Watercolor Inspirational Quotes

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If I were a pattern, I would be the pattern of paint that a bird would make if you dipped a bird’s wings in watercolour and then set the bird loose inside a paper lantern. I’m pretty sure that’s it!
C. JoyBell C.
The notion of a country cottage settled in her thoughts as a watercolor, red bricks, climbing roses, the house the most intelligent of the three little pigs built, but with some age on it now; and the place they found in western Massachusetts wasn’t far off, solid enough to withstand huffs and puffs, small enough to feel manageable, large enough to hold visiting grandchildren, old enough to inspire optimism about what might, improbably, endure.
Robin Black (If I Loved You, I Would Tell You This)
PUBLISHERS WEEKLY REVIEW Collagist Fabe adds flair to Jane Austen’s Pride and Prejudice with 39 original illustrations that accompany the unabridged text. Fabe’s collages overlay bright, watercolor-washed scenes with retro cut-paper figures and objects sampled from fashion magazines from the 1930s to the ’50s. Accompanying each tableau is a quote from the Pride and Prejudice passage that inspired it. Like Austen’s book, Fabe’s work explores arcane customs of beauty and courtship, pageantry and social artifice: in one collage, a housewife holds a tray of drinks while a man sits happily with a sandwich in hand in the distance. While tinged with irony and more than a dash of social commentary, the collages nevertheless have a spirit of glee and evidence deep reverence for the novel. As Fabe describes in a preface, Austen “was a little bit mean—the way real people are mean—so there are both heroes and nincompoops. Family is both beloved and annoying. That is Austen’s genius, her ability to describe people in all their frailty and humor.” This is a sweet and visually appealing homage. (BookLife) “While tinged with irony and more than a dash of social commentary, the collages nevertheless have a spirit of glee and evidence deep reverence for the novel. As Fabe describes in a preface, Austen “was a little bit mean—the way real people are mean—so there are both heroes and nincompoops.” #publishersweeklyreview #booklife #elliefabe #janeausten #prideandprejudice #cincinnatiartist
Ellie Fabe (Pride and Prejudice)
Rather, I’m the kind of person who makes watercolors of sunsets in the summer while drinking cocktails on my roof, who reads a book a week and goes to French movies. My friends often cite my life as being an inspiration to them, and I have quite rigorously assembled something that looks really good from the outside. But that performance has always been a stark contrast to how I feel about myself.
Marisa Meltzer (This Is Big: How the Founder of Weight Watchers Changed the World -- and Me)
Guy between boyfriends #6 and #7 Paul Diaz, Twenty-Something He was in her watercolor class, so cute and the sweet kind of shy. They obviously clicked, the attraction thrilling between them, inspiring her to relish the infatuation freshman-style and write his name in her notebook in curvy, flowery script. She gave him openings but guessed he was too timid to ask her out. The day after finals, she ran into him at the deli on campus and thought she had nothing to lose. “My work is having this fancy dinner party next weekend, the food’s supposed to be great. Would you like to go with me?” “Oh, uh, maybe, I’ll have to check,” he said. Then, “What was your name again?” There’s always something to lose.
Shannon Hale (Austenland (Austenland, #1))
Sometimes letting go leads to your best results.
Samantha Segal (Sambeawesome: Watercolor Sketches)
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