“
A dog has no use for fancy cars, big homes, or designer clothes. A water logged stick will do just fine. A dog doesn't care if you're rich or poor, clever or dull, smart or dumb. Give him your heart and he'll give you his. How many people can you say that about? How many people can make you feel rare and pure and special? How many people can make you feel extraordinary?
”
”
John Grogan (Marley & Me (Japanese Edition))
“
I lift my arm out of the water. It's a log. Put it back under and it blows up even bigger. People see the log and call it a twig. They yell at me because I can't see what they see. Nobody can explain to me why my eyes work different than theirs. Nobody can make it stop.
”
”
Laurie Halse Anderson (Wintergirls)
“
LOG ENTRY: SOL 381 I’ve been thinking about laws on Mars.
Yeah, I know, it’s a stupid thing to think about, but I have a lot of free time.
There’s an international treaty saying no country can lay claim to anything that’s not on Earth. And by another treaty, if you’re not in any country’s territory, maritime law applies.
So Mars is “international waters.”
NASA is an American nonmilitary organization, and it owns the Hab. So while I’m in the Hab, American law applies. As soon as I step outside, I’m in international waters. Then when I get in the rover, I’m back to American law.
Here’s the cool part: I will eventually go to Schiaparelli and commandeer the Ares 4 lander. Nobody explicitly gave me permission to do this, and they can’t until I’m aboard Ares 4 and operating the comm system. After I board Ares 4, before talking to NASA, I will take control of a craft in international waters without permission.
That makes me a pirate!
A space pirate!
”
”
Andy Weir (The Martian)
“
Log Entry: SOL 118
My conversation with NASA about the Water Reclaimer was boring and riddled with technical details. So I'll paraphrase for you:
Me: "This is obviously a clog. How about I take it apart and check the internal tubing?"
NASA: (After about 5 hours of deliberation) "No. You'll fuck it up and die."
So I took it apart.
”
”
Andy Weir (The Martian)
“
I was walking along the bank of a stream when I saw a mother otter with her cubs, a very endearing sight, I'm sure you'll agree. And even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen. Mother and children dining upon mother and children. And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
”
”
Terry Pratchett
“
Once in camp I put a log on a fire and it was full of ants. As it commenced to burn, the ants swarmed out and went first toward the center where the fire was; then turned back and ran toward the end. When there were enough on the end they fell off into the fire. Some got out, their bodies burnt and flattened, and went off not knowing where they were going. But most of them went toward the fire and then back toward the end and swarmed on the cool end and finally fell off into the fire. I remember thinking at the time that it was the end of the world and a splendid chance to be a messiah and lift the log off the fire and throw it out where the ants could get off onto the ground. But I did not do anything but throw a tin cup of water on the log, so that I would have the cup empty to put whiskey in before I added water to it. I think the cup of water on the burning log only steamed the ants.
”
”
Ernest Hemingway (A Farewell to Arms)
“
They're all gone, my tribe is gone. Those blankets they gave us, infected with smallpox, have killed us. I'm the last, the very last, and I'm sick, too. So very sick. Hot. My fever burning so hot.
I have to take off my clothes, feel the cold air, splash water across my bare skin. And dance. I'll dance a Ghost Dance. I'll bring them back. Can you hear the drums? I can hear them, and it's my grandfather and grandmother singing. Can you hear them?
I dance one step and my sister rises from the ash. I dance another and a buffalo crashes down from the sky onto a log cabin in Nebraska. With every step, an Indian rises. With every other step, a buffalo falls.
I'm growing, too. My blisters heal, my muscles stretch, expand. My tribe dances behind me. At first they are no bigger than children. Then they begin to grow, larger than me, larger than the trees around us. The buffalo come to join us and their hooves shake the earth, knock all the white people from their beds, send their plates crashing to the floor.
We dance in circles growing larger and larger until we are standing on the shore, watching all the ships returning to Europe. All the white hands are waving good-bye and we continue to dance, dance until the ships fall off the horizon, dance until we are so tall and strong that the sun is nearly jealous. We dance that way.
”
”
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
“
...one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I'm sure you'll agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged onto a half submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature's wonders, gentlemen. Mother and children dining upon mother and children. And that is when I first learned about evil. It is built into the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
”
”
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
“
It's a funny thing about bogs. You can fill them with rocks and sand and old logs and make a little fenced-in yard on top with a woodpile and chopping block - but bogs go right on behaving like bogs. Early in the spring they breathe ice and make their own mist, in remembrance of the time when they had black water and their own sedge blossoming untouched.
”
”
Tove Jansson (The Summer Book)
“
You are no failure, on a river. The water moves regardless - for all it cares, you might be a minnow or a tadpole, a turtle on a beavered log. You might be nothing at all.
”
”
Leif Enger (So Brave, Young, and Handsome)
“
A dog has no use for fancy cars, big homes, or designer clothes. A water log stick will do just fine. A dog doesn't care if your rich or poor, clever or dull, smart or dumb. Give him your heart and he'll give you his. How many people can you say that about? How many people can make you feel rare and pure and special? How many people can make you feel extraordinary?
”
”
John Grogan
“
The Patrician took a sip of his beer. “I have told this to few people, gentlemen, and I suspect I never will again, but one day when I was a young boy on holiday in Uberwald I was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I’m sure you will agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged on to a half-submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters, who scrambled over themselves to feed on the delicacy. One of nature’s wonders, gentlemen: mother and children dining on mother and children. And that’s when I first learned about evil. It is built into the nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
”
”
Terry Pratchett (Unseen Academicals (Discworld, #37; Rincewind, #8))
“
You cannot expect any rational thought from a religious man. He is like a rocking log in water.
”
”
Periyar
“
Well-makers lead the water (wherever they like); fletchers bend the arrow; carpenters bend a log of wood; good people fashion themselves.
”
”
Various (Dhammapada, a collection of verses; being one of the canonical books of the Buddhists)
“
First having read the book of myths,
and loaded the camera,
and checked the edge of the knife-blade,
I put on
the body-armor of black rubber
the absurd flippers
the grave and awkward mask.
I am having to do this
not like Cousteau with his
assiduous team
aboard the sun-flooded schooner
but here alone.
There is a ladder.
The ladder is always there
hanging innocently
close to the side of the schooner.
We know what it is for,
we who have used it.
Otherwise
it is a piece of maritime floss
some sundry equipment.
I go down.
Rung after rung and still
the oxygen immerses me
the blue light
the clear atoms
of our human air.
I go down.
My flippers cripple me,
I crawl like an insect down the ladder
and there is no one
to tell me when the ocean
will begin.
First the air is blue and then
it is bluer and then green and then
black I am blacking out and yet
my mask is powerful
it pumps my blood with power
the sea is another story
the sea is not a question of power
I have to learn alone
to turn my body without force
in the deep element.
And now: it is easy to forget
what I came for
among so many who have always
lived here
swaying their crenellated fans
between the reefs
and besides
you breathe differently down here.
I came to explore the wreck.
The words are purposes.
The words are maps.
I came to see the damage that was done
and the treasures that prevail.
I stroke the beam of my lamp
slowly along the flank
of something more permanent
than fish or weed
the thing I came for:
the wreck and not the story of the wreck
the thing itself and not the myth
the drowned face always staring
toward the sun
the evidence of damage
worn by salt and sway into this threadbare beauty
the ribs of the disaster
curving their assertion
among the tentative haunters.
This is the place.
And I am here, the mermaid whose dark hair
streams black, the merman in his armored body.
We circle silently
about the wreck
we dive into the hold.
I am she: I am he
whose drowned face sleeps with open eyes
whose breasts still bear the stress
whose silver, copper, vermeil cargo lies
obscurely inside barrels
half-wedged and left to rot
we are the half-destroyed instruments
that once held to a course
the water-eaten log
the fouled compass
We are, I am, you are
by cowardice or courage
the one who find our way
back to this scene
carrying a knife, a camera
a book of myths
in which
our names do not appear.
”
”
Adrienne Rich (Diving Into the Wreck)
“
She breathed deeply and smelled water-logged books, the perfume of rotting cardboard and paper that had dried beneath the furnace of the July sun. If a single breath could summarize an entire life, she supposed that would do.
”
”
Joe Hill (NOS4A2)
“
Perhaps swimming was dancing under the water, he thought. To swim under lily pads seeing their green slender stalks wavering as you passed, to swim under upraised logs past schools of sunfish and bluegills, to swim through reed beds past wriggling water snakes and miniature turtles, to swim in small lakes, big lakes, Lake Michigan, to swim in small farm ponds, creeks, rivers, giant rivers where one was swept along easefully by the current, to swim naked alone at night when you were nineteen and so alone you felt like you were choking every waking moment, having left home for reasons more hormonal than rational; reasons having to do with the abstraction of the future and one's questionable place in the world of the future, an absurdity not the less harsh for being so widespread.
”
”
Jim Harrison (The Man Who Gave Up His Name)
“
And when they found our shadows
Grouped around the TV sets
They ran down every lead
They repeated every test
They checked out all the data on their lists
And then the alien anthropologists
Admitted they were still perplexed
But on eliminating every other reason
For our sad demise
They logged the only explanation left
This species has amused itself to death
”
”
Roger Waters
“
When Your Life Looks Back,
When your life looks back--
As it will, at itself, at you--what will it say?
Inch of colored ribbon cut from the spool.
Flame curl, blue-consuming the log it flares from.
Bay leaf. Oak leaf. Cricket. One among many.
Your life will carry you as it did always,
With ten fingers and both palms,
With horizontal ribs and upright spine,
With its filling and emptying heart,
That wanted only your own heart, emptying, filled, in return.
You gave it. What else could do?
Immersed in air or in water.
Immersed in hunger or anger.
Curious even when bored.
Longing even when running away.
"What will happen next?"--
the question hinged in your knees, your ankles,
in the in-breaths even of weeping.
Strongest of magnets, the future impartial drew you in.
Whatever direction you turned toward was face to face.
No back of the world existed,
No unseen corner, no test. No other earth to prepare for.
This, your life had said, its only pronoun.
Here, your life had said, its only house.
Let, your life had said, its only order.
And did you have a choice in this? You did--
Sleeping and waking,
the horses around you, the mountains around you,
The buildings with their tall, hydraulic shafts.
Those of your own kind around you--
A few times, you stood on your head.
A few times, you chose not to be frightened.
A few times, you held another beyond any measure.
A few times, you found yourself held beyond any measure.
Mortal, your life will say,
As if tasting something delicious, as if in envy.
Your immortal life will say this, as it is leaving.
”
”
Jane Hirshfield (Come, Thief)
“
She held him at arms’ length, looked at the pipe still gripped in his hand, then looked at his face and read him like a book. She ran the tip of her red tongue slowly across her full cushiony, sensuous lips, making them wet-red and looked him straight in the eyes with her own glassy, speckled bedroom eyes.
The man drowned.
When he came up, he stared back, passion cocked, his whole black being on a live-wire edge. Ready! Solid ready to cut throats, crack skulls, dodge police, steal hearses, drink muddy water, live in a hollow log, and take any rape-fiend chance to be once more in the arms of his high-yellow heart.
”
”
Chester Himes (A Rage in Harlem (Harlem Cycle, #1))
“
He sat on the logs, smoking, drying in the sun, the sun warm on his back the river shallow ahead entering the woods, curving into the woods, shallows light glittering, big water-smooth rocks, cedars along the bank and white birches, the logs warm in the sun, smooth to sit on, without bark, gray to the touch; slowly the feeling of disappointment left him.
”
”
Ernest Hemingway (Big Two-Hearted River)
“
John Adair had little liking for the simple life; he said it was not simple, but the most damnably complicated method of wasting time that had every existed. He liked a constant supply of hot water, a refrigerator, an elevator, an electric toaster, a telephone beside his bed, central heating and electric fires, and anything whatever that reduced the time spent upon the practical side of living to a minimum and left him free to paint.
But Sally [his daughter] did not want to be set free for anything, for it was living itself that she enjoyed. She liked lighting a real fire of logs and fir cones, and toasting bread on an old-fashioned toaster. And she liked the lovely curve of an old staircase and the fun of running up and down it. And she vastly preferred writing a letter and walking with it to the post to using the telephone and hearing with horror her voice committing itself to things she would never have dreamed of doing if she'd had the time to think. "It's my stupid brain," she said to herself. "I like the leisurely things, and taking my time about them. That's partly why I like children so much, I think. They're never in a hurry to get on to something else.
”
”
Elizabeth Goudge (Pilgrim's Inn (Eliots of Damerosehay, #2))
“
A stone lies in a river; a piece of wood is jammed against it; dead leaves, drifting logs, and branches caked with mud collect; weeds settle there, and soon birds have made a nest and are feeding their young among the blossoming water plants. Then the river rises and the earth is washed away. The birds depart, the flowers wither, the branches are dislodged and drift downward; no trace is left of the floating island but a stone submerged by the water; — such is our personality.
”
”
Cyril Connolly (The Unquiet Grave: A Word Cycle by Palinurus)
“
this is lonesome country, and here in the sunken marshes where tiger lilies bloom the size of a man's head there are luminous green logs that shine under the dark water like drowned corpses. Often the only movement on the landscape is a broken spiral of smoke from a sorry-looking farmhouse on the horizon, or a wing-stiffened bird, silent and arrow-eyed, circling endlessly over the bleak deserted pinewoods.
”
”
Truman Capote (Other Voices, Other Rooms)
“
To Juan at the Winter Solstice
There is one story and one story only
That will prove worth your telling,
Whether as learned bard or gifted child;
To it all lines or lesser gauds belong
That startle with their shining
Such common stories as they stray into.
Is it of trees you tell, their months and virtues,
Or strange beasts that beset you,
Of birds that croak at you the Triple will?
Or of the Zodiac and how slow it turns
Below the Boreal Crown,
Prison to all true kings that ever reigned?
Water to water, ark again to ark,
From woman back to woman:
So each new victim treads unfalteringly
The never altered circuit of his fate,
Bringing twelve peers as witness
Both to his starry rise and starry fall.
Or is it of the Virgin's silver beauty,
All fish below the thighs?
She in her left hand bears a leafy quince;
When, with her right hand she crooks a finger, smiling,
How many the King hold back?
Royally then he barters life for love.
Or of the undying snake from chaos hatched,
Whose coils contain the ocean,
Into whose chops with naked sword he springs,
Then in black water, tangled by the reeds,
Battles three days and nights,
To be spewed up beside her scalloped shore?
Much snow if falling, winds roar hollowly,
The owl hoots from the elder,
Fear in your heart cries to the loving-cup:
Sorrow to sorrow as the sparks fly upward.
The log groans and confesses:
There is one story and one story only.
Dwell on her graciousness, dwell on her smiling,
Do not forget what flowers
The great boar trampled down in ivy time.
Her brow was creamy as the crested wave,
Her sea-blue eyes were wild
But nothing promised that is not performed.
”
”
Robert Graves
“
Plants began the process of land colonization about 450 million years ago, accompanied of necessity by tiny mites and other organisms which they needed to break down and recycle dead organic matter on their behalf. Larger animals took a little longer to emerge, but by about 400 million years ago they were venturing out of the water, too. Popular illustrations have encouraged us to envision the first venturesome land dwellers as a kind of ambitious fish—something like the modern mudskipper, which can hop from puddle to puddle during droughts—or even as a fully formed amphibian. In fact, the first visible mobile residents on dry land were probably much more like modern woodlice, sometimes also known as pillbugs or sow bugs. These are the little bugs (crustaceans, in fact) that are commonly thrown into confusion when you upturn a rock or log.
”
”
Bill Bryson (A Short History of Nearly Everything)
“
The window logs Kilburn’s skyline. Ungentrified, ungentrifiable. Boom and bust never come here. Here bust is permanent. Empty State Empire, empty Odeon, graffiti-streaked sidings rising and falling like a rickety roller coaster. Higgledy-piggledy rooftops and chimneys, some high, some low, packed tightly, shaken fags in a box. Behind the opposite window, retreating Willesden. Number 37. In the 1880s or thereabouts the whole thing went up at once – houses, churches, schools, cemeteries – an optimistic vision of Metroland. Little terraces, faux-Tudor piles. All the mod cons! Indoor toilet, hot water. Well-appointed country living for those tired of the city. Fast-forward. Disappointed city living for those tired of their countries.
”
”
Zadie Smith (NW)
“
If there is something, though, if there is...well, I believe in the things I love...the feel of a good horse under me, the blue along those mountains over yonder, the firm, confident feel of a good gunbutt in my hand, the way the red gold of your hair looks against your throat.
The creak of a saddle in the hot sun and the long riding, the way you feel when you come to the top of a ridge and look down across miles and miles of land you have never seen, or maybe no man has ever seen. I believe in the pleasant sound of running water, the way the leaves turn red in the fall. I believe in the smell of autumn leaves burning, and the crackle of a burning log. Sort of sounds like it was chuckling over the memories of a time when it was a tree.
I like the sound of rain on a roof, and the look of a fire in a fireplace, and the embers of a campfire and coffee in the morning. I believe in the solid, hearty, healthy feel of a of a fist landing, the feel of a girl in my arms, warm and close. Those are the things that matter.
”
”
Louis L'Amour (Westward the Tide)
“
I chalked up the first threat to her life as a cultural misunderstanding, but now I’m all out of fucks to give,” he said in a loud, chipper tone. “So if any of you water-logged sods comes near her, I’ll shove this horn so far up your arses, Poseidon himself will be screaming from his new hemorrhoids!
”
”
Jeaniene Frost (Wicked Bite (Night Rebel, #2))
“
The tree blossoms, and bears its fruit, which falls, rots, withers, and even the seed is lost! Go, count the rings of the oak and of the sycamore; the lie in circles, one about another, until the eye is blinded in striving to make out their numbers; and yet a full change of the seasons comes round while the stem is winding one of those little lines about itself, like the buffalo changing his coat, or the buck his horns; and what does it all amount to? There does the noble tree fill its place in the forest, loftier, and grander, and richer, and more difficult to imitate, than any of your pitiful pillars, for a thousand years, until the time which the Lord hath given it is full. Then come the winds, that you cannot see, to rive its bark; and the waters from the heavens, to soften its pores; and the rot, which all can feel and none can understand, to humble its pride and bring it to the ground. From that moment its beauty begins to perish. It lies another hundred years; a mouldering log, and then a mound of moss and earth; a sad effigy of a human grave.
”
”
James Fenimore Cooper (The Prairie (Leatherstocking Tales, #5))
“
Sadistic monsters,' Gwyn hissed as the three friends limped toward the water station, defeat heavy on their shoulders.
'We try again tomorrow,' Emerie swore, sporting a black eye thanks tot the swinging log that had knocked her on her ass before Nesta could grab her. 'We keep trying until we wipe that smug look off their stupid perfect faces.
Indeed, Azriel and Cassian had just leaned against the wall, arms crossed, and smiled at them the entire time.
Gwyn threw Azriel a withering stare as she strode past him. 'See you tomorrow, Shadowsinger,' she tossed over a shoulder.
Az stared after her, brows high with amusement. When he turned back, Nesta grinned. 'You have no idea what you just started,' she said. Az angled his head, hazel eyes narrowing as Gwyn reached the archway.
'Remember how Gwyn was with the ribbon?' Nesta winked and clapped the shadowsinger on the shoulder. 'You're the new ribbon, Az.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
I can only give them my first log, with birds, sea, daily sights and little everyday problems. My real log is written in the sea and sky; it can’t be photographed and given to others. It has gradually come to life out of all that has surrounded us for months: the sounds of water on the hull, the sounds of wind gliding on the sails, the silences full of secret things between my boat and me, like the times I spent as a child listening to the forest talk. 1
”
”
Bernard Moitessier (The Long Way)
“
Perhaps swimming was dancing in the water, he thought. To swim under lily pads seeing their green slender stalks wavering as you passed, to swim under upraised logs past schools of sunfish and bluegills, to swim through reed beds past wriggling water snakes and miniature turtles, to swim in small lakes, big lakes, Lake Michigan, to swim in small farm ponds, creeks, rivers, giant rivers where one was swept along easefully by the current, to swim naked alone at night when you were nineteen and so alone you felt like you were choking every waking moment, having left home for reasons more hormonal than rational; reasons having to do with the abstraction of the future and one's questionable place in the world of the future, an absurdity not the less harsh for being so widespread.
”
”
Jim Harrison (Legends of the Fall)
“
(First lines) Now a traveler must make his way to Noon City by the best means he can, for there are no trains or buses headed in that direction, though six days a week a truck from the Chuberry Turpentine Company collects mail and supplies at the nextdoor town of Paradise Chapel; occasionally a person bound for Noon City can catch a ride with the driver of the truck, Sam Ratcliffe. It's a rough trip no matter how you come, for these washboard roads will loosen up even brandnew cars pretty fast, and hitchhikers always find the going bad. Also, this is lonesome country, and here in the sunken marshes where tiger lilies bloom the size of a man's head there are luminous green logs that shine under the dark water like drowned corpses. Often the only movement on the landscape is a broken spiral of smoke from a sorry-looking farmhouse on the horizon, or a wing-stiffened bird, silent and arrow-eyed, circling endlessly over the bleak deserted pinewoods.
”
”
Truman Capote (Other Voices, Other Rooms)
“
Fire What makes a fire burn is space between the logs, a breathing space. Too much of a good thing, too many logs packed in too tight can douse the flames almost as surely as a pail of water would. So building fires requires attention to the spaces in between, as much as the wood. When we are able to build open spaces in the same way we have learned to pile on the logs, then we can come to see how it is fuel, and absence of the fuel together, that make fire possible. We only need lay a log lightly from time to time. A fire grows simply because the space is there, with openings in which the flame that knows just how it wants to burn can find its way. 12 Judy Brown
”
”
Peter Scazzero (The Emotionally Healthy Leader: How Transforming Your Inner Life Will Deeply Transform Your Church, Team, and the World)
“
Park rangers are about conservation. Forest rangers are about resource management.” “Resource management. So, like, logging and stuff.” “Logging,” I say. “Water quality. Wildlife.
”
”
Jodi Picoult (Mad Honey)
“
Today an estimated 13 percent of birds are threatened, according to the International Union for Conservation of Nature. So are 25 percent of mammals and 41 percent of amphibians, in large part because of human activity. Hydropower and road construction imperil China’s giant pandas. The northern bald ibis, once abundant in the Middle East, has been driven almost to extinction by hunting, habitat loss, and the difficulties of doing conservation work in war-torn Syria. Hunting and the destruction of wetlands for agriculture drove the population of North America’s tallest bird, the whooping crane, into the teens before stringent protections along the birds’ migratory route and wintering grounds helped the wild flock build back to a few hundred. Little brown bats are dying off in the United States and Canada from a fungus that might have been imported from Europe by travelers. Of some 300 species of freshwater mussels in North America, fully 70 percent are extinct, imperiled, or vulnerable, thanks to the impacts of water pollution from logging, dams, farm runoff, and shoreline development.
”
”
Rebecca Skloot (The Best American Science and Nature Writing 2015)
“
Try to take it one step at a time. Even looking two steps ahead can be very intimidating, know what I mean? Breathe more deeply, drink more water, meditate more often. Take it easy. You’re not struggling to climb from hell into heaven, you’re just having an in-the-body experience. It’s not evil, it’s just life, and when it’s over, you die; easy as falling off a log.
”
”
Jed McKenna (Spiritual Enlightenment: The Damnedest Thing (The Enlightenment Trilogy Book 1))
“
How come Aquaman can control whales? They’re mammals! Makes no sense. CHAPTER 7 LOG ENTRY: SOL 63 I finished making water some time ago. I’m no longer in danger of blowing myself up. The potatoes are growing nicely. Nothing has conspired to kill me in weeks. And seventies TV keeps me disturbingly more entertained than it should. Things are stable here on Mars. It’s
”
”
Andy Weir (The Martian)
“
It was nothing you could put your finger on; there had been no scene, no snap; only the slow sinking, water-logged, of her will into his. Sweet was her smile, swift her submission (...).
”
”
Virginia Woolf (Mrs. Dalloway)
“
Gasp! My head pops above the surface of the water. I breathe in. But it's weird. I don't breathe air. It's like digital air. My body almost immediately feels better. The pain of not breathing is gone,
”
”
Stone Marshall (Rescue Island (Minecraft Adventures: Flynn's Log, #1))
“
The tree-frog in the high pool in the mountain cleft, had he been endowed with human reason, on finding a cigarette butt in the water might have said, "Here is an impossibility. there is no tobacco hereabouts nor any paper. Here is evidence of fire and there has been no fire. This thing cannot fly nor crawl nor blow in the wind. In fact, this thing cannot be and I will deny it, for if I admit that this thing is here the whole world of frogs is in danger, and from there it is only one step to anti-frogicentricism." And so that frog will for the rest of his life try to forget that something is, is.
”
”
John Steinbeck (The Log from the Sea of Cortez)
“
before talking to NASA, I will take control of a craft in international waters without permission. That makes me a pirate! A space pirate! LOG ENTRY: SOL 383 You may be wondering what else I do with my free time.
”
”
Andy Weir (The Martian)
“
Often, they sat in the evening together by the bank on the log, said nothing and both listened to the water, which was no water to them, but the voice of life, the voice of what exists, of what is eternally taking shape.
”
”
Hermann Hesse (Siddhartha)
“
With the gun which was too big for him, the breech-loader which did not even belong to him but to Major de Spain and which he had fired only once, at a stump on the first day to learn the recoil and how to reload it with the paper shells, he stood against a big gum tree beside a little bayou whose black still water crept without motion out of a cane-brake, across a small clearing and into the cane again, where, invisible, a bird, the big woodpecker called Lord-to-God by negroes, clattered at a dead trunk. It was a stand like any other stand, dissimilar only in incidentals to the one where he had stood each morning for two weeks; a territory new to him yet no less familiar than that other one which after two weeks he had come to believe he knew a little--the same solitude, the same loneliness through which frail and timorous man had merely passed without altering it, leaving no mark nor scar, which looked exactly as it must have looked when the first ancestor of Sam fathers' Chickasaw predecessors crept into it and looked about him, club or stone axe or bone arrow drawn and ready, different only because, squatting at the edge of the kitchen, he had smelled the dogs huddled and cringing beneath it and saw the raked ear and side of the bitch that, as Sam had said, had to be brave once in order to keep on calling herself a dog, and saw yesterday in the earth beside the gutted log, the print of the living foot. He heard no dogs at all. He never did certainly hear them. He only heard the drumming of the woodpecker stop short off, and knew that the bear was looking at him. he did not move, holding the useless gun which he knew now he would never fire at it, now or ever, tasting in his saliva that taint of brass which he had smelled in the huddled dogs when he peered under the kitchen.
”
”
William Faulkner (Go Down, Moses)
“
The thing is,” he said at last, “it’s the inertia. You never feel you’re getting anywhere; you get bogged down in things, water-logged. Last week, I set fire to the apartment, partly on purpose. I think I wanted to see what they would do. Maybe I wanted to see what I would do.
”
”
Margaret Atwood (The Edible Woman)
“
Clasped in his arms like some dead dancing partner was a bloated, festering corpse, a seaweed tangle of hair swirling around a fright mask of a face, ragged clothing hanging to an almost entirely skeletal frame.
David could almost hear mocking laughter issuing from the cavernous, busted hole mouth, and feel grasping bony fingers clinging to him, as the scream began to bubble out of him into the water. He dropped it and felt what was left of the bloated water-logged flesh began to come easily away from the bone.
From 'In the Darkest Hour'-as yet unpublished full length
”
”
Jim Goforth
“
When I describe for my far-away friends the Northwest’s subtle shades of weather — from gloaming skies of ‘high-gray’ to ‘low-gray’ with violet streaks like the water’s delicate aura — they wonder if my brain and body have, indeed, become water-logged. Yet still, I find myself praising the solace and privacy of fine, silver drizzle, the comforting cloaks of salt, mold, moss, and fog, the secretive shelter of cedar and clouds.
Whether it’s in the Florida Keys, along the rocky Maine coast, within the Gulf of Mexico’s warm curves, on the brave Outer Banks; or, for those who nestle near inland seas, such as the brine-steeped Great Salk Lake or the Midwest’s Great Lakes — water is alive and in relationship with those of us who are blessed with such a world-shaping, yet abiding, intimate ally.
Every day I am moved by the double life of water — her power and her humility. But most of all, I am grateful for the partnership of this great body of inland sea. Living by water, I am never alone. Just as water has sculpted soil and canyon, it also molds my own living space, and every story I tell.
…Living by water restores my sense of balance and natural rhythm — the ebb and flow of high tides and low tides, so like the rise and fall of everyday life. Wind, water, waves are not simply a backdrop to my life, they are steady companions. And that is the grace, the gift of inviting nature to live inside my home. Like a Chambered Nautilus I spin out my days, drifting and dreaming, nurtured by marine mists, like another bright shell on the beach, balancing on the back of a greater body.
”
”
Brenda Peterson (Singing to the Sound: Visions of Nature, Animals, and Spirit)
“
The dark river was flecked with rotten ice, rocks studding its course glistening like fresh-mined coal. The current frothed and boiled, standing waves at the head of a rock and a quiet lozenge of still water at the tail, where, in the old days before the rivers carried millions of bobbing, colliding logs, big salmon would lie.
”
”
Annie Proulx (Barkskins)
“
I had lain quiet and still, but I remembered the ravening hunger that was in me always: to climb into my father’s lap, to rise and run and shout, snatch the draughts from the board and batter them against the walls. To stare at the logs until they burst into flame, to shake him for every secret, as fruits are shaken from a tree. But if I had done even one of those things there would have been no mercy. He would have burnt me down to ash. The moon lay on my son’s forehead. I saw the smudges that water and cloth had not quite scrubbed away. Why should he be peaceful? I never was, nor his father either, when I knew him. The difference was that he was not afraid to be burnt.
”
”
Madeline Miller (Circe)
“
I know who you are,” the Chicano said to Thomas. “You’re that Indian guy did all the talking.” “Yeah,” one of the African men said. “You’re that storyteller. Tell us some stories, chief, give us the scoop.” Thomas looked at these five men who shared his skin color, at the white man who shared this bus which was going to deliver them into a new kind of reservation, barrio, ghetto, logging-town tin shack. He then looked out the window, through the steel grates on the windows, at the freedom just outside the glass. He saw wheat fields, bodies of water, and bodies of dark-skinned workers pulling fruit from trees and sweat from thin air. Thomas closed his eyes and told this story.
”
”
Sherman Alexie (The Lone Ranger and Tonto Fistfight in Heaven)
“
A dog has no use for fancy cars, big homes, or designer clothes. A water log stick will do just fine. A dog doesn't care if you are rich or poor, clever or dull, smart or dumb. Give him you heart and he'll give you his. How many people can you say that about? How many people can make you feel rare and pure and special? How many people can make you feel extraordinary?
”
”
Josh Grogan
“
He finds an open boulevard of water that leads inward to the Core. It has a
sort of pedestrian catwalk running along one side of it, pieced together
haphazardly, a seemingly endless procession of gangplanks, pontoons, logs,
abandoned skiffs, aluminum canoes, oil drums. Anywhere else in the world, it
would be an obstacle course; here in the Fifth World, it's a superhighway.
”
”
Neal Stephenson (Snow Crash)
“
It was delightful; but on awakening this morning I felt so completely water-logged that with only myself to consider I would have remained in bed to await disintegration. Names battered at me: Archie Goodwin, Fritz Brenner, Theodore Horstmann; responsibilities; and I arose to resume my burden. Not that I complain; the responsibilities are mutual; but my share can be done only by me.
”
”
Rex Stout (Fer-de-Lance/The League of Frightened Men (Nero Wolfe))
“
logged on to the various social media pages dedicated to Charon County. Those pages were the new water coolers and fences around which the community gathered. They were also where people had the tendency to expose themselves as racists, misogynists, and amazingly ignorant. Titus thought some people convinced themselves a community page held a sanctity it did not in any way, shape, or form.
”
”
S.A. Cosby (All the Sinners Bleed)
“
and the water and the grass and the white ripples on grey water, and white clouds among grey clouds and the wrinkled young silver skin of the water and life-bright lichens on black branches and on the still, bright river, a man and woman slowly poling their log canoe and the spiderweb (golden-green seed-wings already growing above the darker leaves of maples this early in August) and the smell of evergreens and the living grass, then the dying grass, brighter than an Indian basket
”
”
William T. Vollmann (The Dying Grass: A Novel of the Nez Perce War (Seven Dreams #5))
“
Here’s one example to illustrate the point. When a smoker takes a cigarette break, on one level he’s simply seeking the nicotine his body craves. That’s the functional dimension. But that’s not all that’s going on. He’s hiring cigarettes for the emotional benefit of calming him down, relaxing him. And if he works in a typical office building, he’s forced to go outside to a designated smoking area. But that choice is social, too—he can take a break from work and hang around with his buddies. From this perspective, people hire Facebook for many of the same reasons. They log onto Facebook during the middle of the workday to take a break from work, relax for a few minutes while thinking about other things, and convene around a virtual water cooler with far-flung friends. In some ways, Facebook is actually competing with cigarettes to be hired for the same Job to Be Done. Which the smoker chooses will depend on the circumstances of his struggle in that particular moment.
”
”
Clayton M. Christensen (Competing Against Luck: The Story of Innovation and Customer Choice)
“
But the Gulf does draw one, and we have talked to rich men who own boats, who can go where they will. Regularly they find themselves sucked into the Gulf. And since we have returned, there is always in the backs of our minds the positive drive to go back again. If it were lush and rich, one could understand the pull, but it is fierce and hostile and sullen. The stone mountains pile up to the sky and there is little fresh water. But we know we must go back if we live, and we don’t know why.
”
”
John Steinbeck (The Log from the Sea of Cortez)
“
Royce found Hadrian splitting logs near the stockade gate. He was naked to the waist except for the small silver medallion that dangled from his neck as he bent forward to place another wedge. He had a solid sweat worked up along with a sizable pile of wood.
“Been meddling, have you?” Royce asked, looking around at the hive of activity.
“You must admit they didn’t have much in the way of a defense plan,” Hadrian said, pausing to wipe the sweat from his forehead.
Royce smiled at him. “You just can’t help yourself, can you?”
“And you? Did you find the doorknob?”
Hadrian picked up a jug and downed several swallows, drinking so quickly some of the water dripped down his chin. He poured some in his palm and rinsed his face, running his fingers through his hair.
“I didn’t even get close enough to see a door.”
“Well, look on the bright side”—Hadrian smiled—“at least you weren’t captured and condemned to death this time.”
“That’s the bright side?”
“What can I say? I’m a glass-half-full kinda guy.”
There he is,” Russell Bothwick shouted, pointing. “That’s Royce over there.”
“What’s going on?” Royce asked as throngs of people suddenly moved toward him from the field and the castle interior.
“I mentioned that you saw the thing and now they want to know what it looks like,” Hadrian explained. “What did you think? They were coming to lynch you?”
He shrugged. “What can I say? I’m a glass-half-empty kinda guy.”
“Half empty?” Hadrian chuckled. “Was there ever any drink in that glass?
”
”
Michael J. Sullivan (Theft of Swords (The Riyria Revelations, #1-2))
“
I dreamed I was standing on an island in a swamp full of alligators. I could see their backs floating in the water, like logs. And then I saw Kasey swimming toward me, blissfully unaware of the predators that surrounded her. So I pulled out a rifle and shot any alligator that got close to her. Then Kasey was with me on the island, braiding my hair and singing me Christmas carols. And a battered doll walked over to us, but Kasey couldn't see her. And the doll pointed at Kasey and looked at me and said, "Your sister is crazy.
”
”
Katie Alender (Bad Girls Don't Die (Bad Girls Don't Die, #1))
“
For in their succorless emptyhandedness, they, in the heathenish sharked waters, and by the beaches of unrecorded, javelin islands, battled with virgin wonders and terrors that Cooke with all his marines and muskets would not willingly have dared. All that is made such a flourish of in the old South Sea Voyages, those things were but the lifetime commonplaces of our heroic Nantucketers. Often, adventures which Vancouver dedicates three chapters to, these men accounted unworthy of being set down in the ship's common log. Ah, the world! Oh, the world!
”
”
Herman Melville (Moby-Dick or, The Whale)
“
Ducking beneath the low-hanging limbs of giant trees, she churned slowly through thicket for more than a hundred yards, as easy turtles slid from water-logs. A floating mat of duckweed colored the water as green as the leafy ceiling, creating an emerald tunnel. Finally, the trees parted, and she glided into a place of wide sky and reaching grasses, and the sounds of cawing birds. The view a chick gets, she reckoned, when it finally breaks its shell.
Kya tooled along, a tiny speck of a girl in a boat, turning this way and that as endless estuaries branched and braided before her. Keep left at all the turns going out, Jodie had said. She barely touched the throttle, easing the boat through the current, keeping the noise low. As she broke around a stand of reeds, a whitetail doe with last spring's fawn stood lapping water. Their heads jerked up, slinging droplets through the air. Kya didn't stop or they would bolt, a lesson she'd learned from watching wild turkeys: if you act like a predator, they act like prey. Just ignore them, keep going slow. She drifted by, and the deer stood as still as a pine until Kya disappeared beyond the salt grass.
”
”
Delia Owens (Where the Crawdads Sing)
“
For amusement he tried by looking ahead to decide whether the muddy object he saw lying on the water’s edge was a log of wood or an alligator. Only very soon he had to give that up. No fun in it. Always alligator. One of them flopped into the river and all but capsized the canoe. But this excitement was over directly. Then in a long empty reach he was very grateful to a troop of monkeys who came right down on the bank and made an insulting hullabaloo on his passage. Such was the way in which he was approaching greatness as genuine as any man ever achieved. Principally, he longed for sunset;
”
”
Joseph Conrad (Joseph Conrad: The Complete Novels)
“
LOG ENTRY: SOL 390
I have to face facts. I'm done prepping the rover. I don't "feel" like I'm done. But it's ready to go:
Food: 1692 potatoes. Vitamin pills.
Water: 620 liters.
Shelter: Rover, trailer, bedroom.
Air: Rover and trailer combined storage: 14 liters liquid O2, 14 liters liquid N2.
Life Support: Oxygenator and atmospheric regulator. 418 hours of use-and-discard CO2 filters for emergencies.
Power: 36 kilowatt-hours of storage. Carrying capacity for 29 solar cells.
Heat: 1400-watt RTG. Homemade reservoir to heat regulator's return air. Electric heater in rover as backup.
Disco: Lifetime supply.
”
”
Andy Weir (The Martian)
“
Order number one, which came first and last, was: Hold on to the raft! Whatever happened, we must hang on tight on board and let the nine great logs take the pressure from the reef. We ourselves had more than enough to do to withstand the weight of the water. If we jumped overboard, we should become helpless victims of the suction which would fling us in and out over the sharp corals. The rubber raft would capsize in the steep seas or, heavily loaded with us in it, it would be torn to ribbons against the reef. But the wooden logs would sooner or later be cast ashore, and we with them, if we only managed to hold fast.
”
”
Thor Heyerdahl (Kon-Tiki (Enriched Classics))
“
There was a bag of coffee beans beneath a harpoon gun and a frozen hunk of spinach, but there was no way to grind the beans into tiny pieces to make coffee. Near a picnic basket and a large bag of mushrooms was a jug of orange juice, but it had been close to one of the bullet holes in the trunk, and so had frozen completely solid in the cold. And after Sunny moved aside three chunks of cold cheese, a large can of water chestnuts, and an eggplant as big as herself, she finally found a small jar of boysenberry jam, and a loaf of bread she could use to make toast, although it was so cold it felt more like a log than a breakfast ingredient.
”
”
Lemony Snicket (The Slippery Slope (A Series of Unfortunate Events, #10))
“
Many hundreds of craft of all sizes and nationalities - transatlantic steamers, full-rigged ships, barques, schooners, and fishing smacks - were running into the Sound from the open sea, making for the shelter of the roads of Elsinore. Not a single vessel was heading the other way, all were scudding in before the tempest; many of them, no doubt, had put to sea several days before, bound round the Skaw into the German Ocean, but had been compelled to turn back by the violence of the hurricane. They were all staggering along under the smallest possible amounts of canvas, pitching heavily into the frightfully high seas; here a full-rigged ship under close-reefed topsails; here a schooner under fore and main trysails; here a brig under bare poles; here a pilot-cutter under spit-fire jib, and the balance-reef down in her mainsail. Several vessels had lost spars or portions of their bulwarks; one Norwegian barque was evidently water-logged, and in a sinking condition, and was floundering slowly into smoother water, but just in time; and outside the Sound, on the raging Kattegat, were hundreds of other vessels, some hull down on the horizon, making for the same refuge, their fate still uncertain among those gigantic rollers, and, no doubt, with many an anxious heart on board of them.
”
”
Edward Frederick Knight (The Falcon on the Baltic: A Coasting Voyage from Hammersmith to Copenhagen in a Three-Ton Yacht)
“
The Dream"
I met her as a blossom on a stem
Before she ever breathed, and in that dream
The mind remembers from a deeper sleep:
Eye learned from eye, cold lip from sensual lip.
My dream divided on a point of fire;
Light hardened on the water where we were;
A bird sang low; the moonlight sifted in;
The water rippled, and she rippled on.
She came toward me in the flowing air,
A shape of change, encircled by its fire.
I watched her there, between me and the moon;
The bushes and the stones danced on and on;
I touched her shadow when the light delayed;
I turned my face away, and yet she stayed.
A bird sang from the center of a tree;
She loved the wind because the wind loved me.
Love is not love until love’s vulnerable.
She slowed to sigh, in that long interval.
A small bird flew in circles where we stood;
The deer came down, out of the dappled wood.
All who remember, doubt. Who calls that strange?
I tossed a stone, and listened to its plunge.
She knew the grammar of least motion, she
Lent me one virtue, and I live thereby.
She held her body steady in the wind;
Our shadows met, and slowly swung around;
She turned the field into a glittering sea;
I played in flame and water like a boy
And I swayed out beyond the white seafoam;
Like a wet log, I sang within a flame.
In that last while, eternity’s confine,
”
”
Theodore Roethke (The Collected Poems)
“
We people are just like our planetmates. We cannot put an end to nature; we can only pose a threat to ourselves. The notion that we can destroy all life, includng bacteria thriving in the water tanks of nuclear power plants or boiling hot vents, is ludicrous. I hear our nonhuman brethren snickering: "Got along without you before before I met you, gonna get along without you now", they sing about us in harmony. Most of them, the microbes, the whales, the insects, the seed plants, and the birds, are still singing. The tropical forest trees are humming to themselves, waiting for us to finish our arrogant logging so they can get back to their business of growth as usual. And they will continue their cacophonies and harmonies long after we are gone.
”
”
Lynn Margulis (Symbiotic Planet: A New Look at Evolution)
“
Another rain-swept day leaves everything water-logged—ponds, drains, streets, and rivers—everywhere water is overflowing. The green blades of grass in the garden lie submerged under a rippling shallow sheet of water. Through refraction, they take on magical underwater seaweed shapes. Except here, the grass is evenly cropped, so it appears as a glazed woven mat of wet-green. Rain has also left the plants and trees gleaming, bursting in plentitude.
Natural irrigation in excess creates its own slow rot, a sublime slime of wet decay and birth, profusion and irresistibility. Rain has this special seductive appeal—its innocuous wet, its piercing strength, its gentle drizzle-caresses, its ability to douse and arouse. The entire charm lies in its simplicity.
”
”
Sudeep Sen (Rain)
“
MOTHER NATURE was laying down some Law out there in the bayou night, and as befits the order of things, large feathered creatures dove off high branches, swooped low and stuck talons in smaller furry meals, and bandit-eyed coons came stealthily out of hollow logs and glommed finned, scaly chow from the still, brackish shallows, while all those things that slither waited, coiled, for the passing appearance of any prey absentminded, and where the bayou waters butted against land and a screened porch overlooked the boggy stage for these food-chain theatricals, Emil Jadick sat on the arm of the couch and wrapped up a lecture that had been real Type A in tone and content. He said, “And if either of you fucks up because you ain’t been listenin’ to me, I’ll take you off the calendar myself, understood?
”
”
Daniel Woodrell (The Bayou Trilogy: Under the Bright Lights, Muscle for the Wing, and The Ones You Do)
“
Hymn to Mercury : Continued
11.
...
Seized with a sudden fancy for fresh meat,
He in his sacred crib deposited
The hollow lyre, and from the cavern sweet
Rushed with great leaps up to the mountain's head,
Revolving in his mind some subtle feat
Of thievish craft, such as a swindler might
Devise in the lone season of dun night.
12.
Lo! the great Sun under the ocean's bed has
Driven steeds and chariot—the child meanwhile strode
O'er the Pierian mountains clothed in shadows,
Where the immortal oxen of the God
Are pastured in the flowering unmown meadows,
And safely stalled in a remote abode.—
The archer Argicide, elate and proud,
Drove fifty from the herd, lowing aloud.
13.
He drove them wandering o'er the sandy way,
But, being ever mindful of his craft,
Backward and forward drove he them astray,
So that the tracks which seemed before, were aft;
His sandals then he threw to the ocean spray,
And for each foot he wrought a kind of raft
Of tamarisk, and tamarisk-like sprigs,
And bound them in a lump with withy twigs.
14.
And on his feet he tied these sandals light,
The trail of whose wide leaves might not betray
His track; and then, a self-sufficing wight,
Like a man hastening on some distant way,
He from Pieria's mountain bent his flight;
But an old man perceived the infant pass
Down green Onchestus heaped like beds with grass.
15.
The old man stood dressing his sunny vine:
'Halloo! old fellow with the crooked shoulder!
You grub those stumps? before they will bear wine
Methinks even you must grow a little older:
Attend, I pray, to this advice of mine,
As you would 'scape what might appal a bolder—
Seeing, see not—and hearing, hear not—and—
If you have understanding—understand.'
16.
So saying, Hermes roused the oxen vast;
O'er shadowy mountain and resounding dell,
And flower-paven plains, great Hermes passed;
Till the black night divine, which favouring fell
Around his steps, grew gray, and morning fast
Wakened the world to work, and from her cell
Sea-strewn, the Pallantean Moon sublime
Into her watch-tower just began to climb.
17.
Now to Alpheus he had driven all
The broad-foreheaded oxen of the Sun;
They came unwearied to the lofty stall
And to the water-troughs which ever run
Through the fresh fields—and when with rushgrass tall,
Lotus and all sweet herbage, every one
Had pastured been, the great God made them move
Towards the stall in a collected drove.
18.
A mighty pile of wood the God then heaped,
And having soon conceived the mystery
Of fire, from two smooth laurel branches stripped
The bark, and rubbed them in his palms;—on high
Suddenly forth the burning vapour leaped
And the divine child saw delightedly.—
Mercury first found out for human weal
Tinder-box, matches, fire-irons, flint and steel.
19.
And fine dry logs and roots innumerous
He gathered in a delve upon the ground—
And kindled them—and instantaneous
The strength of the fierce flame was breathed around:
And whilst the might of glorious Vulcan thus
Wrapped the great pile with glare and roaring sound,
Hermes dragged forth two heifers, lowing loud,
Close to the fire—such might was in the God.
20.
And on the earth upon their backs he threw
The panting beasts, and rolled them o'er and o'er,
And bored their lives out. Without more ado
He cut up fat and flesh, and down before
The fire, on spits of wood he placed the two,
Toasting their flesh and ribs, and all the gore
Pursed in the bowels; and while this was done
He stretched their hides over a craggy stone.
”
”
Percy Bysshe Shelley (The Complete Poetical Works of Percy Bysshe Shelley)
“
Suppose you had said to my hypothetical family of 1800, eating their gristly stew in front of a log fire, that in two centuries their descendants would need to fetch no logs or water, and carry out no sewage, because water, gas, and a magic form of invisible power called electricity would come into their home through pipes and wires. They would jump at the chance to have such a home, but they would warily ask ho they could possibly afford it. Suppose that you then told them that to earn such a home, they need only ensure that father and mother both have to go to work for eight hours in an office, travelling roughly forty minutes each way in a horseless carriage, and that the children need not work at all, but should go to school to be sure of getting such jobs when they start to work at twenty. They would be more than dumbfounded; they would be delirious with excitement.
”
”
Matt Ridley (The Rational Optimist: How Prosperity Evolves)
“
The Eliots found it a queer sort of evening - a transition evening. Hitherto the Herb of Grace had been to them a summer home; they had known it only permeated with sun and light, flower-scented, windows and doors open wide. But now doors were shut, curtains drawn to hide the sad, grey dusk. Instead of the lap of the water against the river wall they heard the whisper of the flames, and instead of the flowers in the garden they smelt the roasting chestnuts, burning apple logs, the oil lamps, polish - all the home smells. This intimacy with the house was deepening; when winter came it would be deeper still. Nadine glanced over her shoulder at the firelight gleaming upon the dark wood of the panelling, at the shadows gathering in the corners, and marvelled to see how the old place seemed to have shrunk in size with the shutting out of the daylight. It seemed gathering them in, holding them close.
”
”
Elizabeth Goudge (Pilgrim's Inn (Eliots of Damerosehay, #2))
“
LOG ENTRY: SOL 381
I've been thinking about laws on Mars.
Yeah, I know, it's a stupid thing to think about, but I have a lot of free time.
There's an international treaty saying no country can lay claim to anything that's not on Earth. And by another treaty, if you're not in any country's territory, maritime law applies.
So Mars is "international waters".
NASA is an American nonmilitary organization, and it owns the Hab. So while I'm in the Hab, American law applies. As soon as I step outside, I'm in international waters. Then when I get in the rover, I'm back to American law.
Here's the cool part: I will eventually go to Schiaparelli and commandeer the Ares 4 lander. Nobody explicitly gave me permission to do this, and they can't until I'm aboard Ares 4 and operating the comm system. After I board Ares 4, before talking to NASA, I will take control of a craft in international waters without permission.
That makes me a pirate!
A space pirate!
”
”
Andy Weir (The Martian)
“
Let Me Begin Again”
Let me begin again as a speck
of dust caught in the night winds
sweeping out to sea. Let me begin
this time knowing the world is
salt water and dark clouds, the world
is grinding and sighing all night, and dawn
comes slowly and changes nothing. Let
me go back to land after a lifetime
of going nowhere. This time lodged
in the feathers of some scavenging gull
white above the black ship that docks
and broods upon the oily waters of
your harbor. This leaking freighter
has brought a hold full of hayforks
from Spain, great jeroboams of dark
Algerian wine, and quill pens that can’t
write English. The sailors have stumbled
off toward the bars of the bright houses.
The captain closes his log and falls asleep.
1/10’28. Tonight I shall enter my life
after being at sea for ages, quietly,
in a hospital named for an automobile.
The one child of millions of children
who has flown alone by the stars
above the black wastes of moonless waters
that stretched forever, who has turned
golden in the full sun of a new day.
A tiny wise child who this time will love
his life because it is like no other.
”
”
Philip Levine (7 Years from Somewhere: Poems)
“
...seeing as he sat down on the log the crooked print, the warped indentation in the wet ground which while he looked at it continued to fill with water until it was level full and the water began to overflow and the sides of the print began to dissolve away. Even as he looked up he saw the next one, and, moving, the one beyond it; moving, not hurrying, running, but merely keeping pace with them as they appeared before him as though they were being shaped out of thin air just one constant pace short of where he would lose them forever and be lost forever himself, tireless, eager, without doubt or dread, panting a little above the strong rapid little hammer of his heart, emerging suddenly into a little glade and the wilderness coalesced. It rushed, soundless, and solidified––the tree, the bush, the compass and the watch glinting where a ray of sunlight touched them. Then he saw the bear. It did not emerge, appear: it was just there, immobile, fixed in the green and windless noon's hot dappling, not as big as he had dreamed it but as big as he had expected, bigger, dimensionless against the dappled obscurity, looking at him.
”
”
William Faulkner (Go Down, Moses)
“
I like rainbows.
We came back down to the meadow near the steaming terrace and sat in the river, just where one of the bigger hot streams poured into the cold water of the Ferris Fork. It is illegal – not to say suicidal – to bathe in any of the thermal features of the park. But when those features empty into the river, at what is called a hot pot, swimming and soaking are perfectly acceptable. So we were soaking off our long walk, talking about our favorite waterfalls, and discussing rainbows when it occurred to us that the moon was full. There wasn’t a hint of foul weather. And if you had a clear sky and a waterfall facing in just the right direction…
Over the course of a couple of days we hked back down the canyon to the Boundary Creek Trail and followed it to Dunanda Falls, which is only about eight miles from the ranger station at the entrance to the park. Dunanda is a 150-foot-high plunge facing generally south, so that in the afternoons reliable rainbows dance over the rocks at its base. It is the archetype of all western waterfalls. Dunenda is an Indian name; in Shoshone it means “straight down,” which is a pretty good description of the plunge.
...
…We had to walk three miles back toward the ranger station and our assigned campsite. We planned to set up our tents, eat, hang our food, and walk back to Dunanda Falls in the dark, using headlamps. We could be there by ten or eleven. At that time the full moon would clear the east ridge of the downriver canyon and would be shining directly on the fall.
Walking at night is never a happy proposition, and this particular evening stroll involved five stream crossings, mostly on old logs, and took a lot longer than we’d anticipated. Still, we beat the moon to the fall.
Most of us took up residence in one or another of the hot pots. Presently the moon, like a floodlight, rose over the canyon rim. The falling water took on a silver tinge, and the rock wall, which had looked gold under the sun, was now a slick black so the contrast of water and rock was incomparably stark. The pools below the lip of the fall were glowing, as from within, with a pale blue light. And then it started at the base of the fall: just a diagonal line in the spray that ran from the lower east to the upper west side of the wall.
“It’s going to happen,” I told Kara, who was sitting beside me in one of the hot pots.
Where falling water hit the rock at the base of the fall and exploded upward in vapor, the light was very bright. It concentrated itself in a shining ball. The diagonal line was above and slowly began to bend until, in the fullness of time (ten minutes, maybe), it formed a perfectly symmetrical bow, shining silver blue under the moon. The color was vaguely electrical.
Kara said she could see colors in the moonbow, and when I looked very hard, I thought I could make out a faint line of reddish orange above, and some deep violet at the bottom. Both colors were very pale, flickering, like bad florescent light.
In any case, it was exhilarating, the experience of a lifetime: an entirely perfect moonbow, silver and iridescent, all shining and spectral there at the base of Dunanda Falls. The hot pot itself was a luxury, and I considered myself a pretty swell fellow, doing all this for the sanity of city dwellers, who need such things more than anyone else. I even thought of naming the moonbow: Cahill’s Luminescence. Something like that. Otherwise, someone else might take credit for it.
”
”
Tim Cahill (Lost in My Own Backyard: A Walk in Yellowstone National Park (Crown Journeys))
“
The buzzards over Pondy Woods
Achieve the blue tense altitudes
Black figments that the woods release,
Obscenity in form and grace,
Drifting high through the pure sunshine
Till the sun in gold decline.
(...)
By the buzzard roost Big Jim Todd
Listened for hoofs on the corduroy road
Or for the foul and sucking sound
A man's foot makes on the marshy ground.
Past midnight, when the moccasin
Slipped from the log and, trailing in
Its obscured waters, broke
The dark algae, one lean bird spoke,
(...)
"[Big Jim] your breed ain't metaphysical."
The buzzard coughed, His words fell
In the darkness, mystic and ambrosial.
"But we maintain our ancient rite,
Eat the gods by day and prophesy by night.
We swing against the sky and wait;
You seize the hour, more passionate
Than strong, and strive with time to die --
With time, the beaked tribe's astute ally.
"The Jew-boy died. The Syrian vulture swung
Remotely above the cross whereon he hung
From dinner-time to supper-time, and all
The people gathered there watched him until
The lean brown chest no longer stirred,
Then idly watched the slow majestic bird
That in the last sun above the twilit hill
Gleamed for a moment at the height and slid
Down the hot wind and in the darkness hid.
[Big Jim], regard the circumstance of breath:
Non omnis moriar, the poet sayeth."
Pedantic, the bird clacked its gray beak,
With a Tennessee accent to the classic phrase;
Jim understood, and was about to speak,
But the buzzard drooped one wing and filmed the eyes.
At dawn unto the Sabbath wheat he came,
That gave to the dew its faithless yellow flame
From kindly loam in recollection of
The fires that in the brutal rock one strove.
To the ripe wheat he came at dawn.
Northward the printed smoke stood quiet above
The distant cabins of Squiggtown.
A train's far whistle blew and drifted away
Coldly; lucid and thin the morning lay
Along the farms, and here no sound
Touched the sweet earth miraculously stilled.
Then down the damp and sudden wood there belled
The musical white-throated hound.
In pondy Woods in the summer's drouth
Lurk fever and the cottonmouth.
And buzzards over Pondy Woods
Achieve the blue tense altitudes,
Drifting high in the pure sunshine
Till the sun in gold decline;
Then golden and hieratic through
The night their eyes burn two by two.
”
”
Robert Penn Warren
“
In consequence, we had shelters to ourselves each night, which was a big treat. You know your life has grown pathetic when you’re thrilled to have a covered wooden platform to call your own, but there you are—we were thrilled. The shelters along this section of trail were mostly new and spanking clean. Several were even provisioned with a broom—a cozy, domestic touch. Moreover, the brooms were used (we used them, and whistled while we did it), proving that if you give an AT hiker an appliance of comfort he will use it responsibly. Each shelter had a nearby privy, a good water source, and a picnic table, so we could prepare and eat our meals in a more or less normal posture instead of squatting on damp logs. All of these are great luxuries on the trail. On the fourth night, just as I was facing the dismal prospect of finishing my only book and thereafter having nothing to do in the evenings but lie in the half light and listen to Katz snore, I was delighted, thrilled, sublimely gratified to find that some earlier user had left a Graham Greene paperback. If there is one thing the AT teaches, it is low-level ecstasy—something we could all do with more of in our lives.
”
”
Bill Bryson (A Walk in the Woods: Rediscovering America on the Appalachian Trail)
“
VICTORIAN FUNERAL BISCUITS Adapted from the third edition of
Miss Beecher’s Domestic Receipt-Book,
published in 1862. ½ c sugar ½ c salted butter, softened 1 c molasses ½ c warm water 2 tbs fresh minced ginger 2 ¼ c flour ½ tsp baking soda In a large bowl, use an electric mixer to beat the sugar and butter together until light and fluffy, about 1 minute. Add the molasses, water, and ginger, and beat until combined. In a separate bowl, whisk together the flour and baking soda. Add flour to molasses mixture and use electric mixer to combine well. Dough will be stiff. Split dough into two balls. Knead each dough ball several times to remove any air bubbles. Form dough into two even logs, approximately 8 inches long. Wrap each log tightly in plastic wrap. Refrigerate for several hours until firm. Preheat oven to 350°F. Line two baking sheets with parchment paper. Slice each log of dough into ¼-inch rounds and place one inch apart on baking sheets. Each dough log makes approximately 25 biscuits. If desired, use a knife or stamp to impress an image onto the biscuits. Bake 20 minutes. Let cool completely (biscuits should be crunchy). Wrap several biscuits in wax paper and secure with a black wax stamp or black string.
”
”
Sarah Penner (The London Séance Society)
“
It was also then that the women of Akçah started a new custom. Underneath their garments they wrapped cloth bands around their waists to squeeze them tight. They were so awed by Zekiye's thin waist that, for a while, they ignored Atiye when she reminded them that this waist-thinning method wouldn't work unless they had started very young. But the women kept their waistbands on until the sheep-mating season to see what would happeend. Then they all began to wheeze. They found that in their zeal for having thin waists they had afflicted themselves with shortness of breath, coughing, flushes and sweating. A few had sores on their hands, faces and other parts of their bodies. Three women had problems with their eyes and speech. And when their waists started to swell up like logs, they all took off the cloth bands. "We're well past the age of waist-thinning," they said. All the same, they considered it their duty as mothers to raise their daughters to be as slender as Zekiye. They took lessons in the art of waist-thinning from Atiye and soon discovered that plastic bags were more effective than cloth bands. Thereafter, whenever they had girl babies, they would wash them with three bowls of water as soon as the umbilical cord was cut and then wrap plastic bags around their waists, blowing prayers on them all the while.
”
”
Latife Tekin (Sevgili Arsız Ölüm)
“
Americans are Americans and everyone else is sorry. Half the time we don't even know what we're sorry about, it just squeaks out of our sorry gaps before we've even clues into the conversation. Well, I'm sorry YOU'RE all so sorry. You have to know when to be sorry. You can't really be sorry for something you don't want to remember, can you? Selective memory, isn't it? Let's be honest, hell, you can't even apologize for the shit you did yesterday never mind fifty years ago. Indian residential schools, Japanese internment camps, hell, and this is just in your neighborhood. But it's all right... everybody's sorry these days. The politicians are sorry, the cops are sorry, the priests are sorry, the logging companies are sorry, mining companies, electric companies, water companies, wife beaters, serial rapists, child molesters, mommy and daddy. Everybody's sorry. Everybody's sorry they got caught sticking it to someone else... that's what they are sorry about... getting caught. They could give a rat's ass about you, or me, or the people they are saying sorry to. Think about it... Don't be a sorry ass, be sorry before you have to say you are sorry. Be sorry for even thinking about, bringing about something sorry-filled. And the next time someone says, "There is one law for everyone." Say, "I'm sorry, you're an idiot." Just kidding, now that was harsh.
”
”
Marie Clements (Burning Vision)
“
I was thoroughly tired, and I didn't exactly lie awake, but I didn't exactly sleep either. As soon as I shut my eyes I could see the river again, only now I seemed to see it up and down its whole length. Where just a little while before people had been breathing and eating and going about their old every lives, now I could see the currents come riding in, at first picking up straws and dead leaves and little sticks, and then boards and pieces of firewood and whole logs, and then maybe the henhouse or the bard or the house itself. As if the mountain had melted and were flowing to the sea, the water rose and filled all the airy spaces of rooms and stalls and fields and woods, carrying away everything that would float, casting up the people and scattering them, scattering or drowning their animals and poultry flocks. The whole world, it seemed, was cast adrift, riding the currents, whirled about in eddies, and the old life submerged and gone, the new not yet come.
And I knew that the Spirit that had gone forth to shape the world and make it live was still alive in it. I just had no doubt. I could see that I lived in the created world, and it was still being created. I would be part of it forever. There was no escape. The Spirit that made it was in it, shaping it and reshaping it, sometimes lying at rest, sometimes standing up and shaking itself, like a muddy horse, and letting the pieces fly. I had almost no sooner broke my leash than I had hit the wall.
”
”
Wendell Berry (Jayber Crow)
“
Cakes: Microwave milk, water, oil, and butter for two minutes. Make certain it is not too hot to touch (90–100 degrees. We don’t want to kill off our little hardworking yeast, do we? No. We are not killers). Crack eggs into liquid. In the mixing bowl of a standing mixer, combine 1 ½ cups of flour, the salt, sugar, and yeast. Add the liquid and stir thoroughly. Add remaining 2 cups of flour one cup at a time, stirring between each addition. With mixer on low and using the bread paddle or hook, mix dough for 4 minutes. If you don’t have a standing mixer for some strange reason, which I cannot fathom because they are the most useful things ever, you can knead it by hand for 8 minutes instead. Scrape dough into a greased and floured mixing bowl. Let rise for one hour in a warm place. (I preheat my oven to 100 degrees and then turn it off before putting the dough inside, covered with a towel. This is a Great Way to Not Kill Your Yeast.) After one hour, remove the dough and place on a floured cutting board. Gently roll it out to a 12 x 20 inch(ish) rectangle. Combine 3 tablespoons melted butter and ¼ teaspoon orange extract for the filling. Spoon the filling to cover the rectangle, then roll it up. It will be . . . slimy. Delicious, but slimy. Use a sharp knife to cut the log into 12 rolls. (They should be swirled like cinnamon rolls.) Place each roll cut side up in a greased muffin tin and let rise for a half hour covered with the towel. Preheat the oven to 400 degrees, then bake rolls (remove the towel first, flames are such a pain in the kitchen) for 14 minutes. Let them cool in the pan for a few minutes, then tip them out onto a large plate for the next step.
”
”
Maggie Stiefvater (The Scorpio Races)
“
LOG ENTRY: SOL 118
My conversation with NASA about the water reclaimer was boring and riddled with technical details. So I'll paraphrase it for you:
Me: "This is obviously a clog. How about I take it apart and check the internal tubing?"
NASA: (after five hours of deliberation) "No. You'll fuck it up and die."
So I took it apart.
Yes, I know. NASA has a lot of ultra-smart people and I should really do what they say. And I'm being too adversarial, considering they spend all day working on how to save my life.
I just get sick of being told how to wipe my ass. Independence was one of the qualities they look for when choosing Ares astronauts. It's a thirteen-month mission, most of it spent light-minutes away from Earth. They wanted people who would act on their own initiative.
If Commander Lewis were here, I'd do whatever she said, no problem. But a committee of faceless bureaucrats back on Earth? Sorry, I'm just having a tough time with it.
I was really careful. I labeled every piece as I dismantled it, and laid everything out on a table. I have the schematics in the computer so nothing was a surprise.
And just as I'd suspected, there was a clogged tube. The water reclaimer was designed to purify urine and strain humidity out of the air ( you exhale almost as much water as you piss). I've mixed my water with soil making it mineral water. The minerals built up in the water reclaimer.
I cleaned out the tubing and put it all back together. I completely solved the problem. I'll have to do it again someday, but not for a hundred sols or so. No big deal.
I told NASA what I did. Our (paraphrased) conversation was:
Me: "I took it apart, found the problem, and fixed it."
NASA: "Dick.
”
”
Andy Weir (The Martian)
“
it’s one of the great sunrises in all literature. Mark Twain: from The Adventures of Huckleberry Finn . . . then we set down on the sandy bottom where the water was about knee deep, and watched the daylight come. Not a sound anywheres—perfectly still—just like the whole world was asleep, only sometimes the bull-frogs a-cluttering, maybe. The first thing to see, looking away over the water, was a kind of dull line—that was the woods on t’other side—you couldn’t make nothing else out; then a pale place in the sky; then more paleness, spreading around; then the river softened up, away off, and warn’t black any more, but gray; you could see little dark spots drifting along, ever so far away—trading scows, and such things; and long black streaks—rafts; sometimes you could hear a sweep screaking; or jumbled-up voices, it was so still, and sounds come so far; and by-and-by you could see a streak on the water which you know by the look of the streak that there’s a snag there in a swift current which breaks on it and makes that streak look that way; and you see the mist curl up off of the water, and the east reddens up, and the river, and you make out a log cabin in the edge of the woods, away on the bank on t’other side of the river, being a woodyard, likely, and piled by them cheats so you can throw a dog through it anywheres; then the nice breeze springs up, and comes fanning you from over there, so cool and fresh, and sweet to smell, on account of the woods and the flowers; but sometimes not that way, because they’ve left dead fish laying around, gars, and such, and they do get pretty rank; and next you’ve got the full day, and everything smiling in the sun, and the song-birds just going it!
”
”
Ursula K. Le Guin (Steering The Craft: A Twenty-First-Century Guide to Sailing the Sea of Story)
“
I built, of blocks, a town three hundred thousand strong, whose avenues were paved with a wine-colored rug and decorated by large leaves outlined inappropriately in orange, and on this leafage I'd often park my Tootsie Toy trucks, as if on pads of camouflage, waiting their deployment against catastrophes which included alien invasions, internal treachery, and world war. It was always my intention, and my conceit, to use up, in the town's construction, every toy I possessed: my electronic train, of course, the Lincoln Logs, old kindergarten blocks—their deeply incised letters always a problem—the Erector set, every lead soldier that would stand (broken ones were sent to the hospital), my impressive array of cars, motorcycles, tanks, and trucks—some with trailers, some transporting gas, some tows, some dumps—and my squadrons of planes, my fleet of ships, my big and little guns, an undersized group of parachute people (looking as if one should always imagine them high in the sky, hanging from threads), my silversided submarines, along with assorted RR signs, poles bearing flags, prefab houses with faces pasted in their windows, small boxes of a dozen variously useful kinds, strips of blue cloth for streams and rivers, and glass jars for town water towers, or, in a pinch, jails. In time, the armies, the citizens, even the streets would divide: loyalties, friendships, certainties, would be undermined, the city would be shaken by strife; and marbles would rain down from formerly friendly planes, steeples would topple onto cars, and shellfire would soon throw aggie holes through homes, soldiers would die accompanied by my groans, and ragged bands of refugees would flee toward mountain caves and other chairs and tables.
”
”
William H. Gass (The Tunnel)
“
It occurred to her that she had never thanked Arin for bringing her piano here. She found him in the library and meant to say what she had come to say, yet when she saw him studying a map near the fire, lit by an upward shower of sparks as one log fell on another, she remembered her promise precisely because of how she longed to forget it.
She blurted something that had nothing to do with anything. “Do you know how to make honeyed half-moons?”
“Do I…?” He lowered the map. “Kestrel, I hate to disappoint you, but I was never a cook.”
“You know how to make tea.”
He laughed. “You do realize that boiling water is within the capabilities of anybody?”
“Oh.” Kestrel moved to leave, feeling foolish. What had possessed her to ask such a ridiculous question anyway?
“I mean, yes,” Arin said. “Yes, I know how to make half-moons.”
“Really?”
“Ah…no. But we can try.”
They went into the kitchens. A glance from Arin cleared the room, and then it was only the two of them, dumping flour onto the wooden worktable, Arin palming a jar of honey out of a cabinet.
Kestrel cracked an egg into a bowl and knew why she had asked for this.
So that she could pretend that there had been no war, there were no sides, and that this was her life.
The half-moons came out as hard as rocks.
“Hmm.” Arin inspected one. “I could use these as weapons.”
She laughed before she could tell herself it wasn’t funny.
“Actually, they’re about the size of your weapon of choice,” he said. “Which reminds me that you’ve never said how you dueled at Needles against the city’s finest fighter and won.”
It would be a mistake to tell him. It would defy the simplest rule of warfare: to hide one’s strengths and weaknesses for as long as possible. Yet Kestrel told Arin the story of how she had beaten Irex.
Arin covered his face with one floured hand and peeked at her between his fingers. “You are terrifying. Gods help me if I cross you, Kestrel.”
“You already have,” she pointed out.
“But am I your enemy?” Arin crossed the space between them. Softly, he repeated, “Am I?
”
”
Marie Rutkoski (The Winner's Curse (The Winner's Trilogy, #1))
“
I went straight upstairs to my bedroom after Marlboro Man and I said good night. I had to finish packing…and I had to tend to my face, which was causing me more discomfort by the minute. I looked in the bathroom mirror; my face was sunburn red. Irritated. Inflamed. Oh no. What had Prison Matron Cindy done to me? What should I do? I washed my face with cool water and a gentle cleaner and looked in the mirror. It was worse. I looked like a freako lobster face. It would be a great match for the cherry red suit I planned to wear to the rehearsal dinner the next night.
But my white dress for Saturday? That was another story.
I slept like a log and woke up early the next morning, opening my eyes and forgetting for a blissful four seconds about the facial trauma I’d endured the day before. I quickly brought my hands to my face; it felt tight and rough. I leaped out of bed and ran to the bathroom, flipping on the light and looking in the mirror to survey the state of my face.
The redness had subsided; I noticed that immediately. This was a good development. Encouraging. But upon closer examination, I could see the beginning stages of pruney lines around my chin and nose. My stomach lurched; it was the day of the rehearsal. It was the day I’d see not just my friends and family who, I was certain, would love me no matter what grotesque skin condition I’d contracted since the last time we saw one another, but also many, many people I’d never met before--ranching neighbors, cousins, business associates, and college friends of Marlboro Man’s. I wasn’t thrilled at the possibility that their first impression of me might be something that involved scales. I wanted to be fresh. Dewy. Resplendent. Not rough and dry and irritated. Not now. Not this weekend.
I examined the damage in the mirror and deduced that the plutonium Cindy the Prison Matron had swabbed on my face the day before had actually been some kind of acid peel. The burn came first. Logic would follow that what my face would want to do next would be to, well, peel. This could be bad. This could be real, real bad. What if I could speed along that process? Maybe if I could feed the beast’s desire to slough, it would leave me alone--at least for the next forty-eight hours.
All I wanted was forty-eight hours. I didn’t think it was too much to ask.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Our team’s vision for the facility was a cross between a shooting range and a country club for special forces personnel. Clients would be able to schedule all manner of training courses in advance, and the gear and support personnel would be waiting when they arrived. There’d be seven shooting ranges with high gravel berms to cut down noise and absorb bullets, and we’d carve a grass airstrip, and have a special driving track to practice high-speed chases and real “defensive driving”—the stuff that happens when your convoy is ambushed. There would be a bunkhouse to sleep seventy. And nearby, the main headquarters would have the feel of a hunting lodge, with timber framing and high stone walls, with a large central fireplace where people could gather after a day on the ranges. This was the community I enjoyed; we never intended to send anyone oversees. This chunk of the Tar Heel State was my “Field of Dreams.” I bought thirty-one hundred acres—roughly five square miles of land, plenty of territory to catch even the most wayward bullets—for $900,000. We broke ground in June 1997, and immediately began learning about do-it-yourself entrepreneurship. That land was ugly: Logging the previous year had left a moonscape of tree stumps and tangled roots lorded over by mosquitoes and poisonous creatures. I killed a snake the first twelve times I went to the property. The heat was miserable. While a local construction company carved the shooting ranges and the lake, our small team installed the culverts and forged new roads and planted the Southern pine utility poles to support the electrical wiring. The basic site work was done in about ninety days—and then we had to figure out what to call the place. The leading contender, “Hampton Roads Tactical Shooting Center,” was professional, but pretty uptight. “Tidewater Institute for Tactical Shooting” had legs, but the acronym wouldn’t have helped us much. But then, as we slogged across the property and excavated ditches, an incessant charcoal mud covered our boots and machinery, and we watched as each new hole was swallowed by that relentless peat-stained black water. Blackwater, we agreed, was a name. Meanwhile, within days of being installed, the Southern pine poles had been slashed by massive black bears marking their territory, as the animals had done there since long before the Europeans settled the New World. We were part of this land now, and from that heritage we took our original logo: a bear paw surrounded by the stylized crosshairs of a rifle scope.
”
”
Anonymous
“
A man can survive ten years--but twenty-five, who can get through alive? Shukhov rather enjoyed having everybody poke a finger at him as if to say: Look at him, his term's nearly up. But he had his doubts about it. Those zeks who finished their time during the war had all been "retained pending special instructions" and had been released only in '46. Even those serving three-year sentences were kept for another five. The law can be stood on its head. When your ten years are up they can say, "Here's another ten for you." Or exile you. Yet there were times when you thought about it and you almost choked with excitement. Yes, your term really _is_ coming to an end; the spool is unwinding. . . . Good God! To step out to freedom, just walk out on your own two feet. But it wasn't right for an old-timer to talk about it aloud, and Shukhov said to Kilgas: "Don't you worry about those twenty-five years of yours. It's not a fact you'll be in all that time. But that I've been in eight full years--now that is a fact." Yes, you live with your feet in the mud and there's no time to be thinking about how you got in or how you're going to get out. According to his dossier, Ivan Denisovich Shukhov had been sentenced for high treason. He had testified to it himself. Yes, he'd surrendered to the Germans with the intention of betraying his country and he'd returned from captivity to carry out a mission for German intelligence. What sort of mission neither Shukhov nor the interrogator could say. So it had been left at that- -a mission. Shukhov had figured it all out. If he didn't sign he'd be shot If he signed he'd still get a chance to live. So he signed. But what really happened was this. In February 1942 their whole army was surrounded on the northwest front No food was parachuted to them. There were no planes. Things got so bad that they were scraping the hooves of dead horses--the horn could be soaked In water and eaten. Their ammunition was gone. So the Germans rounded them up in the forest, a few at a time. Shukhov was In one of these groups, and remained in German captivity for a day or two. Then five of them managed to escape. They stole through the forest and marshes again, and, by a miracle, reached their own lines. A machine gunner shot two of them on the spot, a third died of his wounds, but two got through. Had they been wiser they'd have said they'd been wandering in the forest, and then nothing would have happened. But they told the truth: they said they were escaped POW's. POW's, you fuckers! If all five of them had got through, their statements could have been found to tally and they might have been believed. But with two it was hopeless. You've put your damned heads together and cooked up that escape story, they were told. Deaf though he was, Senka caught on that they were talking about escaping from the Germans, and said in a loud voice: "Three times I escaped, and three times they caught me." Senka, who had suffered so much, was usually silent: he didn't hear what people said and didn't mix in their conversation. Little was known about him--only that he'd been in Buchenwald, where he'd worked with the underground and smuggled in arms for the mutiny; and how the Germans had punished him by tying his wrists behind his back, hanging him up by them, and whipping him. "You've been In for eight years, Vanya," Kilgas argued. "But what camps? Not 'specials.' You bad breads to sleep with. You didn't wear numbers. But try and spend eight years in a 'special'--doing hard labor. No one's come out of a 'special' alive." "Broads! Boards you mean, not broads." Shukhov stared at the coals in the stove and remeinbered his seven years in the North. And how he worked for three years hauling logs--for packing cases and railroad ties. The flames in the campfires had danced up there, too--at timber-felling during the night. Their chief made it a rule that any squad that had failed to meet its quota had to stay In the forest after dark.
”
”
Alexander Solzhenitsyn (One Day in the Life of Ivan Denisovich)
“
Bottled Water implements CDC for PostgreSQL using an API that decodes the write-ahead log [28], Maxwell and Debezium do something similar for MySQL by parsing the binlog [29, 30, 31], Mongoriver reads the MongoDB oplog [32, 33],
”
”
Martin Kleppmann (Designing Data-Intensive Applications: The Big Ideas Behind Reliable, Scalable, and Maintainable Systems)
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Music plays a very important part in the life of the American Indian. From the time he is born until he dies, his life is marked by dancing, and the drum is the keynote of it all.
There are three major types of drums—the small hand drum, usually with one head, commonly called the tom-tom and shown here. Other types (not shown) are the larger two-headed drum made from a hollowed-out log or keg, and the water drum, with a single removable head.
The drum heads are usually of rawhide, made from calf or deerskin. The drums are usually decorated with painted symbols and designs having religious or protective meanings. The American Indian never plays the drum by tapping it with his fist or hand—this is an African method. A drumstick is always used.
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W. Ben Hunt (Indian Crafts & Lore)
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At sea, navigators need to know how fast their vessel is moving through the water. Prior to the GPS, this was done with a nautical instrument known as a log. The devise that was attached to the handrail around the stern of the ship was known as a taffrail log. These instruments consisted of an impeller, or rotator made of brass, usually with four blades, a reading dial accurately calibrated, and a line that connected the two parts. As the impeller was dragged through the sea it rotated, turning the dial that registered the ships speed in knots, which equal one nautical mile per hour. The taffrail log usually registered the ships speed in knots, and tenths of a knot….. The earliest known taffrail log, also known as patent log, was designed in 1688 by an Englishman, Humphry Cole. Taffrail logs were later manufactured by the Lionel Corporation, perhaps better known for the manufacturing of model trains. They remained in business from 1900 to 1995, producing “Taffrail Logs” for the US Navy during World War II.
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Hank Bracker
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The clock ticks. There's rain on the tin roof. Wade finds some music on his cell phone...............I throw a log on the fire and the flames shoot up. We are slipping into the timeless waters of childbirth, where there are waves and then rest. Waves and then rest.
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Patricia Harman (The Runaway Midwife)
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I know that some of you reading this are convinced humans are a myth, but I am here to state that they do actually exist. For those that don’t know, a human is a real bipedal lifeform of mid-range intelligence, living a largely deluded existence on a small water-logged planet in a very lonely corner of the universe.
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Matt Haig (The Humans)
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was walking along the bank of a stream when I saw a mother otter with her cubs. A very endearing sight, I’m sure you will agree, and even as I watched, the mother otter dived into the water and came up with a plump salmon, which she subdued and dragged on to a half-submerged log. As she ate it, while of course it was still alive, the body split and I remember to this day the sweet pinkness of its roes as they spilled out, much to the delight of the baby otters who scrambled over themselves to feed on the delicacy. One of nature’s wonders, gentlemen: mother and children dining upon mother and children. And that’s when I first learned about evil. It is built in to the very nature of the universe. Every world spins in pain. If there is any kind of supreme being, I told myself, it is up to all of us to become his moral superior.
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Terry Pratchett (Unseen Academicals (Discworld, #37))
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He would frequently do solo dives at midnight, relishing the tranquillity of his own private world. While decompressing, he rested lazily on a tree log that had fallen into the water. He was often illuminated only by the Moon, whose light beams rippled through his exhalation bubbles, which rose like rapidly expanding flying saucers, exploding when they hit the surface. The rippling light cast eerie shadows on the rock entrance below Berman, making fish, crabs, and crayfish seem to dance in a strobe light, appearing, disappearing, and reappearing in an instant.
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Bernie Chowdhury (The Last Dive: A Father and Son's Fatal Descent into the Ocean's Depths)
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As soon as his soft voice began to flow the night would become less empty. He built a bridge of cobwebs between us, a bridge of words. They fluttered above us in an arch; they rose and dropped, like the waters of the river. He was the source; I was the mouth. A secret was woven between us, and the beautiful madness called conversation worked a miracle: two dead logs that lay side by side suddenly revided, and were not completely separated.
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Meša Selimović (Death and the Dervish)