformed Maisie from a plain preteen into a beautiful young adult. I didn't expect her to be so... pretty. She wears a black tee with black pants, but the simple clothing and lack of makeup only enhances her looks. She has heavy-lidded deep brown eyes, clear skin with the hint of a tan, the kind of plush pink lips that housewives in my New York hometown would pay good money for, and long brown hair highlighted with strands of gold. Her only adornments are a thick wristwatch and a rectangular pendant hanging on a chain around her neck. I feel a pang of sympathy as I look from mother to daughter. If Maisie's luck had been different---if she'd been born to parents like the Marinos---she could have had the world at her feet, instead of being shut up in a house working as a maid.
Alexandra Monir (Suspicion)
It’s simple. Women are raised to be seen and not heard; why, it’s still scandalous for a woman to speak publicly. So we make ourselves heard with our clothes. We wear full skirts to take up space in the world that wants us to be shut away in drawing rooms and kitchens. We wear bright colors to remind mankind that we exist. For example.” “An interesting perspective I had not considered. It does have a ring of logic to it,” he conceded. “But what is the message that a dead bird on a hat is trying to convey?” “That one feels trapped and powerless in their existence.
Maya Rodale (Duchess by Design (The Gilded Age Girls Club, #1))
It’s like we just can’t reconcile the fact that someone could be alive and well at breakfast and dead by lunch. We can’t understand how someone who ate well, exercised, and was a generally good human being can get cancer and die at the age of thirty-four. We can’t understand how a perfectly healthy child can drop dead of what started as a simple cough. How someone biking to work, using a dedicated bike lane, wearing reflective clothing, their bike adorned with flashing lights, can be struck and killed in an instant. They had to have done something terribly wrong. There has to be a reason.
Megan Devine (It's OK That You're Not OK: Meeting Grief and Loss in a Culture That Doesn't Understand)
She was a subscriber for all the “Health” periodicals and phrenological frauds; and the solemn ignorance they were inflated with was breath to her nostrils. All the “rot” they contained about ventilation, and how to go to bed, and how to get up, and what to eat, and what to drink, and how much exercise to take, and what frame of mind to keep one’s self in, and what sort of clothing to wear, was all gospel to her, and she never observed that her health-journals of the current month customarily upset everything they had recommended the month before. She was as simple-hearted and honest as the day was long, and so she was an easy victim.
Mark Twain (Mark Twain: The Complete Novels)
A language that will at last say what we have to say. For our words no longer correspond to the world. When things were whole, we felt confident that our words could express them. But little by little these things have broken apart, shattered, collapsed into chaos. And yet our words have remained the same. They have not adapted themselves to the new reality. Hence, every time we try to speak of what we see, we speak falsely, distorting the very thing we are trying to represent. It's made a mess of everything. But words, as you yourself understand, are capable of change. The problem is how to demonstrate this. That is why I now work with the simplest means possible - so simple that even a child can grasp what I am saying. Consider a word that refers to a thing - "umbrella", for example. When I say the word "umbrella", you see the object in your mind. You see a kind of stick, with collapsible metal spokes on top that form an armature for a waterproof material which, when opened, will protect you from the rain. This last detail is important. Not only is an umbrella a thing, it is a thing that performs a function - in other words, expresses the will of man. When you stop to think of it, every object is similar to the umbrella, in that it serves a function. A pencil is for writing, a shoe is for wearing, a car is for driving. Now, my question is this. What happens when a thing no longer performs its function ? Is it still the thing or has it become something else ? When you rip the cloth off the umbrella, is the umbrella still an umbrella ? You open the spokes, put them over your head, walk out into the rain, and you get drenched. Is it possible to go one calling this object an umbrella ? In general, people do. At the very limit, they will say the umbrella is broken. To me this is a serious error, the source of all our troubles. Because it can no longer perform its function, the umbrella has ceased to be an umbrella. It might resemble an umbrella, it might once have been an umbrella, but now it has changed into something else. The word, however, has remained the same. Therefore, it can no longer express the thing. It is imprecise; it is false; it hides the thing it is supposed to reveal. And if we cannot even name a common, everyday object that we hold in our hands, how can we expect to speak of the things that truly concern us? Unless we can begin to embody the position of change in the words we use, we will continue to be lost.
Paul Auster (City of Glass (The New York Trilogy, #1))
Under his clothes, it is well known, More wears a jerkin of horsehair. He beats himself with a small scourge, of the type used by some religious orders. What lodges in his mind, Thomas Cromwell's, is that somebody makes these instruments of daily torture. Someone combs the horsehair into coarse tufts, knots them and chops the blunt ends, knowing that their purpose is to snap off under the skin and irritate it into weeping sores. Is it monks who make them, knotting and snipping in a fury of righteousness, chuckling at the thought of the pain they will cause to persons unknown? Are simple villagers paid – how, by the dozen? – for making flails with waxed knots? Does it keep farm workers busy during the slow winter months? When the money for their honest labour is put into their hands, do the makers think of the hands that will pick up the product?
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Love is not something we must try hard to do, love comes naturally, it is trusting that love is enough—That is the hard thing to do. It sounds simple, but even when the simple answer is right in front of us, since the feeling is complicated, we often pass up the right answer to look for a complicated answer to match it. In the 1300s somewhere between seventy-five and two-hundred million people died from the black plague, which was a bacteria carried by fleas. Fleas are not a new problem, and the cure has been widely known long before the 1300s. It was simply to shave your hair off, wear clothes made from something coarse like goat hair, and to cover your skin in ash. The fleas lay eggs that stick to our hair, and with the hair gone, there is nowhere for the eggs to stick. The ash has the chemical hydroxide, which is enough to make the skin unlivable for the fleas. Everyone knew that anyone with a shaved head and ash on their skin meant that they knew they had fleas. To avoid the shame, many people would rather put up with the fleas, as long as other people didn’t think they had them. Maybe the quote before Mark Twain coined his was, “It's better to keep your hair and appear free from fleas than shave your head and remove all doubt.” Besides itching and inflammation, fleas were fine… sort of… that is, until those fleas got infected with the plague, and spread that deadly infection. Instead of shaving their heads, people tried any other thing, and about half of Europe died. We shouldn’t be embarrassed to be human, and we shouldn’t feel stupid that we’re embarrassed, we should just talk about it, and get over it. Feeling unworthy of connection just for being human is the emotional plague, and we won’t know what it means to be human until we talk to other humans and realize they are scared and confused and definitely not perfect either.
Michael Brent Jones (Conflict and Connection: Anatomy of Mind and Emotion)
A while back a young woman from another state came to live with some of her relatives in the Salt Lake City area for a few weeks. On her first Sunday she came to church dressed in a simple, nice blouse and knee-length skirt set off with a light, button-up sweater. She wore hose and dress shoes, and her hair was combed simply but with care. Her overall appearance created an impression of youthful grace. Unfortunately, she immediately felt out of place. It seemed like all the other young women her age or near her age were dressed in casual skirts, some rather distant from the knee; tight T-shirt-like tops that barely met the top of their skirts at the waist (some bare instead of barely); no socks or stockings; and clunky sneakers or flip-flops. One would have hoped that seeing the new girl, the other girls would have realized how inappropriate their manner of dress was for a chapel and for the Sabbath day and immediately changed for the better. Sad to say, however, they did not, and it was the visitor who, in order to fit in, adopted the fashion (if you can call it that) of her host ward. It is troubling to see this growing trend that is not limited to young women but extends to older women, to men, and to young men as well. . . . I was shocked to see what the people of this other congregation wore to church. There was not a suit or tie among the men. They appeared to have come from or to be on their way to the golf course. It was hard to spot a woman wearing a dress or anything other than very casual pants or even shorts. Had I not known that they were coming to the school for church meetings, I would have assumed that there was some kind of sporting event taking place. The dress of our ward members compared very favorably to this bad example, but I am beginning to think that we are no longer quite so different as more and more we seem to slide toward that lower standard. We used to use the phrase “Sunday best.” People understood that to mean the nicest clothes they had. The specific clothing would vary according to different cultures and economic circumstances, but it would be their best. It is an affront to God to come into His house, especially on His holy day, not groomed and dressed in the most careful and modest manner that our circumstances permit. Where a poor member from the hills of Peru must ford a river to get to church, the Lord surely will not be offended by the stain of muddy water on his white shirt. But how can God not be pained at the sight of one who, with all the clothes he needs and more and with easy access to the chapel, nevertheless appears in church in rumpled cargo pants and a T-shirt? Ironically, it has been my experience as I travel around the world that members of the Church with the least means somehow find a way to arrive at Sabbath meetings neatly dressed in clean, nice clothes, the best they have, while those who have more than enough are the ones who may appear in casual, even slovenly clothing. Some say dress and hair don’t matter—it’s what’s inside that counts. I believe that truly it is what’s inside a person that counts, but that’s what worries me. Casual dress at holy places and events is a message about what is inside a person. It may be pride or rebellion or something else, but at a minimum it says, “I don’t get it. I don’t understand the difference between the sacred and the profane.” In that condition they are easily drawn away from the Lord. They do not appreciate the value of what they have. I worry about them. Unless they can gain some understanding and capture some feeling for sacred things, they are at risk of eventually losing all that matters most. You are Saints of the great latter-day dispensation—look the part.
D. Todd Christofferson
When you were dying, Edward quickly discovered, people would let you do pretty much whatever you wanted. So he made some new unofficial decrees: 1. The king was allowed to sleep in as long as he wished. 2. The king no longer had to wear seven layers of elaborate, jewel-encrusted clothing. Or silly hats with feathers. Or pants that resembled pumpkins. Or tights. From now on, unless it was a special occasion, he was fine in just a simple shirt and trousers. 3. Dessert was to be served first. Blackberry pie, preferably. With whipped cream. 4. The king would no longer be taking part in any more dreary studies. His fine tutors had filled his head with enough history, politics and philosophy to last him two lifetimes, and as he was unlikely to get even half of one lifetime, there was no need for study. No more lessons, he decided. No more books. No more tutors' dirty looks. 5. The king was now going to reside in the top of the southeast turret, where he could sit in the window ledge and gaze out at the river for as long as he liked. 6. No one at court would be allowed to say the following words or phrases: affliction, illness, malady, sickness, disease, disorder, ailment, infirmity, convalescence, indisposition, malaise, plight, plague, poor health, failing health, what's going around, or your condition. Most of all, no one was allowed to say the word dying. And finally (and perhaps most importantly, for the sake of our story) 7. Dogs would now be allowed inside the palace. More specifically, his dog.
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
But Dave Wain that lean rangy red head Welchman with his penchant for going off in Willie to fish in the Rogue River up in Oregon where he knows an abandoned mining camp, or for blattin around the desert roads, for suddenly reappearing in town to get drunk, and a marvelous poet himself, has that certain something that young hip teenagers probably wanta imitate–For one thing is one of the world's best talkers, and funny too–As I'll show–It was he and George Baso who hit on the fantastically simple truth that everybody in America was walking around with a dirty behind, but everybody, because the ancient ritual of washing with water after the toilet had not occurred in all the modern antisepticism–Says Dave "People in America have all these racks of drycleaned clothes like you say on their trips, they spatter Eau de Cologne all over themselves, they wear Ban and Aid or whatever it is under their armpits, they get aghast to see a spot on a shirt or a dress, they probably change underwear and socks maybe even twice a day, they go around all puffed up and insolent thinking themselves the cleanest people on earth and they're walkin around with dirty azzoles–Isnt that amazing?give me a little nip on that tit" he says reaching for my drink so I order two more, I've been engrossed, Dave can order all the drinks he wants anytime, "The President of the United States, the big ministers of state, the great bishops and shmishops and big shots everywhere, down to the lowest factory worker with all his fierce pride, movie stars, executives and great engineers and presidents of law firms and advertising firms with silk shirts and neckties and great expensive traveling cases in which they place these various expensive English imported hair brushes and shaving gear and pomades and perfumes are all walkin around with dirty azzoles! All you gotta do is simply wash yourself with soap and water! it hasn't occurred to anybody in America at all! it's one of the funniest things I've ever heard of! dont you think it's marvelous that we're being called filthy unwashed beatniks but we're the only ones walkin around with clean azzoles?"–The whole azzole shot in fact had spread swiftly and everybody I knew and Dave knew from coast to coast had embarked on this great crusade which I must say is a good one–In fact in Big Sur I'd instituted a shelf in Monsanto's outhouse where the soap must be kept and everyone had to bring a can of water there on each trip–Monsanto hadnt heard about it yet, "Do you realize that until we tell poor Lorenzo Monsanto the famous writer that he is walking around with a dirty azzole he will be doing just that?"–"Let's go tell him right now!"–"Why of course if we wait another minute...and besides do you know what it does to people to walk around with a dirty azzole? it leaves a great yawning guilt that they cant understand all day, they go to work all cleaned up in the morning and you can smell all that freshly laundered clothes and Eau de Cologne in the commute train yet there's something gnawing at them, something's wrong, they know something's wrong they dont know just what!"–We rush to tell Monsanto at once in the book store around the corner. (Big Sur, Chap. 11)
Jack Kerouac (Big Sur)
How they pile the poor little craft mast-high with fine clothes and big houses; with useless servants, and a host of swell friends that do not care twopence for them, and that they do not care three ha’pence for; with expensive entertainments that nobody enjoys, with formalities and fashions, with pretence and ostentation, and with—oh, heaviest, maddest lumber of all!—the dread of what will my neighbour think, with luxuries that only cloy, with pleasures that bore, with empty show that, like the criminal’s iron crown of yore, makes to bleed and swoon the aching head that wears it! It is lumber, man—all lumber! Throw it overboard. It makes the boat so heavy to pull, you nearly faint at the oars. It makes it so cumbersome and dangerous to manage, you never know a moment’s freedom from anxiety and care, never gain a moment’s rest for dreamy laziness—no time to watch the windy shadows skimming lightly o’er the shallows, or the glittering sunbeams flitting in and out among the ripples, or the great trees by the margin looking down at their own image, or the woods all green and golden, or the lilies white and yellow, or the sombre-waving rushes, or the sedges, or the orchis, or the blue forget-me-nots. Throw the lumber over, man! Let your boat of life be light, packed with only what you need—a homely home and simple pleasures, one or two friends, worth the name, someone to love and someone to love you, a cat, a dog, and a pipe or two, enough to eat and enough to wear, and a little more than enough to drink; for thirst is a dangerous thing. You will find the boat easier to pull then, and it will not be so liable to upset, and it will not matter so much if it does upset; good, plain merchandise will stand water. You will have time to think as well as to work. Time to drink in life’s sunshine—time to listen to the Æolian music that the wind of God draws from the human heart-strings around us—time to—
Jerome K. Jerome (Three Men in a Boat)
No, I wouldn’t, for the smart caps won’t match the plain gowns without any trimming on them. Poor folks shouldn’t rig,” said Jo decidedly. “I wonder if I shall ever be happy enough to have real lace on my clothes and bows on my caps?” said Meg impatiently. “You said the other day that you’d be perfectly happy if you could only go to Annie Moffat’s,” observed Beth in her quiet way. “So I did! Well, I am happy, and I won’t fret, but it does seem as if the more one gets the more one wants, doesn’t it? There now, the trays are ready, and everything in but my ball dress, which I shall leave for Mother to pack,” said Meg, cheering up, as she glanced from the half-filled trunk to the many times pressed and mended white tarlaton, which she called her ‘ball dress’ with an important air. The next day was fine, and Meg departed in style for a fortnight of novelty and pleasure. Mrs. March had consented to the visit rather reluctantly, fearing that Margaret would come back more discontented than she went. But she begged so hard, and Sallie had promised to take good care of her, and a little pleasure seemed so delightful after a winter of irksome work that the mother yielded, and the daughter went to take her first taste of fashionable life. The Moffats were very fashionable, and simple Meg was rather daunted, at first, by the splendor of the house and the elegance of its occupants. But they were kindly people, in spite of the frivolous life they led, and soon put their guest at her ease. Perhaps Meg felt, without understanding why, that they were not particularly cultivated or intelligent people, and that all their gilding could not quite conceal the ordinary material of which they were made. It certainly was agreeable to fare sumptuously, drive in a fine carriage, wear her best frock every day, and do nothing but enjoy herself. It suited her exactly, and soon she began to imitate the manners and conversation of those about her, to put on little airs and graces,
Louisa May Alcott (Little Women)
How do you build peaks? You create a positive moment with elements of elevation, insight, pride, and/ or connection. We’ll explore those final three elements later, but for now, let’s focus on elevation. To elevate a moment, do three things: First, boost sensory appeal. Second, raise the stakes. Third, break the script. (Breaking the script means to violate expectations about an experience—the next chapter is devoted to the concept.) Moments of elevation need not have all three elements but most have at least two. Boosting sensory appeal is about “turning up the volume” on reality. Things look better or taste better or sound better or feel better than they usually do. Weddings have flowers and food and music and dancing. (And they need not be superexpensive—see the footnote for more.IV) The Popsicle Hotline offers sweet treats delivered on silver trays by white-gloved waiters. The Trial of Human Nature is conducted in a real courtroom. It’s amazing how many times people actually wear different clothes to peak events: graduation robes and wedding dresses and home-team colors. At Hillsdale High, the lawyers wore suits and the witnesses came in costume. A peak means something special is happening; it should look different. To raise the stakes is to add an element of productive pressure: a competition, a game, a performance, a deadline, a public commitment. Consider the pregame jitters at a basketball game, or the sweaty-hands thrill of taking the stage at Signing Day, or the pressure of the oral defense at Hillsdale High’s Senior Exhibition. Remember how the teacher Susan Bedford said that, in designing the Trial, she and Greg Jouriles were deliberately trying to “up the ante” for their students. They made their students conduct the Trial in front of a jury that included the principal and varsity quarterback. That’s pressure. One simple diagnostic to gauge whether you’ve transcended the ordinary is if people feel the need to pull out their cameras. If they take pictures, it must be a special occasion. (Not counting the selfie addict, who thinks his face is a special occasion.) Our instinct to capture a moment says: I want to remember this. That’s a moment of elevation.
Chip Heath (The Power of Moments: Why Certain Moments Have Extraordinary Impact)
Gossip, even malicious rumors, are worth more than the most expensive publicity campaign in the world. What alarmed me most in the course of my stay in the United States was the habit of spending enormous sums of money in order to achieve so little real luxury. America represents the triumph of quantity over quality. Mass production triumphs; men and women both prefer to buy a multitude of mediocre things rather than a smaller number, carefully chosen. The American woman, faithful to the ideal of optimism with the United States seems to have made its rule of life, spends money entirely in order to gratify the collective need to buy. She prefers three new dresses to one beautiful one and does not linger over a choice, knowing perfectly well that her fancy will be of short duration and the dress which she is in the process of buying will be discarded very soon. The prime need of fashion is to please and attract. Consequently this attraction cannot be born of uniformity, the mother of boredom. Contemporary elegance is at once simple and natural. Since there is no patience where vanity is concerned, any client who is kept waiting considers it a personal insult. The best bargain in the world is a successful dress. It brings happiness to the woman who wears it and it is never too dear for the man who pays for it. The most expensive dress in the world is a dress which is a failure. It infuriates the woman who wears it and it is a burden to the man who pays for it. In addition, it practically always involves him in the purchase of a second dress much more expensive - the only thing that can blot out the memory of the first failure. Living in a house which does not suit you is like wearing someone else's clothes. There will always be women who cling to a particular style of dress because they wore it during the time of their greatest happiness, but white hair is the only excuse for this type of eccentricity. The need for display, which is dormant in all of us, can express itself nowadays in fashion and nowhere else. The dresses of this collection may be worn by only a few of the thousands of women who read and dream about them, but high fashion need not be directly accessible to everyone: it need only exist in the world for its influence to be felt.
Christian Dior (Christian Dior and I)
I’m going to say this once here, and then—because it is obvious—I will not repeat it in the course of this book: not all boys engage in such behavior, not by a long shot, and many young men are girls’ staunchest allies. However, every girl I spoke with, every single girl—regardless of her class, ethnicity, or sexual orientation; regardless of what she wore, regardless of her appearance—had been harassed in middle school, high school, college, or, often, all three. Who, then, is truly at risk of being “distracted” at school? At best, blaming girls’ clothing for the thoughts and actions of boys is counterproductive. At worst, it’s a short step from there to “she was asking for it.” Yet, I also can’t help but feel that girls such as Camila, who favors what she called “more so-called provocative” clothing, are missing something. Taking up the right to bare arms (and legs and cleavage and midriffs) as a feminist rallying cry strikes me as suspiciously Orwellian. I recall the simple litmus test for sexism proposed by British feminist Caitlin Moran, one that Camila unconsciously referenced: Are the guys doing it, too? “If they aren’t,” Moran wrote, “chances are you’re dealing with what we strident feminists refer to as ‘some total fucking bullshit.’” So while only girls get catcalled, it’s also true that only girls’ fashions urge body consciousness at the very youngest ages. Target offers bikinis for infants. The Gap hawks “skinny jeans” for toddlers. Preschoolers worship Disney princesses, characters whose eyes are larger than their waists. No one is trying to convince eleven-year-old boys to wear itty-bitty booty shorts or bare their bellies in the middle of winter. As concerned as I am about the policing of girls’ sexuality through clothing, I also worry about the incessant drumbeat of self-objectification: the pressure on young women to reduce their worth to their bodies and to see those bodies as a collection of parts that exist for others’ pleasure; to continuously monitor their appearance; to perform rather than to feel sensuality. I recall a conversation I had with Deborah Tolman, a professor at Hunter College and perhaps the foremost expert on teenage girls’ sexual desire. In her work, she said, girls had begun responding “to questions about how their bodies feel—questions about sexuality or arousal—by describing how they think they look. I have to remind them that looking good is not a feeling.
Peggy Orenstein
At her age, another woman would wear her hair shorter and her skirts lower. But Linda had that classic Nordic skin: pale, soft and clean looking. The kind of woman who doesn’t need to wear much if any makeup. She wore lightly-applied lipstick, but kept her blond hair basic. Sometimes she let it flow, easy and beautiful; other times, done up tightly with bobby pins. No matter, because she was Beauty, the men Beasts. Her clothes were simple, too, not plain, but easy on the eyes, like her face. Easy on the eyes. She was the kind of a good lookin’ dame you’d be proud to call your wife. She was innocent looking; yeah, well, that’s one in her favor. Because men trusted her, because she acted with such guileless innocence, she became confessor to numbers of men with no one else to turn to. The cigarette girl. “Hey, babe!” Gunnar Swernbernin shouted as he snuck up behind Linda at the Club Festival. “Eowww!” she shrieked as Gunnar grabbed her around the midsection. Linda turned quickly around and slapped her molester. The sound reverberated throughout the club. “Ouch!” Gunnar yelled. “You didn’t have to do that!” “Buster,” she yelled back, “the next time you touch me, prepare to die!
Richard E. Riegel (Tough City, Tougher Woman)
Kimbanguism is an extremely peace-loving religion, yet brimming with military allusions. Those symbols were not originally part of the religion, but were copied in the 1930s from the Salvation Army, a Christian denomination that, unlike theirs, was not banned at that time. The faithful believed that the S on the Christian soldiers’ uniform stood not for “Salvation” but for “Simon,” and became enamored of the army’s military liturgy. Today, green is still the color of Kimbanguism, and the hours of prayer are brightened up several times a day by military brass bands. Those bands, by the way, are truly impressive. It is a quiet Monday evening when I find myself on the square. While the martial music rolls on and on, played first by the brass section, then by flutes, the faithful shuffle forward to be blessed by the spiritual leader. In groups of four or five, they kneel before the throne. The spiritual leader himself is standing. He wears a gray, short-sleeved suit and gray socks. He is not wearing shoes. In his hand he holds a plastic bottle filled with holy water from the “Jordan,” a local stream. The believers kneel and let themselves be anointed by the Holy Spirit. Children open their mouths to catch a spurt of holy water. A young deaf man asks for water to be splashed on his ears. And old woman who can hardly see has her eyes sprinkled. The crippled display their aching ankles. Fathers come by with pieces of clothing belonging to their sick children. Mothers show pictures of their family, so the leader can brush them with his fingers. The line goes on and on. Nkamba has an average population of two to three thousand, plus a great many pilgrims and believers on retreat. People come from Kinshasa and Brazzaville, as well as from Brussels or London. Thousands of people come pouring in, each evening anew. For an outsider this may seem like a bizarre ceremony, but in essence it is no different from the long procession of believers who have been filing past a cave at Lourdes in the French Pyrenees for more than a century. There too, people come from far and near to a spot where tradition says unique events took place, there too people long for healing and for miracles, there too people place all their hope in a bottle of spring water. This is about mass devotion and that usually says more about the despair of the masses than about the mercy of the divine. After the ceremony, during a simple meal, I talk to an extremely dignified woman who once fled Congo as a refugee and has been working for years as a psychiatric nurse in Sweden. She loves Sweden, but she also loves her faith. If at all possible, she comes to Nkamba each year on retreat, especially now that she is having problems with her adolescent son. She has brought him along. “I always return to Sweden feeling renewed,” she says.
David Van Reybrouck (Congo: The Epic History of a People)
Love MINECRAFT? **Over 18,000 words of kid-friendly fun!** This high-quality fan fiction fantasy diary book is for kids, teens, and nerdy grown-ups who love to read epic stories about their favorite game! Meet the Skull Kids. They're three Minecraft players who hop from world to world, hunting zombies and searching for the elusive Herobrine--the ghost in the machine. Teleporting down into a new world, the group is surprised to find that the game has changed once again, rendering almost ALL of their technology and mods useless. And when two of the Skull Kids are starving and distracted by exploring a desert village on Day 1 of their new adventure, the whole group is in danger when the sun goes down. Will the Skull Kids survive? Thank you to all of you who are buying and reading my books and helping me grow as a writer. I put many hours into writing and preparing this for you. I love Minecraft, and writing about it is almost as much fun as playing it. It’s because of you, reader, that I’m able to keep writing these books for you and others to enjoy. This book is dedicated to you. Enjoy!! After you read this book, please take a minute to leave a simple review. I really appreciate the feedback from my readers, and love to read your reactions to my stories, good or bad. If you ever want to see your name/handle featured in one of my stories, leave a review and tell me about it in there! And if you ever want to ask me any questions, or tell me your idea for a cool Minecraft story, you can email me at steve@skeletonsteve.com. Are you on my Amazing Reader List? Find out at the end of the book! June 29th, 2016 Now I’m going to try something a little different. Tell me what you guys think! This ‘Players Series’ is going to be a continuing series of books following my new characters, the players Renzor51, Molly, and quantum_steve. Make sure to let me know if you like it or not! Would you still like to see more books about mobs? More books about Cth’ka the Creeper King? I’m planning on continuing that one. ;) Don’t forget to review, and please say hi and tell me your ideas! Thanks, Ryan Gallagher, for the ideas to continue the wolf pack book! Enjoy the story. P.S. - Have you joined the Skeleton Steve Club and my Mailing List?? You found one of my diaries!! This particular book is the continuing story of some Minecraft players—a trio of friends who leap from world to world, searching for the elusive Herobrine. They’re zombie hunters and planeswalkers. They call themselves “The Skull Kids”. Every time these Skull Kids hop into a new world, they start with nothing more than the clothes they’re wearing, and they end up dominating the realm where they decide to live. What you are about to read is the first collection of diary entries from Renzor51, the player and member of the Skull Kids who documents their adventures, from the day they landed on Diamodia and carved out their own little empire, and beyond. Be warned—this is an epic book! You’re going to care about these characters. You’ll be scared for them, feel good for them, and feel bad for them! It’s my hope that you’ll be sucked up into the story, and the adventure and danger will be so intense, you’ll forget we started this journey with a video game! With that, future readers, I present to you the tale of the Skull Kids, Book 1. The Skull Kids Ka-tet Renzor51 Renzor51 is the warrior-scribe of the group, and always documents the party’s adventures and excursions into game worlds. He’s a sneaky fighter, and often takes the role of a sniper, but can go head to head with the Skull Kids’ enemies when needed. A natural artist, Renzor51 tends to design and build many of the group’s fortresses and structures, and keeps things organized. He also focuses a lot on weapon-smithing and enchanting, always seeking out ways to improve his gear. Molly
Skeleton Steve (Diary of a Zombie Hunter Player Team - The Skull Kids, Book 1 (Diary of a Zombie Hunter Player Team - The Skull Kids, #1))
Use More Extreme Criteria. Think of what happens to our closets when we use the broad criteria: “Will I wear this someday?” The closet becomes cluttered with clothes we never wear and probably never will. If you ask, “Will I absolutely wear this in the next six months?,” you’re more likely to get rid of an item to make space for something better. Simplification works especially well when you use extreme criteria to challenge how things are done. Some examples: • To solve this problem, give me a solution that would shock people. • To solve this problem, give me an idea that would get you fired. • To solve this problem, give me an idea that would eliminate all or a seemingly impossible amount of something. Example: A group within a telecom company wanted to cut meetings, so they challenged each business unit to eliminate 50 percent of their meetings, knowing full well that this would be near impossible. In the end, managers reporting cutting 15 percent of their meetings, greater than the 5 percent they originally expected.
Lisa Bodell (Why Simple Wins: Escape the Complexity Trap and Get to Work That Matters)
If they start with clothes they are currently using, clients are more likely to think, “It doesn’t spark joy, but I just wore it yesterday,” or “If I don’t have any clothes left to wear, what am I going to do?” This makes it harder for them to make an objective decision. Because off-season clothes are not imminently necessary, it is much easier to apply the simple criterion of whether or not they bring you joy. There’s one question I recommend asking when you select off-season clothes. “Do I want to see this outfit again next time it’s in season?” Or, to rephrase it, “Would I want to wear this right away if the temperature suddenly changed?
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
And remember also that in fighting against Man, we must not come to resemble him. Even when you have conquered him, do not adopt his vices. No animal must ever live in a house, or sleep in a bed, or wear clothes, or drink alcohol, or smoke tobacco, or touch money, or engage in trade. All the habits of Man are evil. And above all, no animal must ever tyrannise over his own kind. Weak or strong, clever or simple, we are all brothers. No animal must ever kill any other animal. All animals are equal.
George Orwell (Animal Farm)
....she wondered whether they mightn’t better let the mortgage wait a little. Before they were worn out, before their best years were gone. It was something of life she wanted, not just a house and furniture; something of John, not pretty clothes when she would be too old to wear them. But John of course couldn’t understand. To him it seemed only right that she should have the pretty clothes—only right that he, fit for nothing else, should slave away fifteen hours a day to give them to her. There was in his devotion a baffling, insurmountable humility that made him feel the need of sacrifice. And when his muscles ached, when his feet dragged stolidly with weariness, then it seemed that in some measure at least he was making amends for his big hulking body and simple mind. (...) To him it was not what he actually accomplished by means of the sacrifice that mattered, but the sacrifice itself, the gesture - something done for her sake. And she, understanding, kept her silence.
Sinclair Ross (The Painted Door)
She was shocked, huddled into his arms tight, and looked up to see the face of the savior. If it wasn’t for this person, she would have been pecked and eaten by the four-eyed bird as a snack. It was a sixteen or seventeen-year-old boy with a handsome face. He was wearing a white robe with a jade pendant on his waist. The clothes were simple, with a high crown and wide sleeves, unexpectedly dressed in an ancient style. The whole person looked indifferent and quaint, as if he had just walked out of an ancient tomb. Startled, she couldn’t help but blurt out: “Are you… are you a living person or a dead person?
沧月 (Zhuyan (With Prequel of Mirror) 朱颜(附镜子上卷镜前传))
Whatever goes upon two legs is an enemy. Whatever goes upon four legs, or has wings, is a friend. And remember also that in fighting against Man, we must not come to resemble him. Even when you have conquered him, do not adopt his vices. No animal must ever live in a house, or sleep in a bed, or wear clothes, or drink alcohol, or smoke tobacco, or touch money, or engage in trade. All the habits of Man are evil. And, above all, no animal must ever tyrannise over his own kind. Weak or strong, clever or simple, we are all brothers. No animal must ever kill any other animal. All animals are equal.
George Orwell (Animal Farm)
know that I was once someone who loved to dance in the kitchen whilst I baked,” I say, my voice catching. “I was once someone who laughed at stupid jokes until her belly ached and tears poured from her eyes. I was once a girl who liked to walk in the rain, who loved to watch the sun set, who collected china dolls, who found pleasure in the simple things life offered. I was someone who loved tulips and strawberry cheesecake, who would like to go on picnics and drink red wine, and eat smelly cheese, who would sing badly in the shower, who’d wear the clothes she loved, not the ones I was forced to wear. I was once a woman who had passion in her heart and fire in her soul. Now look at me.
Bea Paige (The Thug and His Doll (Princetown Heirs #1))
Excuse me. I have to speak to her. I’ll be right back.” By the time I caught up with her, Catherine was at the corner. She watched me approach with wary eyes, her bag clutched in front of her like a shield. “Come back. Elise will skin me alive if I let you leave.” I stopped in front of her, peering down at her. I always forgot how short she was since she didn’t seem short. Then again, this was the first time I had seen her outside a work environment. She was normally pressed and pristine, with neat hair and simple, classic clothing. Today, her hair was piled on top of her head in a messy, unruly bun, and she was cozy in a hoodie and leggings. “Please tell her I already ate.” She tugged at her hoodie, which was oversized everywhere except where it stretched over her belly. “I really feel way too schlubby to go to a restaurant, and all of you—” “You look nice. No one’s going to judge you for wearing a hoodie when you’re thirty-seven weeks—” “Wait, you know how many weeks I am?” Her brow knitted in confusion. “Of course. You told me five weeks ago. Five plus thirty-two equals thirty-seven. It isn’t difficult.” “Oh.
Julia Wolf (P.S. You're Intolerable (The Harder They Fall, #3))
When you are starting out practicing your own intuition, it is often easiest to ask for guidance about subjects you care little about, such as whether to buy apples or oranges at the grocery, whether to take the city streets or the highway, what color clothes to wear that day and any other of the simple little decisions you have to make all day long.
Catherine Carrigan (Unlimited Intuition NOW)
February 4–15: The couple visits holy places, Osaka, Mount Fuji, Yokohama, and the Izu Peninsula. Marilyn looks especially comfortable among a group of women dressed in traditional Japanese clothing. In some shots she wears a hat and a modestly cut suit. Marilyn accepts the Japanese emperor’s gift of a natural pearl necklace. In Korea to entertain the troops General John E. Hull invites Marilyn to entertain American troops in Korea. A disturbed DiMaggio opposes the invitation, but Marilyn accepts it. Marilyn writes photographer Bruno Bernard from Japan: “I’m so happy and in love. . . . I’ve decided for sure that it’ll be better if I only make one or two more films after I shoot There’s No Business Like Show Business and then retire to the simple good life of a housewife and, hopefully, mother. Joe wants a big family. He was real surprised when we were met at the airport by such gigantic crowds and press. He said he never saw so much excitement, not even when the Yankees won the World Series.
Carl Rollyson (Marilyn Monroe Day by Day: A Timeline of People, Places, and Events)
RACH, DO YOU REALLY NEED THIS MANY SHOES?” I watched as she unpacked the third box in our closet just inside the bathroom and wondered how any person could ever have a need for that many pairs of shoes. Her hand stopped midway to the shelf with another pair, and her bright blue glare turned on me. I took a step back. “Are you actually asking me that right now?” “Say no,” my dad whispered from behind me. “Course he wasn’t, Rachel. He’s just mad that he won’t have anywhere to put his sparkly hooker heels.” Rachel laughed and went back to putting her dozens of shoes away. “No worries about that one, Rich. I put them up already, they even have their own little place away from everything so they don’t get ruined.” My mom pushed through Dad and me to get into the closet with an armful of clothes to hang up. “Really, Logan. Give the girl a break. I have more shoes than this.” “Oh, Marcy! I forgot to tell you—” “Is this gonna be a long story?” Dad drawled, cutting Rachel off. “Actually, it is,” she snapped right back with a playful smirk. “So get comfy!” As soon as she launched into her story about whatever the hell those two always talked excitedly about, my dad turned and gave me a shove into the large bathroom. “Have I taught you nothing when it comes to women?” he asked softly. “What? That’s a shit ton of shoes!” I hissed and looked back to see her pull more out. I swear to Christ this last box was like Mary Poppins’s purse. It was a never-ending pit of shoes. “Okay, we’re gonna do this quick and easy. One, your woman can never have too many shoes, clothes, purses, or jewelry. Two, it doesn’t matter if you know you’re right—because God knows your mother is wrong about . . . well . . . just about everything—but it doesn’t matter. They are always right. Just say a simple ‘Yes, sweetheart, I’m sorry I’m a dumbass’ and you’ll be fine. Three, them asking if they look okay is a trick question. Because, let’s face it, even if we think it’s the ugliest shirt we’ve ever seen, it’s probably in style and we wouldn’t know either way. So they always look amazing, remember that word.” I laughed. Rachel could wear a sack and I would think she looked amazing. Or she could wear nothing . . . I preferred her in nothing. I cleared my throat and had to look away from Rachel when I started picturing her naked. “Four, and probably the most important if you want to keep your manhood, do not ever ask if she is PMS-ing. No matter what. Might as well dig your own grave if you do that.” Too late. I was always asking Rach if that was why she was in a bad mood. And if I was right, there was no way in hell I was going to tell her I was in the wrong. She could bitch about it if she wanted, but I wasn’t going to go easy on her for the sake of getting out of an argument. Arguing with her was one of my favorite things. Nodding, I slapped my dad’s shoulder and smiled. “Thanks, Dad, I’ll remember all that.
Molly McAdams (Deceiving Lies (Forgiving Lies, #2))
I usually say, “Let’s start with off-season clothes.” I have a good reason for choosing off-season clothing for their first foray into this tidying gala. It’s the easiest category for tuning in to one’s intuition concerning what feels good. If they start with clothes they are currently using, clients are more likely to think, “It doesn’t spark joy, but I just wore it yesterday,” or “If I don’t have any clothes left to wear, what am I going to do?” This makes it harder for them to make an objective decision. Because off-season clothes are not imminently necessary, it is much easier to apply the simple criterion of whether or not they bring you joy.
Marie Kondō (The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing (Magic Cleaning #1))
Trying to be white? What the hell does that mean? I've never understood that. How could anyone be white when they aren't white? Seems like a simple enough thing to prove, right? Hold out your arm next to someone else's arm and do a simple swatch test. Of course, what people mean when they say that is that there's some kind of authentic black experience that the accused isn't properly expressing. But what is the authentic experience? Clothes that wannabe gangbangers wear on the street? Hood style? What's authentic about that? For that matter, is fashion even a good marker of authenticity or race, anyway? Aren't clothes a second skin you wear over your real skin to obscure who you really are? Can they also express who you really are?
Ahmir "Questlove" Thompson (Mo' Meta Blues: The World According to Questlove)
I wonder how her tribe can make such strange and complicated clothing but not even know how to wear a simple wrap!
Shay Savage (Transcendence (Transcendence, #1))
up the pathway to the front door.  She’d called and left him a message, letting him know that she was coming, and that she’d leave the documents with the housekeeper if he wasn’t there.  Ringing the doorbell, she couldn’t stop the blush that stole up her cheeks as she remembered the last time she’d been here.  Had it really been only two days ago?  It seemed like a lot longer.  Did he still have those stockings?  Surely he’d tossed them out by now.  And no, she hadn’t dared to purchase another pair.  Not after the last debacle.  When the door opened, she was bracing herself to face Hunter once again.  Her plan was to congratulate him, just as she would any other client, hand him the champagne and the closing documents, and then leave as quickly as possible.  Just as she would all of her other clients.  They were all trying to unpack, overwhelmed with the process but excited about their new purchase.  She very seriously doubted if anything overwhelmed Hunter, but she was going to go through her routine anyway.  All of her clients deserved the same treatment, and she shouldn’t slack off with Hunter simply because…well, because he could make her feel things that… “Goodness, come in out of the heat, my dear!” the housekeeper urged, waving Kara into the cool interior.  “Mr. West is out back in the pool, but he said he was expecting you and that you’d know the way.  If he needs anything at all,” she said, as she hefted a purse onto her shoulder that Kara suspected could substitute for a suitcase, “just tell him to give me a ring.” Kara opened her mouth to stop the woman as the two of them exchanged places, the housekeeper moving to the outside even as Kara was nudged inside.  Kara went so far as to lift her hand, trying to indicate that she wanted to say something, but the efficient woman bustled out of the house, closing the front door in the process.  Kara stared at the closed door for several long moments, wondering how that had just happened.  Her plan had been simple.  Just hand over the bottle and documents, convey her congratulations and head back.  What had just happened?  Kara turned around.  It felt strange to be standing here, alone, in Hunter’s house.  She’d been here two days ago, but the house hadn’t been his.  The man now owned the house, all the furniture, and the acres of land and waterfront.  It felt much more intimate now for some reason.  Looking around, she wished that she could just leave the documents on the kitchen counter or the rough, wooden coffee table that looked perfect next to the white sofas.  Everything felt and looked clean and comfortable, exactly as she would have decorated this area.  The pops of green were vibrant and exhilarating, a perfect accompaniment to the fresh, white furniture.  With a sigh, she turned away from the alluring great room décor and searched out the man of the moment.  As she stepped past the sofas, she saw him.  In the pool.  Without any clothes on! Oh goodness, she thought with a strangled breath.  It took her several moments to realize that she needed to inhale, her breath caught in her throat as she watched the man’s bare skin, and all the muscles, and…well, all of him!  Okay, so he wasn’t naked, he was wearing a bathing suit but his broad, muscular back and those arms…they were even more ridged with muscles than she’d thought.  He was spectacular!  Never in her wildest imaginings had she pictured him that buff, but there
Elizabeth Lennox (His Indecent Proposal (The Jamison Sisters Book 3))
The Ultimate Minimalist Wallets For Men: Functionality Meets Style? More than just a way of transporting essentials like money and ID, the simplest men’s wallets also are a chance to precise your taste and elegance. The perfect minimalist wallet may be a marriage of form and performance. It’s hard-wearing, ready to withstand everyday use, and has high-end design appeal. the perfect wallet is one that you simply can take enjoyment of whipping out at the top of a meal with a client or the in-laws. This one’s on me. Your wallet should complement your lifestyle. Perhaps you’re an on-the-go professional rushing from an office meeting to a cocktail bar. or even you’re a stay-at-home parent who takes pride in your fashion-forward accessories. No single wallet-owner is that the same. Your wallet should say something about your unique personality. Whether you’re seeking an attention-grabbing luxury accessory or something more understated and practical, there’s a wallet that’s got your name thereon. Here’s a variety of the simplest men’s wallets for each taste, style, and purpose. Here Is That The List Of Comfortable Wallets For Men Here, we'll introduce recommended men's outstandingly fashionable wallets. If you would like to be a trendy adult man, please ask it. 1- Stripe Point Bi-Fold Wallet (Paul Smith) "Paul Smith" may be a brand that's fashionable adult men, not just for wallets but also for accessories like clothes and watches. it's a basic series wallet that uses Paul Smith's signature "multi-striped pattern" as an accent. Italian calf leather with a supple texture is employed for the wallet body, and it's a typical model specification of a bi-fold wallet with 1 wallet, 2 coin purses, 4 cardholders. 2- Zippy Wallet Vertical (Louis Vuitton) "Louis Vuitton" may be a luxury brand that's so documented that it's called "the king of high brands" by people everywhere the planet . a trendy long wallet with a blue lining on the "Damier Graffiti", which is extremely fashionable adult men. With multiple pockets and compartments, it's excellent storage capacity. With a chic, simple and complicated design, and having a luxury brand wallet that everybody can understand, you'll feel better and your fashion is going to be dramatically improved. 3- Grange (porter) "Poker" is that the main brand of Yoshida & Co., Ltd., which is durable and highly functional. Yoshida & Co., Ltd. is now one of Japan's leading brands and is extremely popular not only in Japan but also overseas. The charm of this wallet is that the cow shoulder leather is made in Italy, which has been carefully tanned with time and energy. because of the time-consuming tanning process, it's soft and sturdy, and therefore the warm taste makes it comfortable to use. 4- Bellroy Note Sleeve The Note Sleeve is just the simplest all-around wallet in Bellroy’s collection. If you don’t want to spend plenty of your time (or money) researching the simplest wallet, you'll stop here. This one has everything you would like. And it's good too! This wallet will easily suit your cash, coins, and up to eleven cards during a slim profile. The Note Sleeve also has quick-access slots for your daily cards and a cargo area with a convenient pull-tab for the credit cards you employ less frequently.
Funky men
If you want to be free, learn to live simply. Use what you have and be content where you are. Quit trying to solve your problems by moving to another place, by changing mates or careers. Leave your car in the garage. If you have a gun, put it away. Sell that complex computer and go back to using pencil and paper. Rather than read every new book that comes along, reread the classics. Eat food grown locally. Wear simple, durable clothing. Keep a small home,
John Heider (The Tao of Leadership: Lao Tzu's Tao Te Ching Adapted for a New Age)
No animal must ever live in a house, or sleep in a bed, or wear clothes, or drink alcohol, or smoke tobacco, or touch money, or engage in trade. All the habits of Man are evil. And, above all, no animal must ever tyrannise over his own kind. Weak or strong, clever or simple, we are all brothers. No animal must ever kill any other animal. All animals are equal.
George Orwell (Animal Farm and 1984)
Take a look at the category piles and consider the quantities as you begin to downsize. For each item, ask whether it’s been used/worn in the past year. Knowing that we wear only about 20 percent of our clothes 80 percent of the time will aid the letting go process. Also note that over-stuffed drawers are the likely culprit when clean laundry doesn’t get put away. It simply takes too much effort to jam everything in, so make a goal to only fill drawers about two-thirds full. If you find anything that would be better off in another area of the home, place it into the relocation box for redistribution at the end of the project. Also keep on hand the fix-it box (for items that need repairing) and the donation box. 4. DECLARE A HOME Now that you can see what you actually have, start measuring. How much of the clothing can realistically fit in the closet? If it only has one rod across the top, you may want to consider redesigning the closet for maximum space efficiency. Or, simple, inexpensive modifications can be made by adding a double hang closet rod to double the hanging space. You may also be able to adjust shelves and rods to better accommodate space needs. Now, decide where each category of clothing will live. Remember, the closet works in tandem with any dressers, armoires, and underbed storage in the bedroom. Assign each item a home. Designate a shelf, section of rod, drawer, or container for each category
Sara Pedersen (Learn to Organize: A Professional Organizer’s Tell-All Guide to Home Organizing)
Whatever goes upon two legs is an enemy. Whatever goes upon four legs, or has wings, is a friend. And remember also that in fighting against Man, we must not come to resemble him. Even when you have conquered him, do not adopt his vices. No animal must ever live in a house, or sleep in a bed, or wear clothes, or drink alcohol, or smoke tobacco, or touch money, or engage in trade. All the habits of Man are evil. And above all, no animal must ever tyrannise over his own kind. Weak or strong, clever or simple, we are all brothers. No animal must ever kill any other animal. All animals are equal.
George Orwell (Animal Farm)
And remember also that in fighting against Man, we must not come to resemble him. Even when you have conquered him, do not adopt his vices. No animal must ever live in a house, or sleep in a bed, or wear clothes, or drink alcohol, or smoke tobacco, or touch money, or engage in trade. All the habits of Man are evil. And, above all, no animal must ever tyrannise over his own kind. Weak or strong, clever or simple, we are all brothers. No animal must ever kill any other animal. All animals are equal.
George Orwell (Animal Farm)
No animal must ever live in a house, or sleep in a bed, or wear clothes, or drink alcohol, or smoke tobacco, or touch money, or engage in trade. All the habits of Man are evil. And, above all, no animal must ever tyrannize over his own kind. Weak or strong, clever or simple, we are all brothers. No animal must ever kill any other animal. All animals are equal.
George Orwell (Animal Farm)
At that time Amaranta had finished dividing her things among the poor and had left on the severe coffin of unfinished boards only the change of clothing and the simple cloth slippers that she would wear in death.
Gabriel García Márquez (One Hundred Years of Solitude)
that sounds – ninjas and cookies are two of the most awesome things on the planet. Of course they’d go great together! Wyatt sat by my side with a mouthful of cookie. He chewed it sloppily like a dog. “I’m thankful that you’ve chosen to become a member of my clan.” “Are there other clans?” I asked. “No,” Wyatt said. “Are you ready for the task we’ve specifically chosen for you?” I set my Oreos down on the little table. My first job as a ninja, and in a real ninja uniform – of course I was ready! “Yes, tell me what I must do.” Wyatt paused. “Are you sure? You wear the uniform now so you can’t reject any kind of duty you’re given.” For a second, I imagined he said “doodie,” and I laughed. “No, I won’t reject anything. Whatever you want from me, consider it done.” Wyatt nodded, and made a “tch tch” sound with his cheek. Immediately, one of the other members of the clan tossed a backpack to the ground in front of me. It was bright red with speckled straps. I studied it for a moment. I had seen a backpack like this before, but where? And then it hit me – I saw the same bag sitting by Zoe’s desk earlier in the week. This was Zoe’s backpack. “Why do you have that?” I asked. Wyatt shook his head. “Members of my clan don’t ask questions when they’re given a task, and yours is simple. All you have to do is take this bag to the front office.” “Sneak it in there? You want me to walk through the school wearing this ninja uniform?” “No,” Wyatt said. “That’s why it’ll be easy. After gym, you’ll change into your normal street clothes and simply take this bag to the front desk. You’ll deliver it to the principal, and tell them that you found it under a bush outside.” I looked at Zoe’s backpack. Could it have been a coincidence? Could this just be the same bag that she has? As I scanned the side of it, I saw
Marcus Emerson (Diary of a Sixth Grade Ninja (Diary of a 6th Grade Ninja, #1))
Every time I close my eyes I can still see her--- beaming up at the camera in that flimsy excuse for clothing, her hair a golden halo around her head, her body backlit and glorious. I am filled with rage. At the photographer for taking that picture. At Cassie for allowing so many others to see her practically naked. At all seven billion people on this planet who have the theoretical ability to see that picture of her with a few simple clicks of a button. At myself. As I sit hunched over my desk I try desperately to ignore the urgent, now-familiar ache in my loins. As Cassie sleeps innocently, unknowingly in the next room, I clutch at what remains of my sanity and of my self-control. Because God's thumbs--- when I saw that picture of her all I could think was how badly I want Cassie to wear that "bathing suit" of hers for me. If I had been there when it was taken, it would have been all I could do to keep myself from easing those delicate little straps of fabric off her shoulders and baring the rest of her beautiful body to my eyes.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
In Xenophon's summary of the allegory [Prodicus' "Choice of Heracles'' ] the young Heracles has sat down at a crossroads, not knowing which path to follow through life. As he sits deliberating, two women appear to him. Their physical appearance is a study in contrasts, and they are clearly villainness and heroine. Evil (Kakia) is overfed, plump, rouged, and all powdered up. She wears revealing clothes and is vain, viewing herself in a mirror and turning around to see if she is being admired. Virtue (Arete), on the other hand, wears simple white; her only adornments are purity, modesty, and temperance. These apparitions proceed to give speeches in praise of the life that they can give Heracles. Evil speaks first-an ominous choice, since in such debates, the first speaker typically loses. She offers Heracles a life of free, effortless pleasure. There will be no delights that he will not taste, no difficulties that he will not avoid. He need never worry about wars and affairs. All he need trouble himself about will be what food or drink to take; what to look at, hear, smell or touch for his pleasure; what partner he might enjoy, how he might sleep softest, and how he can obtain all these with the least toil (aponOtata). If ever there are shortages, he will not suffer ponos or hardship either in body or soul. Rather "you will enjoy those things that others work to produce, and you will not hold back from profiting everywhere." Evil tells Heracles her name, but adds confidentially that to her friends she is known as Happiness (Eudaimonia). Very different is the tone and substance of Virtue's argument. For while Evil would have Heracles live for himself alone and treat others as means to his self-gratification, Virtue begins by saying that she knows Heracles' parents and nature: Heracles must live up to his Olympian heritage. Therefore she will not deceive him with "hymns to pleasure." Evil's enticements are in fact contrary to the divine ordering, "for the gods have given men nothing good without ponos and diligence." There follows a series of emphatic verbal nouns to hammer home this truth: if you want divine favor, you must worship the gods; if you want to be admired, you must do good works for your friends; if you want to be honored, you must benefit your city and Greece; if you want the earth to bear crops, you must cultivate the land. Flocks require tending, war demands practice. And if you want strength (Heracles' trademark), you must accustom your body to serve your will, and you must train "with ponoi and sweat:' At this point, Evil bursts in to deplore such a harsh lifestyle. She is immediately silenced, however, as Virtue argues that duality is essential to a sense of fulfillment and even to pleasure itself. For paradoxically, ponos (pain, struggle) makes pleasure pleasurable. Evil's vision of happiness is one of continual and languid orgy-food without hunger, drink without thirst, sex without desire, sleep without weariness. But as experience shows, continual partying soon loses its zest, even if one goes so far as to cool expensive drinks "with snow" in summertime. By contrast, Virtue's own followers have no real trouble in satisfying their desires. They do so not by committing violence against others or living off others' labor, but by simply "holding off until they actually do desire" food or drink. Hunger is the best sauce, and it is free. Furthermore, Virtue appeals to Heracles' native idealism. What hedonists have ever accomplished any "fine work" (ergon kalon)? None, for no beautiful or divine deed is ever done "without me [Virtue] ." Therefore, wherever there are energetic, effective people, Virtue is present: she is a helper to craftsmen, a guard of the household, a partner in peacetime ponoi, an ally for the works (erga) of war, the best support of friendship. To choose Evil would be shameful and not even extremely pleasurable, while with Virtue one will lead the most varied and honorable life.
Will Desmond (The Greek Praise of Poverty: Origins of Ancient Cynicism)
AGES 4 TO 5: IMPORTANT NAMES AND NUMBERS. When your child reaches this age, safety skills are high on the list. She should: • know her full name, address, and phone number • know how to make an emergency call She should also be able to: • perform simple cleaning chores such as dusting in easy-to-reach places and clearing the table after meals • feed pets • identify monetary denominations, and understand the very basic concept of how money is used • brush her teeth, comb her hair, and wash her face without assistance • help with basic laundry chores, such as putting her clothes away and bringing her dirty clothes to the laundry area • choose her own clothes to wear
Julie Lythcott-Haims (How to Raise an Adult: Break Free of the Overparenting Trap and Prepare Your Kid for Success)
My workout is part of my day. I don’t change clothes, wear special shoes, drive anywhere, pay a membership or even get sweaty. It’s simple: I don’t want to bulk up or enter any weightlifting competition — I just want to improve overall health and fitness by making my entire body stronger.
Philip Maffetone (Get Strong: The natural, no-sweat, whole-body approach to stronger muscles and bones)
The mud is too thick, clinging like coconut caramel to my mother’s legs. She finds she cannot carry my sleeping self while keeping up with everyone else. On her left side she carries a bag with an extra set of dark clothes for both of us, food and water; her right arm forms a nook cradling me, her right hand encircling my skinny thigh while I cling to her neck and look behind her shoulder. Three gold rings are sewn into the folds of her dark pants and shirt. We are fugitives now, all wearing black, simple clothes, dimly lit forms barely visible in the humid night.
Tuan
Lilian?” Kevin needed a moment to register that, indeed, Lilian was standing before him. “What are you doing here? I thought you were taking a bath with the others.” “I was going to,” Lilian admitted, “but then I realized that my mate and I haven’t been able to spend much time alone together because my family kept getting in the way, and I thought this would be the perfect opportunity for us to bond.” “Bond?” He studied the girl, and eventually realized that she wasn’t looking at his face. Feeling a sense of unease growing in the pit of his stomach, Kevin looked down. His face grew red. He let out a loud “eep!” and tried to cover himself with his hands. “Ufufufu,” Lilian chuckled. “You’re still too cute when you get embarrassed like that.” Kevin tried to glare at her, but the blush on his face lessened the effect. “It’s got nothing to do with being embarrassed and everything to do with common decency,” he insisted, lying through his teeth. “Most people don’t stand around in the nude while someone else is present, not even if they’re dating that person.” “Most people aren’t mated to a kitsune.” “Ugh…” She had him there. “Kevin” Lilian’s eyes were warm and so incredibly earnest that Kevin was unable to look away, “you are my mate; the person I love more than anyone else in this world.” Delicate hands reached up and cupped his face. “This isn’t some random person wanting to see you naked. This is me, your mate, who wants to become more intimate with you. If it helps, I promise not to touch anything below the belt.” Staring at the girl with an uncomprehending gaze, Kevin’s mind became a warzone, a battle the likes of which no one had ever seen before—mostly because it was all happening in his mind. *** The desolate wasteland spread out for miles, its borders traveling far beyond the distant horizon. Cracks traversed the ground like a myriad system of interconnecting spiderwebs. There was no flora or fauna in this wasteland. It was the perfect place… for war. Two forces stood on opposite ends of each other, armies of nearly equal might. Multi-segmented plates clicked together as figures moved and jostled each other. Horned helms adorned the many heads, their faceplates masking their identities. Hands gripped massive halberds with leaf-shaped blades that gleamed like a thousand suns. The army on the northern border wore white armor, while those in the southern quadrant wore red. A moment of silence swept through the clearing. A tumbleweed rolled across the ground. It was the unspoken signal for the battle to start, and the two forces rushed in toward the center, yelling out their battle cries. “For Lilian!!” “For chastity!!” Thunder struck the earth as these two titanic armies fought. Bodies were thrown into the air with impunity. Halberds clashed, the sound of metal on metal, steel ringing against steel, rang out in a symphony of chaos. Sparks flew and shouts accompanied the maelstrom of combat. It was, indeed, a battle worthy of being placed within the annals of history. A third party soon entered the fray. From one of the many cliffs surrounding the battlefield, an army appeared. Unlike the two forces duking it out down below, this army was bereft of nearly all their clothes. Wearing nothing but simple loincloths and bandoleers similar to Tarzan’s, the group of individuals looked identical. Messy blond hair framed bright blue eyes that glared down at the battlefield. With nary a thought, this force surged down the cliff, their own battle cry echoing across the land. “DEATH TO THE CHERRY!!” And so more chaos was unleashed upon the battlefield. ***
Brandon Varnell (A Fox's Family (American Kitsune #4))
It’s much simpler to wear the right clothes, eat the right food, and wear the right hairstyle than it is to love mercy and do justice. No wonder so many people have reduced religion to these simple, attainable standards.
Philip Gulley (Unlearning God: How Unbelieving Helped Me Believe)
Clothes don’t make the woman, but what we wear at home—even if we’re alone—is a subtle but telling indication of where our self-esteem is now.
Sarah Ban Breathnach (Simple Abundance: 365 Days to a Balanced and Joyful Life)
After you have bathed and oiled her with the faintest hint of frankincense, use no other perfume. Apply only the lightest of the cosmetics. She is beautiful without them, so let us not mar her beauty." He studied her. "Dress her in a simple white, semi-sheer tunic. The king will enjoy the ability to see her well. But cover the tunic with a pale blue robe trimmed with purple." Parisa hurried to the garment room and returned with clothing that matched Hegai's description. "Do these suffice, my lord?" Hegai took the tunic and robe and nodded. "Soft and beautiful. Yes. This is perfect. Tie the robe with a purple sash. Place a golden pendant around her neck and hang golden earrings from her ears. Let me see her choice of sandals." Parisa hurried back to the room after laying the garments flat on the bed, which had already been stripped of its linens. She returned with an armful of sandals and set them on a chair. Heegai bent to examine them and pulled a pair of intricately carved leather devoid of jewels from the pile. "You will go as a virgin with hints of wealth to show off your character and your beauty. You may wear your mother's ring, but do not wear bracelets. The less distraction you give him, the better. The king, you shall see, likes simple pleasures, despite the ornate designs you find throughout the palace." "And my hair?" Esther's head spun with his quick choices. She sensed by his look that Hegai had planned this for some time, probably in the hopes that she would ask for his help. She breathed a silent prayer of thanks to Adonai, for she knew she could never have decided on her own. Hegai rubbed his chin and had her turn about. Her long dark hair fell to the middle of her back. To wear it down would be scandalous. Her heart beat faster at the thought, for she had no idea what Hegai would suggest or what the king would desire. "Wear it up. Hold it in place with combs that are easily removed. The king will enjoy removing them.
Jill Eileen Smith (Star of Persia: (An Inspirational Retelling about Queen Esther))
And what was the cost of a man’s life? Enough to feed him and his family, to clothe them, enough for a shelter over their heads. Nothing more. And that was not much was it? Was it, really, here where shelter was only a tent and food less than enough? A man could want more, of course. But in these years, they said to one another, a man was lucky to eat and sleep. But less than that? No. It was better to sit here and wait. It was better to starve than to become the shadow of a man on this earth that could give him a full, whole life. It was better to starve than to become a sullen thing who fed his belly and slept in his sweat and forgot about his heritage. Such a man would forget his dream. And everything new was begun in a dream. Man’s destiny suspected and unsolved would crash in the darkness because he was too puny to assert his soul. These words may not have been on their tongues because the stirrings in a man’s mind can be wordless. The man with words is not the only man who thinks and weeps with the deep question of his being. Let no one ever think himself apart in this. Let him sit down and talk to any man and feel his shame; the unsayable things come out as clear and simple as a bell at night in every word he speaks. He wants more than bread and sleep; he wants himself—a man to wear the dignity of his reason.
Sanora Babb (Whose Names Are Unknown)
She’d pause and ask, “God, is this bothering You or just me?” In other words, does this behavior, choice, activity, bother You or just me, Lord? Now I ask myself, Does it matter if my older boy wears flip-flops to church? Does Jesus care if his clothes don’t match? Is Jesus concerned that Isaac plays with a toy in an unconventional way? How much correcting and relentless nagging could I avoid if I asked this simple question and humbly listened for the answer?
Guideposts (Mornings with Jesus 2020: Daily Encouragement for Your Soul)
And you look down, and you find yourself perched on a chair. and there is the sense that the chair doesn't have to be there, but it is anyway. and there is only gratitude for it all. you look down, and my goodness, there is a chair there, offering itself, supporting you unconditionally, asking nothing of you. what grace! the chair doesn't care who you are. who you think you are. it doesn't care what you've done or haven't done. it doesn't care what you've achieved, or haven't achieved. what you believe or don't believe. it doesn't care if you're a success or failure. if you've reached your goals, or not. it doesn't care whether or not you think you're enlightened. it doesn't care what you look like, what clothes you are wearing. it doesn't care whether you are sick or healthy, whether you are a buddhist or a jew, or a christian. whether you are young, or old. whether you understand or don't understand. it only offers itself, unconditionally. this message isn't complicated. it's there in something as simple and common place as a chair. and not just the chair, but all things. all things offer themselves unconditionally. the secret is this: life is not life at all. it is an offering. and right now, it offers THIS, the present moment.
Jeff Foster (An Extraordinary Absence: Liberation in the Midst of a Very Ordinary Life)
Writing for J. Crew a few years ago, Alice shared her decision to simplify her wardrobe to one specific style that she would wear every day—a black long-sleeve shirt and fashionable jeans. She called it her “uniform.” But uniform isn’t the word that got me. Amid her reasons for dressing like this, she stated that having a simple outfit you are known for wearing is “iconic, it’s a cheap and easy way to feel famous.” Iconic. That’s it. Minimalist clothing can convey a classic and memorable sense of personal identity. Alice argues that wearing a similar outfit every day is a way of asserting your status as a protagonist in life. “This is the reason why characters in picture books never change their clothes: Children—like adults, if they’d only admit it—crave continuity.” So along with the ease of no longer having to create a new look every day, you have the comfort of feeling like yourself all the time.
Joshua Becker (The Minimalist Home: A Room-By-Room Guide to a Decluttered, Refocused Life)
Grip.” Bristol bends over the rail up on the landing. Her dark hair hangs a little wild and completely free down her back. She rushes down the stairs and hurls herself into my arms. I stumble back, laughing with an armful of my girl. God, yes. This. Parker can have his billions and his hotels and his helicopters. This is all I want. I squeeze Bristol so tightly our hearts converse through our clothes. I lean into her, sliding my hands down to her waist and kissing her. “Are you hungry?” she asks against my lips. She’s wearing a simple black dress with short sleeves. She’s barefoot and has on no makeup. I could eat her for dinner she looks so good. Or actual food and then just make love to her afterwards. I like that option even better. “Starving.” I peck her lips and squint toward the take out menus under magnets on the refrigerator. “We can order whatever you want, just make it fast.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
In my own lifetime I’ve seen the apotheosis of greed as a virtue, and brutal insensitivity become enlightened self interest. We may do as well as all but a few countries but that scarcely makes us a Christian nation except to those who bathe in patriotic gore out of habit and stupidity. Neither the emperor and consorts nor the citizenry is wearing the sacramental clothing it chooses to think it is wearing. A simple, private reading of the Gospels would tell them so.
Jim Harrison (Off to the Side: A Memoir)
Even without his ostentatiously flourished new faith, there was much about Constantine that grated on aristocratic Roman sensibilities. In the glory days of Rome, real men had scorned luxury in their dress: merely wearing one’s sleeves a little too long, as the infamously dapper Caesar had done, had been enough to raise eyebrows and suspicions. Proper Romans—or so the rhetoric ran—should wear simple tunics that were becomingly manly. Constantine, by contrast, favored such a profusion of jewels, diadems and silk robes that even his usually adoring biographer Eusebius was forced to defend him. Left to his own devices, Eusebius wrote, Constantine naturally preferred to clothe himself instead in the “knowledge of God” and the embroidery of “temperance, righteousness, piety, and all other virtues.”6 Alas, Constantine realized that his people, like children, enjoyed a bit of show and so he was forced to wear crasser threads, which often involved gold embroidery and flowers. Such are the sacrifices one makes for the glory of the faith.
Catherine Nixey (The Darkening Age: The Christian Destruction of the Classical World)