We Are Tying The Knot Quotes

We've searched our database for all the quotes and captions related to We Are Tying The Knot. Here they are! All 100 of them:

Sometimes we find ourselves walking through life blindfolded, and we try to deny that we're the ones who securely tied the knot.
Jodi Picoult (Vanishing Acts)
The truth is, everyone likes to look down on someone. If your favorites are all avant-garde writers who throw in Sanskrit and German, you can look down on everyone. If your favorites are all Oprah Book Club books, you can at least look down on mystery readers. Mystery readers have sci-fi readers. Sci-fi can look down on fantasy. And yes, fantasy readers have their own snobbishness. I’ll bet this, though: in a hundred years, people will be writing a lot more dissertations on Harry Potter than on John Updike. Look, Charles Dickens wrote popular fiction. Shakespeare wrote popular fiction—until he wrote his sonnets, desperate to show the literati of his day that he was real artist. Edgar Allan Poe tied himself in knots because no one realized he was a genius. The core of the problem is how we want to define “literature”. The Latin root simply means “letters”. Those letters are either delivered—they connect with an audience—or they don’t. For some, that audience is a few thousand college professors and some critics. For others, its twenty million women desperate for romance in their lives. Those connections happen because the books successfully communicate something real about the human experience. Sure, there are trashy books that do really well, but that’s because there are trashy facets of humanity. What people value in their books—and thus what they count as literature—really tells you more about them than it does about the book.
Brent Weeks
It matters what matters we use to think other matters with; it matters what stories we tell to tell other stories with; it matters what knots knot knots, what thoughts think thoughts, what descriptions describe descriptions, what ties tie ties. It matters what stories make worlds, what worlds make stories.
Donna J. Haraway (Staying with the Trouble: Making Kin in the Chthulucene)
You had me tied in knots. You saved Belen's life, and I wanted to kill and thank you all at the same time. And during those nights when we didn't know if you'd live or die, I went from being angry, to worried to frustrated to scared all within a single heartbeat. If you had die, I would have killed you.
Maria V. Snyder (Scent of Magic (Healer, #2))
Most lasses like it when a man kills the bugs. Along with reaching high places and giving sexual pleasure, it's one of the few universally popular qualities we have on offer.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
The rope has been torn; a knot Can tie it again, but It’s been torn. Perhaps we’ll meet again, but You won’t find me In the place where we parted ways.
Bertolt Brecht
Gmorning. YOU ARE SO LOVED AND WE LIKE HAVING YOU AROUND. *ties one end of this sentence to your heart, the other end to everyone who loves you, even the ones you haven’t heard from for a while* *checks knots* THERE. STAY PUT, YOU. Gnight. YOU ARE SO LOVED AND WE LIKE HAVING YOU AROUND. *ties one end of this sentence to your heart, the other end to everyone who loves you in this life, even if clouds obscure your view* *checks knots* THERE. STAY PUT, YOU. TUG IF YOU NEED ANYTHING.
Lin-Manuel Miranda (Gmorning, Gnight!: Little Pep Talks for Me & You)
Some rabbis say that, at birth, we are each tied to God with a string, and that every time we sin, the string breaks. To those who repent of their sins, especially in the days of Rosh Hashanah, God sends the angel Gabriel to make knots in the string, so that the humble and contrite are once again tied to God. Because each one of us fails, because we all lose our way on the path to righteousness from time to time, our strings are full of knots. But, the rabbis like to say, a string with many knots is shorter than one without knots. So the person with many sins but a humble heart is closer to God.
Rachel Held Evans (A Year of Biblical Womanhood)
We're all to driven by materialism. Obsessed with success. With money. With trying to impress people who'll never be impressed.
Sophie Kinsella (Shopaholic Ties the Knot (Shopaholic, #3))
My silence knot is tied up in my hair; as if to keep my love out of my eyes. I cannot speak to one for whom i care. A hatpin serves as part of my disguise. In the play, my role is baticeer; a word which here means "person who trains bats." The audience may feel a prick of fear, as if sharp pins are hidden in thier hats. My co-star lives on what we call a brae. His solitude might not be just an act. A piece of mail fails to arrive one day. This poignant melodrama's based on fact. The curtain falls just as the knot unties; the silence is broken by the one who dies.
Lemony Snicket
Old England is an imaginary place, a landscape built from words, woodcuts, films, paintings, picturesque engravings. It is a place imagined by people, and people do not live very long or look very hard. We are very bad at scale. The things that live in the soil are too small to care about; climate change too large to imagine. We are bad at time too. We cannot remember what lived here before we did; we cannot love what is not. Nor can we imagine what will be different when we are dead. We live out our three score and ten, and tie our knots and lines only to ourselves. We take solace in pictures, and we wipe the hills of history.
Helen Macdonald (H is for Hawk)
She laid a row of cushions down the center of the bed, carefully dividing it into two sides.... "I dinna know how this strategy escaped Napoleon's notice. If only he'd erect a barricade of feathers and fabric, we Highlanders wouldna have known how to get over it.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
Often when we think we are knotting one thread, we are tying quite another.
Victor Hugo (Les Misérables)
We are the True Knot,” they responded. “What is tied may never be untied.
Stephen King (Doctor Sleep (The Shining, #2))
Keep your elbows in!" Sturmhond berated Mal. "Stop flapping them like some kind of chicken." Mal let out a disturbingly convincing cluck. Tamar raised a brow. "Your friend seems to be enjoying himself." I shrugged. "Mal's always been like that. You could drop him in a camp full of Fjerdan assassins, and he'd come out carried on their shoulders. He just blooms wherever he's planted." "And you?" "I'm more of a weed," I said drily. Tamar grinned. In combat, she was cold and silent fire, but when she wasn't fighting, her smiles came easily. "I like weeds," said said, pushing herself off from the railing and gathering her scattered lengths of rope. "They're survivors." I caught myself returning her smile and quickly went back to working on the knot that I was trying to tie. The problem was that I liked being aboard Sturmhond's ship. I liked Tolya and Tamar and the rest of the crew. I like sitting at meals with them, and the sound of Privyet's lilting tenor. I liked the afternoon when we took target practice, lining up empty wine bottles to shoot off the fantail and making harmless wagers.
Leigh Bardugo (Siege and Storm (The Shadow and Bone Trilogy, #2))
Our eyes met in the math class. How were we to know that trigonometry would lead to matrimony?
Sophie Kinsella (Shopaholic Ties the Knot (Shopaholic, #3))
Here I am, struggling to banish any foolish imagined affections for you so that I can consummate this marriage of convenience in a proper businesslike fashion, as we agreed. And then you go and read a book?" While he was at it, why didn't he just bring her a basket of kittens, a bottle of champagne, and pose naked with a rose caught between his teeth?
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
[How do I do it?] Well, it's always a mystery, because you don't know why you get depleted or recharged. But this much I know. I do not allow myself to be overcome by hopelessness, no matter how tough the situation. I believe that if you just do your little bit without thinking of the bigness of what you stand against, if you turn to the enlargement of your own capacities, just that itself creates new potential. And I've learned from the Bhagavad-Gita and other teachings of our culture to detach myself from the results of what I do, because those are not in my hands. The context is not in your control, but your commitment is yours to make, and you can make the deepest commitment with a total detachment about where it will take you. You want it to lead to a better world, and you shape your actions and take full responsibility for them, but then you have detachment. And that combination of deep passion and deep detachment allows me to take on the next challenge, because I don't cripple myself, I don't tie myself in knots. I function like a free being. I think getting that freedom is a social duty because I think we owe it to each not to burden each other with prescription and demands. I think what we owe each other is a celebration of life and to replace fear and hopelessness with fearlessness and joy.
Vandana Shiva
...if true love breaks as easily as a delusion, on what can we rely? What will people pin their hopes on?" [Nilima] "They'll have the sweet, intimate memories of a lost paradise, and beside it a sea of sorrow.... People looking on from outside think all is lost... What remains when everything is lost can be held in the palm, like a jewel. It can't be flaunted in a pageant, so the lookers-on are disappointed and jeer as they return home.." [Kamal] "...Jewels are not meant for everybody, certainly not for the rabble. People who're only happy when decked out with gold and silver from top to toe won't understand the value of your tiny diamonds and gems. Those who want a lot feel secure only after tying knot upon knot. They put a price on something only by its weight and show and bulk. But it's useless to try and show the sunrise from a western window..[Nilima]
Sarat Chandra Chattopadhyay
Does it need to be so tight?" Nathaniel objected as Silas retied the cravat in a complicated series of knots, his gloved fingers moving with nimble certainty over the fabric. "I'm afraid so, if you wish to remain fashionable," Silas replied. "And we don't want a repeat of the incident with Lady Gwendolyn." Nathaniel scoffed. "How was I supposed to know tying it that way meant that I intended to proposition her? I have better things to do then learn secret signals with handkerchiefs and neckcloths." "Had you listened to me, I would have told you, and spared you from getting champagne thrown in your face---though I heard several people say afterward that that was their favorite part of the dinner.
Margaret Rogerson (Sorcery of Thorns (Sorcery of Thorns, #1))
Oh, Logan. I hate to tell you this. But I think we're cuddling." She nuzzled into the linen of his shirt. "You're doing a wonderful job of it, too." The little minx. Very well, she'd finally gotten her way. They were cuddling. And Logan rather liked it. He loved it. -Maddie & Logan's thoughts
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
We are very bad at scale. The things that live in the soil are too small to care about; climate change too large to imagine. We are bad at time, too. We cannot remember what lived here before we did; we cannot love what is not. Nor can we imagine what will be different when we are dead. We live out our three score and ten, and tie our knots and lines only to ourselves. We take solace in pictures, and we wipe the hills of history.
Helen Macdonald (H is for Hawk)
Our human race is affected by a chronic underestimation of the possibility of the future straying from the course initially envisioned (in addition to other biases that sometimes exert a compounding effect). To take an obvious example, think about how many people divorce. Almost all of them are acquainted with the statistic that between one-third and one-half of all marriages fail, something the parties involved did not forecast while tying the knot. Of course, "not us," because "we get along so well" (as if others tying the knot got along poorly).
Nassim Nicholas Taleb (The Black Swan: The Impact of the Highly Improbable)
fairy godmother says there is nothing in this world like the relief of knowing that you owe answers to nobody & nobody owes answers to you in return. we need not tie each other into knots to please one another. we are free to choose who we welcome into our homes & who gets the privilege to stay.
Amanda Lovelace (Break Your Glass Slippers (You Are Your Own Fairy Tale, #1))
I think if we all could have peeked behind heaven’s curtains at that moment we’d have seen those old Fates knotting our threads together, me and Beej, in this pure, sunny, inexorable, undoable way. I said knotted, not tied. Because I don’t know whether we’ll ever come undone. Not easily, anyway.
Jessa Hastings (Magnolia Parks (Magnolia Parks Universe, #1))
Let us suppose we are confronted with a desperate thing – say Pimlico. If we think what is really best for Pimlico we shall find the thread of thought leads to the throne of the mystic and the arbitrary. It is not enough for a man to disapprove of Pimlico; in that case he will merely cut his throat or move to Chelsea. Nor, certainly, is it enough for a man to approve of Pimlico; for then it will remain Pimlico, which would be awful. The only way out of it seems to be for somebody to love Pimlico; to love it with a transcendental tie and without any earthly reason. If there arose a man who loved Pimlico, then Pimlico would rise into ivory towers and golden pinnacles… If men loved Pimlico as mothers love children, arbitrarily, because it is theirs, Pimlico in a year or two might be fairer than Florence. Some readers will say that this is mere fantasy. I answer that this is the actual history of mankind. This, as a fact, is how cities did grow great. Go back to the darkest roots of civilization and you will find them knotted round some sacred stone or encircling some sacred well. People first paid honour to a spot and afterwards gained glory for it. Men did not love Rome because she was great. She was great because they had loved her.
G.K. Chesterton (Orthodoxy)
There was nothing left for me to do, but go. Though the things of the world were strong with me still. Such as, for example: a gaggle of children trudging through a side-blown December flurry; a friendly match-share beneath some collision-titled streetlight; a frozen clock, a bird visited within its high tower; cold water from a tin jug; towering off one’s clinging shirt post-June rain. Pearls, rags, buttons, rug-tuft, beer-froth. Someone’s kind wishes for you; someone remembering to write; someone noticing that you are not at all at ease. A bloody ross death-red on a platter; a headgetop under-hand as you flee late to some chalk-and-woodfire-smelling schoolhouse. Geese above, clover below, the sound of one’s own breath when winded. The way a moistness in the eye will blur a field of stars; the sore place on the shoulder a resting toboggan makes; writing one’s beloved’s name upon a frosted window with a gloved finger. Tying a shoe; tying a knot on a package; a mouth on yours; a hand on yours; the ending of the day; the beginning of the day; the feeling that there will always be a day ahead. Goodbye, I must now say goodbye to all of it. Loon-call in the dark; calf-cramp in the spring; neck-rub in the parlour; milk-sip at end of day. Some brandy-legged dog proudly back-ploughs the grass to cover its modest shit; a cloud-mass down-valley breaks apart over the course of a brandy-deepened hour; louvered blinds yield dusty beneath your dragging finger, and it is nearly noon and you must decide; you have seen what you have seen, and it has wounded you, and it seems you have only one choice left. Blood-stained porcelain bowl wobbles face down on wood floor; orange peel not at all stirred by disbelieving last breath there among that fine summer dust-layer, fatal knife set down in pass-panic on familiar wobbly banister, later dropped (thrown) by Mother (dear Mother) (heartsick) into the slow-flowing, chocolate-brown Potomac. None of it was real; nothing was real. Everything was real; inconceivably real, infinitely dear. These and all things started as nothing, latent within a vast energy-broth, but then we named them, and loved them, and in this way, brought them forth. And now we must lose them. I send this out to you, dear friends, before I go, in this instantaneous thought-burst, from a place where time slows and then stops and we may live forever in a single instant. Goodbye goodbye good-
George Saunders (Lincoln in the Bardo)
When most of us hear the word cells, we think biology. I think penitentiary. (It's an occupational hazard.)
Reginald Dipwipple (Tongue-Tied With Stomach Knots (The Dipwipple Chronicles))
We formed an impromptu circle just so we could look at each other and memorize faces. We hardly noticed the waiting officials. We hardly noticed anything but our little family whose ties weren’t loosening at all. In fact, this impending separation only seemed to be binding us together with a double overhand knot, hard to untie and unfailing.
Laura Anderson Kurk (Perfect Glass)
Marissa Rogers, I will marry you tomorrow if that's what it takes to show you that I'm committed. you say the word and we will go to city hall at nine a.m. and tie the knot with a couple of bums looking on.
Camille Pagán (The Art of Forgetting)
I hope,' muttered Jasper, 'we do not ever shop again at a place where vampires can buy clip-on bow ties. You would think with all of eternity in front of them, they could take the time to learn a simple knot.
M.T. Anderson (Zombie Mommy (Pals in Peril, #5))
God language can tie people into knots, of course. In part, that is because ‘God’ is not God's name. Referring to the highest power we can imagine, ‘God’ is our name for that which is greater than all and yet present in each. For some the highest imaginable power will be a petty and angry tribal baron ensconced high above the clouds on a golden throne, visiting punishment on all who don't believe in him. But for others, the highest power is love, goodness, justice, or the spirit of life itself. Each of us projects our limited experience on a cosmic screen in letters as big as our minds can fashion. For those whose vision is constricted (illiberal, narrow-minded people), this can have horrific consequences. But others respond to the munificence of creation with broad imagination and sympathy. Answering to the highest and best within and beyond themselves, they draw lessons and fathom meaning so redemptive that surely it touches the divine.
Forrest Church (The Cathedral of the World: A Universalist Theology)
I’m still not sure what I ever did to inspire that need, that love in them both. I’m not honest and steady like Trev or bright and burning like Mina. I’m just me, with dirt underneath my fingernails and a weakness for love and drugs. Somehow, though, I’ve managed to tie us all in knots, and I don’t know how we can break free. “We
Tess Sharpe (Far From You)
Isn’t it funny that when we get married it’s called “tying the knot”? For us, this wasn’t just an act at the altar.2 It’s something we have to do over and over again.
Lysa TerKeurst (The Best Yes: Making Wise Decisions in the Midst of Endless Demands)
Those we love tie our hearts in knots but we'll never stop giving them the ribbons of our presence.
Curtis Tyrone Jones
We're fighting people whose only interest in Kel rules of engagement is to tie us in knots with them. They're going to cheat. Which means we have to cheat better.
Yoon Ha Lee (Raven Stratagem (The Machineries of Empire, #2))
We’re knotted together, and damn if he doesn’t know how to tie a knot that withstands the test of time.
Pam Godwin (Knotted (Trails of Sin, #1))
Here's Grant," Logan said as they reached a large, hulking man at the end of the line. "You're going to meet him several times." "What's all this, Captain?" Uneasy, the big man rubbed his shaved head with one palm and looked around. "Where are we now?" Logan reached out and placed a firm hand on Grant's shoulder. "Be easy. We're back in Scotland, mo chariad. The war's over, and we're at Lannair Castle in Invernesshire." The big man's eyes turned to Maddie. He looked at her as though he were struggling to focus. "Who's this lass?" Maddie offered her hand. "I'm Madeline." "This is your sweetheart?" Grant asked Logan. "The one what sent all the letters?" Logan nodded. "I'm marrying her. Right now, as a matter of fact." "Are ye?" The man stared at her for a moment, and then a low chuckle rumbled from his chest. Grinning, he dug his elbow into Logan's side. "You lucky bastard." In that moment, Maddie knew one thing. Private Malcolm Allan Grant was her new favorite person. -Logan, Grant, & Maddie
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
When we fail, we cut the string. Then God ties it up again, making a knot and thereby bringing us a little closer to Him. Again and again our failures cut the string, and with each additional knot God keeps drawing us closer and closer.
Sharon A. Hersh (Brave Hearts: Unlocking the Courage to Love with Abandon)
The author of this text did not write to provoke, but merely to express a truth as he conceives it. Your own theologians have tied logic in knots to advance a doctrine addressing this very same point. What is the Virgin Birth, after all, but the fumbling of minds striving to deal with the indelicate realities of the body? We Jews are merely more forthright about such matters.
Geraldine Brooks (People of the Book)
We thought we were tying our marriage-knots more tightly by removing all means of undoing them;22 but the tighter we pulled the knot of constraint the looser and slacker became the knot of our will and affection. In Rome, on the contrary, what made marriages honoured and secure for so long a period was freedom to break them at will. Men loved their wives more because they could lose them; and during a period when anyone was quite free to divorce, more than five hundred years went by before a single one did
Michel de Montaigne (The Complete Essays)
Once you marry me, none of it is a lie," he pointed out. "It will be exactly as though you've told the truth all these years." "Except for the part where we love each other." He shrugged. "That's a minor detail. Love is just a lie people tell themselves.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
I’d outlive a dog through pure spite,’ says Ron. ‘We’d just sit in opposite corners of the room, staring each other out, and see who went first. Not me. It’s like when we were negotiating with British Leyland in ’seventy-eight. The moment one of their lot went to the loo first, I knew we had ’em.’ Ron knocks back more wine. ‘Never go to the loo first. Tie a knot in it if you have to.
Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
Whether pilgrim or wayfarer, while seeking to be taught the Truth (or something), the disciple learns only that there is nothing that anyone else can teach him. He learns, once he is willing to give up being taught, that he already knows how to live, that it is implied in his own tale. The secret is that there is no secret. Everything is just what it seems to be. This is it! There are no hidden meanings. Before he is enlightened, a man gets up each morning to spend the day tending his fields, returns home to eat his supper, goes to bed, makes love to his woman, and falls asleep. But once he has attained enlightenment, then a man gets up each morning to spend the day tending his fields, returns home to eat his supper, goes to bed, makes love to his woman, and falls asleep. The Zen way to see the truth is through your everyday eyes.2 It is only the heartless questioning of life-as-it-is that ties a man in knots. A man does not need an answer in order to find peace. He needs only to surrender to his existence, to cease the needless, empty questioning. The secret of enlightenment is when you are hungry, eat; and when you are tired, sleep. The Zen Master warns: “If you meet the Buddha on the road, kill him!” This admonition points up that no meaning that comes from outside of ourselves is real. The Buddhahood of each of us has already been obtained. We need only recognize it. Philosophy, religion, patriotism, all are empty idols. The only meaning in our lives is what we each bring to them. Killing the Buddha on the road means destroying the hope that anything outside of ourselves can be our master. No one is any bigger than anyone else. There are no mothers or fathers for grown-ups, only sisters and brothers.
Sheldon B. Kopp (If You Meet the Buddha on the Road, Kill Him: The Pilgrimage Of Psychotherapy Patients)
On the third finger of his left hand there was now a thin red string, carefully tied there by Hua Cheng. The red string extended outward and connected to a red string knotted around Hua Cheng’s finger. Hua Cheng smiled and raised his own hand to show him that they now had identical tiny red butterfly knots on their fingers. “Now we’re joined together.
Mò Xiāng Tóng Xiù (Heaven Official's Blessing: Tian Guan Ci Fu (Novel) Vol. 5)
She laid a row of cushions down the center of the bed, carefully dividing it into two sides: His, and hers. "Is that truly supposed to stop me?" He fell back on the bed, on his side-peering over the pillow wall at her with amusement. "I fully intended to have my wicked way with you. But now there's this cushion, so..." She burrowed under the coverlet, drawing it up to her neck. "Now that you mention it," he went on, "I dinna know how this strategy escaped Napoleon's notice. If only he'd erected a barricade of feathers and fabric, we Highlanders wouldna have known how to get over it." "I don't expect the pillows to keep you out," she said. "They're merely a guard against anything accidental happening." "Ah." He drew out the syllable. "We canna have any accidental happenings." "Exactly. I might roll over in the night, and I know how you feel about cuddling. I should hate to take advantage of you." "Minx." He sat up in bed and plucked the cushion from between them. "I'm here now. I'm flesh and blood, and I'm your husband. I'll be damned if I'll give up my place to a pillow." -Logan & Maddie
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
Gender is just one of many systems of oppression. The ultimate goal is to see how all systems are tied in a knot with the others and untie, unravel the knots of oppression. It's a spiritual journey more than a governmental one. It's about asking ourselves, 'Is this culture stopping me or anyone else from the free expression of sex and gender?' and if so, we have to act.
Kate Bornstein (Gender Outlaw: On Men, Women and the Rest of Us)
He looks up. Our eyes lock,and he breaks into a slow smile. My heart beats faster and faster. Almost there.He sets down his book and stands.And then this-the moment he calls my name-is the real moment everything changes. He is no longer St. Clair, everyone's pal, everyone's friend. He is Etienne. Etienne,like the night we met. He is Etienne,he is my friend. He is so much more. Etienne.My feet trip in three syllables. E-ti-enne. E-ti-enne, E-ti-enne. His name coats my tongue like melting chocolate. He is so beautiful, so perfect. My throat catches as he opens his arms and wraps me in a hug.My heart pounds furiously,and I'm embarrassed,because I know he feels it. We break apart, and I stagger backward. He catches me before I fall down the stairs. "Whoa," he says. But I don't think he means me falling. I blush and blame it on clumsiness. "Yeesh,that could've been bad." Phew.A steady voice. He looks dazed. "Are you all right?" I realize his hands are still on my shoulders,and my entire body stiffens underneath his touch. "Yeah.Great. Super!" "Hey,Anna. How was your break?" John.I forget he was here.Etienne lets go of me carefully as I acknowledge Josh,but the whole time we're chatting, I wish he'd return to drawing and leave us alone. After a minute, he glances behind me-to where Etienne is standing-and gets a funny expression on hs face. His speech trails off,and he buries his nose in his sketchbook. I look back, but Etienne's own face has been wiped blank. We sit on the steps together. I haven't been this nervous around him since the first week of school. My mind is tangled, my tongue tied,my stomach in knots. "Well," he says, after an excruciating minute. "Did we use up all our conversation over the holiday?" The pressure inside me eases enough to speak. "Guess I'll go back to the dorm." I pretend to stand, and he laughs. "I have something for you." He pulls me back down by my sleeve. "A late Christmas present." "For me? But I didn't get you anything!" He reaches into a coat pocket and brings out his hand in a fist, closed around something very small. "It's not much,so don't get excited." "Ooo,what is it?" "I saw it when I was out with Mum, and it made me think of you-" "Etienne! Come on!" He blinks at hearing his first name. My face turns red, and I'm filled with the overwhelming sensation that he knows exactly what I'm thinking. His expression turns to amazement as he says, "Close your eyes and hold out your hand." Still blushing,I hold one out. His fingers brush against my palm, and my hand jerks back as if he were electrified. Something goes flying and lands with a faith dink behind us. I open my eyes. He's staring at me, equally stunned. "Whoops," I say. He tilts his head at me. "I think...I think it landed back here." I scramble to my feet, but I don't even know what I'm looking for. I never felt what he placed in my hands. I only felt him. "I don't see anything! Just pebbles and pigeon droppings," I add,trying to act normal. Where is it? What is it? "Here." He plucks something tiny and yellow from the steps above him. I fumble back and hold out my hand again, bracing myself for the contact. Etienne pauses and then drops it from a few inches above my hand.As if he's avoiding me,too. It's a glass bead.A banana. He clears his throat. "I know you said Bridgette was the only one who could call you "Banana," but Mum was feeling better last weekend,so I took her to her favorite bead shop. I saw that and thought of you.I hope you don't mind someone else adding to your collection. Especially since you and Bridgette...you know..." I close my hand around the bead. "Thank you." "Mum wondered why I wanted it." "What did you tell her?" "That it was for you,of course." He says this like, duh. I beam.The bead is so lightweight I hardly feel it, except for the teeny cold patch it leaves in my palm.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
Muddleheadedness has always been the sovereign force in human affairs—a force far more potent than malevolence or nobility. It lubricates our hurtful impulses and ties our best intentions in knots. It blunts our wisdom, misdirects our compassion, clouds whatever insights into the human condition we manage to acquire. It is the chief artisan of the unintended consequences that constitute human history.
Paul R. Gross (Higher Superstition: The Academic Left and Its Quarrels with Science: The Academic Left and Its Quarrels with Science (Revised))
Jessica Stone. The Jessica Stone. My costar. As in, indie film poster child, beloved by the internet for being sexy and cute and funny, sure to snag an Oscar one day Jessica Stone. I think I saw her last movie in theaters fifteen times, and not just because it was based on a graphic novel. Don’t fanboy, I order myself. Don’t fanboy. Gail looks at me, surprised. “But Dare, we were—” I cough. Twice. Gail looks between Jessica Stone and me, widens her eyes, and finally gets it. Her ears go even redder. “Oh. Oh.” She grabs her backpack and makes a hasty retreat. “I…um. I’ll be around if you need me, Dare.” After the door closes, Jessica Stone turns her eyes—which are super, freakishly, ice-water blue—to me. “I didn’t mean to intrude.” My tongue ties into ten hundred knots. She can intrude as much as she wants. I mean, not intrude—like, let me politely be in her presence for the rest of my life—but intruding works too. Into my life. As much as she wants. Is that weird? It’s probably weird. But it’s Jessica Stone. Damn it, man, don’t fanboy.
Ashley Poston (Geekerella (Once Upon a Con, #1))
I will bear Cloud through the portal,” Fury says as Soar ties the last knot on his armour. “Flay will carry you.” “Who?” Soar turns as the female nods. She’s carrying me? “Where are we going?” “Skyfall, Master Soar,” Fury stands. Cloud is small in his arms. “You shall be a guest of the Dragonkin.” “I hope our guest is delicious,” Flay comments as she looks Soar over. Is she flirting or does she plan on eating him? Maybe both.
Elizabeth Munro (SkyFall (Taken on the Wing, #2))
HAZEL WASN’T PROUD OF CRYING. After the tunnel collapsed, she wept and screamed like a two-year-old throwing a tantrum. She couldn’t move the debris that separated her and Leo from the others. If the earth shifted any more, the entire complex might collapse on their heads. Still, she pounded her fists against the stones and yelled curses that would’ve earned her a mouth-washing with lye soap back at St. Agnes Academy. Leo stared at her, wide-eyed and speechless. She wasn’t being fair to him. The last time the two of them had been together, she’d zapped him into her past and shown him Sammy, his great-grandfather—Hazel’s first boyfriend. She’d burdened him with emotional baggage he didn’t need, and left him so dazed they had almost gotten killed by a giant shrimp monster. Now here they were, alone again, while their friends might be dying at the hands of a monster army, and she was throwing a fit. “Sorry.” She wiped her face. “Hey, you know…” Leo shrugged. “I’ve attacked a few rocks in my day.” She swallowed with difficulty. “Frank is…he’s—” “Listen,” Leo said. “Frank Zhang has moves. He’s probably gonna turn into a kangaroo and do some marsupial jujitsu on their ugly faces.” He helped her to her feet. Despite the panic simmering inside her, she knew Leo was right. Frank and the others weren’t helpless. They would find a way to survive. The best thing she and Leo could do was carry on. She studied Leo. His hair had grown out longer and shaggier, and his face was leaner, so he looked less like an imp and more like one of those willowy elves in the fairy tales. The biggest difference was his eyes. They constantly drifted, as if Leo was trying to spot something over the horizon. “Leo, I’m sorry,” she said. He raised an eyebrow. “Okay. For what?” “For…” She gestured around her helplessly. “Everything. For thinking you were Sammy, for leading you on. I mean, I didn’t mean to, but if I did—” “Hey.” He squeezed her hand, though Hazel sensed nothing romantic in the gesture. “Machines are designed to work.” “Uh, what?” “I figure the universe is basically like a machine. I don’t know who made it, if it was the Fates, or the gods, or capital-G God, or whatever. But it chugs along the way it’s supposed to most of the time. Sure, little pieces break and stuff goes haywire once in a while, but mostly…things happen for a reason. Like you and me meeting.” “Leo Valdez,” Hazel marveled, “you’re a philosopher.” “Nah,” he said. “I’m just a mechanic. But I figure my bisabuelo Sammy knew what was what. He let you go, Hazel. My job is to tell you that it’s okay. You and Frank—you’re good together. We’re all going to get through this. I hope you guys get a chance to be happy. Besides, Zhang couldn’t tie his shoes without your help.” “That’s mean,” Hazel chided, but she felt like something was untangling inside her—a knot of tension she’d been carrying for weeks. Leo really had changed. Hazel was starting to think she’d found a good friend. “What happened to you when you were on your own?” she asked. “Who did you meet?” Leo’s eye twitched. “Long story. I’ll tell you sometime, but I’m still waiting to see how it shakes out.” “The universe is a machine,” Hazel said, “so it’ll be fine.” “Hopefully.” “As long as it’s not one of your machines,” Hazel added. “Because your machines never do what they’re supposed to.” “Yeah, ha-ha.” Leo summoned fire into his hand. “Now, which way, Miss Underground?” Hazel scanned the path in front of them. About thirty feet down, the tunnel split into four smaller arteries, each one identical, but the one on the left radiated cold. “That way,” she decided. “It feels the most dangerous.” “I’m sold,” said Leo. They began their descent.
Rick Riordan (The House of Hades (Heroes of Olympus, #4))
Iosif was particularly fond of the youngest, the sixteen-year-old schoolgirl Nadezhda, who reciprocated his feelings despite the twenty-three-year difference in their ages. To a young woman from a revolutionary family, he must have seemed like the ideal man: a tried-and-true revolutionary, brave and mysterious but also personable. In 1919 Stalin and Nadezhda tied the knot. As to the nature of their relationship before marriage, we can only guess.
Oleg V. Khlevniuk (Stalin: New Biography of a Dictator)
The early bats are tying the air, the heart, into knots. They fly on the wings of grief. The late butterfly follows them over the edge of the cliff where the earth becomes the air we turn into. It’s called mirror vision when we see what isn’t here. The kind of faith that fails at unexpected moments the way a climber reaches for a hold that will never in his life, be there. It’s called despair when we open the door of a heart that no longer exists.
Richard Jackson
You and I have tied the nuptial knot that will never be broken. We will have many children, we will enjoy a quiet old age and we will die on the same day, at the same hour, in each other’s arms. We will love each other all our life." The
Shin Jae (The Tale of Chun Hyang)
HARD DAY'S KNIGHT' For a skinny little gamer-geek he'd done a good job tying me up. I guess that's another thing we can thank the Internet for -- unlimited access to fetish porn has imporved the knot-tying ability of men who can't get dates.
John G. Hartness (Hard Day's Knight (Black Knight Chronicles, #1))
He couldn’t be— Oh, Lord. He was. He was going to kiss her. “Wait.” Panicked, Maddie put both hands on his chest, holding him off. “Your men, my servants … they could be watching us.” “I’m certain they’re watching us. That’s why we’re going to kiss.” “But I don’t know how. You know I don’t know how.” His lips quirked. “I know how.” Those three little words, spoken in that low, devastating Scottish burr, did absolutely nothing to ease Maddie’s concerns. Thankfully, she had a reprieve. He pulled back and peered at her hair. He looked like a boy marveling at clockwork, wondering how it all worked. After a few moments, she felt him grasp the pencil holding her chignon. With one long, slow tug, he eased it loose and cast it aside. It landed in the loch with a splash. His fingers sifted through her hair, teasing the locks free of their haphazard knot and arranging them about her shoulders. Tenderly. Like she’d always imagined a lover would. Sparks of sensation danced from her scalp to her toes. “That was my best drawing pencil,” she said. “It’s just a pencil.” “It came from London. I have a limited supply.” His thumb caressed her cheek. “It almost put out my eye. I’ve a limited supply of those, too. And it’s better this way.” “But—” Her breath caught. “Oh.” He bracketed her cheeks with his hands, tilting her face to his. Her pulse thundered in her ears. She stared at his mouth. A wave of inevitability washed over her. She whispered, “This is really happening, isn’t it?” In answer, he pressed his lips to hers.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
We hadn’t discussed our living arrangements now that we were husband and wife. Funny, but that conversation never even crossed our minds. I suppose we had been in such a hurry to tie the damn knot and jump into bed, the where and when of living together never ventured into our thoughts.
Juliette Cross (Sealed in Sin (The Vessel Trilogy, #2))
Let me remove my laces. I’ll hand you these notebooks, stacked and tied and knotted. Call it a compendium. It is my lab work, my evidence, my chart, and if it repulses you, walk into your repulsion wearing the great badge of honor of one who has been seen. We’re starting into our new days now.
Rebecca Dinerstein Knight (Hex)
Why me?' he said. 'That's how all men answer. And all men have a knot on their shoes, something they don't know how to do; an inability that binds them to others. Society depends on this asymmetry between people these days: a dovetailing of skills and competence. But the Flood? If the Flood came and one needed a Noah? Not so much a just man as a man able to bring along the few things it would take to start again. You see, you don't know how to tie your shoes, somebody else doesn't know how to plane wood, someone else again has never read Tolstoy, someone else doesn't know how to sow grain and so on. I've been looking for him for years, and, believe me, it's hard, really hard; it seems people have to hold each other by the hand like the blind man and the lame who can't go anywhere without each other, but argue just the same. It means if the Flood comes we'll all die together.
Italo Calvino (Numbers in the Dark and Other Stories)
People make the mistake of supposing that genius is complicated. It is the opposite. We regular folks are complicated — tied in knots of ambivalence and befogged with uncertainties. Genius has the economy of a machine with a minimum of moving parts. Everything about Picasso came to bear when he drew a line.
Peter Schjeldahl
Every Christian would agree that a man’s spiritual health is exactly proportional to his love for God. But man’s love for God, from the very nature of the case, must always be very largely, and must often be entirely, a Need-love. This is obvious when we implore forgiveness for our sins or support in our tribulations. But in the long run it is perhaps even more apparent in our growing—for it ought to be growing—awareness that our whole being by its very nature is one vast need; incomplete, preparatory, empty yet cluttered, crying out for Him who can untie things that are now knotted together and tie up things that are still dangling loose.
C.S. Lewis (The Four Loves)
Life ends with death for each of us—for kings, and slaves, and gods—we are tied together by the final knot of death and failure, so there is no reason to look down on any other or for the gods to be patronizing or judgmental. We all lose. We all fail. We all die. But we all fight, and struggle, and defeat is not refutation.
Scott Davis Howard (Three Days and Two Knights)
Maybe there are so many divorces because we use expressions like “tie the knot” to describe a marriage. Knots are so easy to untie! If we wanted marriages to last longer, we should refer to them differently. Like, “I’m soldering the steel.” Or, “I’m fusing the atoms.” Or, “I’m making a roux.” If my husband asked me for a divorce, it just wouldn’t work. I’d be like, “I’m sorry, dude. We’re soldered.
Mara Altman (That's What She Said (Kindle Single))
The Three-Decker "The three-volume novel is extinct." Full thirty foot she towered from waterline to rail. It cost a watch to steer her, and a week to shorten sail; But, spite all modern notions, I found her first and best— The only certain packet for the Islands of the Blest. Fair held the breeze behind us—’twas warm with lovers’ prayers. We’d stolen wills for ballast and a crew of missing heirs. They shipped as Able Bastards till the Wicked Nurse confessed, And they worked the old three-decker to the Islands of the Blest. By ways no gaze could follow, a course unspoiled of Cook, Per Fancy, fleetest in man, our titled berths we took With maids of matchless beauty and parentage unguessed, And a Church of England parson for the Islands of the Blest. We asked no social questions—we pumped no hidden shame— We never talked obstetrics when the Little Stranger came: We left the Lord in Heaven, we left the fiends in Hell. We weren’t exactly Yussufs, but—Zuleika didn’t tell. No moral doubt assailed us, so when the port we neared, The villain had his flogging at the gangway, and we cheered. ’Twas fiddle in the forc’s’le—’twas garlands on the mast, For every one got married, and I went ashore at last. I left ’em all in couples a-kissing on the decks. I left the lovers loving and the parents signing cheques. In endless English comfort by county-folk caressed, I left the old three-decker at the Islands of the Blest! That route is barred to steamers: you’ll never lift again Our purple-painted headlands or the lordly keeps of Spain. They’re just beyond your skyline, howe’er so far you cruise In a ram-you-damn-you liner with a brace of bucking screws. Swing round your aching search-light—’twill show no haven’s peace. Ay, blow your shrieking sirens to the deaf, gray-bearded seas! Boom out the dripping oil-bags to skin the deep’s unrest— And you aren’t one knot the nearer to the Islands of the Blest! But when you’re threshing, crippled, with broken bridge and rail, At a drogue of dead convictions to hold you head to gale, Calm as the Flying Dutchman, from truck to taffrail dressed, You’ll see the old three-decker for the Islands of the Blest. You’ll see her tiering canvas in sheeted silver spread; You’ll hear the long-drawn thunder ’neath her leaping figure-head; While far, so far above you, her tall poop-lanterns shine Unvexed by wind or weather like the candles round a shrine! Hull down—hull down and under—she dwindles to a speck, With noise of pleasant music and dancing on her deck. All’s well—all’s well aboard her—she’s left you far behind, With a scent of old-world roses through the fog that ties you blind. Her crew are babes or madmen? Her port is all to make? You’re manned by Truth and Science, and you steam for steaming’s sake? Well, tinker up your engines—you know your business best— She’s taking tired people to the Islands of the Blest!
Rudyard Kipling
Ronan hefted a gas can from the trunk, making little effort to keep the greasy container from contacting his clothing. Like Gansey, he wore the Aglionby uniform, but, as always, he managed to make it look as disreputable as possible. His tie was knotted with a method best described as contempt and his shirt-tails were ragged beneath the bottom of his sweater. His smile was thin and sharp. If his BMW was shark-like, it had learned how from him. “Declan’s latest. We’re meant to look pretty for her.
Maggie Stiefvater (The Raven Boys (The Raven Cycle #1))
I slide to the floor. I feel something warm on my neck, and under my cheek. Red. Blood is a strange color. Dark. From the corner of my eye, I see David slumped over in his chair. And my mother walking out from behind him. She is dressed in the same clothes she wore the last time I saw her, Abnegation gray, stained with her blood, with bare arms to show her tattoo. There are still bullet holes in her shirt; through them I can see her wounded skin, red but no longer bleeding, like she’s frozen in time. Her dull blond hair is tied back in a knot, but a few loose strands frame her face in gold. I know she can’t be alive, but I don’t know if I’m seeing her now because I’m delirious from the blood loss of if the death serum has addled my thoughts or if she is here in some other way. She kneels next to me and touches a cool hand to my cheek. “Hello, Beatrice,” she says, and she smiles. “Am I done yet?” I say, and I’m not sure if I actually say it or if I just think it and she hears it. “Yes,” she says, her eyes bright with tears. “My dear child, you’ve done so well.” “What about the others?” I choke on a sob as the image of Tobias comes into my mind, of how dark and how still his eyes were, how strong and warm his hand was, when we first stood face-to-face. “Tobias, Caleb, my friends?” “They’ll care for each other,” she says. “That’s what people do.” I smile and close my eyes. I feel a thread tugging me again, but this time I know that it isn’t some sinister force dragging me toward death. This time I know it’s my mother’s hand, drawing me into her arms. And I go gladly into her embrace. Can I be forgiven for all I’ve done to get here? I want to be. I can. I believe it.
Veronica Roth (Allegiant (Divergent, #3))
I’ll start in the air,” I said, far more steadily than I thought I could, considering. I knelt to tie the shirt around his thigh, cinching it tight above the wound; he stiffened but let me finish the knot. “The air first, the airship, and then-then I’ll dive.” “You can’t swim,” broke in Armand. “You told me that you can’t.” “Maybe I can now. If I’m a dragon.” “Don’t be an idiot! If you can’t swim, you can’t swim, Eleanore! You’ll drown out there, and what the bloody hell do you think you’re going to do anyway to a U-boat? Bite it open?” I stood again. “Yes! If I must! I don’t hear you coming up with a better-“ “You’ll die out there!” “Or we’ll all die here!” “We’re going to find another way!” “You two work on that. I’m off.” I fixed them both with one last, vehement look, the Turn rising inside me. Remember this. Remember them, this moment, this heartbreak, these two boys. Remember that they loved you. Armand had reached for my shoulders. “I forbid-Eleanore, please, no-“ “No,” echoed Jesse, speaking at last. “You’re not going after the submarine, Lora. You won’t need to.” Armand and I paused together, glancing down at him. I stood practically on tiptoe, so ready to become my other self. Jesse climbed clumsily to his feet. When he swayed, we both lunged to catch him. “Armand will take me to the shore. I’ll handle the U-boat.” “How?” demanded Armand at once. But I understood. I could read him so well now, Jesse-of-the-stars. I understood what he meant to do, and what it would cost him. I felt myself shaking my head. Above us, the airship propellers thumped louder and louder. “Yes,” said Jesse, smiling his lovely smile at me. “I already sense your agreement. Death and the Elemental were stronger joined than apart, remember? This is our joining. Don’t waste any more time quarreling with me about it. That’s not your way.” He leaned down to me, a hand tangled in my hair. His mouth pressed to mine, and for the first time ever I didn’t feel bliss at his touch. I felt misery. “Go on, Lora-of-the-moon,” he murmured against my lips. “You’re going to save us. I know you will.” I glared past him to the harsh, baffled face of Armand. “Will you help him? Do you swear it?” “I-yes, I will. I do.” I disentangled Jesse’s hand, kissed it, stepped back, and let the Turn consume me, smoke rising and rising, leaving the castle and all I loved behind me for the wild open sky.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
Their gazes locked,he said,"I made a mistake." "Confusing your wife with a goat?" What was that he had thought about the difficulty of having a wife who was a truthsayer? He took a breath,let it out slowly, and sent with it a prayer. "There was a time-a brief time-when I considered you might be guilty." Truth. Rycca smiled. She freed her hands, cupped them to his face,and rose on her toes to touch her mouth to his. "What is that for?" he asked, caught between relief and bewilderment. Likely she would always keep him so off balance and likely he would always be glad of it for truly fortune smiled upon him. A great knot seemed to be untangling in his chest. "For believing me." "I only briefly didn't," he repeated. "No,I mean for believing I am a truthsayer." "And you know that because-" She laughed and took his hand again. "Because you are a wise and canny man, Lord Dragon. You could as easily have insisted you never even flirted with the thought that I might be guilty and thereby saved yourself what must surely have been an uneasy moment for a husband." He was slightly stung but not too much, for her ready forgiveness was as a balm over all else. "Generally speaking, I do tell the truth for its own sake." "I never thought otherwise. And I would be as truthful with you. Last night, I realized suddenly that I was not afraid. All things considered, that was rather ridiculous but it was how I felt nonetheless." The knot was definitely gone. Indeed, a great warmth seemd to suffuse him. If a woman who had every reason to fear Vikings could be tied to a punishment post by her own Viking husband and not be afraid, that could mean only one thing. "You trust me." "And you trust me." At that moment, looking down at her, his face held nothing of the mighty warrior and jarl. He looked instead like a boy handed the world. She wanted only to give it to him again and again. "I would say," Rycca murmured, "that for a rocky beginning, we are managing well enough." It was an incongruously happy note upon which to discuss a dead man.
Josie Litton (Come Back to Me (Viking & Saxon, #3))
She picked up a piece that looked like the arm of the chair, gasping as she turned it over. “Scorch marks,” she whispered. The wood slipped from her hand as the nightmares took over. You’re safe, Fitz transmitted, filling her mind with a soft thread of warmth. Their thumb rings snapped together as he pulled her gently away from the pile of wood. “I told you this would be a bad idea,” Mr. Forkle said, kicking a broken board into the wall. “I’m fine,” Sophie promised. “I just . . . need to get out of this room.” Fitz helped her wobble back to the hall and she sank to the floor, putting her head between her knees to stop the spinning. Want me to carry you out? Fitz offered. NO! The thought was so loud he jumped. Sorry. I . . . I don’t want to be carried out of here again, like some helpless little girl. No one would ever call you helpless. But I get what you mean. Is there anything I can do? You’re here. He tightened his hold on her hands. “Are we ready to go?” Mr. Forkle asked. Sophie closed her eyes, focusing on tying the threads of panic away with her other emotions. The knot in her chest swelled so huge, it felt like it was pressing on her heart. But after a few slow breaths, she could bear it. “There’s still more to the hideout, isn’t there?” she asked. “Only the old entrance,” Mr. Forkle said. “But it’s nothing worth seeing. Just an empty room with a collapsed tunnel.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
Having the Having" I tie knots in the strings of my spirit to remember. They are not pictures of what was. Not accounts of dusk amid the olive trees and that odor. The walking back was the arriving. For that there are three knots and a space and another two close together. They do not imitate the inside of her body, nor her clean mouth. They cannot describe, but they can prevent remembering it wrong. The knots recall. The knots are blazons marking the trail back to what we own and imperfectly forget. Back to a bell ringing far off, and the sweet summer darkening. All but a little of it blurs and leaks away, but that little is most of it, even damaged. Two more knots and then just straight string.
Jack Gilbert (Refusing Heaven: Poems)
The door creaked open and there he was. “My star-touched queen,” he said. “I missed you.” He walked toward me. In the candle-lit glow of our bedroom, every feature was more pronounced. The sweep of his shoulders, the short hair that curled at his neck. The glow of his skin, honey-drenched and russet. My beautiful nightmare. I caught his hand in mine, my fingers trailing over the band of leather around his wrist. The noose. Against my skin, the noose was a cold pulse. There was a small knot at its base, lazily tied. He probably hadn’t expected it was in any danger. “We lost an entire day together,” he said. I loosened the silk around my waist and Amar raised an eyebrow. Around him, the shadows rippled silkily. I met his gaze and he stared at me, his breath shallow and waiting. The silk fell noiselessly to the floor. “We still have the night.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
You’re quite right,” said MacMaster. “You’re putting your finger on the thing that matters. If you think it over, you know, that’s always the interesting part of any murder. What the person was like who was murdered. Everybody’s always so busy inquiring into the mind of the murderer. You’ve been thinking, probably, that Mrs. Argyle was the sort of woman who shouldn’t have been murdered.” “I should imagine that everyone felt that.” “Ethically,” said MacMaster, “you’re quite right. But you know”—he rubbed his nose—“isn’t it the Chinese who held that beneficence is to be accounted a sin rather than a virtue? They’ve got something there, you know. Beneficence does things to people. Ties ’em up in knots. We all know what human nature’s like. Do a chap a good turn and you feel kindly towards him. You like him. But the chap who’s had the good turn done to him, does he feel so kindly to
Agatha Christie (Ordeal by Innocence)
Tradition? Kadash, did I ever tell you about my first sword trainer? Back when I was young, our branch of the Kholin family didn't have grand monasteries and beautiful practice grounds. My father found a teacher for me from two towns over. His name was Harth. Young fellow, not a true swordmaster -- but good enough. He was very focused on proper procedure, and wouldn't let me train until I'd learned how to put on a takama the right way. He wouldn't have stood for me fighting like this. You put on the skirt, then the overshirt, then you wrap your cloth belt around yourself three times and tie it. I always found that annoying. The belt was too tight, wrapped three times -- you had to pull it hard to get enough slack to tie the knot. The first time I went to duels at a neighboring town, I felt like an idiot. Everyone else had long drooping belt ends at the front of their takamas. I asked Harth why we did it differently. He said it was the right way, the true way. So, when my travels took me to Harth's hometown, I searched out his master, a man who had trained with the ardents in Kholinar. He insisted that this was the right way to tie a takama, as he'd learned from his master. I found my master's master's master in Kholinar after we captured it. The ancient, wizened ardent was eating curry and flatbread, completely uncaring of who ruled the city. I asked him. Why tie your belt three times, when everyone else thinks you should do it twice? The old man laughed and stood up. I was shocked to see that he was terribly short. 'If I only tie it twice,' he exclaimed, 'the ends hang down so low, I trip!' I love tradition, I've fought for tradition. I make my men follow the codes. I uphold Vorin virtues. But merely being tradition does not make something worthy, Kadash. We can't just assume that because something is old it is right.
Brandon Sanderson (Oathbringer (Stormlight Archive #3, Part 1 of 6))
universe.” Tan’elKoth’s tone remained dry and precise, but his face grew ever more grim. “Chambaraya is, one might say, a smaller knot of mind within the Worldmind: what the elves call T’nnalldion. Through Faith, the Bog can get its corporate fingers into that knot, unbind it, and tie it again in their own image.” Avery shook her head blankly, uncomprehending. Tan’elKoth’s expression was bleak as an open grave. “They’ll make of it a world like this one.” “Is that all?” Avery asked, frowning. “You make it sound like a catastrophe.” “It will be an Armageddon unimaginable; it will be genocide on a scale of which Stalin could not have dreamed.” “Wiping out magick doesn’t seem like such a bad thing.” “Businessman,” Tan’elKoth said patiently, “you don’t understand. Magick has not been wiped out on Earth; it is a function of Flow, which is the energy of existence itself. But its state can be altered. And it has been. Once, Earth was home to fully as many magickal creatures as was Overworld: dragons and sea serpents and mermaids, rocs and djann and primals and stonebenders and all. But creatures such as these require higher levels of certain frequencies of Flow than does humanity; as the pattern of Earth degraded, these creatures not only died, but their very bones gave up their integrity. They vanished into the background Flow of your universe.” “You’re saying magick works on Earth?” Avery said skeptically. “Magick works, as you say, everywhere. But the manner in which magick works on Earth is a local aberration; the physics of this planet and its spatial surrounds have been altered to conditions that favor the ascendance of humanity.” “And what’s wrong with that?” “I did not say it was wrong. I do not debate morality. In my zeal to protect my Children, I once favored such a fate for my own world. But it is unnatural. It is both the cause and the result of the ugly twisting of human nature that we see around
Matthew Woodring Stover (Blade of Tyshalle (The Acts of Caine, #2))
Next week is Beltane,” she reminded him. “Do you suppose we will make it through the wedding this time?” “Not if Gideon says you cannot get out of this bed,” he countered sternly. “Absolutely not!” she burst out, making him wince and cover the ear she’d been too close to. She immediately regretted her thoughtlessness, making a sad sound before reaching to kiss the ear she had offended with quiet gentleness. Jacob extricated himself from her hold enough to allow himself to turn and face her. “Okay, explain what you meant,” he said gently. “I refuse to wait another six months. We are getting married on Beltane, come hell or . . . necromancers . . . or . . . the creature from the Black Lagoon. There is no way Corrine is going to be allowed to get married without me getting married, too. I refuse to listen to her calling me the family hussy for the rest of the year.” “What does it matter what she says?” Jacob sighed as he reached to touch the soft contours of her face. “You and I are bonded in a way that transcends marriage already. Is that not what is important?” “No. What’s important is the fact that I am going to murder the sister I love if she doesn’t quit. And she will not quit until I shut her up either with a marriage or a murder weapon. Understand?” Clearly, by his expression, Jacob did not understand. “Thank Destiny all I have is a brother,” he said dryly. “I have been inundated with people tied into knots over one sister or another for the past weeks.” “You mean Legna. Listen, it’s not her fault if everyone has their shorts in a twist because of who her Imprinted mate is! Frankly, I think she and Gideon make a fabulous couple. Granted, a little too gorgeously ‘King and Queen of the Prom’ perfect for human eyes to bear looking at for long, but fabulous just the same.” Jacob blinked in confusion as he tried to decipher his fiancée’s statement. Even after all these months, she still came out with unique phraseologies that totally escaped his more classic comprehension of the English language. But he had gotten used to just shrugging his confusion off, blaming it on the fact that English wasn’t his first, second, or third language, so it was to be expected. “Anyway,” she went on, “Noah and Hannah need to chill. You saw Legna when she came to visit yesterday. If a woman could glow, she was as good as radioactive.” She smiled sweetly at him. “That means,” she explained, “that she looks as brilliantly happy as you make me feel.” “I see,” he chuckled. “Thank you for the translation.” He reached his arms around her, drawing her body up to his as close as he could considering the small matter of a fetal obstacle. He kissed her inviting mouth until she was breathless and glowing herself. “I thought I would be kind to you,” she explained with a laugh against his mouth. “You, my love, are all heart.” “And you are all pervert. Jacob!” She laughed as she swatted one of his hands away from intimate places, only to be shanghaied by another. “What would Gideon say?” “He better not say anything, because if he did that would mean he was in here while you are naked. And that, little flower, would probably cost him his vocal chords in any event.” “Oh. Well . . . when you put it that way . . .
Jacquelyn Frank (Gideon (Nightwalkers, #2))
All right, all right, all right,” Old Bailey was saying. “Stop me if you’ve heard this one before. There was a man walked into a bar. No, he wasn’t a man. That’s the joke. Sorry. He was a horse. A horse … no … a piece of string. Three pieces of string. Right. Three pieces of string walk into a bar.” A huge old rook croaked a question. Old Bailey rubbed his chin, then shrugged. “They just do. It’s a joke. They can walk in the joke. He asks for a drink for himself and one for each of his friends. And the barman says, we ‘don’t serve pieces of string here.’ To one of the pieces of string. So. It goes back to its friends and says they ‘don’t serve strings here.’ And it’s a joke, so the middle one does it too, three of them, you see, then the last one, he ties himself around the middle and he pulls the end of him all out. And he orders a drink.” The rook croaked again, sagely. “Three drinks. Right. And the barman says, here, ‘Aren’t you one of those pieces of string?’ And he says, the piece of string, he says, no. ‘I’m a frayed knot.’ ‘Afraid not,’ y’see, ‘a frayed knot.’ Pun. Very, very funny.
Neil Gaiman (Neverwhere (London Below, #1))
We need to talk about that comment you just made. Something about how you won't attract notice?" "Yes. Well, what of it?" He put his hands on the dressing table, one on either side of her hips. His blue eyes pinned her, as surely as if she'd been a butterfly pinned to a board. "Like hell you won't attract notice," he said. "You have my notice." Maddie squirmed, trying to escape. "Really, we'll be late. We should be leaving." He didn't budge. "Not just yet." "But I thought you were in a hurry." "I have time for this." The words were a low growl that sank to her belly and simmered there. He leaned close enough that she could breathe in the scent of his clean hair and skin, along with the faint aromas of soap and starched linen. She'd never drawn a more arousing breath. "You may say you dinna want to attract notice. Well, I notice all of you." He tipped his head, letting his gaze saunter down her body. "In fact, I'm starting to fancy myself a sort of naturalist. One with verra particular interests. I'm becoming quite the expert in Madeline Eloise Gracechurch." "Logan..." "And lass, you canna stop me.
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
He looked like an excited sixteen-year-old with his tousled hair and shining eyes. Barbara could not deny she liked him, even though every word he said was repellent to her. With an eloquence that frequently tied itself in knots but was of an unflagging vehemence he explained to her that the faith for which he was fighting was basically revolutionary. 'When the day arrives and our Führer takes over supreme power, then that's the end of capitalism and the economy of the big bosses. The servitude of usury will be abolished. Big banks and stock exchanges that bleed our national economy white can close their doors, and no one will mourn them". Barbara wanted to know why Miklas did not join the Communists if he, like them, was against capitalism. Miklas explained as eagerly as a child reciting a lesson learned by heart. "because the Communists have no patriotism for the fatherland, but are supranational and dependent on Russian Jews. AndCommunists don't know anything about idealism-all Marxists believe that the only purpose in life is money. We want our own revolution-our German, idealistic revolution. Not one that will be directed by Freemasons and the Elders of Zion.
Klaus Mann (Mephisto)
Condom,” she gasped. A movement stopped. “What?” Phoebe felt the earth open up in preparation of swallowing her. How could she have not mentioned this before? “I’m not on anything right now,” she whispered. “Birth control. I’m not on the Pill.” She gestured helplessly. “Shit, fuck, damn.” Disappointment tied her in knots. “I was really only interested in that middle part,” she joked. There was a second of silence, followed by a low chuckle. “You’re never predictable, Phoebe. I’ll give you that. Cross your fingers.” “What?” “Cross your fingers. I might have a condom in my shaving kit.” There was movement and rustling, then the sound of a zipper being opened. “I’m going to have to put on the light.” She briefly debated being polite and closing her eyes, but who was she kidding? She wanted to see Zane naked. In preparation, she raised up on one elbow and stared in his general direction. When the light came on, she saw all she wanted and more. He was kneeling at the end of the sleeping bag. Naked, aroused and more physically perfect than any man had a right to be. She saw the definition in his arms, the broad strength of his chest and his flat stomach before lowering her attention to his large, hard penis. The physical proof of his desire for her made her so happy, she nearly cried. Her other instinct was to part her legs, tell him never mind with birth control and protection and demand he take her right there. As that last bit was only ever going to happen in her fantasies, she contended herself with stretching out her arm and lightly grazing the tip of him with her fingers. He stiffened instantly, then turned to look at her. If she’d had any doubts about his willingness to participate, they were put to rest by the fire in his eyes and the tightness of his expression. He was a man on the sexual edge, and she couldn’t wait to push him over. He shook his head and forced his attention back to the shaving kit. At first he set the various items on the foot of the sleeping bag, but after a couple of seconds, he simply turned the container over and dumped out the contents. “Be here, be here, be here,” he muttered as he pawed through everything. Then he grabbed a square packet in triumph. “Got one.” She couldn’t help smiling. “Only one?” He grinned. “We’ll have to be creative after that.” He handed her the condom, then clicked off the light. “Where was I?” he asked. “You can pretty much be anywhere you want to be,” she told him. “Good. Then I want to be here.” He pulled off her panties in one smooth move. Then there was nothing.
Susan Mallery (Kiss Me (Fool's Gold, #17))
By the way," he said, so casually that Lauren was instantly on guard, "a magazine reporter called me this morning. They know who you are and they know we're getting married. When the story breaks, I'm afraid the press will start hounding you." "How did they find out?" Lauren gasped. He shot her a glinting smile. "I told them." Everything was happening so quickly that Lauren felt dazed. "Did you happen to tell them when and where we're getting married?" she chided. "I told them soon." He closed his briefcase and drew her out of the chair in which she had just sat down. "Do you want a big church wedding with a cast of hundreds-or could you settle for me in a little chapel somewhere, with just your family and a few friends? When we come back from our honeymoon we could throw a huge party,and that would satisfy our social obligations to everyone else we know." Lauren quickly considered the burden a big church wedding would place on her father's health and nonexistent finances, and the highly desirable alternative of becoming Nick's wife right away. "You and a chapel," she said. "Good." He grinned. "Because I would go quietly insane waiting to make you mine. I'm not a patient man." "Really?" She straightened the knot in his tie so that she'd have an excuse to touch him. "I never noticed that." "Brat," he said affectionately.
Judith McNaught (Double Standards)
I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.
Sarah Rees Brennan (Striking Distance (Fence, #1))
YOU FIRST When entering into relationships, we have a tendency to bend. We bend closer to one another, because regardless of what type of relationship it might be — romantic, business, friendship — there’s a reason you’re bringing that other person into your life, and that means the load is easier to carry if you carry it together, both bending toward the center. I picture people in relationships as two trees, leaning toward one another. Over time, as the relationship solidifies, you both become more comfortable bending, and as such bend farther, eventually resting trunk to trunk. You support each other and are stronger because of the shared strength of your root system and entwined branches. Double-tree power! But there’s a flaw in this mode of operation. Once you’ve spent some time leaning on someone else, if they disappear — because of a breakup, a business upset, a death, a move, an argument — you’re all that’s left, and far weaker than when you started. You’re a tree leaning sideways; the second foundation that once supported you is…gone. This is a big part of why the ending of particularly strong relationships can be so disruptive. When your support system presupposes two trunks — two people bearing the load, and divvying up the responsibilities; coping with the strong winds and hailstorms of life — it can be shocking and uncomfortable and incredibly difficult to function as an individual again; to be just a solitary tree, alone in the world, dealing with it all on your own. A lone tree needn’t be lonely, though. It’s most ideal, in fact, to grow tall and strong, straight up, with many branches. The strength of your trunk — your character, your professional life, your health, your sense of self — will help you cope with anything the world can throw at you, while your branches — your myriad interests, relationships, and experiences — will allow you to reach out to other trees who are likewise growing up toward the sky, rather than leaning and becoming co-dependent. Relationships of this sort, between two equally strong, independent people, tend to outlast even the most intertwined co-dependencies. Why? Because neither person worries that their world will collapse if the other disappears. It’s a relationship based on the connections between two people, not co-dependence. Being a strong individual first alleviates a great deal of jealousy, suspicion, and our innate desire to capture or cage someone else for our own benefit. Rather than worrying that our lives will end if that other person disappears, we know that they’re in our lives because they want to be; their lives won’t end if we’re not there, either. Two trees growing tall and strong, their branches intertwined, is a far sturdier image than two trees bent and twisted, tying themselves into uncomfortable knots to wrap around one another, desperately trying to prevent the other from leaving. You can choose which type of tree to be, and there’s nothing inherently wrong with either model; we all have different wants, needs, and priorities. But if you’re aiming for sturdier, more resilient relationships, it’s a safe bet that you’ll have better options and less drama if you focus on yourself and your own growth, first. Then reach out and connect with others who are doing the same.
Colin Wright (Considerations)
If you have not lost your self-control, and sensibly conceive what this might lead to, then, Mr. President, we and you ought not to pull on the ends of the rope in which you have tied the knot of war, because the more the two of us pull, the tighter the knot will be tied. And a moment may come when that knot will be tied so tight that even he who tied it will not have the strength to untie it, and then it will be necessary to cut that knot.
Bill O'Reilly (Killing Kennedy: The End of Camelot)
No wonder we’re tied in so many knots. You think I know what to do with a woman’s heart? That’s not the part they want my hands on, angel.
Kit Rocha (Beyond Jealousy (Beyond, #4))
What did I want out of life? Only one thing, really. To make love to a beautiful girl before the Rapture. Which didn’t leave much time; according to Father, the End Times began the day they lifted Prohibition. Any minute now, Jesus was liable to come bursting out of the clouds on a white horse, sword in hand, ready to wreak some vengeance. My worst fear was that I’d finally find a girl, we’d tie the knot, and then, on our wedding night—just when she was about to drop her dress—Jesus would come riding in on that infernal horse and whisk us up to heaven, where we’d be like angels and never get to have sex.
Sam Torode (The Dirty Parts of the Bible)
The first question which we had to decide had nothing to do with the occurrence or non-occurrence of any occult episode in the boy’s stream of consciousness; it was the question whether or not he had the required higher-level competence, that of knowing how to tie reef-knots.
Gilbert Ryle (The Concept of Mind)
Where does all this junk come from, and more important, what can we do about it? It comes from the conditions of our own minds. It is a deep, subtle, and pervasive set of mental habits, a Gordian knot that we have tied bit by bit and that we can only unravel in just that same way, one piece at a time. We can tune up our awareness, dredge up each separate piece, and bring it out into the light. We can make the unconscious conscious, slowly, one piece at a time.
Henepola Gunaratana (Mindfulness in Plain English)
We tied the knot, jumped over the broom, and drank the champagne! Should we smash the glasses?
Scott G. Brown
Steve knew just how and when to find them. We headed out early the next morning, before there was wind. The temperature was exactly right at eighty-six degrees Fahrenheit. Steve got a faraway look in his eye, as though he was concentrating or communicating. Then he headed off. Ten minutes later, we were on the trail of a fierce snake. “Would you like to tail one?” Steve asked. “Are you kidding?” I said. “I don’t know how to catch a fierce snake.” Steve had already “tailed” one of the snakes. Gently grabbing the end of its tail, he could hold it at arm’s length and examine it. During this procedure, snakes would often defecate, and we could get some clue about what they’d been eating. Steve would tail a snake, put it in a bag, release it, and keep what remained. “You grab the next one,” Steve said. He spotted a four- or five-foot-long fierce snake. It glistened in the sun like glass, brilliantly shiny and sleek. “It’s warming up now,” Steve said as we approached. “You’re going to have to be quick.” Yes, Terri, I said to myself, please be quick so as not to get struck by the most venomous snake on earth. If you get bitten out here, you’re in a load of trouble. We crept up behind the fierce snake. I got close enough to grab it, but the snake suddenly and violently swung its head around, directly at me, poised and ready to strike. I backed off abruptly. Time and again I approached the snake just as I’d seen Steve do it: Walk up behind the snake as it started to slither away, and grab it by the tail. I knew what to do, but I couldn’t do it. Every time I reached down, the snake would swing around and I would jump a mile. We wandered farther and farther on the trail of the snake. I could see our truck way in the distance. I sweated profusely. I kept thinking the same thought. If I get bitten by this snake, I’m dead. Then I would try to push that thought away. Stop thinking, just grab the snake. Steve wouldn’t ask you to do something that you couldn’t do. But the whole process was becoming ridiculous. “What am I doing wrong?” I wailed. “You are too bloody scared,” Steve said. “Oh,” I said. Then I reached down and picked up the snake. It was magic. Once I had the nice, soft, supple body in my hands, it was as though the snake and I had a connection. Its skin was warm to my touch from sitting in the sun. I suddenly understood exactly how to hold on so it wouldn’t get away, and yet not squeeze it so tightly that it would get angry. The snake naturally kept trying to move off. I let the front part of its body stay on the ground and held the tail up. I felt such triumph--not that I had dominated the snake, but that it had let me pick it up. Steve held out the catch bag, and I carefully dropped the snake in. He tied a knot in the bag. We looked at each other and grinned. Then we both whooped and hollered and jumped in the air. He hugged and kissed me. “I’m proud of you, Terri,” he said. Once again I marveled at Steve’s instincts. He knew that this particular snake would be okay for me to pick up. He never hesitated, he never yelled at me or coached me--until I asked for help. Then he simply told me what to do.
Terri Irwin (Steve & Me)
Steve drove the next morning as we made the turn for the Burdekin River. The single-lane dirt road, as small as it was, ended there--but we had another two or three hours of four-wheel driving to go. We navigated through deep ravines carved by the area’s repeated cyclone-fed floods, occasionally balancing on three wheels. “Hang out the window, will you?” Steve shouted as we maneuvered around the edge of a forty-foot drop. “I need to you to help counterbalance the truck.” You’ve got to be kidding me, I thought. But there I was, hanging off the side of the bull bar while Steve threaded his way over the eroding track. As we pounded and slammed our way deep into the bush, Steve talked about the area’s Aborigines. He pointed out a butte where European colonists massacred a host of the Aboriginal population in Victorian times. The landscape was alive to him, not only with human history, but with the complex interrelatedness of plants, animals, and the environment. He pointed out giant 150-year-old eucalypts, habitats for insectivorous bats, parrots, and brush-tailed possums. After hours of bone-jarring terrain, we reached the Burdekin, a beautiful river making its way through the tea trees. It was a breathtaking place. We set up camp--by which I mean Steve did--at a fork in the river, where huge black boulders stood exposed in the middle of the water. I tried to help, but I felt completely out of my depth. He unpacked the boat and the motor, got it tied and moored on the river, rolled out the swags, and lined up containers of fuel, water, and food. Then he started stringing tarps. What a gift Steve had for setting up camp. He had done it countless times before, month in and month out, all by himself, with only Sui for company. I watched him secure ropes, tie knots, and stretch canvas like he was expecting that we’d have to withstand a cyclone. It was hot, more than a hundred degrees Fahrenheit, but Steve didn’t seem to notice. Sui found a little shallow place at the edge of the river and immediately plopped herself in. I saw Steve look over at her as if calculating her chances of being snatched by a croc. Crocodiles are the ultimate camouflage attack predators, striking from the water’s edge. There would never be “down time” for Steve. No time to sit down and unwind. We were off in an instant. We grabbed Sui, jumped in the boat, and headed upstream. White Burdekin ducks startled up in front of our boat, their dark neck-rings revealed as they flew over us. Cormorants dried their feathers on the mid-river boulders, wings fully open. It was magical and unspoiled, as if we were the first people ever to travel there.
Terri Irwin (Steve & Me)
We trapped several smaller females, all around the nine-foot mark. That’s when Steve stepped back and let the all-girl team take over: all the women in camp, zoo workers mainly, myself, and others. We would jump on the croc, help secure the tracking device, and let her go. At one point Steve trapped a female that he could see was small and quiet. He turned to Bindi. “How would you like to jump the head?” Bindi’s eyes lit up. This was what she had been waiting for. Once Steve removed the croc from the trap and secured its jaws, the next step was for the point person to jump the croc’s head. Everybody else on the team followed immediately afterward, pinning the crocodile’s body. “Don’t worry,” I said to Bindi. “I’ll back you up.” Or maybe I was really talking to Steve. He was nervous as he slipped the croc out of its mesh trap. He hovered over the whole operation, knowing that if anything went amiss, he was right there to help. “Ready, and now!” he said. Bindi flung herself on the head of the crocodile. I came in right over her back. The rest of the girls jumped on immediately, and we had our croc secured. “Let’s take a photo with the whole family,” Professor Franklin said. Bindi sat proudly at the crocodile’s head, her hand casually draped over its eyes. Steve was in the middle, holding up the croc’s front legs. Next in line was me. Finally, Robert had the tail. This shot ended up being our 2006 family Christmas card. I look at it now and it makes me laugh out loud. The family that catches crocs together, rocks together. The Irwin family motto. Steve, Bindi, and I are all smiling. But then there is Robert’s oh-so-serious face. He has a top-jaw rope wrapped around his body, with knots throughout. He took his job seriously. He had the rope and was ready as the backup. He was on that croc’s tail. It was all about catching crocs safely, mate. No mucking around here. As we idled back in to camp, Robert said, “Can I please drive the boat?” “Crikey, mate, you are two years old,” Steve said. “I’ll let you drive the boat next year.” But then, quite suddenly and without a word, Steve scooped Robert up and sat him up next to the outboard. He put the tiller in his hand. “Here’s what you do, mate,” Steve said, and he began to explain how to drive the boat. He seemed in a hurry to impart as much wisdom to his son as possible. Robert spent the trip jumping croc tails, driving the boat, and tying knots. Steve created a croc made of sticks and set it on a sandbar. He pulled the boat up next to it, and he, Robert, and Bindi went through all the motions of jumping the stick-croc. “I’m going to say two words,” Robert shouted, imitating his father. “’Go,’ and ‘Now.’ First team off on ‘Go,’ second team off on ‘Now.’” Then he’d yell “Go, now” at the top of his lungs. He and Steve jumped up as if the stick-croc was about to swing around and tear their arms off. “Another croc successfully caught, mate,” Steve said proudly. Robert beamed with pride too. When he got back to Croc One, Robert wrangled his big plush crocodile toy. I listened, incredulous, as my not-yet-three-year-old son muttered the commands of a seasoned croc catcher. He had all the lingo down, verbatim. “Get me a twelve-millimeter rope,” Robert commanded. “I need a second one. Get that top-jaw rope under that tooth, yep, the eye tooth, get it secured. We’ll need a third top-jaw rope for this one. Who’s got a six-millimeter rope? Hand me my Leatherman. Cut that rope here. Get that satellite tracker on.” The stuffed animal thoroughly secured, Robert made as if to brush off his little hands. “Professor Franklin,” he announced in his best grown-up voice, “it’s your croc.
Terri Irwin (Steve & Me)
As we idled back in to camp, Robert said, “Can I please drive the boat?” “Crikey, mate, you are two years old,” Steve said. “I’ll let you drive the boat next year.” But then, quite suddenly and without a word, Steve scooped Robert up and sat him up next to the outboard. He put the tiller in his hand. “Here’s what you do, mate,” Steve said, and he began to explain how to drive the boat. He seemed in a hurry to impart as much wisdom to his son as possible. Robert spent the trip jumping croc tails, driving the boat, and tying knots. Steve created a croc made of sticks and set it on a sandbar. He pulled the boat up next to it, and he, Robert, and Bindi went through all the motions of jumping the stick-croc. “I’m going to say two words,” Robert shouted, imitating his father. “’Go,’ and ‘Now.’ First team off on ‘Go,’ second team off on ‘Now.’” Then he’d yell “Go, now” at the top of his lungs. He and Steve jumped up as if the stick-croc was about to swing around and tear their arms off. “Another croc successfully caught, mate,” Steve said proudly. Robert beamed with pride too. When he got back to Croc One, Robert wrangled his big plush crocodile toy. I listened, incredulous, as my not-yet-three-year-old son muttered the commands of a seasoned croc catcher. He had all the lingo down, verbatim. “Get me a twelve-millimeter rope,” Robert commanded. “I need a second one. Get that top-jaw rope under that tooth, yep, the eye tooth, get it secured. We’ll need a third top-jaw rope for this one. Who’s got a six-millimeter rope? Hand me my Leatherman. Cut that rope here. Get that satellite tracker on.” The stuffed animal thoroughly secured, Robert made as if to brush off his little hands. “Professor Franklin,” he announced in his best grown-up voice, “it’s your croc.
Terri Irwin (Steve & Me)
MOTHER You sheltered me You protected me Till I could breathe my first breath You travailed until I was free And the umbilical cord that binded us was cut loose Now unto you I cling For you O Mother are my tower of strength I am lost without you In a world I never knew I kicked. I cried. I flared my arms searching.. searching for the comfort I once knew No longer are we tied Bound together with an unbroken cord Now we are free You have done your part For nine months your womb has been my shelter O Mother you are free Free from the knot that kept us together But you stayed I clung to you For your milk was my source of strength You watch me grow You applauded my tiny victories You picked me up when I needed comfort You cradled me as if I were still in the womb You were my teacher, my consoler, my pillar when I knew no other Oh Mother You are divinely blessed You are a tower of strength You are indeed a gift from God Thank you Mother
Maisie Aletha Smikle
Now, girl, do you remember yesterday’s lesson? How shall we trim the sails for a steady wind coming in off the starboard quarter, abaft?” Abaft? Auli-Ambar turned the delightfully anachronistic word over in her mind. These Dragonship Steersmen used the very best words, possessing a unique language of their own to describe navigation, flying, the tying of knots and the multitudinous parts and workings of their vessels. They sailed or made headway above the depthless Cloudlands, tacked against the wind, unpicked knots with marlinspikes, and their enemies were called pirates or corsairs. Who even knew what a marlin was?
Marc Secchia (The Dragon Librarian (Scrolls of Fire, #1))
We're on this course of sorrow because the only knots that were tied were ones of hate.
Lyn Crain
How may I help, Bea?” Poppy asked, approaching her. Her younger sister handed her a length of heavy silk cord. “Tie this ’round the neck of the jar, please. Your knots are always much better than mine.” “A clove hitch?” Poppy suggested, taking the twine. “Yes, perfect.” Jake Valentine regarded the two intent young women dubiously, and looked at Harry. “Mr. Rutledge—” Harry gestured for him to be silent and allow the Hathaway sisters to proceed. Whether or not their attempt actually worked, he was enjoying this too much to stop them. “Could you make some kind of loop for a handle at the other end?” Beatrix asked. Poppy frowned. “An overhand knot, perhaps? I’m not sure I remember how.” “Allow me,” Harry volunteered, stepping forward. Poppy surrendered the end of the cord to him, her eyes twinkling. Harry tied the end of the cord into an elaborate rope ball, first wrapping it several times around his fingers, then passing the free end back and forth. Not above a bit of showmanship, he tightened the whole thing with a deft flourish. “Nicely done,” Poppy said. “What knot is that?” “Ironically,” Harry replied, “it is known as the ‘Monkey’s Fist.’ ” Poppy smiled. “Is it really? No, you’re teasing.” “I never tease about knots. A good knot is a thing of beauty.” Harry gave the rope end to Beatrix, and watched as she placed the jar atop the frame of the food lift cab. Then he realized what her plan was. “Clever,” he murmured. “It may not work,” Beatrix said. “It depends on whether the monkey is more intelligent than we are.” “I’m rather afraid of the answer,” Harry replied dryly. Reaching inside the food lift shaft, he pulled the rope slowly, sending the jar up to the macaque, while Beatrix kept hold of the silk cord. All was quiet. The group held their breath en masse as they waited. Thump. The monkey had descended to the top of the cab. A few inquiring hoots and grunts echoed through the shaft. A rattle, a silence, and then a sharp tug at the line. Offended screams filled the air, and heavy thumps shook the food lift. “We caught him,” Beatrix exclaimed.
Lisa Kleypas (Tempt Me at Twilight (The Hathaways, #3))
The woman had tied me up in knots. I wanted her. She scared the hell out of me. I wanted to tell her what a bad bet I was. That we both knew she could do better. But I couldn’t make my mouth form the words.
Kristen Callihan (Make It Sweet)
Hey!” said Sister. “This is Crooked Lane!” “That’s right,” said Too-Tall. “We’re gonna play a few tricks on old Witch McGrizz.” “W-what sort of tricks?” asked Brother. Her gnarled, twisted old tree house loomed ahead. “First,” whispered Too-Tall, taking a roll of toilet paper from his jacket, “we’ll decorate her house with a little of this. Then maybe we’ll tie a few knots in her clothesline. Then smear some honey on her broomstick so she’ll stick to it when she tries to fly.” But before Too-Tall and his gang could start their mischief, the front door opened and a bright yellow light stabbed the darkness. And there in the doorway stood the frightening figure of old Miz McGrizz! “Aha!” she said in a gravelly voice. “I’m ready for you!” She then led the terrified cubs into a cozy living room. To their great surprise, there was a big tray of beautiful candy apples all prepared for Halloween visitors. “Mama was right,” whispered Sister to Brother. “Miz McGrizz really is a sweet, kind old person!
Stan Berenstain (The Berenstain Bears Trick or Treat)
Maybe we shouldn’t live here,” I found myself saying. “Don’t start that again. We’ve been posted here.” “No, I mean maybe we shouldn’t live in this house.” “Where else would we live?” “I’m sure we could find an inn or something.” That was what Pairs often did. “And we would tell my cousin what as we throw her hospitality back in her face?” “Blame it on artistic temperament.” “Mine, I suppose.” “We can claim it’s mine, if you want. I don’t care.” Actually, it would irk me a little, but that was better than having Taro tied in knots all the time. He snorted. “You must be really worried about me if you’re willing to admit to any kind of emotional turmoil.” Hey, was he trying to claim I actually had emotional turmoil? He was the moody one. “Your mother lives right next door, Taro. I’m more than willing to put some space between us and her.” “Oh, my gods.” He put a hand over his eyes. “Her.” Actually, I found it strange that she hadn’t come over yet, but I didn’t say so. Speaking it out loud, I feared most irrationally, might actually make it happen. “I don’t think we should move,” said Taro. “It makes sense for us to be here. It is the place that has the most empty space, and we’re family. I’m just being ridiculous. You’re supposed to smack me up the back of the head and tell me to be sensible.” “You’re too far away.
Moira J. Moore (Heroes Return (Hero, #5))