We've Got This Quotes

We've searched our database for all the quotes and captions related to We've Got This. Here they are! All 100 of them:

We've got to live, no matter how many skies have fallen.
D.H. Lawrence (Lady Chatterley's Lover)
We are stardust, we are golden and we've got to get ourselves back to the garden.
Joni Mitchell
Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between.
André Aciman
Like water leaking through a dam," said Piper. "Yeah," smiled Percy. "We've got a dam hole." "What?" Piper asked. "Nothing," he said. "Inside joke.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
There was a clatter as the basilisk fangs cascaded out of Hermione's arms. Running at Ron, she flung them around his neck and kissed him full on the mouth. Ron threw away the fangs and broomstick he was holding and responded with such enthusiasm that he lifted Hermione off her feet. "Is this the moment?" Harry asked weakly, and when nothing happened except that Ron and Hermione gripped each other still more firmly and swayed on the spot, he raised his voice. "OI! There's a war going on here!" Ron and Hermione broke apart, their arms still around each other. "I know, mate," said Ron, who looked as though he had recently been hit on the back of the head with a Bludger, "so it's now or never, isn't it?" "Never mind that, what about the Horcrux?" Harry shouted. "D'you think you could just --- just hold it in, until we've got the diadem?" "Yeah --- right --- sorry ---" said Ron, and he and Hermione set about gathering up fangs, both pink in the face.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
If this is going to be a Christian nation that doesn't help the poor, either we have to pretend that Jesus was just as selfish as we are, or we've got to acknowledge that He commanded us to love the poor and serve the needy without condition and then admit that we just don't want to do it.
Stephen Colbert
Sooner or later we've all got to let go of our past.
Dan Brown (Deception Point)
I keep thinking about this river somewhere, with the water moving really fast. And these two people in the water, trying to hold onto each other, holding on as hard as they can, but in the end it's just too much. The current's too strong. They've got to let go, drift apart. That's how it is with us. It's a shame, Kath, because we've loved each other all our lives. But in the end, we can't stay together forever.
Kazuo Ishiguro (Never Let Me Go)
Ginny, listen...I can't be involved with you anymore. We've got to stop seeing each other. We can't be together." "It's for some stupid noble reason isn't it?" "It's been like...like something out of someone else's life these last few weeks with you. But I can't...we can't...I've got to do things alone now. Voldemort uses people his enemies are close to. He's already used you as bait once, and that was just because you were my best friend's sister. Think how much danger you'll be in if we keep this up. He'll know, he'll find out. He'll try and get me through you." "What if I don't care?" "I care. How do you think I'd feel if this was your funeral...and it was my fault...
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain. (p. 225)
André Aciman (Call Me by Your Name)
But you'll be killed!" "I'll be fine. Besides, we've got no choice." Annabeth glared at me like she was going to punch me. And then she did something that surprised me even more. She kissed me.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Death doesn't exist. It never did, it never will. But we've drawn so many pictures of it, so many years, trying to pin it down, comprehend it, we've got to thinking of it as an entity, strangely alive and greedy. All it is, however, is a stopped watch, a loss, an end, a darkness. Nothing.
Ray Bradbury (Something Wicked This Way Comes)
We've got to have rules and obey them. After all, we're not savages. We're English, and the English are best at everything.
William Golding (Lord of the Flies)
We've got to face the fact that some people say you fight fire best with fire, but we say you put fire out best with water. We say you don't fight racism with racism. We're gonna fight racism with solidarity.
Fred Hampton (I Am A Revolutionary: Fred Hampton Speaks (Black Critique))
In each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. We’re each of us our own chiaroscuro, our own bit of illusion fighting to emerge into something solid, something real. We’ve got to forgive ourselves that. I must remember to forgive myself. Because there is a lot of grey to work with. No one can live in the light all the time.
Libba Bray
We all start out so damn sure, thinking we've got the world on a string. If we ever stopped to think about the infinite number of ways we could be undone, we'd never leave our bedrooms.
Jonathan Tropper (This is Where I Leave You)
Memory is so crazy! It's like we've got these drawers crammed with tons of useless stuff. Meanwhile, all the really important things we just keep forgetting, one after the other.
Haruki Murakami (After Dark)
Wait just a minute," Ares growled. He pointed at Thalia and me. "These two are dangerous. It'd be much safer, while we've got them here—" "Ares," Poseidon interrupted, "they are worthy heroes. We will not blast my son to bits." "Nor my daughter," Zeus grumbled. "She has done well.
Rick Riordan (The Titan’s Curse (Percy Jackson and the Olympians, #3))
Even though I don't ask, Plutarch gives me cheerful updates on the phone like "Good news, Katniss! I think we've almost got him convinced you're not a mutt!" Or "Today he was allowed to feed himself pudding!
Suzanne Collins (Mockingjay (The Hunger Games, #3))
Don't worry, chief. We've got these Tualaghi surrounded - from the inside." "Exactly," Erak replied dryly.
John Flanagan
Are you crazy?" I said. "Crazy about you." "Patch!" "Don't worry, we've got time." "How do you know?" He staggered back a step, with his hand over his heart. "Your lack of faith hurts.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
I may have come close, but I never had what you had. Something always held me back or stood in the way. How you live your life is your business. But remember, our hearts and our bodies are given to us only once. Most of us can't help but live as though we've got two lives to live, one is the mockup, the other the finished version, and then there are all those versions in between. But there's only one, and before you know it, your heart is worn out, and, as for your body, there comes a point when no one looks at it, much less wants to come near it. Right now there's sorrow. I don't envy the pain. But I envy you the pain.
André Aciman (Call Me by Your Name)
If all we've got to look forward to is disloyalty and treachery, why do we even make friends?" "Again, human nature. Hoping for the best is what drives us.
Gena Showalter (Intertwined (Intertwined, #1))
I think using animals for food is an ethical thing to do, but we've got to do it right. We've got to give those animals a decent life and we've got to give them a painless death. We owe the animal respect.
Temple Grandin
Our attention span is shot. We've all got Attention Deficit Disorder or ADD or OCD or one of these disorders with three letters because we don't have the time or patience to pronounce the entire disorder. That should be a disorder right there, TBD - Too Busy Disorder.
Ellen DeGeneres
We’ve all got weaknesses. Me, for instance. I’m tragically funny and good-looking.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to have new little hopes. It is rather hard work: there is now no smooth road into the future: but we go round, or scramble over the obstacles. We’ve got to live, no matter how many skies have fallen.
D.H. Lawrence (Lady Chatterley's Lover)
Girls aren't very good at keeping maps in their brains", said Edmund, "That's because we've got something in them", replied Lucy.
C.S. Lewis (The Chronicles of Narnia (The Chronicles of Narnia, #1-7))
There are so many ways to go wrong. All we've got are metaphors, and they're never exactly right. You can never just Say. The. Thing.
Jennifer Egan (A Visit from the Goon Squad)
Everyday is a bank account, and time is our currency. No one is rich, no one is poor, we've got 24 hours each.
Christopher Rice
Sorry, we've got ghosts.
Deborah Harkness (A Discovery of Witches (All Souls Trilogy, #1))
You never get it right, you people, do you? Either we've got Fudge, pretending everything's lovely while people get murdered right under his nose, or we've got you, chucking the wrong people into jail and trying to pretend you've got 'The Chosen One' working for you!
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
For, while the tale of how we suffer, and how we are delighted, and how we may triumph is never new, it always must be heard. There isn't any other tale to tell, it's the only light we've got in all this darkness.
James Baldwin (Sonny's Blues)
Hey, we've all got problems, chum. I'm overly talkative. You look like a field of buttercups in a suit.
Jonathan Stroud (The Golem's Eye (Bartimaeus, #2))
History isn't a premade tapestry that we've got to suffer, a closed world with no exit. We can form it. Make it. We just have to choose to make it.
R.F. Kuang (Babel)
Seriously,” Shane said, “this kind of is the worst situation we’ve ever been in, right?” “Speak for yourself,” Michael said. “I got myself killed last year. Twice.” “Oh yeah. You’re right—last year really sucked for you.
Rachel Caine (Kiss of Death (The Morganville Vampires, #8))
I want to marry a [guy], so i can rest my soul with [him] till we both get old. This can't go on all the time-- all this franticness and jumping around. We've got to go someplace, find something.
Jack Kerouac (On the Road)
Right, well, we've got to work out what we need. We've got to work out what we need, how we get it, and what we need to get to get what we need.
Derek Landy (Skulduggery Pleasant (Skulduggery Pleasant, #1))
I don't accept the currently fashionable assertion that any view is automatically as worthy of respect as any equal and opposite view. My view is that the moon is made of rock. If someone says to me 'Well, you haven't been there, have you? You haven't seen it for yourself, so my view that it is made of Norwegian Beaver Cheese is equally valid' - then I can't even be bothered to argue. There is such a thing as the burden of proof, and in the case of god, as in the case of the composition of the moon, this has shifted radically. God used to be the best explanation we'd got, and we've now got vastly better ones. God is no longer an explanation of anything, but has instead become something that would itself need an insurmountable amount of explaining. So I don't think that being convinced that there is no god is as irrational or arrogant a point of view as belief that there is. I don't think the matter calls for even-handedness at all.
Douglas Adams
We're all lost souls here. It's a good thing we've got each other.
Amy Plum (Die for Me (Revenants, #1))
A BOOK?! WHAT D'YOU WANNA FLAMING BOOK FOR?...WE'VE GOT A LOVELY TELLY WITH A 12-INCH SCREEN AND NOW YA WANNA BOOK!
Roald Dahl (Matilda)
We've got it [Percy's Head Boy badge]," Fred whispered to Harry. "We're improving it." The badge now read Bighead Boy.
J.K. Rowling (Harry Potter and the Prisoner of Azkaban (Harry Potter, #3))
If we communicated with something like music, we would never be misunderstood, because there is nothing in music to understand...... But until we find this new way of speaking, until we can find a nonapproximate vocabulary, nonsense words are the best thing we've got. Ifactifice is one such word.
Jonathan Safran Foer (Everything Is Illuminated)
We’ve all got both light and dark inside us. What matters is the part we choose to act on...that’s who we really are.
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
But forgiveness...I'll hold on to that fragile slice of hope and keep it close, remembering that in each of us lie good and bad, light and dark, art and pain, choice and regret, cruelty and sacrifice. We're each of us our own...bit of illusion fighting to emerge into something solid, something real. We've got to forgive ourselves that. I must remember to forgive myself. Because there's an awful lot of gray to work with. No one can live in the light all the time.
Libba Bray (A Great and Terrible Beauty (Gemma Doyle, #1))
You are not on your own anymore. It’s you and me now. We are in this together, and we’ve got this.
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
Tohru: "Call a doctor, or a vet, or something! Mr. Postman! It's terrible! You see?! They're animals!" Mailman: "Well, uh, yes, they certainly are. Here's your mail." Tohru: "No, no, we've got to do something!" (Shigure in dog form grabs the letter.) Mailman: "I wish my dog was as smart. Good day!
Natsuki Takaya (Fruits Basket, Vol. 1)
We've got everything we need right here, and everything we need is enough.
Jack Johnson
Hurry up, mundie boy, we've got work to do.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
We’ve got to get these guys to Bubba’s. Anyone got a clue how to do it? (Nick) They gotta be breathing? (Simi) Yes. (Nick and Caleb) Well, pooh. That just takes all the fun out of it. (Simi)
Sherrilyn Kenyon (Infinity (Chronicles of Nick, #1))
We’ve got to give people room to have a bad day.
Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
All right. Are you going to come back? Do you want any soup?" "No," said Jace. "Do you think Hodge will want any soup?" "No one wants any soup." "I want some soup," Simon said. "No, you don't," said Jace. "You just want to sleep with Isabelle." Simon was appalled. "That is not true." "How flattering," Isabelle murmured into the soup, but she was smirking. "Oh, yes it is," said Jace. "Go ahead and ask her—then she can turn you down and the rest of us can get on with our lives while you fester in miserable humiliation." He snapped his fingers. "Hurry up, mundie boy, we've got work to do.
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
It’s tempting to wish for the perfect boss, the perfect parent, or the perfect outfit. But maybe the best any of us can do is not to quit, play the hand we’ve been dealt, and accessorize what we’ve got.
Candace Bushnell (Sex and the City)
Get up guys. We’ve got a visit to pay.” “What are you talking about?” “I am not hanging out with Blake Lazar again.
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
We've got a motto here-you're tougher than you think you are, and you can do more than you think you can.
Christopher McDougall (Born to Run: A Hidden Tribe, Superathletes, and the Greatest Race the World Has Never Seen)
The way to beat Luke," he said. "If I'm right, it's the only way you'll stand a chance." I took a deep breath. "Okay. I'm listening." Nico glanced inside my room. His eyebrows furrowed. "Is that...is that blue birthday cake?" He sounded hungry, maybe a little wistful. I wondered if the poor kid had ever had a birthday party, or if he'd ever even been invited to one. :Come inside for cake and ice cream," I said. "It sounds like we've got a lot to talk about.
Rick Riordan (The Battle of the Labyrinth (Percy Jackson and the Olympians, #4))
Quick, Derek, it's your chance to shine," Ascanio said. Derek gave him a withering look. "Desandra is a mother, Robert is married, Kate's affianced, and I'm an old soul. You're the closest thing to a virgin we've got. Get on with growing some flowing locks.
Ilona Andrews (Magic Breaks (Kate Daniels, #7))
He meant the Kingdom was over, the Kingdom of Heaven, it was all finished. We shouldn't live as if it mattered more than this life in this world, because where we are is always the most important place.... We have to be all those difficult things like cheerful and kind and curious and patient, and we've got to study and think and work hard, all of us, in all our different worlds, and then we'll build... The Republic of Heaven.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
We are all flawed, my dear. Every one of us. And believe me, we've all made mistakes. You've just got to take a good hard look at yourself, change what needs to be changed, and move on, pet.
Lauren Myracle
We've both got into the blue beetle. He got into the red door, I got into the white one.
Jim Butcher (Grave Peril (The Dresden Files, #3))
...tell them that we have some good in us, too. And the only thing worth living for is the good. That’s why we’ve got to make sure we pass it on.
Billie Letts (Where the Heart Is)
Angel Bob: Doctor? Excuse me, hello, Doctor? Angel Bob here, sir. The Doctor: Ah, there you are, Angel Bob. How's life? Sorry, bad subject. Angel Bob: The Angels are wondering what you hope to achieve. The Doctor: Achieve? We're not achieving anything. We're just hanging, it's nice in here: consoles; comfy chairs; a forest... how's things with you? Angel Bob: The Angels are feasting, sir. Soon we will be able to absorb enough power to consume this vessel, this world, and all the stars and worlds beyond. The Doctor: Yeah, but we've got comfy chairs. Did I mention? Angel Bob: We have no need for comfy chairs. The Doctor: [amused] I made him say 'comfy chairs'.
Steven Moffat
We've got a bond in common, you and I. We are both alone in the world.
Daphne du Maurier (Rebecca)
We've got a sort of brainwashing going on in our country, Morrie sighed. Do you know how they brainwash people? They repeat something over and over. And that's what we do in this country. Owning things is good. More money is good. More property is good. More commercialism is good. More is good. More is good. We repeat it--and have it repeated to us--over and over until nobody bothers to even think otherwise. The average person is so fogged up by all of this, he has no perspective on what's really important anymore. Wherever I went in my life, I met people wanting to gobble up something new. Gobble up a new car. Gobble up a new piece of property. Gobble up the latest toy. And then they wanted to tell you about it. 'Guess what I got? Guess what I got?' You know how I interpreted that? These were people so hungry for love that they were accepting substitutes. They were embracing material things and expecting a sort of hug back. But it never works. You can't substitute material things for love or for gentleness or for tenderness or for a sense of comradeship. Money is not a substitute for tenderness, and power is not a substitute for tenderness. I can tell you, as I'm sitting here dying, when you most need it, neither money nor power will give you the feeling you're looking for, no matter how much of them you have.
Mitch Albom (Tuesdays with Morrie: An Old Man, a Young Man, and Life's Greatest Lesson)
Yo, beautiful. Come pop this collar off me.” Natalya hissed, “Are you mad?” “What’s she gonna do? Vivisect me? Imprison me? We’ve got a pact to fulfill,remember?” To Dorada, she cried, “Seriously, sweetheart, shake that mummified ass over here.” Regin kicked the glass. “Lemme the fuck out—” La Dorada swung her head around,peering at Regin with her one eye. “Okay. That’s freaky. Lookit, Gollum, if you spring me, I’ll help you find your Precious.
Kresley Cole (Dreams of a Dark Warrior (Immortals After Dark, #10))
Okay. Let's see what we've got." He lifted up her foot and said, "Well, what we've got here is a freakin' boat." Really?" She slammed her heel against the side of his face, snapping his head to one side. "How big are they now, Mitch?" Rubbing the abused side of his face, "Dainty little elf feet?" "Exactly.
Shelly Laurenston (The Mane Attraction (Pride, #3))
I go out of my way to make sure you don’t have any reason to feel jealous, but when you do get possessive, I like it. I want you to fight for me. I want you to care that much. I want you crazy about me. But possessiveness without trust is hell. If you don’t trust me, we’ve got nothing.
Sylvia Day (Reflected in You (Crossfire, #2))
Easy climb, Kurokuma. You do it easily.' 'Not on your life,' Horace said... 'That's what we have Rangers for. They climb up sheer rock walls and crawl along narrow, slippery ledges. I'm a trained warrior, and I'm far to valuable to risk such shenanigans.' 'We're not valuable?' Will said, feigning insult. Horace looked at him. 'We've got two of you. We can always afford to lose one,' he said firmly.
John Flanagan (The Emperor of Nihon-Ja (Ranger's Apprentice, #10))
Does character develop over time? In novels, of course it does: otherwise there wouldn't be much of a story. But in life? I sometimes wonder. Our attitudes and opinions change, we develop new habits and eccentricities; but that's something different, more like decoration. Perhaps character resembles intelligence, except that character peaks a little later: between twenty and thirty, say. And after that, we're just stuck with what we've got. We're on our own. If so, that would explain a lot of lives, wouldn't it? And also—if this isn't too grand a word—our tragedy.
Julian Barnes (The Sense of an Ending)
I spent a long time playing that game,” she said. “Pretending there were other versions of this world, where other versions of me got to live, and be happy, even if I didn’t, and you know what? It’s lonely as hell. Maybe there are other versions, other lives, but this one’s ours. It’s all we’ve got.
Victoria E. Schwab (Our Dark Duet (Monsters of Verity, #2))
The name says it all. That's where Dad (Hades) tries out his new punishment ideas, but he says the traditional ones still work best: the lava flows, the minefields full of exploding surprises, burning at the stake, running naked through cactus patches... You name it, we've got it here - Nico di Angelo
Rick Riordan (Percy Jackson & the Olympians: The Ultimate Guide)
I am of the theory that all of our transcendental connections, anything we're drawn to, be it a person, a song, a painting on a wall--they're magnetic. The art is the alloy, so to speak. And our souls are equipped with whatever properties are required to attract that alloy. I'm no scientist so I don't really know what the hell these properties are, but my point is we're drawn to stuff we've already got a connection to. Part of the thing is already inside of us.
Tiffanie DeBartolo (How to Kill a Rock Star)
If you think I'm going to let six people risk their lives - !' 'because it's the first time for all of us,' said Ron. 'This is different, pretending to be me -' 'Well, none of us really fancy it, Harry,' said Fred earnestly. 'Imagine if something went wrong and we were stuck as specky, scrawny gits forever.' Harry did not smile. 'You can't do it if I don't cooperate, you need me to give you some hair.' 'Well, that's the plan scuppered,' said George. 'Obviously there's no chance at all of us getting a bit of your hair unless you cooperate.' 'Yeah, thirteen of us against one bloke who's not allowed to use magic; we've got no chance,' said Fred.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
They would find this House of Hades. They'd take the Doors of Death. And by the gods, if Leo had to design a grabber arm long enough to snatch Percy and Annabeth out of Tartarus, then that's what he would do. Nemesis wanted him to wreak vengeance on Gaea? Leo would be happy to oblige. He was going to make Gaea sorry she had ever messed with Leo Valdez. "Yeah." He took one last look at the cityscape of Rome, turning bloodred in the sunset. "Festus, raise the sails. We've got some friends to save.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Crowley had always known that he would be around when the world ended, because he was immortal and wouldn’t have any alternative. But he hoped it was a long way off. Because he rather liked people. It was major failing in a demon. Oh, he did his best to make their short lives miserable, because that was his job, but nothing he could think up was half as bad as the stuff they thought up themselves. They seemed to have a talent for it. It was built into the design, somehow. They were born into a world that was against them in a thousand little ways, and then devoted most of their energies to making it worse. Over the years Crowley had found it increasingly difficult to find anything demonic to do which showed up against the natural background of generalized nastiness. There had been times, over the past millennium, when he’d felt like sending a message back Below saying, Look we may as well give up right now, we might as well shut down Dis and Pandemonium and everywhere and move up here, there’s nothing we can do to them that they don’t do to themselves and they do things we’ve never even thought of, often involving electrodes. They’ve got what we lack. They’ve got imagination. And electricity, of course. One of them had written it, hadn’t he…”Hell is empty, and all the devils are here.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
You know that we've got a few problems we need to talk through before we get married." "I'm not getting rid of Pooh." "See, there you go being antagonistic. Marriage means learning to compromise." "I didn't say I wouldn't compromise. I promise to take the ribbon out of her topknot before you walk her.
Susan Elizabeth Phillips (It Had to Be You (Chicago Stars, #1))
There are worlds out there where the sky is burning, where the sea's asleep and the rivers dream, people made of smoke and cities made of song. Somewhere there's danger, somewhere there's injustice and somewhere else the tea is getting cold. Come on, Ace, we've got work to do.
Sylvester McCoy
As they climbed into their saddles, Myron bowed his head and muttered a soft prayer. “There,” Hadrian told Royce, “we’ve got Maribor on our side. Now you can relax.” “Actually,” Myron said sheepishly, “I was praying for the horses. But I will pray for you as well,” he added hastily.
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
Quote taken from Chapter 1: "The police should be in it, not us. We’re out of here.” Bill did an about-face to retrace their route to the door. Piper whipped out a hand and snagged him by the shirttail. Her tone returned to crisp and decisive. “Slow down, Roadrunner. I’m not ready to leave. We’ve got work to do.” Incredulous, he stared gape-mouthed at her. “You'd better explain,” he said. She wiggled her nose. “I’m growing nosier by the second about the circumstances surrounding Anna’s murder.
Ed Lynskey (The Corpse Wore Gingham (Piper & Bill Robins, #1))
You were already in a prison. You've been in a prison all your life. Happiness is a prison, Evey. Happiness is the most insidious prison of all. Your lover lived in the penitentiary that we are all born into, and was forced to rake the dregs of that world for his living. He knew affection and tenderness but only briefly. Eventually, one of the other inmates stabbed him with a cutlass and he drowned upon his own blood. Is that it, Evey? Is that the happiness worth more than freedom? It's not an uncommon story, Evey. Many convicts meet with miserable ends. Your mother. Your father. Your lover. One by one, taken out behind the chemical sheds... and shot. All convicts, hunched and deformed by the smallness of their cells, the weight of their chains, the unfairness of their sentences. I didn't put you in a prison, Evey. I just showed you the bars.' 'You're wrong! It's just life, that's all! It's just how life is. It's what we've got to put up with. It's all we've got. What gives you the right to decide it's not good enough?' 'You're in a prison, Evey. You were born in a prison. You've been in a prison so long, you no longer believe there's a world outside. That's because you're afraid, Evey. You're afraid because you can feel freedom closing in upon you. You're afraid because freedom is terrifying. Don't back away from it, Evey. Part of you understands the truth even as part pretends not to. You were in a cell, Evey. They offered you a choice between the death of your principles and the death of your body. You said you'd rather die. You faced the fear of your own death and you were calm and still. The door of the cage is open, Evey. All that you feel is the wind from outside.
Alan Moore (V for Vendetta)
There was a silly damn bird called a phoenix back before Christ, every few hundred years he built a pyre and burnt himself up. He must have been the first cousin to Man. But every time he burnt himself up he sprang out of the ashes, he got himself born all over again. And it looks like we're doing the same thing, over and over, but we're got on damn thing the phoenix never had. We know the damn silly thing we just did. We know all the damn silly things we've done for a thousand years and as long as we know that and always have it around where we can see it, someday we'll stop making the goddamn funeral pyres and jumping in the middle of them. We pick up a few more people that remember every generation.
Ray Bradbury (Fahrenheit 451)
Draco, do it, or stand aside so one of us -" screeched the woman, but at that precise moment the door to the ramparts burst open once more and there stood Snape, his wand clutched in his hand as his black eyes swept the scene, from Dumbledore slumped against the wall, to the four Death Eaters, including the enraged werewolf, and Malfoy. "We've got a problem, Snape," said the lumpy Amycus, whose eyes and wand were fixed alike upon Dumbledore, "the boy doesn't seem able -" But somebody else had spoken Snape's name, quite softly. "Severus ..." The sound frightened Harry beyond anything he had experienced all evening. For the first time, Dumbledore was pleading. Snape said nothing, but walked forwards and pushed Malfoy roughly out of the way. The three Death Eaters fell back without a word. Even the werewolf seemed cowed. Snape gazed for a moment at Dumbledore, and there was revulsion and hatred etched in the harsh lines of his face. "Severus ... please ..." Snape raised his wand and pointed it directly at Dumbledore. "Avada Kedavra!
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
I think we've been through a period where too many people have been given to understand that if they have a problem, it's the government's job to cope with it. 'I have a problem, I'll get a grant.' 'I'm homeless, the government must house me.' They're casting their problem on society. And, you know, there is no such thing as society. There are individual men and women, and there are families. And no government can do anything except through people, and people must look to themselves first. It's our duty to look after ourselves and then, also to look after our neighbour. People have got the entitlements too much in mind, without the obligations. There's no such thing as entitlement, unless someone has first met an obligation.
Margaret Thatcher
Excellent,” said Lupin, looking up as Tonks and Harry entered. “We’ve got about a minute, I think. We should probably get out into the garden so we’re ready. Harry, I’ve left a letter telling your aunt and uncle not to worry —” “They won’t,” said Harry. “That you’re safe —” “That’ll just depress them.” “— and you’ll see them next summer.” “Do I have to?
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
That is the way Emerson said it. But here is the way a poet -the late Douglas Mallochsaid it: If you can't be a pine on the top of the hill. Be a scrub in the valley-but be The best little scrub by the side of the rill; Be a bush, if you can't be a tree. If you can't be a bush, be a bit of the grass. If you can't be a muskie, then just be a bass- But the liveliest bass in the lake! We can't all be captains, we've got to be crew. There's something for all of us here. There's big work to do and there's lesser to do And the task we must do is the near. If you can't be a highway, then just be a trail, If you can't be the sun, be a star; It isn't by the size that you win or you fail- Be the best of whatever you are!
Dale Carnegie (How to Stop Worrying and Start Living: Time-Tested Methods for Conquering Worry (Dale Carnegie Books))
On any given day, something claims our attention. Anything at all, inconsequential things. A rosebud, a misplaced hat, that sweater we liked as a child, an old Gene Pitney record. A parade of trivia with no place to go. Things that bump around in our consciousness for two or three days then go back to wherever they came from... to darkness. We've got all these wells dug in our hearts. While above the wells, birds flit back and forth.
Haruki Murakami (Pinball, 1973 (The Rat, #2))
And so now I'd like to say - people can change anything they want to. And that means everything in the world. People are running about following their little tracks - I am one of them. But we've all got to stop just following our own little mouse trail. People can do anything - this is something that I'm beginning to learn. People are out there doing bad things to each other. That's because they've been dehumanised. It's time to take the humanity back into the center of the ring and follow that for a time. Greed, it ain't going anywhere. They should have that in a big billboard across Times Square. Without people you're nothing. That's my spiel.
Joe Strummer
It always amazes me to look at the little, wrinkled brown seeds and think of the rainbows in 'em," said Captain Jim. "When I ponder on them seeds I don't find it nowise hard to believe that we've got souls that'll live in other worlds. You couldn't hardly believe there was life in them tiny things, some no bigger than grains of dust, let alone colour and scent, if you hadn't seen the miracle, could you?
L.M. Montgomery (Anne's House of Dreams (Anne of Green Gables, #5))
fuck she pulled her dress off over her head and I saw the panties indented somewhat into the crotch. it's only human. now we've got to do it. I've got to do it after all that bluff. it's like a party-- two trapped idiots. under the sheets after I have snapped off the light her panties are still on. she expects an opening performance. I can't blame her. but wonder why she's here with me? where are the other guys? how can you be lucky? having someone the others have abandoned? we didn't have to do it yet we had to do it. it was something like establishing new credibility with the income tax man. I get the panties off. I decide not to tongue her. even then I'm thinking about after it's over. we'll sleep together tonight trying to fit ourselves inside the wallpaper. I try, fail, notice the hair on her head mostly notice the hair on her head and a glimpse of nostrils piglike I try it again.
Charles Bukowski (Love Is a Dog from Hell)
I've often thought there ought to be a manual to hand to little kids, telling them what kind of planet they're on, why they don't fall off it, how much time they've probably got here, how to avoid poison ivy, and so on. I tried to write one once. It was called Welcome to Earth. But I got stuck on explaining why we don't fall off the planet. Gravity is just a word. It doesn't explain anything. If I could get past gravity, I'd tell them how we reproduce, how long we've been here, apparently, and a little bit about evolution. I didn't learn until I was in college about all the other cultures, and I should have learned that in the first grade. A first grader should understand that his or her culture isn't a rational invention; that there are thousands of other cultures and they all work pretty well; that all cultures function on faith rather than truth; that there are lots of alternatives to our own society. Cultural relativity is defensible and attractive. It's also a source of hope. It means we don't have to continue this way if we don't like it.
Kurt Vonnegut Jr.
Hello, Officer? Can you help me? My dad got turned into a zombie. You know, we’ve been travelling around getting rid of things that aren’t real, and this time they hit back. I really need someplace to stay – but can you make sure I have some holy water or something wherever it is? And some silver-jacketed bullets? That’d be sweet. Yeah, that’d be totally cool. Thanks. And while you’re at it, can you tell the guys with the straitjackets that I’m really sane? That would help.
Lilith Saintcrow (Strange Angels (Strange Angels, #1))
Incredible,” Jason said. “These are really good brownies.” “That’s your only comment?” Piper demanded. He looked surprised. “What? I heard the story. Fish-centaurs. Merpeople. Letter of intro to the Tiber River god. Got it. But these brownies—” “I know,” Frank said, his mouth full. “Try them with Esther’s peach preserves.” “That,” Hazel said, “is incredibly disgusting.” “Pass me the jar, man,” Jason said. Hazel and Piper exchanged a look of total exasperation. Boys. Percy, for his part, wanted to hear every detail about the aquatic camp. He kept coming back to one point: “They didn’t want to meet me?” “It wasn’t that,” Hazel said. “Just…undersea politics, I guess. The merpeople are territorial. The good news is they’re taking care of that aquarium in Atlanta. And they’ll help protect the Argo II as we cross the Atlantic.” Percy nodded absently. “But they didn’t want to meet me?” Annabeth swatted his arm. “Come on, Seaweed Brain! We’ve got other things to worry about.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
You think man can destroy the planet? What intoxicating vanity. Let me tell you about our planet. Earth is four-and-a-half-billion-years-old. There's been life on it for nearly that long, 3.8 billion years. Bacteria first; later the first multicellular life, then the first complex creatures in the sea, on the land. Then finally the great sweeping ages of animals, the amphibians, the dinosaurs, at last the mammals, each one enduring millions on millions of years, great dynasties of creatures rising, flourishing, dying away -- all this against a background of continuous and violent upheaval. Mountain ranges thrust up, eroded away, cometary impacts, volcano eruptions, oceans rising and falling, whole continents moving, an endless, constant, violent change, colliding, buckling to make mountains over millions of years. Earth has survived everything in its time. It will certainly survive us. If all the nuclear weapons in the world went off at once and all the plants, all the animals died and the earth was sizzling hot for a hundred thousand years, life would survive, somewhere: under the soil, frozen in Arctic ice. Sooner or later, when the planet was no longer inhospitable, life would spread again. The evolutionary process would begin again. It might take a few billion years for life to regain its present variety. Of course, it would be very different from what it is now, but the earth would survive our folly, only we would not. If the ozone layer gets thinner, ultraviolet radiation sears the earth, so what? Ultraviolet radiation is good for life. It's powerful energy. It promotes mutation, change. Many forms of life will thrive with more UV radiation. Many others will die out. Do you think this is the first time that's happened? Think about oxygen. Necessary for life now, but oxygen is actually a metabolic poison, a corrosive glass, like fluorine. When oxygen was first produced as a waste product by certain plant cells some three billion years ago, it created a crisis for all other life on earth. Those plants were polluting the environment, exhaling a lethal gas. Earth eventually had an atmosphere incompatible with life. Nevertheless, life on earth took care of itself. In the thinking of the human being a hundred years is a long time. A hundred years ago we didn't have cars, airplanes, computers or vaccines. It was a whole different world, but to the earth, a hundred years is nothing. A million years is nothing. This planet lives and breathes on a much vaster scale. We can't imagine its slow and powerful rhythms, and we haven't got the humility to try. We've been residents here for the blink of an eye. If we're gone tomorrow, the earth will not miss us.
Michael Crichton (Jurassic Park / Congo)
That’s it. Let’s go.” “Yep,” whispered Suley. He turned to leave. “This is crazy.” He had his phone in his hand. “Look, we’re still in Rowland Forest. What’s this fence doing here? How come it’s not marked?” “We’ll tell your father about it.” Saskia pulled at his arm, looking anxiously around and up. To her horror, she saw a surveillance camera mounted on an overhead tree branch. It pointed straight at them. “Merde! Suley, we’ve got to go!” she hissed, pointing to the camera. His eyes widened. Distant shouts and an engine roaring to life exploded the forest calm. Suley and Saskia bolted back the way they’d come.
Miriam Verbeek (The Forest: An idylic Australian setting harbouring a criminal secret (Saskia van Essen crime thrillers))
Ron, you're making it snow," said Hermione patiently, grabbing his wrist and redirecting his wand away from the ceiling from which, sure enough, large white flakes had started to fall. Lavender Brown, Harry noticed, glared at Hermione from a neighboring table through very red eyes, and Hermione immediately let go of Ron's arm. "Oh yeah," said Ron, looking down at his shoulders in vague surprise." Sorry...looks like we've all got horrible dandruff now...." He brushed some of the fake snow off Hermione's shoulder. Lavender burst into tears. Ron looked immensely guilty and turned his back on her. "We split up," he told Harry out of the corner of his mouth. "Last night. When she saw me coming out of the dormitory with Hermione. Obviously she couldn't see you, so she thought it had just been the two of us." "ah," said Harry. "Well - you don't mind it's over, do you?" "No," Ron admitted. "It was pretty bad while she was yelling, but at least I didn't have to finish it." "Coward," said Hermione, though she looked amused. "Well, it was a bad night for romance all around. Ginny and Dean split up too, Harry." Harry thought there was a rather knowing look in her eye as she told him that, but she could no possibly know that his insides were suddenly dancing the conga.
J.K. Rowling (Harry Potter and the Half-Blood Prince (Harry Potter, #6))
Rosie, I'm returning to Boston tomorrow but before I go I wanted to write this letter to you. All the thoughts and feelings that have been bubbling up inside me are finally overflowing from this pen and I'm leaving this letter for you so that you don't feel that I'm putting you under any great pressure. I understand that you will need to take your time trying to decide on what I am about to say. I no what's going on, Rosie. You're my best friend and I can see the sadness in your eyes. I no that Greg isn't away working for the weekend. You never could lie to me; you were always terrible at it. Your eyes betray you time and time again. Don't pretend that everything is perfect because I see it isn't. I see that Greg is a selfish man who has absolutely no idea just how lucky he is and it makes me sick. He is the luckiest man in the world to have you, Rosie, but he doesn't deserve you and you deserve far better. You deserve someone who loves you with every single beat of his heart, someone who thinks about you constantly, someone who spends every minute of every day just wondering what you're doing, where you are, who you're with and if you're OK. You need someone who can help you reach your dreams and who can protect you from your fears. You need someone who will treat you with respect, love every part of you, especially your flaws. You should be with someone who can make you happy, really happy, dancing-on-air happy. Someone who should have taken the chance to be with you years ago instead of becoming scared and being too afraid to try. I am not scared any more, Rosie. I am not afraid to try. I no what the feeling was at your wedding - it was jealousy. My heart broke when I saw the woman I love turning away from me to walk down the aisle with another man, a man she planned to spend the rest of her life with. It was like a prison sentence for me - years stretching ahead without me being able to tell you how I feel or hold you how I wanted to. Twice we've stood beside each other at the altar, Rosie. Twice. And twice we got it wrong. I needed you to be there for my wedding day but I was too stupid to see that I needed you to be the reason for my wedding day. I should never have let your lips leave mine all those years ago in Boston. I should never have pulled away. I should never have panicked. I should never have wasted all those years without you. Give me a chance to make them up to you. I love you, Rosie, and I want to be with you and Katie and Josh. Always. Please think about it. Don't waste your time on Greg. This is our opportunity. Let's stop being afraid and take the chance. I promise I'll make you happy. All my love, Alex
Cecelia Ahern (Love, Rosie)
Rooney dropped to her knees. ‘Georgia, I am never going to stop being your friend. And I don’t mean that in the boring average meaning of ‘friend’ where we stop talking regularly when we’re twenty-five because we’ve both met nice young men and gone off to have babies, and only get to meet up twice a year. I mean I’m going to pester you to buy a house next door to me when we’re forty-five and have finally saved up enough for our deposits. I mean I’m going to be crashing round yours every night for dinner because you know I can’t fucking cook to save my life, and if I’ve got kids and a spouse, they’ll probably come round with me, because otherwise they’ll be living on chicken nuggets and chips. I mean I’m going to be the one bringing you soup when you text me that you’re sick and can’t get out of bed and ferrying you to the doctor’s even when you don’t want to go because you feel guilty about using the NHS when you just have a stomach bug. I mean we’re gonna knock down the fence between our gardens so we have one big garden, and we can both get a dog and take turns looking after it. I mean I’m going to be here, annoying you, until we’re old ladies, sitting in the same care home, talking about putting on a Shakespeare because we’re all old and bored as shit.
Alice Oseman (Loveless)
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
The most important thing we've learned, So far as children are concerned, Is never, NEVER, NEVER let Them near your television set -- Or better still, just don't install The idiotic thing at all. In almost every house we've been, We've watched them gaping at the screen. They loll and slop and lounge about, And stare until their eyes pop out. (Last week in someone's place we saw A dozen eyeballs on the floor.) They sit and stare and stare and sit Until they're hypnotised by it, Until they're absolutely drunk With all that shocking ghastly junk. Oh yes, we know it keeps them still, They don't climb out the window sill, They never fight or kick or punch, They leave you free to cook the lunch And wash the dishes in the sink -- But did you ever stop to think, To wonder just exactly what This does to your beloved tot? IT ROTS THE SENSE IN THE HEAD! IT KILLS IMAGINATION DEAD! IT CLOGS AND CLUTTERS UP THE MIND! IT MAKES A CHILD SO DULL AND BLIND HE CAN NO LONGER UNDERSTAND A FANTASY, A FAIRYLAND! HIS BRAIN BECOMES AS SOFT AS CHEESE! HIS POWERS OF THINKING RUST AND FREEZE! HE CANNOT THINK -- HE ONLY SEES! 'All right!' you'll cry. 'All right!' you'll say, 'But if we take the set away, What shall we do to entertain Our darling children? Please explain!' We'll answer this by asking you, 'What used the darling ones to do? 'How used they keep themselves contented Before this monster was invented?' Have you forgotten? Don't you know? We'll say it very loud and slow: THEY ... USED ... TO ... READ! They'd READ and READ, AND READ and READ, and then proceed To READ some more. Great Scott! Gadzooks! One half their lives was reading books! The nursery shelves held books galore! Books cluttered up the nursery floor! And in the bedroom, by the bed, More books were waiting to be read! Such wondrous, fine, fantastic tales Of dragons, gypsies, queens, and whales And treasure isles, and distant shores Where smugglers rowed with muffled oars, And pirates wearing purple pants, And sailing ships and elephants, And cannibals crouching 'round the pot, Stirring away at something hot. (It smells so good, what can it be? Good gracious, it's Penelope.) The younger ones had Beatrix Potter With Mr. Tod, the dirty rotter, And Squirrel Nutkin, Pigling Bland, And Mrs. Tiggy-Winkle and- Just How The Camel Got His Hump, And How the Monkey Lost His Rump, And Mr. Toad, and bless my soul, There's Mr. Rat and Mr. Mole- Oh, books, what books they used to know, Those children living long ago! So please, oh please, we beg, we pray, Go throw your TV set away, And in its place you can install A lovely bookshelf on the wall. Then fill the shelves with lots of books, Ignoring all the dirty looks, The screams and yells, the bites and kicks, And children hitting you with sticks- Fear not, because we promise you That, in about a week or two Of having nothing else to do, They'll now begin to feel the need Of having something to read. And once they start -- oh boy, oh boy! You watch the slowly growing joy That fills their hearts. They'll grow so keen They'll wonder what they'd ever seen In that ridiculous machine, That nauseating, foul, unclean, Repulsive television screen! And later, each and every kid Will love you more for what you did.
Roald Dahl (Charlie and the Chocolate Factory (Charlie Bucket, #1))
When you first looked at me I forgot to breathe that moment marked my hardened heart I vowed to never leave And the touch of your skin healed something deep within that left me wanting more of you the less I got the more it grew Oh I couldn't help from falling, falling for you So I'm standing here, oh girl you know After all that we've been through we couldn't let it go and as long as I'm alive, in your eyes I'll stare holding you so close I'll solemnly swear that I have fallen too far that I have fallen too far, too far for you. For you When I finally found you I finally found me that day I won't soon forget the reason for it all I'll give you a new name nothing in life will be the same the story is now complete our life and love is all we need 'Cause I couldn't help from falling falling for you So I'm standing here oh girl you know After all we've been through we couldn't let it go and as long as I'm alive, in your eyes I'll stare holding you so close I'll solemnly swear that I have fallen too far, that I have fallen too far too far for you My heart is beating begging for you this night will be a dream come true so fall, fall, fall into my arms So I'm standing here oh girl you know After all that we've been through we couldn't let it go That I have fallen too far That I have fallen too far That I have fallen too far too far for you, yeah For you...
Abbi Glines (Forever Too Far (Rosemary Beach, #3; Too Far, #3))