“
He held up a book then. “I'm going to read it to you for relax.”
“Does it have any sports in it?”
“Fencing. Fighting. Torture. Poison. True Love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest Ladies. Snakes. Spiders... Pain. Death. Brave men. Cowardly men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.”
“Sounds okay,” I said and I kind of closed my eyes.
”
”
William Goldman (The Princess Bride)
“
That's why I love spiders. 'If at first you don't succeed, try, try, try again.
”
”
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
“
Wilbur never forgot Charlotte. Although he loved her children and grandchildren dearly, none of the new spiders ever quite took her place in his heart. She was in a class by herself. It is not often that someone comes along who is a true friend and a good writer. Charlotte was both.
”
”
E.B. White (Charlotte’s Web)
“
I'd face down a horde of spiders for you, baby." I grinned at the sound of his laugh again. "For real."
"Thats true love there. Some serious stuff," he teased.
"It is.
”
”
Jennifer L. Armentrout (Apollyon (Covenant, #4))
“
At dawn, when you have trouble getting out of bed, tell yourself: “I have to go to work — as a human being. What do I have to complain of, if I’m going to do what I was born for — the things I was brought into the world to do? Or is this what I was created for? To huddle under the blankets and stay warm?”
So you were born to feel “nice”? Instead of doing things and experiencing them? Don’t you see the plants, the birds, the ants and spiders and bees going about their individual tasks, putting the world in order, as best they can? And you’re not willing to do your job as a human being? Why aren’t you running to do what your nature demands?
You don’t love yourself enough. Or you’d love your nature too, and what it demands of you.
”
”
Marcus Aurelius (Meditations)
“
The world must live. We are only one species among billions. The gods don't love us any more than they love spiders or bears or whales or water lilies.
”
”
Daniel Quinn
“
…when writing, always hook the reader with your first sentence…in love, never settle…value yourself first and this will help you to value others…life is short, so enjoy it to the fullest…everyone in the world is different, and that’s ok…
”
”
Spider Robinson
“
How bitterly glad I am to see you. You bring joy and pain in equal measure. Joy because you are with me, but pain because it won't be for long. What do you know about the sea? Nothing. What do I know about the sea? Nothing. Without a driver this bus is lost. Our lives are over. Come aboard if your destination is oblivion-- It should be our next stop. We can sit together. You can have the window seat, if you want. But it's a sad view. Oh enough of this disembling. Let me say plainly: I love you, I love you, I love you. I love you, I love you, I love you. Not the spiders, please.
”
”
Yann Martel (Life of Pi)
“
escape from the black widow spider
is a miracle as great as art.
what a web she can weave
slowly drawing you to her
she'll embrace you
then when she's satisfied
she'll kill you
still in her embrace
and suck the blood from you.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
Falling in love with a house or a car or a pair of shoes, it was a dead end. You save your love for the things that can love you back.
”
”
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
“
How did you—”
“Fool your guards? They’re not very good. They forgot to check the ceiling for spiders.” Valek grinned. His angular face softened. Startled, I realized he wasn’t in disguise. “This is dangerous.”
“I knew falling for you was dangerous, love.
”
”
Maria V. Snyder (Magic Study (Study, #2))
“
I've been in love with you since you helped me bury that spider in my garden, and you sang with me like we were singing “Amazing Grace” instead of “The Itsy, Bitsy Spider.” I've loved you since you quoted Hamlet like you understood him, since you said you loved ferris wheels more than roller coasters because life shouldn't be lived at full speed, but in anticipation and appreciation. I read and re-read your letters to Rita because I felt like you'd opened up a little window into your soul, and the light was pouring out with every word. They weren't even for me, but it didn't matter. I loved every word, every thought, and I loved you . . . so much.
”
”
Amy Harmon (Making Faces)
“
I could keep going forever, listing all my flaws in order from the most innocuous to the least. I am afraid of spiders... I fall in love too easily... I have fierce spells of self-doubt.
”
”
Nina LaCour (Everything Leads to You)
“
Juliet laughed. “You all are crazy, you know that?”
“Oh, for sure,” he said with a nod.
“Does it rub off?”
“If you’re lucky.
”
”
Erin Nicholas (Beauty and the Bayou (Boys of the Bayou, #3))
“
My mother tells me
that when I meet someone I like,
I have to ask them three questions:
1. what are you afraid of?
2. do you like dogs?
3. what do you do when it rains?
of those three, she says the first one is the most important.
“They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”I asked you what you were afraid of.
“spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.”
I asked you if you liked dogs.
“I have three.”
I asked you what you do when it rains.
“sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.”
he smiled like he knew.
like his mom told him the same
thing.
“how about you?”
me?
I’m scared of everything.
of the hole in the o-zone layer,
of the lady next door who never
smiles at her dog,
and especially of all the secrets
the government must be breaking
it’s back trying to keep from us.
I love dogs so much, you have no idea.
I sleep when it rains.
I want to tell everyone I love them.
I want to find every stray animal and bring them home.
I want to wake up in your hair
and make you shitty coffee
and kiss your neck
and draw silly stick figures of us.
I never want to ask anyone else
these questions
ever again.
”
”
Caitlyn Siehl (What We Buried)
“
There are two types of people on planet Earth, Batman and Iron Man. Batman has a secret identity, right? So Bruce Wayne has to walk around every second of every day knowing that if somebody finds out his secret, his family is dead, his friends are dead, everyone he loves gets tortured to death by costumed supervillains. And he has to live with the weight of that secret every day. But not Tony Stark, he's open about who he is. He tells the world he's Iron Man, he doesn't give a shit. He doesn't have that shadow hanging over him, he doesn't have to spend energy building up those walls of lies around himself. You're one or the other - either you're one of those people who has to hide your real self because it would ruin you if it came out, because of your secret fetishes or addictions or crimes, or you're not one of those people. And the two groups aren't even living in the same universe.
”
”
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
“
Red, I love you. Red, I will send you letters from everywhen telling you so. Letters of only one word. Letters that will brush your cheek and grip your hair. Letters that will bite you. Letters that will mark you. I’ll write you by bullet ant and spider wasp. I’ll write you by shark’s tooth and scallop shell.
”
”
Amal El-Mohtar (This Is How You Lose the Time War)
“
A moth goes into a podiatrist’s office, and the podiatrist’s office says, “What seems to be the problem, moth?”
The moth says “What’s the problem? Where do I begin, man? I go to work for Gregory Illinivich, and all day long I work. Honestly doc, I don’t even know what I’m doing anymore. I don’t even know if Gregory Illinivich knows. He only knows that he has power over me, and that seems to bring him happiness. But I don’t know, I wake up in a malaise, and I walk here and there… at night I…I sometimes wake up and I turn to some old lady in my bed that’s on my arm. A lady that I once loved, doc. I don’t know where to turn to. My youngest, Alexendria, she fell in the…in the cold of last year. The cold took her down, as it did many of us. And my other boy, and this is the hardest pill to swallow, doc. My other boy, Gregarro Ivinalititavitch… I no longer love him. As much as it pains me to say, when I look in his eyes, all I see is the same cowardice that I… that I catch when I take a glimpse of my own face in the mirror. If only I wasn’t such a coward, then perhaps…perhaps I could bring myself to reach over to that cocked and loaded gun that lays on the bedside behind me and end this hellish facade once and for all…Doc, sometimes I feel like a spider, even though I’m a moth, just barely hanging on to my web with an everlasting fire underneath me. I’m not feeling good. And so the doctor says, “Moth, man, you’re troubled. But you should be seeing a psychiatrist. Why on earth did you come here?”
And the moth says, “‘Cause the light was on.
”
”
Norm Macdonald
“
It's hard to focus on your love life when giant spiders are chasing you.
”
”
Cassandra Clare (Queen of Air and Darkness (The Dark Artifices, #3))
“
Howl pointed a shaky hand up toward the canopy of his bed. “That’s why I love spiders. ‘If at first you don’t succeed, try, try, try, again.’ I keep trying,” he said with great sadness. “But I brought it on myself by making a bargain some years ago, and I know I shall never be able to love anyone properly now.”
The water running out of Howl’s eyes was definitely tears now.
”
”
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
“
I love you like a man insane.
”
”
Amanda Bouchet (Breath of Fire (Kingmaker Chronicles, #2))
“
A story is like something you wind out of yourself. Like a spider, it is a web you weave, and you love your story like a child.
”
”
Katherine Anne Porter
“
Wilbur never forgot Charlotte. Although he loved her children and grandchildren dearly, none of the new spiders ever quite took her place in his heart.
”
”
E.B. White (Charlotte’s Web)
“
Sorry. The feminism left my body the moment you mentioned spiders.
”
”
Lauren Asher (Love Redesigned (Lakefront Billionaires, #1))
“
Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautiful ladies. Snakes. Spiders. Pain. Death. Brave men. Cowardly men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.
”
”
Cary Elwes (As You Wish: Inconceivable Tales from the Making of The Princess Bride)
“
And I remember being foolish enough to think... let's fall in love.
”
”
Jeph Loeb (Spider-Man: Blue)
“
At dawn, when you have trouble getting out of bed, tell yourself: ‘I have to go to work—as a human being. What do I have to complain of, if I’m going to do what I was born for—the things I was brought into the world to do? Or is this what I was created for? To huddle under the blankets and stay warm?
—But it’s nicer here…
So you were born to feel ‘nice’? Instead of doings things and experiencing them? Don’t you see the plants, the birds, the ants and spiders and bees going about their individual tasks, putting the world in order, as best they can? And you’re not willing to do your job as a human being? Why aren’t you running to do what your nature demands?
—But we have to sleep sometime…
Agreed. But nature set a limit on that—as it did on eating and drinking. And you’re over the limit. You’ve had more than enough of that. But not of working. There you’re still below your quota. You don’t love yourself enough. Or you’d love your nature too, and what it demands of you. People who love what they do wear themselves down doing it, they even forget to wash or eat. Do you have less respect for your own nature than the engraver does for engraving, the dancer for dance, the miser for money or the social climber for status? When they’re really possessed by what they do, they’d rather stop eating and sleeping than give up practicing their arts.
”
”
Marcus Aurelius (Meditations)
“
Paul D did not answer because she didn't expect or want him to, but he did know what she meant. Listening to the doves in Alfred, Georgia, and having neither the right nor the permission to enjoy it because in that place mist, doves, sunlight, copper dirt, moon - everything belonged to the men who had the guns. Little men, some of them, big men too, each one of whom he could snap like a twig if he wanted to. Men who knew that their manhood lay in their guns and were not even embarrassed by the knowledge that without fox would laugh at them. And these "men" who made even vixen laugh could, if you let them, stop you from hearing doves or loving moonlight. So you protected yourself and loved small. Picked the tiniest stars out of the sky to own; lay down with head twisted in order to see the loved one over the rim of the trench before you slept. Stole shy glances at her between the trees at chain-up. Glass blades, salamanders, spiders, woodpeckers, beetles, a kingdom of ants. Anything bigger wouldn't do. A woman, a child, a brother - a big love like that would split you wide open in Alfred, Georgia. He knew exactly what she meant: to get to a place where you could love anything you chose - not to need permission for desire - well now, THAT was freedom.
”
”
Toni Morrison (Beloved (Beloved Trilogy, #1))
“
Many & most moments go by with us hardly aware of their passage. But love & hate & fear cause time to snag you, to drag you down like a spider's web holding fast to a doomed fly's wings. And when you're caught like that you're aware of every moment & movement & nuance.
”
”
Walter Mosley (When the Thrill Is Gone)
“
Jon gave Simon a patronizing pat on the shoulder. “I’m going to miss your witty repartee this summer, Lewis.”
“I’m going to hope you get eaten by a spider demon this summer, Cartwright.”
George slipped an arm around both of them, grinning maniacally and humming “Can You Feel the Love Tonight?
”
”
Cassandra Clare (The Evil We Love (Tales from the Shadowhunter Academy, #5))
“
It was the best place to be, thought Wilbur, this warm delicious cellar, with the garrulous geese, the changing seasons, the heat of the sun, the passage of swallows, the nearness of rats, the sameness of sheep, the love of spiders, the smell of manure, and the glory of everything.
”
”
E.B. White (Charlotte’s Web)
“
Fencing. Fighting. Torture. Poison. True love. Hate. Revenge. Giants. Hunters. Bad men. Good men. Beautifulest ladies. Snakes. Spiders. Beasts of all natures and descriptions. Pain. Death. Brave men. Coward men. Strongest men. Chases. Escapes. Lies. Truths. Passion. Miracles.
”
”
William Goldman
“
At first I wasn’t all that tempted by him, but then he killed the spider. Which was a huge point in his favor.”
“Absolutely. I love men who kill bugs.”
“And then when I was freaking out and couldn’t breathe, he was so…gentle.” Zoe sighed and colored, remembering. “He was holding me, and talking to me in that voice…you know, sort of low and rough around the edges…”
“All the Nolans sound like that,” Justine said reflectively. “Like they’ve got a mild case of bronchitis. Totally hot.
”
”
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
“
He fell in love with Manhattan's skyline, like a first-time brothel guest falling for a seasoned professional. He mused over her reflections in the black East River at dusk, dawn, or darkest night, and each haloed light-in a tower or strung along the jeweled and sprawling spider legs of the Brooklyn Bridge's spans-hinted at some meaning, which could be understood only when made audible by music and encoded in lyrics.
”
”
Arthur Phillips (The Song Is You)
“
Well, that was a beautiful wedding," Beezle said. "The bride has spider goo in her hair and the groom smells like sulfur. the parking-lot-in-front-of-the-burning warehouse location leaves something to be desired, and there was a distinct lack of refreshments, but otherwise, just lovely.
”
”
Christina Henry (Black Howl (Black Wings, #3))
“
sighed into his chest. “I’m needy, okay?” I admitted, unashamed. “And I’m not talking just snuggles needy. I’m spider-monkey needy.” I made my point, throwing my leg over his and my arm over his chest, tangling our bodies in a way that I guessed wasn’t anywhere close to being cute.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
What's more, I was free to do anything that did not hurt others that strengthened me and helped me in the one thing that we are all put on this earth to do: help one another - because it is the only thing that, in the long run, gives us pleasure, as receiving love and friendship and affection is the only thing that gives us joy and ameliorates the dread of our inevitable extinction.
”
”
Samuel R. Delany (Through the Valley of the Nest of Spiders)
“
Who knows what lies in the hearts of men? And more importantly, who cares so long as they open our jars and kill spiders?
”
”
Candace Vianna (The Science of Loving)
“
I, Brody, promise to love you, Lucy and Piper, just as much as I love your mommy. I promise to love you and protect you and always take care of you, no matter what. From this day forward, you will always and forever be my Twinkies. I also promise to always kill all the spiders.
”
”
Beth Ehemann (Room for Just a Little Bit More (Cranberry Inn, #2.5))
“
Sir, we're now introducing the love interest for Spider-Man."
"Yes, just make sure it's organic. That it doesn't feel like it comes out of nowhere."
"We had her fall on him, Sir."
"Classy. I love it.
”
”
Jason Aaron (Astonishing Spider-Man & Wolverine)
“
I'll never be happy, how can you love me, I'm awful, I'm covered with spiders, I'm doomed.
”
”
Iris Murdoch (The Message to the Planet)
“
There are no love stories found upon the throne. Only secrets and schemes and spider-fingered kings.
”
”
Gina Chen (Violet Made of Thorns)
“
The faithful dog is kicked, and no matter how the spider weaves, he is never loved.
”
”
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
“
She loved to stand in the produce section when the sound of thunder came over the speakers, followed by the mist that sprayed the lettuce and parsley. She
”
”
Anne Hillerman (Spider Woman's Daughter (Leaphorn & Chee, #19))
“
Linda asked that morning what it was about Charlotte’s Web that Ally particularly liked; maybe it would help to think about that, since it was Ally’s model book.
“I like the family that comes together in the barn,” Ally said without hesitation. “I like that they aren’t all the same thing; one is human and one’s a spider and one’s a pig. I like that it has nothing to do with blood relations, and everything to do with love.
”
”
Meg Waite Clayton (The Wednesday Sisters)
“
To look down into crowds is to see bald spots and slipped bra straps before faces and gowns. It is the viewpoint of spiders and kings, of cheap sports seats and God.
”
”
Tanya Egan Gibson (How to Buy a Love of Reading)
“
It's a commonly known fact that while cats can't stand ghosts, spiders love them.
”
”
Jonathan Stroud (The Screaming Staircase (Lockwood & Co., #1))
“
The Promise"
Stay, I said
to the cut flowers.
They bowed
their heads lower.
Stay, I said to the spider,
who fled.
Stay, leaf.
It reddened,
embarrassed for me and itself.
Stay, I said to my body.
It sat as a dog does,
obedient for a moment,
soon starting to tremble.
Stay, to the earth
of riverine valley meadows,
of fossiled escarpments,
of limestone and sandstone.
It looked back
with a changing expression, in silence.
Stay, I said to my loves.
Each answered,
Always.
”
”
Jane Hirshfield
“
She was afraid of numbers the way some people are of spiders. The sight of them made her want to hide. What I loved about them, their clarity, was for her duplicity. Behind an innocent 2,or 5, or 9, she spied a mass of traps and pitfalls.
”
”
Margot Livesey (The Flight of Gemma Hardy)
“
He seemed to weave, like the spider, from pure impulse, without reflection. Every man's work, pursued steadily, tends in this way to become an end in itself, and so to bridge over the loveless chasms of life. Silas's hand satisfied itself with throwing the shuttle, and his eye with seeing the little squares in the cloth complete themselves under his effort. Then there were the calls of hunger; and Silas, in his solitude, had to provide his own breakfast, dinner, and supper, to fetch his own water from the well, and put his own kettle on the fire; and all these immediate promptings helped, along with the weaving, to reduce his life to the unquestioning activity of a spinning insect. He hated the thought of the past; there was nothing that called out his love and fellowship toward the strangers he had come amongst; and the future was all dark, for there was no Unseen Love that cared for him. Thought was arrested by utter bewilderment, not its old narrow pathway was closed, and affection seemed to have died under the bruise that had fallen on its keenest nerves.
”
”
George Eliot (Silas Marner)
“
At dawn, when you have trouble getting out of bed, tell yourself: “I have to go to work—as a human being. What do I have to complain of, if I’m going to do what I was born for— the things I was brought into the world to do? Or is this what I was created for? To huddle under the blankets and stay warm?
—But it’s nicer here. . . .
So you were born to feel “nice”? Instead of doing things and experiencing them? Don’t you see the plants, the birds, the ants and spiders and bees going about their individual tasks, putting the world in order, as best they can? And you’re not willing to do your job as a human being? Why aren’t you running to do what your nature demands?
—But we have to sleep sometime. . . .
Agreed. But nature set a limit on that—as it did on eating and drinking. And you’re over the limit. You’ve had more than enough of that. But not of working. There you’re still below your quota.
You don’t love yourself enough. Or you’d love your nature too, and what it demands of you. People who love what they do wear themselves down doing it, they even forget to wash or eat. Do you have less respect for your own nature than the engraver does for engraving, the dancer for the dance, the miser for money or the social climber for status? When they’re really possessed by what they do, they’d rather stop eating and sleeping than give up practicing their arts.
Is helping others less valuable to you? Not worth your effort?
”
”
Marcus Aurelius (Meditations)
“
What do you talk about to a murderer, and someone you loved, over a perfect dinner and cocktails? I wanted to know so many things, but I couldn't ask any of the real-questions pounding in my head. Instead, we talked of the coming vacation days, a "plan" for the
here and now in the islands.
”
”
James Patterson (Along Came a Spider (Alex Cross, #1))
“
We are sorry, child. We did not mean to love you so well.
This was a truth I hadn’t understood until now.
You see, nothing good can come from being loved by old gods. Their love of mortals turns them neglectful and petty. When they move on, they lay waste in their path—cicada wings and bear paw prints, sacs of spider silk, echoes and anemone, the limbs of lovers now rendered to stars.
”
”
Roshani Chokshi (The Last Tale of the Flower Bride)
“
When he says he doesn’t love you anymore, roll your shoulders back and look him in the eye even when it feels like your ribs are breaking inward; like spider legs.
When he digs up old aches that he swore he forgave you for, smile and ask him why he didn’t leave you sooner.
Ignore the way the words feel like sandpaper running all the way up your throat to your mouth.
When he blames you for mistakes that wear his face, do not scream.
Do not cry.
Tell him that there are boys who would be proud to say they’d love you.
Tell him that in two years you won’t even remember his name and don’t let him see the way you can taste your own lie.
When he leaves, ignore the howling in your blood and do not get up after him. Not even to lock the door.
Do not, do not, DO NOT. Smell his shirts when you box them up to give them back. Not one.
Swear off dating when you realize you’re chasing ghosts that wear his smile.
It’s okay to cry over him. It’s even okay to forgive him. But do not go back to him if he did not know how to love you the first time. He won’t know how to do it the next.
”
”
Ashe Vernon
“
Children’s novels...spoke and still speak of hope. They say: look, this is what bravery looks like. This is what generosity looks like. They tell me, through the medium of wizards and lions and talking spiders, that this world we live in is a world of people who tell jokes and work and endure. Children’s books say: the world is huge. They say: hope counts for something. They say: bravery will matter, wit will matter, empathy will matter, love will matter. These things may or may not be true. I do not know. I hope they are.
”
”
Katherine Rundell (Why You Should Read Children's Books, Even Though You Are So Old and Wise)
“
Half the time he seems autistic, the rest of the time he's like a lizard jacked full of lithium and speed. These things do not promote love in most of us.
”
”
Warren Ellis (Transmetropolitan, Vol. 3: Year of the Bastard)
“
You save your love for the things that can love you back.
”
”
David Wong (This Book Is Full of Spiders: Seriously, Dude, Don’t Touch It (John Dies at the End, #2))
“
He was capable of wild mood swings that went from murder to concern for a spider in under five minutes. In the end, loving Myrnin, really loving him, could be like living with an unexploded bomb - sooner or later it was bound to go off, and for someone fragile and human, it would be fatal.
”
”
Rachel Caine (Daylighters (The Morganville Vampires, #15))
“
She used to imagine her parents and happy endings she would never have. Now she envisioned torments that were all too real.
She pictured one of Cinderella's stepsisters planting her foot on a cutting board - and biting down hard as the cleaver chopped through the bone of her big toe.
She imagined a princess used to safety, luxury, throwing the rank hide of a donkey over her shoulders, its boneless face drooping past her forehead like a hideous veil.
And she imagined her future self, flat on her back in bed, limbs as heavy as if they'd been chained down. Mice scurried across her body, leaving footprints on her dress. Spiders spun an entire trousseau's worth of silk and draped her in it, so it appeared she wore a gown of the finest lace, adorned with rose petals and ensnared butterflies. Beetles nestled between her fingers like jeweled rings - lovely from a distance, horrific up close.
”
”
Sarah Cross (Kill Me Softly (Beau Rivage, #1))
“
Although he loved her children and grandchildren dearly, none of the new spiders ever quite took her place in his heart. She was in a class by herself. It is not often that someone comes along who is a true friend and a good writer. Charlotte was both.
”
”
E.B. White (Charlotte's Web)
“
Fear is the most powerful adhesive we have. Fear unites, because if two people are afraid, then even as the authentic ties that may have once bound them disappear, the fear ties are as sticky as a spider's web.
”
”
Ramani Durvasula (You Are WHY You Eat: Change Your Food Attitude, Change Your Life)
“
Even the king's Erkynguard might have wished to be elsewhere, rather than here on this killing ground where duty brought them and loyalty prisoned them. Only the mercenaries were here by choice. To Simon, the minds of men who would come to this of their own will were suddenly as incomprehensible as the thoughts of spiders or lizards—less so, even, for the small creatures of the earth almost always fled from danger. These were madmen, Simon realized, and that was the direst problem of the world: that madmen should be strong and unafraid, so that they could force their will on the weak and peace-loving. If God allowed such madness to be, Simon could not help thinking, then He was an old god who had lost His grip.
”
”
Tad Williams (To Green Angel Tower (Memory, Sorrow, and Thorn, #3))
“
Our little tribal circles, bound by social contracts and selfish mutual need. Everyone working in their own greedy self-interests and huddling together with their tribe, at war with all those outside who they regard as barely human. What breaks a human mind out of that iron cage of mistrust, is a sacrifice. The martyr who gives up everything, who abandons all personal gain, who lays down his life for the good of those outside his group. He becomes a symbol all can rally around. So instead of trying to make a selfish, violent primate somehow empathize with the whole world, which is impossible, you only need to get him to remember and love the martyr. As one is forgotten, another must replace it.
”
”
David Wong (This Book Is Full of Spiders (John Dies at the End, #2))
“
Amazing? My heart fluttered. “But I don’t want Flash or Harry,” I murmured. “You want Spider-Man,” he finished for me, looking a little wistful. I shrugged. “And Peter Parker.” He looked at me, very seriously. “Then don’t settle,” he said.
”
”
J.M. Richards (Tall, Dark Streak of Lightning (Dark Lightning Trilogy, #1))
“
My mother tells me
that when I meet someone I like,
I have to ask them three questions:
1. what are you afraid of?
2. do you like dogs?
3. what do you do when it rains?
of those three, she says the first one is the most important.
“They gotta be scared of something, baby. Everybody is. If they aren’t afraid of anything, then they don’t believe in anything, either.”
I asked you what you were afraid of.
“spiders, mostly. being alone. little children, like, the ones who just learned how to push a kid over on the playground. oh and space. holy shit, space.”
I asked you if you liked dogs.
“I have three.”
I asked you what you do when it rains.
“sleep, mostly. sometimes I sit at the window and watch the rain droplets race. I make a shelter out of plastic in my backyard for all the stray animals; leave them food and a place to sleep.”
he smiled like he knew.
like his mom told him the same
thing.
“how about you?”
me?
I’m scared of everything.
of the hole in the o-zone layer,
of the lady next door who never
smiles at her dog,
and especially of all the secrets
the government must be breaking
it’s back trying to keep from us.
I love dogs so much, you have no idea.
I sleep when it rains.
I want to tell everyone I love them.
I want to find every stray animal and bring them home.
I want to wake up in your hair
and make you shitty coffee
and kiss your neck
and draw silly stick figures of us.
I never want to ask anyone else
these questions
ever again.
”
”
Caitlyn Siehl (What We Buried)
“
In the morning when thou risest unwillingly, let this thought be present,—I am rising to the work of a human being. Why then am I dissatisfied if I am going to do the things for which I exist and for which I was brought into the world? Or have I been made for this, to lie in the bed-clothes and keep myself warm?—But this is more pleasant.—Dost thou exist then to take thy pleasure, and not at all for action or exertion? Dost thou not see the little plants, the little birds, the ants, the spiders, the bees working together to put in order their several parts of the universe? And art thou unwilling to do the work of a human being, and dost thou not make haste to do that which, is according to thy nature? But it is necessary to take rest also.—It is necessary. However, Nature has fixed bounds to this too: she has fixed bounds to eating and drinking, and yet thou goest beyond these bounds, beyond what is sufficient; yet in thy acts it is not so, but thou stoppest short of what thou canst do. So thou lovest not thyself, for if thou didst, thou wouldst love thy nature and her will. But those who love their several arts exhaust themselves in working at them unwashed and without food; but thou valuest thy own nature less than the turner values the turning art, or the dancer the dancing art, or the lover of money values his money, or the vain-glorious man his little glory. And such men, when they have a violent affection to a thing, choose neither to eat nor to sleep rather than to perfect the things which they care for. But are the acts which concern society more vile in thy eyes and less worthy of thy labor?
”
”
Marcus Aurelius (Meditations)
“
Other Lives And Dimensions And Finally A Love Poem
My left hand will live longer than my right. The rivers
of my palms tell me so.
Never argue with rivers. Never expect your lives to finish
at the same time. I think
praying, I think clapping is how hands mourn. I think
staying up and waiting
for paintings to sigh is science. In another dimension this
is exactly what's happening,
it's what they write grants about: the chromodynamics
of mournful Whistlers,
the audible sorrow and beta decay of Old Battersea Bridge.
I like the idea of different
theres and elsewheres, an Idaho known for bluegrass,
a Bronx where people talk
like violets smell. Perhaps I am somewhere patient, somehow
kind, perhaps in the nook
of a cousin universe I've never defiled or betrayed
anyone. Here I have
two hands and they are vanishing, the hollow of your back
to rest my cheek against,
your voice and little else but my assiduous fear to cherish.
My hands are webbed
like the wind-torn work of a spider, like they squeezed
something in the womb
but couldn't hang on. One of those other worlds
or a life I felt
passing through mine, or the ocean inside my mother's belly
she had to scream out.
Here, when I say I never want to be without you,
somewhere else I am saying
I never want to be without you again. And when I touch you
in each of the places we meet,
in all of the lives we are, it's with hands that are dying
and resurrected.
When I don't touch you it's a mistake in any life,
in each place and forever.
”
”
Bob Hicok
“
Because I could kill every spider in her home, cute the roses off of every rose bush she might one day touch, block every speeding car that got within a mile o her, but there was no task I could preform that would make me something other than what I was.
”
”
Stephenie Meyer (Midnight Sun (The Twilight Saga, #5))
“
Actually, what does man live for?”
“To think about it. Any other question?”
“Yes. Why does he die just when he has done that and has become a bit more sensible?” “Some people die without having become more sensible.”
“Don’t evade my question. And don’t start talking about the transmigration of souls.”
“I’ll ask you something else first. Lions kill antelopes; spiders flies; foxes chickens; which is the only race in the world that wars on itself uninterruptedly, fighting and killing one another?”
“Those are questions for children. The crown of creation, of course, the human being— who invented the words love, kindness, and mercy.” “Good. And who is the only being in Nature that is capable of committing suicide and does it?” “Again the human being— who invented eternity, God, and resurrection.”
“Excellent,” Ravic said. “You see of how many contradictions we consist. And you want to know why we die?
”
”
Erich Maria Remarque (Arch of Triumph: A Novel of a Man Without a Country)
“
My only one!
In your last letter
"My head aches
my heart is stunned!"
you say.
"If they hang you,
if I lose you;"
you say;
"I can't live!"
You'll live my dearest wife,
like a black smoke in the wind my memory will vanish;
you'll live, the red-haired sister of my heart
at most one year it lasts
in the twentieth century
the grief of death..
Death
a dead body swinging on a rope.
My heart doesn't accept
such a death..
But
be sure that, my love,
if some pitiable gypsy's
hairy black spider like hand
slips the rope
around my neck,
to see the fear in my blue eyes
they'll look in vain
at Nâzım!
And I,
in the twilight of my last morning,
shall see my friends and you,
and carry only the grief
of an unfinished song
to the soil...
My wife!
Good hearted,
golden coloured,
with eyes sweeter than honey, my bee;
why did I write you
that they want to hang me,
the trial is in the first step
and they don't pluck like a turnip
the head of a man.
Come, forget them all.
These are so far away probabilities.
If you have some money
buy me a flannel underwear,
my sciatica is acting up.
And don't forget that always
there should be good thoughts in the mind
of a prisoner's wife.
”
”
Nâzım Hikmet
“
Men have nothing in common with me--there is no point of contact; they have foolish little feelings and foolish little vanities and impertinences and ambitions; their foolish little life is but a laugh, a sigh, and extinction; and they have no sense. Only the Moral Sense. I will show you what I mean. Here is a red spider, not so big as a pin's head. Can you imagine an elephant being interested in him-- caring whether he is happy or isn't, or whether he is wealthy or poor, whether his sweetheart returns his love or not, whether his mother is sick or well, whether he is looked up to in society or not, whether his enemies will smite him or his friends desert him, whether his hopes will suffer blight or his political ambitions fail, whether he shall die in the bosom of his family or neglected and despised in a foreign land? These things can never be important to the elephant; they are nothing to him; he cannot shrink his sympathies to the microscopic size of them. Man is to me as the red spider is to the elephant. The elephant has nothing against the spider--he cannot get down to that remote level; I have nothing against man. The elephant is indifferent; I am indifferent.
”
”
Mark Twain (The Mysterious Stranger)
“
The Return of the Rivers
All the rivers run into the sea;
yet the sea is not full;
unto the place from whence the rivers come,
thither they return again.
It is raining today
in the mountains.
It is a warm green rain
with love
in its pockets
for spring is here,
and does not dream
of death.
Birds happen music
like clocks ticking heaves
in a land
where children love spiders,
and let them sleep
in their hair.
A slow rain sizzles
on the river
like a pan
full of frying flowers,
and with each drop
of rain
the ocean
begins again.
”
”
Richard Brautigan (The Pill vs. the Springhill Mine Disaster)
“
Outside I hopped into our vehicle, the taint of vampiric magic clinging to me like greasy smoke.
“I feel soiled.”
“Like walking into a room after a day of work, falling into bed, and realizing the sheets are covered in cold K-Y jelly,” Raphael said.
I just stared at him.
“With a funky smell,” he added.
My Order conditioning failed me. “Ew.”
Raphael grinned.
“I‟m not even going to ask if that‟s happened to you.”
I started the vehicle. “Has that happened to you?”
“Yes.”
Ew. “Where?”
“In the bouda house. I was really tired and you‟ve seen that place: everything smells like sex . . .”
“I don‟t want to know.” I peeled out of the parking lot.
"So where are we going?”
“To Spider Lynn‟s house. We‟re going to dig through her trash, and if that doesn‟t work, we‟ll do some breaking and entering.”
Raphael frowned. “Do you know where she lives?”
“Yes. I memorized the addresses of all the Masters of the Dead in the city. I have a lot of time on my hands.”
He squinted at me, looking remarkably like a gentleman pirate from my favorite romance
novels. “What else do you store in your head?”
“This and that. I remember the first thing you ever said to me. You know, when you carried me from the cart into the tub so your mother could fix me.”
“I imagine it was something very romantic,” he said. “Something along the lines of „I‟ve got you‟ or „I won‟t let you die.‟
“I was bleeding in the bathtub, trying to realign my bones, and my hyena glands voided from the pain. You said, „Don‟t worry, we have an excellent filtration system.‟”
The look on his face was priceless.
“That can‟t be the first thing.”
“It was.”
We drove in silence.
“About the K-Y,” Raphael said.
“I don‟t want to know!‟
“Once I washed it out of my hair—”
“Raphael, why are you doing this?”
“I want to make you go "Ew‟ again.”
“Why in the world would you want to do that?”
“It‟s an irrepressible male impulse. It just has to be done. As I was saying, once I washed it out—”
“Raphael!”
“No, wait, you‟ll like the next part.
”
”
Ilona Andrews (Must Love Hellhounds)
“
As the native drum kept rhythm with the nighttime symphony of the African bush, the cry of a hyrax (a small, furry animal that sounded a lot scarier than it looked) pierced the night. A hyena howled. A warthog ran through our camp. What was he running from? Sitting in front of my tent, I tried to figure everything out. I wouldn’t have called what I did prayer but maybe wonder.
Night after night, I’d listened to the rush of a river or watched my own personal light show as lightning spider-webbed across the heavens, danced in the distance, and serenaded me with a muffled growl. Until a crash—so loud it seemed to break the sky—caused me to twitch as a shiver ran up my spine.
“You know how it is when you feel someone staring at you from across the room?” I said to Truth. “You turn to meet the gaze. It was like that, but I saw no one. I just felt a comforting presence as we sat together in silence.”
“You think it was God?” she asked.
“Yeah, but I called him Fred. Not so overwhelming, more personal.”
”
”
Elizabeth Bristol (Mary Me: One Woman’s Incredible Adventure with God)
“
I don't know whether the spider perhaps does not hate the fly he has marked and is snaring. Dear little fly! It seems to me that the victim is loved, or at least may be loved. Here I love my enemy. I am delighted, for instance, that she is so beautiful. I am delighted, madam, that you are so haughty and majestic. If you were meeker it would not be so delightful. You have spat on me -- and I am triumphant. If you were literally to spit in my face I should really not be angry because you -- are my victim; mine and not his. How fascinating was that idea! Yes, the secret consciousness of power is more insupportably delightful than open domination. If I were a millionaire I believe I should take pleasure in going about in the oldest clothes and being taken for a destitute man, almost a beggar, being jostled and despised. The consciousness of the truth would be enough for me.
”
”
Fyodor Dostoevsky (The Adolescent (Vintage Classics))
“
On Hallows Eve, we witches meet
to broil and bubble tasty treats
like goblin thumbs with venom dip,
crisp bat wings, and fried fingertips.
We bake the loudest cackle crunch,
and brew the thickest quagmire punch.
Delicious are the rotting flies
when sprinkled over spider pies.
And, my oh my, the ogre brains
all scrambled up with wolf remains!
But what I love the most, it’s true,
are festered boils mixed in a stew.
They cook up oh so tenderly.
It goes quite well with mugwort tea.
So don’t be shy; the cauldron’s hot.
Jump in! We witches eat a lot!
”
”
Richelle E. Goodrich (Being Bold: Quotes, Poetry, & Motivations for Every Day of the Year)
“
When in Rome, Alexander," said Magnus, "one drives a Maserati."
They had to get to Rome as fast as possible, and they couldn't use a Portal, so Magnus said he was selecting the next best option. Shinyun was reading the Red Scrolls of Magic and ignoring them both, which was fine with Alec.
"An excellent choice," said the attendant at teh luxury car rental lot. "Gotta love a classic 3500 GT Spyder."
Alec leaned into Magnus. "The car is also a spider?"
Magnus shrugged, flashing Alec an irresistibly bright smile. "No idea. I just picked it because it was Italian and red.
”
”
Cassandra Clare (The Red Scrolls of Magic (The Eldest Curses, #1))
“
The ground trembled. “Okay, so you’ve blown something. “If you’ve killed Felicity, you’d better brace yourself for the hellscape I’m going to rain down on your nasty little heads.”
He checked the data gathered by the spider droid in the one remaining exit. He had to hand it to these daemons—he was now certain Bast wasn’t here—they were damned good at concealment. There were at least two in this tunnel, possibly more, and he couldn’t be sure he’d trapped, injured or killed those covering the exits he’d just destroyed. No worries, he still had a couple of toys in his arsenal.
”
”
Patrick G. Cox (First into the Fray (Harry Heron #1.5))
“
So you protected yourself and loved small. Picked the tiniest starts out of the sky to own; lay down with head twisted in order to see the loved one over the rim of the trench before you slept. Stole shy glances at her between the trees at chain-up. Grassblade, salamanders, spiders, woodpeckers, beetles, a kingdom of ants. Anything bigger wouldn’t do. A woman, a child, a brother- a big love like that would split you wide open in Alfred, Georgia. He knew exactly what she meant: to get to a place where you could love anything you chose- not need permission for desire- well now, that was freedom.
”
”
Toni Morrison
“
In my opinion, Jan is mistaken in thinking that the border is a line that crosses a man’s life at a specific point, that it marks a break in time, a particular second on the clock of a human life. No. I am certain, on the contrary, that the border is constantly with us, irrespective of time and our stage of life, that it is omnipresent, even though circumstances might make it more or less visible.
The woman Jan had loved most was right to say she held onto life by a spider thread. It takes so little, a tiny puff of air, for things to shift imperceptibly, and whatever it was that a man was ready to lay down his life for a few seconds earlier seems suddenly to be sheer nonsense.
”
”
Milan Kundera (The Book of Laughter and Forgetting)
“
In a room filled with babies, you will know yours from his cry. You'll tilt your head to listen, and from the pitch and tone or jagged howl, you'll instinctively know if he has a wet diaper, a lost pacifier, or if he needs good now. Before long, you'll know his favorite colors, what he wants for lunch, what he'll refuse to eat for dinner, that spiders fascinate him, but bull frogs prompt nightmares, and how long it takes him to start complaining on a long car ride. You may even bet on it. And the first time you see him copy your husband, with a hand gesture, or a tilt of his head, your heart will jump into your throat, and for a few seconds, you'll fall in love with the man you married all over again.
”
”
Holly Kennedy (The Penny Tree)
“
Later, at the sink in our van, Mama rinsed the blue stain and the odd spiders, caterpillars, and stems from the bucket.
"Not what we usually start with, but we can go again tomorrow. And this will set up nicely in about six, eight jars."
The berries were beginning to simmer in the big pot on the back burner. Mama pushed her dark wooden spoon into the foaming berries and cicrcled the wall of the pot slowly.
I leaned my hot arms on the table and said, "Iphy better not go tomorrow. She got tired today." I was smelling the berries and Mamaa's sweat, and watching the flex of the blue veins behind her knees.
"Does them good. The twins always loved picking berries, even more than eating them. Though Elly likes her jam."
"Elly doesn't like anything anymore."
The knees stiffened and I looked up. The spoon was motionless. Mama stared at the pot.
"Mama, Elly isn't there anymore. Iphy's changed. Everything's changed. This whole berry business, cooking big meals that nobody comes for, birthday cakes for Arty. It's dumb, Mama. Stop pretending. There isn't any family anymore, Mama."
Then she cracked me with the big spoon. It smacked wet and hard across my ear, and the purple-black juice spayed across the table. She started at me, terrified, her mouth and eyes gaping with fear. I stared gaping at her. I broke and ran.
I went to the generator truck and climbed up to sit by Grandpa. That's the only time Mama ever hit me and I knew I deserved it. I also knew that Mama was too far gone to understand why I deserved it. She'd swung that spoon in a tigerish reflex at blasphemy. But I believed that Arty had turned his back on us, that the twins were broken, that the Chick was lost, that Papa was weak and scared, that Mama was spinning fog, and that I was an adolescent crone sitting in the ruins, watching the beams crumble, and warming myself in the smoke from the funeral pyre. That was how I felt, and I wanted company. I hated Mama for refusing to see enough to be miserable with me. Maybe, too, enough of my child heart was still with me to think that if she would only open her eyes she could fix it all back up like a busted toy.
”
”
Katherine Dunn (Geek Love)
“
When he says
He doesn’t love you anymore,
Roll your shoulders back
And look him in the eye
Even when it feels like your ribs
Are breaking inward, like spider legs.
When he digs up old aches
That he swore he forgave you for,
Smile
And ask him why he didn’t leave you sooner.
Ignore the way the words feel like sandpaper
Running all the way up your throat to your mouth.
When he blames you
For mistakes that wear his face,
Do not scream.
Do not cry.
Tell him that there are boys
Who would be proud to say they’d loved you.
Tell him that in two years
You won’t even remember his name
And don’t let him see the way you can taste your own lie.
When he leaves
Ignore the howling in your blood
And do not get up after him.
Not even to lock the door.
Do not, do not
Do not.
Smell his shirts when you box them up
To give them back.
Not one.
Swear off dating when you realize
You’re chasing ghosts that wear his smile.
It’s okay to cry over him.
It’s even okay to forgive him.
But do not go back to him.
If he did not know how to love you the first time,
He won’t know how to do it the next.
”
”
Ashe Vernon
“
Reasons Why I Loved Being With Jen
I love what a good friend you are. You’re really engaged with the lives of the people you love. You organize lovely experiences for them. You make an effort with them, you’re patient with them, even when they’re sidetracked by their children and can’t prioritize you in the way you prioritize them.
You’ve got a generous heart and it extends to people you’ve never even met, whereas I think that everyone is out to get me. I used to say you were naive, but really I was jealous that you always thought the best of people.
You are a bit too anxious about being seen to be a good person and you definitely go a bit overboard with your left-wing politics to prove a point to everyone. But I know you really do care. I know you’d sign petitions and help people in need and volunteer at the homeless shelter at Christmas even if no one knew about it. And that’s more than can be said for a lot of us.
I love how quickly you read books and how absorbed you get in a good story. I love watching you lie on the sofa reading one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other galaxy.
I love that you’re always trying to improve yourself. Whether it’s running marathons or setting yourself challenges on an app to learn French or the fact you go to therapy every week. You work hard to become a better version of yourself. I think I probably didn’t make my admiration for this known and instead it came off as irritation, which I don’t really feel at all.
I love how dedicated you are to your family, even when they’re annoying you. Your loyalty to them wound me up sometimes, but it’s only because I wish I came from a big family.
I love that you always know what to say in conversation. You ask the right questions and you know exactly when to talk and when to listen. Everyone loves talking to you because you make everyone feel important.
I love your style. I know you think I probably never noticed what you were wearing or how you did your hair, but I loved seeing how you get ready, sitting in front of the full-length mirror in our bedroom while you did your make-up, even though there was a mirror on the dressing table.
I love that you’re mad enough to swim in the English sea in November and that you’d pick up spiders in the bath with your bare hands. You’re brave in a way that I’m not.
I love how free you are. You’re a very free person, and I never gave you the satisfaction of saying it, which I should have done. No one knows it about you because of your boring, high-pressure job and your stuffy upbringing, but I know what an adventurer you are underneath all that.
I love that you got drunk at Jackson’s christening and you always wanted to have one more drink at the pub and you never complained about getting up early to go to work with a hangover. Other than Avi, you are the person I’ve had the most fun with in my life.
And even though I gave you a hard time for always trying to for always trying to impress your dad, I actually found it very adorable because it made me see the child in you and the teenager in you, and if I could time-travel to anywhere in history, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beautiful and clever and funny you are. That you are spectacular even without all your sports trophies and music certificates and incredible grades and Oxford acceptance.
I’m sorry that I loved you so much more than I liked myself, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of myself, either. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental.
I love you. I always will. I'm glad we met.
”
”
Dolly Alderton (Good Material)
“
Whats the Use of a Title?"
They don’t make it
the beautiful die in flame—
suicide pills, rat poison, rope what—
ever...
they rip their arms off,
throw themselves out of windows,
they pull their eyes out of the sockets,
reject love
reject hate
reject, reject.
they don’t make it
the beautiful can’t endure,
they are butterflies
they are doves
they are sparrows,
they don’t make it.
one tall shot of flame
while the old men play checkers in the park
one flame, one good flame
while the old men play checkers in the park
in the sun.
the beautiful are found in the edge of a room
crumpled into spiders and needles and silence
and we can never understand why they
left, they were so
beautiful.
they don’t make it,
the beautiful die young
and leave the ugly to their ugly lives.
lovely and brilliant: life and suicide and death
as the old men play checkers in the sun
in the park.
”
”
Charles Bukowski (Burning in Water, Drowning in Flame)
“
How crazy it would be
if the moon did spin
and the earth stood still
and the sun went dim!
How absolutely ludicrous
if snakes could walk
and kids could fly
and mimes did talk!
How silly it would be
if the nights were tan
and the mornings green
and the sun cyan!
How totally ridiculous
if horses chirped
and spiders sang
and ladies burped!
How shocking it would be
if the dragons ruled
and the knights were daft
but the fish were schooled!
How utterly preposterous
if rain were dry
and snowflakes warm
and real men cried!
I love to just imagine
all the lows as heights,
and the salty, sweet,
and our lefts as rights.
Perhaps it is incredible
and off the hook,
but it all makes sense
in a storybook!
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
Sophie dear,' I said. 'Are you in love with him - with this spider-man?'
'Oh, don't call him that - please - we can't any of us help being what we are. His name's Gordon. He's kind to me, David. He's fond of me. You've got to have as little as I have to know how much that means. You've never known loneliness. You can't understand the awful emptiness that's waiting all round us here. I'd have given him babies gladly, if I could. ... I - oh, why do they do that to us? Why didn't they kill me? It would have been kinder than this...'
She sat without a sound. The tears squeezed out from under the closed lids and ran down her face. I took her hand between my own.
I remembered watching. The man with his arm linked in the woman's, the small figure on top of the pack-horse waving back to me as they disappeared into the trees. Myself desolate, a kiss still damp on my
cheek, a lock tied with a yellow ribbon in my hand. I looked at her now, and my heart ached.
”
”
John Wyndham (The Chrysalids)
“
The term ‘female’ is derogatory not because it emphasises woman’s animality, but because it imprisons her in her sex; and if this sex seems to man to be contemptible and inimical even in harmless dumb animals, it is evidently because of the uneasy hostility stirred up in him by woman. Nevertheless he wishes to find in biology a justification for this sentiment. The word female brings up in his mind a saraband of imagery – a vast, round ovum engulfs and castrates the agile spermatozoan; the monstrous and swollen termite queen rules over the enslaved males; the female praying mantis and the spider, satiated with love, crush and devour their partners; the bitch in heat runs through the alleys, trailing behind her a wake of depraved odours; the she-monkey presents posterior immodestly and then steals away with hypocritical coquetry; and the most superb wild beasts – the tigress, the lioness, the panther – bed down slavishly under the imperial embrace of the male. Females sluggish, eager, artful, stupid, callous, lustful, ferocious, abased – man projects them all at once upon woman.
”
”
Simone de Beauvoir (The Second Sex)
“
A naturalist should look at the world with warm affection, if not ardent love. The life the scalpel has ended ought to be honored by a caring, devoted appreciation for that creature’s unrepeatable individuality, and for the fact that, at the same time, strange as this may seem, this life stands for the entire natural kingdom. Examined with attention, the dissected hare illuminates the parts and properties of all other animals and, by extension, their environment. The hare, like a blade of grass or a piece of coal, is not simply a small fraction of the whole but contains the whole within itself. This makes us all one. If anything, because we are all made of the same stuff. Our flesh is the debris of dead stars, and this is also true of the apple and its tree, of each hair on the spider’s legs, and of the rock rusting on planet Mars. Each minuscule being has spokes radiating out to all of creation. Some of the raindrops falling on the potato plants in your farm back in Sweden were once in a tiger’s bladder. From one living thing, the properties of any other may be predicted. Looking at any particle with sufficient care, and following the chain that links all things together, we can arrive at the universe—the correspondences are there, if the eye is skillful enough to detect them. The guts of the anatomized hare faithfully render the picture of the entire world. And because that hare is everything, it is also us. Having understood and experienced this marvelous congruity, man can no longer examine his surroundings merely as a surface scattered with alien objects and creatures related to him only by their usefulness. The carpenter who can only devise tabletops while walking through the forest, the poet who can only remember his own private sorrows while looking at the falling snow, the naturalist who can only attach a label to every leaf and a pin to every insect—all of them are debasing nature by turning it into a storehouse, a symbol, or a fact. Knowing nature, Lorimer would often say, means learning how to be. And to achieve this, we must listen to the constant sermon of things. Our highest task is to make out the words to better partake in the ecstasy of existence.
”
”
Hernan Diaz (In the Distance)
“
The wild is an integral part of who we are as children. Without pausing to consider what or where or how, we gather herbs and flowers, old apples and rose hips, shiny pebbles and dead spiders, poems, tears and raindrops, putting each treasured thing into the cauldron of our souls. We stir our bucket of mud as if it were, every one, a bucket of chocolate cake to be mixed for the baking. Little witches, hag children, we dance our wildness, not afraid of not knowing.
But there comes a time when the kiss of acceptance is delayed until the mud is washed from our knees, the chocolate from our faces. Putting down our wooden spoon with a new uncertainty, setting aside our magical wand, we learn another system of values based on familiarity, on avoiding threat and rejection. We are told it is all in the nature of growing up. But it isn't so.
Walking forward and facing the shadows, stumbling on fears like litter in the alleyways of our minds, we can find the confidence again. We can let go of the clutter of our creative stagnation, abandoning the chaos of misplaced and outdated assumptions that have been our protection. Then beyond the half light and shadows, we can slip into the dark and find ourselves in a world where horizons stretch forever. Once more we can acknowledge a reality that is unlimited finding our true self, a wild spirit, free and eager to explore the extent of our potential, free to dance like fireflies, free to be the drum, free to love absolutely with every cell of our being, or lie in the grass watching stars and bats and dreams wander by.
We can live inspired, stirring the darkness of the cauldron within our souls, the source, the womb temple of our true creativity, brilliant, untamed
”
”
Emma Restall Orr
“
Who"
The month of flowering’s finished. The fruit’s in,
Eaten or rotten. I am all mouth.
October’s the month for storage.
The shed’s fusty as a mummy’s stomach:
Old tools, handles and rusty tusks.
I am at home here among the dead heads.
Let me sit in a flowerpot,
The spiders won’t notice.
My heart is a stopped geranium.
If only the wind would leave my lungs alone.
Dogsbody noses the petals. They bloom upside down.
They rattle like hydrangea bushes.
Mouldering heads console me,
Nailed to the rafters yesterday:
Inmates who don’t hibernate.
Cabbageheads: wormy purple, silver-glaze,
A dressing of mule ears, mothy pelts, but green-hearted,
Their veins white as porkfat.
O the beauty of usage!
The orange pumpkins have no eyes.
These halls are full of women who think they are birds.
This is a dull school.
I am a root, a stone, an owl pellet,
Without dreams of any sort.
Mother, you are the one mouth
I would be a tongue to. Mother of otherness
Eat me. Wastebasket gaper, shadow of doorways.
I said: I must remember this, being small.
There were such enormous flowers,
Purple and red mouths, utterly lovely.
The hoops of blackberry stems made me cry.
Now they light me up like an electric bulb.
For weeks I can remember nothing at all.
”
”
Sylvia Plath (The Collected Poems)
“
I need to ask, are you afraid of spiders?"
Nicholas blinked, suddenly caught off guard, "Yes, I'm afraid of spiders."
"Were you always?"
"What are you, a psychiatrist?"
Pritam took a breath. He could feel Laine's eyes on him, appraising his line of questioning.
"Is it possible that the trauma of losing your best friend as a child and the trauma of losing your wife as an adult and the trauma of seeing Laine's husband take his life in front of you just recently..." Pritam shrugged and raised his palms, "You see where I'm going?"
Nicholas looked at Laine. She watched back. Her gray eyes missed nothing.
"Sure," agreed Nicholas, standing. "And my sister's nuts, too, and we both like imagining that little white dogs are big nasty spiders because our daddy died and we never got enough cuddles."
"Your father died?" asked Laine. "When?"
"Who cares?"
Pritam sighed. "You must see this from our point of - "
"I'd love to!" snapped Nicholas. "I'd love to see it from your point of view, because mine is not that much fun! It's insane! It's insane that I see dead people, Pritam! It's insane that this," he flicked out the sardonyx necklace,"stopped me from kidnapping a little girl!"
"That's what you believe," Pritam said carefully.
"That's what I fucking believe!" Nicholas stabbed his finger through the air at the dead bird talisman lying slack on the coffee table.
”
”
Stephen M. Irwin (The Dead Path)
“
Book, when I close you
life itself opens.
I hear
broken screams
in the harbor.
The copper slugs
cross the sandy areas,
descending to Tocopilla.
It is night.
Between the islands
our ocean
palpitates with fish.
It touches the feet, the thighs,
the chalky ribs
of my homeland.
Night touches the shoreline
and rises while singing
at daybreak
like a guitar awakening.
I feel the irresistible force
of the ocean's call. I am
called by the wind,
and called by Rodriguez,
José Antonio,
I received a telegram
from the "Mina" worker's union
and the one I love
(I won't tell you her name)
waits for me in Bucalemu.
Book, you haven't been able
to enwrap me,
you haven't covered me
with typography,
with celestial impressions,
you haven't been able
to trap my eyes between covers,
I leave you so I can populate groves
with the hoarse family of my song,
to work burning metals
or to eat grilled meat
at the fireside in the mountains.
I love books
that are explorers,
books with forest and snow,
depth and sky,
but
I despise
the book of spiders
that employs thought
to weave its venomous wires
to trap the young
and unsuspecting fly.
Book, free me.
I don't want to be entombed
like a volume,
I don't come from a tome,
my poems don't eat poems,
they devour
passionate events,
they're nurtured by the open air
and fed by the earth
and by men.
Book, let me wander the road
with dust in my low shoes
and without mythology:
go back to the library
while I go into the streets.
I've learned to take life
from life,
to love after a single kiss,
and I didn't teach anything to anyone
except what I myself lived,
what I shared with other men,
what I fought along with them:
what I expressed from all of us in my song.
”
”
Pablo Neruda (All the Odes)
“
Parental love is a matchless thing; if it weren't for that, most of us wouldn't have a pot to piss in, affectionately speaking. But even at its most irreplacable, it's still pretty cheap. Any ape loves their children; spiders lie still while theirs crawl around inside them, happy to let them eat their guts.
The only reason anybody unrelated is ever nice to anyone else, meanwhile, is as a sort of pre-emptive emotional strike - to prevent themselves from being treated as badly, potentially, as they might have treated other people. Which makes love only the lie two brains on spines tell each other, the lie that says: "You exist, because I love you. You exist, because you can see yourself in my eyes."
So we blunder from hope to hope, hollowed and searching. All of us equally incomplete.
And after all these years, still the sting comes, the liquid pressure in the chest and nose, the migraine-forerunner frown. Phantom pain. The ghost without the murder.
But what the fuck? That's all it is, ever. You want to be loved. You tell other people you love them, in order to trick them into loving you back. And after a while, it's true. You feel the pull, the ache.
”
”
Gemma Files (The Worm In Every Heart)
“
The point which we consider it our duty to note is, that outside of and beyond his faith, as it were, the Bishop possessed an excess of love. In was in that quarter, quia multum amavit,—because he loved much—that he was regarded as vulnerable by "serious men," "grave persons" and "reasonable people"; favorite locutions of our sad world where egotism takes its word of command from pedantry. What was this excess of love? It was a serene benevolence which overflowed men, as we have already pointed out, and which, on occasion, extended even to things. He lived without disdain. He was indulgent towards God's creation. Every man, even the best, has within him a thoughtless harshness which he reserves for animals. The Bishop of D—— had none of that harshness, which is peculiar to many priests, nevertheless. He did not go as far as the Brahmin, but he seemed to have weighed this saying of Ecclesiastes: "Who knoweth whither the soul of the animal goeth?" Hideousness of aspect, deformity of instinct, troubled him not, and did not arouse his indignation. He was touched, almost softened by them. It seemed as though he went thoughtfully away to seek beyond the bounds of life which is apparent, the cause, the explanation, or the excuse for them. He seemed at times to be asking God to commute these penalties. He examined without wrath, and with the eye of a linguist who is deciphering a palimpsest, that portion of chaos which still exists in nature. This revery sometimes caused him to utter odd sayings. One morning he was in his garden, and thought himself alone, but his sister was walking behind him, unseen by him: suddenly he paused and gazed at something on the ground; it was a large, black, hairy, frightful spider. His sister heard him say:—
”
”
Victor Hugo (Les Misérables)
“
167
It’s one of those days when the monotony of everything oppresses me like being thrown into jail. The monotony of everything is merely the monotony of myself, however. Each face, even if seen just yesterday, is different today, because today isn’t yesterday. Each day is the day it is, and there was never another one like it in the world. Only our soul makes the identification – a genuinely felt but erroneous identification – by which everything becomes similar and simplified. The world is a set of distinct things with varied edges, but if we’re near-sighted, it’s a continual and indecipherable fog.
I feel like fleeing. Like fleeing from what I know, fleeing from what’s mine, fleeing from what I love. I want to depart, not for impossible Indias or for the great islands south of everything, but for any place at all – village or wilderness – that isn’t this place. I want to stop seeing these unchanging faces, this routine, these days. I want to rest, far removed, from my inveterate feigning. I want to feel sleep come to me as life, not as rest. A cabin on the seashore or even a cave in a rocky mountainside could give me this, but my will, unfortunately, cannot.
Slavery is the law of life, and it is the only law, for it must be observed: there is no revolt possible, no way to escape it. Some are born slaves, others become slaves, and still others are forced to accept slavery. Our faint-hearted love of freedom – which, if we had it, we would all reject, unable to get used to it – is proof of how ingrained our slavery is. I myself, having just said that I’d like a cabin or a cave where I could be free from the monotony of everything, which is the monotony of me – would I dare set out for this cabin or cave, knowing from experience that the monotony, since it stems from me, will always be with me? I myself, suffocating from where I am and because I am – where would I breathe easier, if the sickness is in my lungs rather than in the things that surround me? I myself, who long for pure sunlight and open country, for the ocean in plain view and the unbroken horizon – could I get used to my new bed, the food, not having to descend eight flights of stairs to the street, not entering the tobacco shop on the corner, not saying good-morning to the barber standing outside his shop?
Everything that surrounds us becomes part of us, infiltrating our physical sensations and our feeling of life, and like spittle of the great Spider it subtly binds us to whatever is close, tucking us into a soft bed of slow death which is rocked by the wind. Everything is us, and we are everything, but what good is this, if everything is nothing?
A ray of sunlight, a cloud whose shadow tells us it is passing, a breeze that rises, the silence that follows when it ceases, one or another face, a few voices, the incidental laughter of the girls who are talking, and then night with the meaningless, fractured hieroglyphs of the stars.
”
”
Fernando Pessoa (The Book of Disquiet)
“
Hic Jacet Arthurus Rex Quondam Rexque Futurus
Arthur is gone…Tristram in Careol
Sleeps, with a broken sword - and Yseult sleeps
Beside him, where the Westering waters roll
Over drowned Lyonesse to the outer deeps.
Lancelot is fallen . . . The ardent helms that shone
So knightly and the splintered lances rust
In the anonymous mould of Avalon:
Gawain and Gareth and Galahad - all are dust.
Where do the vanes and towers of Camelot
And tall Tintagel crumble? Where do those tragic
Lovers and their bright eyed ladies rot?
We cannot tell, for lost is Merlin's magic.
And Guinevere - Call her not back again
Lest she betray the loveliness time lent
A name that blends the rapture and the pain
Linked in the lonely nightingale's lament.
Nor pry too deeply, lest you should discover
The bower of Astolat a smokey hut
Of mud and wattle - find the knightliest lover
A braggart, and his lilymaid a slut.
And all that coloured tale a tapestry
Woven by poets. As the spider's skeins
Are spun of its own substance, so have they
Embroidered empty legend - What remains?
This: That when Rome fell, like a writhen oak
That age had sapped and cankered at the root,
Resistant, from her topmost bough there broke
The miracle of one unwithering shoot.
Which was the spirit of Britain - that certain men
Uncouth, untutored, of our island brood
Loved freedom better than their lives; and when
The tempest crashed around them, rose and stood
And charged into the storm's black heart, with sword
Lifted, or lance in rest, and rode there, helmed
With a strange majesty that the heathen horde
Remembered when all were overwhelmed;
And made of them a legend, to their chief,
Arthur, Ambrosius - no man knows his name -
Granting a gallantry beyond belief,
And to his knights imperishable fame.
They were so few . . . We know not in what manner
Or where they fell - whether they went
Riding into the dark under Christ's banner
Or died beneath the blood-red dragon of Gwent.
But this we know; that when the Saxon rout
Swept over them, the sun no longer shone
On Britain, and the last lights flickered out;
And men in darkness muttered: Arthur is gone…
”
”
Francis Brett Young
“
But where should he begin? - Well, then, the trouble with the English was their:
Their:
In a word, Gibreel solemnly pronounced, their weather.
Gibreel Farishta floating on his cloud formed the opinion that the moral fuzziness of the English was meteorologically induced. 'When the day is not warmer than the night,' he reasoned, 'when the light is not brighter than the dark, when the land is not drier than the sea, then clearly a people will lose the power to make distinctions, and commence to see everything - from political parties to sexual partners to religious beliefs - as much-the-same, nothing-to-choose, give-or-take. What folly! For truth is extreme, it is so and not thus, it is him and not her; a partisan matter, not a spectator sport. It is, in brief, heated. City,' he cried, and his voice rolled over the metropolis like thunder, 'I am going to tropicalize you.'
Gibreel enumerated the benefits of the proposed metamorphosis of London into a tropical city: increased moral definition, institution of a national siesta, development of vivid and expansive patterns of behaviour among the populace, higher-quality popular music, new birds in the trees (macaws, peacocks, cockatoos), new trees under the birds (coco-palms, tamarind, banyans with hanging beards). Improved street-life, outrageously coloured flowers (magenta, vermilion, neon-green), spider-monkeys in the oaks. A new mass market for domestic air-conditioning units, ceiling fans, anti-mosquito coils and sprays. A coir and copra industry. Increased appeal of London as a centre for conferences, etc.: better cricketeers; higher emphasis on ball-control among professional footballers, the traditional and soulless English commitment to 'high workrate' having been rendered obsolete by the heat. Religious fervour, political ferment, renewal of interest in the intellegentsia. No more British reserve; hot-water bottles to be banished forever, replaced in the foetid nights by the making of slow and odorous love. Emergence of new social values: friends to commence dropping in on one another without making appointments, closure of old-folks' homes, emphasis on the extended family. Spicier foods; the use of water as well as paper in English toilets; the joy of running fully dressed through the first rains of the monsoon.
Disadvantages: cholera, typhoid, legionnaires' disease, cockroaches, dust, noise, a culture of excess.
Standing upon the horizon, spreading his arms to fill the sky, Gibreel cried: 'Let it be.
”
”
Salman Rushdie (The Satanic Verses)
“
She could do nothing. Djuna’s words illuminated her chaos, but changed nothing. What was it Djuna said: that life tended to crystallize into patterns which became traps and webs. That people tended to see each other in their first “state” or “form” and to adopt a rhythm in consequence. That they had greatest difficulty in seeing the transformations of the loved one, in seeing the becoming. If they did finally perceive the new self, they had the greatest difficulty nevertheless in changing the rhythm. The strong one was condemned to perpetual strength, the weak to perpetual weakness. The one who loved you best condemned you to a static role because he had adapted his being to the past self. If you attempted to change, warned Djuna, you would find a subtle, perverse opposition, and perhaps sabotage! Inwardly and outwardly, a pattern was a form which became a prison. And then we had to smash it. Mutation was difficult. Attempts at evasion were frequent, blind evasions, evasions from dead relips, false relationships, false roles, and sometimes from the deeper self too, because of the great obstacle one encountered in affirming it. All our emotional history was that of the spider and the fly, with the added tragedy that the fly here collaborated in the weaving of the web. Crimes were frequent. People in desperation turned about and destroyed each other. No one could detect the cause or catch the criminal. There was no visible victim. It always had the appearance of suicide.
”
”
Anaïs Nin (Ladders to Fire (Cities of the Interior #1))
“
Darwin’s Bestiary
PROLOGUE
Animals tame and animals feral
prowled the Dark Ages in search of a moral:
the canine was Loyal, the lion was Virile,
rabbits were Potent and gryphons were Sterile.
Sloth, Envy, Gluttony, Pride—every peril
was fleshed into something phantasmic and rural,
while Courage, Devotion, Thrift—every bright laurel
crowned a creature in some mythological mural.
Scientists think there is something immoral
in singular brutes having meat that is plural:
beasts are mere beasts, just as flowers are floral.
Yet between the lines there’s an implicit demurral;
the habit stays with us, albeit it’s puerile:
when Darwin saw squirrels, he saw more than Squirrel.
1. THE ANT
The ant, Darwin reminded us,
defies all simple-mindedness:
Take nothing (says the ant) on faith,
and never trust a simple truth.
The PR men of bestiaries
eulogized for centuries
this busy little paragon,
nature’s proletarian—
but look here, Darwin said: some ants
make slaves of smaller ants, and end
exploiting in their peonages
the sweating brows of their tiny drudges.
Thus the ant speaks out of both
sides of its mealy little mouth:
its example is extolled
to the workers of the world,
but its habits also preach
the virtues of the idle rich.
2. THE WORM
Eyeless in Gaza, earless in Britain,
lower than a rattlesnake’s belly-button,
deaf as a judge and dumb as an audit:
nobody gave the worm much credit
till Darwin looked a little closer
at this spaghetti-torsoed loser.
Look, he said, a worm can feel
and taste and touch and learn and smell;
and ounce for ounce, they’re tough as wrestlers,
and love can turn them into hustlers,
and as to work, their labors are mythic,
small devotees of the Protestant Ethic:
they’ll go anywhere, to mountains or grassland,
south to the rain forests, north to Iceland,
fifty thousand to every acre
guzzling earth like a drunk on liquor,
churning the soil and making it fertile,
earning the thanks of every mortal:
proud Homo sapiens, with legs and arms—
his whole existence depends on worms.
So, History, no longer let
the worm’s be an ignoble lot
unwept, unhonored, and unsung.
Moral: even a worm can turn.
3. THE RABBIT
a. Except in distress, the rabbit is silent,
but social as teacups: no hare is an island.
(Moral:
silence is golden—or anyway harmless;
rabbits may run, but never for Congress.)
b. When a rabbit gets miffed, he bounds in an orbit,
kicking and scratching like—well, like a rabbit.
(Moral:
to thine own self be true—or as true as you can;
a wolf in sheep’s clothing fleeces his skin.)
c. He populates prairies and mountains and moors,
but in Sweden the rabbit can’t live out of doors.
(Moral:
to know your own strength, take a tug at your shackles;
to understand purity, ponder your freckles.)
d. Survival developed these small furry tutors;
the morals of rabbits outnumber their litters.
(Conclusion:
you needn’t be brainy, benign, or bizarre
to be thought a great prophet. Endure. Just endure.)
4. THE GOSSAMER
Sixty miles from land the gentle trades
that silk the Yankee clippers to Cathay
sift a million gossamers, like tides
of fluff above the menace of the sea.
These tiny spiders spin their bits of webbing
and ride the air as schooners ride the ocean;
the Beagle trapped a thousand in its rigging,
small aeronauts on some elusive mission.
The Megatherium, done to extinction
by its own bigness, makes a counterpoint
to gossamers, who breathe us this small lesson:
for survival, it’s the little things that count.
”
”
Philip Appleman