Dusty Road Quotes

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What is meant by “reality”? It would seem to be something very erratic, very undependable—now to be found in a dusty road, now in a scrap of newspaper in the street, now a daffodil in the sun. It lights up a group in a room and stamps some casual saying. It overwhelms one walking home beneath the stars and makes the silent world more real than the world of speech—and then there it is again in an omnibus in the uproar of Piccadilly. Sometimes, too, it seems to dwell in shapes too far away for us to discern what their nature is. But whatever it touches, it fixes and makes permanent. That is what remains over when the skin of the day has been cast into the hedge; that is what is left of past time and of our loves and hates.
Virginia Woolf (A Room of One’s Own)
We get a little further from perfection, each year on the road, I guess that's what they call character, I guess that's just the way it goes, better to be dusty than polished, like some store window mannequin, why don't you touch me where i'm rusty, let me stain your hands
Ani DiFranco
We run down the right fork, Manchee at our heels, the night and a dusty road stretching out in front of us, an army and a disaster behind us, me and Viola, running side by side.
Patrick Ness (The Knife of Never Letting Go (Chaos Walking, #1))
Believe in Jesus Christ, our Savior and our Redeemer, the Son of God, who came to earth and walked the dusty roads of Palestine-the Son of God-to teach us the way of truth and light and salvation, and who, in one great and glorious act offered an atonement for each of us. He opened the way of salvation and exaltation for each of us, under which we may go forward in the Church and kingdom of God. Be not faithless, but believe in the great and wonderful and marvelous blessings of the Atonement
Gordon B. Hinckley
Women," Mat declared as he rode Pips down the dusty, little-used road, "are like mules." He frowned. "Wait. No. Goats. Women are like goats. Except every flaming one thinks she's a horse instead, and a prize racing mare to boot. Do you understand me, Talmanes?" "Pure poetry, Mat," Talmanes said, tamping the tabac down into his pipe.
Robert Jordan (The Gathering Storm (The Wheel of Time, #12))
The difference between an ordinary life and an extraordinary life is only a matter of perspective. Pull the blinds. Look around you. It is a mad, mad world and you do not require ten digit bank accounts to immerse yourself in it. Travel down dusty roads without a destination in mind. Climb a mountain and scream out into the void. Kiss the hell out of a stranger. Skinny dip in a lake. Get lost and lose yourself (they are two separate things). Explore the wilderness (especially the one within). Think less of destiny and more of the moment right here. Because when you are old and ill with your loved ones around you, fame won't matter, nor will the extent of your wealth. You are the sum of the stories you can tell.
Beau Taplin
Beyond customs and norms and wildly variant beliefs, we all generally laugh, cry, and make our way along the dusty road of life in pretty much the same way.
Josh Gates (Destination Truth: Memoirs of a Monster Hunter)
Times are changed with him who marries; there are no more by-path meadows, where you may innocently linger, but the road lies long and straight and dusty to the grave.
Robert Louis Stevenson (Virginibus Puerisque)
We have great cities to visit: New York and Washington, Paris and London; and further east, and older than any of these, the legendary city of Samarkand, whose crumbling palaces and mosques still welcome travelers on the Silk road. Weary of cities? Then we’ll take to the wilds. To the islands of Hawaii and the mountains of Japan, to forests where Civil War dead still lie, and stretches of sea no mariner ever crossed. They all have their poetry: the glittering cities and the ruined, the watery wastes and the dusty; I want to show you them all. I want to show you everything.
Clive Barker (Galilee)
It does no good to tell a beautiful woman how beautiful she is. If she already knows, it gives her power over the fool who tells her. If she does not, there is nothing that can be said to make her believe it. Dusty did not know everything, but she knew that.
Meg Elison (The Book of the Unnamed Midwife (The Road to Nowhere, #1))
In the late summer of that year we lived in a house in a village that looked across the river and the plain to the mountains. In the bed of the river there were pebbles and boulders, dry and white in the sun, and the water was clear and swiftly moving and blue in the channels. Troops went by the house and down the road and the dust they raised powdered the leaves of the trees. The trunks of the trees too were dusty and the leaves fell early that year and we saw the troops marching along the road and the dust rising and leaves, stirred by the breeze, falling and the soldiers marching and afterward the road bare and white except for the leaves.
Ernest Hemingway (A Farewell to Arms)
In the country neighbor­hood thereabouts, along the dusty roads, one found at intervals the prettiest little cottage homes, snug and cozy, and so cobwebbed with vines snowed thick with roses that the doors and windows were wholly hidden from sight-sign that these were deserted homes, forsaken years ago by defeated and disap­pointed families who could neither sell them nor give them away.
Mark Twain (The $30,000 Bequest and Other Stories)
However, the majority of women are neither harlots nor courtesans; nor do they sit clasping pug dogs to dusty velvet all through the summer afternoon. But what do they do then? and there came to my mind’s eye one of those long streets somewhere south of the river whose infinite rows are innumerably populated. With the eye of the imagination I saw a very ancient lady crossing the street on the arm of a middle-aged woman, her daughter, perhaps, both so respectably booted and furred that their dressing in the afternoon must be a ritual, and the clothes themselves put away in cupboards with camphor, year after year, throughout the summer months. They cross the road when the lamps are being lit (for the dusk is their favourite hour), as they must have done year after year. The elder is close on eighty; but if one asked her what her life has meant to her, she would say that she remembered the streets lit for the battle of Balaclava, or had heard the guns fire in Hyde Park for the birth of King Edward the Seventh. And if one asked her, longing to pin down the moment with date and season, but what were you doing on the fifth of April 1868, or the second of November 1875, she would look vague and say that she could remember nothing. For all the dinners are cooked; the plates and cups washed; the children sent to school and gone out into the world. Nothing remains of it all. All has vanished. No biography or history has a word to say about it. And the novels, without meaning to, inevitably lie. All these infinitely obscure lives remain to be recorded, I said, addressing Mary Carmichael as if she were present; and went on in thought through the streets of London feeling in imagination the pressure of dumbness, the accumulation of unrecorded life, whether from the women at the street corners with their arms akimbo, and the rings embedded in their fat swollen fingers, talking with a gesticulation like the swing of Shakespeare’s words; or from the violet-sellers and match-sellers and old crones stationed under doorways; or from drifting girls whose faces, like waves in sun and cloud, signal the coming of men and women and the flickering lights of shop windows. All that you will have to explore, I said to Mary Carmichael, holding your torch firm in your hand.
Virginia Woolf (A Room of One’s Own)
The road of the pass was hard and smooth and not yet dusty in the early morning.
Ernest Hemingway (Men Without Women)
Dusty roads. Lonely people. Fellow travelers. We are all searching for the side of the road where the flowers grow.
Wendell E. Mettey (On Which Side of the Road Do the Flowers Grow?)
After a while a three-quarter moon eased up over the treeline and the dusty road went white as milk, Rorshach patches of grass bleeding through the white dust that rose and subsided with Boyd's footfalls.
William Gay (Provinces of Night)
When I was 15, I sat in despair one day in a creaky old bus that was winding its way through central Mexico (that’s another story), trying to decide if I truly believed in God. Not necessarily God with a big white beard looking down from a Biblical heaven, but some kind of sacred spirit above, beneath, and within all things. I’d always had a deep, instinctive faith (even as a small child) in a sacred dimension to life, a Mystery I didn’t need to fully define in order to know it, feel it, experience it. But recent grueling events had shaken my faith and closed that connection. Now, I realize that sitting and railing at God is practically a cliche of teenage angst; that doesn’t make the experience any less urgent at age 15, and I was in a dark place. “Okay,” I said, throwing the gauntlet down to whatever out there might be listening, “if there is something more than this, then prove it. Just prove it. Or I quit.” The bus turned a corner on the narrow, dusty road, and a gasp went up from the people around me. Above us, a rainbow arched through a bright blue, cloudless, rainless desert sky. Rainbows have been special to me ever since. I know the scientific explanation, of course, water and air and angles of sunlight and all that. But to me, they are always a message. They say: “The universe is a Mystery and you’re part of it.” And sometimes that’s all I need to hear; that’s all the answer I need, no matter what the prayer.
Terri Windling
He thought he was walking along a dusty road that showed white in the gathering darkness of a summer night. Whence and whither it led, and why he traveled it, he did not know, though all seemed simple and natural, as is the way in dreams; for in the Land Beyond the Bed surprises cease from troubling and the judgment is at rest.
Ambrose Bierce (The Death of Halpin Frayser)
And on the endless dusty ribbon of the highway, on sunken roads vaulted over by branches, on paths between stands of grain that rose to his knees, the sun on his shoulders and the morning air in his nostrils, his heart full of the night's bliss, his spirit at peace and his flesh content, he would ride on his way ruminating his happiness, like someone who keeps savoring, hours later, the fragrance of the truffles he has eaten for dinner.
Gustave Flaubert (Madame Bovary)
Usually, the best way to find the yellow brick road of your life is to start out on the dusty, dirt one. And then let yourself become so preoccupied in making the best of it, having fun, and challenging yourself that you actually stop paying attention to the path. (Notes from the Universe: New Perspectives from an Old Friend, Mike Dooley)
Sam Heughan (Waypoints: My Scottish Journey)
But the airplane is a wonderful thing. You are still in one place when you arrive at the other. The airplane is faster than the heart. You arrive quickly and you leave quickly. You don't grieve too much. And there is something else about the airplane. You can go back many times to the same place. And something strange happens if you go back often enough. You stop grieving for the past. You see that the past is something in your mind alone, that it doesn't exist in real life. You trample on the past, you crush it. In the beginning it is like trampling on a garden. In the end you are just walking on ground. That is the way we have to learn to live now. The past is here." He touched his heart. "It isn't there." And he pointed at the dusty road.
V.S. Naipaul (A Bend in the River)
Now comes the picture of mass defeat, the most awesome spectacle of the war. It is in the bent bodies of old women who poke among ruins seeking some miserable object that will link their lives with the old days. It is in the shamed darting eyes of the defeated. It is in the faces of the little boys who regard our triumphant columns with fear and fascination. And above all it is in the thousands of beaten, dusty soldiers who stream along the roads towards the stockades. Their feet clump wearily, mechanically, hopelessly on the still endless road of war. They move as haggard, gray masses, in which the individual had neither life nor meaning. It is impossible to see in these men the quality that made them stand up and fight like demons out of hell a few shorts months ago.
Audie Murphy (To Hell and Back)
Mindful of you the sodden earth in spring, And all the flowers that in the springtime grow, And dusty roads, and thistles, and the slow Rising of the round moon, all throats that sing The summer through, and each departing wing, And all the nests that the bared branches show, And all winds that in any weather blow, And all the storms that the four seasons bring. You go no more on your exultant feet Up paths that only mist and morning knew, Or watch the wind, or listen to the beat Of a bird’s wings too high in air to view,— But you were something more than young and sweet And fair,—and the long year remembers you.
Edna St. Vincent Millay (Renascence and Other Poems (Dover Thrift Editions))
The word began to filter down the lines, and the grumbling stopped, there was something new about this march, something these men had never been a part of before. If the fight in the Wilderness had not gone their way—the most optimistic called it a draw—they were not doing what this army had always done before, they were not going back above the river. If they had never said much about Grant, had never thought him any different from the ones who had come before, if they had become so used to the steady parade of failure, this time there was a difference. Some wanted to cheer, but were hushed by nervous officers. So along the dusty roads hats went up and muskets were held high, a silent salute to this new commander. This time, they were marching south.
Jeff Shaara (The Last Full Measure (The Civil War Trilogy, #3))
One thing I learned during our last few days in Delhi was that Time, which can so often move as slowly as a slug crossing a dusty road, can also move with the swiftness of cloud shadows on a windy day.
M.M. Kaye (The Sun in the Morning: My Early Years in India and England)
I. My first thought was, he lied in every word, That hoary cripple, with malicious eye Askance to watch the workings of his lie On mine, and mouth scarce able to afford Suppression of the glee, that pursed and scored Its edge, at one more victim gained thereby. II. What else should he be set for, with his staff? What, save to waylay with his lies, ensnare All travellers who might find him posted there, And ask the road? I guessed what skull-like laugh Would break, what crutch 'gin write my epitaph For pastime in the dusty thoroughfare. III. If at his counsel I should turn aside Into that ominous tract which, all agree, Hides the Dark Tower. Yet acquiescingly I did turn as he pointed, neither pride Now hope rekindling at the end descried, So much as gladness that some end might be. IV. For, what with my whole world-wide wandering, What with my search drawn out through years, my hope Dwindled into a ghost not fit to cope With that obstreperous joy success would bring, I hardly tried now to rebuke the spring My heart made, finding failure in its scope. V. As when a sick man very near to death Seems dead indeed, and feels begin and end The tears and takes the farewell of each friend, And hears one bit the other go, draw breath Freelier outside, ('since all is o'er,' he saith And the blow fallen no grieving can amend;') VI. When some discuss if near the other graves be room enough for this, and when a day Suits best for carrying the corpse away, With care about the banners, scarves and staves And still the man hears all, and only craves He may not shame such tender love and stay. VII. Thus, I had so long suffered in this quest, Heard failure prophesied so oft, been writ So many times among 'The Band' to wit, The knights who to the Dark Tower's search addressed Their steps - that just to fail as they, seemed best, And all the doubt was now - should I be fit? VIII. So, quiet as despair I turned from him, That hateful cripple, out of his highway Into the path he pointed. All the day Had been a dreary one at best, and dim Was settling to its close, yet shot one grim Red leer to see the plain catch its estray. IX. For mark! No sooner was I fairly found Pledged to the plain, after a pace or two, Than, pausing to throw backwards a last view O'er the safe road, 'twas gone; grey plain all round; Nothing but plain to the horizon's bound. I might go on, naught else remained to do. X. So on I went. I think I never saw Such starved ignoble nature; nothing throve: For flowers - as well expect a cedar grove! But cockle, spurge, according to their law Might propagate their kind with none to awe, You'd think; a burr had been a treasure trove. XI. No! penury, inertness and grimace, In some strange sort, were the land's portion. 'See Or shut your eyes,' said Nature peevishly, It nothing skills: I cannot help my case: Tis the Last Judgement's fire must cure this place Calcine its clods and set my prisoners free.
Robert Browning
Ten years it has been, through our deepest secrets and prettiest moments… under the handsomest sky so bedecked by the stars and sometimes between the dusty roads that often blurred our eyes with smoke and scars.
Debalina Haldar
Tonight, God was showing off, as pink and blue melded into purple, touched with a warm orange glow and the outline of the clouds, the fields, and the dusty road that seemed to stretch out in front of them forever
Courtney Walsh (A Cross-Country Christmas (Road Trip Romance, #1))
Then Jip went up to the front of the ship and smelt the wind; and he started muttering to himself, "Tar; Spanish onions; kerosene oil; wet raincoats; crushed laurel-leaves; rubber burning; lace-curtains being washed--No, my mistake, lace-curtains hanging out to dry; and foxes--hundreds of 'em--cubs; and--" "Can you really smell all those different things in this one wind?" asked the Doctor. "Why, of course!" said Jip. "And those are only a few of the easy smells--the strong ones. Any mongrel could smell those with a cold in the head. Wait now, and I'll tell you some of the harder scents that are coming on this wind--a few of the dainty ones." Then the dog shut his eyes tight, poked his nose straight up in the air and sniffed hard with his mouth half-open. For a long time he said nothing. He kept as still as a stone. He hardly seemed to be breathing at all. When at last he began to speak, it sounded almost as though he were singing, sadly, in a dream. "Bricks," he whispered, very low--"old yellow bricks, crumbling with age in a garden-wall; the sweet breath of young cows standing in a mountain-stream; the lead roof of a dove-cote--or perhaps a granary--with the mid-day sun on it; black kid gloves lying in a bureau-drawer of walnut-wood; a dusty road with a horses' drinking-trough beneath the sycamores; little mushrooms bursting through the rotting leaves; and--and--and--" "Any parsnips?" asked Gub-Gub. "No," said Jip. "You always think of things to eat. No parsnips whatever.
Hugh Lofting (The Story of Doctor Dolittle (Doctor Dolittle, #1))
Like an abandoned dog who cannot find a smell or a track and roams along the roads, with no road, like the child who in a night of the fair gets lost among the crowd, and the air is dusty, and the candles fluttering,--astounded, his heart weighed down by music and by pain; that’s how I am, drunk, sad by nature, a mad and lunar guitarist, a poet, and an ordinary man lost in dreams, searching constantly for God among the mists.
Antonio Machado (Times Alone: Selected Poems)
What is meant by 'reality'? It would seem something very erratic, very undependable-now to be found in a dusty road, now in a scrap of newspaper in the street, now in a daffodil in the sun. It lights up a group in a room and stamps some casual saying. It overwhelms one walking home beneath the stars and makes the silent world more real than the world of speech-and then there it is again in an omnibus in the uproar of Picadilly.
Virginia Woolf (A Room of One’s Own)
I read my copy of On the Road and dug the scenery whizzing past. On the Road is a semi-autobiographical novel about Jack Kerouac, a druggy, hard-drinking writer who goes hitchhiking around America, working crummy jobs, howling through the streets at night, meeting people and parting ways. Hipsters, sad-faced hobos, con-men, muggers, scumbags and angels. There's not really a plot -- Kerouac supposedly wrote it in three weeks on a long roll of paper, stoned out of his mind -- only a bunch of amazing things, one thing happening after another. He makes friends with self-destructing people like Dean Moriarty, who get him involved in weird schemes that never really work out, but still it works out, if you know what I mean. There was a rhythm to the words, it was luscious, I could hear it being read aloud in my head. It made me want to lie down in the bed of a pickup truck and wake up in a dusty little town somewhere in the central valley on the way to LA, one of those places with a gas station and a diner, and just walk out into the fields and meet people and see stuff and do stuff.
Cory Doctorow (Little Brother (Little Brother, #1))
We cleave our way through the mountains until the interstate dips into a wide basin brimming with blue sky, broken by dusty roads and rocky saddles strung out along the southern horizon. This is our first real glimpse of the famous big-sky country to come, and I couldn't care less. For all its grandeur, the landscape does not move me. And why should it? The sky may be big, it may be blue and limitless and full of promise, but it's also really far away. Really, it's just an illusion. I've been wasting my time. We've all been wasting our time. What good is all this grandeur if it's impermanent, what good all of this promise if it's only fleeting? Who wants to live in a world where suffering is the only thing that lasts, a place where every single thing that ever meant the world to you can be stripped away in an instant? And it will be stripped away, so don't fool yourself. If you're lucky, your life will erode slowly with the ruinous effects of time or recede like the glaciers that carved this land, and you will be left alone to sift through the detritus. If you are unlucky, your world will be snatched out from beneath you like a rug, and you'll be left with nowhere to stand and nothing to stand on. Either way, you're screwed. So why bother? Why grunt and sweat and weep your way through the myriad obstacles, why love, dream, care, when you're only inviting disaster? I'm done answering the call of whippoorwills, the call of smiling faces and fireplaces and cozy rooms. You won't find me building any more nests among the rose blooms. Too many thorns.
Jonathan Evison (The Revised Fundamentals of Caregiving)
I felt that the magical people must be in the hidden back roads and dusty cubby holes of life; on highways, in hostels, and in shabby, smoky cafes. These enchanting people are in trees, around fires and under hand-knit hats and street lamps reflecting gold on rain soaked pavement. They dance while others dangle; they vibrantly sing the songs that get jumbled and stuck in the subconscious of others who only wish to catch tune. They are the rare ones whose uncommon experiences touch your heart through just a wink of their eye, the stories stitched in the holes of their shoes, invoking a longing for the unknown, taking others to a place of missing what they've never even had -- they do not settle, they do not compromise.
Jackie Haze (Borderless)
Jesus of Nazareth is so entirely one of them they can hardly find anything special about him at all. He fits right in with the messy busyness of everyday life. And it is here, in their midst, with their routines of fish and wine and bread, that he proclaims the kingdom of heaven. The gospel, Jesus teaches, is in the yeast, as a woman kneads it with her bare hands into the cool, pungent dough. It is in the soil, so warm and moist when freshly turned by muscular arms and backs. It is in the tiny seeds of mustard and wheat, painstakingly saved and dried from last season's harvest... Jesus placed the gospel in these tactile things, with all the grit of life surrounding him, because it is through all this touching, tasting, and smelling that his own sheep- his beloved, hardworking, human flock- know. And it is through these most mundane, touchable, smellable, tasteable pieces of commonplace existence that he shows them, and us, to find God and know him. Jesus delivered the good news in a rough, messy, hands-on package of donkeys and dusty roads, bleeding women and lepers, water from the well, and wine from the water. Holy work in the world has always been like this: messy, earthy, physical, touchable.
Catherine McNiel (Long Days of Small Things: Motherhood as a Spiritual Discipline)
NICK HAPPENED a year later. He came in to Gordo’s all dusty from the road. The clutch on his bike had blown out a few miles outside of Green Creek. He stayed for a week. I fucked him on the last three days he was in town. He left and I never saw him again. Joe
T.J. Klune (Wolfsong (Green Creek, #1))
It started to rain suddenly and ferociously as they pulled up in front of Rose’s house. A mist covered the truck. It was as if a fire hose had opened up on the dusty, dry earthen roads. The smell of moist earth and damp, pungent flowering trees gave off the last bit of heat from the former Carolina summer sun of a few minutes ago. Now cooled suddenly by the rainwater, an immediate fog to rose off the hot metal of the truck and the soil. It was impossible to see more than a few feet in the formidable rain and sudden fog. Rose pulled Carmen to her and wrapped herself around her, one hand playing around through her T as she kissed her, one hand pushing gently at her pants.
Cassandra Barnes (Secret Love (Carmen & Rose: A Love to Remember #1))
Bloodworth was not fooled, he had these folks' number, he'd been reading their mail walking a lifetime in their shoes. Beyond the mothriddled light their faces were rapt and transfixed, he sang about death as if it was the only kept promise out of all life's false starts and switchbacks, all there was at the end of the dusty road, his voice told them about calm and quiet and eternal rest. No landlord, no cotton to chop, no ticket at the company store growing like a cancer. Just time itself frozen like leaves in winter ice and nothing in the round world to worry about or dread.
William Gay (Provinces of Night)
The world around me narrowed to the pounding of my feet, and the next dusty length of road.
Madeline Miller (The Song of Achilles)
Go down the dusty and agonizing road of self-annihilation if necessary, so that you can save yourself as well as humanity from our primitive past.
Abhijit Naskar (Lives to Serve Before I Sleep)
Slaughter on a scale far greater than any attempted by the Paris mob was the portion of those village patriots who dared to resist them. Women and children were not spared, men were thrown, while still alive, into ditches piled high with corpses. Clergy who had sworn the oath to the Constitution were tied to horses and dragged on the dusty roads to a terrible death.
Daphne du Maurier (The Glass-Blowers)
How could I say I felt uneasy for no apparent reason along the dusty road where ancient umbrella pines stretched across the shadowy path as if a handshake were being offered? I felt fear for no cause. But somehow I knew that somewhere close, peril awaited us. Looking at the arbor of trees overhead—joined limbs in prayerful attitude—I was wary, yet excited at the unknown.
Nina Romano (Lemon Blossoms (Wayfarer Trilogy, #2))
Nature’s particular gift to the walker, through the semi-mechanical act of walking — a gift no other form of exercise seems to transmit in the same high degree — is to set the mind jogging, to make it garrulous, exalted, a little mad maybe — certainly creative and suprasensitive, until at last it really seems to be outside of you and as if it were talking to you whilst you are talking back to it. Then everything gradually seems to join in, sun and the wind, the white road and the dusty hedges, the spirit of the season, whichever that may be, the friendly old earth that is pushing life firth of every sort under your feet or spell-bound in a death-like winter trance, till you walk in the midst of a blessed company, immersed in a dream-talk far transcending any possible human conversation. Time enough, later, for that…; here and now, the mind has shaken off its harness, is snorting and kicking up heels like a colt in a meadow.
Kenneth Grahame
When Fortune suddenly upsets the coach and tumbles you on to the hard, dusty road, you can, of course, sit where you are and weep. If you do, something will certainly run over you and your distress will be increased. Or you can move to the side of the road and sit down and cry here in comparative safety. Or you can go your way afoot, cursing the coach and the driver and your own beggarly luck. Or you can pick yourself up with a laugh, protesting that you are not at all hurt and that walking is much better fun than riding. The last is, on every count, the course to be recommended, but it is not everyone who has the qualities needed for such a snapping of the fingers at Fate. To do the thing convincingly you must have courage, a light heart, and, above all, presence of mind.
E. Nesbit (The Lark)
The wide stare stared itself out for one while; the Sun went down in a red, green, golden glory; the stars came out in the heavens, and the fire-flies mimicked them in the lower air, as men may feebly imitate the goodness of a better order of beings; the long dusty roads and the interminable plains were in repose—and so deep a hush was on the sea, that it scarcely whispered of the time when it shall give up its dead. CHAPTER
Charles Dickens (Little Dorrit)
One truth, then, is that Christ is always being remade in the image of man, which means that his reality is always being deformed to fit human needs, or what humans perceive to be their needs. A deeper truth, though, one that scripture suggests when it speaks of the eternal Word being made specific flesh, is that there is no permutation of humanity in which Christ is not present. If every Bible is lost, if every church crumbles to dust, if the last believer in the last prayer opens her eyes and lets it all finally go, Christ will appear on this earth as calmly and casually as he appeared to the disciples walking to Emmaus after his death, who did not recognize this man to whom they had pledged their very lives; this man whom they had seen beaten, crucified, abandoned by God; this man who, after walking the dusty road with them, after sharing an ordinary meal and discussing the scriptures, had to vanish once more in order to make them see.
Christian Wiman (My Bright Abyss: Meditation of a Modern Believer)
The journey consumed two days. With the road crowded, progress was slow and dusty. At New Brunswick the inn was so full, Adams and Franklin had to share the same bed in a tiny room with only one small window. Before turning in, when Adams moved to close the window against the night air, Franklin objected, declaring they would suffocate. Contrary to convention, Franklin believed in the benefits of fresh air at night and had published his theories on the question. “People often catch cold from one another when shut up together in small close rooms,” he had written, stressing “it is the frowzy corrupt air from animal substances, and the perspired matter from our bodies, which, being long confined in beds not lately used, and clothes not lately worn . . . obtains that kind of putridity which infects us, and occasions the colds observed upon sleeping in, wearing, or turning over, such beds [and] clothes.” He wished to have the window remain open, Franklin informed Adams. “I answered that I was afraid of the evening air,” Adams would write, recounting the memorable scene. “Dr. Franklin replied, ‘The air within this chamber will soon be, and indeed is now worse than that without doors. Come, open the window and come to bed, and I will convince you. I believe you are not acquainted with my theory of colds.’ ” Adams assured Franklin he had read his theories; they did not match his own experience, Adams said, but he would be glad to hear them again. So the two eminent bedfellows lay side-by-side in the dark, the window open, Franklin expounding, as Adams remembered, “upon air and cold and respiration and perspiration, with which I was so much amused that I soon fell asleep.
David McCullough (John Adams)
This is an unpopular yet essential truth. All ships that land at the shore of grace weigh anchor from the port of sin. We must start where God starts. We won’t appreciate what grace does until we understand who we are. We are rebels. We are Barabbas. Like him, we deserve to die. Four prison walls, thickened with fear, hurt, and hate, surround us. We are incarcerated by our past, our low-road choices, and our high-minded pride. We have been found guilty. We sit on the floor of the dusty cell, awaiting the final moment. Our executioner’s footsteps echo against stone walls. Head between knees, we don’t look up as he opens the door; we don’t lift our eyes as he begins to speak. We know what he is going to say. “Time to pay for your sins.” But we hear something else. “You’re free to go. They took Jesus instead of you.” The door swings open, the guard barks, “Get out,” and we find ourselves in the light of the morning sun, shackles gone, crimes pardoned, wondering, What just happened? Grace happened.
Anonymous (Grace: More Than We Deserve, Greater Than We Imagine)
I thought that to get to know a desert it was enough to have been there. I thought that to have seen the dogs dying along the Cholula road, or to have seen the eyes of the lepers at Chiengmai gave me the right to talk about it. To have seen! To have been there! Rubbish! The world is not a book, it proves nothing. The spaces one has crossed were dark corridors with closed doors. The faces of the women to whom one gave oneself up completely: did they speak for anyone but themselves? The cities of man are secret. One walks along their streets, one sees them shine under one's feet, but one is not there, one never enters them. The dusty fields inhabited by people who are hungry, who wait patiently, are paradises of luxury and nourishment; shining at a vast distance from intelligence, at a vast distance from reason. They are not to be subjugated.
J.M.G. Le Clézio (The Book of Flights)
With the flashlight to illuminate my way, I climbed the steep walls of the south canyon, got up on the highway streaming with cars Frisco-bound in the night, scrambled down the other side, almost falling, and came to the bottom of a ravine where a little farmhouse stood near a creek and where every blessed night the same dog barked at me. Then it was a fast walk along a silvery, dusty road beneath inky trees of California—a road like in The Mark of Zorro and a road like all the roads you see in Western B movies. I used to take out my gun and play cowboys in the dark.
Jack Kerouac (On the Road)
Travelling the dusty highways in the early evenings, just as the light began to fade, I would look out along the perpendicular dirt tracks that joined the road at intervals. They undulated away gently into the distance; slow streams of people in twos and threes and fours walked them, through the haze, talking easily, making their way back from wherever lay beyond. I longed to take every one of these turnings, to step out along every track in the morning, to return at dusk, to see what lay over each of these horizons and to share in the stories of those that returned from them. My trajectory, and that of each one of us, was that of a meteor, shedding millions of tiny sparks of possibility with every passing second, each with the capacity to ignite a flash of experience, but nearly all of which quickly burned up and vanished as it was left behind. The fire that moved forward was the flame of our lives.
Luke F.D. Marsden (Wondering, the Way is Made: A South American Odyssey)
For as long as I’d been alive, I’d listened to people talk through their teeth about all the trips they would take and the hobbies they would pick up and the books they would write and the bands they would start, only to watch those dreams get stacked away in old boxes behind record collections and dusty picture frames.
Brianna Madia (Nowhere for Very Long: The Unexpected Road to an Unconventional Life)
Idolatry isn’t just one of many sins; rather it’s the one great sin that all others come from. So if you start scratching at whatever struggle you’re dealing with, eventually you’ll find that underneath it is a false god. Until that god is dethroned, and the Lord God takes his rightful place, you will not have victory. Idolatry isn’t an issue; it is the issue. All roads lead to the dusty, overlooked concept of false gods. Deal with life on the glossy outer layers, and you might never see it; scratch a little beneath the surface, and you begin to see that it’s always there, under some other coat of paint. There are a hundred million different symptoms, but the issue is always idolatry.
Kyle Idleman (Gods at War: Defeating the Idols that Battle for Your Heart)
The road goes up hill and down, and it is rutted and dusty and stony but every turn of the wheels changes our view of the woods and the hills. The sky seems lower here, and it is the softest blue. The distances and the valleys are blue whenever you can see them. It is a drowsy country that makes you feel wide awake and alive but somehow contented.
Laura Ingalls Wilder (On the Way Home: The Diary of a Trip from South Dakota to Mansfield, Missouri, in 1894 (Little House #10))
Once, it had seemed to me that when I should at last roll up my shirt-sleeves and go into the forge, Joe's 'prentice, I should be distinguished and happy. Now the reality was in my hold, I only felt that I was dusty with the dust of small-coal, and that I had a weight upon my daily remembrance to which the anvil was a feather. There have been occasions in my later life (I suppose as in most lives) when I have felt for a time as if a thick curtain had fallen on all its interest and romance, to shut me out from anything save dull endurance any more. Never has that curtain dropped so heavy and blank, as when my way in life lay stretched out straight before me through the newly entered road of apprenticeship to Joe.
Charles Dickens (Great Expectations)
Where dost thou stand behind them all, my lover, hiding thyself in the shadows? They push thee and pass thee by on the dusty road, taking thee for naught. I wait here weary hours spreading my offerings for thee, while passers-by come and take my flowers, one by one, and my basket is nearly empty. The morning time is past, and the noon. In the shade of evening my eyes are drowsy with sleep. Men going home glance at me and smile and fill me with shame. I sit like a beggar maid, drawing my skirt over my face, and when they ask me, what it is I want, I drop my eyes and answer them not. Oh, how, indeed, could I tell them that for thee I wait, and that thou hast promised to come. How could I utter for shame that I keep for my dowry this poverty. Ah, I hug this pride in the secret of my heart. I sit on the grass and gaze upon the sky and dream of the sudden splendour of thy coming---all the lights ablaze, golden pennons flying over thy car, and they at the roadside standing agape, when they see thee come down from thy seat to raise me from the dust, and set at thy side this ragged beggar girl a-tremble with shame and pride, like a creeper in a summer breeze. But time glides on and still no sound of the wheels of thy chariot. Many a procession passes by with noise and shouts and glamour of glory. Is it only thou who wouldst stand in the shadow silent and behind them all? And only I who would wait and weep and wear out my heart in vain longing?
Rabindranath Tagore (Gitanjali)
Then I used to lock myself in my room, or go to the end of the garden, climb on to the ruin of a high stone greenhouse and, dangling my legs from the wall which looked out on the road, would sit for hours, staring and staring, seeing nothing. Near me, over the dusty nettles, white butterflies fluttered lazily. A pert little sparrow would fly down on to a half-broken red brick nearby, and would irritate me with its chirping, ceaselessly turning its whole body with its outspread tail; the crows, still wary, occasionally cawed, sitting high, high on the bare top of a birch -- while the sun and wind played gently in its spreading branches; the bells of the Donskoy monastery would sometimes float across -- tranquil and sad -- and I would sit and gaze and listen, and would be filled with a nameless sensation which had everything in it; sorrow and joy, a premonition of the future, and desire, and fear of life. At the time, I understood none of this, and could not have given a name to any of the feelings which seethed within me; or else I would have called it all by one name – the name of Zinaida.
Ivan Turgenev (First Love)
Germany, in the summer, is the perfection of the beautiful, but nobody has understood, and realized, and enjoyed the utmost possibilities of this soft and peaceful beauty unless he has voyaged down the Neckar on a raft. The motion of a raft is the needful motion; it is gentle, and gliding, and smooth, and noiseless; it calms down all feverish activities, it soothes to sleep all nervous hurry and impatience; under its restful influence all the troubles and vexations and sorrows that harass the mind vanish away, and existence becomes a dream, a charm, a deep and tranquil ecstasy. How it contrasts with hot and perspiring pedestrianism, and dusty and deafening railroad rush, and tedious jolting behind tired horses over blinding white roads!
Mark Twain (A Tramp Abroad (Illustrated))
standing back a few yards from a dusty road, was almost identical. But on this side the four windows were barred, and the central door was of oak. The villa had two medium-sized bedrooms on the upper floor and on the ground floor a sitting-room and a kitchen, part of which was walled off into a lavatory. There was no bathroom. The drowsy luxurious silence of early afternoon was broken by the sound of a car coming down the road. It stopped in front of the villa. There was the tinny clang of a car door being slammed and the car drove on. The door bell rang twice. The naked man beside the swimming pool did not move, but, at the noise of the bell and of the departing car, his eyes had for an instant opened very wide. It was as if the eyelids had pricked
Ian Fleming (From Russia With Love)
Not the first time. I didn’t think my heart could stand it. But the airplane is a wonderful thing. You are still in one place when you arrive at the other. The airplane is faster than the heart. You arrive quickly and you leave quickly. You don’t grieve too much. And there is something else about the airplane. You can go back many times to the same place. And something strange happens if you go back often enough. You stop grieving for the past. You see that the past is something in your mind alone, that it doesn’t exist in real life. You trample on the past, you crush it. In the beginning it is like trampling on a garden. In the end you are just walking on ground. That is the way we have to learn to live now. The past is here.” He touched his heart. “It isn’t there.” And he pointed at the dusty road. I
V.S. Naipaul (A Bend in the River)
First, we must develop and maintain the capacity to forgive. He who is devoid of the power to forgive is devoid of the power to love. It is impossible even to begin the act of loving one’s enemies without the prior acceptance of the necessity, over and over again, of forgiving those who inflict evil and injury upon us. It is also necessary to realize that the forgiving act must always be initiated by the person who has been wronged, the victim of some great hurt, the recipient of some tortuous injustice, the absorber of some terrible act of oppression. The wrongdoer may request forgiveness. He may come to himself, and, like the prodigal son, move up some dusty road, his heart palpitating with the desire for forgiveness. But only the injured neighbor, the loving father back home, can really pour out the warm waters of forgiveness.
Martin Luther King Jr. (The Radical King)
For as long as I’d been alive, I’d listened to people talk through their teeth about all the trips they would take and the hobbies they would pick up and the books they would write and the bands they would start, only to watch those dreams get stacked away in old boxes behind record collections and dusty picture frames. I lay there on the floor that night smiling from ear to ear. I was not going to be one of those people.
Brianna Madia (Nowhere for Very Long: The Unexpected Road to an Unconventional Life)
Independence changed everything. Independence changed nothing. Eight years after the British left, we now had free government schools, running water and paved roads. But Jaipur still felt the same to me as it had ten years ago, the first time I stepped foot on its dusty soil. On the way to our first appointment of the morning, Malik and I nearly collided with a man carrying cement bags on his head when a bicycle cut between us. The cyclist, hugging a six-foot ladder under his arm, caused a horse carriage to sideswipe a pig, who ran squealing into a narrow alley. At one point, we stepped aside and waited for a raucous band of hijras to pass. The sari-clad, lipstick-wearing men were singing and dancing in front of a house to bless the birth of a baby boy. So accustomed were we to the odors of the city—cow dung, cooking fires, coconut hair oil, sandalwood incense and urine—that we barely noticed them.
Alka Joshi (The Henna Artist (The Jaipur Trilogy, #1))
Elizabeth was not entirely right. The climb was steep enough, but the trunk, which originally felt quite light, seemed to gain a pound of weight with every step they took. A few yards from the house both ladies paused to rest again, then Elizabeth resolutely grabbed the handle on her end. “You go to the door, Lucy,” she said breathlessly, worried for the older woman’s health if she had to lug the trunk any further. “I’ll just drag this along.” Miss Throckmorton-Jones took one look at her poor, bedraggled charge, and rage exploded in her breast that they’d been brought so low as this. Like an angry general she gave her gloves an irate yank, turned on her heel, marched up to the front door, and lifted her umbrella. Using its handle like a club, she rapped hard upon the door. Behind her Elizabeth doggedly dragged the trunk. “You don’t suppose there’s no one home?” She panted, hauling the trunk the last few feet. “If they’re in there, they must be deaf!” said Lucinda. She brought up her umbrella again and began swinging at the door in a way that sent rhythmic thunder through the house. “Open up, I say!” she shouted, and on the third downswing the door suddenly lurched open to reveal a startled middle-aged man who was struck on the head by the handle of the descending umbrella. “God’s teeth!” Jake swore, grabbing his head and glowering a little dizzily at the homely woman who was glowering right back at him, her black bonnet crazily askew atop her wiry gray hair. “It’s God’s ears you need, not his teeth!” the sour-faced woman informed him as she caught Elizabeth’s sleeve and pulled her one step into the house. “We are expected,” she informed Jake. In his understandably dazed state, Jake took another look at the bedraggled, dusty ladies and erroneously assumed they were the women from the village come to clean and cook for Ian and him. His entire countenance changed, and a broad grin swept across his ruddy face. The growing lump on his head forgiven and forgotten, he stepped back. “Welcome, welcome,” he said expansively, and he made a broad, sweeping gesture with his hand that encompassed the entire dusty room. “Where do you want to begin?” “With a hot bath,” said Lucinda, “followed by some tea and refreshments.” From the corner of her eye Elizabeth glimpsed a tall man who was stalking in from a room behind the one where they stood, and an uncontrollable tremor of dread shot through her. “Don’t know as I want a bath just now,” Jake said. “Not for you, you dolt, for Lady Cameron.” Elizabeth could have sworn Ian Thornton stiffened with shock. His head jerked toward her as if trying to see past the rim of her bonnet, but Elizabeth was absolutely besieged with cowardice and kept her head averted. “You want a bath?” Jake repeated dumbly, staring at Lucinda. “Indeed, but Lady Cameron’s must come first. Don’t just stand there,” she snapped, threatening his midsection with her umbrella. “Send servants down to the road to fetch our trunks at once.” The point of the umbrella swung meaningfully toward the door, then returned to jab Jake’s middle. “But before you do that, inform your master that we have arrived.” “His master,” said a biting voice from a rear doorway, “is aware of that.
Judith McNaught (Almost Heaven (Sequels, #3))
Also, Nick’s stomach was rumbling uncomfortably. No one had showed up from the truck-stop down the road, and he looked at the telephone, more with disgust than with longing. He was quite fond of science fiction, picking up falling-apart paperbacks from time to time on the dusty back shelves of antique barns for a nickel or a dime, and he found himself thinking, not for the first time, that it was going to be a great day for the deaf-mutes of the world when the telephone viewscreens the science fiction novels were always predicting finally came into general use.
Stephen King (The Stand)
Whether he talked or not made little difference to my mood. My only enemy was the clock on the dashboard, whose hands would move relentlessly to one o'clock. We drove east, we drove west, amidst the myriad villages that cling like limpets to the Mediterranean shore, and today I remember none of them. All I remember is the feel of the leather seats, the texture of the map upon my knee, its frayed edges, its worn seams, and how one day, looking at the clock, I thought to myself, 'This moment now, at twenty past eleven, this must never be lost, ' and I shut my eyes to make the experience more lasting. When I opened my eyes we were by a bend in the road, and a peasant girl in a black shawl waved to us; I can see her now, her dusty skirt, her gleaming, friendly smile, and in a second we had passed the bend and could see her no more. Already she belonged to the past, she was only a memory. I wanted to go back again, to recapture the moment that had gone, and then it came to me that if we did it would not be the same, even the sun would be changed in the sky, casting another shadow, and the peasant girl would trudge past us along the road in a different way, not waving this time, perhaps not even seeing us. There was something chilling in the thought, something a little melancholy, and looking at the clock I saw that five more minutes had gone by. Soon we would have reached our time limit, and must return to the hotel. 'If only there could be an invention', I said impulsively, 'that bottled up a memory, like scent. And it never faded, and it never got stale. And then, when one wanted it, the bottle could be uncorked, and it would be like living the moment all over again." (Rebecca, chapter five)
Daphne du Maurier
and in any case his attention was distracted by another object that was sparkling cheerfully where it lay in the middle of the road. Erast Fandorin did not realize what it was for a moment. The only thought that came to him was that the ground was definitely no place for that. Then he recognized it: a gold ring glittering on the third finger of a slim girl’s arm severed at the elbow. THE FOPPISHLY DRESSED but terribly slovenly young man stumbled along Tverskoi Boulevard with rapid, erratic steps, paying no attention to anyone—expensive crumpled frock coat, dirty white tie, dusty white carnation in his buttonhole.
Boris Akunin (The Winter Queen (Erast Fandorin Mysteries, #1))
Farragut's first visitor was his wife. He was raking leaves in yard Y when the PA said that 734-508-32 had a visitor. He jogged up the road past the firehouse and into the tunnel. It was four flights up to cellblock F. "Visitor," he said to Walton, who let him into his cell. He kept his white shirt prepared for visits. It was dusty. He washed his face and combed his hair with water. "Don't take nuttin but a handkerchief," said the guard. "I know, I know, I know...." Down he went to the door of the visitor's room, where he was frisked. Through the glass he saw that his visitor was Marcia. There were no bars in the visitor's room, but the glass windows were chicken-wired and open only at the top. A skinny cat couldn't get in or out, but the sounds of the prison moved in freely on the breeze. She would, he knew, have passed three sets of bars - clang, clang, clang - and waited in an anteroom where there were pews or benches, soft-drink engines and a display of the convict's art with prices stuck in the frames. None of the cons could paint, but you could always count on some wet-brain to buy a vase of roses or a marine sunset if he had been told that the artist was a lifer. There were no pictures on the walls of the visitor's room but there were four signs that said: NO SMOKING, NO WRITING, NO EXCHANGE OF OBJECTS, VISITORS ARE ALLOWED ONE KISS.
John Cheever (Falconer)
From blossoms comes this brown paper bag of peaches we bought from the boy at the bend in the road where we turned toward signs painted Peaches. From laden boughs, from hands, from sweet fellowship in the bins, comes nectar of the roadside, succulent peaches we devour, dusty skin and all, comes the familiar dust of summer, dust we eat. O, to take what we love inside, to carry within us an orchard, to eat not only the skin, but the shade, not only the sugar, but the days, to hold the fruit in our hands, adore it, then bite into the round jubilance of peach. There are days we live as if death were nowhere in the background; from joy to joy to joy, from wing, from blossoms to blossom to impossible blossom, to sweet impossible blossom.
Li-Young Lee (Rose)
A little later, strolling about the town, I, stopped into a shop near the museum, where they sold souvenirs and post-cards. I looked over the cards leisurely; the ones I liked best were soiled and wrinkled. The man, who spoke French fluently, offered to make the cards presentable. He asked me to wait a few minutes while he ran over to the house and cleaned and ironed them. He said he would make them look like new. I was so dumbfounded that before I could say anything he had disappeared, leaving me in charge of the shop. After a few minutes his wife came in. I thought she looked strange for a Greek woman. After a few words had passed I realized that she was French and she, when she learned that I hailed from Paris, was overjoyed to speak with me. We got along beautifully until she began talking about Greece. She hated Crete, she said. It was too dry, too dusty, too hot, too bare. She missed the beautiful trees of Normandy, the gardens with the high walls, the orchards, and so on. Didn't I agree with her? I said NO, flatly. "Monsieur!" she said, rising up in her pride and dignity, as if I had slapped her in the face. "I don't miss anything," I said, pressing the point home. "I think this is marvellous. I don't like your gardens with their high walls, I don't like your pretty little orchards and your well-cultivated-fields. I like this …" and I pointed outdobrs to the dusty road on which a sorely-laden donkey was plodding along dejectedly. "But it's not civilized," she said, in a sharp, shrill voice which reminded me of the miserly tobacconiste in the Rue de la Tombe-Issoire. "Je m'en fous da la civilisation européenne!" I blurted out. "Monsieur!" she said again, her feathers ruffled and her nose turning blue with malice. Fortunately her husband reappeared at this point with the post-cards which he had given a dry-cleaning.
Henry Miller (The Colossus of Maroussi)
Suddenly, a loud popping and banging shattered the quiet. Almost hidden in a cloud of dust, a car roared along the road below us. Cattle lumbered to their feet, horses raised their heads and galloped away, a flock of chickens scattered in all directions. Hannah gasped. “Oh, my Lord, it’s John Larkin in his father’s motorcar. If he catches me looking like this, he’ll think I’m a common hoyden.” Her bare foot plunged toward me. The tree swayed violently, my head swam. Afraid to move, I clung to a branch. “For heaven’s sake, Andrew, hurry. He’ll be here any moment!” With Hannah pushing me, I slid from limb to limb, down, down, faster and faster. By the time I hit the ground, my legs were shaking so hard I could barley stand. Without so much as a thought for me, Hannah grabbed her shoes and ran across the lawn. Her feet were bare, her shirtwaist untucked, her skirt dusty. Twigs and leaves clung to her hair. As quick as she was, the Model T was quicker. Pursued by Buster, it rolled to a noisy stop under a tree. Without pausing to say hello, Hannah darted past John, scurried up the steps, and vanished into the house.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
Lila who has connected, is connecting, our personal knowledge of poverty and abuse to the armed struggle against the fascists, against the owners, against capital. I admit it here, openly, for the first time: in those September days I suspected that not only Pasquale—Pasquale driven by his history toward the necessity of taking up arms—not only Nadia, but Lila herself had spilled that blood. For a long time, while I cooked, while I took care of my daughters, I saw her, with the other two, shoot Gino, shoot Filippo, shoot Bruno Soccavo. And if I had trouble imagining Pasquale and Nadia in every detail—I considered him a good boy, something of a braggart, capable of fierce fighting but of murder no; she seemed to me a respectable girl who could wound at most with verbal treachery—about Lila I had never had doubts: she would know how to devise the most effective plan, she would reduce the risks to a minimum, she would keep fear under control, she would be able to give murderous intentions an abstract purity, she knew how to remove human substance from bodies and blood, she would have no scruples and no remorse, she would kill and feel that she was in the right. So there she was, clear and bright, along with the shadow of Pasquale, of Nadia, of who knows what others. They drove through the piazza in a car and, slowing down in front of the pharmacy, fired at Gino, at his thug’s body in the white smock. Or they drove along the dusty road to the Soccavo factory, garbage of every type piled up on either side. Pasquale went through the gate, shot Filippo’s legs, the blood spread through the guard booth, screams, terrified eyes. Lila, who knew the way well, crossed the courtyard, entered the factory, climbed the stairs, burst into Bruno’s office, and, just as he said cheerfully: Hi, what in the world are you doing around here, fired three shots at his chest and one at his face. Ah yes, militant anti-fascism, new resistance, proletarian justice, and other formulas to which she, who instinctively knew how to avoid rehashing clichés, was surely able to give depth. I imagined that those actions were necessary in order to join, I don’t know, the Red Brigades, Prima Linea, Nuclei Armati Proletari. Lila would disappear from the neighborhood as Pasquale had. Maybe that’s why she had tried to leave Gennaro with me, apparently for a month, in reality intending to give him to me forever. We would never see each other again. Or she would be arrested, like the leaders
Elena Ferrante (Those Who Leave and Those Who Stay (Neapolitan Novels #3))
In the skids, the tumbles, the spins, there was, truly, as Saint-Exupéry had said, only one thing you could let yourself think about: What do I do next? Sometimes at Edwards they used to play the tapes of pilots going into the final dive, the one that killed them, and the man would be tumbling, going end over end in a fifteen-ton length of pipe, with all aerodynamics long gone, and not one prayer left, and he knew it, and he would be screaming into the microphone, but not for Mother or for God or the nameless spirit of Ahor, but for one last hopeless crumb of information about the loop: “I’ve tried A! I’ve tried B! I’ve tried C! I’ve tried D! Tell me what else I can try!” And then that truly spooky click on the machine. What do I do next? (In this moment when the Halusian Gulp is opening?) And everybody around the table would look at one another and nod ever so slightly, and the unspoken message was: Too bad! There was a man with the right stuff. There was no national mourning in such cases, of course. Nobody outside of Edwards knew the man’s name. If he were well liked, he might get one of those dusty stretches of road named for him on the base. He was probably a junior officer doing all this for four or five thousand a year.
Tom Wolfe (The Right Stuff)
Planted rows went turning past like giant spokes one by one as they ranged the roads. The skies were interrupted by dark gray storm clouds with a flow like molten stone, swept and liquid, and light that found its way through them was lost in the dark fields but gathered shining along the pale road, so that sometimes all you could see was the road, and the horizon it ran to. Sometimes she was overwhelmed by the green life passing in such high turbulence, too much to see, all clamoring to have its way. Leaves sawtooth, spade-shaped, long and thin, blunt-fingered, downy and veined, oiled and dusty with the day—flowers in bells and clusters, purple and white or yellow as butter, star-shaped ferns in the wet and dark places, millions of green veilings before the bridal secrets in the moss and under the deadfalls, went on by the wheels creaking and struck by rocks in the ruts, sparks visible only in what shadow it might pass over, a busy development of small trailside shapes tumbling in what had to be deliberately arranged precision, herbs the wildcrafters knew the names and market prices of and which the silent women up in the foothills, counterparts whom they most often never got even to meet, knew the magic uses for. They lived for different futures, but they were each other’s unrecognized halves, and what fascination between them did come to pass was lit up, beyond question, with grace.
Thomas Pynchon (Against the Day)
Rip ran a hand through his dusty brown hair and tried to imagine what Larsen had found. Larsen’s words “a Cosega find” had been playing over in his mind almost constantly since he’d heard them. Cosega was the reason that Rip became an archaeologist. The Jeep’s motor whined as it pushed over the unmaintained road. Rip’s thoughts drifted to the past. They always did when he was in the mountains. Fifteen years earlier he had graduated from the University of Pennsylvania with honors after publishing a series of papers on the prehistory of man. His first break came when billionaire Booker Lipton, a Penn alumnus who had amassed a fortune through brutal corporate takeovers and a variety of other business dealings, immediately offered him funding. Rip had skipped the “cap and gown nonsense,” as he called it, and was already in Africa when his degree caught up with him. His first human origins digs were featured in an eight-page layout for National Geographic. Within a few years Archaeology Magazine had twice detailed his findings for cover stories. He taught courses at three different universities, and often shared his expertise on news and talk shows. Then, four years ago, he published a paper on the creation stories of all known Native American tribes entitled: Cosega. The controversy that erupted after had almost ended his career. Not yet forty, Ripley had already achieved more than the greats
Brandt Legg (Cosega Search (The Cosega Sequence, #1))
Christopher’s attention was brought back abruptly to the little wild thing he had caught. In a frenzied effort to gain her release, she clawed his face with raking nails and sought to tear the hair from his head with grasping fists. He was hard pressed to defend himself until he caught the flailing arms firmly in his grasp and pressed them down, using his greater weight to subdue the Lady Saxton. Erienne was trapped, held firmly in the middle of the dusty road. Her outraged struggles had loosened her hair and disarranged her clothes to the point that her modesty was savaged. Her coat had come open in the scuffle, and their shirts were twisted awry, leaving her bosom bare against a hard chest. The meager pair of breeches made her increasingly aware of the growing pressure against her loins. She was pinned almost face to face with her captor, and even though the visage was shadowed, she could hardly miss the fact of his identity or the half-leering grin that taunted her. “Christopher! You beast! Let me go!” Angrily she struggled but could not influence him with her prowess. His teeth gleamed in the dark as his grin widened. “Nay, madam. Not until you vow to control your passion. I fear before too long I would be somewhat frayed by your zealous attention.” “I shall turn that statement back to you, sir!” she retorted. He responded with an exaggerated sigh of disappointment. “I was rather enjoying the moment.” “So I noticed!” she quipped before she thought, then bit her lip, hoping he might mistake her meaning. He didn’t. He was most aware of the effect her meagerly clad body had on him, and he replied with laughter in his voice. “Though you may choose to fault my passions, madam, they’re quite honestly aroused.” “Aye!” she agreed jeeringly. “By every twitching skirt that saunters by!” “I swear, ’tis not a skirt that attracts me now.” Holding her wrists clasped in one hand, he moved his hand down along her flank and replied in a thoughtful tone, “ ’Tis more like a pair of boy’s breeches. What? Has my ambush yielded me a stable boy?” Erienne’s indignation found new fuel that he could so casually fondle her, as if he had a perfect right. “Get off, you… you… ass!” It was the most damaging insult she could think of at the moment. “Get off me!” “An ass, you say?” he mocked. “Madam, may I point out that asses are to be ridden, and at the moment you are bearing my weight. Now, I know women are made to bear— usually their husbands or the seed they plant— but I would not suggest that you have the shape or looks even approaching an ass.” She ground her teeth in growing impatience at his wont to turn the simplest comment into an exercise of his wit. She could not bear the bold feel of him against her another moment. “Will you get off me?!” “Certainly, my sweet.” He complied as if her every wish was his command. Lifting her to her feet, he solicitously dusted her backside. -Erienne & Christopher
Kathleen E. Woodiwiss (A Rose in Winter)
I was sleeping with my head on the wooden arm of a seat as six attendants of the theater converged with their night’s total of swept-up rubbish and created a huge dusty pile that reached to my nose as I snored head down – till they almost swept me away too. This was reported to me by Dean, who was watching from ten seats behind. All the cigarette butts, the bottles, the matchbooks, the come and the gone were swept up in this pile. Had they taken me with it, Dean would never have seen me again. He would have had to roam the entire United States and look in every garbage pail from coast to coast before he found me embryonically convoluted among the rubbishes of my life, his life, and the life of everybody concerned and not concerned. What would I have said to him from my rubbish womb? ‘Don’t bother me, man, I’m happy where I am. You lost me one night in Detroit in August nineteen forty-nine. What right have you to come and disturb my reverie in this pukish can?’ In 1942 I was the star in one of the filthiest dramas of all time. I was a seaman, and went to the Imperial Café on Scollay Square in Boston to drink; I drank sixty glasses of beer and retired to the toilet, where I wrapped myself around the toilet bowl and went to sleep. During the night at least a hundred seamen and assorted civilians came in and cast their sentient debouchments on me till I was unrecognizably caked. What difference does it make after all? – anonymity in the world of men is better than fame in heaven, for what’s heaven? what’s earth? All in the mind.
Jack Kerouac (On the Road)
He was standing on a country road, at the precise place where the black hot top gave up to bone-white dirt. A blazing summer sun shone down. On both sides of the road there was green corn, and it stretched away endlessly. There was a sign, but it was dusty and he couldn’t read it. There was the sound of crows, harsh and far away. Closer by, someone was playing an acoustic guitar, fingerpicking it. Vic Palfrey had been a picker, and it was a fine sound. This is where I ought to get to, Stu thought dimly. Yeah, this is the place, all right. What was that tune? “Beautiful Zion”? “The Fields of My Father’s Home”? “Sweet Bye and Bye”? Some hymn he remembered from his childhood, something he associated with full immersion and picnic lunches. But he couldn’t remember which one. Then the music stopped. A cloud came over the sun. He began to be afraid. He began to feel that there was something terrible, something worse than plague, fire, or earthquake. Something was in the corn and it was watching him. Something dark was in the corn. He looked, and saw two burning red eyes far back in the shadows, far back in the corn. Those eyes filled him with the paralyzed, hopeless horror that the hen feels for the weasel. Him, he thought. The man with no face. Oh dear God. Oh dear God no. Then the dream was fading and he awoke with feelings of disquiet, dislocation, and relief. He went to the bathroom and then to his window. He looked out at the moon. He went back to bed but it was an hour before he got back to sleep. All that corn, he thought sleepily. Must have been Iowa or Nebraska, maybe northern Kansas. But he had never been in any of those places in his life.
Stephen King (The Stand)
last sixteen years Aidan’s detected a shift among spirits. He doesn’t know what it means yet, but he’s certain there’s a pattern.” “What kind of pattern?” “Dark spirits and demons are growing stronger.” I bet Nolan could have helped figure out the pattern. I can only imagine how different all of this would be if he had been here with me since the beginning, performing research for Aidan, trying just as hard as Aidan to find answers. Maybe he would have even found some. “Can you sense the demon?” he asks. I nod. Lucio stops dead in his tracks. Despite the flames growing ever higher around us, Lucio and I feel a cool breeze coming from down the road. Lucio starts walking in the direction of the chill, and I follow, placing my feet in the dusty footprints his steps leave behind. Even though he’s not much taller than I am, his feet are bigger than mine, and I feel like a little kid every time I place one of my sneakers in the spot where his dust-covered boot was seconds before. Lucio’s wearing shorts, and instead of looking at where we’re going, I’m watching the muscles in his calves flex and release with each step. He certainly looks strong enough to confront a demon. When he stops, I practically crash into him. “In there,” Lucio whispers, nodding in the direction of a squat stucco building on our left. It’s so small that it can’t possibly have more than one room. An icy breeze blows its splintered wooden door open, bringing a wall of smoke along with it, despite the fact that it’s the only building in sight that isn’t actually on fire. The door bangs against the tiny building with a loud crash as goose bumps rise on my sweaty skin. “Why did the demon choose this town?” I ask. “These people are completely helpless.” “Exactly,” Lucio says. “The same way we gather strength from helping spirits move on, a demon gathers strength from destroying spirits.” Despite the breeze coming from the darkness just a few steps away, I don’t think I’ve ever felt so hot. Somewhere inside
Paige McKenzie (The Awakening of Sunshine Girl (The Haunting of Sunshine Girl, #2))
We drove for at least an hour on dusty, unpaved back roads. Dimitri made sure to hit every pot hole and ant hill. I’d never realized what a smooth ride Grandma delivered. I closed my eyes as we hit another bone-rattling dip in the pavement.
Deanna Chase (Six Times a Charm)
I remember it was a quiet, heat-hushed evening. Walking with Mrs. McDonald up a dusty, unpaved road toward her modest home, I asked, "Where do you and the other black families find the courage to continue working for civil rights in the face of so much intimidation? Black folks active in the civil rights movement are losing their jobs, facing all manner of pressure and intimidation, and you told me shots were fired through your windows just last week." Mrs. McDonald looked at me and said slowly and seriously, "I can't speak for everyone, Derrick, but as for me, I am an old woman. I lives to harass white folks.
Derrick A. Bell (Silent Covenants: Brown v. Board of Education and the Unfulfilled Hopes for Racial Reform: Brown V. Board of Education and the Unfulfilled Hopes for Social Reform Racial Justice)
Beyond the mothriddled light their faces were rapt and transfixed, he sang about death as if it was the only kept promise out of all life's false starts and switchbacks, all there was at the end of the dusty road, his voice told them about calm and quiet and eternal rest. No landlord, no cotton to chop, no ticket at the company store growing like a cancer. Just time itself frozen like leaves in winter ice and nothing in the round world to worry about or dread.
William Gay (Provinces of Night)
There was something about that cypress-lined track that drew me to it, tempted me further along it, in spite of the rough road surface that strained the car’s suspension to the limit. I began to feel strangely elated, my early tiredness slipping away. I unwound the window to let the dusty air bring the scents of spring woodland to me and I laughed out loud. It was like being on a ride at the fair, bumping over stones and swerving around the torturous bends while breathing in unfamiliar scents and a general air of excitement. I came to a fork in the road and stopped, unsure which direction to take. As I hesitated, an old woman stepped into view, startling me as she emerged from a half-hidden track in the undergrowth. She stared at me piercingly with clear blue eyes set in a maze of sun-baked wrinkles. She looked such a part of the landscape, in her faded brown dress, her white hair shimmering in the sun like fluffy dandelion seed, and I was so taken aback by her sudden appearance, that I just sat and returned her stare. The sound of the engine idling quietly seemed to echo the beat of my heart.
Tonia Parronchi (The Song of the Cypress)
The road to heaven isn’t much of a road,” he was saying. “It’s more like a dusty trail, roughly cut out through the underbrush. Most people don’t even notice it. It doesn’t look like a path at all, so they walk right by. Others see it, but don’t go down it because it’s ugly. Dirty. Difficult. Overgrown. If they took the road to heaven, their progress would be slow, maybe immeasurable. They’d have to give up a lot because the path is narrow.
Bonnie Grove (Talking to the Dead)
... in the garden where the lilacs were so tall it was impossible to see the road. The leaves were dusty, the way they always were in August when the weather turned hot.
Alice Hoffman (The Third Angel)
In the shop, breathing the scent of dusty grease and oil; in the old house, staring into the living room where Dad and Jake used to take naps together on the couch; in the sheep barn, remembering the joy implicit in so much baaing life; in every inch of the farm, I recalled my father’s presence.
Julene Bair (The Ogallala Road: A Memoir of Love and Reckoning)
Even at a distance, he recognized Emma sprawled headlong in the street, and he broke into a run. The road was empty, so was the boardwalk. He knelt beside her and helped her sit up. “Emma . . . honey, are you okay?” Tears streaked her dusty cheeks. “I-I lost my Aunt Kenny, and”—she hiccupped a sob—“m-my mommy’s gone.” Her face crumpled. “Oh, little one . . . come here.” He gathered her to him, and she came without hesitation. He stood and wiped her tears, and checked for injuries. No broken bones. Nothing but a skinned knee that a little soapy water—and maybe a sugar stick—would fix right up. “Shh . . . it’s okay.” He smoothed the hair on the back of her head, and her little arms came around his neck. A lump rose in his throat. “I won’t let anything happen to you.” Her sobs came harder. “Clara fell down too, Mr. Wyatt.” She drew back and held up the doll. “She’s all dirty. And she stinks.” Wyatt tried his best not to smile. Clara was indeed filthy. And wet. Apparently she’d gone for a swim in the same mud puddle Emma had fallen in. Only it wasn’t just mud, judging from the smell. “Here . . .” He gently chucked her beneath the chin. “Let’s see if we can find your Aunt Kenny. You want to?” The little girl nodded with a hint of uncertainty. “But I got my dress all dirty. She’s gonna be mad.” Knowing there might be some truth to that, he also knew Miss Ashford would be worried sick. “Do you remember where you were with Aunt Kenny before you got lost?” Emma shook her head. “I was talkin’ to my friend, and I looked up . . .” She sniffed and wiped her nose with the back of her hand. “And Aunt Kenny was gone.” Wyatt knew better than to think it was McKenna Ashford who had wandered away. “We’ll find her, don’t you worry.” “Clara’s dress is dirty like mine, huh?” She held the doll right in front of his face. Wyatt paused, unable to see it clearly. Easily supporting Emma’s weight, he took Clara and did his best to wipe the dirt and mud from the doll’s dress and its once-yellow strands of hair. His efforts only made a bigger mess, but Emma’s smile said she was grateful. “She likes you.” Emma put a hand to his cheek, then frowned. “Your face is itchy.” Knowing what she meant, he laughed and rubbed his stubbled jaw. He’d bathed and shaved last night in preparation for church this morning, half hoping he might see McKenna and Emma there. But they hadn’t attended. “My face is itchy, huh?” She squeezed his cheek in response, and he made a chomping noise, pretending he was trying to bite her. She pulled her hand back, giggling. Instinctively, he hugged her close and she laid her head on his shoulder. Something deep inside gave way. This is what it would have been like if his precious little Bethany had lived. He rubbed Emma’s back, taking on fresh pain as he glimpsed a fragment of what he’d been denied by the deaths of his wife and infant daughter so many years ago. “Here, you can carry her.” Emma tried to stuff Clara into his outer vest pocket, but the doll wouldn’t fit. Wyatt tucked her inside his vest instead and positioned its scraggly yarn head to poke out over the edge, hoping it would draw a smile. Which it did.
Tamera Alexander (The Inheritance)
The first mile was torture. I passed beneath the massive stone arch at the entrance to the school, pulled off the road and threw up. I felt better and ran down the long palm-lined drive to the Old Quad. Lost somewhere in the thicket to my left was the mausoleum containing the remains of the family by whom the university had been founded. Directly ahead of me loomed a cluster of stone buildings, the Old Quad. I stumbled up the steps and beneath an archway into a dusty courtyard which, with its clumps of spindly bushes and cacti, resembled the garden of a desert monastery. All around me the turrets and dingy stone walls radiated an ominous silence, as if behind each window there stood a soldier with a musket waiting to repel any invader. I looked up at the glittering facade of the chapel across which there was a mosaic depicting a blond Jesus and four angels representing Hope, Faith, Charity, and, for architectural rather than scriptural symmetry, Love. In its gloomy magnificence, the Old Quad never failed to remind me of the presidential palace of a banana republic. Passing out of the quad I cut in front of the engineering school and headed for a back road that led up to the foothills. There was a radar installation at the summit of one of the hills called by the students the Dish. It sat among herds of cattle and the ruins of stables. It, too, was a ruin, shut down for many years, but when the wind whistled through it, the radar produced a strange trilling that could well be music from another planet. The radar was silent as I slowed to a stop at the top of the Dish and caught my breath from the upward climb. I was soaked with sweat, and my headache was gone, replaced by giddy disorientation. It was a clear, hot morning. Looking north and west I saw the white buildings, bridges and spires of the city of San Francisco beneath a crayoned blue sky. The city from this aspect appeared guileless and serene. Yet, when I walked in its streets what I noticed most was how the light seldom fell directly, but from angles, darkening the corners of things. You would look up at the eaves of a house expecting to see a gargoyle rather than the intricate but innocent woodwork. The city had this shadowy presence as if it was a living thing with secrets and memories. Its temperament was too much like my own for me to feel safe or comfortable there. I looked briefly to the south where San Jose sprawled beneath a polluted sky, ugly and raw but without secrets or deceit. Then I stretched and began the slow descent back into town.
Michael Nava (The Little Death (The Henry Rios Mysteries Book 1))
Western Texas was just flat road amid the dusty plains as far as the eye could see. Alexander was driving and smoking; he had turned off the radio so he could hear Tatiana better—but she had stopped speaking. She was sitting on the passenger side with her eyes closed. She had been telling him and Anthony soothing stories of some of her pranks in Luga. There were few stories Alexander liked better than of her child self in that village by the river. Is she asleep? He glances at her, squeezed in around herself in a floral pink wrap dress that comes down to a V in her chest. Her glistening, slightly tender, coral nectar mouth reminds him of things, stirs him up a little. He checks to see what Anthony is doing—the boy is lying down facing away, playing with his toy soldiers. Alexander reaches over and cups a palmful of her breast, and she instantly opens her eyes and checks for Anthony. “What?” she whispers, and no sooner does she whisper than Anthony turns around, and Alexander takes his hand away, an aching prickle of desire mixed with frustration all swollen behind his eyes and in his loins.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Christianity is not a dream; it is a battle. It requires strong hearts that are willing to buck the modern tide of ease, laziness and cream puff religion.
Joy Haney (Diamonds for Dusty Roads)
consider a young Tunisian man pushing a wooden handcart loaded with fruits and vegetables down a dusty road to a market in the Tunisian town of Sidi Bouzid. When the man was three, his father died. He supports his family by borrowing money to fill his cart, hoping to earn enough selling the produce to pay off the debt and have a little left over. It’s the same grind every day. But this morning, the police approach the man and say they’re going to take his scales because he has violated some regulation. He knows it’s a lie. They’re shaking him down. But he has no money. A policewoman slaps him and insults his dead father. They take his scales and his cart. The man goes to a town office to complain. He is told the official is busy in a meeting. Humiliated, furious, powerless, the man leaves. He returns with fuel. Outside the town office he douses himself, lights a match, and burns. Only the conclusion of this story is unusual. There are countless poor street vendors in Tunisia and across the Arab world. Police corruption is rife, and humiliations like those inflicted on this man are a daily occurrence. They matter to no one aside from the police and their victims. But this particular humiliation, on December 17, 2010, caused Mohamed Bouazizi, aged twenty-six, to set himself on fire, and Bouazizi’s self-immolation sparked protests. The police responded with typical brutality. The protests spread. Hoping to assuage the public, the dictator of Tunisia, President Zine el-Abidine Ben Ali, visited Bouazizi in the hospital. Bouazizi died on January 4, 2011. The unrest grew. On January 14, Ben Ali fled to a cushy exile in Saudi Arabia, ending his twenty-three-year kleptocracy. The Arab world watched, stunned. Then protests erupted in Egypt, Libya, Syria, Jordan, Kuwait, and Bahrain. After three decades in power, the Egyptian dictator Hosni Mubarak was driven from office. Elsewhere, protests swelled into rebellions, rebellions into civil wars. This was the Arab Spring—and it started with one poor man, no different from countless others, being harassed by police, as so many have been, before and since, with no apparent ripple effects. It is one thing to look backward and sketch a narrative arc, as I did here, connecting Mohamed Bouazizi to all the events that flowed out of his lonely protest. Tom Friedman, like many elite pundits, is skilled at that sort of reconstruction, particularly in the Middle East, which he knows so well, having made his name in journalism as a New York Times correspondent in Lebanon. But could even Tom Friedman, if he had been present that fatal morning, have peered into the future and foreseen the self-immolation, the unrest, the toppling of the Tunisian dictator, and all that followed? Of course not. No one could. Maybe, given how much Friedman knew about the region, he would have mused that poverty and unemployment were high, the number of desperate young people was growing, corruption was rampant, repression was relentless, and therefore Tunisia and other Arab countries were powder kegs waiting to blow. But an observer could have drawn exactly the same conclusion the year before. And the year before that. Indeed, you could have said that about Tunisia, Egypt, and several other countries for decades. They may have been powder kegs but they never blew—until December 17, 2010, when the police pushed that one poor man too far.
Philip E. Tetlock (Superforecasting: The Art and Science of Prediction)
I watched him walk down the path from the house and then off on to the dusty road. People do that in India. When they reach a certain time of life, they sometimes just walk off and become holy men and never come back.That is what my father did
Alexander McCall Smith (Explosive Adventures)
I came here in 1906. I had been in Arkansas and sold some land for a nice profit so I thought I’d try my luck here in Oklahoma. I thought maybe I’d manage to buy some land with oil beneath its surface, but it appears that I might have missed the mark on that goal. I bought 40 acres and opened a boarding house since it presented some difficulty for people of color to find lodging in these parts. I could see that many people were arriving here to work in the oil fields and they needed a place to stay, so I figured I might as well provide that service. It was a small property located on a dusty road but it did quite well. Then I ventured out and built three office buildings where doctors, lawyers, dentists, and realtors could set up shop. Later we added barbershops and beauty salons to take care of the tenants. Those ventures proved to be good investments and provided me with the capital to build this hotel. As you can see, we have a rather tame clientele but they pay the bills.
Corinda Pitts Marsh (Holocaust in the Homeland: Black Wall Street's Last Days)
The technique was something akin to brainwashing, and slowly it began to work. Natalie packed away her old identity and life and became Leila. She did not know her family name; her legend, as they called it, would be given to her last, after a proper foundation had been poured and a frame constructed. In word and deed, she became more pious, more outwardly Islamic. In the evenings, when she ran along the dusty farm roads, she covered her arms and legs. And whenever her instructors were talking about Palestine or Islam, she wore her hijab. She experimented with several different ways of securing it but settled on a simple two-pin method that showed no hair. She thought she looked pretty in the hijab, but didn’t like the way it focused attention on her nose and mouth.
Daniel Silva
Najibabad must have been one of the least inspiring places on earth. Hot, dusty, apparently lifeless. We spent two hours at the bus-stand, in the company of several donkeys, also quartered there. We were told that the area had once been the favourite hunting ground of a notorious dacoit, Sultana Daku, whose fortress overlooked the barren plain. I could understand him taking up dacoity—what else was there to do in such a place—and presumed that he looked elsewhere for his loot, for in Nazibabad there was nothing worth taking. In due course he was betrayed and hanged by the British, when they should instead have given him an OBE for stirring up the sleepy countryside. There was a short branch line from Nazibabad to Kotdwara, but the train wasn't leaving that day, as the engine driver was unaccountably missing. The bus-driver seemed to be missing too, but he did eventually turn up, a little worse for some late night drinking. I could sympathize with him. If in 1940, Nazibabad drove you to dacoity, in 1960 it drove you to drink. Kotdwara,
Ruskin Bond (Roads to Mussoorie)
These folks were from a far different cultural mileu than any Irish peasant and going it alone out in the Wild West. Reminds me of some of the Chinese. You can go into the furthest reaches of, say, Montana or northwest Ontario and find some little dusty town with a hitching post and a church, and there will be the Chinese restaurant.
Finn Murphy (The Long Haul: A Trucker's Tales of Life on the Road)
We are apt to forget that a great man is thus not only great, but also a man: that a philosopher, in a lifetime, spends less hours pondering the destiny of the race than he gives over to wondering if it will rain tomorrow and to meditating upon the toughness of steaks, the dustiness of roads, the stuffiness of railway coaches and the brigandage of gas companies.
H.L. Mencken
Stand anywhere on the mountains comprising Rollins Pass and one stands in the footsteps made by Native Americans, John Quincy Adams Rollins, David Moffat, Horace Sumner, George Barnes, John Trezise, James Benedict and Byron Olson, Jason LaBelle, the authors of this book, and many others. The fluttering pages of history unfurl to form an enduring tapestry—a shared story. Perhaps that is why Rollins Pass is so beloved: those who make the journey to bask in the magical beauty of this place and feel their souls restored in some small way reach across the infinite divide of time to uncover their own pioneering spirit on the dusty roads of Rollins Pass.
B. Travis Wright (Rollins Pass (Images of America))
It just struck me how glad I am that I followed you up that hill," Shang continued. "If I hadn't been attacked by Shan-Yu, none of this might have happened." Mulan's lips formed a coy smile. "You mean I never would have gone to Diyu, and you would never have been rescued by Ping's sister?" "That," agreed Shang, "and I might never have discovered how I felt about... about you." Her breath hitched. She couldn't take another step. Her feet had frozen, rooting themselves to the dusty road beneath her shoes. "I meant what I said in front of the gates," said Shang softly. "I'll never meet another girl like you.
Elizabeth Lim (Reflection)