Dusty Pink Quotes

At first he told them that everything was just the same, that the pink snails were still in the house where he had been born, that the dry herring still had the same taste on a piece of toast, that the waterfalls in the village still took on a perfumed smell at dusk. They were the notebook pages again, woven with the purple scribbling, in which he dedicated a special paragraph to each one. Nevertheless, and although he himself did not seem to notice it, those letters of recuperation and stimulation were slowly changing into pastoral letters of disenchantment. One winter night while the soup was boiling in the fireplace, he missed the heat of the back of his store, the buzzing of the sun on the dusty almond trees, the whistle of the train during the lethargy of siesta time, just as in Macondo he had missed the winter soup in the fireplace, the cries of the coffee vendor, and the fleeting larks of springtime. Upset by two nostalgias facing each other like two mirrors, he lost his marvelous sense of unreality and he ended up recommending to all of them that they leave Macondo, that they forget everything he had taught then about the world and the human heart, that they shit on Horace, and that wherever they might be they always remember that the past was a lie, that memory has no return, that every spring gone by could never be recovered, and that the wildest and most tenacious love was an ephemeral truth in the end.

They walked in silence through the little streets of Chinatown. Women from all over the world smiled at them from open windows, stood on the doorsteps inviting them in. Some of the rooms were exposed to the street. Only a curtain concealed the beds. One could see couples embracing. There were Syrian women wearing their native costume, Arabian women with jewelry covering their half-naked bodies, Japanese and Chinese women beckoning slyly, big African women squatting in circles, chatting together. One house was filled with French whores wearing short pink chemises and knitting and sewing as if they were at home. They always hailed the passers-by with promises of specialities. The houses were small, dimly lit, dusty, foggy with smoke, filled with dusky voices, the murmurs of drunkards, of lovemaking. The Chinese adorned the setting and made it more confused with screens and curtains, lanterns, burning incense, Buddhas of gold. It was a maze of jewels, paper flowers, silk hangings, and rugs, with women as varied as the designs and colors, inviting men who passed by to sleep with them.

The path remained steady for a time before dwindling down to dusty silt. The sky opened above as trees fell away on either side. To their right, the land dipped down into a tiny, almost impossibly beautiful valley. A stream ran through its lowest point, its bank lined in pink lupine. Before that, tall, dark green grass sparkled with white flashes in the sunlight. Late season dandelions and breathy, tiny white flowers on slender stems were avoided by bees, while purple thistles and asters thronged with them. "I could do with a little bit of a break," she said, looking longingly at the soft, moss-covered braes above the tinkling water. The prince made a big show of cautiously surveying the scene. Aurora Rose hid a smile. Nothing seemed harmful. "All right," he finally said. "My face could definitely do with a wash. Feels all dusty." They stepped down into the quiet valley that smelled like all of summer crushed into a single flower.

pink chiffon dress went down the aisle. Violet in the lilac gown followed. The bouquets she’d crafted for the bridesmaids were a mass of spring flowers: blue hydrangeas, soft purple roses, yellow carnations, pale pink peonies and the soft silvery-green foliage of dusty miller added a bit of shimmer. Each bouquet had a coordinating satin colored ribbon to match the attendant’s

Tonight, God was showing off, as pink and blue melded into purple, touched with a warm orange glow and the outline of the clouds, the fields, and the dusty road that seemed to stretch out in front of them forever

How about whatever song comes on next, that’s our song. It’ll be fate.” “We can’t just make our own fate.” “Sure we can.” Peter reaches over to turn on the radio. “Wait! Just any radio station? What if it’s not a slow song?” “Okay so we’ll put on Lite 101.” Peter hits the button. “Winnie the Pooh doesn’t know what to do, got a honey jar stuck on his nose,” a woman croons. Peter says, “What the hell?” as I say, “This can’t be our song.” “Best out of three?” he suggests. “Let’s not force it. We’ll know it when we hear it, I think.” “Maybe we’ll hear it at the prom,” Peter offers. “Oh, that reminds me. What color is your dress? My mom’s going to ask her florist friend to make your corsage.” “It’s dusty pink.” It came in the mail yesterday, and when I tried it on for everybody, Trina said it was “the most Lara Jean” dress she’d ever seen. I texted a picture to Stormy, who wrote back, “Ooh-la-la,” with a dancing woman emoji. “What the heck is dusty pink?” Peter wants to know. “It’s like a rose gold color.” Peter still looks confused, so I sigh and say, “Just tell your mom. She’ll know.

I follow her into a storeroom at the back of the shop and catch my breath when I see the bouquets she has made for the shoot. I've seen a lot of wedding flowers, but nothing like these. There are soft apricot roses with dusty-blue delphiniums, creamy-white peonies with miniature pink alliums. Waxy green orchids with deep purple irises. A phone rings in the shop and she excuses herself and goes back outside to answer it. I bend down and pick up a pretty tumble of glossy green ivy and pale purple bells on slender stems. The flowers have a delicate scent, something elusive between hyacinth and freesia.

She sinks into the armchair by the window. It's soft, deep, and striped in her favorite colors: dusty pink and green. Nearly a year and a half after Francois died, Amandine insisted on redesigning the bedroom and, although Heloise protested at the time, she's grateful for it now. The room is a fairy tale, an escape from reality, a reminder of the romance of the past instead of the grief of the present. The bed is wrought-iron with white sheets and a canopy of cream gauze. The desks, bookshelves, and matching wardrobe are all original Victorian antiques painted white. With the touch of a sparkling crystal chandelier, Amandine created a room that gives Heloise a tiny smile of pleasure every time she wakes.

It’s gorgeous. There’s a seating area to the left of me. To my right is a table with two chairs, all set up with plates and silverware, and champagne is in a bucket standing by the table. And fairy lights are hanging everywhere—literally everywhere you could put them. They’re entwined along the railings that edge the whole area. They’re draped over the small shrubs and trees that sit in planters. They’re hanging from the trellis. They’re just everywhere, and it looks so pretty. Music is softly playing in the background. London is receding into dusk. The sky is a soft dusty pink. And I’m in heaven. I walk further out, looking around in awe. “This is amazing.” I turn to face him. “I can’t believe you did this for me.” Well, I can. Because he’s done so much already. His hands are in his pants pockets, his head slightly tilted to the side, his eyes watching me. “There isn’t much I wouldn’t do for you, Boston.

Millennial Pink This is not your mother’s shade of pink. In fact, it’s more like your grandmother’s shade of pink. Millennial pink isn’t pink “on steroids” (a phrase those marketing to GenXers used a lot). Millennial pink is pink on pot. It’s mellow, dusty, faded, and co-opted as our own. Best of all, it’s suitable for all sixty-three genders. According to Slate magazine, “Millennial pink is the Elizabeth Warren of colors—no matter how tired we are of hearing about it, it persists.

per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number

Madrid. It was that time, the story of Don Zana 'The Marionette,' he with the hair of cream-colored string, he with the large and empty laugh like a slice of watermelon, the one of the Tra-kay, tra-kay, tra-kay, tra-kay, tra-kay, tra on the tables, on the coffins. It was when there were geraniums on the balconies, sunflower-seed stands in the Moncloa, herds of yearling sheep in the vacant lots of the Guindalera. They were dragging their heavy wool, eating the grass among the rubbish, bleating to the neighborhood. Sometimes they stole into the patios; they ate up the parsley, a little green sprig of parsley, in the summer, in the watered shade of the patios, in the cool windows of the basements at foot level. Or they stepped on the spread-out sheets, undershirts, or pink chemises clinging to the ground like the gay shadow of a handsome young girl. Then, then was the story of Don Zana 'The Marionette.' Don Zana was a good-looking, smiling man, thin, with wide angular shoulders. His chest was a trapezoid. He wore a white shirt, a jacket of green flannel, a bow tie, light trousers, and shoes of Corinthian red on his little dancing feet. This was Don Zana 'The Marionette,' the one who used to dance on the tables and the coffins. He awoke one morning, hanging in the dusty storeroom of a theater, next to a lady of the eighteenth century, with many white ringlets and a cornucopia of a face. Don Zana broke the flower pots with his hand and he laughed at everything. He had a disagreeable voice, like the breaking of dry reeds; he talked more than anyone, and he got drunk at the little tables in the taverns. He would throw the cards into the air when he lost, and he didn't stoop over to pick them up. Many felt his dry, wooden slap; many listened to his odious songs, and all saw him dance on the tables. He liked to argue, to go visiting in houses. He would dance in the elevators and on the landings, spill ink wells, beat on pianos with his rigid little gloved hands. The fruitseller's daughter fell in love with him and gave him apricots and plums. Don Zana kept the pits to make her believe he loved her. The girl cried when days passed without Don Zana's going by her street. One day he took her out for a walk. The fruitseller's daughter, with her quince-lips, still bloodless, ingenuously kissed that slice-of-watermelon laugh. She returned home crying and, without saying anything to anyone, died of bitterness. Don Zana used to walk through the outskirts of Madrid and catch small dirty fish in the Manzanares. Then he would light a fire of dry leaves and fry them. He slept in a pension where no one else stayed. Every morning he would put on his bright red shoes and have them cleaned. He would breakfast on a large cup of chocolate and he would not return until night or dawn.

Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.

Western Texas was just flat road amid the dusty plains as far as the eye could see. Alexander was driving and smoking; he had turned off the radio so he could hear Tatiana better—but she had stopped speaking. She was sitting on the passenger side with her eyes closed. She had been telling him and Anthony soothing stories of some of her pranks in Luga. There were few stories Alexander liked better than of her child self in that village by the river. Is she asleep? He glances at her, squeezed in around herself in a floral pink wrap dress that comes down to a V in her chest. Her glistening, slightly tender, coral nectar mouth reminds him of things, stirs him up a little. He checks to see what Anthony is doing—the boy is lying down facing away, playing with his toy soldiers. Alexander reaches over and cups a palmful of her breast, and she instantly opens her eyes and checks for Anthony. “What?” she whispers, and no sooner does she whisper than Anthony turns around, and Alexander takes his hand away, an aching prickle of desire mixed with frustration all swollen behind his eyes and in his loins.

They whirled around in the light dance of a duchess entering a ball—majestic yet understated—a spiraling splash of purity of color that took shape under nature’s watch. A newly-sculpted garden burst forth, glistening in an afternoon sun. It welcomed the dusty pink rose, who stood beside its fellows, basked themselves in their own serenity of white, triumphant red, or cheery yellow. It swayed in the breath of a wind, caressing each and becoming more. It was a mixture of quiet and thunderous, light and dark, shyness and boldness. It was a mixture of the quiet strength and overwhelming courage that the human soul might wish to one day possess.

While George fell asleep in the back of the bus, I examined his outfit, noting that my strange American friend had now got his ‘world traveller’ apparel down to a fine art. His compact munchkin figure wore a short-cropped jeans jacket from Nepal over a ratty pink T-shirt he’d picked up in Bangkok which was decorated with the simple message, ‘Fuck You.’ Beneath a pair of worn out, fashionably torn Levis from Dharamsala poked a brace of dusty hiking boots obtained second-hand from a hill porter in Manali. All this was topped by an expandable Afghani hat, into which he tucked his long, matted dreadlocks. As for his bespectacled features, these were rendered quite dwarfish by a wispy little beard, cut short at the cheeks and running wild below the chin. A glittering array of chunky ethnic rings adorned each finger. He actually had an extra one—fortunately out of sight—which had been inserted into his penis during his last foray into Paharganj. Around his neck hung a final touch: a valuable Zzi-bead necklace purchased from a Tibetan family in Ladakh for the considerable sum of 1600 dollars. Nobody looking at him would have guessed that this was the foremost wholesaler of hippy goods into America.

April was a red balloon, flaccid in an open, pink palm. June was a red balloon, inflated and knotted and bopped by a knuckle on a warm current of air. August was a red balloon forgotten and collapsing in a dusty corner.

The wall decorations were dusty metal lobsters and faded pictures of ships. The bedspread had cigarette burns. Inside the nightstand drawer were a complimentary pen and three postcards. “Vacation Dreams Begin at the Coastal Dreams Motel.” I went out to the machine and got a soda. The sun was going down; the sky was orange and pink.

we are born into this world on the tailcoats of a scream. born into gritted teeth and a shock of red across the pristine. born into a solemn hush. are you evil? you, who tore into this world on a steed of crimson… are you a monster? we are born as angels, toothless, a mouth a gurgling brook. and as we grow, so do our wings, until we are high enough to see that our church is no more than a small forest and the altar a tree. are you a monster, angel with fangs? all teeth, thick with teeth, you can’t even close your mouth anymore. it rains and it’s like drowning. corn husk skin and we’re born again. into a time of being tied down, to a person, to a bed. a time of clipped wings. of holy cries out to a void. your wildness a convenience store in the desert, pale pink, dusty, arid. your wildness staring longingly at the screaming horizon and flicking another cigarette butt into the dirt, a lone oscillating fan its only company. we’re born into this concrete world, where sanctuary is to be alone or to pretend to like it. this world of broken bottles instead of leaf crunch. roadside motels proclaiming vacancies. inside and out. that pluck your heartstrings. a new church, a fresh sin. the altar now a white railing against a muted matte pink wall. you lean against it, hips jutted to the side. some of the eighties still lingers. you see a man in a leather jacket kissing a girl’s neck purple. he looks up. teeth are everywhere. hundreds of glistening teeth. you turn away. your wings shush against an old telephone booth, door forced closed. you’re calling your mother to say you’re sorry for hurting her, but when she answers you hang up.

Thomas glanced back at the stairs, excited nerves leaping in his stomach. “Is Eliza coming?” After the words escaped his mouth he realized how comical he sounded. Of course she was coming. “I mean to say, is Eliza ready?” A wide grin washed over Kitty’s face, as if she were hiding something. “She’ll be down shortly.” Thomas nodded and rested his fidgety hands on the back of the embroidered chair. Nathaniel led Kitty to the other seat and helped her to sit. At that moment, the dainty tap of Eliza’s shoes on the stairs forced Thomas to whirl around. Nathaniel came up behind him. “Steady, boy.” Thomas clenched his jaw to keep it from gaping and dropped his hands to his sides. His eyes traced Eliza’s dainty form. She was even more radiant in that gown than he’d imagined and her face glittered with the most magnificent smile he’d ever seen. The fitted gown accentuated her perfect curves and impossibly tiny waist. The white lace around the neckline tickled her creamy skin, while the dusty-pink color drew out the rosy nature of her cheeks and lips. He tried, but he couldn’t stop staring. Her hair was curled like Kitty’s and wrapped with a delicate ribbon that matched the color of her gown. Her creamy complexion and the velvety look of her long neck were so enticing he had to fight the sudden urge to taste it. Eliza curtsied low and dipped her head. Upon rising she lifted her lashes and spoke to him in a tantalizing timbre. “Good evening, Thomas.” Thomas’s heart beat with such profound strength, it ripped every word from his mind. He wanted to say how beautiful she was. He wanted to tell her he was sorry for keeping his distance when she needed him. Even more than that, he wanted to move his face near hers, and inhale her graceful rose scent deep into his lungs before tasting her lips once again. Every appropriate response fled his mind as his blood raced around his body. He bowed. “Good evening, Eliza.” “Do my eyes deceive me?” Nathaniel, back to his charismatic self, pushed Thomas aside and kissed Eliza’s hand as he bowed with dramatic flare. “You are even more alluring than Aphrodite herself, my dear.” Eliza smiled again and giggled low in her throat. “You are too generous, Doctor.” “I am too enamored. You and your sister shine like the stars themselves.” A hearty grin flashed across his proud face. “Shall we go in to dinner?” He took his place beside Kitty and sent a flashing glance to Thomas, no doubt intended to instruct him to make the most of the moment. Thomas could kill himself. Good evening? That’s all he could say? Eliza’s body faced away from him, but she turned in his direction and the rest of her followed, her gown sweeping across the floor. Thomas closed the space between them, offering his arm. “Shall we go in?” Her slender hand grasped his arm. “You look very nice this evening, Thomas.” Thomas’s tongue dried up in his mouth, shriveling his ability to speak. He could never compete with Nathaniel’s theatrical praises. He’d have to just say what he thought. “You’re a vision, Eliza.” Her

Thomas’s heart drummed. Where was Eliza? And then he saw her. His breath stalled in his lungs as she moved toward him, floating over the ground like a pink angel from heaven. The dusty-rose gown she’d worn that infamous night hugged her luscious curves, giving him ample fuel for his imagination, but he pushed those thoughts away for the moment. They would be man and wife soon enough. Never had he seen such beauty, or known such grace. Lord, help me be the kind of man she deserves. He glanced to heaven. Robert, I shall do my best to make you proud and give your daughter the best of my days. A quiet voice brushed behind his ear, and Thomas stilled as Robert’s familiar tone made his heart swell. I know. In that moment Eliza’s dark eyes found his, and she smiled, lifting Thomas from the ground. Her cheeks darkened to the same rosy hue of her gown as she neared. Nathaniel chuckled deep and low. “You’re a lucky man, Thomas.” Nodding, Thomas couldn’t move his eyes away from his bride. “I know.” “Good

turned the knob and looked into a large, bare room, made homelike by several sagging secondhand couches and gay circus posters brightening the mildewed walls. The fat lady filled a couch like it was an armchair. A diminutive woman with a black curling beard spread across her demure pink bodice sat engrossed in a half-assembled jigsaw puzzle. Under a dusty fringed lampshade, four curious misshapen humans engaged in the familiar ritual of draw poker.

Dusty beer bottles on both sides of the squishy steps vibrated and danced every time anyone descended down them. There were bottles on various ledges and within cases that were stacked like totem poles. The kids used a large wooden spool as a table and sat on seats torn from junk cars. They told jokes that everyone knew by heart, or stories that they could recite verbatim. The top of the spool was littered with ashtrays, full of snuffed butts, as well as empty beer bottles, or “dead soldiers.” At the bottom of the bottles, engorged cigarette butts resembled leeches, having been drowned in a lethal cocktail of backwash and saliva. Half the cigarettes inside the ashtrays had white filters, lovingly imprinted with Gail’s pink lipstick that she’d rubbed out in the ashtray. Of late, I was smoking more, sucking on the cigarettes that I bummed off the girls. Sucking in their essence.

A metabolic, deep nutrition, and nontoxic approach is the answer to cancer prevention and management. This book is our call to arms—we must focus on the 90–95 percent of cancers that are caused by the standard American diet and exposure to environmental toxins. We simply cannot keep shrugging our shoulders when we, or our loved ones, are diagnosed. If a new virus began to kill one of every four people in the United States, you can bet your pink ribbon a cure would be found, and fast. While Western medicine continues to drive along the dusty, dead-end road seeking the genetic and targeted answer to cancer, it is time for us to start taking control of our own health and health care choices. We’ll say it again: Cancer is a metabolic, environmental, and emotional disease. It’s not just a tumor; it signifies correctable imbalances that occur inside and outside our body. Now is the time for lifelong remission. It is time for some real hope and to disarm the most deadly disease of modern times. How? With the metabolic approach to cancer.

The Conservator gave the general impression of an inhumanly tall, unhealthily thin man. His head seemed far too narrow for the shoulders it sat upon. The Conservator wore a dusty dinner jacket that might’ve accommodated four or five grown men, an age-yellowed dress shirt, and a pink bowtie that had likely once been red. His skin was a mottled verdigris, that unique shade of green common to old copper pipes. His mouth was as wide and thick-lipped as a grouper, and set in a similar frown. The top half of his head was eyeless and polished, and it took Adam a moment to recognize it for what it was—a blinder.

A white vintage A-line dress brushed just below her knees. Soft tendrils escaped her honey-colored bun, a grandmother's antique brooch the only accent. She clasped a loose pink bouquet in one hand, his hand in the other as they stood solemnly before the judge. Lush, wild clusters of pink peonies and white hydrangeas interspersed with soft dusty miller lined the aisle of simple white folding chairs. Two larger arrangements in antique silver urns flanked the couple. A single cellist sat in the corner of the room. All simple, but stunningly elegant. She couldn't stop smiling, and I realized I'd never seen her so at ease. They quietly said vows they wrote themselves. Our small crowd watched in happy silence. I tried not to shift too loudly, every movement echoing on the cold marble tiles. Someone sniffled. The sound reverberated in the cavernous space. The groom's mother caught me staring and winked at me across the room. This bride had sent me on quite a journey, forcing me to finally reckon with my past and my future. With my identity, even. It hadn't been easy, but I was grateful. I had no right to be here, but here I was. How I ended up here remained a bit of a mystery to me. Her forgiveness was simply a gift, one of the type I was gradually learning to receive. Maybe, just maybe, that could be me someday.

Walking around Spoleto is like stepping into an old Italian advertisement bursting with color. Little cafés dot the streets and are already filing up. The shops and houses are all painted with faded versions of sunset hues--- hazy blue, orangey salmon, marigold, and dusty pinks. They all have large rounded black-and-blue shutters and equally archlike stone entrances where large wooden doors are nestled. Streetlamps jut out from the sides of buildings with misty, globe-shaped balls attached to twirling wrought iron.

I stood under the arch and absorbed the image. Rose and blue and ancient oriental rugs held pale pink loveseats with curved arms and perfectly faded silk upholstery. Sheer white-winged angels floated on a ceiling of baby-blue sky with clouds of spun gold. And eastern-facing windows of blue stained glass held paler blue stained-glass crosses in the middle. Daylight and streetlamps were obliterated by thick velvet curtains with gold tasseled ropes, and a small, dusty beam of faded light managed to seep past the heavy drapes, making it look like the tail end of the day instead of the early part of the afternoon. His home was lavish and seductive, and I thought it rare that a man living alone could create a thing of such intensity. For the second time in two days I found myself having to adjust my opinion of Michael Bon Chance. It was a marble fountain that ended my reverie and brought me back down to earth. It was the true centerpiece of the room, with water slowly seeping from a cracked jug and dripping over a statue of a nude couple, bathing. I cringed at the sound. Michael looked at me. "Something wrong?" "It's the dripping." He went over to the bar and poured me a glass of wine. "You're tense. Maybe this will help." I took a sip from the glass and put it down on the fireplace mantel. I caught a glimpse of Michael and myself in the mirror above the fire and felt trapped by how beautiful we looked in the rose glow of the dragon's-head lamps with pale pink bulbs.

Jack weaves his fingers through mine, grinning curiously, like he's just sprung from a shadow and frightened a ghost back into the dark---one of his favorite pastimes---and we follow the winding path out of the forest, away from the grove of seven trees. I run my fingertips along the dusty pink poppies and vibrant bloodred roses that line the path, and when we finally step free of the dense forest, I peer up at a cloudless sky, shimmering a soft airy pink.

There was a biography of J. S. Bach in the box, and when I opened it up I found a piece of greaseproof paper, carefully folded to enclose a rose. The paper crackled as I unbent it, but didn’t break; the rose seemed more brittle than the wrapping, and I held my breath over it, not wanting to touch it with anything at all, in case I broke it apart. The petals might have been pink, once, but they had become a dusty grey, tucked away from air and light. I refolded it in the paper and pinned it on the ‘Found in a Book’ noticeboard at the front of the shop, wondering who had saved it, and why; whether it had been pressed on an impulse and forgotten, or whether it was a symbol of something more significant. I find the fact that I’ll never know quite comforting. It’s good to be reminded that the world is full of stories that are, potentially, at least as painful as yours.