Wearing Coat Quotes

We've searched our database for all the quotes and captions related to Wearing Coat. Here they are! All 100 of them:

Isabelle drifted over, Jace a pace behind her. She was wearing a long black dress with boots and an even longer cutaway coat of soft green velvet, the color of moss. "I can't believe you did it!" she exclaimed. "How did you get Magnus to let Jace leave?" "Traded him for Alec," Clary said. Isabelle looked mildly alarmed. "Not permanently?" "No," said Jace. "Just for a few hours. Unless I don't come back," he added thoughtfully. "In which case, maybe he does get to keep Alec. Think of it as a lease with an option to buy." Isabelle looked dubious. "Mom and Dad won't be pleased if they find out." "That you freed a possible criminal by trading away your brother to a warlock who looks like a gay Sonic the Hedgehog and dresses like the Child Catcher from Chitty Chitty Bang Bang?" Simon inquired. "No, probably not.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
Wear the old coat and buy the new book.
Austin Phelps
The ducks in St James's Park are so used to being fed bread by secret agents meeting clandestinely that they have developed their own Pavlovian reaction. Put a St James's Park duck in a laboratory cage and show it a picture of two men -- one usually wearing a coat with a fur collar, the other something sombre with a scarf -- and it'll look up expectantly.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
My hands tend to be full enough dealing with people who hate me for who I am. Concentrate too hard on the millions of people who hate you for what you are and you're likely to turn into one of those unkempt, sloppy dressers who sag beneath the weight of the two hundred political buttons they wear pinned to their coats and knapsacks.
David Sedaris
Can I take your coat?” Cupcake offers. I turn to her. She’s looking at me so hopefully. So willing to take a coat I’m not wearing, I almost want to give her my skin.
Mona Awad (Bunny)
The last time I wore an animal hide; but this time I settled for this." Eric had been wearing a long trench coat. Now he threw it off dramatically, and I could only stand and stare. Normally, Eric was a blue-jeans-and-T-shirt kind of guy. Tonight, he wore a pink tank top and Lycra leggings[...]They were pink and aqua, like the swirls down the side of Jason's truck.
Charlaine Harris (Living Dead in Dallas (Sookie Stackhouse, #2))
Two or three things I know for sure, and one is that I would rather go naked than wear the coat the world has made for me.
Dorothy Allison
I am not an advocate for frequent changes in laws and Constitutions. But laws and institutions must go hand in hand with the progress of the human mind. As that becomes more developed, more enlightened, as new discoveries are made, new truths discovered and manners and opinions change, with the change of circumstances, institutions must advance also to keep pace with the times. We might as well require a man to wear still the coat which fitted him when a boy as civilized society to remain ever under the regimen of their barbarous ancestors.
Thomas Jefferson
Claire was struggling through last summer’s diary volume when Myrnin popped in through the portal, wearing a big floppy black hat and a kind of crazy/stylish pimp coat that covered him from neck to ankles, black leather gloves, and a black and silver walking stick with a dragon’s head on it. And, on his lapel was a button that said, If you can read this, thank a teacher.
Rachel Caine (Fade Out (The Morganville Vampires, #7))
Life is every bit as devious as Death. It too can wear a hooded coat. It too can slip into town, lurk in an alley, or wait in the back of a tavern.
Amor Towles (A Gentleman in Moscow)
Then the mother of the murdered boy rose, turned to you, and said, “You exist. You matter. You have value. You have every right to wear your hoodie, to play your music as loud as you want. You have every right to be you. And no one should deter you from being you. You have to be you. And you can never be afraid to be you.
Ta-Nehisi Coates (Between the World and Me)
... We are Nephilim; we fight our own battles." "That's not precisely true, is it?" said a velvety voice. It was Magnus Bane, wearing a long and glittering coat, multiple hoops in his ears, and a roguish expression. Clary had no idea where he'd come from. "You lot have used the help of warlocks on more than one occasion in the past, and paid handsomely for it too." Malachi scowled. "I don't remember the Clave inviting you into the Glass City, Magnus Bane." "They didn't," Magnus said. "Your wards are down." "Really?" the Consul's voice dripped sarcasm. "I hadn't noticed." Magnus looked concerned. "That's terrible. Someone should have told you." He glanced at Luke. "Tell him the wards are down.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Honor wears different coats to different eyes.
Barbara W. Tuchman (The Guns of August)
Two or three things I know for sure, and one is that I'd rather go naked than wear the coat the world has made for me.
Dorothy Allison (Two or Three Things I Know for Sure)
How often since then has she wondered what might have happened if she'd tried to remain with him; if she’d returned Richard's kiss on the corner of Bleeker and McDougal, gone off somewhere (where?) with him, never bought the packet of incense or the alpaca coat with rose-shaped buttons. Couldn’t they have discovered something larger and stranger than what they've got. It is impossible not to imagine that other future, that rejected future, as taking place in Italy or France, among big sunny rooms and gardens; as being full of infidelities and great battles; as a vast and enduring romance laid over friendship so searing and profound it would accompany them to the grave and possibly even beyond. She could, she thinks, have entered another world. She could have had a life as potent and dangerous as literature itself. Or then again maybe not, Clarissa tells herself. That's who I was. This is who I am--a decent woman with a good apartment, with a stable and affectionate marriage, giving a party. Venture too far for love, she tells herself, and you renounce citizenship in the country you've made for yourself. You end up just sailing from port to port. Still, there is this sense of missed opportunity. Maybe there is nothing, ever, that can equal the recollection of having been young together. Maybe it's as simple as that. Richard was the person Clarissa loved at her most optimistic moment. Richard had stood beside her at the pond's edge at dusk, wearing cut-off jeans and rubber sandals. Richard had called her Mrs. Dalloway, and they had kissed. His mouth had opened to hers; (exciting and utterly familiar, she'd never forget it) had worked its way shyly inside until she met its own. They'd kissed and walked around the pond together. It had seemed like the beginning of happiness, and Clarissa is still sometimes shocked, more than thirty years later to realize that it was happiness; that the entire experience lay in a kiss and a walk. The anticipation of dinner and a book. The dinner is by now forgotten; Lessing has been long overshadowed by other writers. What lives undimmed in Clarissa's mind more than three decades later is a kiss at dusk on a patch of dead grass, and a walk around a pond as mosquitoes droned in the darkening air. There is still that singular perfection, and it's perfect in part because it seemed, at the time, so clearly to promise more. Now she knows: That was the moment, right then. There has been no other.
Michael Cunningham (The Hours)
Hey. Hands off.”, “Please. Please, please, soooo pretty. Lemme just have one little touch.” “Peabody, isn’t it embarrassing enough you’re wearing pink cowboy boots, again, without standing here drooling on my coat?
J.D. Robb (Celebrity in Death (In Death, #34))
If time were a bolt of cloth,” said Om, “I would cut out all the bad parts. Snip out the scary nights and stitch together the good parts, to make time bearable. Then I could wear it like a coat, always live happily.
Rohinton Mistry (A Fine Balance)
jace's clothes had been clean,stylish,ordinary. Sebastian had been wearing a long black wool trench coat that had looked expensive. Like an evil Burbeery ad, Simon said when she was done.
Cassandra Clare
That’s the gift of winter: it’s irresistible. Change will happen in its wake, whether we like it or not. We can come out of it wearing a different coat.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
The most important thing is spiritual labor...Books...You can wear the same suit for twenty years, two coats are enough for a lifetime, but you can't live without Pushkin or the complete works of Gorky.
Svetlana Alexievich (Czasy secondhand. Koniec czerwonego człowieka)
My knight may not wear a coat of shining armor, but his code of glowing honor will never fail to protect us both from evils far worse than any fire-breathing dragon.
Richelle E. Goodrich (Smile Anyway: Quotes, Verse, and Grumblings for Every Day of the Year)
Introverted feeling types have a wealth of warmth and enthusiasm, but they may not show it until they know someone well. They wear their warm side inside, like a fur-lined coat.
Isabel Briggs Myers (Gifts Differing: Understanding Personality Type)
The Count took pride in wearing a well-tailored jacket; but he took greater pride in knowing that a gentleman’s presence was best announced by his bearing, his remarks, and his manners. Not by the cut of his coat. Yes,
Amor Towles (A Gentleman in Moscow)
Given that you probably used to wear . . . velvet bloomers, lace, high heels, and a ponytail, yeah—I guess you have changed a little,” I said, and gave a slight smile in hopes of easing the depressing mood.Eli actually grinned. “That look was hot back then.” He held his arms out. “Velvet coat with tails to match. Yeah, ruffles, too. I was badass.
Elle Jasper (Afterlight (Dark Ink Chronicles, #1))
Love isn't a steadfast dog at all; love is more like a pygmy mouse lemur. Yes, that's exactly what love is: a tiny, jittery primate with eyes that are permanently peeled open in fear. For those of you who cannot quite picture a pygmy mouse lemur, imagine a miniature Don Knotts or Steve Buscemi wearing a fur coat.
Andrew Davidson (The Gargoyle)
When Josey woke up and saw the feathery frost on her windowpane, she smiled. Finally, it was cold enough to wear long coats and tights. It was cold enough for scarves and shirts worn in layers, like camouflage. It was cold enough for her lucky red cardigan, which she swore had a power of its own. She loved this time of year. Summer was tedious with the light dresses she pretended to be comfortable in while secretly sure she looked like a loaf of white bread wearing a belt. The cold was such a relief.
Sarah Addison Allen (The Sugar Queen)
I will never, ever regret stopping you from walking out of my life a second time, Kyle," she said in an emotional voice. "And I can prove it." She reached for the buttons on her trench coat and undid them, one at a time. Then she opened the coat and let it drop to the floor. And even if she didn't say a single word more, Kyle knew he would never again doubt the way Rylann felt about him. She was wearing his flannel shirt. "You kept it," he said softly. "All this time." She nodded. "For nine years, I've held on to this darn shirt, literally dragging it across the country and back." Kyle touched her cheek, gently brushing away a tear with his thumb. "Why?" She paused hesitantly, and then with a tender smile, finally put it all on the line, too. "I guess I always hoped you'd come back for it someday.
Julie James (About That Night (FBI/US Attorney, #3))
What's silly is paying five bucks for hot milk and flavored syrup! But now I see what's really been going on all this time! They charge you all that money because they need it for the R & D! Somewhere on the outskirts of Seattle, there's a secret facility with higher security than Area 51, and inside there are men with poor eyesight and bad haircuts wearing white coats, and they're trying to make the Holy Grail of all coffee drinks. The bacon latte? No, Atticus, I already told you those exist! I'm talking about the prophecy! 'Out of the steam and the foam and the froth, a man in white with poor eyesight will craft a liquid paradox, and it shall be called the Triple Nonfat Double Bacon Five-Cheese Mocha!' Oberon, what the F---?
Kevin Hearne (Hammered (The Iron Druid Chronicles, #3))
Sexism is hence to bad science as misogyny is to moralism. Sexism wears a lab coat; misogyny goes on witch hunts.
Kate Manne (Down Girl: The Logic of Misogyny)
We are wearing coats of trust. When one tells a story this is what happens.
Terry Tempest Williams (Pieces of White Shell)
Wearing nothing but sweats and a sheer coat of lip gloss, she wiggle through her frosted window and jumped six feet to freedom, feeling more charged than a Visa card at Christmas time.
Lisi Harrison (Monster High (Monster High, #1))
Don't get me wrong—he's hot as hell, and in another life I would have liked to wear him as a mink coat. But when your first thought about someone is wondering whether they're some sort of handsome woodland serial killer, it's hard to build an attraction.
Karsten Knight (Wildefire (Wildefire, #1))
All of us steal our lives. A little here, a little there. Some of it given, most of it taken. We wear ourselves like a coat of many patches, fraying at the edges, in constant repair. While we shore up one belief, we let go another. We are the stories we tell to ourselves. Nothing more.
Mark Lawrence (The Book That Wouldn’t Burn (The Library Trilogy, #1))
He's wearing boots, a kilt, and a long-sleeve tee. No coat, even though it's December. Beautiful people don't need coats. They've got their auras to keep them warm.
Jennifer Donnelly (Revolution)
It's like summer wear the world out, and by October everyone is just ready for a nap
Ta-Nehisi Coates (The Water Dancer)
I want to be the only thing touching him. I want to be the only thing that ever touches him again. I will be envious of every shirt he ever wears, the cuffs of his coats, the trousers going soft with wear where they rub his inner thighs.
Mackenzi Lee (The Gentleman’s Guide to Getting Lucky (Montague Siblings, #1.5))
It was indescribable what she wanted. She was restless. She wanted to work. She wanted to be thirty people. She wanted to wear a cap of pearls and a coat of bright blue diamonds. To live as nature does, in many ages, in many brains
Danielle Dutton (Margaret the First)
My great quandary was what coat to wear and which books to bring.
Patti Smith (M Train)
She wears her worry like a coat she never takes off.
Erin Morgenstern (The Starless Sea)
I'd been making desicions for days. I picked out the dress Bailey would wear forever- a black slinky one- innapropriate- that she loved. I chose a sweater to go over it, earrings, bracelet, necklace, her most beloved strappy sandals. I collected her makeup to give to the funeral director with a recent photo- I thought it would be me that would dress her; I didn't think a strange man should see her naked touch her body shave her legs apply her lipstick but that's what happened all the same. I helped Gram pick out the casket, the plot at the cemetery. I changed a few lines in the obituary that Big composed. I wrote on a piece of paper what I thought should go on the headstone. I did all this without uttering a word. Not one word, for days, until I saw Bailey before the funeral and lost my mind. I hadn't realized that when people say so-and-so snapped that's what actually happens- I started shaking her- I thought I could wake her up and get her the hell out of that box. When she didn't wake, I screamed: Talk to me. Big swooped me up in his arms, carried me out of the room, the church, into the slamming rain, and down to the creek where we sobbed together under the black coat he held over our heads to protect us from the weather.
Jandy Nelson (The Sky Is Everywhere)
I'm buying you a coat." And I meant it. I opened the car door and slung my lether jacket around her shoulders. "It's February. Why don't you ever have a damn jacket on?" Echo slid her arms through my coat, closing her eyes as she inhaled. When she finally opened them, she fluttered her eyelashes, giving me a look of pure seduction. "Maybe I like wearing yours instead." I swallowed. I had plans, and those plans did not involve kissing her against my car. Damn it, she was going to kill me. "Congratulatios, it's yours." Her laughter warmed me in ways a jacket couldn't.
Katie McGarry (Pushing the Limits (Pushing the Limits, #1))
...both he and she were creek beds, quiet when they were full and quiet when they were dry. But when they were half-full, wearing a coat of shallow water, the current bumped over the rocks and valleys in the creek beds, wearing down the earth. Giving someone else a little of who they were hurt more than giving up none or all of it.
Anna-Marie McLemore (When the Moon Was Ours)
My father wears his faith like the bronze breastplate of God's footsoldiers while our mother's is more like a good cloth coat with a secondhand fit.
Barbara Kingsolver (The Poisonwood Bible)
The smell of peace is abroad, the air is cold, the skies are brittle, and the leaves have finally fallen. I wear a pony coat with skin like watered silk and muff of lamb. My fingers lie in depths of warmth. I have a jacket of silver sequins and heavy bracelets of rich corals. I wear about my neck a triple thread-like chain of lapis lazulis and pearls. On my face is softness and content like a veil of golden moonlight. And I have never in all my lives been so lonely.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
Just do whatever feels natural. If you want to call him, call him. If you want him to call you, wait. If you want to show up at his office wearing nothing but a trench coat, send me pictures.
Stylo Fantome (Degradation (The Kane Trilogy, #1))
And then the years were gone, and he was back at Winterfell once more, wearing a quilted leather coat in place of mail and plate. His sword was not made of wood, and it was Robb who stood facing him, not Iron Emmett. Every morning they had trailed together, since they were big enough to walk; Snow and Stark, spinning and slashing about the wards of Winterfell, shouting and laughing, sometimes crying when there was no one else to see. They were not little boys when they fought, but knights and mighty heroes. "I'm Prince Aemon the Dragonknight," Jon would call out, and Robb would shout back, "Well, I'm Florian the Fool." Or Robb would say, "I'm the Young Dragon," and Jon would reply, "I'm Ser Ryam Redwyne." That morning he called it first. "I'm Lord of Winterfell!" he cried, as he had a hundred times before. Only this time, this time, Robb had answered, "You can't be Lord of Winterfell, you're bastard-born. My lady mother says you can't ever be the Lord of Winterfell.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
The Frays had never been a religiously observant family, but Clary loved Fifth Avenue at Christmas time. The air smelled like sweet roasted chestnuts, and the window displays sparkled with silver and blue, green and red. This year there were fat round crystal snowflakes attached to each lamppost, sending back the winter sunlight in shafts of gold. Not to mention the huge tree at Rockefeller Center. It threw its shadow across them as she and Simon draped themselves over the gate at the side of the skating rink, watching tourists fall down as they tried to navigate the ice. Clary had a hot chocolate wrapped in her hands, the warmth spreading through her body. She felt almost normal—this, coming to Fifth to see the window displays and the tree, had been a winter tradition for her and Simon for as long as she could remember. “Feels like old times, doesn’t it?” he said, echoing her thoughts as he propped his chin on his folded arms. She chanced a sideways look at him. He was wearing a black topcoat and scarf that emphasized the winter pallor of his skin. His eyes were shadowed, indicating that he hadn’t fed on blood recently. He looked like what he was—a hungry, tired vampire. Well, she thought. Almost like old times. “More people to buy presents for,” she said. “Plus, the always traumatic what-to-buy-someone-for-the-first-Christmas-after-you’ve-started-dating question.” “What to get the Shadowhunter who has everything,” Simon said with a grin. “Jace mostly likes weapons,” Clary sighed. “He likes books, but they have a huge library at the Institute. He likes classical music …” She brightened. Simon was a musician; even though his band was terrible, and was always changing their name—currently they were Lethal Soufflé—he did have training. “What would you give someone who likes to play the piano?” “A piano.” “Simon.” “A really huge metronome that could also double as a weapon?” Clary sighed, exasperated. “Sheet music. Rachmaninoff is tough stuff, but he likes a challenge.” “Now you’re talking. I’m going to see if there’s a music store around here.” Clary, done with her hot chocolate, tossed the cup into a nearby trash can and pulled her phone out. “What about you? What are you giving Isabelle?” “I have absolutely no idea,” Simon said. They had started heading toward the avenue, where a steady stream of pedestrians gawking at the windows clogged the streets. “Oh, come on. Isabelle’s easy.” “That’s my girlfriend you’re talking about.” Simon’s brows drew together. “I think. I’m not sure. We haven’t discussed it. The relationship, I mean.” “You really have to DTR, Simon.” “What?” “Define the relationship. What it is, where it’s going. Are you boyfriend and girlfriend, just having fun, ‘it’s complicated,’ or what? When’s she going to tell her parents? Are you allowed to see other people?” Simon blanched. “What? Seriously?” “Seriously. In the meantime—perfume!” Clary grabbed Simon by the back of his coat and hauled him into a cosmetics store that had once been a bank. It was massive on the inside, with rows of gleaming bottles everywhere. “And something unusual,” she said, heading for the fragrance area. “Isabelle isn’t going to want to smell like everyone else. She’s going to want to smell like figs, or vetiver, or—” “Figs? Figs have a smell?” Simon looked horrified; Clary was about to laugh at him when her phone buzzed. It was her mother. where are you? It’s an emergency.
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
I know you,” said Maddy. “You’re -“ “What’s a name?” Loki grinned. “Wear it like a coat; turn it, burn it, throw it aside, and borrow another. One-Eye knows; you should ask him.” “But Loki died,” she said, shaking her head. “He died on the field at Ragnarok.” “Not quite.” He pulled a face. “You know there’s rather a lot the Oracle didn’t foretell, and old tales have a habit of getting twisted.” “But in any case, that was centuries ago,” Maddy said bewildered. “I mean - that was the End of the World, wasn’t it?” “So?” said Loki impatiently. “This isn’t the first time the world has come to an end, and it won’t be the last either.
Joanne Harris (Runemarks (Runemarks, #1))
Blame is a bitter and indigestible thing, even when the blame is a coat you cut for yourself, even when you stood right there and got yourself measured so you could wear it right.
R.J. Ellory
I wear embarrassing like a velvet coat of awesomeness.
Lindy Zart (Roomies)
Those who seek happiness in pleasure, wealth, glory, power, and heroics are as naive as the child who tries to catch a rainbow and wear it as a coat. DILGO KHYENTSE RINPOCHE
Matthieu Ricard (The Art of Happiness: A Guide to Developing Life's Most Important Skill)
I came here for the same reason doctors wear uniforms of long white coats...They don't do it for their benefit, but for yours.
David Eagleman (Sum: Forty Tales from the Afterlives)
Ta-da!" The man whipped open his coat. Shit! He wasn't wearing any clothes at all. She grimaced. Just her luck to go vampire hunting and find a flasher.
Kerrelyn Sparks (Be Still My Vampire Heart (Love at Stake, #3))
She wears her grief like a coat of feathers too heavy for flight. He crossed out heavy, wrote weighted instead, then decided that was downright pretentious and put heavy back in.
Libba Bray (The Diviners (The Diviners, #1))
It goes back to what I said about Andy wearing his freedom like an invisibility coat, about how he never really developed a prison mentality. His eyes never got that dull look.
Stephen King (Rita Hayworth and Shawshank Redemption)
I can put on a hat, or put on a coat, Or wear a pair of glasses or sail a boat. I can change all my names and find a place to hide. I can do most anything, but I'm still myself inside. I can go far away, or dream of anything, Or wear a scary costume or act like a king. I can change all my names and find a place to hide. I can do almost anything, but I'm still myself. I'm still myself. I'm still myself inside.
Fred Rogers (Life's Journeys According to Mister Rogers: Things to Remember Along the Way)
Like so many of life's varieties of experience, the novelty of a diagnosis of malignant cancer has a tendency to wear off. The thing begins to pall, even to become banal. One can become quite used to the specter of the eternal Footman, like some lethal old bore lurking in the hallway at the end of the evening, hoping for the chance to have a word. And I don't so much object to his holding my coat in that marked manner, as if mutely reminding me that it's time to be on my way. No, it's the snickering that gets me down.
Christopher Hitchens (Mortality)
House of Krahr!" the vampire with the banner barked quietly. "Krahr," the other four vampires exhaled and glared at me. Usually they roared their house name at the top of their lungs, trying to intimidate... Oh. They were trying to be inconspicuous. I bit my lip to keep from laughing. I'd never had an attempt at intimidation whispered at me before. "My lord, why are you wearing trench coats?" "We must blend in," he said. "This is a covert operation." Don't laugh, don't laugh, don't laugh..."It's very hot," I said. "Trench coats are a cold-weather garment.
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
Magnus had animated one of his magnificent Chinese fans, and it flapped ineffectively at him, barely stirring the breeze. It was, if he was completely honest with himself (and he did not want to be), a bit too hot for this new striped blue-and-rose-colored coat, made of taffeta and satin, and the silk faille waistcoat embroidered with a scene of birds and cherubs. The wing collar, and the wig, and the silk breeches, the wonderful new gloves in the most delicate lemon yellow . . . it was all a bit warm. Still. If one could look this fabulous, one had an obligation to. One should wear everything, or one should wear nothing at all.
Cassandra Clare (The Bane Chronicles)
The suspense is killin’ me, Pigeon!” Travis called. I walked out, fidgeting with my dress while Travis stood in front of me, blank-faced. America elbowed him and he blinked. “Holy shit.” “Are you ready to be freaked out?” America asked. “I’m not freaked out, she looks amazing,” Travis said. I smiled and then slowly turned around to show him the steep dip of the fabric in the back of the dress. “Okay, now I’m freakin’ out,” he said, walking over to me “Okay, now I’m freakin’ out,” he said, walking over to me and turning me around. “You don’t like it?” I asked. “You need a jacket.” He jogged to the rack and then hastily draped my coat over my shoulders. “She can’t wear that all night, Trav,” America chuckled. “You look beautiful, Abby,” Shepley said as an apology for Travis’ behavior. Travis’ expression was pained as he spoke. “You do. You look incredible…but you can’t wear that. Your skirt is…wow, your legs are…your skirt is too short and it’s only half a dress! It doesn’t even have a back on it!” I couldn’t help but smile. “That’s the way it’s made, Travis.” “Do you two live to torture each other?” Shepley frowned. “Do you have a longer dress?” Travis asked. I looked down. “It’s actually pretty modest in the front. It’s just the back that shows off a lot of skin.” “Pigeon,” he winced with his next words, “I don’t want you to be mad, but I can’t take you to my frat house looking like that. I’ll get in a fight the first five minutes we’re there, Baby.
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
I wear a pony coat with skin like watered silk and muff of lamb. My fingers lie in depths of warmth. I have a jacket of silver sequins and heavy bracelets of rich corals. I wear about my neck a triple thread-like chain of lapis lazulis and pearls. On my face is softness and content like a veil of golden moonlight. And I have never in all my lives been so lonely.
Erik Larson (In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin)
Well, well, well,” Santa said once the elf had retreated. “Come and sit on my lap, little boy.” This Santa’s beard was real, and so was his hair. He wasn’t fucking around. “I’m not really a little boy,” I pointed out. “Get on my lap, then, big boy.” I walked up to him. There wasn’t much lap under his belly. And even though he tried to disguise it, as I went up there, I swear he adjusted his crotch. “Ho ho ho!” he chortled. I sat gingerly on his knee, like it was a subway seat with gum on it. “Have you been a good little boy this year?” he asked. I didn’t feel that I was the right person to determine my own goodness or badness, but in the interest of speeding along this encounter, I said yes. He actually wobbled with joy. “Good! Good! Then what can I bring you this Christmas?” I thought it was obvious. “A message from Lily,” I said. “That’s what I want for Christmas. But I want it right now.” “So impatient!” Santa lowered his voice and whispered in my ear. “But Santa does have a little something for you”—he shifted a little in his seat—“right under his coat. If you want to have your present, you’ll have to rub Santa’s belly.” “What?” I asked. He gestured with his eyes down to his stomach. “Go ahead.” I looked closely and saw the faint outline of an envelope beneath his red velvet coat. “You know you want it,” he whispered. The only way I could survive this was to think of it as the dare it was. Fuck off, Lily. You can’t intimidate me. I reached right under Santa’s coat. To my horror, I found he wasn’t wearing anything underneath. It was hot, sweaty, Geshy, hairy … and his belly was this massive obstacle, blocking me from the envelope. I had to lean over to angle my arm in order to reach it, the whole time having Santa laugh, “Oh ho ho, ho ho oh ho!” in my ear. I heard the elf scream, “What the hell!” and various parents start to shriek. Yes, I was feeling up Santa. And now the corner of the envelope was in my hand. He tried to jiggle it away from me, but I held tight and yanked it out, pulling some of his white belly hair with me. “OW ho ho!” he cried. I jumped o1 his lap. “Security’s here!” the elf proclaimed. The letter was in my hand, damp but intact. “He touched Santa!” a young child squealed.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
Orlando curtseyed; she complied; she flattered the good man's humours as she would not have done had his neat breeches been a woman's skirts, and his braided coat a woman's satin bodice. Thus, there is much to support the view that it is clothes that wear us and not we them' we may make them take the mould of arm or breast, but they mould our hearts, our brains, our tongues to their liking.
Virginia Woolf (Orlando)
There are two kinds of fears; rational and irrational - or, in simple terms, fears that make sense and fears that don't. For instance, the Baudelaire orphans have a fear of Count Olaf, which makes perfect sense, because he is an evil man who wants to destroy them. But if they were afraid of lemon meringue pie, this would be an irrational fear, because lemon meringue pie is delicious and has never hurt a soul. Being afraid of a monster under the bed is perfectly rational, because there may in fact be a monster under your bed at any time, ready to eat you all up, but a fear of realtors is an irrational fear. Realtors, as I'm sure you know, are people who assist in the buying and selling of houses. Besides occasionally wearing an ugly yellow coat, the worst a realtor can do to you is show you a house that you find ugly, and so it is completely irrational to be terrified of them.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
one night, they went down to the Village for dinner at an italian restaurant. most of the band had picked up young girls and had them hanging on their arms. janis was feeling lonesome and said, "goddamn, you guys have all these groupies and i don't have anybody." turning to mark, the youngest person in the crowd, she ordered, "go out on the street there and find the first pretty boy you see and bring him to me." aw, i dunno," mark said. go ahead," janis said. after a while, mark returned with a handsome, long-haired youth with a british accent. he was wearing a floor-length embroidered afghan wool coat. looking him over, janis nodded approvingly and said, "he's cute, mark!" turning to the young man, she said, "well! hi, honey! sit down! my name's janis joplin. have you ever heard of me?" yeah," he said, "i've heard of you." oh," she said, "what's your name?" eric clapton.
Ellis Amburn (Pearl: The Obsessions and Passions of Janis Joplin)
Boys!” I said sharply. “There will be no brawling with your shirts on. Kindly remove your upper garments and give them into my keeping.” Both men turned to look at me, wearing identical expressions of astonishment. Mornaday spoke first. “I beg your pardon?” I adopted my best nanny tone—one that I had used with excellent results to bring unruly suitors to heel. “You cannot strike an opponent properly while hampered by a tight coat,” I pointed out. “Or a fitted waistcoat. And white does show the blood so badly. The shirt must come off as well.” I put out my hands. “Come on, then. Shirts off, both of you. Shall you fight to first blood or unconsciousness? I always think first blood is a little lacking. Let’s go until one of you is entirely senseless, shall we?
Deanna Raybourn (A Treacherous Curse (Veronica Speedwell, #3))
My hands tend to be full enough dealing with people who hate me for _who_ I am. Concentrate too hard on the millions who hate you for _what_ you are and you're likely to turn into one of those unkempt, sloppy dressers who sag beneath the weight of the two hundred political buttons they wear pinned to their coats and knapsacks. I haven't got the slightest idea of how to change people, but still I keep a long list of prospective candidates just in case I should ever figure it out.
David Sedaris (Naked)
NEWT rummages in his pockets and pulls out a tiny bottle with only a couple of muddy drops left inside it. TINA: Is that Polyjuice? NEWT (of the bottle): Just enough to get me inside. He looks down at his coat and finds one of THESEUS’S hairs on his shoulder. He adds it to the mixture, drinks, and turns into THESEUS, still wearing NEWT’S clothes. TINA: Who—? NEWT: My brother, Theseus. He’s an Auror. And a hugger.
J.K. Rowling (Fantastic Beasts: The Crimes of Grindelwald: The Original Screenplay (Fantastic Beasts: The Original Screenplay, #2))
She thought she'd get out clean, but the foyer monitor blinked on as she reached for her jacket. "Going somewhere, Lieutenant?" "Jesus, Roarke, why not just knock me over the head with a blunt instrument. Keeping tabs on me?" "As often as possible. Wear your coat if you're going out. That jacket isn't warm enough for this weather." "I'm just going into Central for a couple of hours." "Wear the coat," he repeated, "and the gloves in the pocket. I'm sending one of the four-wheels around." She opened her mouth, but he'd already vanished. "Nag, nag, nag," she muttered, then nearly jolted when he swam back on-screen. "I love you, too," he said easily, and she heard his chuckle as the image faded again.
J.D. Robb (Conspiracy in Death (In Death, #8))
Clothes as text, clothes as narration, clothes as a story. Clothes as the story of our lives. And if you were to gather all the clothes you have ever owned in all your life, each baby shoe and winter coat and wedding dress, you would have your autobiography. You could wear, once more, your own life in all its stages, from whatever they wrapped you in when you emerged from the dark red naked warmth of the womb to your deathbed.
Linda Grant (The Thoughtful Dresser)
I wish I had a boyfriend. I wish he lived in the wardrobe on a coat hanger. Whenever I wanted, I could get him out and he’d look at me the way boys do in films, as if I’m beautiful. He wouldn’t speak much, but he’d be breathing hard as he took off his leather jacket and unbuckled his jeans. He’d wear white pants and he’d be so gorgeous I’d almost faint. He’d take my clothes off too. He’d whisper, ‘Tessa, I love you. I really bloody love you. You’re beautiful’ – exactly those words – as he undressed me.
Jenny Downham (Before I Die)
I didn't know his age or how he liked his tea, I was wearing a terrible coat and I was drunk as a stoat - but this moment felt like it. The one I'd been waiting patiently for since I was a little girl. I'd worked so hard, for so long, at being ok with being single, but all of the things I'd told myself about independence were disappearing rapidly into the cold night. Right now, he felt like the only person who mattered in the whole world.
Lucy Robinson (The Greatest Love Story of All Time)
They’d been told they would be meeting with only two members of the Triumvirate, but three people stood by the pool. Jesper knew the one-eyed girl in the red-and-blue kefta must be Genya Safin, and that meant the shockingly gorgeous girl with the thick fall of ebony hair was Zoya Nazyalensky. They were accompanied by a fox-faced man in his twenties wearing a teal frock coat, brown leather gloves, and an impressive set of Zemeni revolvers slung around his hips. If these people were what Ravka had to offer, maybe Jesper should consider a visit.
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
Of the seminal moments in my life, Careers Day in the autumn of Year 5 is my favorite. Everyone had to dress as whatever they wanted to be once they grew up. I had gone in a tweed jacket and a bow tie, and when Miss Weston asked me what I wanted to be, I told her that I wanted to be the Doctor. 'Shouldn't you be wearing a lab coat and stethoscope like Paul?' She pointed to Paul Black, who was trying to strangle everyone with the stethoscope in question. Before I could answer, a boy I didn't know from the other class spoke up. 'Paul's *a* doctor,' he explained, giving me a look of approval. 'He wants to be *the* Doctor.' 'Who?' 'Exactly,' we said at the same time, relieved that she understood. She didn't. We were sent to the quiet table to reflect on why cheeking teachers was wrong.
Non Pratt (Trouble)
Often, as she leafed through the sticky, plastic-coated pages, spotting herself with a frizzy perm or wearing a loud, printed blouse, she was struck by how long life was, and how much time had passed, and she wished she could go back and apologize to those closest to her, explain that she understood now. Impossible, and yet the urge to return and be a different person never lessened, grew only more acute.
Stewart O'Nan (Emily, Alone (Emily Maxwell, #2))
His blue eyes brightened with a smile. 'I did.' He looked over his shoulder, as if making sure her mom wasn't looking. The he pulled her against him and kissed her. A soft kiss. 'I got you something,' He whispered, his lips breathing words against hers. He reached into his coat pocket and pulled out a ring. A gold ring with a large diamond. A beautiful, teardrop-shaped diamond that looked like an engagement ring. Kylie's breath caught. 'It was my grandmother's ring. In her letter she wrote you should have it. And before you start panicking, let me say that I know maybe we're too young to call it an engagement, That's why I got you this too.' He pulled out a gold chain 'I want you to wear it around your neck. Call it a promise- A promise that when you do slip a ring on that finger...' He ran his hand down to her left hand. 'That it'll be my ring.' Emotion rose in her chest 'You don't have to give me anything for me to give you that promise.
C.C. Hunter (Chosen at Nightfall (Shadow Falls, #5))
I am certainly not an advocate for frequent and untried changes in laws and constitutions. I think moderate imperfections had better be borne with; because, when once known, we accommodate ourselves to them, and find practical means of correcting their ill effects. But I know also, that laws and institutions must go hand in hand with the progress of the human mind. As that becomes more developed, more enlightened, as new discoveries are made, new truths disclosed, and manners and opinions change with the change of circumstances, institutions must advance also, and keep pace with the times. We might as well require a man to wear still the coat which fitted him when a boy, as civilized society to remain ever under the regimen of their barbarous ancestors.
Thomas Jefferson
Not satisfied with what he's got? Is that it? That's husbands all over. Ungrateful pigs. You do everything for them, you bring up their kids, you cook their food, you wash their clothes, you warm their beds, you fuss over your face day after day so they'll fancy you, you wear yourself out to keep them happy and at the end of it all, what happens? They find someone else they fancy more. Someone young some man hasn't had the chance to wear out yet. Marriage is a con trick. A girl should marry a rich man, then at least she'd have a fur coat to keep her warm in her old age.
Fay Weldon (The Fat Woman's Joke)
I had that hole in me, that empty space. I could have lived my life with it, content enough. I wasn’t an unhappy man.” He kept his eyes on hers as his thumb brushed lightly over the back of her hand. “Then, one day I felt something—a prickle at the back of my neck, a heat at the base of my spine. And standing at a memorial for the dead, I turned, and there you were.” He turned her hand over, interlocking fingers. “There you were, and it all shifted under my feet. You were everything I shouldn’t have, shouldn’t want or need. A cop for Jesus’ sake, with eyes that looked right into me.” He reached out, just a whisper of fingers on her face. And the quiet touch was somehow wildly passionate, desperately intimate. “A cop wearing a bad gray suit and a coat that didn’t even fit. From that moment, the hole inside me began to fill. I couldn’t stop it. I couldn’t stop what rooted there, or what grew. The tears came now. He watched them drip down her cheeks, wondered if she were even aware they leaked out of her. “She was part of my life. You are my life. If I have a regret, it’s that even for an instant you could think otherwise. Or that I allowed you to.
J.D. Robb (Innocent in Death (In Death, #24))
Checking the address, he knocked on the door. The door opened a crack. “We’re closed.” He recognized those violet eyes. His throat went dry. “Oh. You again.” Her eyes narrowed as she chuckled. “You must have women throwing themselves at you with lines like that. What are you doing here?” “I came to see if Flynn Enterprises has made an offer to buy your property.” His gaze wandered against his better judgement. On his ship, she’d been wearing jeans and a t-shirt. Now her curves were covered by a quality replica of a pirate’s frock coat, complete with deck boots, a bandana covering her hair, and a single hoop earring. “Didn’t take you for a pirate earlier today.” “You seriously came over here to talk to a stranger about private financial information, and then you have the balls to comment on her work attire?” She raised a brow. “We’re hardly strangers.” He struggled to hold back a smile and offered his hand. “I don’t think I introduced myself earlier. I’m Colton. Colton Hayes.” She looked at his hand and finally opened the door. “Skye Olson. And apparently I’m a glutton for punishment.
Lisa Kessler (Magnolia Mystic (Sentinels of Savannah, #1))
I didn't want to be educated. It wasn't the right time of my life for concentration, it really wasn't. The spirit of the age among the people I knew manifested itself as general drift and idleness. We didn't want money. What for? We could get by, living off parents, friends or the State And if we were going to be bored, and we were usually bored, rarely being self-motivated, we could at least be bored on our own terms, lying smashed on mattresses in ruined houses rather than working in the machine. I didn't want to work in a place where I couldn't wear my fur coat.
Hanif Kureishi (The Buddha of Suburbia)
Wear your new boots." He passed her the clothes. "They'll work well with that, and with the coat as well." "What new boots?" Her eyebrows drew together as he took them off a shelf. "And where did they come from?" "The boot elves, I assume." "The boot elves are going to be pissed when they're dinged and scuffed inside a week." "Oh, I think they're more tolerant than that." "Those elves keep this up I'm going to need a bigger closet." But she dressed as advised, then sat to pull on the boots while Roarke programmed breakfast for two. They slid on like--as Peabody might say--butter. "Okay." She stood, took some strides. "They're great. Sturdy--I could definitely kick some teeth in with these." "The elves had that as top priority.
J.D. Robb (Celebrity in Death (In Death, #34))
Reporters quickly keyed on the darker force behind the attack: this spooky Trench Coat Mafia. It grew more bizarre by the minute. In the first two hours, witnesses on CNN described the TCM as Goths, gays, outcasts, and a street gang. “A lot of the time they’ll, like, wear makeup and paint their nails and stuff,” a Columbine senior said. “They’re kind of—I don’t know, like Goth, sort of, like, and they’re, like, associated with death and violence a lot.” None of that would prove to be true. That student did not, in fact, know the people he was describing. But the story grew.
Dave Cullen (Columbine)
The Colorman slid off the morgue slab to the cold floor. Bullets pooped from his wounds and plopped on the stone as he limped naked around the room looking for something to wear. All the dead were either naked, too ripe, or too tall for him to use their clothes, so he settled on a white mortician's coat that trailed out behind him as he went. The morgue attendant pretended not to see him as he passed, figuring that a spontaneous reanimation would require paperwork that he did not wish to fill out.
Christopher Moore (Sacré Bleu: A Comedy d'Art)
Hey,” Fitz said, leaning closer. “You trust me, don’t you?” Sophie’s traitorous heart still fluttered, despite her current annoyance. She did trust Fitz. Probably more than anyone. But having him keep secrets from her was seriously annoying. She was tempted to use her telepathy to steal the information straight from his head. But she’d broken that rule enough times to know the consequences definitely weren’t worth it. “What is with these clothes?” Biana interrupted, appearing out of thin air next to Keefe. Biana was a Vanisher, like her mother, though she was still getting used to the ability. Only one of her legs reappeared, and she had to hop up and down to get the other to show up. She wore a sweatshirt three sizes too big and faded, baggy jeans. “At least I get to wear my shoes,” she said, hitching up her pants to reveal purple flats with diamond-studded toes. “But why do we only have boy stuff?” “Because I’m a boy,” Fitz reminded her. “Besides, this isn’t a fashion contest.” “And if it was, I’d totally win. Right, Foster?” Keefe asked. Sophie actually would’ve given the prize to Fitz—his blue scarf worked perfectly with his dark hair and teal eyes. And his fitted gray coat made him look taller, with broader shoulders and— “Oh please.” Keefe shoved his way between them. “Fitz’s human clothes are a huge snoozefest. Check out what Dex and I found in Alvar’s closet!” They both unzipped their hoodies, revealing T-shirts with logos underneath. “I have no idea what this means, but it’s crazy awesome, right?” Keefe asked, pointing to the black and yellow oval on his shirt. “It’s from Batman,” Sophie said—then regretted the words. Of course Keefe demanded she explain the awesomeness of the Dark Knight. “I’m wearing this shirt forever, guys,” he decided. “Also, I want a Batmobile! Dex, can you make that happen?” Sophie wouldn’t have been surprised if Dex actually could build one. As a Technopath, he worked miracles with technology. He’d made all kinds of cool gadgets for Sophie, including the lopsided ring she wore—a special panic switch that had saved her life during her fight with one of her kidnappers. “What’s my shirt from?” Dex asked, pointing to the logo with interlocking yellow W’s. Sophie didn’t have the heart to tell him it was the symbol for Wonder Woman.
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
Nekhbet shrieked in alarm. I turned to see what was going on. Immediately, I wished I could burn my eyes out of my head. Liz made a gagging sound. "Lord, no! That's wrong!" "Agh!" Emma shouted, in perfect baboon-speak. "Make him stop!" Bes had indeed put on his ugly outfit.He climbed onto the roof of the limo and stood there, legs planted, arms akimbo, like Superman- except with only the underwear. For those faint of heart I wont go into detail, but Bes, all of a meter tall, was showing off his disgusting physique- his potbelly, hairy limbs, awful feet, gross flabby bits- and wearing only a blue Speedo. Imagine the worst looking person you've ever seen on a public beach- the person for whom swimwear should be illegal. Bes looked worse than that. I wasn't sure what to say except: "Put some clothes on!" Bes laughed= the sort of guffaw that says Ha-ha! I'm amazing! "Not until they leave," he said. "Or I'll be forced to scare them back to the Duat." "This is not your affair, dwarf god!" Nekhbet snarled, averting her eyes from his horribleness. "Go away!" "These children are under my protection," Bes insisted "I don't know you," I said. "I never met you before today." "Nonsense. You expressly asked for my protection." "I didn't ask for the Speedo Patrol!" Bes leaped off the limo and landed in front of my circle placing himself between Babi and me. The dwarf was even more horrible from behind. His back was so hairy it looked like a mink coat. And on the back of his Speedo was printed DWARF PRIDE.
Rick Riordan
Some of you, we all know, are poor, find it hard to live, are sometimes, as it were, gasping for breath. I have no doubt that some of you who read this book are unable to pay for all the dinners which you have actually eaten, or for the coats and shoes which are fast wearing or are already worn out, and have come to this page to spend borrowed or stolen time, robbing your creditors of an hour. It is very evident what mean and sneaking lives many of you live, for my sight has been whetted by experience; always on the limits, trying to get into business and trying to get out of debt, a very ancient slough, called by the Latins aes alienum, another's brass, for some of their coins were made of brass; still living, and dying, and buried by this other's brass; always promising to pay, promising to pay, tomorrow, and dying today, insolvent; seeking to curry favor, to get custom, by how many modes, only not state-prison offences; lying, flattering, voting, contracting yourselves into a nutshell of civility or dilating into an atmosphere of thin and vaporous generosity, that you may persuade your neighbor to let you make his shoes, or his hat, or his coat, or his carriage, or import his groceries for him; making yourselves sick, that you may lay up something against a sick day, something to be tucked away in an old chest, or in a stocking behind the plastering, or, more safely, in the brick bank; no matter where, no matter how much or how little.
Henry David Thoreau (Walden)
Try not to breathe,” I tell Lira. “It might get stuck halfway out.” Lira flicks up her hood. “You should try not to talk then,” she retorts. “Nobody wants your words being preserved for eternity.” “They’re pearls of wisdom, actually.” I can barely see Lira’s eyes under the mass of dark fur from her coat, but the mirthless curl of her smile is ever-present. It lingers in calculated amusement as she considers what to say next. Readies to ricochet the next blow. Lira pulls a line of ice from her hair, artfully indifferent. “If that is what pearls are worth these days, I’ll make sure to invest in diamonds.” “Or gold,” I tell her smugly. “I hear it’s worth its weight.” Kye shakes the snow from his sword and scoffs. “Anytime you two want to stop making me feel nauseated, go right ahead.” “Are you jealous because I’m not flirting with you?” Madrid asks him, warming her finger on the trigger mechanism of her gun. “I don’t need you to flirt with me,” he says. “I already know you find me irresistible.” Madrid reholsters her gun. “It’s actually quite easy to resist you when you’re dressed like that.” Kye looks down at the sleek red coat fitted snugly to his lithe frame. The fur collar cuddles against his jaw and obscures the bottoms of his ears, making it seem as though he has no neck at all. He throws Madrid a smile. “Is it because you think I look sexier wearing nothing?” Torik lets out a withering sigh and pinches the bridge of his nose. I’m not sure whether it’s from the hours we’ve gone without food or his inability to wear cutoffs in the biting cold, but his patience seems to be wearing thin. “I could swear that I’m on a life-and-death mission with a bunch of lusty kids,” he says. “Next thing I know, the lot of you will be writing love notes in rum bottles.” “Okay,” Madrid says. “Now I feel nauseated.” I laugh.
Alexandra Christo (To Kill a Kingdom (Hundred Kingdoms, #1))
Regret nothing. Not the cruel novels you read to the end just to find out who killed the cook. Not the insipid movies that made you cry in the dark, in spite of your intelligence, your sophistication. Not the lover you left quivering in a hotel parking lot, the one you beat to the punchline, the door, or the one who left you in your red dress and shoes, the ones that crimped your toes, don’t regret those. Not the nights you called god names and cursed your mother, sunk like a dog in the livingroom couch,b chewing your nails and crushed by loneliness. You were meant to inhale those smoky nights over a bottle of flat beer, to sweep stuck onion rings across the dirty restaurant floor, to wear the frayed coat with its loose buttons, its pockets full of struck matches. You’ve walked those streets a thousand times and still you end up here. Regret none of it, not one of the wasted days you wanted to know nothing, when the lights from the carnival rides were the only stars you believed in, loving them for their uselessness, not wanting to be saved. You’ve traveled this far on the back of every mistake, ridden in dark-eyed and morose but calm as a house after the TV set has been pitched out the upstairs window. Harmless as a broken ax. Emptied of expectation. Relax. Don’t bother remembering any of it. Let’s stop here, under the lit sign on the corner, and watch all the people walk by.
Dorianne Laux (The Book of Men)
Some men look at constitutions with sanctimonious reverence, and deem them like the ark of the covenant, too sacred to be touched. They ascribe to the men of the preceding age a wisdom more than human, and suppose what they did to be beyond amendment. I knew that age well; I belonged to it, and labored with it. It deserved well of its country. It was very like the present, but without the experience of the present; and forty years of experience in government is worth a century of book-reading; and this they would say themselves, were they to rise from the dead. I am certainly not an advocate for frequent and untried changes in laws and constitutions. I think moderate imperfections had better be borne with; because, when once known, we accommodate ourselves to them, and find practical means of correcting their ill effects. But I know also, that laws and institutions must go hand in hand with the progress of the human mind. As that becomes more developed, more enlightened, as new discoveries are made, new truths disclosed, and manners and opinions change with the change of circumstances, institutions must advance also, and keep pace with the times. We might as well require a man to wear still the coat which fitted him when a boy, as civilized society to remain ever under the regimen of their barbarous ancestors.
Thomas Jefferson
This was my evening out:bopping back and forth, away from whichever convo made me the most uncomfortable. I walked back to the booth and stood next to Nick.He was leaning forward, listening to what Davis and Gavin were saying. I waited for them to finish. I stood naked beside him-wearing BOY TOY jeans,a long-sleeved shirt,and a short-sleeved PowderRoom.net T-shirt over that, but feeling naked nevertheless-for several long seconds. When he finally noticed me,he looked up quickly like he'd been waiting on edge for my return. He set down his pizza, crumpled his napkin in his hands, and even slid his half-filled plate toward the center of the table like I was the main course now and he was making room for me. "So,Hoyden." I noticed the Christmas lights glinting in his dark hair again, reflecting in his dark eyes. It took me a moment to remember I had something to tell him. Nick had that effect on me. I bent down and cupped my hand around his ear-such an intimate gesture on its own.The coarse strands of his hair brushed my fingers as I whispered, "Chloe and Liz think we need to make out." I jumped away at his sudden movement. He leaped up from the table and grabbed my hand. "I'll get my coat.
Jennifer Echols (The Ex Games)
The middle of the 'Atlantis' the warm, luxurious cabins,ining-rooms, halls, shed light and joy, buzzed with the chatter of an elegant crowd, was fragrant with fresh flowers, and quivered with the sounds of a string orchestra. And again amidst that crowd, amidst the brilliance of lights, silks, diamonds, and bare feminine shoulders, a slim and supple pair of hired lovers painfully writhed and at moments convulsively clashed. A sinfully discreet, pretty girl with lowered lashes and hair innocently dressed, and a tallish young man with black hair looking as if it were glued on, pale with powder, and wearing the most elegant patent-leather shoes and a narrow, long-tailed dress coat, a beau resembling an enormous leech. And no one knew that this couple had long since grown weary of shamly tormenting themselves with their beatific love-tortures, to the sound of bawdy-sad music ; nor did any one know of that thing which lay deep, deep below at the very bottom of the dark hold, near the gloomy and sultry bowels of the ship that was so gravely overcoming the darkness, the ocean, the blizzard.
Ivan Bunin (The Gentleman from San Francisco and Other Stories)
The typical capitalists are lovers of power rather than sensual indulgence, but they have the same tendency to crush and to take tribute that the cruder types of sensualism possess. The discipline of the capitalist is the same as that of the frugalist. He differs from the latter in that he has no regard for the objects through which productive power is acquired. HE does not hesitate to exploit natural resources, lands, dumb animals and even his fellowman. Capital to such a man is an abstract fund, made up of perishable elements which are quickly replaced… The frugalist…stands in marked contrast to the attitude of the capitalist. The frugalist takes a vital interest in his tools, in his land, and in the goods he produces. He has a definite attachment to each. He dislikes to see an old coat wear out, an old wagon break down, or an old horse go lame. He always thinks of concrete things, wants them and nothing else. He desires not land, but a given farm, not horses or cattle and machines, but particular breeds and implements; not shelter, but a home…. He rejects as unworthy what is below standard and despises as luxurious what is above or outside of it. Dominated by activities, he thinks of capital as a means to an end.
Ellen Ruppel Shell (Cheap: The High Cost of Discount Culture)
Do I need to check up on you guys later? You know the rules.No sleeping in opposite-sex rooms." My face flames,and St. Clair's cheeks grow blotchy. It's true.It's a rule. One that my brain-my rule-loving, rule-abiding brain-conveniently blocked last night. It's also one notoriously ignored by the staff. "No,Nate," we say. He shakes his shaved head and goes back in his apartment. But the door opens quickly again,and a handful of something is thrown at us before it's slammed back shut. Condoms.Oh my God, how humiliating. St. Clair's entire face is now bright red as he picks the tiny silver squares off the floor and stuffs them into his coat pockets. We don't speak,don't even look at each other,as we climb the stairs to my floor. My pulse quickens with each step.Will he follow me to my room,or has Nate ruined any chance of that? We reach the landing,and St. Clair scratches his head. "Er..." "So..." "I'm going to get dressed for bed. Is that all right?" His voice is serious,and he watches my reaction carefully. "Yeah.Me too.I'm going to...get ready for bed,too." "See you in a minute?" I swell with relief. "Up there or down here?" "Trust me,you don't want to sleep in my bed." He laughs,and I have to turn my face away,because I do,holy crap do I ever. But I know what he means.It's true my bed is cleaner. I hurry to my room and throw on the strawberry pajamas and an Atlanta Film Festival shirt. It's not like I plan on seducing him. Like I'd even know how. St. Clair knocks a few minutes later, and he's wearing his white bottoms with the blue stripes again and a black T-shirt with a logo I recognize as the French band he was listening to earlier. I'm having trouble breathing. "Room service," he says. My mind goes...blank. "Ha ha," I say weakly. He smiles and turns off the light. We climb into bed,and it's absolutely positively completely awkward. As usual. I roll over to my edge of the bed. Both of us are stiff and straight, careful not to touch the other person. I must be a masochist to keep putting myself in these situations. I need help. I need to see a shrink or be locked in a padded cell or straitjacketed or something. After what feels like an eternity,St. Clair exhales loudly and shifts. His leg bumps into mine, and I flinch. "Sorry," he says. "It's okay." "..." "..." "Anna?" "Yeah?" "Thanks for letting me sleep here again. Last night..." The pressure inside my chest is torturous. What? What what what? "I haven't slept that well in ages." The room is silent.After a moment, I roll back over. I slowly, slowly stretch out my leg until my foot brushes his ankle. His intake of breath is sharp. And then I smile,because I know he can't see my expression through the darkness.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Bradley Headstone, in his decent black coat and waistcoat, and decent white shirt, and decent formal black tie, and decent pantaloons of pepper and salt, with his decent silver watch in his pocket and its decent hair-guard round his neck, looked a thoroughly decent young man of six-and-twenty. He was never seen in any other dress, and yet there was a certain stiffness in his manner of wearing this, as if there were a want of adaptation between him and it, recalling some mechanics in their holiday clothes. He had acquired mechanically a great store of teacher's knowledge. He could do mental arithmetic mechanically, sing at sight mechanically, blow various wind instruments mechanically, even play the great church organ mechanically. From his early childhood up, his mind had been a place of mechanical stowage. The arrangement of his wholesale warehouse, so that it might be always ready to meet the demands of retail dealers history here, geography there, astronomy to the right, political economy to the left—natural history, the physical sciences, figures, music, the lower mathematics, and what not, all in their several places—this care had imparted to his countenance a look of care; while the habit of questioning and being questioned had given him a suspicious manner, or a manner that would be better described as one of lying in wait. There was a kind of settled trouble in the face. It was the face belonging to a naturally slow or inattentive intellect that had toiled hard to get what it had won, and that had to hold it now that it was gotten. He always seemed to be uneasy lest anything should be missing from his mental warehouse, and taking stock to assure himself.
Charles Dickens (Our Mutual Friend)
When I first read The Rebel, this splendid line came leaping from the page like a dolphin from a wave. I memorized it instantly, and from then on Camus was my man. I wanted to write like that, in a prose that sang like poetry. I wanted to look like him. I wanted to wear a Bogart-style trench coat with the collar turned up, have an untipped Gauloise dangling from my lower lip, and die romantically in a car crash. At the time, the crash had only just happened. The wheels of the wrecked Facel Vega were practically still spinning, and at Sydney University I knew exiled French students, spiritually scarred by service in Indochina, who had met Camus in Paris: one of them claimed to have shared a girl with him. Later on, in London, I was able to arrange the trench coat and the Gauloise, although I decided to forgo the car crash until a more propitious moment. Much later, long after having realized that smoking French cigarettes was just an expensive way of inhaling nationalized industrial waste, I learned from Olivier Todd's excellent biography of Camus that the trench coat had been a gift from Arthur Koestler's wife and that the Bogart connection had been, as the academics say, no accident. Camus had wanted to look like Bogart, and Mrs. Koestler knew where to get the kit. Camus was a bit of an actor--he though, in fact, that he was a lot of an actor, although his histrionic talent was the weakest item of his theatrical equipment--and, being a bit of an actor, he was preoccupied by questions of authenticity, as truly authentic people seldom are. But under the posturing agonies about authenticity there was something better than authentic: there was something genuine. He was genuinely poetic. Being that, he could apply two tests simultaneously to his own language: the test of expressiveness, and the test of truth to life. To put it another way, he couldn't not apply them.
Clive James (Cultural Amnesia: Necessary Memories from History and the Arts)
Once my father told me: When a Jew prays, he is asking God a question that has no end. Darkness fell. Rain fell. I never asked: What question? And now it's too late. Because I lost you, Tateh. One day, in the spring of 1938, on a rainy day that gave way to a break in the clouds, I lost you. You'd gone out to collect specimens for a theory you were hatching about rainfall, instinct, and butterflies. And then you were gone. We found you lying under a tree, your face splashed with mud. We knew you were free then, unbound by disappointing results. And we buried you in the cemetery where your father was buried, and his father, under the shade of the chestnut tree. Three years later, I lost Mameh. The last time I saw her she was wearing her yellow apron. She was stuffing things in a suitcase, the house was a wreck. She told me to go into the woods. She'd packed me food, and told me to wear my coat, even though it was July. "Go," she said. I was too old to listen, but like a child I listened. She told me she'd follow the next day. We chose a spot we both knew in the woods. The giant walnut tree you used to like, Tateh, because you said it had human qualities. I didn't bother to say goodbye. I chose to believe what was easier. I waited. But. She never came. Since then I've lived with the guilt of understanding too late that she thought she would have been a burden to me. I lost Fitzy. He was studying in Vilna, Tateh—someone who knew someone told me he'd last been seen on a train. I lost Sari and Hanna to the dogs. I lost Herschel to the rain. I lost Josef to a crack in time. I lost the sound of laughter. I lost a pair of shoes, I'd taken them off to sleep, the shoes Herschel gave me, and when I woke they were gone, I walked barefoot for days and then I broke down and stole someone else's. I lost the only woman I ever wanted to love. I lost years. I lost books. I lost the house where I was born. And I lost Isaac. So who is to say that somewhere along the way, without my knowing it, I didn't also lose my mind?
Nicole Krauss (The History of Love)
At first Alexander could not believe it was his Tania. He blinked and tried to refocus his eyes. She was walking around the table, gesturing, showing, leaning forward, bending over. At one point she straightened out and wiped her forehead. She was wearing a short-sleeved yellow peasant dress. She was barefoot, and her slender legs were exposed above her knee. Her bare arms were lightly tanned. Her blonde hair looked bleached by the sun and was parted into two shoulder-length braids tucked behind her ears. Even from a distance he could see the summer freckles on her nose. She was achingly beautiful. And alive. Alexander closed his eyes, then opened them again. She was still there, bending over the boy’s work. She said something, everyone laughed loudly, and Alexander watched as the boy’s arm touched Tatiana’s back. Tatiana smiled. Her white teeth sparkled like the rest of her. Alexander didn’t know what to do. She was alive, that was obvious. Then why hadn’t she written him? And where was Dasha? Alexander couldn’t very well continue to stand under a lilac tree. He went back out onto the main road, took a deep breath, stubbed out his cigarette, and walked toward the square, never taking his eyes off her braids. His heart was thundering in his chest, as if he were going into battle. Tatiana looked up, saw him, and covered her face with her hands. Alexander watched everyone get up and rush to her, the old ladies showing unexpected agility and speed. She pushed them all away, pushed the table away, pushed the bench away, and ran to him. Alexander was paralyzed by his emotion. He wanted to smile, but he thought any second he was going to fall to his knees and cry. He dropped all his gear, including his rifle. God, he thought, in a second I’m going to feel her. And that’s when he smiled. Tatiana sprang into his open arms, and Alexander, lifting her off her feet with the force of his embrace, couldn’t hug her tight enough, couldn’t breathe in enough of her. She flung her arms around his neck, burying her face in his bearded cheek. Dry sobs racked her entire body. She was heavier than the last time he felt her in all her clothes as he lifted her into the Lake Ladoga truck. She, with her boots, her clothes, coats, and coverings, had not weighed what she weighed now. She smelled incredible. She smelled of soap and sunshine and caramelized sugar. She felt incredible. Holding her to him, Alexander rubbed his face into her braids, murmuring a few pointless words. “Shh, shh…come on, now, shh, Tatia. Please…” His voice broke. “Oh, Alexander,” Tatiana said softly into his neck. She was clutching the back of his head. “You’re alive. Thank God.” “Oh, Tatiana,” Alexander said, hugging her tighter, if that were possible, his arms swaddling her summer body. “You’re alive. Thank God.” His hands ran up to her neck and down to the small of her back. Her dress was made of very thin cotton. He could almost feel her skin through it. She felt very soft. Finally he let her feet touch the ground. Tatiana looked up at him. His hands remained around her little waist. He wasn’t letting go of her. Was she always this tiny, standing barefoot in front of him? “I like your beard,” Tatiana said, smiling shyly and touching his face. “I love your hair,” Alexander said, pulling on a braid and smiling back. “You’re messy…” He looked her over. “And you’re stunning.” He could not take his eyes off her glorious, eager, vivid lips. They were the color of July tomatoes— He bent to her—
Paullina Simons
He surveyed what remained of his crew. Rotty still hovered by the wreckage of the longboat. Jesper sat with elbows on knees, head in hands, Wylan beside him wearing the face of a near-stranger; Matthias stood gazing across the water in the direction of Hellgate like a stone sentinel. If Kaz was their leader, then Inej had been their lodestone, pulling them together when they seemed most likely to drift apart. Nina had disguised Kaz’s crow-and-cup tattoo before they’d entered the Ice Court, but he hadn’t let her near the R on his bicep. Now he touched his gloved fingers to where the sleeve of his coat covered that mark. Without meaning to, he’d let Kaz Rietveld return. He didn’t know if it had begun with Inej’s injury or that hideous ride in the prison wagon, but somehow he’d let it happen and it had cost him dearly. That didn’t mean he was going to let himself be bested by some thieving merch. Kaz looked south toward Ketterdam’s harbors. The beginnings of an idea scratched at the back of his skull, an itch, the barest inkling. It wasn’t a plan, but it might be the start of one. He could see the shape it would take—impossible, absurd, and requiring a serious chunk of cash. “Scheming face,” murmured Jesper. “Definitely,” agreed Wylan. Matthias folded his arms. “Digging in your bag of tricks, demjin?” Kaz flexed his fingers in his gloves. How did you survive the Barrel? When they took everything from you, you found a way to make something from nothing. “I’m going to invent a new trick,” Kaz said. “One Van Eck will never forget.” He turned to the others. If he could have gone after Inej alone, he would have, but not even he could pull that off. “I’ll need the right crew.” Wylan got to his feet. “For the Wraith.” Jesper followed, still not meeting Kaz’s eyes. “For Inej,” he said quietly. Matthias gave a single sharp nod. Inej had wanted Kaz to become someone else, a better person, a gentler thief. But that boy had no place here. That boy ended up starving in an alley. He ended up dead. That boy couldn’t get her back. I’m going to get my money, Kaz vowed. And I’m going to get my girl. Inej could never be his, not really, but he would find a way to give her the freedom he’d promised her so long ago. Dirtyhands had come to see the rough work done.
Leigh Bardugo (Six of Crows (Six of Crows, #1))
Over the years I have read many, many books about the future, my ‘we’re all doomed’ books, as Connie liked to call them. ‘All the books you read are either about how grim the past was or how gruesome the future will be. It might not be that way, Douglas. Things might turn out all right.’ But these were well-researched, plausible studies, their conclusions highly persuasive, and I could become quite voluble on the subject. Take, for instance, the fate of the middle-class, into which Albie and I were born and to which Connie now belongs, albeit with some protest. In book after book I read that the middle-class are doomed. Globalisation and technology have already cut a swathe through previously secure professions, and 3D printing technology will soon wipe out the last of the manufacturing industries. The internet won’t replace those jobs, and what place for the middle-classes if twelve people can run a giant corporation? I’m no communist firebrand, but even the most rabid free-marketeer would concede that market-forces capitalism, instead of spreading wealth and security throughout the population, has grotesquely magnified the gulf between rich and poor, forcing a global workforce into dangerous, unregulated, insecure low-paid labour while rewarding only a tiny elite of businessmen and technocrats. So-called ‘secure’ professions seem less and less so; first it was the miners and the ship- and steel-workers, soon it will be the bank clerks, the librarians, the teachers, the shop-owners, the supermarket check-out staff. The scientists might survive if it’s the right type of science, but where do all the taxi-drivers in the world go when the taxis drive themselves? How do they feed their children or heat their homes and what happens when frustration turns to anger? Throw in terrorism, the seemingly insoluble problem of religious fundamentalism, the rise of the extreme right-wing, under-employed youth and the under-pensioned elderly, fragile and corrupt banking systems, the inadequacy of the health and care systems to cope with vast numbers of the sick and old, the environmental repercussions of unprecedented factory-farming, the battle for finite resources of food, water, gas and oil, the changing course of the Gulf Stream, destruction of the biosphere and the statistical probability of a global pandemic, and there really is no reason why anyone should sleep soundly ever again. By the time Albie is my age I will be long gone, or, best-case scenario, barricaded into my living module with enough rations to see out my days. But outside, I imagine vast, unregulated factories where workers count themselves lucky to toil through eighteen-hour days for less than a living wage before pulling on their gas masks to fight their way through the unemployed masses who are bartering with the mutated chickens and old tin-cans that they use for currency, those lucky workers returning to tiny, overcrowded shacks in a vast megalopolis where a tree is never seen, the air is thick with police drones, where car-bomb explosions, typhoons and freak hailstorms are so commonplace as to barely be remarked upon. Meanwhile, in literally gilded towers miles above the carcinogenic smog, the privileged 1 per cent of businessmen, celebrities and entrepreneurs look down through bullet-proof windows, accept cocktails in strange glasses from the robot waiters hovering nearby and laugh their tinkling laughs and somewhere, down there in that hellish, stewing mess of violence, poverty and desperation, is my son, Albie Petersen, a wandering minstrel with his guitar and his keen interest in photography, still refusing to wear a decent coat.
David Nicholls (Us)